Quotes about music
page 28

“I think an interpreter has to sing everything, to sing what wants to sing. It cannot be with that foolishness, that here in Brazil we face this thing that when one records a song, later no one can rerecord it. This is madness, absurd. Music doesn't have an owner, the music doesn´t belong to anyone.
- Comment on the excessive protectionism of composers in Brazil. Domingão do Faustão Program, Rede Globo, 2003”

Simone Bittencourt de Oliveira (1949) Brazilian singer

Thinking, Singing, Madness

“The actors feel that the music played before the curtain rises will put the audience in the wrong mood. The playwright suggests that the (purposefully lugubrious) music be played at twice-speed. This peps it up somewhat while retaining its essentially dark and gloomy character. The actors listen carefully, and are pleased.”

Donald Barthelme (1931–1989) American writer, editor, and professor

“Opening", opening
Forty Stories (1987)

Feeling, Mood, Speed

“A. No matter what you do, you're always hearing something.
Q. You mean to say that all of the accidental environmental sounds that surround the piece become a part of the realization of the score?
A. Yes, that's right.
Q. In that case, even the chairs are musical?
A. Yes. In fact, there is perhaps nothing that is not musical. Perhaps there's no moment in life that's not musical.”

George Brecht (1926–2008) American artist and composer

Source: James Fitzsimmons, ‎Jim Fitzsimmons (1967). Art International. Vol. 11. p. 24

Life, Parting

“It may sound paradoxical, but verbal fluency is the product of many hours spent writing about nothing, just as musical fluency is the product of hours spent repeating scales.”

Stanley Fish (1938) American academic

Source: How To Write A Sentence And How To Read One (2011), Chapter 3, It's Not The Thought That Counts, p. 26

“Music is the poor man's Parnassus.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Poetry and Imagination 1870s, Society and Solitude (1870), Books, Letters and Social Aims http://www.rwe.org/comm/index.php?option=com_content&task=category&sectionid=5&id=74&Itemid=149 (1876)

“It's funny. People come to my house because I was recommended to them to do some writing. They've never heard of me, and you can see the reticence written all over their faces. Then they look at the walls and see the platinum and gold albums and they say, "Oh. That one's from Prince! That's from Robert Palmer! Oh my God, Paul McCartney!" And then they say, "You're a really fine composer"--without having heard any of my music.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

As quoted in "Fischer: A Ferocious Teddy Bear" http://articles.latimes.com/1992-07-03/entertainment/ca-1426_1_teddy-bear

God, People, Housing

“One of the band told me last night
That music is all that he's got in his life.
So where does it go?
Surely not with his soul.
Will all of his licks and his R'n'B
Blow away?”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, Never for Ever (1980)

Life, Soul, Night

“There is a paradox at the heart of Chopin's style, in its unlikely combination of a rich chromatic web of polyphony, based on a profound experience of J. S. Bach, with a sense of melody and a way of sustaining the melodic line derived directly from Italian opera. The paradox is only apparent, and it is never felt as such when one hears the music. The two influences are perfectly synthesized, and they give each other a new kind of power.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 5 : Chopin: Counterpoint and the Narrative Forms

Way, Sense, Heart

“In the world of music, it is a rarity to find a person who is both a gifted composer and a top conductor. So it is in economics as well. Paul is that rarity. When Paul is writing, the sun is always out. His writing—ever eloquent, ever stirring—is done with the kind of verve that one seldom finds today.”

Michael Szenberg (1934) American economist

10.Paul Samuelson is a Great Maestro.
Ten Ways to Know Paul A. Samuelson (2006)

World, Sun, Personality

“They do not speak of boundless skies,
of passing loves like silver clouds.
They speak of cheerless towns, unwound:
on hazy moors of muffled music.”

Fausto Cercignani (1941) Italian scholar, essayist and poet

Adagio (2004)
Examples of self-translation (c. 2004)

Love

“Myriads of individuals, each one unique, live out their lives in rapt intercourse with one another, contribute their heart’s pulses to the universal music, and presently vanish, giving place to others. All this age-long sequence of private living, which is the actual tissue of humanity’s flesh, I cannot describe. I can only trace, as it were, the disembodied form of its growth.”

Olaf Stapledon book Last and First Men

Source: Last and First Men (1930), Chapter XIV: Neptune; Section 3, “Slow Conquest” (p. 211)

Age, Universe, Heart

“Polyphonic painting is superior to music in that, here, the time element becomes a spatial element. The notion of simultaneity stands out even more richly.”

Paul Klee (1879–1940) German Swiss painter

Paul Klee, quote from 'Diaries III', 1917; as quoted in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html 1916 - 1920

Time, Painting

“Roger: It depends.. A song is melody and lyrics and the music, you know? For our band, Vinnie the drummer writes like 95% of the lyrics so he's the main songwriter if you want to look at it that way. But he doesn't write any chords or melodies or any of that kind of stuff. So, it's kind of hard to split up or dissect a song that way, you know? On this record.. it's pretty fair, you know, pretty even between myself and Chris.. Actually JR and I. JR's the first song writer outside of Chris, Vinnie or I to like actually sit down and reword a song for the record. So he's becoming like a bigger part of that sort of thing. I don't know. It just depends. I definitely write a bunch of them!”

Roger Manganelli (1973) American musician

laughs

Way, Parting, Dependency

“I'm especially interested in the music of John Cage... I would like to do some experimenting with the relationship between his freeform sound and free-form art.”

Jasper Johns (1930) American artist

Quote of Johns, from: John Adds Plaster Casts To Focus Target Paintings, Donald Key, Milwaukee Journal, 19 June 1960, pt. 5, p. 6
1960s

Art

“The particles of this cosmos rock and roll to their own self-generated beat. They defy the rules of arithmetic. Protons plus neutrons… equals music. Is this harmony… entropy? …No. …it's social behavior …riddled with form. And it's so antientropic that those in the scientific world who are trying desparately to rescue entropy… call it "negentropy."”

Howard Bloom (1943) American publicist and author

…Entropy is a very big assumption.
Heresy Number Three
The God Problem: How a Godless Cosmos Creates (2012)

World, Behavior

“Prior to the invention of writing, our ancestors had to rely on memory, sketches, or music to encode and preserve important information.”

Daniel Levitin book The Organized Mind

The Organized Mind (2014)

Memory

“There are definitely people I respect and I love their music, but there was never really an artist that I said, "I want to be just like them, I love the way their career is going. I love their music." It wasn't really like that. I wanted to be like myself.”

Hilary Duff (1987) American actress and singer

Love, People, Way

“At times, we [the White Stripes] almost ignore our own music. If we have the stage, we've gotta play Son House's music, because there's nobody to keep it alive. We don't wanna be known as the band that's conducting music instruction class. But that's all everyone talks about - why MTV's not good, why radio's not good. And the answer is really because whatever you want to call it - blues, country, folk - isn't around any more. That's why everyone's so mad, and I'm tired of it being my job to bring it back.”

Jack White (1975) American musician and record producer

On why he tends to look to the past Perry, Andrew (2004). "The White Stripes uncut" http://observer.guardian.co.uk/omm/story/0,13887,1349947,00.html Observer Music Monthly (accessed June 19, 2007). 2010

Time, Housing, Madness, Country

“I think I just kind of thought about all the artists that I really respected throughout the - just any genre of music really and I think everybody that I respected and liked. They were just them. You know, they're people who always stuck to who they were, and were true and honest about who they were. So I think that kind of gave me a real like confidence to just stick at it. Just thinking about people like Bjork - you know, I don't know, Bob Dylan, you know artists that truly were strong in themselves.”

M.I.A. (1975) British recording artist, songwriter, painter and director

M.I.A. Interview http://web.archive.org/web/20070926225407/http://www.muchmusic.com/music/artists/transcripts.asp?artist=1213 on MuchMusic's MuchOnDemand (September 2005). Sourced quotes

People, Confidence, Thinking, Strong

“From the top of the campanile, or Giotto's bell tower, in Florence, one can look out over the city in all directions, past the stone banking houses where the rich Medici lived, past the art galleries they patronized, past the magnificent cathedral and churches their money helped to build, and on to the Tuscan vineyards where the contadino works the soil as hard and efficiently as he probably ever did. The city below is busy with life. The university halls, the shops, the restaurants are crowded. The sound of Vespas, the "wasps" of the machine age, fills the air, but Florence is not today what it once was, the center in the 15th century of a great civilization, one of the most extraordinary the world has ever known. Why? What produced the Renaissance in Italy, of which Florence was the center? How did it happen that such a small population base could produce, in the short span of a few generations, great historical figures first in commerce and literature, then in architecture, sculpture and painting, and finally in science and music? Why subsequently did Northern Italy decline in importance both commercially and artistically until at the present time it is not particularly distinguished as compared with many other regions of the world? Certainly the people appear to be working as hard and energetically as ever. Was it just luck or a peculiar combination of circumstances? Historians have been fascinated by such questions ever since they began writing history, because the rise and fall of Florence or the whole of Northern Italy is by no means an isolated phenomenon.”

David C. McClelland (1917–1998) American psychological theorist

Source: The Archiving Society, 1961, p. 1; lead paragraph, about the problem

Life, Money, People, Age

“Noise accompanies every manifestation of our life. Noise is familiar to us. Noise has the power to bring us back to life. On the other hand, sound, foreign to life, always a musical, outside thing, an occasional element, has come to strike our ears no more than an overly familiar face does our eye. Noise, gushing confusely and irregularly out of life, is never totally revealed to us and it keeps in store innumerable surprises for our benefit. We feel certain that in selecting and coordinating all noises we will enrich men with a voluptuousness they did not suspect.”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

Source: 1910's, The Art of Noise', 1913, p. 9

Life, Men, Feeling

“Pagers are my life--I try to get them in to our music as much as possible.”

John Frusciante (1970) American guitarist, singer, songwriter and record producer

On "By The Way" Documentary

Life

“Painting and sculpture are very archaic forms. It's the only thing left in our industrial society where an individual alone can make something with not just his own hands, but brains, imagination, heart maybe. It's a very archaic form. Same things can be said with words, writing poetry, making sounds, music. It is a unique thing.... I think that the original revolutionary impulse behind the New York School, as I felt it anyway, and as I think my colleagues felt and the way we talked all the time, was a kind of a.... you felt as if you were driven into a corner against the wall, with no place to stand, just the place you occupied as if the act of painting was not making a picture.... it was as if you had to prove to yourself that truly the act of creation was still possible.... I felt as if I was talking to myself, having a dialectical monologue with myself to see if I could create.”

Phillip Guston (1913–1980) American artist

Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, p. 66

School, Way, Imagination, Thinking

“Animation in itself is an art form, and that's the point I think always needs clarification. True animation exists without any background, or any color, or any sound, or anything else; it exists in your hand. And you can take it and flip it. […] What makes animation is the fact that you have a series of drawings that move. You don't even have to have a camera, you see; animation exists without it. If you want to broaden your audience, or make it more colorful or add music, then you put it under a camera one frame at a time, and then you run it at the same speed as you flip it, and then you have animation. If it depends basically upon soundtrack, or basically upon music, or color, graphic design, or anything else to sustain itself, then it is not unique to animation.”

Chuck Jones (1912–2002) American animator, cartoon artist, screenwriter, producer, and director of animated films

Joe Adamson, "Witty Birds and Well-Drawn Cats: An Interview with Chuck Jones [1971]", in Chuck Jones: conversations, ed. Chuck Jones and Maureen Furniss (Univ. Press of Mississippi, 2005), 63.

Art, Color, Thinking, Time

“The mind of man may be compared to a musical instrument with a certain range of notes, beyond which in both directions we have an infinitude of silence.”

John Tyndall (1820–1893) British scientist

Matter and Force.
Fragments of Science, Vol. II (1879)

Silence

“Mind and its contents are functionally identical: My wife only exists, for me, in my mind. Not being a solipsist, I recognize the converse: I only exist, for her, in her mind. Lest the reader exclaim, like Byron of Wordworth, "I wish he would explain his explanation!", let us try it this way: If I am so fortunate as to be listening to the Hammerklavier sonata, the only correct answer, if you ask me suddenly, "Who are you?" would be to hum the Hammerklavier. For, with music of that quality, one is hypnotized into rapt attention: there is no division between "me" and "my experience".”

Robert Anton Wilson book Prometheus Rising

Source: Prometheus Rising (1983), Ch. 14 : The Meta-Programming Circuit, p. 219

Way

“It's a way of life for me. To me, Scientology is the very thing that artists need, in the sense that it's not a religion that you have to change the way that you pray or think about the Creator. What's incredible about Scientology is that this is the first time there's been a real technology on human relationships. To me, that's what's missing in the world. Like most of us, I grew up in a mechanical world. And when I got into music, it was mechanical in the sense of choosing notes and chords. Missing were the humanities. What ever happened to how you really live? How you feel? How you relate to people? How you reach out and help someone? I think that's one of the most basic, natural tendencies all people have—to help. Scientology gives you the necessary tools to be successful at helping someone.”

Chick Corea (1941) American jazz and fusion pianist, keyboardist, and composer

Response when asked "How has Scientology influenced your artistry?". BET Jazz (December 2004)

Life, People, World, Religion

“The sight of such a monument is like continual and stationary music, which one hears for one's good as one approaches it.”

Anne Louise Germaine de Staël book Corinne

La vue d'un tel monument est comme une musique continuelle et fixée, qui vous attend pour vous faire du bien quand vous vous en approchez.
Bk. 4, ch. 3
The idea that "architecture is frozen music" — an aphorism of disputed origin sometimes misattributed to de Staël — is found in a number of German writers of the period.
Corinne (1807)

“Hark! My ears are catching corncrake’s clicking,
Silver moonlight shines on cobhead corn;
Summer evening’s blessing me, enriching,
Valley’s wreaths of smoky slash and burn.
Neither joying I, nor grieve I, mournful;
But for forest’s darkness am I yearnful,
Rose-gilt clouds the day’s protracted ending,
Windy sleeping hill o’er all extending,
Fragrant twinflower, shortening, lingering shade;
These the things from which my heart-song’s made.

Lady June-July, for you I’m singing,
Great the silence of my ardent heart,
Merry music make, for faith is mounting,
Verdant wreath of oak eternal start.
Foolish errands now I’ll make no longer,
Fortune blessèd hands will grasp the stronger;
Rippled pool of circles now decreasing;
Time has ceased and weathervane is sleeping;
Stretches road at twilit end of day,
Bound for home unknown, I take its way.”

Eino Leino (1878–1926) Finnish poet and journalist

Faith, Way, Home, Sleep

“At that time [c. 1904 – 1905] I tried, by means of lines and by distribution of mottled points of colours [in his tempera painting on paper: 'Russian Beauty in a Landscape', 1905] to express the musical spirit of Russia. Other pictures of that period reflected the contradictions and later the eccentricities of Russia.”

Wassily Kandinsky (1866–1944) Russian painter

Source: 1916 -1920, Autobiography', 1918, p. 29

Beauty, Time, Painting

“Exquisite nature, daydreams, and music say one thing, real life another.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

In a Native Corner or At Home (1897)

Life, Nature

“When people hear music that is spiritual it gets through. Music that is Godlike and loving gets through. I don’t have any power in this world, but I have spiritual power. I think God gave me my music and my talent. I’m trying to get across a feeling of spirituality; I think I have a spiritual influence on people.”

Brian Wilson (1942) American musician, singer, songwriter and record producer

OffBeat interview (2005)

Love, God, People, World

“As Scots our Celtic heritage ties us closely together. It binds us with our cousins in Northern Ireland, the Irish Republic and Wales. And with other Europeans lucky to blessed with good weather. We have Celtic cousins in Brittany, Galicia and Cornwall. Our is a heritage shared in a love of music and song, of poetry - and a special affinity with the sea and with nature.”

Alex Salmond (1954) Scottish National Party politician and former First Minister of Scotland

Vision for Scotland in the European Union (December 12, 2007)

Love, Nature, Weather, Sea

“Music is arguably the most affecting of the arts; intelligible to all people yet untranslatable into any other idiom. To Schopenhauer it was a direct expression of the ‘world will’… and was good when he had guests over.”

Derren Brown (1971) British illusionist

TV Series and Specials (Includes DVDs), Trick of the Mind (2004–2006)

People, World, Art, Intelligence

“Just let life be the spark
A catapult that shoots us through the dark
Raise your glass, bring a toast
To the one thing you treasure the most
Tonight the only way we go is up up
Let the music play, let's make it pop pop
DJ keep the record spinning all night non stop”

Erika Jayne (1969) American singer, actress and television personality

"Party People (Ignite The World)"
Song lyrics, Other songs

Life, Way, Night

“Music is one of those things that brings great joy to people, singing is a sort of unifier of people, no matter what political place or original place you come from.”

Brian Viglione (1979) American musician

June 1, 2006 - OndaRock Interview

People, Singing, Joy

“The musician is as rich as the music they give away.”

Robert Fripp (1946) English guitarist, composer and record producer

Guitar Craft Monograph III: Aphorisms, Oct. 27 1988

“. The central theme of contemporary autonomist Marxism is a shift from giant organizations and insurrectional seizure to gradualism and Exodus. The rapid transformation of the working class, the blurring of the lines between work and the rest of life, and the shift in meeting a growing share of our needs into the informal and social economy, mean that the Old Left’s workerism (and like Harry Cleaver, I include syndicalism and council communism in the Old Left), its focus on the production process as the center of society, and its treatment of the industrial proletariat as the subject of history, have become obsolete. In this regard, read Toni Negri’s contrast of the Multitude to previous Old Left ideas of the proletariat. Mostly, I call it a heroic fantasy because any model that envisions a post-capitalist transition based on the universal adoption of any monolithic, schematized social model is as ridiculous as Socrates and Glaucon discussing what musical instruments and poetic metres will be permitted in the perfect state. The real world version of the post-capitalist transition — just as with the transition to capitalism five centuries earlier — isn’t a matter of any single cohesive social class, as the subject of history, systematically remaking the world guided by some single, comprehensive ideology, and organized around a uniform institutional model. It’s a matter of a wide variety of prefigurative institutions and technological building blocks that already exist in the present society, continuing to grow and coalesce together until they reach sufficient critical mass for a phase transition — a phase transition whose outlines can only be guessed at in the most general terms. This is the model advocated by Michel Bauwens, by Paul Mason, by John Holloway, by Peter Frase, and by a lot of other people who can hardly be fitted into any American individualist ghetto.”

Kevin Carson (1963) American academic

'In Which the Anarcho-Syndicalists Discover C4SS' (2016)
Other Writing

Life, People, World, History

“When I asked Sergio Mendes why he still called his group Brasil '66 in 1967, he said "'66 was a very good year!" That's his group and the French song from The Umbrellas of Cherbourg. It's not one of their better tracks. Some of the things they've done I have enjoyed tremendously, though it's getting to the point where he's had commercial success doing what he's doing, so it's now somewhere in between strong Brazilian music and quasi-rock. Joao Palma is an excellent drummer. Here they have John Pisano of the Tijuana Brass playing an amplified guitar. He is one of the few people who, on the regular amplified guitar, has really got the Brazilian thing down. He can play in the Baden Powell style, which is so compelling and so dynamic. Sergio is usually a much more melodic pianist, but here he's trying to give a hardness and vitality to the over-all commercial sound, and he comes out lacking what he usually has—his lines are usually very smoothly melodic. This has nothing to do with jazz, but I find it pleasant; on the other hand, some of the things they do, like O Pato [from Mendes' previous album], or some of the faster things, I enjoy much more. Two stars.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

Reviewing Mendes' recording of Michel Legrand's '"Watch What Happens," from the album Equinox; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#2nmgk677qzm4cnu

People, Star, Strong, Success

“All is beautiful and unceasing,
all is music and reason,
and all, like diamond,
is carbon first, then light.”

José Martí (1853–1895) Poet, writer, Cuban nationalist leader

I (Yo soy un hombre sincero) as translated by Esther Allen in José Martí : Selected Writings (2002), p. 275
Simple Verses (1891)

Beauty, Light

“This revolution of music is paralleled by the increasing proliferation of machinery sharing in human labor. In the pounding atmosphere of great cities as well as in the formerly silent countryside, machines create today such a large number of varied noises that pure sound, with its littleness and its monotony, now fails to arouse any emotion.”

Luigi Russolo (1885–1947) Electronic music pioneer and Futurist painter

Source: 1910's, The Art of Noise', 1913, p. 5

“I've changed music four or five times. What have you done of any importance other than be white?”

Miles Davis (1926–1991) American jazz musician

Miles, the Autobiography (1989) (co-written with Quincy Troupe, p. 371.)
At a White House reception in honor of Ray Charles 1987, this was his reply to a society lady seated next to him who had asked what he had done to be invited.
1980s

Change, Time

“Art for art's sake has never flourished in England. We are often called inartistic because our art is unconscious. Our drama and poetry, like our laws and our constitution, have evolved by accident while we thought we were doing something else, and so it will be with music. The composer must not shut himself up and think about art, he must live with his fellows and make his art an expression of the whole life of the community – if we seek for art we shall not find it.”

Ralph Vaughan Williams (1872–1958) English composer

"Who Wants the English Composer?" (1912); cited from Ursula Vaughan Williams RVW (1964) pp. 101-2.

Life, Law, Art, Communication

“I call my music the healing music… It makes the blind feel that they can see, the lame feel that they can walk, the deaf and dumb that they can hear and talk.”

Little Richard (1932) American pianist, singer and songwriter

Pop Chronicles: Show 5 - Hail, Hail, Rock 'n' Roll: The rock revolution gets underway. (Part 1) https://digital.library.unt.edu/ark:/67531/metadc19751/m1/#track/6, interview recorded 1.2.1968 http://web.archive.org/web/20110615153027/http://www.library.unt.edu/music/special-collections/john-gilliland/o-s.

Feeling

“Music is for me like a beautiful mosaic which God has put together. He takes all the pieces in his hand, throws them into the world, and we have to recreate the picture from the pieces.”

Jean Sibelius (1865–1957) Finnish composer of the late Romantic period

Quoted by Jalmari Finne, June 28, 1905. http://www.sibelius.fi/english/omin_sanoin/ominsanoin_16.htm

God, World, Beauty

“Some day, somewhere … a guy is going to come to you and show you a nice brand-new deck of cards on which the seal is never broken, and this guy is going to offer to bet you that the jack of spades will jump out of this deck and squirt cider in your ear. But, son … do not bet him, for as sure as you do you are going to get an ear full of cider. (From the short story The Idyll of Miss Sarah Brown, Collier's Weekly, January 28, 1933. Used with slightly different wording in the musical Guys and Dolls -- both the 1950 stage and the 1955 film versions.)”

Damon Runyon (1880–1946) writer

Guy

“Today we’re celebrating the kind of music that makes you move no matter who you are or where you come from; music that taps into feelings and experiences that we all share — love and heartbreak, pride and doubt, tragedy and triumph. It is called soul music.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

Statements at "I'm every woman: The History of Women in Soul" event (06 March 2014) http://abcnews.go.com/blogs/politics/2014/03/michelle-obama-hangs-out-with-soul-sisters-melissa-etheridge-and-pattie-labelle/ 2010s

Love, Feeling, Soul

“When people listen to my music, I hope that they will notice that if you take a piece by a composer like Schubert, the major and the minor triad is an extermely important thing not merely as harmony, but in creating melodic lines. Schubert is always walking up and down with arpeggios on C, E, G and so forth. I am not doing anything different really, except using a different system of harmony.”

Elliott Carter (1908–2012) American composer

Carter interviewed by Joël Bons. Album notes for Elliot Carter: homages & dedications, p.17 [CD booklet]. Montaigne Records (2003), MO 782089.

People, Hope

“… what I’ve tried to allow is for the essay to be a space in which the consciousness which reads poetry or remembers a line of poetry or listens to music or goes for a walk, is also the consciousness that is inflected and threatened and endangered by the political; is also the consciousness that registers and is permeated by the political. That somehow it is not a separate … consciousness that is hiding behind the facade of the man who remembers a line of poetry or forgets it, but that it is the same consciousness in which these various things are coming in and going out.”

Amit Chaudhuri (1962) contemporary Indian-English novelist

Small Orange Flags (2003)

Reading, Forgetting

“Not to know the Bible is, in some ways, to be illiterate, to neglect the very roots of philosophy, art, architecture, literature, poetry and music.”

Chris Hedges book American Fascists: The Christian Right and the War on America

Source: American Fascists: The Christian Right and the War on America, Chapter One: Faith

Art, Way, Literature

“Why I’m telling you this is because that’s where this music comes from, that’s where my art comes from. You’re talking to a miracle; I am a miracle. I’m not halfway there, you know, dut-dut-dut-dut-da, drink a beer, hang out with my buddies, smoke a joint and get together with the band, wanna be a rock star; no. I am a very troubled individual who has been handed these obstacles in life, and overcome my fears to be honest with myself, so I can be honest with you. That’s not exploitation, it’s liberation.”

Travis Meeks (1979) American musician

[LEO Weekly, http://leoweekly.com/?q=node/7333, MUSIC ISSUE: You're talking to a miracle, 2008-07-16]

Life, Fear, Art, Star

“Producers of opera nowadays usually make the mistake of translating each particular orchestral phrase into terms of a movement on the stage. In this matter one should proceed with a maximum of caution and good taste. There is no objection to bringing life to into the production by changes of position and new nuances of acting during repetitive passages of music, especially in arias. Preludes of one or two bars frequently, and especially in Mozart, clearly express some gesture on stage. But each trill on the flute does not represent a wink on the prima donna, nor every delayed chord on the strings a step or gesture. Whole passages, especially in the finales, are pure concert music and are best left undisturbed by “play acting.””

Richard Strauss (1864–1949) German composer and orchestra director

Recollections and Reflections

Life, Change

“I hoped to sell 50,000 records. My main goals were to sing my heart out, to challenge myself vocally, to find beautiful music that has great stories and to express what I love about the musicality of different languages. And if 10 people bought it, I'd be thrilled that 10 people listened to it. And if it was 10 million, I'd be thrilled that 10 million people listened to it. This is just beyond any dream that I could have possibly had.”

Josh Groban (1981) American musician and actor

Love, People, Beauty, Dreams

“Mathematical physics represents the purest image that the view of nature may generate in the human mind; this image presents all the character of the product of art; it begets some unity, it is true and has the quality of sublimity; this image is to physical nature what music is to the thousand noises of which the air is full…”

Théophile de Donder (1872–1957) Belgian physicist

as quoted by Ilya Prigogine in his Autobiography http://nobelprize.org/nobel_prizes/chemistry/laureates/1977/prigogine-autobio.html given at the occasion of Prigogine's 1977 Nobel Prize in Chemistry.

Art, Mathematics, Nature

“Music isn't enough. Performers aren't enough. There must be someone that loves music as much as life. For you, and remember this always, those of us with something urgent to say, we give everything.”

William Kapell (1922–1953) American classical pianist

Quoted by Claudia Cassidy, " In Memory of William Kapell, Who Left Us Richer in Music http://www.williamkapell.com/articles/cassidy.html", Chicago Tribune (October 30, 1953).

Love, Life

“Do I let my children listen to my music?' Of course I do. Shoot, the worst curse is a lie.”

Ol' Dirty Bastard (1968–2004) American rapper

From an MTV News video segment. 1995

Children, Lie

“Do you recall what was revealed
The day the music died?”

Don McLean (1945) American Singer and songwriter

Song lyrics, American Pie (1971), American Pie

“The success of Watermark surprised me. I never thought of music as something commercial; it was something very personal to me… The writing of a melody is an emotional moment; success doesn't make it easy.”

Enya (1961) Irish singer, songwriter, and musician

You interview (2006)

Success, Personality

“That movie about Cazuza looks like an episode of Malhação. The 1980s rock music was junk.”

Lobão (1957) Brazilian musician

IstoÉ Gente magazine, issue #260

“I hate singers, a miserable crew who think that music exists only in their own throats.”

George Bernard Shaw (1856–1950) Irish playwright

1900s, Love Among the Artists (1900)

Hate, Thinking

“Such abstruse ideas are totally alien to Chopin. The Romantic interweaving of music and literature that was characteristic of Schumann and Liszt was a negligible source of inspiration. Schumann dedicated Kreisleriana to Chopin, but in fact Chopin’s consciousness for classical strength and form had nothing in common with the exalted, torn, eccentric and confused character of the work.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Literature, Idea

“We are living in a cultural dark age of musical pollution. You put the radio on, and five minutes later you need an aspirin.”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

2005

Age

“Painting, literature, music, are more closely allied than the public usually admit. They are merely different means of expression.”

Auguste Rodin (1840–1917) French sculptor

RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911

Literature, Painting

“Sphere Music — Some sounds seem to reverberate along the plain, and then settle to earth again like dust; such are Noise, Discord, Jargon. But such only as spring heavenward, and I may catch from steeples and hilltops in their upward course, which are the more refined parts of the former, are the true sphere music — pure, unmixed music — in which no wail mingles.”

Henry David Thoreau (1817–1862) 1817-1862 American poet, essayist, naturalist, and abolitionist

August 5, 1838
Journals (1838-1859)

Spring, Parting

“I’m nothing but a conduit. The music goes though my ears, my fingers… Composer is a god. Composer creates music. We’re performers. We’re just passing it on.”

Valentina Lisitsa (1973) Ukrainian-American classical pianist

telegraph.co.uk http://www.telegraph.co.uk/culture/music/classicalmusic/9467708/Pianist-Valentina-Lisitsa-interview-with-the-YouTube-star.html

God

“Even the most, 'emotive' view of music has to 'be' emotive 'about something distinct', which necessarily involves having a 'theory' about it, for better or worse, in awareness or unawareness, and that a 'musical' something distinct can be cognitively understood as an "emotional experience" only insofar as it is first cognitively understood as a human-communicative manifestation, as an "instance of thought.”

Benjamin Boretz (1934) American composer

from Meta-Variations: studies in the foundations of musical thought Red Hook, N.Y. : Open Space, 1995.

Communication

“Why do comparisons of words and tone poems (poetry and music) never take into consideration that the word is a mere signifier, but that the sound, aside from being a signifier, is also an object?”

Franz Grillparzer (1791–1872) austrian dramatic and writer

Notebooks and Diaries (1820).

“I love Pops, I love the way he sings, the way he plays - everything he does, except when he says something against modern-jazz music.”

Miles Davis (1926–1991) American jazz musician

In Playboy to Alex Haley (1962); also in [Milestones: The music and times of Miles Davis since 1960, Jack, Chambers, Beech Tree Books, 1983, 9780688046460, 209], [The Playboy Interviews, Alex, Haley, Murray, Fisher, Ballantine, 1993, 9780345383006, 15], [The Miles Davis companion: four decades of commentary, Gary, Carner, Gary, Carner, Schirmer Books, 1996, 9780028646121, 19], and in [Miles Davis and American Culture, Missouri Historical Society Press Series, Gerald Lyn, Early, Missouri History Museum, 2001, 9781883982386, 205]
1960s

Love, Way, Singing

“Marxist fixation on an atheistic status quo … offers the human soul nothing but a more or less eudaimonistically furnished "heaven on earth" without the music we ought to hear from this effortlessly functioning economic and social mechanism.”

Ernst Bloch (1885–1977) German philosopher

... wenn der Marxismus atheistisch fix mit Status quo bleibt, um der Menschenseele nichts als einen mehr oder minder eudämonistisch eingerichteten »Himmel« auf Erden zu setzen - ohne die Musik, die aus diesem mühelos funktionierenden Mechanismus der Ökonomie und des Soziallebens zu ertönen hätte.
Source: Man on His Own: Essays in the Philosophy of Religion (1959), p. 38

Soul

“The farmer needs to learn different skills if he wants to cultivate, just as the doctor and hunter need to learn many things if they are to heal or hunt. And so must he who wishes to gain from the scripture and from Christ learn all rational and logical skills. He must go to geometry, music, grammar and philosophy itself and take from them what is useful, in order to defend his faith against those who plot to destroy it. If he does not do this, he is, as Plato says, like the athlete who turns up unprepared for the games.”

Eric Osborn (1922–2007)

Clement of Alexandria (Cambridge University Press: 2008), p. 63

Faith, Game, Learning, Christ

“Above all, I feel that the sounds of this world are so beautiful in themselves that if only we could listen to them properly, cinema would have no need for music at all.”

Andrei Tarkovsky book Sculpting in Time

Source: Sculpting in Time (1986), p. 162

World, Beauty, Feeling

“Among the arts of expression one is suited to this purpose, another to that. It is hard to express movement in stone or rest in music. It is harder still to express permanence in speech.”

L. P. Jacks (1860–1955) British educator, philosopher, and Unitarian minister

The Usurpation Of Language (1910)

Art

“I can't believe that people really prefer to go to the concert hall under intellectually trying, socially trying, physically trying conditions, unable to repeat something they have missed, when they can sit at home under the most comfortable and stimulating circumstances and hear it as they want to hear it. I can't imagine what would happen to literature today if one were obliged to congregate in an unpleasant hall and read novels projected on a screen.”

Milton Babbitt (1916–2011) American composer

See: recording Quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.

People, Quotes, Home, Imagination

“The one version of the bourgeois comprises the artisan, the trader, the official, the financier, and the entrepreneur, all of whom, in their own way, can claim to know what labor is. Juxtaposed to them from the beginning, stands a type of bourgeois who does research, writes poetry, composes and makes music, and philosophizes and who believes that these activities develop a world that is self-sufficient. It is obvious that these two fractions of the bourgeois ego get on only superficially and come together only in the hollow connection of property and cultivation. They create the century-long tension between the good and the evil bourgeois, the idealist and the exploiter, the visionary and the pragmatist, the ideally liberated bourgeois and the laboring bourgeois. This tension remains as inexhaustible as that between the world of work and “freedom” in general.”

Peter Sloterdijk (1947) German philosopher

Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), pp. 63-64

World, Way, Freedom, Evil

“Economic growth in Australia did not require the incorporation of a backward, unproductive rural sector. When farming later developed on the pastoral runs, it was commercial farming. Australia, as its greatest historian Keith Hancock said, was born modern. The United States, by contrast, imitated to an extent the history of Europe. In areas which had been self-sufficient there was more regional variety in speech and habit. There were pockets of settlement which for a long time remained outside the commercial world, even when access to it became possible. Backwoodsmen, hillbillies and country music were the results.”

John Hirst (1942–2016) Australian historian

Australian History in 7 Questions (2014)

World, History, Time, Country

“What does NOT work best for anyone, though, is being forced to keep a Windows partition around just to play video games. The best operating system for playing games is the one that lets you keep your word processor, instant messenger, email, and music player open in the background while you play. The worst is the one that will force you to shut all that down just to screw around for a few minutes.”

Ryan C. Gordon (1978) Computer programmer

Quoted in Robin Heggelund Hansen, "Porting games to Linux" http://www.hardware.no/artikler/ryan_c_gordon_and_michael_simms/68450/1 hardware.no (2009-03-10)

Game

“To the seeker after the new, or the sensational, to those who expect a sinister frisson from modern music, it is my melancholy duty to point out that all the bomb throwing and guillotining has already taken place.”

Constant Lambert (1905–1951) British composer and conductor

"The Revolutionary Situation", p. 32.
Music, Ho! (1934)

“Music is spiritual. The music business is not.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

The Times [London] (6 July 1990)

Business

“The snow is melting into music.”

John Muir (1838–1914) Scottish-born American naturalist and author

15 January 1873, page 107
John of the Mountains, 1938

“This is the place of my song-dream, the place the music played to me,' whispered the Rat, as if in a trance. 'Here, in this holy place, here if anywhere, surely we shall find Him!'
Then suddenly the Mole felt a great Awe fall upon him, an awe that turned his muscles to water, bowed his head, and rooted his feet to the ground. It was no panic terror — indeed he felt wonderfully at peace and happy — but it was an awe that smote and held him and, without seeing, he knew it could only mean that some august Presence was very, very near. With difficulty he turned to look for his friend and saw him at his side cowed, stricken, and trembling violently. And still there was utter silence in the populous bird-haunted branches around them; and still the light grew and grew.”

Kenneth Grahame book The Wind in the Willows

Source: The Wind in the Willows (1908), Ch. 7

Happiness, Peace, Dreams, Bird

“The sound is beautiful, it's perfect!
The sound of her young legs in stockings,
The rhythm of her walk, it's beautiful!
Just let it twist, let it break,
Let it buckle, let it bend,
I want to hear the noise of my Zoo-Music Girl.”

Nick Cave (1957) Australian musician

Song lyrics, Prayers on Fire (1981), Zoo-Music Girl

Beauty, Girl, Perfection

“Music is my life -- acting's just a hobby.”

Steve Burns (1973) American entertainer

Me And You And A Dog Named Blue - Spin Magazine http://www.steveburnsrocks.us/articles/PrintedMaterial_SpinMagazine_February2004.htm

Life

“I can sing about songs with gunshots in the background because I heard them. It's almost like my music has been a way to smoke out the hatred that's been bubbling underneath what's going on in Sri Lanka. If there's 300,000 people who are trapped and they're dying, it should be talked about, it should be brought to the table, and I don't see anything wrong in sticking up for 300,000 dying people.”

M.I.A. (1975) British recording artist, songwriter, painter and director

Video Interview http://www.time.com/time/specials/packages/article/0,28804,1894410_1894780_1894784,00.html to TIME (2009) Sourced quotes

People, Way, Singing

“Man, I love music. I looked up to producers like Barry White and Isaac Hayes. You know, I was about those guys. Dr. Dre, Michael Jackson, looking at those guys, how they came up, looking at all those guys I feel like I’m one of those guys. I’m one of those legendary guys just like them. I’ll never go anywhere. I love music. I love making music and working with different producers and getting the rappers and stuff like that. I signed TM88 to my company, you know? It’s been successful. He produced "XO Tour Llif3," which sold over four million copies.”

Juicy J (1975) American rapper and record producer from Tennessee; co-founder of Three 6 Mafia

Juicy J Interview Rubba band Business Wiz Khalifa Juicy J https://www.billboard.com/articles/columns/hip-hop/8070920/juicy-j-interview-rubba-band-business-wiz-khalifa

Love, Guy, Feeling, Success

“Besides, time, which despoils castles, enriches verses... Time broadens the scope of verses and I know of some which, like music, are everything for all men.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

"Averroës' Search" (1949)

Men, Time

“The "music of decline" had sounded, as in that wonderful Chinese fable; like a thrumming bass on the organ its reverberations faded slowly out over decades; its throbbing could be heard in the corruption of the schools, periodicals, and universities, in melancholia and insanity among those artists and critics who could still be taken seriously; it raged as untrammeled and amateurish overproduction in all the arts.”

Hermann Hesse book The Glass Bead Game

The Glass Bead Game (1943)

School, Art, Universe, Rage

“Not only was Thebes built by the music of an Orpheus; but without the music of some inspired Orpheus was no city ever built, no work that man glories in ever done.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Bk. III http://books.google.com/books?id=8nI5AAAAcAAJ&q=%22Not+only+was+Thebes+built+by+the+music+of+an+Orpheus+but+without+the+music+of+some+inspired+Orpheus+was+no+city+ever+built+no+work+that+man+glories+in+ever+done%22&pg=PA182#v=onepage, ch. 8 http://books.google.com/books?id=m2IyAQAAMAAJ&q=%22Not+only+was+Thebes+built+by+the+music+of+an+Orpheus+but+without+the+music+of+some+inspired+Orpheus+was+no+city+ever+built+no+work+that+man+glories+in+ever+done%22&pg=PA86#v=onepage. 1830s, Sartor Resartus (1833–1834)