Quotes about literature (1152 quotes, page 2)

“The question we writers are asked most often, the favorite question, is: Why do you write? I write because I have an innate need to write. I write because I can’t do normal work as other people do. I write because I want to read books like the ones I write. I write because I am angry at everyone. I write because I love sitting in a room all day writing. I write because I can partake of real life only by changing it. I write because I want others, the whole world, to know what sort of life we lived, and continue to live, in Istanbul, in Turkey. I write because I love the smell of paper, pen, and ink. I write because I believe in literature, in the art of the novel, more than I believe in anything else. I write because it is a habit, a passion. I write because I am afraid of being forgotten. I write because I like the glory and interest that writing brings. I write to be alone. Perhaps I write because I hope to understand why I am so very, very angry at everyone. I write because I like to be read. I write because once I have begun a novel, an essay, a page I want to finish it. I write because everyone expects me to write. I write because I have a childish belief in the immortality of libraries, and in the way my books sit on the shelf. I write because it is exciting to turn all life’s beauties and riches into words. I write not to tell a story but to compose a story. I write because I wish to escape from the foreboding that there is a place I must go but—as in a dream—can’t quite get to. I write because I have never managed to be happy. I write to be happy.”

Orhan Pamuk (1952) Turkish novelist, screenwriter, and Nobel Prize in Literature recipient

" My Father's Suitcase", Nobel Prize for Literature lecture http://nobelprize.org/nobel_prizes/literature/laureates/2006/pamuk-lecture_en.html (December 7, 2006).

Love , Life , People , Books

“I met the New Passion, then, as democracy, as political enlightenment and the humanitarianism of happiness. I understood its efforts to be toward the politicization of everything ethos; its aggressiveness and doctrinary intolerance consisted – I experienced them personally – in its denial and slander of every nonpolitical ethos. “Mankind” as humanitarian internationalism; “reason” and “virtue” as the radical republic; intellect as a thing between a Jacobin club and Freemasonry; art as social literature and maliciously seductive rhetoric in the service of social “desirability”; here we have the New Passion in its purest political form as I saw it close up. I admit that this is a special, extremely romanticized form of it.”

Thomas Mann (1875–1955) German novelist, and 1929 Nobel Prize laureate

Reflections of a Non-Political Man http://germanhistorydocs.ghi-dc.org/sub_document.cfm?document_id=946 [Betrachtungen eines Unpolitischen] (1918)

Art , Democracy , Effort , Passion

“The Catholic Church claims, not only to judge infallibly on religious questions, but to animadvert on opinions in secular matters which bear upon religion, on matters of philosophy, of science, of literature, of history, and it demands our submission to her claim. It claims to censure books, to silence authors, and to forbid discussions. In all this it does not so much speak doctrinally, as enforce measures of discipline. It must of course be obeyed without a word, and perhaps in process of time it will tacitly recede from its own injunctions. In such cases the question of faith does not come in; for what is matter of faith is true for all times, and never can be unsaid.”

John Henry Newman (1801–1890) English cleric and cardinal

Apologia Pro Vita Sua [A defense of one's own life] (1864)

Books , Faith , Religion , History

“The paper develops a simple macroeconomic framework for the study of exchange rate movements. The purpose is to develop a theory that is suggestive of the observed large fluctuations in exchange rates while at the same time establishing that such exchange rate movements are consistent with rational expectations formation. In developing a formal model we draw on the role of asset markets, capital mobility, and expectations that have been emphasized in recent literature.”

Rudiger Dornbusch (1942–2002) German economist

Rudiger Dornbusch, "Expectations and exchange rate dynamics." The journal of political economy (1976): 1161-1176. p. 1161

Study , Time , Drawing

“Prior to any generalization about literature, literary texts have to be read, and the possibility of reading can never be taken for granted. It is an act of understanding that can never be observed, nor in any way prescribed or verified.”

Paul De Man (1919–1983) literary theorist

Blindness and Insight: Essays in the Rhetoric of Contemporary Criticism, Oxford University Press. 1971 p. 107.

Way , Understanding , Reading

“One of the things I love about Kate Bush is her absolute ability to take things, to pluck things that you would never expect to see on a rock album, and put them there and make them work. James Joyce's Ulysses — one of the greatest passages in all of English or Anglo-Irish literature, is Molly Bloom's glorious soliloquy ending in a sequence of Yeses. It's about embracing the world of the senses, embracing yourself, embracing sex, embracing love, embracing the future, embracing all possibility, and it goes all the way back to me, to "Wuthering Heights" — this is somebody who is not afraid of books. This is somebody who is not afraid of reading, somebody who's not afraid of writers, and who's not afraid of translating, being an intermediary, being a door, between the world of books and the world of rock.”

Neil Gaiman (1960) English fantasy writer

The Kate Bush Story (2014)

Love , Books , World , Sex

“It is the nature of the artist to mind excessively what is said about him. Literature is strewn with the wreckage of men who have minded beyond reason the opinions of others.”

Virginia Woolf book A Room of One's Own

Ch. 3 http://books.google.com/books?id=HSRFAAAAYAAJ&q=%22It+is+the+nature+of+the+artist+to+mind+excessively+what+is+said+about+him+Literature+is+strewn+with+the+wreckage+of+men+who+have+minded+beyond+reason+the+opinions+of+others%22&pg=PA98#v=onepage
A Room of One's Own (1929)

Men , Nature

“As civilization develops, we become more preoccupied with human life, and less conscious of our relation to non-human nature. Literature reflects this, and the more advanced the civilization, the more literature seems to concern itself with purely human problems and conflicts. The gods and heroes of the old myths fade away and give place to people like ourselves.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

"Quotes", The Educated Imagination (1963), Talk 2: The Singing School

Life , God , People , Nature

“Literature is idiosyncratic arrangements in horizontal lines in only twenty-six symbols, ten arabic numbers, and about eight punctuation marks.”

Kurt Vonnegut (1922–2007) American writer

Public conversation with Lee Stringer, in Like Shaking Hands With God (1999)
Various interviews

“It is with literature as with law or empire — an established name is an estate in tenure, or a throne in possession.”

Edgar Allan Poe (1809–1849) American author, poet, editor and literary critic

" Letter to Mr. B — http://www.lfchosting.com/eapoe/works/essays/blettera.htm", preface to Poems (1831).

Law

“Of course the illusion of art is to make one believe that great literature is very close to life, but exactly the opposite is true. Life is amorphous, literature is formal.”

Françoise Sagan (1935–2004) French writer

Paris Review interview (1956)

Life , Art

“Shivaji proved, by his example, that the Hindu race could build a nation, found a State, defeat its enemies; they could conduct their own defence; they could protect and promote literature and art, commerce and industry; they could maintain navies and ocean going fleets of their own, and conduct naval battles on equal terms with foreigners. He taught the modern Hindus to rise to the full stature of their growth. He demonstrated that the tree of Hinduism was not dead, and that it could put forth new leaves and branches and once again rise up its head to the skies.”

Jadunath Sarkar (1870–1958) Indian historian

Sir Jadunath Sarkar Shivaji and His Times, 1919, p. 406

Art , Tree , Dead

“Of what use is it to please the herd? They are simply coarse animals — for all that is admirable in man is the artificial product of special breeding. We advocate the preservation of conditions favourable to the growth of beautiful things — imposing palaces, beautiful cities, elegant literature, resposeful art and music, and a physically select human type such as only luxury and a pure racial strain can produce. Thus we oppose democracy, if only because it would retard the development of a handsome Nordic breed. We realise that all conceptions of justice and ethics are mere prejudices and illusions — there is no earthly reason why the masses should not be kept down for the benefit of the strong, since every man is for himself in the last analysis.”

H.P. Lovecraft (1890–1937) American author

Letter to James F. Morton (10 February 1923), published in Selected Letters Vol. I (1965), p. 208
Non-Fiction, Letters, to James Ferdinand Morton, Jr.

Justice , Beauty , Art , Music

“The books to be read should not be limited to those written in English…. Instead it should be devoted to the great works of history, biography, philosophy, theology, natural science, social science, and mathematics, as well as the… tradition of Western literature -- in English translation… Its aim should not be a survey of Western civilization, but an effort to understand the basic ideas and issues in Western thought.”

Mortimer J. Adler (1902–2001) American philosopher and educator

Source: Reforming Education: The Opening of the American Mind (1990), p. 316

Books , History , Mathematics , Idea

“But can we go to posterity with a sheaf of loose pages, or ask the readers of those days, with the whole of literature before them, to sift our enormous rubbish heaps for our tiny pearls? Such are the questions which the critics might lawfully put to their companions at table, the novelists and poets.”

Virginia Woolf The Common Reader

"How It Strikes a Contemporary"
The Common Reader (1925)

Question

“I am one of the writers who wish to create serious works of literature which dissociate themselves from those novels which are mere reflections of the vast consumer cultures of Tokyo and the subcultures of the world at large.”

Kenzaburō Ōe (1935) Japanese author

Japan, The Ambiguous, and Myself (1994)

World

“Science, philosophy, literature and art do not have any value if the ones who are active in these fields keep silence about the executions.”

Taraneh Javanbakht (1974) Iranian scientist, faculty, poet, translator, playwright and writer

Source: Gooyanews website, 2015 http://news.gooya.com/politics/archives/2016/03/209463.php

Art , Silence , Science

“There are two fundamentally different ways for the strong to bend down to the weak, for the rich to help the poor, for the more perfect life to help the “less perfect.” This action can be motivated by a powerful feeling of security, strength, and inner salvation, of the invincible fullness of one’s own life and existence. All this unites into the clear awareness that one is rich enough to share one’s being and possessions. Love, sacrifice, help, the descent to the small and the weak, here spring from a spontaneous overflow of force, accompanied by bliss and deep inner calm. Compared to this natural readiness for love and sacrifice, all specific “egoism,” the concern for oneself and one’s interest, and even the instinct of “self-preservation” are signs of a blocked and weakened life. Life is essentially expansion, development, growth in plenitude, and not “self-preservation,” as a false doctrine has it. Development, expansion, and growth are not epiphenomena of mere preservative forces and cannot be reduced to the preservation of the “better adapted.” … There is a form of sacrifice which is a free renunciation of one’s own vital abundance, a beautiful and natural overflow of one’s forces. Every living being has a natural instinct of sympathy for other living beings, which increases with their proximity and similarity to himself. Thus we sacrifice ourselves for beings with whom we feel united and solidary, in contrast to everything “dead.” This sacrificial impulse is by no means a later acquisition of life, derived from originally egoistic urges. It is an original component of life and precedes all those particular “aims” and “goals” which calculation, intelligence, and reflection impose upon it later. We have an urge to sacrifice before we ever know why, for what, and for whom! Jesus’ view of nature and life, which sometimes shines through his speeches and parables in fragments and hidden allusions, shows quite clearly that he understood this fact. When he tells us not to worry about eating and drinking, it is not because he is indifferent to life and its preservation, but because he sees also a vital weakness in all “worrying” about the next day, in all concentration on one’s own physical well-being. … all voluntary concentration on one’s own bodily wellbeing, all worry and anxiety, hampers rather than furthers the creative force which instinctively and beneficently governs all life. … This kind of indifference to the external means of life (food, clothing, etc.) is not a sign of indifference to life and its value, but rather of a profound and secret confidence in life’s own vigor and of an inner security from the mechanical accidents which may befall it. A gay, light, bold, knightly indifference to external circumstances, drawn from the depth of life itself—that is the feeling which inspires these words! Egoism and fear of death are signs of a declining, sick, and broken life. …
This attitude is completely different from that of recent modern realism in art and literature, the exposure of social misery, the description of little people, the wallowing in the morbid—a typical ressentiment phenomenon. Those people saw something bug-like in everything that lives, whereas Francis sees the holiness of “life” even in a bug.”

Max Scheler (1874–1928) German philosopher

Source: Das Ressentiment im Aufbau der Moralen (1912), L. Coser, trans. (1961), pp. 88-92

Love , Life , Death , People

“Literature creates a fraternity within human diversity and eclipses the frontiers erected among men and women by ignorance, ideologies, religions, languages, and stupidity.”

Mario Vargas Llosa (1936) Peruvian writer, politician, journalist, and essayist

Nobel Lecture (2010)

Women , Men , Stupidity , Religion

“Literature must be written from the periphery toward the center, and we can criticize the center. Our credo, our theme, or our imagination is that of the peripheral human being. The man who is in the center does not have anything to write.”

Kenzaburō Ōe (1935) Japanese author

Conversations with History interview (1999)
Context: Literature must be written from the periphery toward the center, and we can criticize the center. Our credo, our theme, or our imagination is that of the peripheral human being. The man who is in the center does not have anything to write. From the periphery, we can write the story of the human being and this story can express the humanity of the center, so when I say the word periphery, this is a most important creed of mine.

Imagination

“I cannot understand the people who take literature seriously; but I can love them, and I do. Out of my love I warn them to keep clear of this book.”

G. K. Chesterton book All Things Considered

"The Case for the Ephemeral"
All Things Considered (1908)
Context: I cannot understand the people who take literature seriously; but I can love them, and I do. Out of my love I warn them to keep clear of this book. It is a collection of crude and shapeless papers upon current or rather flying subjects; and they must be published pretty much as they stand. They were written, as a rule, at the last moment; they were handed in the moment before it was too late, and I do not think that our commonwealth would have been shaken to its foundations if they had been handed in the moment after. They must go out now, with all their imperfections on their head, or rather on mine; for their vices are too vital to be improved with a blue pencil, or with anything I can think of, except dynamite.
Their chief vice is that so many of them are very serious; because I had no time to make them flippant. It is so easy to be solemn; it is so hard to be frivolous.

Love , People , Books , Understanding

“The storyteller and poet of our time, as in any other time, must be an entertainer of the spirit in the full sense of the word, not just a preacher of social or political ideals. There is no paradise for bored readers and no excuse for tedious literature that does not intrigue the reader, uplift him, give him the joy and the escape that true art always grants.”

Isaac Bashevis Singer (1902–1991) Polish-born Jewish-American author

Nobel lecture (1978)
Context: The storyteller and poet of our time, as in any other time, must be an entertainer of the spirit in the full sense of the word, not just a preacher of social or political ideals. There is no paradise for bored readers and no excuse for tedious literature that does not intrigue the reader, uplift him, give him the joy and the escape that true art always grants. Nevertheless, it is also true that the serious writer of our time must be deeply concerned about the problems of his generation. He cannot but see that the power of religion, especially belief in revelation, is weaker today than it was in any other epoch in human history. More and more children grow up without faith in God, without belief in reward and punishment, in the immortality of the soul and even in the validity of ethics. The genuine writer cannot ignore the fact that the family is losing its spiritual foundation.

Art , Sense , Time , Joy

“The destination of the soul: this is what I, led on by Nils Holgersson, came to seek in the literature of Western Europe.”

Kenzaburō Ōe (1935) Japanese author

Speech at the Nobel Banquet (10 December 1994) http://nobelprize.org/nobel_prizes/literature/laureates/1994/oe-speech.html
Context: The destination of the soul: this is what I, led on by Nils Holgersson, came to seek in the literature of Western Europe. I fervently hope that my pursuit, as a Japanese, of literature and culture will, in some small measure, repay Western Europe for the light it has shed upon the human condition.

Soul

“I believe that world literature has it in its power to help mankind, in these its troubled hours, to see itself as it really is, notwithstanding the indoctrinations of prejudiced people and parties.”

Aleksandr Solzhenitsyn (1918–2008) Russian writer

Nobel lecture (1970)
Context: I believe that world literature has it in its power to help mankind, in these its troubled hours, to see itself as it really is, notwithstanding the indoctrinations of prejudiced people and parties. World literature has it in its power to convey condensed experience from one land to another so that we might cease to be split and dazzled, that the different scales of values might be made to agree, and one nation learn correctly and concisely the true history of another with such strength of recognition and painful awareness as it had itself experienced the same, and thus might it be spared from repeating the same cruel mistakes.

People , World , Help

“If one cannot get along without a mirror, even in shaving oneself, how can one reconstruct oneself or one's life, without seeing oneself in the "mirror" of literature? Of course no one speaks about an exact mirror. No one even thinks of asking the new literature to have mirror-like impassivity. The deeper literature is, and the more it is imbued with the desire to shape life, the more significantly and dynamically it will be able to "picture" life.”

Leon Trotsky book Literature and Revolution

Literature and Revolution (1924), edited by William Keach (2005), Ch. 4 : Futurism, p. 120
Variants:
Art is not a mirror to hold up to society, but a hammer with which to shape it.
Remarks apparently derived from Trotsky's observations, or those he implies preceded his own, this is attributed to Bertolt Brecht in Paulo Freire : A Critical Encounter (1993) by Peter McLaren and Peter Leonard, p. 80, and to Vladimir Mayakovsky in The Political Psyche (1993) by Andrew Samuels, p. 9
Art is not a mirror held up to society, but a hammer with which to shape it.
Context: Art, it is said, is not a mirror, but a hammer: it does not reflect, it shapes. But at present even the handling of a hammer is taught with the help of a mirror, a sensitive film that records all the movements. Photography and motion-picture photography, owing to their passive accuracy of depiction, are becoming important educational instruments in the field of labor. If one cannot get along without a mirror, even in shaving oneself, how can one reconstruct oneself or one's life, without seeing oneself in the "mirror" of literature? Of course no one speaks about an exact mirror. No one even thinks of asking the new literature to have mirror-like impassivity. The deeper literature is, and the more it is imbued with the desire to shape life, the more significantly and dynamically it will be able to "picture" life.

Life , Thinking

“I really agree that Yog-Sothoth is a basically immature conception, & unfitted for really serious literature. The fact is, I have never approached serious literature yet.”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 293
Non-Fiction, Letters, to Frank Belknap Long
Context: I really agree that Yog-Sothoth is a basically immature conception, & unfitted for really serious literature. The fact is, I have never approached serious literature yet. But I consider the use of actual folk-myths as even more childish than the use of new artificial myths, since in the former one is forced to retain many blatant peurilities & contradictions of experienced which could be subtilised or smoothed over if the supernaturalism were modelled to order for the given case. The only permanently artistic use of Yog-Sothothery, I think, is in symbolic or associative phantasy of the frankly poetic type; in which fixed dream-patterns of the natural organism are given an embodiment & crystallisation... But there is another phase of cosmic phantasy (which may or may not include frank Yog-Sothothery) whose foundations appear to me as better grounded than those of ordinary oneiroscopy; personal limitations regarding the sense of outsideness. I refer to the aesthetic crystallisation of that burning & inextinguishable feeling of mixed wonder & oppression which the sensitive imagination experiences upon scaling itself & its restrictions against the vast & provocative abyss of the unknown. This has always been the chief emotion in my psychology; & whilst it obviously figures less in the psychology of the majority, it is clearly a well-defined & permanent factor from which very few sensitive persons are wholly free.... Reason as we may, we cannot destroy a normal perception of the highly limited & fragmentary nature of our visible world of perception & experience as scaled against the outside abyss of unthinkable galaxies & unplumbed dimensions—an abyss wherein our solar system is the merest dot... The time has come when the normal revolt against time, space, & matter must assume a form not overtly incompatible with what is known of reality—when it must be gratified by images forming supplements rather than contradictions of the visible & measurable universe. And what, if not a form of non-supernatural cosmic art, is to pacify this sense of revolt—as well as gratify the cognate sense of curiosity?

“If machines are going to take jobs away from the worker, then he will need to find something else to do. Perhaps he'll get back to the soil. But we must care for him during the period of change. We must keep him away from Red literature, Red ruses; we must see that his mind remains healthy.”

Al Capone (1899–1947) American gangster

Change

“I really agree that Yog-Sothoth is a basically immature conception, & unfitted for really serious literature. The fact is, I have never approached serious literature yet. But I consider the use of actual folk-myths as even more childish than the use of new artificial myths, since in the former one is forced to retain many blatant peurilities & contradictions of experienced which could be subtilised or smoothed over if the supernaturalism were modelled to order for the given case. The only permanently artistic use of Yog-Sothothery, I think, is in symbolic or associative phantasy of the frankly poetic type; in which fixed dream-patterns of the natural organism are given an embodiment & crystallisation... But there is another phase of cosmic phantasy (which may or may not include frank Yog-Sothothery) whose foundations appear to me as better grounded than those of ordinary oneiroscopy; personal limitations regarding the sense of outsideness. I refer to the aesthetic crystallisation of that burning & inextinguishable feeling of mixed wonder & oppression which the sensitive imagination experiences upon scaling itself & its restrictions against the vast & provocative abyss of the unknown. This has always been the chief emotion in my psychology; & whilst it obviously figures less in the psychology of the majority, it is clearly a well-defined & permanent factor from which very few sensitive persons are wholly free.... Reason as we may, we cannot destroy a normal perception of the highly limited & fragmentary nature of our visible world of perception & experience as scaled against the outside abyss of unthinkable galaxies & unplumbed dimensions—an abyss wherein our solar system is the merest dot... The time has come when the normal revolt against time, space, & matter must assume a form not overtly incompatible with what is known of reality—when it must be gratified by images forming supplements rather than contradictions of the visible & measurable universe. And what, if not a form of non-supernatural cosmic art, is to pacify this sense of revolt—as well as gratify the cognate sense of curiosity?”

H.P. Lovecraft (1890–1937) American author

Letter to Frank Belknap Long (27 February 1931), in Selected Letters III, 1929-1931 edited by August Derleth and Donald Wandrei, p. 293
Non-Fiction, Letters, to Frank Belknap Long

Time , Imagination , Personality , Dreams

“It was the cause of America that made me an author. The force with which it struck my mind and the dangerous condition the country appeared to me in, by courting an impossible and an unnatural reconciliation with those who were determined to reduce her, instead of striking out into the only line that could cement and save her, A Declaration Of Independence, made it impossible for me, feeling as I did, to be silent: and if, in the course of more than seven years, I have rendered her any service, I have likewise added something to the reputation of literature, by freely and disinterestedly employing it in the great cause of mankind, and showing that there may be genius without prostitution. Independence always appeared to me practicable and probable, provided the sentiment of the country could be formed and held to the object: and there is no instance in the world, where a people so extended, and wedded to former habits of thinking, and under such a variety of circumstances, were so instantly and effectually pervaded, by a turn in politics, as in the case of independence; and who supported their opinion, undiminished, through such a succession of good and ill fortune, till they crowned it with success. But as the scenes of war are closed, and every man preparing for home and happier times, I therefore take my leave of the subject. I have most sincerely followed it from beginning to end, and through all its turns and windings: and whatever country I may hereafter be in, I shall always feel an honest pride at the part I have taken and acted, and a gratitude to nature and providence for putting it in my power to be of some use to mankind.”

Thomas Paine (1737–1809) English and American political activist

The Crisis No. XIII
1770s, The American Crisis (1776–1783)

Home , Time , Wedding , Country

“Listen. All great literature is about what a bummer it is to be a human being: Moby Dick, Huckleberry Finn, The Red Badge of Courage, the Iliad and the Odyssey, Crime and Punishment, the Bible and The Charge of the Light Brigade.”

Kurt Vonnegut (1922–2007) American writer

Cold Turkey (2004)

Light , Courage

“I am more and more convinced that poetry is the universal possession of mankind, revealing itself everywhere and at all times in hundreds and hundreds of men. … I therefore like to look about me in foreign nations, and advise everyone to do the same. National literature is now a rather unmeaning term; the epoch of world literature is at hand, and everyone must strive to hasten its approach.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Conversations with Eckermann (entry for 31 January 1827)

Time , Universe , World , Men

“The Ramacharitamanas undoubtedly is the great poem worthy to rank among the great classical masterpieces of world literature.”

Tulsidas (1532–1623) Hindu poet-saint

Source: On Tulsidas’s epic Ramacharritamanas, P.E.Keay in "A Garden of Deeds: Ramacharitmanas, a Message of Human Ethics", p. 35

World

“According to me, the influence of Sanskrit literature on our time will not be lesser than what was in the 16th century Greece's influence on Renaissance. One day, India's wisdom will flow again on Europe and will totally transform our knowledge and thought.”

Arthur Schopenhauer book The World as Will and Representation

preface of his The World as Will and Representation., quoted in Londhe, S. (2008). A tribute to Hinduism: Thoughts and wisdom spanning continents and time about India and her culture. New Delhi: Pragun Publication.
The World as Will and Representation (1819; 1844; 1859)

Knowledge , Wisdom , Time

“Because we live in such a mind-dominated culture, most modern art, architecture, music, and literature are devoid of beauty, of inner essence, with very few exceptions.”

Eckhart Tolle book The Power of Now

Source: The Power of Now (1997)

Beauty , Art , Music

“For she was of that generation who, having found nothing in religion, had formed themselves through literature.”

Doris Lessing book A Proper Marriage

Source: A Proper Marriage

Religion

“Literature offers the thrill of minds of great clarity wrestling with the endless problems and delights of being human. To engage with them is to engage with oneself, and the lasting rewards are not confined to specific career paths.”

Jonathan Stroud (1970) British writer of fantasy fiction

Problem

“There are only three things to be done with a woman. You can love her, suffer for her, or turn her into literature.”

Lawrence Durrell book Justine

Source: The Alexandria Quartet (1957–1960), Justine (1957)

Love , Suffering

“Painting is literature in colors. Literature is painting in language.”

Pramoedya Ananta Toer book Bumi Manusia

Source: Bumi Manusia

Color , Painting

“All great literature is one of two stories; a man goes on a journey or a stranger comes to town.”

Leo Tolstoy (1828–1910) Russian writer

“An honest bookstore would post the following sign above its 'self-help' section: 'For true self-help, please visit our philosophy, literature, history and science sections, find yourself a good book, read it, and think about it.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Source: I Hated, Hated, Hated This Movie

Books , History , Thinking , Science

“I was impressed for the ten thousandth time by the fact that literature illuminates life only for those to whom books are a necessity. Books are unconvertible assets, to be passed on only to those who possess them already.”

Anthony Powell book The Valley of Bones

Source: The Valley of Bones

Life , Books , Time

“Serious literature does not exist to make life easy but to complicate it.”

Witold Gombrowicz (1904–1969) Polish writer

Life

“Through it [literature] we know the past, govern the present, and influence the future.”

Charlotte Perkins Gilman (1860–1935) American feminist, writer, commercial artist, lecturer and social reformer

Source: The Man-Made World

Past , Future

“All I am is literature, and I am not able or willing to be anything else.”

Franz Kafka (1883–1924) author

“He knew everything there was to know about literature, except how to enjoy it”

Joseph Heller book Catch-22

Source: Catch-22

“Anything can become a children's book if you give it to a child… Children are actually the best (and worst) audience for literature because they have no patience with pretence.”

Orson Scott Card (1951) American science fiction novelist

Children , Books , Patience

“Literature is the only access to truth we have on this planet.”

Stephen Fry (1957) English comedian, actor, writer, presenter, and activist

Truth

“Literature was freedom. Especially in a time in which the values of reading and inwardness are so strenuously challenged, literature is freedom.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

Frankfurt Book Fair speech (2003)
Context: To have access to literature, world literature, was to escape the prison of national vanity, of philistinism, of compulsory provincialism, of inane schooling, of imperfect destinies and bad luck. Literature was the passport to enter a larger life; that is, the zone of freedom.
Literature was freedom. Especially in a time in which the values of reading and inwardness are so strenuously challenged, literature is freedom.

Freedom , Time , Reading

“It is quite possible for a work of literature to operate as a war machine upon its epoch.”

Monique Wittig (1935–2003) French writer

War

“The answers you get from literature depend on the questions you pose.”

Margaret Atwood (1939) Canadian writer

Question , Dependency

“Literature is that which he can not read without pain, without choking on truth.”

Roland Barthes (1915–1980) French philosopher, critic and literary theorist

Pain , Truth , Reading

“We know too much, and are convinced of too little. Our literature is a substitute for religion, and so is our religion.”

T.S. Eliot (1888–1965) 20th century English author

Religion

“Hardly anyone about whom I deeply care at all resembles anyone else I have ever met, or heard of, or read about in literature.”

Renata Adler (1938) American author, journalist and film critic

Source: Speedboat

Reading

“Few things linger longer or become more indwelling than that feeling of both completion and emptiness when a great book ends. That the book accompanies the reader forever from that day forward is part of literature's profligate generosity.”

Pat Conroy (1945–2016) American novelist

Source: My Reading Life

Books , Feeling , Parting

“Literature has been the salvation of the damned, literature has inspired and guided lovers, routed despair and can perhaps in this case save the world.”

John Cheever (1912–1982) American novelist and short story writer

Entry in his journal before his last public appearance, the ceremony at which he received the National Medal for Literature, quoted by Susan Cheever, Home before Dark Houghton Mifflin (1984).

World , Lovers , Despair

“Literature as a whole is not an aggregate of exhibits with red and blue ribbons attached to them, like a cat-show, but the range of articulate human imagination as it extends from the height of imaginative heaven to the depth of imaginative hell.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

Source: The Educated Imagination

Imagination , Cats , Hell

“Scarcely anything in literature is worth a damn except what is written between the lines.”

Raymond Chandler (1888–1959) Novelist, screenwriter

“In general there should be gay characters in YA because a) surprise, there are gay folks everywhere and b) in my opinion as a father, there’s not a damn thing wrong with my child encountering gay folks in her literature, because see point a).”

John Scalzi (1969) American science fiction writer

“Only literature can grant you access to a spirit from beyond the grave—a more direct, more complete, deeper access than you’d have in conversation with a friend.”

Michel Houellebecq (1956) writer

Source: Submission

“Dr Weiss, at forty, knew that her life had been ruined by literature”

Anita Brookner A Start in Life

Source: A Start in Life

Life

“We have a name for your disease. We call it a hyper-aesthetic one. You have been encouraged to over-indulge yourself in literature; and have inflamed your organs of fancy.”

Sarah Waters book Fingersmith

Source: Fingersmith

Disease

“If you're going to binge, literature is definitely the way to do it.”

Oprah Winfrey (1954) American businesswoman, talk show host, actress, producer, and philanthropist

Way

“… our enjoyment of the great works of literature depends more upon the depth of our sympathy than upon our understanding.”

Helen Keller book The Story of My Life

Source: The Story of My Life

Understanding , Dependency

“The important task of literature is to free man, not to censor him, and that is why Puritanism was the most destructive and evil force which ever oppressed people and their literature: it created hypocrisy, perversion, fears, sterility.”

Anaïs Nin (1903–1977) writer of novels, short stories, and erotica

Source: The Diary of Anaïs Nin, Vol. 4: 1944-1947

People , Fear , Evil

“My main reason for adopting literature as a profession was that, as the author is never seen by his clients, he need not dress respectably.”

George Bernard Shaw (1856–1950) Irish playwright

“All modern American literature comes from one book by Mark Twain called Huckleberry Finn. […] it's the best book we've had. All American writing comes from that. There was nothing before. There has been nothing as good since.”

Ernest Hemingway book Green Hills of Africa

Part I, Ch. 1
Green Hills of Africa (1935)

Books

“The test of literature is, I suppose, whether we ourselves live more intensely for the reading of it.”

Elizabeth Drew (1935) American journalist

Reading

“Reality is not an inspiration for literature. At its best, literature is an inspiration for reality.”

Romain Gary (1914–1980) French writer and diplomat

Reality

“The one way of tolerating existence is to lose oneself in literature as in a perpetual orgy.”

Gustave Flaubert (1821–1880) French writer (1821–1880)

Way

“Literature got me into this mess and literature is going to have to get me out of it.”

Philip Roth (1933–2018) American novelist

“The purpose of literature is to turn blood into ink.”

T.S. Eliot (1888–1965) 20th century English author

“People don't expect too much from literature. They just want to know they're not alone with being confused.”

Jonathan Ames (1964) American novelist, memoirist

People

“A life that partakes even a little of friendship, love, irony, humor, parenthood, literature, and music, and the chance to take part in battles for the liberation of others cannot be called 'meaningless'…”

Christopher Hitchens (1949–2011) British American author and journalist

Source: Hitch-22: A Memoir

Love , Life , Friendship , Music

“She could have had a life as potent and dangerous as literature itself.”

Michael Cunningham book The Hours

Source: The Hours

Life

“This was another of our fears: that Life wouldn't turn out to be like Literature.”

Julian Barnes book The Sense of an Ending

Source: The Sense of an Ending

Life , Fear

“There's no better way to inform and expand you mind on a regular basis than to get into the habit of reading good literature.”

Stephen R. Covey book The Seven Habits of Highly Effective People

Source: The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change

Way , Reading

“Really, when I think it over, literature has only one excuse for existing; it saves the person who makes it from the disgustingness of life.”

Joris-Karl Huysmans book Là-Bas

Source: Là-Bas

Life , Thinking , Personality

“Every man's memory is his private literature.”

Aldous Huxley (1894–1963) English writer

Memory

“Literature is humanity's broad-minded alter-ego, with room in its heart for monsters, even for you. It's humanity without the judgement.”

Glen Duncan (1965) British writer

Source: Talulla Rising

Heart

“Every man's work, whether it be literature or music or pictures or architecture or anything else, is always a portrait of himself.”

Samuel Butler book The Way of All Flesh

Source: The Way of All Flesh (1903), Ch. 14
Context: Every man’s work, whether it be literature or music or pictures or architecture or anything else, is always a portrait of himself, and the more he tries to conceal himself the more clearly will his character appear in spite of him.

Back To Work , Music

“Literature is not exhaustible, for the sufficient and simple reason that a single book is not. A book is not an isolated entity: it is a narration, an axis of innumerable narrations. One literature differs from another, either before or after it, not so much because of the text as for the manner in which it is read.”

Jorge Luis Borges book Other Inquisitions

"Note on (toward) Bernard Shaw"
Variant translation: A book is not an autonomous entity: it is a relation, an axis of innumerable relations. One literature differs from another, be it earlier or later, not because of the texts but because of the way they are read: if I could read any page from the present time — this one, for instance — as it will be read in the year 2000, I would know what the literature of the year 2000 would be like.
Other Inquisitions (1952)

Books , Reading

“My definition of good literature is that which can be read by an educated reader, and reread with increased pleasure.”

Gene Wolfe (1931–2019) American science fiction and fantasy writer

Pleasure , Education , Reading

“The greatest masterpiece in literature is only a dictionary out of order.”

Jean Cocteau (1889–1963) French poet, novelist, dramatist, designer, boxing manager and filmmaker

Source: Le Potomak : Précédé d'un Prospectus 1916

“In my case, literature is a kind of revenge. It's something that gives me what real life can't give me - all the adventures, all the suffering. All the experiences I can only live in the imagination, literature completes.”

Mario Vargas Llosa (1936) Peruvian writer, politician, journalist, and essayist

Life , Imagination , Revenge , Suffering

“Literature was the only religion her father practiced, when a book fell on the floor he kissed it, when he was done with a book he tried to give it away to someone who would love it.”

Jonathan Safran Foer book Extremely Loud and Incredibly Close

Source: Extremely Loud and Incredibly Close

Love , Books , Religion , Kiss

“If I were a writer, how I would enjoy being told the novel is dead. How liberating to work in the margins, outside a central perception. You are the ghoul of literature. Lovely.”

Don DeLillo book The Names

Source: The Names (1982), Ch. 4

Love , Dead

“Literature is the safe and traditional vehicle through which we learn about the world and pass on values from on generation to the next. Books save lives.”

Laurie Anderson (1947) American musician

Books , World , Learning

“Ralph also took some classes in philosophy and literature and felt himself on the brink of some kind of huge discovery about himself. But it never came.”

Raymond Carver book Will You Please Be Quiet, Please?

Source: Will You Please Be Quiet, Please?

“There is something about that moment, when literature becomes accessible, and a door of the world opens.”

Lois Lowry (1937) American writer

World

“While thoughts exist, words are alive and literature becomes an escape, not from, but into living.”

Cyril Connolly (1903–1974) British author

Source: The Unquiet Grave: A Word Cycle by Palinurus

“Imaginative literature primarily pleases rather than teaches. It is much easier to be pleased than taught, but much harder to know why one is pleased. Beauty is harder to analyze than truth.”

Mortimer J. Adler (1902–2001) American philosopher and educator

Source: How to Read a Book: The Classic Guide to Intelligent Reading

Truth , Beauty , Imagination

“That is part of the beauty of all literature. You discover that your longings are universal longings, that you're not lonely and isolated from anyone. You belong.”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

Beauty , Universe , Parting

“At college, and perhaps for a year afterwards, they had believed in literature, had believed in Beauty and in personal expression as an absolute end. When they lost this belief, they lost everything.”

Nathanael West (1903–1940) American writer

Source: Miss Lonelyhearts and A Cool Million

Beauty , Personality

“The aim of science is to discover and illuminate truth. And that, I take it, is the aim of literature, whether biography or history or fiction. It seems to me, then, that there can be no separate literature of science.”

Rachel Carson (1907–1964) American marine biologist and conservationist

Acceptance speech of the National Book Award for Nonfiction (1952) for The Sea Around Us; also in Lost Woods: The Discovered Writing of Rachel Carson (1999) edited by Linda Lear, p. 91

Truth , History , Science