Quotes about music
page 11

“Science cannot tell us a word about why music delights us, of why and how an old song can move us to tears.”

Erwin Schrödinger (1887–1961) Austrian physicist

Nature and the Greeks (1954)

Tear, Science

“Happy are they that go to bed with grave music like Pythagoras.”

Thomas Browne (1605–1682) English polymath

On Dreams

Happiness

“It is soft, smooth and shining—like intelligence. Its edges seem sharp but do not cut—like justice. It hangs down to the ground—like humility. When struck, it gives a clear, ringing sound—like music. The strains in it are not hidden and add to its beauty—like truthfulness.’ What imagination!”

Confucius (-551–-479 BC) Chinese teacher, editor, politician, and philosopher

Confucius extolled Jade's virtues this way. Cited in Awake! magazine 1987, 9/22.
Source: The Analects, Other chapters

Truth, Justice, Beauty, Imagination

“The [George W. ] Bush administration and the conservatives must stop promoting American popular culture because it is producing a blowback of Muslim rage. With a few exceptions, the right should not bother to defend American movies, music, and television. From the point of view of traditional values, they are indefensible. Moreover, why should the right stand up for the left's debased values? Why should our people defend their America? Rather, American conservatives should join the Muslims and others in condemning the global moral degeneracy that is produced by liberal values.”

Dinesh D'Souza (1961) Indian-American political commentator, filmmaker, author

Introduction, p. 26
Books, The Enemy At Home: The Cultural Left And its Responsibility for 9, 11 (2007)

People, Rage

“Liszt has never needed revival; his music has always been an important part of the concert repertoire. Nevertheless, he has appeared to need rehabilitation.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 8 : Liszt: On Creation as Performance

Appearance, Parting

“I was impressed mostly by Gieseking [Horowitz said in 1987]. He had a finished style, played with elegance, and had a fine musical mind.”

Vladimir Horowitz (1903–1989) American classical pianist and composer

quoted in Harold C. Schonberg, Horowitz: his life and music

“This one guy, the worse guy in the music. The Yanni man. You know Yanni? First of all, anyone who looks like a magician and doesn't do magic, I don't like. I don't even like magic, I hate it. But I love the word, "Ta-da"! I love that word! I don't get to say it, right? I never do any magic. You just cant go around walking, "Ta-da!" "Ta-da!" "Ta-da!" The only time I can say it is when I do something really stupid or surprising. Like if I go out all night drinking and hitting strip clubs and I come home and I still got some money …. "Ta---da!"”

Dave Attell (1965) comedian

I thought I was broke. Why does my jaw hurt?
Comedy Central Presents: Dave Attell

Love, Money, Hate, Stupidity

“But, good God, what is this when compared with that deep and true music of the wise, whereby the proportions of natural things are investigated, the harmonical concord and the qualities of the whole world are revealed, by which also connected things are bound together, peace established between conflicting elements, and whereby each star is perpetually suspended in its appointed place by its weight and strength, and by the harmony of its lucent spirit”

Robert Fludd (1574–1637) British mathematician and astrologer

Robert Fludd, cited in: Waite (1887, p. 291)

God, World, Peace, Star

“Fight the tendency to become complacent and do one kind of music - that is the death of a musician.”

Georg Solti (1912–1997) Hungarian orchestral and operatic conductor

Conductors by John L. Holmes (1988) pp 256-261 ISBN 0-575-04088-2

Death, Fight

“Wodeyar's musical output numbers close to 100 kritis [Compositions]. The nature of this output, whether it is in the choice of ragas like Bhanu Chandrika, Hamsanatini and Bhoopala Panchama, or in the lyrics which carry deep meanings drawn form the Upanishads and Srividya worship, show a keen and intelligent mind at work. Fascinating as the life was of this multi-faceted personality, it also had a poignancy for the trials and tribulations he faced.”

Jayachamarajendra Wadiyar (1919–1974) Indian writer

In Jayachamaraja Wodeyar http://www.radioweb.in/programs/jayachamaraja-wodeyar

Life, Intelligence, Nature, Personality

“Lyric poetry is a kind of poetry that's literally musical.”

Jan Zwicky (1955) Canadian philosopher

The Details interview with Jay Ruzesky (Winter 2008)

“Baseball players have to go in front of a grand jury and say, "Yeah, I did cocaine. Can you blame me? It's a slow goddamn game! Come on Jack! Standing out in left field for seven innings, and there's a long white line going down to home plate! I see the guy putting it out going "Heh heh heh heh!!!!" And that damn organ music too, the whole [does intro to "Charge!"]! Third base coach is always doing this…[wiping nose, fidgeting around]. When he's doing that, I don't know whether to slide or do a line! People sliding into home plate head first, umpire goes, "You're out!"”

Robin Williams (1951–2014) American actor and stand-up comedian

"No, baby, I'm up now! Ha ha ha!"
A Night at the Met (1986)

People, Guy, Home, Game

“I collect movies, I still buy records constantly. I collect musical instruments and most of my time I spend making music, it's pretty much what I do 90% of the time I'm home. Aside from just normal stuff, I walk the dog, I hang out with my girlfriend, get dinner. Pretty mellow stuff.”

Patrick Stump (1984) American musician

AbsolutePunk.net, Patrick Stump, Part 2 - 10.13.08

Dogs, Home, Time

“RockNet: Were you terribly uncomfortable at the recent Grammy Award Show?
Cornell: I don't know. It's just a strange subject. It's almost as if the music industry is patting itself on the back in a way. This was the seventh Grammy nomination for us and had we won one for our first nomination I would have had a really cool attitude about it because it would have meant that the people who were actually voting were paying attention to music for music's sake as opposed to some other reason.
I was happy that we were nominated because it was an independent record company and it was a low-profile record. We didn't win a Grammy until we'd sold several millions and it seems that what sells a lot is what wins, even though the record may or may not be any good, but that seems to be the requirement.
I'm not critical of the people who work in the music industry, and I appreciate the Grammy. (But) to me it's their party and it's not really mine. It's not for the musicians. It has more to do with the industry. You can tell after a Grammy period all the record labels and artists who won a bunch take out full-page ads in the trades gloating. That's fine. That's what they do, they sell records and they work really hard to develop careers. If they're into it, I'm not going to be disrespectful, but I'd hate for anyone to think that it's something that was a necessity for me or the rest of the band, or that it was a benchmark to us of legitimacy for us because it's not. It doesn't really matter that much to us. It seems like it's for someone else. I'd never get up and say that. If I was totally not into it, the best thing to do is to not show up.
Maybe ten years from now I'll reflect and say "wow, that happened and it was pretty unusual. Not every kid on the block gets to go up and pick up a Grammy Award."”

Chris Cornell (1964–2017) American singer-songwriter, musician

It's just one more thing to take the focus away from what we like to do, which is to write music and make records and try not to think about anything whether it's how many records we sell or what people think of us. For us, I think the key to success for being a band and always making good records is always going to be forgetting about everything else outside our own little band. RockNet Interview: Chris Cornell of Soundgarden, May 1, 1996 https://web.archive.org/web/19961114054327/http://www.rocknet.com/may96/soundgar.html, Soundgarden Era

Hate, Happiness, People, Way

“The playing of Soviet pianists of the younger generation differed significantly from the composer’s performing style, as discussed above. (Here I am referring to the generation of Richter and Gilels or younger, as opposed to Prokofiev’s coevals such as Neuhaus and Samuil Feinberg, who also had Prokofiev’s works in their repertoires.) Since we know that Prokofiev appreciated their playing, does it mean that he accepted their approach? Should we regard the new generation’s playing as a distortion of the composer’s intentions or as a natural evolution of interpretive style?
I believe that Prokofiev, having been exposed to the new performing style of the Soviet pianists, accepted at least some of its qualities. We can mention assertive muscular playing, open expressivity, and a gripping commitment to the music among those traits that brought recognition to Soviet pianists and assured their success in the international arena. These characteristics were concordant with the evolving compositional style of Prokofiev, whose later works became both more virile (often heroic) and expressive in a warmer and more open way.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev the pianist

Way, Nature, Success

“There is very little dispute about the principal constituent elements of music, though experts will differ on the precise definitions of each aspect. Most central are 'pitch' (or melody) and 'rhythm'… next in importance only to pitch and rhythm is 'timbre', the characteristic qualities of tone.”

Howard Gardner (1943) American developmental psychologist

Source: Frames of Mind: The Theory of Multiple Intelligences., 1983, p.104

“Meanwhile, please pardon us for saying that we have found no music in the language of your letter, no rhyme in your reasoning, no value in your judgments, and no art or education in your performance as a whole.”

Sita Ram Goel (1921–2003) Indian activist

History of Hindu-Christian Encounters (1996)

Education, Art

“I have never really understood the objection to art which is specifically made for a gallery or museum, and so cannot be collected by an individual or taken home. It is rather like saying that all music should be confined to the chamber work or novels to the short story.”

Nicholas Serota (1946) British curator

The Dimbleby Lecture 2000

Art, Home

“The freedom of improvising over a bass line disappeared from music only in the 19th century, and we're still paying for it. There's a culture among classical musicians of being passive, and it stems from following the notes, rather than one's own instincts.”

Joanna MacGregor (1959) British musician

The Times, 15/12/1998
On Classical Music

Freedom

“It is at once by way of poetry and through poetry, as with music, that the soul glimpses splendors from beyond the tomb; and when an exquisite poem brings one’s eyes to the point of tears, those tears are not evidence of an excess of joy, they are witness far more to an exacerbated melancholy, a disposition of the nerves, a nature exiled among imperfect things, which would like to possess, without delay, a paradise revealed on this very same earth.”

Charles Baudelaire (1821–1867) French poet

C'est à la fois par la poésie et à travers la poésie, par et à travers la musique, que l'âme entrevoit les splendeurs situées derrière le tombeau; et, quand un poème exquis amène les larmes au bord des yeux, ces larmes ne sont pas la preuve d'un excès de jouissance, elles sont bien plutôt le témoignage d'une mélancolie irritée, d'une postulation des nerfs, d'une nature exilée dans l'imparfait et qui voudrait s'emparer immédiatement, sur cette terre même, d'un paradis révélé.
XI: "Notes nouvelles sur Edgar Poe III," IV
L'art romantique (1869)

Way, Soul, Nature, Tear

“We always travelled to other cities, other states, looking for the festivals. It's gone the musical way of one generation.”

Kátya Chamma (1961) Brazilian singer and writer

Source: Interview at Recanto das Letras http://recantodasletras.com.br/entrevistas/625556, 2007.

Way, Travel

“When Music, heavenly maid, was young,
While yet in early Greece she sung.”

William Collins (1721–1759) English poet, born 1721

Source: The Passions, an Ode for Music (1747), Line 1.

“The Human League, Someday all music will be made like this!”

Philip Oakey (1955) English pop singer

and it is!
Philip Oakey quoting a newspaper headline from 1980, in UK Channel 4 TV documentry Top 10 Electropop Pioneers (2001)

“Music is my religion.”

Josh Homme (1973) American musician

" JOSHUA HOMME: “IT DOESN'T MATTER IF IT’S BEEN SAID, IT’S NEVER BEEN SAID BY ME” http://www.antiquiet.com/news/2010/09/josh-homme-interview-zane-lowe/", Antiquet (August 27th, 2009)

Religion

“On his experience with streaming, illegal downloading: Every Christmas we got a nice little present off God, you know, with sales of The Best Of… and since it’s gone in to YouTube the shortfall is over 90 per cent because people don’t need to buy the record. They would but you’re offering them Driving Home For Christmas for 32p. […] You see, I’m lucky - we did very well. I feel sorry for the young Chris Reas who aren’t pop stars but love music, but they don’t have anywhere to go with the music, you know? I mean Derek Trucks, it’s just criminal what’s happened to his potential sales because of what’s happened to the business.”

Chris Rea (1951) English singer-songwriter

David Mead (2017 June 15) " Chris Rea on his guitar origins, Strats, the blues and La Passione http://www.musicradar.com/news/guitars/chris-rea-on-his-guitar-origins-strats-the-blues-and-la-passione-638813" by MusicRadar 2017

Love, God, People, Feeling

“The beautiful is and remains beautiful though it arouse no emotion whatever, and though there be no one to look at it. In other words, although the beautiful exists for the gratification of an observer, it is independent of him. In this sense music, too, has no aim (object), and the mere fact that this particular art is so closely bound up with our feelings by no means justifies the assumption that its aesthetic principles depend on this union.”

Eduard Hanslick (1825–1904) austrian musician and musicologist

The Beautiful in Music (1854)

Beauty, Art, Feeling, Sense

“You are called to exercise the Spirit's gifts amidst the ups and downs of your daily life. Let your faith mature through your studies, work, sports, music and art. Let it be sustained by prayer and nurtured by the sacraments.”

Pope Benedict XVI (1927) 265th Pope of the Catholic Church

2008, Youth Day Vigil (19 July 2008)

Life, Faith, Art, Exercises

“If you're going to make music, you need to find the context in which it might be enjoyed.”

Mixmaster Morris (1965) English ambient DJ

Looking for the Perfect Beat, 2000.

“The art of teaching is also to know when to stop. It is good when people want to be better, physically, morally, spiritually, intellectually. But a fashion? No! Yoga is a painful art. It’s not like dance or music, where the person watching gets pleasure. Only the person doing it finds joy. It has nothing to do with externals.”

B.K.S. Iyengar (1918–2014) Indian yoga teacher and scholar

Source: BKS Iyengar – obituary http://www.telegraph.co.uk/news/obituaries/11045993/BKS-Iyengar-obituary.html, The Telegraph, 20 August 2014

Pain, People, Pleasure, Art

“Writing about music is like dancing about architecture — it's a really stupid thing to want to do.”

Elvis Costello (1954) English singer-songwriter

This has commonly been paraphrased "Talking about music is like dancing about architecture." More info at "Alan P. Scott : Talking about music..." http://home.pacifier.com/~ascott/they/tamildaa.htm Also, Costello has denied http://quoteinvestigator.com/2010/11/08/writing-about-music/ having coined this, in an interview in Q magazine, tentatively attributing the quote instead to Martin Mull. Misattributed

Stupidity, Dance

“Each jazz musician is supposed to be a composer. Whether he is or not, I don't know. I don't listen to that many people. If I did, I probably wouldn't play half as much to satisfy myself. As a youth I read a book by Debussy and he said that as soon as he finished a composition he had to forget it because it got in the way of his doing anything else new and different. And I believed him. I used to work with Tatum, and Tatum knew every tune written, including the classics, and I think it got in the way of his composition, because he wasn't a Bud Powell. He wasn't as melodically inventive as Bud. He was technically flashy and he knew so much music and so much theory that he couldn't come up with anything wrong; it was just exercising his theory.”

Charles Mingus (1922–1979) American jazz double bassist, composer and bandleader

What Is A Jazz Composer? (1971)

People, Books, Youth, Way

“(In response to the question; "What are you going to tell a ten year old who wants to play guitar?") For me that's easy; when you expect anything from music, you expect too much. So you play for yourself, you play to enjoy it and you make the most of it for you, period. You don't - I never thought I would be doing this now. I feel so lucky to be doing this now - I can't believe this is what I do all the time. I know I'm not the greatest guitar player in the world, but I just love it. And I hope that's the only reason I'm here, you know? Because I think - I honestly think that that's enough.”

Josh Homme (1973) American musician

" Josh Homme - Guitar Moves - Episode 3 http://www.youtube.com/watch?v=AJDUHq2mJx0" Noisey (May 29, 2013)

Love, World, Hope, Feeling

“I believe that he (Strauss) will remain one of the characteristic and outstanding figures in musical history. Works like Salome, Elektra and Intermezzo, and others will not perish.”

Arnold Schoenberg (1874–1951) Austrian-American composer

Arnold Schoenberg, (1946); as quoted in A Schoenberg reader - Documents of a life, edited by Joseph Auner, Yale University Press 2003, page 316-17
1940s

History

“They say that, hung in ancient halls,
At midnight from the silent lute
A melancholy music falls
From chords which were by daylight mute.
And so the human heart by night
Is touched by some inspired tone,
Harmonious in the deep delight,
By day it knew not was its own.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Meditation
Heath's book of Beauty, 1833 (1832)

Heart, Night

“The harp that once through Tara's halls
The soul of music shed,
Now hangs as mute on Tara's walls
As if that soul were fled.
So sleeps the pride of former days,
So glory's thrill is o'er;
And hearts that once beat high for praise
Now feel that pulse no more.”

Thomas Moore (1779–1852) Irish poet, singer and songwriter

The Harp That Once Through Tara's Halls, st. 1. Irish Melodies http://www.musicanet.org/robokopp/moore.html (1807–1834)

Feeling, Soul, Sleep, Heart

“With… small-town life… there are hundreds of thousands… who are not content. The more intelligent young people… flee to the cities… and… stay there, seldom returning even for holidays. The reason, Carol insisted… is an unimaginatively standardized background, a sluggishness of speech and manners, a rigid ruling of the spirit by the desire to appear respectable. It is contentment… the contentment of the quiet dead, who are scornful of the living for their restless walking. It is the prohibition of happiness. It is the slavery self-sought and self-defended. It is dullness made God. A savorless people, gulping tasteless food and sitting afterward, coatless and thoughtless, in rocking-chairs prickly with inane decorations, listening to mechanical music, saying mechanical things about the excellence of Ford automobiles, and viewing themselves as the greatest race in the world.”

Sinclair Lewis book Main Street

Main Street (1920)

Life, God, Happiness, People

“Do we really have to look these chords up in Forte's catalog in order to find a name for them? Another theorist [Christopher Hasty] assures us that, 'Allen Forte's perceptive interpretation…accounts for an essential quality of this mysteriously pulsating music. The eighth-note chords of the flute and clarinets form alternately, with the sustaining oboes and horns, the six-tone sonorities labeled A and B. The sonorities A and B are both representatives of the same set class (6-Z19) and are thus made up of precisely the same intervals. As Forte points out, "There is a flucuation of pitch-class content while interval content remains constant."' 'A fluctuation of pitch-class content while interval content remains constant' is what the rest of us have always known as 'a transposition.'”

George Perle (1915–2009) American composer

Page 42
The Listening Composer

“Roger: It seems that way – it’s kind of weird how things are with music these days. You’re not really touring for the record anymore ‘cause no one buys the record. Everything’s downloaded and all that kind of stuff. We have the new songs but we’re still just touring because we’d be on tour anyway, ya know what I mean. So yeah we’re still touring in support of the new record but the new record is kind of supporting us sort of”

Roger Manganelli (1973) American musician

Way, Support

“So let us listen to the light—what music do we hear? For one thing, we can elicit from each chemical element its own, unique chord. You may sometimes have noticed that a bright yellow flash is produced if ordinary table salt is sprinkled on a flame…a first bare hint of the subject of flame spectra… The fact that different elements emit light with different color characteristics is exploited by the makers of fireworks.”

Frank Wilczek (1951) physicist

Longing for the Harmonies: Themes and Variations from Modern Physics (1987)

Color, Light

“I think there’s a reason why wine figures into so many religions. There’s something transcendent about it. It’s sort of the way that music is more than the sum of its parts. You have all these elements that make up the terroir that wine can communicate.”

Maynard James Keenan (1964) musician

Matthew Lickona (December 24, 2008) "Hedonistic" http://www.sandiegoreader.com/news/2008/dec/24/Hedonistic/, San Diego Reader.

Religion, Way, Communication, Thinking

“The art most significantly affected by radio was music, since it was abolished the acoustic or mechanical limitations on the range of sounds. Music, the last of the arts to break out of the bodily prison that confines oral communication, had already entered the era of mechanical production before 1914 with the gramophone, although this was hardly yet within reach of the masses”

Eric Hobsbawm book The Age of Extremes

The Arts 1914-1945
The Age of Extremes (1992)

Art, Communication

“Dust as we are, the immortal spirit grows
Like harmony in music; there is a dark
Inscrutable workmanship that reconciles
Discordant elements, makes them cling together
In one society.”

William Wordsworth book The Prelude

Bk. I, l. 340.
The Prelude (1799-1805)

“Let music make less terrible
The silence of the dead;
I care not, so my spirit last
Long after life has fled.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Source: The Venetian Bracelet (1829), Lines of Life

Life, Silence, Dead

“[My audiences] discover they are producing a tonal dimension of the music which interacts melodically, rhythmically, and spatially with the tones in the room. Tones ‘dance’ in the immediate space of their body, around them like a sonic wrap, cascade inside ears, and out to space in front of their eyes … Do not be alarmed! Your ears are not behaving strange or being damaged! … these virtual tones are a natural and very real physical aspect of auditory perception, similar to the fusing of two images resulting in a third three dimensional image in binocular perception… I want to release this music which is produced by the listener…”

Maryanne Amacher (1938–2009) Composer and installation artist

Quoted in: " Maryanne Amacher, Synaptic Island http://datagarden.org/5483/maryanne-amacher-synaptic-island/," on datagarden.org, 2015.

Nature, Dance

“Since my childhood I have enjoyed reading Martial Arts fiction. I write it myself first and foremost for my own pleasure, and then for the pleasure of my readers (there is also, of course, the financial reward…). I am just a storyteller, like the professional storytellers of the Song dynasty. I believe Martial Arts fiction is like Peking Opera, or ballad-singing, or dancing, or music—its main function is to give pleasure.”

Jin Yong

As quoted in the "Translator's Introduction" to The Deer and the Cauldron: A Martial Arts Novel, Book 1, trans. John Minford (Hong Kong: Oxford University Press, 1997), p. xi

Pleasure, Art, Singing, Reading

“As music is the poetry of sound, so is painting the poetry of sight, and the subject-matter has nothing to do with harmony of sound or of colour. The great musicians knew this. w:Beethoven and the rest wrote music — simply music; symphony in this key, concerto or sonata in that... Art should be independent of all claptrap — should stand alone, and appeal to the artistic sense of eye or ear, without confounding this with emotions entirely foreign to it, as devotion, pity, love, patriotism, and the like. All these have no kind of concern with it; and that is why I insist on calling my works 'arrangements' and 'harmonies.”

James McNeill Whistler (1834–1903) American-born, British-based artist

Propositions, 2
also in a letter to 'The World', London 22 Mai, 1878; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 186
1870 - 1903, The Gentle Art of Making Enemies' (1890)

Love, Art, Sense, Painting

“The extraordinary stylistic changes of late eighteenth-century music may have provided much of the inspiration for the literature of the turn of the century, but the literary forms that resulted were deeply eccentric. It was these works—paradoxical, anticlassical, often with startlingly unbalanced proportions—which in turn influenced the music of the generation of composers that followed. The most clearly affected by literature and art were Schumann, Berlioz, and Liszt, but neither Mendelssohn nor Chopin remained untouched by literary developments, like the revival of Celtic and medieval poetry, as the overtures of Mendelssohn and the Ballades of Chopin explicitly demonstrate.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 2 : Fragments

Art, Literature, Change

“… there is no point to musical analysis at all unless it is 'two-dimensional' – unless […] one examines the music in terms of what I call its 'Background' (and this 'Background' is the sum total of the expectations which the composer creates) and its 'Foreground' (and its 'Foreground' is what he does instead). That is to say, the composer creates certain expectations, well-defined expectations, which he proceeds to meaningfully contradict. There is therefore a strong relation between 'Background' and 'Foreground', between that which happens and that which lies at its back – or to put it the other way round, between that which the composer leads you to expect, and that which he does instead…”

Hans Keller (1919–1985) Austrian-British musician and writer

Hans Keller, Lecture on Beethoven's Op.130, BBC broadcast from Leeds University, 1973.

Way, Strong

“Until I die there will be sounds. And they will continue following my death. One need not fear about the future of music.”

John Cage (1912–1992) American avant-garde composer

Quote of "Experimental Music", John Cage (1957)
1950s

Death, Fear, Future

“If I've made money from music, it was never my aim to do that. I didn't do it to become famous. I absolutely respect and I believe I serve music.”

Vangelis (1943) Greek composer of electronic, progressive, ambient, jazz, pop rock, and orchestral music

2005

Money

“I think because I felt so sad I had to bring out my feelings, and try to create music that would make me and all my friends feel better.”

Brian Wilson (1942) American musician, singer, songwriter and record producer

Caroline Now! interview (20 April 2000) http://www.marina.com/brian.htm

Sadness, Feeling, Thinking

“In my opinion we learn nothing from history except the infinite variety of men’s behaviour. We study it, as we listen to music or read poetry, for pleasure, not for instruction”

A.J.P. Taylor (1906–1990) Historian

"The Radical Tradition: Fox, Paine, and Cobbett", p 34
The Trouble Makers: Dissent over Foreign Policy, 1792-1939 (1957)

Men, Pleasure, History, Study

“The music teacher came twice a week to bridge the awful gap between Dorothy and Chopin.”

George Ade (1866–1944) American writer, newspaper columnist and playwright

Fables

Teachers

“Gloomy grammarians in golden gowns,
Meekly you keep the mortal rendezvous,
Eliciting the still sustaining pomps
Of speech which are like music so profound
They seem an exaltation without sound.”

Wallace Stevens book Harmonium

"On the Manner of Addressing Clouds"
Harmonium (1923)

“She put up with all our noise in the bedroom, because we started off with a little studio in our bedroom. And our room was right next to her and pops’ bedroom, so they couldn’t stand the noise because we made a lot of racket and we had other rappers coming in all the time, and they put up with that. And plus, she listened to a lot of soul music when we was growing up so that influenced us. And in church. She tried to make us go to church but we just didn’t tend to stick with it.”

Lord Infamous (1975–2013) American rapper

Interview whit Lord Infamous - RIP - March 2009 https://medium.com/@daveyboysmith/interview-with-lord-infamous-rip-march-30th-2009-94dbfc2f0d9b

Soul, Time

“Music is a healing force and we have the privilege of sharing it. It's an awesome responsibility. It has to be something that says something from you. It's a beautiful way to live your life. Whether you end up doing it for a business or just end up singing for your kids, teaching other people to do music, or doing therapy, go forward with a lot of belief, because it's such an amazing way to live your life.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

commencement address to 2007 graduating class at Berklee College of Music in Boston, MA
www.u2france.com (May 13, 2007)
2007, 2008

Life, People, Beauty, Way

“In art, too, there is room enough for exact research... What was accomplished in music before the end of the eighteenth century has hardly been begun in the pictorial field.”

Paul Klee (1879–1940) German Swiss painter

quote of Paul Klee from the text Exact experiments in the realm of art, 1928; as quoted in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html 1921 - 1930

Art

“The virus was not helping. He had hoped that it would, but the feelings it brought were too superficial. When he most needed their succour he could feel them for the paper-thin façades they were. Just because the virus was tickling the parts of his brain that produced feelings of religious experience didn’t mean he was able to turn off the other parts of his mind that recognised these feelings as having been induced artificially. He truly felt himself to be in the presence of something sacred, but he also knew, with total clarity, that this was due to neuroanatomy. Nothing was really with him: the organ music, the stained-glass windows in the sky, the sense of proximity to something huge and timeless and infinitely compassionate were all explicable in terms of neural wiring, firing potentials, synaptic gaps.”

Alastair Reynolds book Absolution Gap

Source: Absolution Gap (2003), Chapter 9 (p. 136)

Hope, Feeling, Sense, Help

“Not really. I don't even have enough time to pursue everything I want to do musically. Also, there's a lot of people out there who spend a lot of time trying to act, so I think most of the good acting jobs should be reserved for those people.”

Chris Cornell (1964–2017) American singer-songwriter, musician

When asked if acting is something he would like to do more after his cameo in Singles ** Interview with Request Magazine, October 1994 http://web.stargate.net/soundgarden/articles/request_10-94.shtml, Soundgarden Era

People, Thinking, Time

“I think it speaks to our basic fundamental feelings, you know. Of emotions, of love, of breakup, of love and hate and death and dying, mama, apple pie, and the whole thing. It covers a lot of territory, country music does.”

Johnny Cash (1932–2003) American singer-songwriter

CNN interview (2002)

Love, Death, Hate, Feeling

“It's more like giving people a taste of what the tour will be like. It's getting people to hear the music to a different sound … We remixed some of the songs so they sound totally different. It's really energetic.”

Hilary Duff (1987) American actress and singer

Pencek, David. "Duff does double-duty" http://www.norwichbulletin.com/news/stories/20050721/go/2182692.html. Norwich Bulletin. July 21 2005. Retrieved October 25 2006. On the compilation album Most Wanted (2005), her fourth album.

People

“I think the music business will eventually crush me, but I [smiles]… I'm ready.”

Elliott Smith (1969–2003) American singer-songwriter

in Strange Parallel (1998).

Smile, Business, Thinking

“Football is the most important thing in my life, but I do have a life outside football and this is one part. The TV, the music, the fashion - it all goes to make up Rio Ferdinand.”

Rio Ferdinand (1978) English association football player

Rio Ferdinand on his TV Show, "Rio's World Cup Wind Ups" http://entertainment.timesonline.co.uk/tol/arts_and_entertainment/article670046.ece

Life, Fashion, Football, Parting

“My father rarely spoke of life before [he left Cuba]. About prison, he jsut said, "That man is a genius at PR." Castro would come to the jail in the middle of the night and ask the prisoners, "What are you doing here? Don't you see we're trying to do the right thing?" The reason I'm not more political is because I have music. And from a young age, I needed it. After prison, my father came to America, joined the Army, fought in Vietnam -- and was exposed to Agent Orange. He died a slow, horrible death. Music was my escape.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

www.huffingtonpost.com (September 7, 2007)
2007, 2008

Life, Death, Age, Night

“Here's what I'm going to have to say to all of you. If some of you have demons in your head who talk to you in profanity or whatever, don't let your demon shoot down your rock music, don't let your demon keep you off the joy bus. So like I say, Rock music pays off.”

Wesley Willis (1963–2003) American singer-songwriter

Spoken at the end of the Wesley Willis Live EP.

Joy

“My father died of neither hot nor cold. My father was as leathern as a saint. He required no trees. As unrefreshed as a Muslim courtyard. He required no fountain. No music. Whenever he saw a baby he said “poor baby.” His questions were the basic questions, as prosaic as footsteps. What is heaven like? Will I be young? Will I be with Mama? Will I go to sleep? (I don’t know, Papa; how can I know?) Absurdly, I gave answers.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Question, Sleep, Tree, Baby

“I'm not crossing over from anything. I think of it as pop music with different influences. "When I walk in the music store, [my] album is under classical/pop/easy listening. It's hard to say what genre it is. It's genreless. I try not to define what it is. I let the audience define it. Because for me, it's just me.”

Josh Groban (1981) American musician and actor

UK Sunday Times, 5/9/04

Thinking

“I hope that with our music we can inspire other people to be creative and to use their imagination, because it is something that is so lacking nowadays. You have virtual reality, MTV, video games and VCR's. Nobody really wants to think about things or create things. You have programs on a computer which will write a poem for you.”

Marilyn Manson (1969) American rock musician and actor

As quoted in Kerrang! (14 December 1996).
1990s

People, Hope, Imagination, Game

“Mathematics, like music and poetry, is a creation of the mind; … the primary task of the mathematician, like that of any other artist, is to extend man's mental horizon by representation and interpretation.”

Graham Sutton (1903–1977) Welsh scientist

Mathematics in Action (1954) page 1

Mathematics

“The media themselves are the avant-garde of our society. Avant-garde no longer exists in painting, music and poetry, it's the media themselves.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1990s and beyond, A McLuhan Sourcebook (1995), p. 274

Painting

“The mere management of arms, though essentially requisite, was not sufficient of itself to form an accomplished knight in the times of chivalry; it was necessary for him to be endowed with beauty, as well as with strength and agility of body; he ought to be skilled in music, to dance gracefully, to run with swiftness, to excel in wrestling, to ride well, and to perform every other exercise befitting his situation. To these were to be added urbanity of manners, strict adherence to the truth, and invincible courage. Hunting and hawking skilfully were also acquirements that he was obliged to possess, and which were usually taught him as soon as he was able to endure the fatigue that they required.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. xxiv
The Sports and Pastimes of the People of England (1801), Chivalry

Truth, Beauty, Exercises, Courage

“I’ve directed a fair amount of stuff in the past, such as music videos, commercials and short films and I believe that the best way to learn in this industry – I mean, you can go to film school and that’s good – but ultimately, the only way you’re ever going to learn is through raw experience.”

Olly Blackburn Film director and screenwriter

[IndieLondon, Donkey Punch - Olly Blackburn interview, http://www.indielondon.co.uk/Film-Review/donkey-punch-olly-blackburn-interview, www.indielondon.co.uk, 23 February 2012, 2008]

School, Way, Learning, Past

“Edwin Fischer was, on the concert platform, a short, leonine, resilient figure, whose every fiber seemed to vibrate with elemental musical power. Wildness and gentleness were never far from each other in his piano-playing, and demonic outbursts would magically give way to inner peace. It was as little trouble to him (as Alfred Polgar once said of an actor) to lose himself as to find himself.
His playing of slow movements was full of an unselfconsciousness beside which the music-making of others, famous names included, seemed academic or insincere. With Fischer, one was in more immediate contact with the music: there was no curtain before the soul when he communicated with the audience. One other musician, Furtwangler, conveyed to the same degree this sensation of music not being played, but rather happening by itself.”

Alfred Brendel (1931) Austrian pianist, poet, and author

As cited in: Ruth Hanna Sachs, ‎D. E. Heap, ‎Joyce Light (2005). White Rose History, Volume II (Academic Version). p. 366

Peace, Way, Soul, Communication

“[Footnote] At the age of twelve Nero had shown a lively interest in the arts, particularly music, painting, sculpture, and poetry. Why was nothing done about this?”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part II: Ancient Greeks and Worse, Nero

Age, Art, Painting

“Creation of absolutely the first rank — in philosophy, in music, in much of literature, in mathematics — continues to occur outside the American milieu. It is at once taken up and intelligently exploited, but the "motion of the spirit" has taken place elsewhere, amid the enervation of Europe, in the oppressive climate of Russia. There is, in a good deal of American intellectual, artistic production (recent paining may be a challenging exception) a characteristic near-greatness, a strength just below the best. Could it be that the United States is destined to be the "museum culture?"”

George Steiner (1929–2020) American writer

"Tomorrow".
In Bluebeard's Castle (1971)

Pain, Intelligence, Literature, Mathematics

“I know I shall be called heterodox, and that unseen lightning flashes and unheard thunderbolts will be playing around my head, when I say that women will never be profound students in any other department except music while they give four hours a day to the practice of music. I should by all means encourage every woman who is born with musical gifts to study music; but study it as a science and an art, and not as an accomplishment; and to every woman who is not musical, I should say, 'Don't study it at all;' you cannot afford four hours a day, out of some years of your life, just to be agreeable in company upon possible occasions. If for four hours a day you studied, year after year, the science of language, for instance, do you suppose you would not be a linguist? Do you put the mere pleasing of some social party, and the reception of a few compliments, against the mental development of four hours a day of study of something for which you were born? When I see that girls who are required by their parents to go through with the irksome practising really become respectable performers, I wonder what four hours a day at something which they loved, and for which God designed them, would do for them. I should think that to a real scientist in music there would be something mortifying in this rush of all women into music; as there would be to me if I saw every girl learning the constellations, and then thinking she was an astronomer!”

Maria Mitchell (1818–1889) American astronomer

Maria Mitchell: Life, Letters and Journals (illustrated) by Maria Mitchell, 1896, p. 189.

Love, Life, Women, God

“You see, it is not enough to be a great composer. To write music like that you must be a chosen instrument of God.”

Dinu Lipatti (1917–1950) Pianist, Composer

Listening Beethoven's F minor Quartet; Quoted by Walter Legge, in Walter Legge: Words and Music (1998) edited by Alan Sanders

God

“I felt like I was just not being myself. I felt like I was hiding. I was hiding from me. I was hiding from sparkle and magic and fun and fearlessness and music and dance and creative magic… I just knew I had feelings. I knew I had thoughts. I knew I had things I wanted to say. Listen, I'm rebellious. Okay? I always have been. And Erika Jayne is a little bit of a rebel too.”

Erika Jayne (1969) American singer, actress and television personality

Erika Jayne interview to Nightline http://www.bravotv.com/the-daily-dish/erika-girardi-on-creation-of-erika-jayne (2017)

Feeling, Dance

“The etude is a Romantic idea. It appeared in the early nineteenth century as a new genre: a short piece in which the musical interest is derived almost entirely from a single technical problem. A mechanical difficulty directly produces the music, its charm, and its pathos. Beauty and technique are united, but the creative stimulus is the hand, with its arrangement of muscles and tendons, its idiosyncratic shape.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 6 : Chopin: Virtuosity Transformed

Beauty, Idea, Problem, Appearance

“Something happened when I got pregnant, and I'm not able to listen to that kind of music as much. I feel like I'm going nuts when I listen to it. I used to listen to Dead Kennedys, Circle Jerks, PiL, Butthole Surfers. But today, I can't. I love Alanis Morissette, Emmylou Harris' latest album, and all sorts of jazz and blues. If I want to hear something heavy duty, I'll put on the Foo Fighters or a good rocking Rolling Stones song. But that's as intense as I've got.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

David Wild, Rolling Stone "X-Files Undercover" http://www.rollingstone.com/tv/features/x-files-undercover-19960516 (May 16, 1996) 1990s

Love, Jerk, Feeling, Dead

“Revenge is good. I think revenge is healthy too, and if you can use music in that way, a sort of therapeutic way for yourself, it can't do any harm. So if King (For A Day…Fool For A Lifetime) is angry in any way, it's angry in a random, chaotic, healthy way. Like the guy who goes into a building, shoots a bunch of holes in the wall and then leaves. He didn't kill anybody.”

Mike Patton (1968) American singer

"Faith No More" - (CMJ New Music Monthly, April 1995)

Fools, Way, Guy, Revenge

“Who knows what the new century holds for music? I predict that we will bury most of the musical modernism of the 20th, with its need to shock and cause distress.”

Donald Vroon (1942) American music critic

American Record Guide, March/April 2000, quoted in Ashby, Arved, ed. (2004). The Pleasure of Modernist Music. ISBN 1580461433.

“All noblest things are religious,— not temples and martyrdoms only, but the best books, pictures, poetry, statues, and music.”

William Mountford (1816–1885) English Unitarian preacher and author

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 500.

Books

“Music is not material. Music is Spiritual.”

Sun Ra (1914–1993) American jazz composer and bandleader

"The Neglected Plane of Wisdom" (1966), p. 250
Sun Ra : The Immeasurable Equation (2005)

“If my music can change someone's mood for the better even a little bit, that's amazing.”

Yanni (1954) Greek pianist, keyboardist, composer, and music producer

Yanni in Words. Miramax Books. Co-author David Rensin

Mood, Change

“I wanted to be an actor or be a director since I was a very small child. I mean, my mother went into labor at a movie theater. There were, like, four movie theaters around us when I was growing up in Austin. Movies became my babysitter. I think I saw more films than I saw reality. Then I noticed something when I was in my late teens that really made my thinking shift in what I wanted to do with film. When I was watching a film as a young man, there would be a second or two when I drifted outside of myself. I noticed how for a moment, in the image and music and train of information, I was traveling through the film, leaving myself. And I knew that was something I wanted to do. I wanted to see how long I could make that feeling go on—if I could take someone outside themselves, outside their body for a minute, five minutes, maybe even 80 minutes, 90 minutes.”

Tobe Hooper (1943–2017) American film director, screenwriter and producer

Tobe Hooper Interview http://www.interviewmagazine.com/film/tobe-hooper/#_ (July 14, 2014)

Travel, Feeling, Thinking, Reality

“I still don't look at movies twice. It's funny, I just feel I got it the first time. With music it's different. People respond so differently to the whole issue of seeing a movie many times. I'm astonished when I talk to really good critics, who know their stuff and will see a film eight or ten or twelve times. I don't see how they can do it without hating the movie. I would.”

Pauline Kael (1919–2001) American film critic

"The Perils of Being Pauline," interview with Francis Davis, The New Yorker (October 2001).
Interviews

Hate, People, Feeling, Time

“Play us a tune on an unbroken spinet, and let the bells ring, let the bells ring! Play music now: play us a tune on an unbroken spinet. Do not make echoes of forgotten time, do not strike music from old broken keys, do not make ghosts with faded tinklings on the yellowed board; but play us a tune on an unbroken spinet, play lively music when the instrument was new, let us see Mozart playing in the parlor, and let us hear the sound of the ladies' voices. But more than that; waken the turmoil of forgotten streets, let us hear their sounds again unmuted, and unchanged by time, throw the light of Wednesday morning on the Third Crusade, and let us see Athens on an average day.”

Thomas Wolfe book Of Time and the River

Of Time and the River (1935)

Light, Time

“Her every tone is music's own,
Like those of morning birds,
And something more than melody
Dwells ever in her words.”

Edward Coote Pinkney (1802–1828) American poet, lawyer, sailor, professor, and editor

A Health, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Bird

“By this time Mozart had been dead for almost fourteen years and Haydn was too weak to compose. Beethoven was unchallenged throughout Europe as the greatest living composer of instrumental music. Even more, he was generally recognized as having surpassed his famous predecessors. This, of course, did not prevent critics from greeting each new work as a disappointment after his by then acceptable achievements of the previous years.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 2 : How to Become Immortal

Disappointment, Time, Dead

“I'm going to spend my life writing poems, turning them into music that will affect people and touch their hearts. I'm going to write the songs that people can't write for themselves.”

Stevie Nicks (1948) American singer and songwriter, member of Fleetwood Mac

Kia Makarechi, "Stevie Nicks On Fleetwood Mac's Reunion Tour, Rihanna, Kanye West & Her Early Years In Music", http://www.huffingtonpost.com/2012/12/03/stevie-nicks-fleetwood-mac-reunion-rihanna-kanye_n_2220029.html Huffington Post, 3 December 2012

Life, People, Heart

“In America, the first generation out of slavery invented jazz music. It is a free-form expression. It comes from the soul and it is true.”

Donald Miller book Blue Like Jazz: nonreligious thoughts on Christian spirituality

Blue Like Jazz (2003, Nelson Books)

Soul

“I did miss the music a bit - but only in the wings, when I was waiting to go on. It seemed dreadfully quiet, rather unnerving. But the wonderful thing was that one didn't have to be quite so obsessive about one's health, and one's voice.”

Elaine Paige (1948) English singer and actress

Regarding the run of Le Misanthrope
Show girl (2000)

Health, Waiting

“The greatest blessing that one can get from music is that it makes an artist immensely satisfied with life irrespective of the financial condition in which they may be.”

Ram Narayan (1927) classical sarangi player from India

[An Interview with Pandit Ram Narayan, Official website, http://www.webcitation.org/5n5BHIfXo]

Life

“Suddenly I am like the poster boy of music, but I think the whole idea is to realise how deep is the base of Indian art and culture, how many fabulous young artistes there are, how many incredible great senior artistes are present today but not seen in limelight. We all have our turn at being the spokesperson for something or the other," the renowned musician.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I am not torchbearer of Indian classical music: Zakir Hussain

Art, Boy, Idea, Thinking

“Astronomers… have a common ground for discussion with musicians in the harmony of the stars and musical concords in tetrads and triads of the fourth and the fifth, and with geometricians in the subject of vision; and in all other sciences many points, perhaps all, are common so far as the discussion of them is concerned. But the actual undertaking of works which are brought to perfection by the hand and its manipulation is the function of those who have been specially trained to deal with a single art.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter I, Sec. 16

Art, Star, Science, Perfection

“CAROL: You don’t care for the music?
JACQUE: Music! It’s just a gimmick to sell lutes and flutes.”

Joe Haldeman book Mindbridge

Source: Mindbridge (1976), Chapter 18 “Chapter 6: Prelude” (p. 64)

“We do not confine people to looking at poor pictures and listening to poor music. We urge them to look at as many good pictures and hear as much good music as they can, convinced that this is the way in which they will come to understand and appreciate art and music.”

Robert Maynard Hutchins (1899–1977) philosopher and university president

Great Books: The Foundation of a Liberal Education (1954)

People, Art, Way, Understanding

“The music at a wedding procession always reminds me of the music of soldiers going into battle.”

Heinrich Heine (1797–1856) German poet, journalist, essayist, and literary critic

As quoted in The Cynic's Lexicon : A Dictionary of Amoral Advice (1984) by Jonathon Green
Variant translation: The Wedding March always reminds me of the music played when soldiers go into battle.
As quoted in The Routledge Dictionary of Quotations (1987) by Robert Andrews, p. 281

Wedding

“I tour a bit in America and a lot in Europe, Holland especially, where they have this forward-looking music scene because they got through the barriers 15 years ago. They gobble up the things I do. I go to the Far East - I like working with the orchestra in Singapore - but my favourite places tend to be the ones where it's more than turning up and doing a big concert. Next month I go to the Sydney Festival, where I've persuaded them to do the Lou Harrison concerto. As penance, though I don't mind it, I have to play the Gershwin concerto in the first half. And I hope to return year after year to South Africa, where I've been with the National Symphony Orchestra into Soweto. Education work is being done there for the first time. Previously they had never bothered to find new audiences, and now they are staring into an abyss which we may face too. Events there are a fast-forward version of what could happen here.”

Joanna MacGregor (1959) British musician

The Times, 15/12/1998
Musician's life

Education, Hope, Time

Quotes about music page 11

Quotes about music
page 11