Marita Sturken. " TV as a Creative Medium: Howard Wise and Video Art http://www.vasulka.org/archive/4-30c/AfterImageMay84(1004).pdf," in: Afterimage, May 1984
Quotes about music
page 26

La peinture est le plus beau de tous les arts; en lui se résument toutes les sensations, à son aspect chacun peut, au gré de son imagination, créer le roman, d'un seul coup d'œil avoir l'âme envahie par les plus profonds souvenirs; point d'effort de mémoire, tout résumé en un seul instant. — Art complet qui résume tous les autres et les complète. — Comme la musique, il agit sur l'âme par l'intermédiaire des sens, les tons harmonieux correspondant aux harmonies des sons; mais en peinture on obtient une unité impossible en musique où les accords viennent les uns après les autres, et le jugement éprouve alors une fatigue incessante s'il veut réunir la fin au commencement. En somme, l'oreille est un sens inférieur à celui de l'œil. L'ouïe ne peut servir qu'à un seul son à la fois, tandis que la vue embrasse tout, en même temps qu'à son gré elle simplifie.
Quote of Gauguin from: Notes Synthéthiques (ca. 1884-1885), ed. Henri Mahaut, in Vers et prose (July-September 1910), p. 52; translation from John Rewald, Gauguin (Hyperion Press, 1938), p. 161.
1870s - 1880s

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter IV, Sec. 8
“Music is the tonal analogue of emotive life.”
Feeling and Form, ch. 1, p. 27, Scribner (1953)

“Music is the great cheer-up in the language of all countries.”
Mr. Bonaparte, in Golden Boy (1937), Act I, sc. ii

“Life? or Theater?' - A Play with Music - C. S.”
Charlotte's 1st introduction page, related to image JHM no. 4155-1 https://commons.wikimedia.org/wiki/File:Charlotte_Salomon_-_JHM_4155.jpg: 'Life? or Theater..', p. 41
written in brush - her title is indicating the close relation for her between drama, music, text and painting
Charlotte Salomon - Life? or Theater?

Underground, from Roots (1971).
Song lyrics
Prologue
Music and Sentiment (2010)

“I've bought more music for my Ipod in one year than I bought in the last ten years of my life.”
thestrippodcast.com (September 9, 2006)
2007, 2008
“Music is life and, like it, inextinguishable.”
Motto at the top of the score of his Symphony 4: Inextinguishable

“Music was as natural as breathing in our house.”
Hats, Hunches And Happiness (1945)
Harold Powers, "Reading Mozart's Music", p.43.

Quoted in Lord Harewood The Tongs and the Bones (1981) p. 133.

From Monteux, Doris G (1965). It's All in the Music: The Life and Work of Pierre Monteux. New York: Farrar, Straus and Giroux. OCLC 604146,, p. 198

“I don't think that American audiences would accept the tonal character of my music.”
As quoted by David Milner, "Akira Ifukube Interview I" http://www.davmil.org/www.kaijuconversations.com/ifukub.htm, Kaiju Conversations (December 1992)

Interview with Berlingske Tidende, June 10, 1919. http://www.sibelius.fi/english/omin_sanoin/ominsanoin_16.htm

On Wynton Marsalis and the revival of traditional jazz
Prasad interview (1997)

Source: Staff (November 5, 2004) "Who's your homeboy? To devotees of The Used, Bert McCracken is a higher power", Home News Tribune, p. E4.

“Darkrose and Diamond” (p. 110)
Earthsea Books, Tales from Earthsea (2001)

Latina Magazine (September, 2007)
2007, 2008
tick, tick... BOOM! (1990)

3 December 2009 https://twitter.com/gtdguy/status/6297004027
Official Twitter profile (@gtdguy) https://twitter.com/gtdguy
On having no reservations about re-releasing pre-Definitive Jux material (PopMatters interview http://www.popmatters.com/pm/feature/70881-flavor-for-your-ear-eventually-an-interview-with-danny/, 2009)
Interviews
" As We Are So Wonderfully Done With Each Other http://www.poemhunter.com/poem/as-we-are-so-wonderfully-done-with-each-other/"

'Udnie – I see Again in Memory my Dear Udnie' is the title of a painting, he made in 1913; a memory of the dances performed by Stasia Napierkowska on the ship to New York, to visit the w:Armory Show, where Picabia was presented in 1913 as a 'leading Cubist painter'
1910's
Source: 'Ecrits: vol. 1', 1913 - 1920, Picabia, Belfond, Paris, p. 26

http://uk.news.launch.yahoo.com/dyna/article.html?a=dotmusic_news/20674.html&e=l_news_dm
Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 2 : How to Become Immortal

Tisdale about her early life. People Magazine. "Ashley Tisdale's Biography" http://www.people.com/people/ashley_tisdale. People. August 7 2004. Retrieved August 7 2008.
On her Biography Ashley Tisdale. (2006)
Part I. Introduction. 1. The Musical Language of the Late Eighteenth Century
Classical Style: Haydn, Mozart, Beethoven (Expanded edition, 1997)

answer to question "How different is your music now from what it was 20 years ago?"
2006

Quoted in Rap Attack 2 (1991) by David Toop, p. 62 ISBN 1852422432

"Cornel West interviewed by bell hooks" in Breaking Bread: Insurgent Black Intellectual Life (1991)

Et musique est une science
Qui veut qu'on rie et chante et dance.
Cure n'a de merencolie,
Ne d'homme qui merencolie
A chose qui ne puet valoir,
Eins met tels gens en nonchaloir.
Partout ou elle est joie y porte;
Les desconfortez reconforte,
Et nes seulement de l'oir
Fait elle les gens resjoir.
"Le Prologue", line 85; translation from Ross W. Duffin (ed.) A Performer's Guide to Medieval Music (Bloomington: Indiana University Press, 2000) p. 190.

L.A. Times 5/1/94, "He Didn't Ask for All This".

“When I want to play music, you've got to get me on tape or else it goes.”
As quoted in Guitar 2001 magazine, Issue #10, (Summer 2001).

2001
Harold Powers, review of A. Merriam's The Anthropology of Music, p.171, 167.

Quote from an interview in Observer magazine (1982), repeated on several occasions
1980s
Pathways of Chance (2007).
The Four Banks of the River of Space (1990)

Arlene Croce, in Croce, Arlene. The Fred Astaire and Ginger Rogers Book, W.H. Allen, London, 1974. p. 7. ISBN 0491001592.

The Cost of Frivolity http://www.city-journal.org/html/eon2007-02-01td.html (February 1, 2007).
City Journal (1998 - 2008)

And I felt a bit better. Because if Neil Armstrong felt like an imposter, maybe everyone did.
http://neil-gaiman.tumblr.com/post/160603396711/hi-i-read-that-youve-dealt-with-with-impostor (2017)
As quoted in Elevator Music (1994) by Joseph Lanza

George Balanchine in Nabokov, Ivan and Carmichael, Elizabeth. "Balanchine, An Interview". Horizon, January 1961, pp. 44-56. (M).
Source: The Romantic Generation (1995), Ch. 7 : Chopin: From the Miniature Genre to the Sublime Style

Review http://www.rogerebert.com/reviews/the-rugrats-movie-1998 of The Rugrats Movie (20 November 1998)
Reviews, Two star reviews

Kiedy miałem kilka lat, często podchodziłem do drzwi pokoju, w którym akurat ćwiczyła mama, wsłuchiwałem się w dźwięki i wyobrażałem sobie tę muzykę.
A little cellist from Krakow conquers the world, warszawa.naszemiasto.pl, 2008-04-02, Polish http://warszawa.naszemiasto.pl/archiwum/1664386,maly-wiolonczelista-z-krakowa-podbija-swiat,id,t.html,

And, of course, I did.
Quoted in Monteux, Doris G (1965). It's All in the Music: The Life and Work of Pierre Monteux. New York: Farrar, Straus and Giroux. OCLC 604146, p. 91
On first hearing The Rite of Spring

“Right now I'm listening to a lot of Top 40 music, because THAT'S MY JOB.”
Weird Al Yankovic tackles Life's BIG Questions http://www.youtube.com/watch?v=QpZxwRzAD6c&list=PLBEFACC86EF5C5A1B.

Talking about "a stark, basic principle underpins even the most complex symphony or mathematical application."
Music + Math: A Common Equation?, 1988

"Hauer's Theories" (Notes of November 1923), in Style and Idea (1985), p. 210
1920s

“I suppose every decade gets the music it deserves.”
Source: The Chronoliths (2001), Chapter 14 (p. 175)

1942, on the late painting 'Broadway Boogie Woogie' of Piet Mondrian
Quote of Rothko, in Painters Objects, Robert Motherwell, pp. 95, 96; as cited in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, pp. 128-129
1940's

Other elements produce other chords.
Longing for the Harmonies: Themes and Variations from Modern Physics (1987)

[Denyer, Ralph, The Guitar Handbook, 2002, 114, 0-679-74275-1]
Elsewhere

[Who's Who in Contemporary Gay & Lesbian History: From World War II to the Present Day, ISBN 041522974X, 2001, Aldrich, Robert and Wotherspoon, Gary (eds)]

http://snltranscripts.jt.org/04/04jupdate.phtml
Weekend Update samples

Interview with John C. Tibbetts http://www.murphywong.net/barzuncentennial/JohnCTibbetts.htm (1986-12-04)
Fakhruddin Iraqi: Divine Flashes (1982)

Alan Jay Lerner in Lerner, Alan Jay. On the Street Where I Live. New York: Norton, 1978. p. 89. (M).
Anna interview (2005)

Marinetti (1910); as quoted in: Lawrence Rainey (2005) Modernism: An Anthology, p. 2
1910's

David Draiman talks disturbing thoughts http://www.concertlivewire.com/interviews/disturbed.htm, concertlivewire.com, 19 February 2005)

Interview with David Draiman of Disturbed http://www.nyrock.com/interviews/2001/disturbed_int.asp, NY Rock, July 2001)

Ann Druyan – from her video podcast At Home in the Cosmos with Annie Druyan. — OVGuide. "Ann Druyan – A Plea for a Change in the Marijuana Laws Video" http://www.ovguide.com/ann-druyan-9202a8c04000641f8000000000008b85 (Podcast). published by Ann Druyan. Retrieved 2013-10-02.

Richard Dawkins, From the Afterword, The Herald Scotland, (November 20, 2006) http://www.heraldscotland.com/from-the-afterword-1.836155

Inside Movies interview 24 Nov 2010 http://insidemovies.ew.com/2010/11/24/alan-menken-tangled/.

"The Scientific Revolution and the Machine"
The Common Sense of Science (1951)

Chuck Berg, "Mozart's 'Don Giovanni' triumphs", Topeka Capital Journal (February, 2007) http://www.jennykellyproductions.com/prod_mozart_review.htm

When asked if intimacy is an issue in his marriage to Soundgarden's manager Susan Silver ** Interview with Details Magazine, December 1996 https://pitchfork.com/features/article/10081-chris-cornell-searching-for-solitude/,
Soundgarden Era