Quotes about music
page 27

“Music must take rank as the highest of the fine arts — as the one which, more than any other, ministers to human welfare.”

Herbert Spencer (1820–1903) English philosopher, biologist, sociologist, and prominent classical liberal political theorist

On the Origin and Function of Music
Essays on Education (1861)

Art

“We'll kill the fatted calf tonight, so stick around,
You're gonna hear electric music, solid walls of sound.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Bennie and the Jets
Song lyrics, Goodbye Yellow Brick Road (1973)

“Then Nature shaped a poet's heart — a lyre
From out whose chords the lightest breeze that blows
Drew trembling music.”

Emma Lazarus (1849–1887) American poet

Chopin http://www.poemhunter.com/poem/chopin/, IV

Nature, Heart

“Well, I'm proud of it. I was declard persona non grata not by the country but by a terrorist regime. But I know that Cubans love me and my music.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

answer to question "How does it feel to be declared persona non grata by your own country?" www.philpost.com (November 25, 2006)
2007, 2008

Love, Country

“Rock music pays off. Rock music takes me on a joyride. Rock music keeps me off the hell city bus. Rock music will always look out for me. But I will not let my torture profanity demon shoot it down.”

Wesley Willis (1963–2003) American singer-songwriter

Interview with Howard Stern http://www.youtube.com/watch?v=oPNfSekbTck,

Hell

“When everything on the ship was being turned upside down, the music remained the same. In the midst of mind-jarring abnormality, it was the one thing that retained its familiarity.”

Steve Turner (1949) British writer

Source: The Band That Played On (Thomas Nelson, 2011), p. 194

“Well, anyway, I am one of the best five writers to come out of English music since the War.”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

Q magazine, November 1992
Music

War

“I feel that music is the art which can best express the emotions which flow within us. It conveys something bigger than it is.”

Andrew Sega (1975) musician from America

NAID '95 http://www.club.cc.cmu.edu/pub/scene.org/parties/1995/naid95/misc/dn-naid_089.txt

Art, Feeling

“Hopeless of all he dared to hope so long,
The music born within him dies away;
Even the song he loved becomes a pain,
Full-freighted with a yearning all in vain.”

Edmund Clarence Stedman (1833–1908) American poet, critic, and essayist

"Hope Deferred".

Love, Pain, Hope

“Music and Poetry have ever been acknowledged Sisters, which walking hand in hand support each other; As poetry is the harmony of words, so music is that of notes; and as poetry is a rise above prose and oratory, so is music the exaltation of poetry. Both of them may excel apart, but sure they are most excellent when they are oined, because nothing is then wanting to either of their perfections.”

Henry Purcell

Henry Purcell, ‎Edward Taylor (1843) in "Introduction" to, King Arthur: an opera in 5 acts, written by John Dryden. p. 3; Introduction; Cited in: James Anthony Froude, ‎John Tulloch (1852), Fraser's Magazine, Vol. 45, p. 198

Support, Sister, Perfection

“So many different styles of music have influenced us individually and as a band. I think heavy metal is there. It’s not always the most predominant factor in Fall Out Boy, but it’s definitely there. Andy and I are huge metal heads.”

Joe Trohman (1984) American musician

My Heart Will Always Be The B-Side To My Tongue (2004), Ultimate Guitar Interview (2008)

Boy, Thinking

“It's funny how the music industry is enraged about the Internet and the way things are copied without being paid for. But you know why people steal the music? Because they can't afford the music. I'm not condoning downloading music for free. I don't think that's really fair, but I understand it. If you brought CD prices back down to $8.98, you would solve a lot of the industry's problems.”

Tom Petty (1950–2017) American musician

Rolling Stone interview (2002)

People, Way, Understanding, Problem

“That's what music is about, and those are the types of experiences I value most in looking for the visceral and unidentifiable thing it is that makes music music, and not something else.”

Mark Heard (1951–1992) American musician and record producer

Life in the Industry: A Musician's Diary

“Just as there are higher beings who spread spiritual messages throughout the atmosphere by means of books, films, music, and other mass media, there are beings of a demonic nature who try to slow down the progress on this planet through these media. Exposure to books and media of this type can have a negative effect on you. […] To counteract this, some of the beings of a higher nature write books or oversee the writing of books that enhance one’s spiritual development.”

Bhakti Tirtha Swami (1950–2005) American Hindu writer

Source: Books, Spiritual Warrior, Volume I: Uncovering Spiritual Truths in Psychic Phenomena (Hari-Nama Press, 1996), Chapter 1: Dreams: A State of Reality, p. 28

Books, Nature

“The great pontiff took the floor to argue the case against me. I don't remember his harangue, because I was too horrified to understand such a discordant voice, and because he made his speech with a musical instrument so loud it deafened me. He had deliberately chosen a trumpet. The violence of its martial tone was supposed to make the people call for my death and to keep them from thinking rationally, as happens in our armies, where the din of trumpets and drums prevents the soldier from thinking about the importance of his life.”

Cyrano de Bergerac (1619–1655) French novelist, dramatist, scientist and duelist

The Other World (1657)

Life, Death, People, Understanding

“I who am blind can give one hint to those who see - one admonition to those who would make full use of the gift of sight: Use your eyes as if tomorrow you would be stricken blind. And the same method can be applied to other senses. Hear the music of voices, the song of a bird, the mighty strains of an orchestra, as if you would be stricken deaf to-morrow. Touch each object you want to touch as if tomorrow your tactile sense would fail. Smell the perfume of flowers, taste with relish each morsel, as if tomorrow you could never smell and taste again. Make the most of every sense; glory in all the facets of pleasure and beauty which the world reveals to you through the several means of contact which Nature provides.”

Helen Keller (1880–1968) American author and political activist

Three Days to See (1933)

Pleasure, World, Beauty, Flowers

“I would like to hear more of the consummate melodic master, but I feel that big business and his record company have had a corrupting influence on his material. The rock and pop thing certainly draws a wider audience. It happens more and more these days, that unqualified people with executive positions try to tell musicians what is good and what is bad music. It’s tempting for the musician to prejudice his own views when recording opportunities are so infrequent but I for one am determined to resist the temptation.”

Miles Davis (1926–1991) American jazz musician

Bill Evans, on about Miles Davis's change of style to jazz fusion.
http://jazztimes.com/articles/20128-miles-davis-and-bill-evans-miles-and-bill-in-black-white.
Quotes by others

People, Feeling, Business, Change

“Music is the moonlight in the gloomy night of life.”

Jean Paul book Titan

Titan (1800-3)

Life, Night

“The cultural clock runs mainly upon ruined fragments of matter. No matter to what hazardous lengths we let out our line they still withdraw again, and further, into the depths. … however, runs mainly upon ruined fragments of matter recovered from refuse heaps and graveyards, from abandoned cities and buried villages. Only the arts of material nature have survived; of music and dance, of talk and ritual, of all the arts of temporal expression practically nothing is known elsewhere than in the Mediterranean world, save through traditional survivals among remote groups.”

George Kubler (1912–1996) American art historian

Source: The Shape of Time, 1982, p. 14.

World, Art, Nature, Dance

“Cleavage Sister: "What do you feel about erotic art?"
Morrissey:"I don't know much about rotting art?"
Cleavage Sister: "What about erotic music?"
Morrissey:"I know a great deal about rotting music."”

Morrissey (1959) English singer

Interview at a concert (RPLA - whose singer James Maker is a friend of Morrisseys)
About the Notre Dame fire, Odds & Ends

Art, Feeling, Sister

“The chief distinction in the intellectual powers of the two sexes is shewn by man attaining to a higher eminence, in whatever he takes up, than woman can attain — whether requiring deep thought, reason, or imagination, or merely the use of the senses and hands. If two lists were made of the most eminent men and women in poetry, painting, sculpture, music, — comprising composition and performance, history, science, and philosophy, with half-a-dozen names under each subject, the two lists would not bear comparison. We may also infer, from the law of the deviation of averages, so well illustrated by Mr. Galton, in his work on 'Hereditary Genius,' that if men are capable of decided eminence over women in many subjects, the average standard of mental power in man must be above that of woman. … Thus man has ultimately become superior to woman.”

Charles Darwin book The Descent of Man, and Selection in Relation to Sex

volume II, chapter XIX: "Secondary Sexual Characters of Man", pages 327-328 http://darwin-online.org.uk/content/frameset?pageseq=344&itemID=F937.2&viewtype=image The Descent of Man (1871)

Women, Men, Law, Sex

“When I came back [from a temporary stay in Paris] and heard you play with Charles Mingus, and when you and Cecil Taylor [also a free Jazz musician] opened up the 'Five Spot' in the Fall of 1956, I felt better about being in New York. All the musicians who create from the gut as well as their intellect can change things. People will never understand what we are doing if they can't feel... All art is abstract. All music is abstract. But it's all real... When you improvise, I can see the seeds of a symphony you could write. When I first heard Charlie Parker in Chicago, I could see he was a symphony.... we were all trying to bring that spirit, that spontaneous energy, into our work.”

Joan Mitchell (1925–1992) American painter

talking to jazz-player David Anram in the jazz club the 'Five Spot', in 1956, she was visiting with Franz Kline
Quoted by David Anram in 'Introduction', in The Stamp of Impulse, Abstract expressionist prints, ed. David Acton, David Amram, David Lehman, Worcester Art Museum, 2001 p. 21
1950 - 1975

People, Art, Feeling, Understanding

“New methods change the experience, and new experiences change man. Whenever we hear sounds, we are changed, we are no longer the same, and this is more the case when we hear organized sounds; music.”

Karlheinz Stockhausen (1928–2007) German composer

http://www.ubu.com/film/stockhausen_tuning.html Tuning In (1981) BBC documentary on Stockhausen. Attributed

Change

“The only vestige of these musical vagrants now remaining, is to be found in the blind fiddlers wandering about the country, and the ballad singers, who frequently accompany their ditties with instrumental music, especially the fiddle, vulgarly called a crowd, and the guitar. And here we may observe, that the name of fiddlers was applied to the minstrels as early at least as the fourteenth century: it occurs in the Vision of Pierce the Ploughman, where we read, "not to fare as a fydeler, or a frier, to seke feastes."”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 186
The Sports and Pastimes of the People of England (1801), Minstrels

Reading, Country

“Things can end badly, as they sometimes do in life. But if they do, then we know that something is wrong, just as we know it when a piece of music doesn’t resolve itself properly at the end. We know that. We just do. And so we prefer harmony.”

Alexander McCall Smith (1948) British writer

Love Over Scotland, chapter 102.
The 44 Scotland Street series

Life

“The ear disapproves but tolerates certain musical pieces; transfer them into the domain of our nose, and we will be forced to flee.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

As quoted in An Encyclopedia of Quotations About Music (1981) by Nat Shapiro, p. 130

“It has been accepted now that the joy of art is the heritage of all and aesthetic activity and appreciation are indispensable aids in the enrichment and refinement of the human soul in general. Art refines our inner as well as our physical life and provides that satisfaction and joy which acquisitions and activities on a merely material plane can never give. As Nachiketa said, na vittena tarpaniyo manushyo. In other words, man does not live by bread alone. Music and dance, among the arts, have always had a high place in Indian aesthetics. They are conceived as having their origin in the Divine, which is itself described the Upanishads as the quintessence of aesthetic pleasure raso vai sah.”

Jayachamarajendra Wadiyar (1919–1974) Indian writer

Our arts embody the deepest experience and wisdom of mankind, and they have a spiritual import and purpose.
During another lecture in Madras (now Chennai) based on his experience in Music having composed a number of kirtans on “Devi” . Quoted in "Jayachamaraja Wodeyar – A Princely scholar".

Life, Wisdom, Pleasure, Art

“Hard to say whether personal immortality would be a good thing or not. Not for the masses, surely! Too many of them as it was. But a select few, like Terangi Maclaren—or was it worth the trouble? Even given boats, chess, music, the No Drama, beautiful women and beautiful spectroscopes, life could get heavy.”

Poul Anderson book The Enemy Stars

Source: The Enemy Stars (1959), Chapter 5 (p. 36)

Life, Women, Beauty, Personality

“A lot of musicians are going to have to retrain. It's nonsense to say that traditional classical music is more complex. Contemporary pieces by Harrison Birtwistle are much harder to play than Mozart or Wagner. I know a lot of people don't want to hear that.”

Joanna MacGregor (1959) British musician

The Mail on Sunday, 06/02/2000
On Classical Music

People

“I would say that I was just as anxious to leave Utah as any other kid in any other part of the world wants to get out of where they're from. It's definitely a hard place, especially if you're an artist. There's not much support for art, especially rock 'n' roll music. It wasn't really about escaping Utah, though. It was about getting out and being able to do what I wanted to do with my whole life. And now I am.”

Bert McCracken (1982) American musician

Daniel Durchholz (March 10, 2005) "Top billing at Taste of Chaos: Can the Used get used to this?", St. Louis Post-Dispatch, p. 16.

Life, World, Art, Support

“But just like voices, thoughts are underpinned by physical stuff. We know this because alterations to the brain change the kinds of thoughts we can think. In a state of deep sleep, there are no thoughts. When the brain transitions into dream sleep, there are unbidden, bizarre thoughts. During the day we enjoy our normal, well-accepted thoughts, which people enthusiastically modulate by spiking the chemical cocktails of the brain with alcohol, narcotics, cigarettes, coffee, or physical exercise. The state of the physical material determines the state of the thoughts. And the physical material is absolutely necessary for normal thinking to tick along. If you were to injure your pinkie in an accident you’d be distressed, but your conscious experience would be no different. By contrast, if you were to damage an equivalently sized piece of brain tissue, this might change your capacity to understand music, name animals, see colors, judge risk, make decisions, read signals from your body, or understand the concept of a mirror—thereby unmasking the strange, veiled workings of the machinery beneath. Our hopes, dreams, aspirations, fears, comic instincts, great ideas, fetishes, senses of humor, and desires all emerge from this strange organ—and when the brain changes, so do we. So although it’s easy to intuit that thoughts don’t have a physical basis, that they are something like feathers on the wind, they in fact depend directly on the integrity of the enigmatic, three-pound mission control center.”

David Eagleman (1971) neuroscientist and author

Incognito: The Secret Lives of The Brain

People, Alcohol, Fear, Dreams

“Total actions are a further development of the happening and combine the elements of all art forms, painting music, literature, film, theatre, which have been so infected by the progressive process of cretinisation in our society that any examination of reality has become impossible using these means alone. Total actions are the unprejudiced examination of all the materials that make up reality. Total actions take place in a consciously delineated area of reality with deliberately selected materials. They are partial, dynamic occurrences in which the most varied materials and elements of reality are linked, swapped over, turn on their heads and destroyed. This procedure creates the occurrence. The actual nature of the occurrence depends on the composition of the material and actors′ unconscious tendencies. Anything may constitute the material: people, animals, plants, food, space, movement, noise, smells, light, fire, coldness, warmth, wind, dust, steam, gas, events, sport, all art forms and all art products. All the possibilities of the material are ruthlessly exhausted. As a result of the incalculable possibilities for choices that the material presents to the actor, he plunges into a concentrated whirl of action finds himself suddenly in a reality without barriers, performs actions resembling those of a madman, and avails himself of a fool′s privileges, which is probably not without significance for sensible people. Old art forms seek to reconstruct reality, total actions unfold within reality itself. Total actions are direct occurrences(direct art), not the repetition of an occurrence, a direct encounter between unconscious elements and reality(material). The actor performs and himself becomes material: stuttering, stammering, burbling, groaning, choking, shouting, screeching, laughing, spitting, biting, creeping, rolling about in the material.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 166 (1966/1972)

People, Food, Fools, Art

“When we were first playing, even though it was derivative, playing music was the best, there was nothing better. And then by the second album (Freak Show) we were like, playing music makes me angry, and by the third album (Neon Ballroom) I was like, I need to play music cos life sucks. And now all of a sudden there's this really youthful enthusiasm in the band, everyone around us, there's this real positivity and everyone's vibing off the music.”

Daniel Johns (1979) Australian musician

Kerrang! magazine, April 2002
Interviews

Life, Youth

“Like I said, I grew up with punk, and the lyrics of the songs I liked were about reality, and young people were expressing themselves by playing music. It's always been more about attitude, for me. Expressing yourself within society.”

Mattin (1977) Spanish musician

Interview by Dan Warburton (July 2009)

People, Reality

“I used to be more dogmatic, more disciplined and segregated about my time to work; now I have to jump from one song to another, or score a scene in a movie, then get out the door for a performance at a moment's notice. The illusion of control over my schedule is totally obsolete. There is no way to say, "I can't do that right now." It's "Yes, thank you for the opportunity, whatever it takes to get the music out there."”

Sophie B. Hawkins (1967) American musician

Quotations from SophieBHawkins.com

Way, Time

“I do not consider myself a Cubist either because I have come to the conclusion that cubes are not always made for expressing the thought of the brain and of the feeling of the spirit... I capture all these impressions [the visual sensations, Picabia sensed in the modern city] without any hurry to transfer to the canvas. I let them rest in my brain and then, when I'm visited by the spirit of creation, I improvise my paintings just as a musician improvises his music.”

Francis Picabia (1879–1953) French painter and writer

1910's
Source: 'How I see New York', in 'The New York American', New York 30 March 1913, p. 11

Feeling, Sense, Painting

“… And this is the origin of pop music: it's a professional music which draws upon both folk music and fine arts music as well.”

Pete Seeger (1919–2014) American folk singer

Pop Chronicles, Show 1 - Play A Simple Melody: Pete Seeger on the origins of pop music http://digital.library.unt.edu/ark:/67531/metadc19745/m1/, interview recorded 2.14.1968 http://web.archive.org/web/20110615153027/http://www.library.unt.edu/music/special-collections/john-gilliland/o-s.

Art, Drawing

“The rules were always there. There was always one rule; don't break the golden rule, which is if someone says that they love your music, so they love you and you're amazing; you're not amazing. You're not amazing. It's not you, they don't know you, you know? It's not that way. So don't believe that. I don't believe that about myself, and I don't believe when someone likes me too much or hates me too much. I don't believe they know what they're talking about.”

Josh Homme (1973) American musician

" JOSHUA HOMME: “IT DOESN'T MATTER IF IT’S BEEN SAID, IT’S NEVER BEEN SAID BY ME” http://www.antiquiet.com/news/2010/09/josh-homme-interview-zane-lowe/", Antiquet (August 27th, 2009)

Love, Hate, Way

“[In] painting…all sensations are condensed, everyone…with a single glance [has] his soul invaded by the most profound recollections…everything is summed up in one instant. Like music, it acts on the soul through the intermediary of the senses: harmonious colors correspond to the harmonies of sound.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Quote from Gauguin's unfinished essay 'Notes Synthetiques', published in the July / September 1910 issue of ' Vers et Prose' XXII, pp. 51-55, as cited in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 23 Gauguin's essay 'Notes Synthetiques' was written in Pont -Aven in 1888 and left incomplete. His essay was first published in 'Vers et Prose' XXII 1890s - 1910s

Color, Soul, Sense, Painting

“Chopin is the true inventor of the concert etude, at least in the sense of being the first to give it complete artistic form—a form in which musical substance and technical difficulty coincide.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 6 : Chopin: Virtuosity Transformed

Sense

“Now we'll start the song of the wild man who lives on the mountain top, who does not want to be seen
let us now start that song without words, without music, come on..
(let's not do anything for at least ten minutes)
That's the spirit, there he comes, the song of the inner voice, the song of the primitive man”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

a poem of Karel Appel, 1981; from Karel Appel. The Colourful Stranger. Poems and Drawings (Karel Appel. De kleurige onbekende. Gedichten en tekeningen), Amsterdam, 1986

Mountain

“There's no record industry, and so musicians I know, because I get mail from young musicians, I mean, they're really just struggling to survive, because they're not gonna get a record contract! So what are they doing? To survive? Like I did? I mean, okay I drove trucks, and sold caviar and repaired instruments just to survive. But in the end, you know, I'm in the studio, you know, recording rock music, pop music, whatever! Whatever gives me money to put in my, you know, food in my mouth. And so there's a lot of great musicians today, they're just looking for a gig! And what are the gigs that are going around? The gigs with pop bands or with smooth jazz, funky jazz, you know, a lot of this kind of cliched music. I'm sorry to criticize it like that, but I grew up with Tony (Williams) and you know Miles (Davis), (John) Coltrane, and real things, where there's blood all over the floor, blood all over the stage, that's what the passion's all about.”

John McLaughlin (1942) guitarist, founder of the Mahavishnu Orchestra

On record industry, as quoted in "John McLaughlin: State of the Musical Arts", by The Snapshots Foundation; directed by Jonathan Bewley, YouTube, Jul 11, 2014 https://www.youtube.com/watch?v=utqp7ECKUl0

Money, Food, Passion

“In its conception the literature prize belongs to days when a writer could still be thought of as, by virtue of his or her occupation, a sage, someone with no institutional affiliations who could offer an authoritative word on our times as well as on our moral life. (It has always struck me as strange, by the way, that Alfred Nobel did not institute a philosophy prize, or for that matter that he instituted a physics prize but not a mathematics prize, to say nothing of a music prize - music is, after all, more universal than literature, which is bound to a particular language.) The idea of writer as sage is pretty much dead today. I would certainly feel very uncomfortable in the role.”

J.M. Coetzee (1940) South African writer

Dagens Nyheter http://www.dn.se/kultur-noje/an-exclusive-interview-with-j-m-coetzee interview with David Attwell (December 8, 2003)

Life, Way, Feeling, Literature

“Everything was plugged in and should’ve been working, but it gave me a communication error. I got like a cave man and got so mad at it. I was completely fed up. I’m not an engineer, I’m not a computer whiz. I don’t know anything about electronics. All I know is that I want this thing to make noise, I want to write music, and it’s not working.”

Patrick Stump (1984) American musician

About using 4 track tape decks compared to GarageBand
Apple Pro Profiles

Error, Communication, Madness

“Handel paralysed music in England for generations and they have not yet quite got over him.”

George Frideric Handel (1685–1759) German, later British Baroque composer

Frederick Delius, letter to Ethel Smyth, February 17, 1909; Lionel Carley Delius: A Life in Letters vol. 2 (1988) p. 9.
Criticism

“Prokofiev was especially active as a pianist during his years in the United States. The titles of numerous reviews seem to refer as much to his compositions as to his performances: “A titan of a pianist,” “Volcanic eruption at the keyboard,” “Russian chaos in music,” among others.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev the pianist

“If I was obsessed with making money off of my music, I wouldn't have released it for free on the internet for the last 5 years.”

Andrew Sega (1975) musician from America

Static Line interview, 1998

Money

“A louder sweep the music gave :
The chieftain of the charmed wave,
Graceful upon his steed of snow,
Rises from his blue halls below;
And rode he like a victor-knight
Thrice glorious in his arms of light.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Golden Violet - The Haunted Lake
The Golden Violet (1827)

Light

“This is sad. I just think it’s a little ridiculous we are still only looking at the surface of one another. Red hair? Blue hair? Pink? Blonde? Short? Long? Whatever. We might as well shave our heads. Hair has nothing to do with the reason we playing music. It’s a style. Something that will never last as long as the songs we play and the words we sing. Listen up ladies in bands, I’m so proud to be one of you and I don’t care if we all look exactly alike or if we are all carbon copies of each other. We have things to say and it’s up to us to get people to not just look but to LISTEN!”

Hayley Williams (1988) American singer-songwriter and musician

Hayley on her Tumblr talking about Nikki Simmons (lead singer of the rock/metal upcoming band Morningside http://www.facebook.com/themorningside) who was being cyber-bullied because she looks like Hayley. http://yelyahwilliams.tumblr.com/post/8459667145

People, Sadness, Thinking, Singing

“It's so funny being a Christian musician. It always scares me when people think so highly of Christian music, Contemporary Christian music especially. Because I kinda go, I know a lot of us, and we don't know jack about anything. Not that I don't want you to buy our records and come to our concerts. I sure do. But you should come for entertainment. If you really want spiritual nourishment, you should go to church…you should read the Scriptures.”

Rich Mullins (1955–1997) American christian musician

Lufkin, Texas http://www.kidbrothers.net/words/concert-transcripts/lufkin-texas-jul1997-full.html (July 19, 1997) In Concert

People, Thinking, Reading

“"The only trend I do not like in rap right now is the message rap. I consider the message rap the equivalent of what strings were to rock 'n' roll in the late '50s - a capitulation to the adult norm who can't accept the music on its own terms. The people who considered "Sixty Minute Man" by Billy Ward and the, "Annie Had a Baby" - as the pinnacles of '50s R&B now are super uptight over the - in quotes - hotel/motel lyrics of rap. Rap is definitely as true to the essence of rock 'n roll as anything that's out there today."”

Aaron Fuchs

Aaron Fuchs quoted by David Toop (1991). Rap Attack 2, p. 120. New York: Serpent's Tail. .

People, Quotes, Baby

“It's not music you would use to get a girl into bed. If anything, you're going to frighten her off.”

David Byrne (1952) Scottish alternative rock musician and promoter of world music

On the music of Talking Heads, from Channel 4's The 100 Greatest Albums

Girl

“Into the day as by dream I swim to the music of nourished meaning.”

Dejan Stojanovic book Circling: 1978-1987

“Spring Music,” 34
Circling: 1978-1987 (1993), Sequence: “A Conversations with Atoms”

Dreams

“I listen to the radio now that we seem to be on it quite a lot, but before that, I didn't really listen a great deal. I gave up for a while. But other groups… without really trying to sound terribly down on modern music, much of it really doesn't affect me a great deal. It seems tragically tidy, and everybody has their little safety nets and their little life rafts, and once people seem to get a hit they seem to just dilute the formula constantly and there's no risk involved, and it's really so desperately tidy, that… I want to change things. But I don't want to imply that The Smiths are a high-risk situation anyway, of course they're not. They're immediately listenable. But it just needs somebody with some heart and some brain. I think popular music needs brains at the moment.”

Morrissey (1959) English singer

From a radio interview with David Jensen in 1983
In interviews etc., About pop culture

Life, People, Thinking, Change

“Jeremy: I wanted to find out what this show has taught you about music and performing
Hayley: This show has taught me so much, working with John and Erina and these wonderful musicians has taught me so much.
She goes on to say that she’s learnt how to come up with arrangements quickly and how to perform and how important it is to stay true to yourself.”

Hayley Jensen (1983) Australian singer

Australian Idol, Up Close & Personal Performance

“The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful impression on me when I first heard it (Etudes, op. 2, Toccata, op. 11, Scherzo, op. 12, the Scherzo of the Second Concerto, the Toccata in the Fifth Concerto, and also the repetitive intensity of the melodic figures in the Scythian Suite, Pas d’acier[The Age of Steel], or passages in the Third Concerto). This line is perhaps the least important. The fourth line is lyrical; it appears first as a thoughtful and meditative mood, not always associated with the melody, or, at any rate, with the long melody (The Fairy-tale, op. 3, Dreams, Autumnal Sketch[Osenneye], Songs, op. 9, The Legend, op. 12), sometimes partly contained in the long melody (choruses on Balmont texts, beginning of the First Violin Concerto, songs to Akhmatova’s poems, Old Granny’s Tales[Tales of an Old Grandmother]). This line was not noticed until much later. For a long time I was given no credit for any lyrical gift whatsoever, and for want of encouragement it developed slowly. But as time went on I gave more and more attention to this aspect of my work. I should like to limit myself to these four “lines,” and to regard the fifth, “grotesque” line which some wish to ascribe to me, as simply a deviation from the other lines. In any case I strenuously object to the very word “grotesque” which has become hackneyed to the point of nausea. As a matter of fact the use of the French word “grotesque” in this sense is a distortion of the meaning. I would prefer my music to be described as “Scherzo-ish” in quality, or else by three words describing the various degrees of the Scherzo—whimsicality, laughter, mockery.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Age, Dreams, Search, Mood

“I did not care for Wagner. My tastes are more classical. Der Fuhrer had no musical taste and liked Wagner because of the bombastic Teutonic glories.”

Hans Frank (1900–1946) German war criminal

To Leon Goldensohn, February 12, 1946, from "The Nuremberg Interviews" by Leon Goldensohn, Robert Gellately - History - 2004

“Music is the medicine of a troubled mind.”

Walter Haddon (1515–1572) English politician

Lucubrates Poemata 'Musica (1567)

“Let us invent a character, a nice respectable, middle-class, middle-aged, maiden lady, with time on her hands and the money to help her pass it. She enjoys pictures, books, music, and the theatre and though to none of these arts (or rather, for consistency's sake, to none of these three arts and the one craft) does she bring much knowledge or discernment, at least, as she is apt to tell her cronies, she "does know what she likes."”

Terence Rattigan (1911–1977) playwright, screenwriter

Let us call her Aunt Edna.
The Collected Plays of Terence Rattigan (London: Hamish Hamilton, 1953) vol. 1, p. xi.

Money, Books, Age, Art

“The relative meaning of two physical facts in an emotionally controlled relation always creates the phenomenon of a third fact of a higher order, just as two musical sounds, heard simultaneously create the phenomenon of a third, fourth or fifth. The nature of this higher third is non-physical. In a sense it is magic. Each such phenomenon always overshadows the material qualities and the limited meaning of the basic factors from which it has sprung. For this reason Art expresses the highest quality of the spirit when it is surreal in nature; or, in terms of the visual arts, when it is of a surreal plastic nature.”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 41
Search for the Real and Other Essays (1948)

Art, Nature, Sense

“I myself represent the style of a Bach who was a human being with all his heights and depths, who knew life very well. My Bach is the experience of my playing the whole literature; and filling the different voices with their own life, vitality, vividness; it’s the independent speaking-until-singing of the different voices; and lastly it’s a balance between pianistic virtuosity and something chamber-music-like.”

Burkard Schliessmann classical pianist

Talkings on Bach

Life, Literature, Singing

“When I left Nashville I went to Texas because that's where I came from, and because I was playing in Texas a lot in different places. And I saw hippies and rednecks drinking beer together and smoking dope together and having a good time together and I knew it was possible to get all groups of people together – long hair, short hair, no hair – and music would bring them together.”

Willie Nelson (1933) American country music singer-songwriter.

Willie Nelson: 'If We Made Marijuana Legal, We'd Save a Whole Lotta Money and Lives', Michael, Hann, May 17, 2012, May 20, 2012, The Guardian, Guardian News and Media Ltd. http://www.guardian.co.uk/music/2012/may/17/30-minutes-with-willie-nelson,

People, Drink, Beer, Time

“I came from a background of blues and rock based(music). I hadn’t listened to Jazz or even Classical Music until just recently. Listening to Stan Getz, you know, he is one of my favorite Saxophonists, so he’s influenced my sound and influences how I play this music. Right now.”

Ross Mintzer (1987) American musician and performer

NPR interview (2005)

“The critics are occasionally pleased to compliment a pianist by saying that he plays in the grand style. Exactly what do they mean by that phrase? In the broadest sense, they mean a style of playing which penetrates deeper than the physical conquering of the piano. It concerns itself with the release of music. The “grand style” moved listeners through interpretation.”

Benno Moiseiwitsch (1890–1963) British musician

Playing in the Grand Style (1950)

Sense

“Gentle spook, if it is a warning you bring, state it true. If action you require, ask outright. If music you must make, play on- but by the wine-stained balls of Bacchus, speak your bloody business quick and clear and then be gone, before Time's iron tongue licks away my mercy bonk with second thoughts!”

Christopher Moore book Fool

Pocket (Black Fool)
Fool (2009)

Business, Wine, Time

“Music has been a shaping force… music has been there to guide the development of human nature.”

Daniel Levitin book The World in Six Songs

The World in Six Songs (2008)

Nature

“Which one of us has not dreamed, on ambitious days, of the miracle of a poetic prose: musical, without rhythm or rhyme; adaptable enough and discordant enough to conform to the lyrical movements of the soul, the waves of revery, the jolts of consciousness?Above all else, it is residence in the teeming cities, it is the crossroads of numberless relations that gives birth to this obsessional ideal.”

Charles Baudelaire (1821–1867) French poet

Quel est celui de nous qui n'a pas, dans ses jours d'ambition, rêvé le miracle d'une prose poétique, musicale sans rythme et sans rime, assez souple et assez heurtée pour s'adapter aux mouvements lyriques de l'âme, aux ondulations de la rêverie, aux soubresauts de la conscience?C'est surtout de la fréquentation des villes énormes, c'est du croisement de leurs innombrables rapports que naît cet idéal obsédant. "Dédicace, À Arsène Houssaye" http://fr.wikisource.org/wiki/Petits_Po%C3%A8mes_en_prose Le spleen de Paris (1862)

Dreams, Soul, Birth

“If I had to take eveything into consideration, [the truly essential song] would have to be "Conga." First, because I don't think I can get away with not performing that song in some shape or form. Second, because it started the possiblility of "Mi Tierra" [Estefan's top-selling Spanish album] happening. Not only did it talk about a specific rhythm of my homeland [Cuba], it talked about being Latino, and the celebratory nature of dance. It was very musically forward in that it mixed a funk bassline and a 2/4 beat on the drums and the Latin percussion. It was something that really put us on the map. And even though it's a frivolous and fun song, it talks about who we are as immigrants in this land.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

Reuters (November 17, 2006)
2007, 2008

Nature, Thinking, Dance

“Purity" of and in art — any art, including music and dance — is an illusory notion, of course. It may be remotely conceivable or imaginable, but it can't be realized because it can't be recognized any more than a "pure" human being or a "pure" (or, for that matter, gratuitous) act can be. All the same, for Western art in its Modernist phase "purity" has been a useful idea and ideal, with a kind of logic to it that has worked, and still works, to generate aesthetic value and maintain aesthetic standards as nothing else in our specializing culture has over the last hundred-odd years.But this logic has also worked to exclude the decorative — the decorative insofar as it functions solely as decoration. It's as though aesthetic value, quality, could be preserved only by concentrating on "absolute" or "autonomous" art: thus on visual art — including even architecture — that held and moved and stirred the beholder as sheer decoration could not. Decoration is asked to be "merely" pleasing, "merely" embellishing, and the "functional" logic of Modernism leaves no room, apparently, for such "mereness.”

Clement Greenberg (1909–1994) American writer and artist

This is part of the pity of Modernism, one of the sacrifices it enjoins.... "Detached Observations" http://www.sharecom.ca/greenberg/detached.html, Arts Magazine (December 1976) 1970s

Art, Imagination, Idea, Dance

“The folksong collectors Bartok (Hungary) and Plicka (Czechoslovakia) notated the perceived interval deviations with a plus or minus sign (+,-). Older folksong collectors had notated all the intervals in the system of semitones, not observing the finer modifications of intervals. This first gained currency from the phongraph and tape recordings of folk music from various lands…. From folksong I learned to perceive melodic intervals a little smaller or greater than those of the semitone-system…. In my youth it often happened that the folk singers, who during the intermissions of dance festivals sang songs of "their kind," deviating from the semitone system, demanded that the first violinist of the Wisowitzer Kapelle play "their" melody just as they sang it. Once a tempermental singer threatened to strike the double-bass player with a beer mug if he didn't "play along" with the song, exactly as he sang it.”

Alois Hába (1893–1973) Czech music educator and composer

Mein Weg zur Viertel- und Sechsteltonmusik (1971) Düsseldorf: Verlag der Gesellschaft zur Förderung der systematische Musikwissenschaft, 12, 14; translated by and printed in Modernism and Music: An Anthology of Sources(2004) by Daniel Albright ISBN 0226012670 .

Youth, Beer, Learning, Dance

“In earlier days I used to like introducing new music in concerts but now I feel that I have done my duty to young composers… so I return to my first love Romantic music – and especially to Brahms who has always been my favourite.”

Pierre Monteux (1875–1964) French conductor

'Pierre Monteux in his own words', Classic Record Collector, Autumn 2003, Number 34, p. 18

Love, Feeling

“My music cannot possibly have given you one hundredth part of the joy your music has given me.”

Edward German (1862–1936) English musician and composer

Edward Elgar, in a letter to German (1924)

Joy, Parting

“Let him [who would be an architect] be educated, skillful with the pencil, instructed in geometry, know much history, have followed the philosophers with attention, understand music, have some knowledge of medicine, know the opinions of the jurists, and be acquainted with astronomy and the theory of the heavens.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 3

Education, History, Understanding, Knowledge

“Morning View is I think collectively probably our favorite record that we have made as a band because it was the most effortless… um… in its conception… you know? It was a lot less slaving over parts and trying to just get together in this big beautiful room with a view of the ocean and parts and sounds and melodies and lyrics would just happen… they would just sort of spill out of us without us really trying… so to me that's sort of the most amazing way to write music or do any kind of art, which is by letting it happen… but one of the most important parts in any sort of.. uh… journey so to speak.. Is uh… the ride… and we've had a really good time riding to where ever it is we are going… and I don't even think any of us know particularly where it is going to take us… But it's been really fun sort of chasing it.”

Brandon Boyd (1976) American rock singer, writer and visual artist

Discussing Morning View on Boogie TV interview was done the day of their concert at Vega, Copenhagen

Beauty, Art, Way, Thinking

“The Ainu, with their improvisational style of both composing music and dancing, greatly influenced me. I became very different from the other music students, who had been raised with European pieces, because of this. They had been taught that composition is very difficult, but to me, it seemed relatively easy because of the freedom allowed for by the improvisational style of the Ainu.”

Akira Ifukube (1914–2006) Japanese composer

As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)

Freedom, Dance

“Young Prokofiev was attentive to new musical trends. We can find traces of various influences in his early compositions. Some of the piano works from the set Visions fugitives, op. 22 (1915–17), are reminiscent of Debussy; the Andante assai section of the First Piano Concerto, op. 10 (1911–12), sounds like Rachmaninov; and the harmonies of the symphonic poem Osen neye(Autumnor Autumnal Sketch), op. 8 (1910), harken back to Scriabin. These, however, were rather passing influences. Others proved to be more enduring.
One of them was the fairy-tale streak in Russian music. Russians have always been fond of fairy tales, which to this day continue to be an important part of every child’s upbringing. …
Another significant influence was the Classical style.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev: His Life and the Evolution of His Musical Language

Autumn, Parting

“Creating an action score can be quite challenging because action music can become too overwhelming. If all the music in the game is high energy it will become monotonous. I set out to build a pace in the score, so that there would be a variety of emotions and energy levels in the music. The challenge became to create these different music styles while still maintaining an action feel.”

Jesper Kyd (1972) musician

Go! Game! Music! interview

Feeling, Game

“In [the early 1980s], making electronic music was a big job, particularly the way that I was doing it. To get the sounds I wanted, I might have 24 synthesizers playing one synth line, all programmed, all analogue and all drifting out of tune. It used to take hours and hours and hours. I don't know how we ever got through it.”

Martin Rushent (1948–2011) English record producer

The Telegraph, Martin Rushent, http://www.telegraph.co.uk/news/obituaries/technology-obituaries/8562220/Martin-Rushent.html, The Telegraph, 7 June 2011

Way

“There can be no music without ideology. The old composers, whether they knew it or not, were upholding a political theory. Most of them, of course, were bolstering the rule of the upper classes. Only Beethoven was a forerunner of the revolutionary movement. If you read his letters, you will see how often he wrote to his friends that he wished to give new ideas to the public and rouse it to revolt against its masters.”

Dmitri Shostakovich (1906–1975) Russian composer and pianist

New York Times, December 20, 1931.

Idea, Reading

“If Pac-Man had affected us as kids, we'd all be running around in dark rooms, munching pills and listening to repetitive electronic music.”

Marcus Brigstocke (1973) comedian

Live At The Apollo (2006)

“In old days the plastic arts, music, and poesy were so germane to man in his totality that his Transcendence plainly manifest in them. … What is to-day obvious to all is a decay in the essence of art. … the opposition to man's true nature as man.”

Karl Jaspers (1883–1969) German psychiatrist and philosopher

Man in the Modern Age (1933)

Art, Nature

“It is my profound wish that this entire collection shall be devoted to the advancement of fine music for the continued enjoyment of music enthusiasts throughout the United States, be they students of the arts, performing artists, or members of that vast audience of music lovers among the American public.”

Leopold Stokowski (1882–1977) British conductor

From his will, in which he provided for his conducting scores, manuscript orchestral transcriptions, and recordings to archived and accessible to the public. The Stokowski Archives are now housed in the University of Pennsylvania Library.

Art, Lovers

“In Arcady there lies a crystal spring
Ring'd all about with green melodious reeds
Swaying seal'd music up and down the wind.
Here on its time-defaced pedestal
The image of a half-forgotten God
Crumbles to its complete oblivion.”

Eleanor Farjeon (1881–1965) English children's writer

Pan-Worship
Pan-Worship and Other Poems (1908)

God, Spring, Time

“Emmy's exquisite youth and her virginal air,
Eyes and teeth in the flash of a musical smile,
Come to me out of the past, and I see her there
As I saw her once for a while.”

Arthur Symons (1865–1945) British poet

Emmy, st. 1.

Youth, Smile, Past

“I see nothing unethical in the job it does. Why shouldn't you send a copy of some music to a friend?”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

Comment on Napster
2000s, Thus Spake Stallman (2000)

“Risk nothing, get nothing. If you wanna be famous, then it's OK if the music is fake, because fame isn't real.”

Josh Homme (1973) American musician

" Queens of the Stone Age: Josh Homme comes back from the brink http://www.guardian.co.uk/music/2013/jun/01/queens-stone-age-like-clockwork" The Guardian (June 1, 2013)

“All serious art, music, literature is a critical act. It is so, firstly, in the sense of Matthew Arnold's phrase: "a criticism of life." Be it realistic, fantastic, Utopian or satiric, the construct of the artist is a counter-statement to the world.”

George Steiner (1929–2020) American writer

Source: Real Presences (1989), I: A Secondary City, Ch. 4 (p. 11).

Life, World, Art, Literature

“[Luciano Pavorati's] brilliance in music will live in our hearts forever. His spirit as a humanitarian surpasses even that. It is truly the end of a musical era. I am honored to have had the opportunity to know him and perform with him”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.90millas.com (September 7, 2007)
2007, 2008

Heart

“Come on, take me to the Mardi Gras,
Where the people sing and play,
Where the music is elite and there's dancing in the street,
Both night and day.”

Paul Simon (1941) American musician, songwriter and producer

Take Me To The Mardi Gras
Song lyrics, There Goes Rhymin' Simon (1973)

People, Singing, Dance, Night

“I listen to everything, all types of music.”

Luis Miguel (1970) Puerto Rican singer; music producer

http://www.youtube.com/watch?v=jI_sg_mBSLk
Interview with Buenos Dias a Todos, 2008

“Courage to strengthen, fire to blind, music to daze, iron to bind.”

Robert Jordan (1948–2007) American writer

Snakes and Foxes Game
(15 September 1992)

Courage

“Tonality itself - with its process of instilling expectations and subsequently withholding promised fulfillment until climax - is the principal musical means during the period from 1600 to 1900 for arousing and channeling desire.”

Susan McClary (1946) American musicologist

McClary, Susan (1991). Feminine Endings: Music, Gender, and Sexuality. Minnesota: University of Minnesota Press. ISBN 0816618984.

“But first I was made to learn music, because music and dance go together. You can sing, but you can’t dance without music…”

Vyjayanthimala (1936) Indian actress, politician & dancer

In "There's no slowing down for Vyjayanthimala."

Learning, Singing, Dance

“Roger: Umm.. I couldn't tell you! I don't really know what the secret is. I've never been in any other situation. For us, we just really try to really deliver when we play and make that the focal point of what's going on. And then there's the live show. We try to be really good to our fans in the way of musically by having things up. Fans that have been fans of our records will always have something to relate and not have a record that is completely different ever, but also not doing the same thing over and over and over again. Trying to have a steady change on what kind of music we're writing and stuff like that. I think touring is the key to it. We've always been a touring based band. We play a lot, a lot of shows and that's what keeps us fresh in peoples' minds.”

Roger Manganelli (1973) American musician

People, Secret, Way, Thinking

“The extraordinary significance that music holds for Delacroix, and which contributes most to his admiration for Chopin, is a symptom of the new hierarchy of the arts and the prominent position which music occupies in it. It is the romantic art par excellence and Chopin the most romantic of all the romantics. In his relation to Chopin, Delacroix’s intimate connection with romanticism is brought most clearly to light.”

Arnold Hauser (1892–1978) Hungarian art historian

Source: The Social History of Art, Volume III. Rococo, Classicism and Romanticism, 1999, Chapter 6. German and Western Romanticism

Art, Light

“This is an absolute deep contrast to Chopin, who found himself favoring a classical form of musical essence. He needs to bring nothing in from outside, the music is nearly ‘absolute.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

“A time will come when the picture will no longer be enough. Its immobility will become an archaism with the vertiginous movement of human life. The eye of man will perceive colours as feelings within itself. Multiplied colours will not need form to be understood and paintings will be swirling musical compositions of great coloured gases, which, on the scene of a free horizon, will move and electrify the complex soul of a crowd that we cannot yet conceive of.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

Quote in his lecture at the Associazione Artistica Internationale, Rome May 1911, Boccioni's lecture 'La Pittura Futurista', 1911; as quoted in Futurism, ed. Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 55.
1911

Life, Feeling, Soul, Time

“I aspire to know when best to walk or eat, which music I need, and how to keep myself sitting as I am now, stubbornly enraptured with doing practically nothing.”

James Richardson (1950) American poet

#165
Vectors: Aphorisms and Ten Second Essays (2001)