Quotes about reality
page 25

Báb photo
Haruki Murakami photo
George Herbert Mead photo
Gloria Estefan photo
Geert Wilders photo
Ron Paul photo

“Imagine […] that thousands of armed foreign troops were constantly patrolling American streets in military vehicles. Imagine they were here under the auspices of "keeping us safe" or "promoting democracy" or "protecting their strategic interests." Imagine that they operated outside of US law, and that the Constitution did not apply to them. Imagine that every now and then they made mistakes or acted on bad information and accidentally killed or terrorized innocent Americans, including women and children, most of the time with little to no repercussions or consequences. Imagine that they set up checkpoints on our soil and routinely searched and ransacked entire neighborhoods of homes. Imagine if Americans were fearful of these foreign troops, and overwhelmingly thought America would be better off without their presence. Imagine if some Americans were so angry about them being in Texas that they actually joined together to fight them off, in defense of our soil and sovereignty, because leadership in government refused or were unable to do so. Imagine that those Americans were labeled terrorists or insurgents for their defensive actions, and routinely killed, or captured and tortured by the foreign troops on our land. Imagine that the occupiers' attitude was that if they just killed enough Americans, the resistance would stop, but instead, for every American killed, ten more would take up arms against them, resulting in perpetual bloodshed. […] The reality is that our military presence on foreign soil is as offensive to the people that live there as armed Chinese troops would be if they were stationed in Texas.”

Ron Paul (1935) American politician and physician

Imagine by Ron Paul http://www.lewrockwell.com/paul/paul512.html (11 March 2009).
2000s, 2006-2009

Ralph Ellison photo
Giorgio Morandi photo

“I also believe there is nothing more surreal and nothing more abstract than reality.”

Giorgio Morandi (1890–1964) Italian painter

from an interview, 1955; as quoted in Morandi 1894 – 1964, ed: M. C. Bandera & R. Miracco, Museo d'Arte Moderna di Bologna, 2008; p. 38
1945 - 1964

Bell Hooks photo

“To be in the margin is to be part of the whole but outside the main body. As black Americans living in a small Kentucky town, the railroad tracks were a daily reminder of our marginality. Across those tracks were paved streets, stores we could not enter, restaurants we could not eat in, and people we could not look directly in the face. Across those tracks was a world we could work in as maids, as janitors, as prostitutes, as long as it was in a service capacity. We could enter that world but we could not live there. We had always to return to the margin, to cross the tracks, to shacks and abandoned houses on the edge of town. There were laws to ensure our return. To not return was to risk being punished. Living as we did-on the edge-we developed a particular way of seeing reality. We looked both from the outside in and and from the inside out. We focused our attention on the center as well as on the margin. We understood both. This mode of seeing reminded us of the existence of a whole universe, a main body made up of both margin and center. Our survival depended on an ongoing public awareness of the separation between margin and center and an ongoing private acknowledgment that we were a necessary, vital part of that whole. This sense of wholeness, impressed upon our consciousness by the structure of our daily lives, provided us an oppositional world view-a mode of seeing unknown to most of our oppressors, that sustained us, aided us in our struggle to transcend poverty and despair, strengthened our sense of self and our solidarity. … Much feminist theory emerges from privileged women who live at the center, whose perspectives on reality rarely include knowledge and awareness of the lives of women and men who live in the margin. As a consequence, feminist theory lacks wholeness, lacks the broad analysis that could encompass a variety of human experiences. Although feminist theorists are aware of the need to develop ideas and analysis that encompass a larger number of experiences, that serve to unify rather than to polarize, such theory is complex and slow in formation. At its most visionary, it will emerge from individuals who have knowledge of both margin and center.”

p. xvii https://books.google.com/books?id=ClWvBAAAQBAJ&pg=PT8.
Feminist Theory: From Margin to Center (1984), Preface

Ai Weiwei photo
Arthur Cecil Pigou photo
Thomas Wolfe photo
Robert E. Howard photo
Billy Joel photo

“Now we are forced to recognize our inhumanity
Our reason coexists with our insanity
And though we choose between reality and madness
It's either sadness or euphoria.”

Billy Joel (1949) American singer-songwriter and pianist

Summer, Highland Falls.
Song lyrics, Turnstiles (1976)

Jane Roberts photo
Saddam Hussein photo
David Fincher photo
Leo Tolstoy photo
Jane Roberts photo
Octavio Paz photo

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Jean Baudrillard photo
George Raymond Richard Martin photo
Edith Stein photo
Rod Serling photo

“I'm dedicating my little story to you; doubtless you will be among the very few who will ever read it. It seems war stories aren't very well received at this point. I'm told they're out-dated, untimely and as might be expected - make some unpleasant reading. And, as you have no doubt already perceived, human beings don't like to remember unpleasant things. They gird themselves with the armor of wishful thinking, protect themselves with a shield of impenetrable optimism, and, with a few exceptions, seem to accomplish their "forgetting" quite admirably. But you, my children, I don't want you to be among those who choose to forget. I want you to read my stories and a lot of others like them. I want you to fill your heads with Remarque and Tolstoy and Ernie Pyle. I want you to know what shrapnel, and "88's" and mortar shells and mustard gas mean. I want you to feel, no matter how vicariously, a semblance of the feeling of a torn limb, a burnt patch of flesh, the crippling, numbing sensation of fear, the hopeless emptiness of fatigue. All these things are complimentary to the province of war and they should be taught and demonstrated in classrooms along with the more heroic aspects of uniforms, and flags, and honor and patriotism. I have no idea what your generation will be like. In mine we were to enjoy "Peace in our time". A very well meaning gentleman waved his umbrella and shouted those very words… less than a year before the whole world went to war. But this gentleman was suffering the worldly disease of insufferable optimism. He and his fellow humans kept polishing the rose colored glasses when actually they should have taken them off. They were sacrificing reason and reality for a brief and temporal peace of mind, the same peace of mind that many of my contemporaries derive by steadfastly refraining from remembering the war that came before.”

Rod Serling (1924–1975) American screenwriter

Excerpt from a dedication to an unpublished short story, "First Squad, First Platoon"; from Serling to his as yet unborn children.
Other

John Dos Passos photo
C. J. Cherryh photo

“Underneath the shifting appearances of the world as perceived by our unreliable senses, is there, or is there not, a bedrock of objective reality?”

Hans Christian von Baeyer (1938) American physicist

Source: Information, The New Language of Science (2003), Chapter 8, The Oracle of Copenhagen, Science is about information, p. 64

Aron Ra photo
Shunryu Suzuki photo

“All descriptions of reality are limited expressions of the world of emptiness. Yet we attach to the descriptions and think they are reality. That is a mistake.”

Shunryu Suzuki (1904–1971) Japanese Buddhist missionary

Letters From Emptiness (page 33)
Not Always So, practicing the true spirit of Zen (2002)

Vincent Van Gogh photo

“Certainly after all you are right, damn well right - even making allowance for hope, the thing is to accept the probably disastrous reality. I am hoping to throw myself once again wholly in my work which has got behind hand.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, France, 29 March 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 582), p 25
1880s, 1889

Hans Reichenbach photo
Jacob M. Appel photo

“The cold, cruel reality is that with one current justice now approaching ninety, and four others over seventy, the day will inevitably arrive when a sitting justice lies in an intensive care unit, both unable to resign and unable to resume his or her duties.”

Jacob M. Appel (1973) American author, bioethicist, physician, lawyer and social critic

"Anticipating the Incapacitated Justice" http://www.huffingtonpost.com/jacob-m-appel/anticipating-the-incapaci_b_266179.html, The Huffington Post (2009-08-22)

Carol J. Adams photo
Pierre Teilhard De Chardin photo

“The reality of spirit-matter is inevitably translated into and confirmed by a structure of the spirit.”

Pierre Teilhard De Chardin (1881–1955) French philosopher and Jesuit priest

A Sketch of a Personalistic Universe (1936)

Berthe Morisot photo

“The touch, sure and light [is] fixing something of the passing moment.... memory is the true, imperishable life, that which has sunk without trace and been forgotten was not worth experiencing, the sweet hours, and the great and dread, are immutable. Dreams are life itself – and dreams are more true than reality; in them we behave as our true selves – if we have a soul it is there.”

Berthe Morisot (1841–1895) painter from France

Quote from her letter to her friend Mallarmé 1882; as cited in The Correspondence of Berthe Morisot, ed. Denis Rouart; Camden, London 1986 / Kinston, R. I. Moyer Bell, 1989, p. 160
after her visit to Italy
1881 - 1895

John Gray photo
George Holmes Howison photo
Chris Hedges photo
Michael Moorcock photo
E.M. Forster photo
Patrick White photo
Michael Moorcock photo
Koenraad Elst photo
Letitia Elizabeth Landon photo
Poul Anderson photo

“What I’m trying to make you know, not in your forebrain but in your marrow, is that reality never conforms very well to the textbooks, and sometimes it doesn’t conform at all.”

Poul Anderson (1926–2001) American science fiction and fantasy writer

The Sorrow of Odin the Goth (p. 387)
Time Patrol

Harun Yahya photo
Dayanand Saraswati photo
Paul Sérusier photo

“[.. according to Gauguin ] the impression of nature must be wedded to the aesthetic sentiment which chooses, arranges, simplifies and synthesizes. The painter ought not to rest until he has given birth to the child of his imagination.... begotten in a union of his mind with reality. Gauguin insisted on a logical construction of composition, on a harmonious apportionment of light and dark colors, the simplification of forms and proportions, so as to endow the outline's of forms with a powerful and eloquent expression.... He also insisted upon luminous and pure colors.”

Paul Sérusier (1864–1927) French painter

Paul Sérusier's quote in 1888, about Paul Gauguin; in Pierre Bonnard, John Rewald; MoMA - distribution, Simon & Schuster, New York, 1918, p. 13
Sérusier encountered in his summer vacation in Pont-Aven in Brittany [Summer 1888], briefly Paul Gauguin. He also made there a small landscape, painted under Gauguin's direction. Back in Paris, October 1888, Sérusier explained his Nabis friends (Denis, Pierre Bonnard and Vuillard) the artistic lessons Paul Gauguin taught him - as reported by John Rewald in his book Pierre Bonnard, p. 13-14

Ann Coulter photo

“Your dream is a reality that is just waiting for you to materialize it!”

Source: Life, the Truth, and Being Free (2010), p. 28

Andrea Dworkin photo

“The genius of any slave system is found in the dynamics which isolate slaves from each other, obscure the reality of a common condition, and make united rebellion against the oppressor inconceivable.”

Andrea Dworkin (1946–2005) Feminist writer

Our Blood 1976 as quoted in The Suffering Will Not Be Televised: African American Women and Sentimental by Rebecca Wanzo

Walter Benjamin photo

“Sitting in a metropolis like Delhi, it’s easy to pass a judgement that laws are being misused. But we should look at the larger reality where the laws are yet to reach the minimum standards of use.”

Flavia Agnes (1947) Indian activist and lawyer

On the claim that India's anti-dowry laws are being misused, as quoted " Women mis(using) laws to get even? http://www.tribuneindia.com/1999/99oct19/nation.htm#7" The Tribune (19 October 1999)

Louis Sullivan photo
Ayn Rand photo
Warren E. Burger photo
Martin Luther King, Jr. photo
Jerzy Vetulani photo
Toshio Shiratori photo
George Long photo
Gerhard Richter photo

“I don't mistrust reality, of which I know next to nothing. I mistrust the picture of reality conveyed to us by our senses, which is imperfect and circumscribed. Our eyes have evolved for survival purposes. The fact that they can also see the stars is pure accident.”

Gerhard Richter (1932) German visual artist, born 1932

Richter is questioning here the 'picture of reality'
Source: after 2000, Doubt and belief in painting' (2003), p. 87, note 13

Neil Peart photo

“I feel the sense of possibilities
I feel the wrench of hard realities
The focus is sharp in the city
-- The Camera Eye (1981)”

Neil Peart (1952–2020) Canadian-American drummer , lyricist, and author

Rush Lyrics

Evelyn Underhill photo
Lysander Spooner photo

“If justice be not a natural principle, it is no principle at all. If it be not a natural principle, there is no such thing as justice. If it be not a natural principle, all that men have ever said or written about it, from time immemorial, has been said and written about that which had no existence. If it be not a natural principle, all the appeals for justice that have ever been heard, and all the struggles for justice that have ever been witnessed, have been appeals and struggles for a mere fantasy, a vagary of the imagination, and not for a reality.

If justice be not a natural principle, then there is no such thing as injustice; and all the crimes of which the world has been the scene, have been no crimes at all; but only simple events, like the falling of the rain, or the setting of the sun; events of which the victims had no more reason to complain than they had to complain of the running of the streams, or the growth of vegetation.

If justice be not a natural principle, governments (so-called) have no more right or reason to take cognizance of it, or to pretend or profess to take cognizance of it, than they have to take cognizance, or to pretend or profess to take cognizance, of any other nonentity; and all their professions of establishing justice, or of maintaining justice, or of rewarding justice, are simply the mere gibberish of fools, or the frauds of imposters.

But if justice be a natural principle, then it is necessarily an immutable one; and can no more be changed—by any power inferior to that which established it—than can the law of gravitation, the laws of light, the principles of mathematics, or any other natural law or principle whatever; and all attempts or assumptions, on the part of any man or body of men—whether calling themselves governments, or by any other name—to set up their own commands, wills, pleasure, or discretion, in the place of justice, as a rule of conduct for any human being, are as much an absurdity, an usurpation, and a tyranny, as would be their attempts to set up their own commands, wills, pleasure, or discretion in the place of any and all the physical, mental, and moral laws of the universe.

If there be any such principle as justice, it is, of necessity, a natural principle; and, as such, it is a matter of science, to be learned and applied like any other science. And to talk of either adding to, or taking from, it, by legislation, is just as false, absurd, and ridiculous as it would be to talk of adding to, or taking from, mathematics, chemistry, or any other science, by legislation.”

Lysander Spooner (1808–1887) Anarchist, Entrepreneur, Abolitionist

Sections I–II, p. 11–12
Natural Law; or The Science of Justice (1882), Chapter II. The Science of Justice (Continued)

Claude Lévi-Strauss photo

“Nature has only a limited number of procedures at her disposal and that the kinds of procedure which Nature uses at one level of reality are bound to reappear at different levels.”

Claude Lévi-Strauss (1908–2009) French anthropologist and ethnologist

Source: Myth and Meaning (1978), Chapter 1 : The Meeting of Myth and Science

Arthur Jensen photo
Gerardus 't Hooft photo
John Gray photo
Adam Smith photo
John Dewey photo
Eugene Rotberg photo
L. Frank Baum photo
Jane Roberts photo

“You must remember, once more, that expectations are the blocks with which you build your reality. There are no exceptions to this rule.”

Jane Roberts (1929–1984) American Writer

Session 485, Page 308
The Early Sessions: Sessions 1-42, 1997, The Early Sessions: Book 9

Robert M. Pirsig photo
Clive Staples Lewis photo
Ilana Mercer photo
Emily Brontë photo
Heather Brooke photo
Paramahansa Yogananda photo
Syd Mead photo
Amir Taheri photo
Charles Stross photo

“I am sick and tired of reality refusing to conform to the requirements of my meticulously-researched near-future or proximate-present fictions.”

The Curse of Laundry http://www.antipope.org/charlie/blog-static/2014/10/the-curse-of-laundry.html, October 19, 2014
The Laundry Files

Byron Katie photo
Salvador Dalí photo
Jane Roberts photo