Quotes about music (3423 quotes, page 12)

“Those who expect from a people like the Hindus a species of composition of precisely the same character as the historical works of Greece and Rome commit the very gregarious error of overlooking the peculiarities which distinguish the natives of India from all other races, and which strongly discriminate their intellectual productions of every kind from those of the West. Their philosophy, their poetry, their architecture, are marked with traits of originality; and the same may be expected to pervade their history, which, like the arts enumerated, took a character from its intimate association with the religion of the people. It must be recollected, moreover,… that the chronicles of all the polished nations of Europe, were, at a much more recent date, as crude, as wild, and as barren, as those of the early Rajputs.” … “My own animadversions upon the defective condition of the annals of Rajwarra have more than once been checked by a very just remark: ‘When our princes were in exile, driven from hold to hold, and compelled to dwell in the clefts of the mountains, often doubtful whether they would not be forced to abandon the very meal preparing for them, was that a time to think of historical records?’ ”… “If we consider the political changes and convulsions which have happened in Hindustan since Mahmood’s invasion, and the intolerant bigotry of many of his successors, we shall be able to account for the paucity of its national works on history, without being driven to the improbable conclusion, that the Hindus were ignorant of an art which has been cultivated in other countries from almost the earliest ages. Is it to be imagined that a nation so highly civilized as the Hindus, amongst whom the exact sciences flourished in perfection, by whom the fine arts, architecture, sculpture, poetry, music, were not only cultivated, but taught and defined by the nicest and most elaborate rules, were totally unacquainted with the simple art of recording the events of their history, the character of their princes and the acts of their reigns?”

James Tod (1782–1835) 1782-1835, English officer of the British East India Company and an Oriental scholar

[The fact appears to be that] “After eight centuries of galling subjection to conquerors totally ignorant of the classical language of the Hindus; after every capital city had been repeatedly stormed and sacked by barbarous, bigoted, and exasperated foes; it is too much to expect that the literature of the country should not have sustained, in common with other interests, irretrievable losses.”
James Tod, Annals and Antiquities of Rajasthan, Routledge and Kegan Paul (London,l829,1957), 2 vols., I quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 3

People , Age , Religion , Art

“And I have a dream of a New American Language, one with a little bit more Spanish. I have a dream of a new pop music, that tells the truth with a good beat and some nice harmonies.”

Dan Bern (1965) American musician

From "New American Language", album of the same name.
Smartie Mine

Truth , Dreams

“Joni's genius is that she creates chords that are ambiguous, chords that have two or more different roots. …Joni's music is as close to impressionist visual art as anything I've heard. …harmonic complexity born out of her strict insistence that the music not be anchored in a single harmonic interpretation.”

Daniel Levitin (1957) American psychologist

This is Your Brain on Music (2006)

Art

“If you read about African music, they believe that during the process of making this music that you come into contact with spirits from another plane. They say that this place is like a mirror of the world we live in…With the best music, you don't find the composer or the musicians within the work, you find yourself, your own feelings.”

Lisa Gerrard (1961) Australian musician, singer and composer

Source http://www.examiner.com/article/cinematic-melodies-elegy-by-lisa-gerrard

World , Feeling , Reading

“Cage's Music of Changes was a further indication that the arts in general were beginning to consciously deal with the "given" material and, to varying degrees, liberating them from the inherited, functional concepts of control.”

Earle Brown

quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812

Art , Change

“People used to make records, as in the record of an event, the event of people playing music in a room, and now everything's cross-marketing, its about sunglasses and shoes, or guns and drugs that you choose.”

Ani DiFranco (1970) musician and activist

Fuel
Song lyrics

People , Shoe

“Why do I paint? In my work as a mathematician, form, structure, and economy of expression are important. In music, add tone quality, balance and harmony. And now in painting, these aesthetic values are enhanced by color, contrast, and composition.”

Robin Hartshorne (1938) American mathematician

Robin Hartshorne Fine Art, fineartstudioonlione.com http://robinfaso.fineartstudioonline.com/about

Color , Painting

“Both in Greece and in Provence the poetry attained its highest rhythmic and metrical brilliance at times when the arts of verse and music were most closely knit together, when each thing done by the poet had some definite musical urge or necessity bound up within it.”

Ezra Pound (1885–1972) American Imagist poet and critic

"The Tradition", in Poetry, ed. by Harriet Monroe, III, 3 (Dec. 1913), p. 137; reprinted in Literary Essays of Ezra Pound (1968), p. 91.

Art , Time

“Yes, I’m profoundly a representative of the great hypervirtuosic Romantic epoch. But as already mentioned, my roots also go back to Bach and this special style of interpretation, where I’m also at home. In this special field of tension I also see many of the major composers and works in the Romantic tradition. It was no less than Schumann himself who said that great music finds all its combinations in Bach. Indeed, Schumann also builds up his works in polyphonic style, and even in his orchestral scores and symphonic movements he is a counterpointer. As Romantic and modern his work must have seemed to people of his era and lifetime, in main he was a classicist. That means that - and only to name one typical Romantic composer - Schumann cannot be understood without Bach.”

Burkard Schliessmann classical pianist

Talkings on Bach

People , Home

“Sometimes I'll turn the channel and there's the movie and I can honestly say that those last few minutes always fascinate me. It's one of the rare instances when image, music, and drama work effectively.”

Madeleine Stowe (1958) American actress

Mohican Press interview (2005)

“Behind the top hats, a little lady wearing lila-coloured tights was balancing on a tightrope in the middle of all that blue-grey tobacco-laden air. I sauntered in among the standing clientele. I was on the lookout for an attractive girl. Yes – that one wasn’t bad. When she became aware of my gaze her facial expression changed to that of a frozen mask and she stared emptily into space. I found a stair – and collapsed into it – tired and listless. Everyone clapped. The Lila-clad tightrope-walker curtsied, smiled and disappeared. A group of Romanian singers took her place. There was love and hate – and longing and reunion – and lovely dreams – and that soft music melting together with the colours. The melted notes became green palm trees and steely blue water floating in the blue haze of the room. An artwork is a crystal. A crystal has a soul and a mind, and the artwork must also have these.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

a note of Munch, written in Ekely, 1929; Munch Museum
1896 - 1930

Love , Hate , Smile , Dreams

“(When asked about pop music) Pop music has become the largest farce in music history. It is soul-less, mechanical, and only made for the sole purpose of making the fastest dollar possible, with more emphasis on imagery than the music. I would much rather remain an independent recording artist who can dictate his own creativity and make it available to a smaller community of fans then sign with a major label under conditions of compromising my work just to sell lunch boxes and sound like every other thing out there. The only artists that have any longevity are the ones that pioneer a movement not follow a movement. The hundreds of following wannabes always get left in the dust or remain one-hit-wonders.”

Frank Klepacki (1974) American musician, video game music composer and sound director

Gameplay magazine

Soul , History , Communication , Box

“Music is a plane of wisdom, because music is a universal language, it is a language of honor, it is a noble precept, a gift of the Airy Kingdom, music is air, a universal existence … common to all the living. Music is existence, the key to the universal language. Because it is the universal language.”

Sun Ra (1914–1993) American jazz composer and bandleader

"The Neglected Plane of Wisdom" (1966), p. 250
Sun Ra : The Immeasurable Equation (2005)

Wisdom , Universe

“All of us have the privilege of making music that helps and heals — to make music that makes people happier, stronger and kinder. Don't forget: music is God's voice.”

Brian Wilson (1942) American musician, singer, songwriter and record producer

At the induction ceremony of The Beach Boys into the Rock and Roll Hall of Fame (January 1988) · Video of acceptance speech http://www.youtube.com/watch?v=oZSAQX2uuUY

God , People , Help , Forgetting

“For professional musicians, musicologists, and serious students, knowledge of the psychology of music is extremely valuable but sometimes hard to come by. In this practical and authoritative study which pulls together information from musicology, physics, physiology, psychology, and aesthetics the distinguished Hungarian psychologist Geza Revesz (1878 1955) offers a comprehensive view of the subject, including an overview of his own extensive, often revolutionary research in both music psychology and acoustics.”

Géza Révész (1878–1955) Hungarian psychologist and musicologist

Géza Révész, Introduction to the psychology of music. Courier Corporation, 1954. Abstract

Knowledge , Study

“Nun 2: (Very quietly) Sir, be grateful for the music. Most of us die in silence.”

Peter Greenaway (1942) British film director

The Baby of Mâcon

Silence

“What seems to most balance out the major music labels resistance to the MP3 explosion is the fact that their own artists are ahead of the curve.”

Richard Menta American journalist

Source They Might Be Giants release First MP3 Only Album http://www.mp3newswire.net/stories/giants.html - 1999
Quotes from the MP3 Newswire

“The national passion for secular music admitted of little or no abatement by the disgrace and dispersion of the minstrels. Professional musicians, both vocal and instrumental, were afterwards retained at the court, and also in the mansions of the nobility. In the sixteenth century, a knowledge of music was considered as a genteel accomplishment for persons of high rank. Henry VIII not only sang well, but played upon several sorts of instruments; he also wrote songs, and composed the tunes for them; and his example was followed by several of the nobility, his favourites.”

Joseph Strutt (1749–1802) British engraver, artist, antiquary and writer

pg. 259
The Sports and Pastimes of the People of England (1801), Minstrels

Knowledge , Passion , Personality

“He never asks the orchestra to do anything which contradicts the players' feeling of what the music signifies or what the printed notes of the score actually mean in plain musical language. To his credit he does not pretend to omniscience. When a certain progression of programs with the Philharmonic decreed that he conduct the Brahms Fourth Symphony two seasons ago, he disavowed intensive rehearsals with the simple statement to the orchestra: "Gentlemen, you know the work better than I do." Both the compliment and the attitude endeared themselves so much to the orchestra that they literally forgot themselves in a mass effort to justify his statement—and, as one of those who heard the performance, I can testify that they delivered one of the most powerful and integrated interpretations of the score that New York has experienced in years.”

Oscar Levant (1906–1972) American comedian, composer, pianist and actor

On conductor George Enescu, in "Music in Aspic," Harper's Magazine (October 1939) and A Smattering of Ignorance (1940); as quoted in "Lightning Wit Plays On American Musical Scene; Oscar Levant Answers Unspoken Request for 'Information, Please' With Uncensored Comments on Exalted Persons" by Ray C. B. Brown, in The Washington Post (January 14, 1940), p. E4

Feeling , Effort , Season

“Is not every man sometimes a radical in politics? Men are conservatives when they are least vigorous, or when they are most luxurious. They are conservatives after dinner, or before taking their rest; when they are sick, or aged. In the morning, or when their intellect or their conscience has been aroused; when they hear music, or when they read poetry, they are radicals.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1840s, Essays: Second Series (1844), New England Reformers

Men , Age , Reading

“What is called music today is all too often only a disguise for the monologue of power. However, and this is the supreme irony of it all, never before have musicians tried so hard to communicate with their audience, and never before has that communication been so deceiving. Music now seems hardly more than a somewhat clumsy excuse for the self-glorification of musicians and the growth of a new industrial sector.”

Jacques Attali (1943) French economist

Quoted in Classic Essays on Twentieth-Century Music, ed. Richard Kostelanetz and Joseph Darby (Wadsworth, 1996, ISBN 0-028-64581-2)

Communication

“From being made to wait in the kitchen to becoming the cynosure of attention and interacting with the who’s who has been a big leap. Music is no longer something that ‘respectable people’ keep children away from. We’ve had corporate czars and barons like Arvind Parekh and Brijbhushan Kabra taking to music.”

Zakir Hussain (musician) (1951) Indian tabla player, musical producer, film actor and composer

Quote, I've never wanted to fit in Abbaji's shoes: Ustad Zakir Hussain

Children , People , Waiting

“Out there in the spotlight you're a million miles away.
Every ounce of energy you try to give away.
As the sweat pours out your body like the music that you play.
Later in the evening, as you lie awake in bed.
With the echoes from the amplifiers ringin' in your head.
You smoke the day's last cigarette, rememberin' what she said.”

Bob Seger (1945) American singer-songwriter

Turn the Page.
Song lyrics, Back in '72 (1973)

Lie

“So, what else is going on? Music? Fine, here is The Beatles, The Stones come here later this evening, there is The Velvet Underground, Janis Joplin has just gone to lunch. So, do you want something to do in between now and then, I'd grow my hair and fornicate if I were you.”

Dylan Moran (1971) Irish actor and comedian

Monster (2004)

“Only a male intellect clouded by the sexual drive could call the stunted, narrow-shouldered, broad-hipped and short-legged sex the fair sex: for it is with this drive that all its beauty is bound up. More fittingly than the fair sex, women could be called the unaesthetic sex. Neither for music, nor poetry, nor the plastic arts do they possess any real feeling or receptivity: if they affect to do so, it is merely mimicry in service of their effort to please. This comes from the fact that they are incapable of taking a purely objective interest in anything whatever, and the reason for this is, I think, as follows. Man strives in everything for a direct domination over things, either by comprehending or by subduing them. But woman is everywhere and always relegated to a merely indirect domination, which is achieved by means of man, who is consequently the only thing she has to dominate directly. Thus it lies in the nature of women to regard everything simply as a means of capturing a man, and their interest in anything else is only simulated, is no more than a detour, i. e. amounts to coquetry and mimicry.”

Arthur Schopenhauer book Parerga and Paralipomena

Vol. 2 "On Women" as translated in Essays and Aphorisms (1970), as translated by R. J. Hollingdale
Parerga and Paralipomena (1851), Counsels and Maxims

Women , Beauty , Art , Sex

“Education ent only books and music – it's asking questions, all the time. There are millions of us, all over the country, and no one, not one of us, is asking questions, we're all taking the easiest way out.”

Arnold Wesker (1932–2016) British dramatist

Roots, Act 3 (1959)

Books , Education , Way , Question

“I have lived through much, and now I think I have found what is needed for happiness. A quiet secluded life in the country, with the possibility of being useful to people to whom it is easy to do good, and who are not accustomed to have it done to them; then work which one hopes may be of some use; then rest, nature, books, music, love for one's neighbor -- such is my idea of happiness. And then, on the top of all that, you for a mate, and children perhaps -- what more can the heart of man desire?”

Leo Tolstoy book Family Happiness

Part 1, Chapter V
Family Happiness (1859)

Love , Life , Children , People

“There the Unstruck Music eddies around the Infinite One;
There in the midst the Throne of the Unheld is shining, whereon the great Being sits —
Millions of suns are shamed by the radiance of a single hair of His body.”

Kabir (1440–1518) Indian mystic poet

Songs of Kabîr (1915)

Sun

“Even to wise mortals Music carries unceasing feelings…”

Cratinus (-500–-422 BC) Old Athenian Comic poet

Cheirones ("The Chirons")

Feeling

“That's the magic of this band: shooting from the hip. The lights have to follow our cues, because we're not going to follow their cues. We're not going to stick to a song the way it's supposed to be. Everything is up to us. That's music to me. That's American music. We're an American band.”

Dave Matthews (1967) American singer-songwriter, musician and actor

Dave Matthews, Rolling Stone interview "The Boys of Summer" (June 16, 2005). Eliscu, Jenny (2005). "The Boys of Summer" http://www.rollingstone.com/artists/davematthewsband/articles/story/7371942/the_boys_of_summer Rolling Stone (accessed June 19. 2006)

Way , Light

“From Pythagoras to Boethius, when pure mathematics consisted of arithmetic and geometry while applied mathematics consisted of music and astronomy, mathematics could be characterized as the deductive study of 'such abstractions as quantities and their consequences, namely figures and so forth' (Acquinas ca. 1260). But since the emergence of abstract algebra it has become increasingly difficult to formulate a definition to cover the whole of the rich, complex and expanding domain of mathematics.”

George Frederick James Temple (1901–1992) British mathematician

100 Years of Mathematics: a Personal Viewpoint (1981)

Mathematics , Study

“What happened is the music listener has become much more of a connoisseur and a king of his own destiny. You can no longer shove an album down their throats and say, 'Here's 15 songs, four of them are good, you know. Spend 20 dollars on this CD.' It's not going to happen. That's what has taken the music industry down.”

Gloria Estefan (1957) Cuban-American singer-songwriter, actress and divorciada

thestrippodcast.com (September 9, 2006)
2007, 2008

“I once inhaled a pretty full dose of ether, with the determination to put on record, at the earliest moment of regaining consciousness, the thought I should find uppermost in my mind. The mighty music of the triumphal march into nothingness reverberated through my brain, and filled me with a sense of infinite possibilities, which made me an archangel for the moment. The veil of eternity was lifted. The one great truth which underlies all human experience, and is the key to all the mysteries that philosophy has sought in vain to solve, flashed upon me in a sudden revelation. Henceforth all was clear: a few words had lifted my intelligence to the level of the knowledge of the cherubim. As my natural condition returned, I remembered my resolution; and, staggering to my desk, I wrote, in ill-shaped straggling letters, the all-embracing truth still glimmering in my consciousness. The words were these (children may smile; the wise will ponder): “A strong smell of turpentine prevails throughout.””

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

Mechanism in thought and morals https://books.google.se/books?id=c5rOGqwLGaEC&lpg=PA47 : an address delivered before the Phi Beta Kappa Society of Harvard University, June 29, 1870
Mechanism in thought and morals (1871)

Children , Truth , Smile , Intelligence

“Classical music is a perennially flowing river and nothing can affect its flow. No one needs to worry about Indian music. It is forever.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Staff Reporter, "Mangalampalli can't wait to come home".

“John Randolph had only been a Senator for a few days when he gave an extraordinary speech denouncing John Quincy Adams. 'It is my duty,' said Randolph, 'to leave nothing undone that I may lawfully do, to pull down this administration…. They who, from indifference, or with their eyes open, persist in hugging the traitor to their bosom, deserve to be insulted… deserve to be slaves, with no other music to soothe them but the clank of the chains which they have put on themselves and given to their offspring.' John Randolph said this in 1826. This was a time, writes de Tocqueville, when the presidency was almost invisible. If we cannot say this and more today, when the presidency is dictator to the world, we are not authentic conservatives and libertarians. Indeed, we are not free men.”

Lew Rockwell (1944) American libertarian author and editor

6 October 1996 "Down With the Presidency"
1990s

Men , World , Time , Indifference

“The pages of Euclid are like the opening bars of the music of the Grand Opera of Nature's great drama. So to say, they lift the veil and show to our vision a glimpse of a vast world of natural knowledge awaiting study.”

C. V. Raman (1888–1970) Indian physicist

Chandrasekhara Venkata Raman:A Legend of Modern Indian Science, 22 November 2013, Official Government of India's website Vigyan Prasar http://www.vigyanprasar.gov.in/scientists/cvraman/raman1.htm,

World , Nature , Knowledge , Study

“To play great music, you must keep your eyes on a distant star.”

Yehudi Menuhin (1916–1999) American violinist and conductor

Source: Rene J. Smith The Spirit of Flight http://books.google.co.in/books?id=Euu4e-4qNAUC&pg=PT30, Peter Pauper Press, Inc., 15 January 2012, p. 30

Star , Distant

“Q: Radiohead fans tend to be extremely devoted to the band - they seem to connect with your music and ideals. What do you see as the major aspects of your music which people connect with so well?
A: To be really truthful I don't see it myself. When we play something new, we don't know how people will react. If I show an idea to the rest of the band I'm terrified if they will respond or not. They are the same. It always amazes me how complex this remains. There was a time when we could make the correct moves and the required response. And that was the time when the shine started to fade. Do people connect with our ideals? I dont know, surely encouraging people to make informed decisions is more useful? ignorance is the biggest problem isnt it? we are no purer than anyone else, no smarter. Equally we are not little rag dolls you play with but say nothing and go back in the box when you're finished with us.”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

source http://www.spinwithagrin.com/answer.asp?show=all

People , Truth , Idea , Problem

“Once I got into it, I (realized) in this medium, you can use musical theater to connect and make a dream come true, like fly on stage. Through stagecraft you can wow (the audience) and make them feel that sense of wonder. … You’re singing, you’re dancing, and you’re performing a feat of wonder. I couldn’t stop thinking in those terms. There was so much potential.”

Misty Lee (1976) Magician, voice actress, comedian

Mt. Clemens native Misty Lee hangs with Houdini, Princess Leia, Spidey https://www.freep.com/story/entertainment/2016/10/22/misty-lee-magician-voice-actress/92484578/ (October 22, 2016)

Dreams , Feeling , Thinking , Sense

“Of what she said to me that night—no matter.
The strange thing came next day.
My brain was full of music—something she played me—;
I couldn't remember it all, but phrases of it
Wreathed and wreathed among faint memories,
Seeking for something, trying to tell me something,
Urging to restlessness: verging on grief.
I tried to play the tune, from memory,—
But memory failed: the chords and discords climbed
And found no resolution—only hung there,
And left me morbid... Where, then, had I heard it?...”

Conrad Aiken (1889–1973) American novelist and poet

The House of Dust (1916 - 1917)

Memory , Night

“Chopin's mazurkas stand apart from the rest of the considerable production inspired by folk music which reaches into all forms of Romantic music; they cannot conveniently be classified with any of the other manifestations. They are not arrangements of popular folk tunes, … He uses only fragments of melody, Polish formulas, typical national rhythms, and he combines them in his own way with great originality. From early on, Chopin's mazurkas are much more elaborate than the few modest pieces employing mazurka rhythms by Chopin's Polish predecessors, and they soon became the occasion for some of the most complex and pretentious of Chopin's forms.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 7 : Chopin: From the Miniature Genre to the Sublime Style

Way

“The poem, a harmonious flow of nuances, demands a musical rhythm, Vers libre.”

F. S. Flint (1885–1960) English Imagist poet

Contemporary French Poetry, The Poetry Review, 1914

“I wrote a song called "Father & Son" about the son running off to do his own thing. Now the story is about my son coming back and bringing a guitar into the house. A couple of years ago, one morning after prayers, his guitar was lying around. I picked it up and my fingers knew exactly where to go. I'd written some words and when I put them to music, it moved me and I realized I could have another job to do. Things just grew from there.”

Cat Stevens (1948) British singer-songwriter

On producing new music, after shunning the music business for over two decades, as quoted in "The Billboard Q and A: Yusuf Islam" by Nigel Williamson, in Billboard Magazine (17 November 2006)

Lying , Housing

“I said, ‘Put back your heart, and sing, sing
While you know you’re still living.’
Sing, sing, sing, while you know there’s still –
New Music, new Music, new Music
Sweet Music can lighten us
Can brighten the world – can save us”

Cat Stevens (1948) British singer-songwriter

Music
Song lyrics, Buddha and the Chocolate Box (1974)

World , Singing , Heart

“One of the most winning characteristics of Prokofiev’s music is its indomitable energy. In expressing this quality, stability of tempo is particularly important.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Conclusion

“The greatest poets never write poetry. The Homers and Shakespeares are not the greatest — they are only the greatest that we can know. And so with Handel among musicians. For the highest poetry, whether in music or literature, is ineffable — it must be felt from one person to another, it cannot be articulated.”

Samuel Butler (1835–1902) novelist

Poetry
The Note-Books of Samuel Butler (1912), Part XII - The Enfant Terrible of Literature

Literature , Personality

“As the painter needs his framework of parchment, the improvising musical group needs its framework in time.”

Bill Evans (1929–1980) American jazz pianist

Kind of blue liner notes.

Time

“It was this indifference to the quality of his material that earned Liszt the contempt of his most distinguished contemporaries and of many of the most respectable critics and historians of posterity. It was, nevertheless, his greatest strength. It made it possible for him to manipulate the material ruthlessly, to concentrate on effects of realization with unprecedented intensity, and to integrate styles and techniques of performance into composition in a new way. His invention of novel keyboard effects and his mastery of musical gesture have always been undervalued, especially by pianists of the German school who prefer the kind of music that can be executed while soulfully regarding the ceiling. On the whole, the most genuine understanding of his music has been displayed by musicians of eastern Europe, and he may almost be considered as the founder of Russian pianism.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Romantic Generation (1995), Ch. 8 : Liszt: On Creation as Performance

School , Way , Understanding , Indifference

“Being called a musical genius was a cross to bear. Genius is a big word. But if you have to live up to something, you might as well live up to that.”

Brian Wilson (1942) American musician, singer, songwriter and record producer

"Brian Wilson: God Only Knows" http://www.rollingstone.com/music/features/god-only-knows-19880811 in Rolling Stone (11 August 1988)

“Whoever gets involved in this field becomes spiritual because the music itself is purely spiritual. The music is a prayer, a rare kind of prayer. Music is created by the Supreme entity (‘Brahma’) so that we can get an understanding or a view (‘Darshan’) of that entity.”

Hariprasad Chaurasia (1938) Indian bansuri player

Music is a Prayer:An interview with Hariprasad Chaurasia by Ian Gottstein

Understanding

“Death continued to stare at the emperor with his cold, hollow eyes, and the room was fearfully still. Suddenly there came through the open window the sound of sweet music. Outside, on the bough of a tree, sat the living nightingale. She had heard of the emperor's illness, and was therefore come to sing to him of hope and trust. And as she sung, the shadows grew paler and paler; the blood in the emperor's veins flowed more rapidly, and gave life to his weak limbs; and even Death himself listened, and said, "Go on, little nightingale, go on."”

Hans Christian Andersen book The Nightingale

The Nightingale
Fairy Tales (1835)

Life , Death , Hope , Tree

“Dad is a man of few words. He rarely discusses my compositions. But I hear him humming my numbers to my nephew. The recent one is a hit from the Telugu flick “Oy”. A musical genius in the family is both a huge advantage and a disadvantage. I’ve absorbed so much from my father. But, at the same time, fans keep writing to me saying they expect more from me — because of my lineage!”

Yuvan Shankar Raja (1979) Indian musician

Yuvan Unplugged (2009)

Family , Time

“I remember loving sound before I ever took a music lesson. And so we make our lives by what we love.”

John Cage (1912–1992) American avant-garde composer

"Lecture on Nothing" (1949)
1940s

Love

“When seen as a whole, art derives from a person's desire to communicate himself to another. I do not believe in an art which is not forced into existence by a human being’s desire to open his heart. All art, literature, and music must be born in your heart’s blood. Art is your heart’s blood.”

Edvard Munch (1863–1944) Norwegian painter and printmaker

Manuscript (1891); as quoted in Edvard Munch and the Physiology of Symbolism (2002) by Shelley Wood Cordulack
1880 - 1895

Art , Communication , Literature , Heart

“Oh that music - how it goes through one”

Carl Zuckmayer (1896–1977) German writer and playwright

Sissi, The Captain of Köpenick Tr. Ron Hutchinson (2013)
Qotes

“How nauseating, thought Nicholas, a Jew being sentimental on behalf of a Negro: you lucky fellows, you’ve got plenty o’ nuthin’, whereas we’re weighted down with all this international capital and these wretched Broadway musical hits.”

Edward St. Aubyn (1960) British writer

At Last, Chapter 7

“For many years he has not breathed the air,
The wholesome open air; the sun, the moon,
The stars, the clouds, the fair blue heaven, the spring,
The flowers, the trees, and the sweet face of man,
Song, or words yet more musical than song,
Affections, feelings, social intercourse
(Unless remembered in his fairy dreams)
Have all been strangers to his solitude! —
A curse is set on him, like poverty,
Or leprosy, or the red plague, but worse, —
The heart has sent its fire up to the brain,
And he is mad.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(5th April 1823) Poetical Catalogue of Pictures. A Maniac visited by his Family in confinement : by Davis.
5th April 1823) April see The Vow of the Peacock (1835
The London Literary Gazette, 1823

Dreams , Feeling , Star , Spring

“Things. Cosas. Things attach themselves like leeches to the human soul, then they bleed out the sweetness and the music and the primordial joy of being unencumbered upon the land.”

Tom Robbins Fierce Invalids Home from Hot Climates

Fierce Invalids Home from Hot Climates (2000)

Soul , Joy

“Yet in a relatively short creative life of twenty years or so, Chopin redrew the boundaries of Romantic music, and his self-imposed restriction to the 88 keys of the piano keyboard sublimated nothing less than the aesthetic essence of piano music. It was his total identification with the instrument which, in its radical regeneration of the lyric and the dramatic, fantasy and passion and their unique fusion, shaped a tonal language which united an aristocratic sense of style and formal Classical training and intuition with an ascetic rigor. Chopin’s precisely marshaled trains of thought permitted no experiments, and so he did not ‘wander about’ within his stylistic points of reference as Scriabin was to do. Chopin’s works may seem light and improvisatory, but they are planned in meticulous details, exactly and well calculated.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Life , Sense , Light , Passion

“This art is music. It stands quite apart from all the others. In it we do not recognize the copy, the repetition, of any Idea of the inner nature of the world. Yet it is such a great and exceedingly fine art, its effect on man's innermost nature is so powerful, and it is so completely and profoundly understood by him in his innermost being as an entirely universal language, whose distinctness surpasses even that of the world of perception itself, that in it we certainly have to look for more than that exercitium arithmeticae occultum nescientis se numerare animi [exercise in arithmetic in which the mind does not know it is counting] which Leibniz took it to be.”

Arthur Schopenhauer book The World as Will and Representation

Vol. I, Ch. III, The World As Representation: Second Aspect, as translated by Eric F. J. Payne (1958)
The World as Will and Representation (1819; 1844; 1859)

World , Art , Exercises , Idea

“There have always been two aspects to my work: formal innovation and strong content. That goes for Steve’s tape pieces as well. To make a work together, we had to be engaged by the subject matter, and we shared an interest in technology as it has advanced. Looking back at the Hindenburg and Bikini Atoll, and forward in “Dolly” to new technologies, was a way of rethinking and understanding the soup in which we swim. We call this a theater of ideas, but its success as a work depends on the strength of the video and the music.
“Hindenburg” itself begins with the crash of the zeppelin in 1937 and ends with a view of its burnt-up carcass on the landing field in Lakehurst, New Jersey, taken from an airplane. What interested us here in viewing the archival material and listening to recordings of the period was the overwhelming conviction that technology was the sure way to progress. Naturally, after the atom bomb, a darker view of progress began to appear.”

Beryl Korot (1945) American artist

Beryl Korot, in: " Steve Reich and Beryl Korot by Julia Wolfe http://bombmagazine.org/article/2521/steve-reich-and-beryl-korot," BOMB 81, Fall 2002

Way , Idea , Understanding , Nature

“Love is a command, not just a feeling. Somehow, in the romantic world of music and theater we have made love to be what it is not. We have so mixed it with beauty and charm and sensuality and contact that we have robbed it of its higher call of cherishing and nurturing.”

Ravi Zacharias (1946) Indian philosopher

[I, Isaac, Take Thee, Rebekah: Moving from Romance to Lasting Love, 2005, 9781418515812, http://books.google.com/books?id=lhWCB2v3UlQC&pg=PA30&dq=%22Love+is+a+command%22, 39]
2000s

Love , World , Beauty , Feeling

“I always had a knack for it [music]. I bought a drum kit for like 50 bucks, and within three weeks I was in a band. Not only was I in a band, but people were saying that I was really good. Being someone with a short attention span who didn't have much patience for anything, that was great, 'cause it didn't take much. I could just sit down and do it instantly. I could play a basic rock beat right away, so it didn't require much patience, and that's probably why I ended up doing it. As I got some of the rewards for it, it fueled me to want to be better. Then the rewards thing gets old, and what you really want is to be good and understand it, 'cause you're so enthused by it. That's what got me into all the other instruments and songwriting and singing.”

Chris Cornell (1964–2017) American singer-songwriter, musician

Interview with Request Magazine, October 1994 http://web.stargate.net/soundgarden/articles/request_10-94.shtml,
Soundgarden Era

People , Understanding , Singing , Patience

“You read reviews by top reviewers of films that not only had remarkably interesting scores, but films whose effectiveness was absolutely enhanced, and frequently created by the music, yet the reviewers seem unaware that their emotions and their nervous reactions to the films have been affected by the scoring. This is a serious flaw. Any film reviewer owes it to himself, and the public, to take every element of the film into account”

Jerry Goldsmith (1929–2004) film composer

ibid., p. 209
On Goldsmith's irritation at the lack of response from responsible critics

Reading

“Beatles' "aryan" music removed any trace of black music from rock and roll: it replaced syncopated african rhythm with linear western melody, and lusty negro attitudes with cute white-kid smiles.”

Piero Scaruffi (1955) Italian writer

Beatles The History of Rock Music http://www.scaruffi.com/vol1/beatles.html

Smile

“An artist who sees that the imitation of natural appearances, however artistic, is not for him – the kind of creative artist who wants to, and has to express his own inner world – sees with envy how naturally and easily such goals can be attained in music, the least material of the arts today. Understandably, he may turn toward it and try to find the same means in his own art. Hence the current search for rhythm in painting, for mathematical abstract construction.... the way colors are set in motion, etc.”

Wassily Kandinsky (1866–1944) Russian painter

1910 - 1915
Source: On the Spiritual in Art, 1911; as quoted in Schönberg and Kandinsky: An Historic Encounter, by Klaus Kropfinger; edited by Konrad Boehmer; published by Routledge (imprint of Taylor & Francis, an informal company), 2003, p. 15

World , Art , Color , Way

“I am a sensitive artist. Nobody understands me because I am so deep. In my work, I make allusions to books that nobody else has read, music that nobody else has heard, and art that nobody else has seen. I can't help it, because I am so much more intelligent and well-rounded than everyone who surrounds me.”

John S. Hall (1960) Poet, author, singer, lawyer

"Sensitive Artist"
Lyrics, Fluting on the Hump (1987)

Books , Art , Intelligence , Understanding

“Hunting, fishing, drawing, and music occupied my every moment; cares I knew not, and cared naught about them. I purchased excellent and beautiful horses, visited all such neighbors as I found congenial spirits, and was as happy as happy could be.”

John James Audubon (1785–1851) American ornithologist, naturalist, and painter

On his life at Mill Grove, in Pennsylvania http://pa.audubon.org/centers_mill_grove.html in "Audubon's Story of His Youth" edited by Maria R. Audubon, in Scribner's Magazine Vol. XIII, No. 3, (March 1893), p. 278

Beauty , Fish , Horse , Drawing

“Open your arms in the early mornin'
When the light comes shinin' through
Can't you hear my heart beat just for you?
It's beating so wild, honey.
And light comes shinin'
Singin' my song
And the band is playin'
And the music is tried and true.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Wild Honey
Song lyrics, Common One (1980)

Light , Heart

“Split me open
With devotion
You put your hands in
And rip my heart out
Eat the music.”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Red Shoes (1993)

Heart

“Liner notes, Music Bank box set, 1999.”

Jerry Cantrell (1966) American musician and songwriter

Box

“They would talk of nothing but high life, and high-lived company, with other fashionable topics, such as pictures, taste, Shakespeare, and the musical glasses.”

Oliver Goldsmith book The Vicar of Wakefield

Source: The Vicar of Wakefield (1766), Ch. 9.

Life , Fashion

“No music was made from grief, moulded from sorrow.”

Juhani Aho (1861–1921) Finnish author and journalist

Juhani Aho. Yksin ("Alone," 1890, tr. as Seul 2013); cited in: Guri Barstad, ‎Karen P. Knutsen (2016), States of Decadence: On the Aesthetics of Beauty, Decline and Transgression across Time and Space Volume 1. p. 2

“Guide, Pyaasa — these are my films that can be remade with current actors. But the music and lyrics should not be changed. Because you cannot have a samba or bhangra beat for the seduction scene in Pyaasa…the beauty will be lost.”

Waheeda Rehman (1938) Indian actress

Quote, Grace personified: Waheeda Rehman

Beauty , Change

“I was horrified by modern 12-tone music. I said to myself, 'Maybe I can find something different… maybe salvation, liberation, is possible.”

Pierre Schaeffer (1910–1995) French musicologist

Pierre Schaeffer: an Interview with the Pioneer of Musique Concrete (Records Quarterly magazine, vol. 2, n° 1; 1987)
Interviews

“What it comes down to for me is: Will the technologies of communication and culture — and especially popular music, which is a vast and beloved enterprise — help us to understand one another better, or will they deceive us and keep us apart?”

Roger Waters (1943) English songwriter, bassist, and lyricist of Pink Floyd

Penthouse Magazine, September, 1988
Philosophy

Communication , Understanding , Help

“1948 Black Mountain College N. C. Disciplined by Albers. Learned photography. Worked hard but poorly for Albers. Made contact with music and modern dance. Felt too isolated, Sue [Weil, they married soon, then] and I moved to NYC. Went to Art Students League. Vytlacil & Kantor. Best work made at home. Wht. Painting with no.'s best example. Summer 1950, Outer Island Conn. Married Sue Weil. Christoher (son) Born July 16, 1951 in NYC. First one man show Betty Parsons's”

Robert Rauschenberg (1925–2008) American artist

Source: 1980's, Off the Wall: Robert Rauschenberg and the Art world of Our Time, 1980, pp. 55-56 : Autobiographic notes

Art , Home , Mountain , Learning

“When I am designing, I make a selection of music that will be the inspiration behind the whole collection… I will be blasting that music—it becomes a journey I take in my brain to transfer that sound to the clothing.”

Anna Sui (1964) American fashion designer

Interview Magazine (December 15, 2010)

Clothes

“The good taste we speak of, which is that of literature, is not limited to what we call the sciences, but extends itself imperceptibly to other arts, such as architecture, painting, sculpture, and music. 'Tis the same discerning faculty which introduces universally the same elegance, the same symmetry, and the same order in the disposition of the parts; which inclines us to a noble simplicity, to natural beauties, and a judicious choice of ornaments. On the other hand, the depravation of taste in arts has been always a mark and consequence of the depravation of taste in literature. … The good taste of literature reaches also to public customs, and the manner of living. An habit of consulting the best rules upon one subject, naturally leads to the doing it also upon others.”

Charles Rollin (1661–1741) French historian

The Method of Teaching and Studying the Belles Lettres, Vol. I, The Third Edition (1742), Part II, Ch. 2: 'General Reflections upon what is called good Taste', pp. 45–46

Beauty , Art , Literature , Nature

“And now they were making music from the screams of the dying. Of the dead. The were dancing to it in the low-rent clubs. What it must be like, Miller thought, to be young and soulless.
But no. That wasn’t fair. Diogo was a good kid. He was just naive. The universe would take care of that, given a little time.”

Daniel Abraham (1969) speculative fiction writer from the United States

Source: Leviathan Wakes (2011), Chapter 44 (p. 445)

Universe , Time , Dance , Dead

“The '80s to me, more than anything else, represents a time of real criminal activity in the office of the president: an incredibly disparate economy in terms of the class distinctions and whatnot, and a tremendous shallowness—a lot of sort of bank robbery by executives. This is the '80s to me. And a lot of synthesizer music. And, of course, Madonna and the beginning of MTV.”

Martha Plimpton (1970) American actress

Interview with Keith Phipps March 3, 1999 http://www.avclub.com/articles/martha-plimpton,13582/

Time

“The trends that produced Schumann’s early piano works started out not so much from Weber’s refined brilliance as from Schubert’s more intimate and deeply soul-searching idiom. His creative imagination took him well beyond the harmonic sequences known until his time. He looked at the fugues and canons of earlier composers and discovered in them a Romantic principle. In the interweaving of the voices, the essence of counterpoint found its parallel in the mysterious relationships between the human psyche and exterior phenomena, which Schumann felt impelled to express. Schubert’s broad melodic lyricism has often been contrasted with Schumann’s terse, often quickly repeated motifs, and by comparison Schumann is often erroneously seen as short-winded. Yet it is precisely with these short melodic formulae that he shone his searchlight into the previously unplumbed depths of the human psyche. With them, in a complex canonic web, he wove a dense tissue of sound capable of taking in and reflecting back all the poetical character present. His actual melodies rarely have an arioso form; his harmonic system combines subtle chromatic progressions, suspensions, a rapid alternation of minor and major, and point d’orgue. The shape of Schumann’s scores is characterized by contrapuntal lines, and can at first seem opaque or confused. His music is frequently marked by martial dotted rhythms or dance-like triple time signatures. He loves to veil accented beats of the bar by teasingly intertwining two simultaneous voices in independent motion. This highly inde-pendent instrumental style is perfectly attuned to his own particular compositional idiom. After a period in which the piano had indulged in sensuous beauty of sound and brilliant coloration, in Schumann it again became a tool for conveying poetic monologues in musical terms.”

Burkard Schliessmann classical pianist

Talkings about Chopin and Schumann

Love , Beauty , Color , Soul

“I admit it worked fairly well but my first reaction was to get up and walk away from the job, but I couldn't. Once you've heard music like that with the picture, it makes your own scoring more difficult to arrive at, it clouds your thinking. Later, as an inside joke, I included a snippet of the Strauss in the score-and some critic pounced on me for stealing. You can´t win.”

Jerry Goldsmith (1929–2004) film composer

Tony Thomas, Music for the Movies (1973), p. 209

Thinking

“Arms trade. If there was a legitimate trade, they'd sell those things - guns and bombs - in a supermarket. It would be like a cosmetics demonstration, and you'd have a little bit of shopping music in the background. And so, here's our arms trade demonstrator. 'Hello, and welcome to our new "Twilight of the World" range - our stunning new collection for nuclear winter. Now, for those persistent racial problems, why not try our new ethnic cleanser, "Pogrom"? Apply vigorously to the affected area, and then wipe off the face of the earth. For persistent outbreaks, to eliminate those last spots of resistance, why not try our new "I Can't Believe It's Not a Kalashnikov"? Go on, leaders, treat yourself. Tell yourself "I want it, I need it, I'll have it". Now, for those particularly sensitive areas, why not try our new range, "U. N."? It's entirely cosmetic; it does nothing. Apply half-heartedly with our new hand-wringing cream. Now, people often come up to me and say "Can you save my face?" Well, I can. So for those secret little deals - those secret little Iraqi liaisons - why not try "Embargo", the mark of the middleman? Now, for a touch of mystery, why not visit the "Missing Body Shop"? Collect your free nail remover and watch your problems disappear. Now, you're probably sitting there thinking "Oh, I'm such a hideous old blood-soaked dictator of a thing; nobody will deal with me". How wrong you are! We are sole suppliers to the US government of "Turn-a-Blind-Eye Liner" - use always in conjunction with "Oil of Kuwaiti", a touch of "Massacre" and blusher. Oh, you won't need that. I'm Marlene from the House of Charnel. Thank you for your time and patience. And for that finishing touch - for those romantic evenings when you really want to take the enemy out - why not try our stunning new nerve gas, "Paralyse" by Calvin Klein.' (Linda Live 1993)”

Linda Smith (1958–2006) comedian

Stand-up

People , Secret , World , Problem

“My favorite music is hooky, quirky, arty, dark, surprising, heavy, groovy, soft, emotional but not emo. It wears a sweater because it’s cold, not because it's stylistically there.”

Josh Homme (1973) American musician

Reported in Jay Babcock, " JOSHUA HOMME: People say [record] labels are evil. No, they’re just lame. http://www.arthurmag.com/2007/12/04/josh-homme-people-say-labels-are-evil-no-theyre-just-lame/", Arthur Magazine (December 4, 2007).

“How beautiful life is! Music and dancing! The violins are sobbing. The first stopper of a bottle of champagne bangs. And now there's a mad singing and shouting. Everybody joins in and sings and shouts! Embracing, friendship, eternal friendship! How beautiful the women are! Dressed in black and red. But you are the prettiest, Hertha! … Hey, you grumblers, go to hell! Music and dancing. The violins are sobbing. Women dressed in black and red. But you are the prettiest, Hertha!”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Wie schön ist das Leben! Musik und Tanz! Die Geigen schluchzen. Der erste Sektpfropfen knallt. Und nun ein tolles Singen und Schreien. Man singt und schreit mit. Umarmung, Freundschaft, ewige Freundschaft! Welch' schöne Frauen! In schwarz und rot! Und doch bist Du die Schönste, Hertha Holk! … Heda, ihr Miesmacher, der Teufel soll euch holen! Musik und Tanz. Die Geigen schluchzen. Frauen in schwarz und rot. Und doch bist Du die Schönste, Hertha Holk!
Michael: a German fate in diary notes (1926)

Life , Women , Friendship , Beauty

“I like to think that if music hadn't existed, I could have invented it.”

Harrison Birtwistle (1934) British composer

Interviewed by Dan Warburton, July 8, 1995. http://www.paristransatlantic.com/magazine/interviews/birtwistle.html

Thinking

“Normally, misprints are either easily corrected or else so trivial that it makes no difference whether we play the correct or the faulty version. … Nevertheless, on rare occasions, a misprint or slip of the pen may challenge our view of the musical language. These extreme cases may help us understand a little more about the way music acquires meaning, or what it means to say that the music makes sense.”

Charles Rosen (1927–2012) American pianist and writer on music

Source: The Frontiers of Meaning: Three Informal Lectures on Music (1994), Ch. 1 : The Frontiers of Nonsense

Way , Understanding , Sense , Help

“Whether people accept this music or not, I don’t give a damn. I know how good—and right—the group is. We all sell out to a point. And don’t get me wrong, I like living comfortably and having a nice car. But if money determines your art, then what’s the point?”

John McLaughlin (1942) guitarist, founder of the Mahavishnu Orchestra

On the criticism of his acoustic band Shakti, after temporarily retiring his electric period with the Mahavishnu Orchestra, as quoted in Jerome, Jim. "John McLaughlin Pulls the Plug on His Guitar, but He's as Electrifying as Ever", People Magazines. 21 June 1976. http://people.com/archive/john-mc-laughlin-pulls-the-plug-on-his-guitar-but-hes-as-electrifying-as-ever-vol-5-no-24/

Money , People , Art , Cars

“I wasn't part of that hothouse thing. I didn't go to the Yehudi Menuhin school. I grew up with the idea of trying to make music available to people of all abilities.”

Joanna MacGregor (1959) British musician

The Guardian - 26/05/2000
Childhood

People , School , Idea , Parting

“It's a tango." Marco maneuvered me out among the dancers. "I love tangos." "I can't dance." "You don't have to dance. I'll do that dancing." Marco hooked an arm around my waist and jerked me up against his dazzling white suit. Then he said, "Pretend you are drowning." I shut my eyes, and the music broke over me like a rainstorm. Marco's leg slid forward against mine and my leg slid back and I seemed to be riveted against him, limb for limb, moving as he moved, without any will or knowledge of my own, and after a while I thought, "It doesn't take two to dance, it only takes one," and I let myself blow and bend like a tree in the wind. "What did I tell you?”

Sylvia Plath book The Bell Jar

Marco's breath scorched my ear. "You're a perfectly respectable dancer."
Source: The Bell Jar (1963), Ch. 9

Love , Jerk , Knowledge , Tree

“In my first year of marriage I have often wept and the tears fall often as they did in my childhood - in large drops. They occur when I hear music and when I see beautiful things which move me. In the last analysis, I live alone just as much as I did in my childhood. This aloneness makes me sometimes sad and sometimes happy. I believe it deepens one's life. One lives less according to outward appearances... One lives inwardly.”

Paula Modersohn-Becker (1876–1907) German artist

note from her Journal, March 1902; as quoted by Susan P. Bachrach, in 'Paula Modersohn-Becker (1876-1907) Woman and Artist as Revealed Through Her Depiction of Children', (text on: Fembio - Notable Woman International: Biographies http://www.fembio.org/english/biography.php/woman/biography_extra/paula-modersohn-becker/)
1900 - 1905

Life , Marriage , Sadness , Beauty

“Music trains the mind, like mathematics, or logic, to precision of mind.”

Guy Gavriel Kay book Tigana

Source: Tigana (1990), Chapter 4 (p. 77)

Mathematics , Training

“Roger: I also have been producing/recording more and more, and that takes time, too. But that's what i always wanted to do, work on music,, so it's not a bad thing.”

Roger Manganelli (1973) American musician

Time

“In my opinion, so much of it is really about what you had in mind when you got into it: was it only that you wanted to be a rockstar and see your name in lights? I never really had those kinds of dreams. I knew I loved music and I knew that when I sang in a certain way it made my chest and my whole stomach tickle and I liked it. It still does that same thing to me; I know I’m doing it right when it makes my core tingle a little bit. I get the same feeling when I’m painting a picture or when I get into that almost hypnotic state of writing – those things are incredible and those are the kinds of things that attract me to creativity.”

Brandon Boyd (1976) American rock singer, writer and visual artist

When asked about intention for a magazine in Berlin (http://www.pulse-berlin.com/)

Love , Dreams , Way , Feeling

“I remember seeing how Layne [Staley] reacted to Andy [Andrew Wood] dying from drugs, and I think that he was scared possibly. And I think he also reacted the same way when Kurt [Cobain] shot himself. They were really good friends. And yet it didn’t stop him. But for me, if I think about the evolution of my life as it appears in songs for example, Higher Truth is a great example of a record I wouldn’t have been able to write [when I was younger], and part of that is in essence because there was a period of time there where I didn’t expect to be here. And now not only do I expect to be here, and I’m not going anywhere, but I’ve had the last 12 years of my life being free of substances to kind of figure out who the substance-free guy is, because he’s a different guy. Just by brain chemistry, it can’t be avoided. I’m not the same, I don’t think the same, I don’t react the same. And my outlook isn’t necessarily the same. My creative endeavours aren’t necessarily the same. And one of the great things about that is it enabled me to kind of keep going artistically and find new places and shine the light into new corners where I hadn’t really gone before. And that feels really good. But it’s also bittersweet because I can’t help but think, what would Jeff be doing right now, what would Kurt be doing right now, what would Andy be doing? Something amazing, I’m sure of it. And it would be some music that would challenge me to lift myself up, something that would be continually raising the bar so that I would work harder too, in the same way they affected me when they were alive basically.”

Chris Cornell (1964–2017) American singer-songwriter, musician

When asked if there was a lesson to be learned from his friends' deaths caused by substance abuse and if it was not enough to scare everyone ** The Life & Times of Chris Cornell, Rolling Stone Australia, 17 September 2015 https://rollingstoneaus.com/music/post/the-life-and-times-of-chris-cornell/2273,
Solo career Era

Life , Truth , Way , Guy

“"The water in music the oar forsakes." The air in music the wing forsakes. All things move in music and write it. The mouse, lizard, and grasshopper sing together on the Turlock sands, sing with the morning stars.”

John Muir (1838–1914) Scottish-born American naturalist and author

letter to Mrs. Ezra S. Carr, from Yosemite Valley (September 1874); published in William Federic Badè, The Life and Letters of John Muir http://www.sierraclub.org/john_muir_exhibit/life/life_and_letters/default.aspx (1924), chapter 11: On Widening Currents 
(Presumably paraphrasing from the poem Woodnotes by Ralph Waldo Emerson: "Come learn with me the fatal song / Which knits the world in music strong / … / and the ripples in rhymes the oar forsake / The wood is wiser far than thou".)
(Turlock: Town where Muir changed from railroad to foot travel in this particular journey from Oakland, California, to Yosemite Valley.)
1870s

Star , Water , Singing

“The point is there's a boring homogenisation of popular culture, so really the problem is there's nothing wrong, the machine works too smoothly. I think the pop music machine is much more fun when it's broken. Things are always more fun when they're broken. No one was ever consulted about this. There was never a Senate committee to say we must produce pop music every day since 1953 or whatever. It's time to lay down the gauntlet.”

Luke Haines (1967) English musician and songwriter

http://uk.news.launch.yahoo.com/dyna/article.html?a=dotmusic_news/20674.html&e=l_news_dm

Problem , Thinking , Time

“By the RIAA's terms, we commit piracy every time we share files on the Internet. In reality, the RIAA pirated almost all the 400 million CDs sold in America last year, since the people who made the music didn't get paid for them.”

Dave Marsh (1950) American music critic, author, editor and radio talk show host

"Paying the Cost to Feed the Boss" http://www.counterpunch.org/marsh0430.html, CounterPunch (2002-04-30)

People , Reality , Time

“Why did Mozart compose music?”

Jonas Salk (1914–1995) Inventor of polio vaccine

Response when asked why he chose to do medical research rather than be a practicing physician, as quoted in The Polio Man : The Story of Dr. Jonas Salk (1961) by John Rowland, p. 23

Quotes about music page 12

Quotes about music
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