Quotes about literature
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Thomas Bernhard photo

“Literature is mostly about having sex and not much about having children. Life is the other way round.”

The British Museum Is Falling Down ([1965] 1983), ch. 4, p. 56. ISBN 0140062149

Doris Kearns Goodwin photo
Alfred Hitchcock photo

“Puns are the highest form of literature.”

Alfred Hitchcock (1899–1980) British filmmaker

Dick Cavett Show (8 June 1972).

Christopher Hitchens photo
Stephen King photo
Anna Deavere Smith photo
Isaac Asimov photo

“Jokes of the proper kind, properly told, can do more to enlighten questions of politics, philosophy, and literature than any number of dull arguments.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …
Alan Moore photo

“Sexually progressive cultures gave us mathematics, literature, philosophy, civilization and the rest, while sexually restrictive cultures gave us the Dark Ages and the Holocaust.”

Alan Moore (1953) English writer primarily known for his work in comic books

"BOG VENUS VERSUS NAZI COCK-RING: Some Thoughts Concerning Pornography" in Arthur magazine, Vol. 1, No. 25 (November 2006) http://www.arthurmag.com/magpie/?p=1685
Source: 25,000 Years of Erotic Freedom
Context: Sexually progressive cultures gave us mathematics, literature, philosophy, civilization and the rest, while sexually restrictive cultures gave us the Dark Ages and the Holocaust. Not that I’m trying to load my argument, of course.

Alan Bennett photo

“Professors of literature collect books the way a ship collects barnacles, without seeming effort.”

Carolyn G. Heilbrun (1926–2003) Academic, novelist

Source: Death in a Tenured Position

Kenneth Oppel photo
P.G. Wodehouse photo
Colum McCann photo

“… there are only two things that really matter in life. Literature and love.”

Daphne Kalotay American writer

Source: Russian Winter

Jane Yolen photo

“Literature is a textually transmitted disease, normally contracted in childhood.”

Jane Yolen (1939) American speculative fiction and children's writer

Source: Touch Magic: Fantasy, Faerie & Folklore in the Literature of Childhood

“Literature is that which denounces and slashes apart the repressing machine at the level of the signified.”

Kathy Acker (1947–1997) American novelist, playwright, essayist, and poet

Empire of the Senseless (1988), Elegy for the World of the Fathers, Part I, Rape by the Father, p. 12
Context: The German Romantics had to destroy the same bastions we do. Logocentrism and idealism, theology, all supports of the repressive society. Property's pillars. Reason which always homogenizes and reduces, represses and unifies phenomena or actuality into what can be perceived and so controlled. The subjects, us, are now stable and socializable. Reason is always in the service of the political and economic masters. It is here that literature strikes, at this base, where the concepts and actings of order impose themselves. Literature is that which denounces and slashes apart the repressing machine at the level of the signified.

Jeanette Winterson photo

“That is what literature offers—a language powerful enough to say how it is. It isn't a hiding place. It is a finding place.”

Jeanette Winterson (1959) English writer

Source: Why Be Happy When You Could Be Normal?

Henry James photo

“It takes a great deal of history to produce a little literature.”

Henry James (1843–1916) American novelist, short story author, and literary critic

Hawthorne http://www.ibiblio.org/eldritch/hjj/nhhj1.html, (1879) ch. I: The Early Years.

George Santayana photo

“The Bible is literature, not dogma.”

George Santayana (1863–1952) 20th-century Spanish-American philosopher associated with Pragmatism

Introduction to The Ethics of Spinoza (1910)

Helen Keller photo
Donald Barthelme photo

“The aim of literature… is the creation of a strange object covered with fur which breaks your heart.”

Donald Barthelme (1931–1989) American writer, editor, and professor

"Florence Green is 81".
Source: Come Back, Dr. Caligari (1964)
Context: His examiner... said severely: "Baskerville, you blank round, discursiveness is not literature." "The aim of literature," Baskerville replied grandly, "is the creation of a strange object covered with fur which breaks your heart."

Steven Brust photo
P.G. Wodehouse photo
Philip Roth photo
Peggy Noonan photo

“A great speech is literature.”

Peggy Noonan (1950) American author and journalist
Joan Didion photo
Connie Willis photo
Helen Keller photo

“Literature is my Utopia”

Helen Keller (1880–1968) American author and political activist
William Styron photo
Walter Scott photo

“A lawyer without history or literature is a mechanic, a mere working mason; if he possesses some knowledge of these, he may venture to call himself an architect.”

Walter Scott (1771–1832) Scottish historical novelist, playwright, and poet

Sir Walter Scott Collection Guy Mannering. Chap. xxxvii.
Bartlett's Familiar Quotations, 10th ed. (1919)

John Steinbeck photo
Cyril Connolly photo

“Literature is the art of writing something that will be read twice; journalism what will be grasped at once, and they require separate techniques.”

Source: Enemies of Promise (1938), Part 1: Predicament, Ch. 3: The Challenge of the Mandarins (p. 19)

Margaret Atwood photo
Harold Pinter photo
Edgar Rice Burroughs photo
Julia Quinn photo
Ryszard Kapuściński photo
Anne Fadiman photo

“One of the convenient things about literature is that, despite copyrights […] a book belongs to the reader as well as to the writer.”

Anne Fadiman (1953) American essayist, journalist and magazine editor

Source: At Large and at Small: Familiar Essays

Matthew Arnold photo

“Journalism is literature in a hurry.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools
Georgette Heyer photo
Donna Tartt photo
Jeanette Winterson photo
Gertrude Stein photo

“The contemporary thing in art and literature is the thing which doesn't make enough difference to the people of that generation so that they can accept it or reject it.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

"How Writing is Written," Choate Literary Magazine (February 1935)
How Writing Is Written: Previously Uncollected Writings, vol.II (1974)

Anthony Burgess photo
Andrei Tarkovsky photo

“An hour's conversation on literature between two ardent minds with a common devotion to a neglected poet is a miraculous road to intimacy.”

Charles Williams (1886–1945) British poet, novelist, theologian, literary critic, and member of the Inklings

War in Heaven (1930), Ch. 9

Arthur Schopenhauer photo

“The philosophy of Kant, then, is the only philosophy with which a thorough acquaintance is directly presupposed in what we have to say here. But if, besides this, the reader has lingered in the school of the divine Plato, he will be so much the better prepared to hear me, and susceptible to what I say. And if, indeed, in addition to this he is a partaker of the benefit conferred by the Vedas, the access to which, opened to us through the Upanishads, is in my eyes the greatest advantage which this still young century enjoys over previous ones, because I believe that the influence of the Sanscrit literature will penetrate not less deeply than did the revival of Greek literature in the fifteenth century: if, I say, the reader has also already received and assimilated the sacred, primitive Indian wisdom, then is he best of all prepared to hear what I have to say to him. My work will not speak to him, as to many others, in a strange and even hostile tongue; for, if it does not sound too vain, I might express the opinion that each one of the individual and disconnected aphorisms which make up the Upanishads may be deduced as a consequence from the thought I am going to impart, though the converse, that my thought is to be found in the Upanishads, is by no means the case.”

:s:The World as Will and Representation/Preface to the First Edition
Kants Philosophie also ist die einzige, mit welcher eine gründliche Bekanntschaft bei dem hier Vorzutragenden gradezu vorausgesetzt wird. — Wenn aber überdies noch der Leser in der Schule des göttlichen Platon geweilt hat; so wird er um so besser vorbereitet und empfänglicher seyn mich zu hören. Ist er aber gar noch der Wohllhat der Veda's theilhaft geworden, deren uns durch die Upanischaden eröfneter Zugang, in meinen Augen, der größte Vorzug ist, den dieses noch junge Jahrhundert vor den früheren aufzuweisen hat, indem ich vermuthe, daß der Einfluß der Samskrit-Litteratur nicht weniger tief eingreifen wird, als im 14ten Jahrhundert die Wiederbelebung der Griechischen: hat also, sage ich, der Leser auch schon die Weihe uralter Indischer Weisheit empfangen und empfänglich aufgenommen; dann ist er auf das allerbeste bereitet zu hören, was ich ihm vorzutragen habe. Ihn wird es dann nicht, wie manchen Andern fremd, ja feindlich ansprechen; da ich, wenn es nicht zu stolz klänge, behaupten möchte, daß jeder von den einzelnen und abgerissenen Aussprüchen, welche die Upanischaden ausmachen, sich als Folgesatz aus dem von mir mitzutheilenden Gedanken ableiten ließe, obgleich keineswegs auch umgekehrt dieser schon dort zu finden ist.
Die Welt als Wille und Vorstellung. Leipzig 1819. Vorrede. pp.XII-XIII books.google https://books.google.de/books?id=0HsPAAAAQAAJ&pg=PR12
The World as Will and Representation (1819; 1844; 1859)

Washington Irving photo
Alain de Botton photo
Roger Scruton photo

“The culture of a civilization is the art and literature through which it rises to consciousness of itself and defines its vision of the world.”

Roger Scruton (1944–2020) English philosopher

"What is Culture?" (p. 2)
Culture Counts (2007)

Frederick Buechner photo
Yasunari Kawabata photo
Camille Paglia photo
Mani Madhava Chakyar photo
Arthur Jensen photo
Sören Kierkegaard photo

“We're free and easy. We're not very authoritative. We have no doctrine, no dogma. It is a community of mostly people who are interested in the arts, literature, photography, music.”

Irving Fiske (1908–1990) American writer

1984 interview, quoted in The Burlington Free Press (6 May 1990), p. 5 https://www.newspapers.com/newspage/201083677/

Paul Krugman photo
Gao Xingjian photo
Edward Hopper photo

“I am interested primarily in the vast field of experience and sensation which neither literature nor a purely plastic art deals with.”

Edward Hopper (1882–1967) prominent American realist painter and printmaker

Letter to Charles Sawyer of Addison Gallery of Art October 19 , 1939
1911 - 1940

Camille Paglia photo
Epifanio de los Santos photo

“He was the first highly educated and cultured Filipino to direct he attention of his countrymen to their illustrious men, and to their art, literature, poetry and music.”

Epifanio de los Santos (1871–1928) Filipino politician

As quoted by Hartendorp “Don Pañong – Genius" in Philippine Magazine (September 1929).
BALIW

Tarik Gunersel photo

“Life is words in action, literature is action in words.”

Tarik Gunersel (1953) Turkish actor

Oluşmak (To Become) Aphorisms (Pan Publishing House, Istanbul, 2011)

Walter Bagehot photo
John Lancaster Spalding photo
Richard Rodríguez photo
William Ernest Henley photo
David Wood photo
Matthew Arnold photo

“The crown of literature is poetry.”

Matthew Arnold (1822–1888) English poet and cultural critic who worked as an inspector of schools

Count Leo Tolstoi
Essays in Criticism, second series (1888)

Alphonse Daudet photo

“There is no law, in literature, against picking up a rusty weapon; the important thing is to be able to sharpen the blade and to reforge the hilt to fit one's hand.”

Alphonse Daudet (1840–1897) French novelist

Il n'est pas défendu, en littérature, de ramasser une arme rouillée; l'important est de savoir aiguiser la lame et d'en reforger la poignée à la mesure de sa main.
Souvenirs d'un homme de lettres (Paris: C. Marpon et E. Flammarion, 1888) p. 178; George Burnham Ives (trans.) Thirty Years in Paris (Boston: Little, Brown, 1900) p. 134.

Jerry Coyne photo
Karl Jaspers photo

“The mass-man has very little spare time, does not live a life that appertains to a whole, does not want to exert himself except for some concrete aim which can be expressed in terms of utility; he will not wait patiently while things ripen; everything for him must provide some immediate gratification; and even his mental life must minister to his fleeting pleasures. That is why the essay has become the customary form of literature, why newspapers are taking the place of books… People read quickly and cursorily.”

Karl Jaspers (1883–1969) German psychiatrist and philosopher

Der Massenmensch hat wenig Zeit, lebt kein Leben aus einem Ganzen, will nicht mehr die Vorbereitung und Anstrengung ohne den konkreten Zweck, der sie in Nutzen umsetzt; er will nicht warten und reifen lassen; alles muß sogleich gegenwärtige Befriedigung sein; Geistiges ist zu den jeweils augenblicklichen Vergnügungen geworden. Daher ist der Essay die geeignete Literaturform für alles, tritt die Zeitung an die Stelle des Buches... Man liest schnell.
Man in the Modern Age (1933)

James Gleick photo

“In the thousands of articles that made up the technical literature of chaos, few were cited more often than "Deterministic Nonperiodic Flow." For years, no single object would inspire more illustrations, even motion pictures, than the mysterious curve depicted at the end, the double spiral that became known as the Lorenz attractor.”

Source: Chaos: Making a New Science, 1987, p. 52; as cited in: Joshua Keating, in " Can Chaos theory teach us anything about Foreign Policy http://ideas.foreignpolicy.com/posts/2013/05/23/can_chaos_theory_teach_us_anything_about_international_relations", at ideas.foreignpolicy.com, May 23rd 2013.

Mario Vargas Llosa photo

“Gordon Tullock, on the other hand, might be characterized as the somewhat cynical pragmatist, who set out to understand the world, not to change it. This side of Tullock is visible in his early paper on simple majority rule, and is perhaps most apparent in his work on rent seeking. These differences should not be pushed too far, however. Buchanan (1980) also contributed to the rent-seeking literature, and often has described public choice as “politics without romance.” One of the most dispiriting contributions to the public choice literature has to be Kenneth Arrow’s (1951) famous impossibility theorem. In a too little appreciated article, Tullock (1967b) demonstrated with the help of a somewhat torturous geometrical analysis, that the cycling that underlies the impossibility theorem is likely to be constrained to a rather small subset of Pareto-optimal outcomes, and thus Arrow’s theorem was “irrelevant,” a rather happy result, and one which anticipated work appearing more than a decade later on the uncovered set. In Chap. 10 of Toward a Mathematics of Politics, Tullock (1967a) engages in a bit of wishful thinking about constitutional design by describing how one could achieve an ideal form of proportional representation in a legislative body. He also was an early enthusiast of the potential for using a demand-revelation process to reveal individual preferences for public goods”

Dennis Mueller (1940) American economist

Tideman and Tullock 1976
James Buchanan, Gordon Tullock, and The Calculus (2012)

Matthew Arnold photo
Northrop Frye photo

“Teaching literature is impossible; that is why it is difficult.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

The Stubborn Structure, p. 84
"Quotes"

Bel Kaufmanová photo
William Osler photo

“Literature is full of examples of remarkable cures through the influence of the imagination, which is only an active phase of faith.”

William Osler (1849–1919) Canadian pathologist, physician, educator, bibliophile, historian, author, cofounder of Johns Hopkins Hospi…

The Faith that Heals (1910)

Michel Foucault photo
Henry Morgenthau, Sr. photo