Quotes about laughter
page 5

Charles Darwin photo
Kuruvilla Pandikattu photo
Joseph Addison photo

“If we may believe our logicians, man is distinguished from all other creatures by the faculty of laughter.”

Joseph Addison (1672–1719) politician, writer and playwright

No. 494 (26 September 1712).
The Spectator (1711–1714)

Russell Brand photo
Warren Farrell photo
Christopher Walken photo

“I have a theory, that there is a terrific link between what is funny and what is scary. I think there is a very close connection between what frightens people and what makes them laugh. Laughter is a kind of nervousness. Animals don't laugh. Smiling is, anthropologists agree, directly linked to the baring of the teeth.”

Christopher Walken (1943) American actor

Jan Moir (March 11, 2002) "'You're not scared of me, are you?': Christopher Walken has cornered the market in movie menace. But, as Jan Moir discovers, he is just as unsettling in real life", The Daily Telegraph, p. 18.

Walt Disney photo

“Laughter is timeless, imagination has no age, and dreams are forever.”

Walt Disney (1901–1966) American film producer and businessman

Misattributed

Martin Short photo
Richard Stallman photo
Niels Henrik Abel photo
Asger Jorn photo
Gyles Brandreth photo
Mark Knopfler photo
John Cleese photo

“A wonderful thing about true laughter is that it just destroys any kind of system of dividing people.”

John Cleese (1939) actor from England

From an interview http://www.avclub.com/article/john-cleese-14197 with The A. V. Club (2008)

Paramahansa Yogananda photo
William Watson (poet) photo

“April, April,
Laugh thy girlish laughter;
Then, the moment after,
Weep thy girlish tears!”

William Watson (poet) (1858–1935) English poet, born 1858

April http://www.recmusic.org/lieder/get_text.html?TextId=22188 (1897).

Tracey Ullman photo

“I based my career from the very beginning on people like Maggie Smith, Judi Dench and Margaret Rutherford. I keep thinking Maggie and Judi are going to eventually not want those parts and I’m going to move up and take them (laughter). So, hopefully, I’ll be working in my 70s and 80s. You know, character actresses. I never had looks to lose. I could keep going—Meryl Streep and me.”

Tracey Ullman (1959) English-born actress, comedian, singer, dancer, screenwriter, producer, director, author and businesswoman

Quoted in 2009 in The Many States of Tracey Ullman https://tracey-archives.tumblr.com/post/119868522838/the-many-funny-states-of-tracey-ullman

Philip Stanhope, 4th Earl of Chesterfield photo

“In my mind, there is nothing so illiberal and so ill-bred, as audible laughter.”

Philip Stanhope, 4th Earl of Chesterfield (1694–1773) British statesman and man of letters

9 March 1748
Letters to His Son on the Art of Becoming a Man of the World and a Gentleman (1774)

Richard Russo photo
George Steiner photo
Vytautas Juozapaitis photo

“Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes beyond self-gratification, have been at the center of much of contemporary popular culture. One of the paradigms for such dramatized morality tales is Mozart's magnificent "Don Giovanni," whose musical and theatrical turns evoked awe and laughter and terror from the more that 1,500 music fans who on Saturday night flocked to Lawrence's Lied Center for the Mozart Festival Opera production. The libertine is thoroughly disreputable. Nonetheless, we look on in fascination because of his devilish smile, dashing good looks, ready wit, and the audacity of his hyper-inflated ego. If you can imagine a young Jack Nicholson with mustache, cape and a flair for sword play, you've got it. Lithuanian baritone Vytautas Juozapaitis gave the Don appropriate swagger and voice. He also brought a comic twist that gave the roué a touch of the trickster. Stepping out of character for a second in the midst of a briskly paced recitative, he paused, turned, and looked up at the supertitled English translation as if to check his lines. It was a joke shared by all. The pleasure of performing, even in the opera's most dramatic moments, was evident.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Chuck Berg, "Mozart's 'Don Giovanni' triumphs", Topeka Capital Journal (February, 2007) http://www.jennykellyproductions.com/prod_mozart_review.htm

David Irving photo
Jim Belushi photo

“People are always coming up to me and saying, 'I love you, love your work.' And then the next sentence is, 'I loved your brother.' John made people laugh, and laughter is a powerful thing”

Jim Belushi (1954) American actor, comedian, singer, and musician

Source: Rick Kogan. " Belushis: Funny is in their bones: Jim, son Robert and stand-up Kyle Lane team up to create intimate Comedy Bar on Ontario Street http://articles.chicagotribune.com/2012-10-26/entertainment/ct-ae-1028-kogan-sidewalks-20121026_1_stand-up-comedy-improv-funny-guyThe," in: The Chicago Tribune, October 26, 2012.

Archibald Primrose, 5th Earl of Rosebery photo

“It is by self-reliance, humanly speaking, by the independence which has been the motive and impelling force of our race, that the Scots have thriven in India and in Canada, in Australia and New Zealand, and even in England, where at different times they were banned. As things are we in Scotland do not take much or even ask much from the State, but the State invites us every day to lean upon it. I seem hear the wheedling and alluring whisper, "Sound you may be; we bid you be a cripple. Do you see? Be blind. Do you hear? Be deaf. Do you walk? Be not venturesome; here is a crutch for one arm. When you get accustomed to it you will soon want another, the sooner the better." The strongest man, if encouraged, may soon accustom himself to the methods of an invalid; he may train himself to totter or to be fed with a spoon. The ancient sculptors represent Hercules leaning on his club; our modern Hercules would have his club elongated and duplicated and resting under his arms. (Laughter.) The lesson of our Scottish teaching was "Level up"; the cry of modern civilization is "Level down; let the Government have a finger in every pie," probing, propping, disturbing. ("Hear, hear," and laughter.) Every day the area for initiative is being narrowed, every day the standing ground for self-reliance is being undermined, every day the public infringes, with the best intentions, no doubt, on the individual. The nation is being taken into custody by the State. Perhaps the current cannot now be stemmed; agitation or protest may be alike unavailing; the world rolls on, it may be part of its destiny, a necessary phase in its long evolution, a stage in its blind, toilsome progress to an invisible goal. I neither affirm nor deny. All in the long run is doubtless for the best; but, speaking as a Scotsman to Scotsmen, I plead for our historical character, for the maintenance of those sterling national qualities which have meant so much to Scotland in the past.”

Archibald Primrose, 5th Earl of Rosebery (1847–1929) British politician

Cheers.
Speech to Glasgow University (12 June 1908), reported in The Times (13 June 1908), p. 12.

Dave Attell photo
Alcaeus of Mytilene photo
Franz Kafka photo

“"You asking me the way?" "Yes," I said, "since I can't find it myself." "Give it up! Give it up!" said he, and turned with a sudden jerk, like someone who wants to be alone with his laughter.”

Franz Kafka (1883–1924) author

Variant translation: The Policeman said to me, "You want to know the way? Give up! Just give up!" And he turned away like a man that wants to be alone with his laughter.
The Complete Stories (1971)

Michael Foot photo

“The right hon. Member for Heseltine—[Laughter. ]—well, that is what he is; he sticks to that principle more than he does to Henley.”

Michael Foot (1913–2010) British politician

Speech http://hansard.millbanksystems.com/commons/1991/mar/26/community-charges-general-reduction-bill in the House of Commons (26 March 1991), referring to Michael Heseltine. MPs are referred to in the House by the constituency they represent rather than by their name, so Mr Heseltine would be "Rt. Hon. Member for Henley". Whether by accident or intent, Foot mixed this up in a way which clearly amused other MPs.
1990s

Frank Herbert photo
Lin Yutang photo
Lawrence Durrell photo
F. Scott Fitzgerald photo

“Faint winds, and far away a fading laughter…
And the rain and over the fields a voice calling…”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

Quoted, This Side of Paradise (1920)

Sergei Prokofiev photo

“The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful impression on me when I first heard it (Etudes, op. 2, Toccata, op. 11, Scherzo, op. 12, the Scherzo of the Second Concerto, the Toccata in the Fifth Concerto, and also the repetitive intensity of the melodic figures in the Scythian Suite, Pas d’acier[The Age of Steel], or passages in the Third Concerto). This line is perhaps the least important. The fourth line is lyrical; it appears first as a thoughtful and meditative mood, not always associated with the melody, or, at any rate, with the long melody (The Fairy-tale, op. 3, Dreams, Autumnal Sketch[Osenneye], Songs, op. 9, The Legend, op. 12), sometimes partly contained in the long melody (choruses on Balmont texts, beginning of the First Violin Concerto, songs to Akhmatova’s poems, Old Granny’s Tales[Tales of an Old Grandmother]). This line was not noticed until much later. For a long time I was given no credit for any lyrical gift whatsoever, and for want of encouragement it developed slowly. But as time went on I gave more and more attention to this aspect of my work. I should like to limit myself to these four “lines,” and to regard the fifth, “grotesque” line which some wish to ascribe to me, as simply a deviation from the other lines. In any case I strenuously object to the very word “grotesque” which has become hackneyed to the point of nausea. As a matter of fact the use of the French word “grotesque” in this sense is a distortion of the meaning. I would prefer my music to be described as “Scherzo-ish” in quality, or else by three words describing the various degrees of the Scherzo—whimsicality, laughter, mockery.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Slavoj Žižek photo
David Cross photo
Mary Pickford photo

“Make them laugh, make them cry, and back to laughter. What do people go to the theater for? An emotional exercise. And no preachment.”

Mary Pickford (1892–1979) Canadian-American actress

Kevin Brownlow, The Parade's Gone By ... (1968), p. 134

Hugh Gaitskell photo

“Of course after the conference a desperate attempt was made by Mr. Bonham-Carter to show that of course they weren't committed to federation at all. Well I prefer to go by what Mr. Grimond says; I think he's more important. And when he was asked about this question there was no doubt about his answer; it was on television. And the question was [laughter] I see what you mean, I see what you mean. Yes was the question: "But the mood of your conference today was that Europe should be a federal state. Now if we had to choose between a federal Europe and the Commonwealth, this would have to be a choice wouldn't it? You couldn't have the two." And Mr. Grimond replied in these brilliantly clear sentences: "You could have a Commonwealth linked, though not of course a direct political link, you could have a Commonwealth link of other sorts. But of course a federal Europe I think is a very important point. Now the real thing is that if you are going to have a democratic Europe, if you are going to control the running of Europe democratically, you've got to move towards some form of federalism and if anyone says different to that they're really misleading the public." That's one in the eye for Mr. Bonham-Carter. [laughter] Now we must be clear about this, it does mean, if this is the idea, the end of Britain as an independent nation-state. I make no apology for repeating it, the end of a thousand years of history. You may say: "All right let it end." But, my goodness, it's a decision that needs a little care and thought. [clapping] And it does mean the end of the Commonwealth; how can one really seriously suppose that if the mother country, the centre of the Commonwealth, is a province of Europe, which is what federation means, it could continue to exist as the mother country of a series of independent nations; it is sheer nonsense.”

Hugh Gaitskell (1906–1963) British politician

Labour Party Annual Conference Report 1962, page 159.
Speaking against the Liberal Party's policy of British membership of the European Communities, Labour Party Conference, 2 October 1962.
See the video clip here http://newsvote.bbc.co.uk/1/hi/programmes/the_daily_politics/6967366.stm

William Golding photo
Emma Thompson photo
George Santayana photo
James Thurber photo

“The laughter of man is more terrible than his tears, and takes more forms — hollow, heartless, mirthless, maniacal.”

James Thurber (1894–1961) American cartoonist, author, journalist, playwright

New York Times Magazine (7 December 1958).
Letters and interviews

Mohammad Hidayatullah photo
Piper Laurie photo

“I was so enchanted with the open possibilities and the power of being able to choose my part. Who was the child now? I decided I’d be a Japanese businessman because it would be less predictable. Even when I was alone, I was so filled with excitement and laughter at the thought of my task. This was joyful children’s play!”

Piper Laurie (1932) actress

About her role in Twin Peaks. Learning to Live Out Loud: A Memoir (2011), quoted in Word and Film, Piper Laurie: On Twin Peaks and a New Identity, October 31, 2011 http://www.wordandfilm.com/2011/10/piper-laurie-on-twin-peaks-and-a-new-identity/

Bill Gates photo
Margaret Thatcher photo
Alfred Brendel photo
Jim Henson photo

“And then, all of a sudden, it was as though through those dark eyes an electrical circuit had been struck. She sat fascinated. Snake-and-bird fascinated. Afterwards she could not recall the details of what he had said. She remembered only that she had been absorbed, rapt, lost, for over ten minutes by the clock. She had perceived images conjured up from the dead past: a hand trailed in clear river water, deliciously cool, while the sun smiled and a shoal of tiny fishes darted between her fingers; the crisp flesh of a ripe apple straight from the tree, so juicy it ran down her chin; grass between her bare toes, the turf like springs so that she seemed not to bear the whole of her weight on her soles but to be floating, dreamlike, in slow motion, instantly transported to the moon; the western sky painted with vast heart-tearing slapdash streaks of red below the bright steel-blue of clouds, and stars coming snap-snap into view against the eastern dark; wind gentle in her hair and on her cheeks, bearing flower perfumes, dusting her with petals; snow cold to the palm as it was shaped into a ball; laughter echoing from a dark lane where only lovers walked, not thieves and muggers; butter like an ingot of soft gold; ocean spray sharp and clean as the edge of an axe; with the same sense of safe, provided rightly used; round pebbles polychrome beside a pool; rain to which a thirsty mouth could open, distilling the taste of a continent of air... And under, and through, and in, and around all this, a conviction: “Something can be done to get that back!”
She was crying. Small tears like ants had itched their paths down her cheeks. She said, when she realized he had fallen silent, “But I never knew that! None of it! I was born and raised right here in New York!””

”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)

Lucy Maud Montgomery photo
Anastacia photo
Edward Young photo

“The house of laughter makes a house of woe.”

Source: Night-Thoughts (1742–1745), Night VIII, Line 757.

Jef Raskin photo

“If books were sold as software and online recordings are, they would have this legalese up front:
The content of this book is distributed on an 'as is' basis, without warranty as to accuracy of content, quality of writing, punctuation, usefulness of the ideas presented, merchantability, correctness or readability of formulae, charts, and figures, or correspondence of (a) the table of contents with the actual contents, (2) page references in the index (if any) with the actual page numbering (if present), and (iii) any illustration with its adjacent caption. Illustrations may have been printed reversed or inverted, the publisher accepts no responsibility for orientation or chirality. Any resemblance of the author or his or her likeness or name to any person, living or dead, or their heirs or assigns, is coincidental; all references to people, places, or events have been or should have been fictionalized and may or may not have any factual basis, even if reported as factual. Similarities to existing works of art, literature, song, or television or movie scripts is pure happenstance. References have been chosen at random from our own catalog. Neither the author(s) nor the publisher shall have any liability whatever to any person, corporation, animal whether feral or domesticated, or other corporeal or incorporeal entity with respect to any loss, damage, misunderstanding, or death from choking with laughter or apoplexy at or due to, respectively, the contents; that is caused or is alleged to be caused by any party, whether directly or indirectly due to the information or lack of information that may or may not be found in this alleged work. No representation is made as to the correctness of the ISBN or date of publication as our typist isn't good with numbers and errors of spelling and usage are attributable solely to bugs in the spelling and grammar checker in Microsoft Word. If sold without a cover, this book will be thinner than those sold with a cover. You do not own this book, but have acquired only a revocable non-exclusive license to read the material contained herein. You may not read it aloud to any third party. This disclaimer is a copyrighted work of Jef Raskin, first published in 2004, and is distributed 'as is', without warranty as to quality of humor, incisiveness of commentary, sharpness of taunt, or aptness of jibe.”

Jef Raskin (1943–2005) American computer scientist

"If Books Were Sold as Software" http://www.newsscan.com/cgi-bin/findit_view?table=newsletter&dateissued=20040818#11200, NewsScan.com (18 August 2004)
If Books Were Sold as Software (2004)

Peter Sloterdijk photo

“Writer-director John Roecker's debut, Live Freaky! Die Freaky! will have you convulsing on the floor … with nausea, laughter, or both.”

John Roecker (1966) American film director

[Freaky deaky: gay music video director John Roecker takes stop-motion animation to bizarre places in his debut feature Live Freaky! Die Freaky!, The Advocate, February 14, 2006, Kurt B., Reighley]
About

Sadegh Hedayat photo
John Dankworth photo
Dave Barry photo

“A sense of humor is a measurement of the extent to which we realize that we are trapped in a world almost totally devoid of reason. Laughter is how we express the anxiety we feel at this knowledge.”

Dave Barry (1947) American writer

Originally published in "Encyclopedia Tropicana: A Reference Book for the Modern World, Volume 1" by Joel Achenbach, The Miami Herald, May 4, 1986; quoted by Bryan Curtis, " Dave Barry: Elegy for the humorist http://slate.msn.com/id/2112218," Slate, January 12, 2005
Columns and articles

Chelsea Clinton photo

“Comparing Jews to termites is anti-Semitic, wrong and dangerous. The responsive laughter makes my skin crawl. For everyone who rightly condemned President Trump’s rhetoric when he spoke about immigrants “infesting our country,” this rhetoric should be equally unacceptable to you:”

Chelsea Clinton (1980) daughter of Bill and Hillary Clinton

17 October 2018 https://twitter.com/ChelseaClinton/status/1052565799934849024 response to Louis Farrakhan highlighted by The Hill https://thehill.com/policy/technology/411950-twitter-says-it-wont-suspend-louis-farrakhan-over-tweet-comparing-jews-to

Lin Yutang photo
Dmitri Shostakovich photo
Leona Lewis photo

“If I woke up tomorrow morning and it was just a dream, it would be the best dream I've ever had, and I would be ― I would not be happy to be waking up!”

Leona Lewis (1985) British singer-songwriter

laughter
The Xtra Factor: Winner's Story 2006
Upon winning The X-Factor

Harpo Marx photo
Pedro Muñoz Seca photo
Louis Untermeyer photo
Lionel Richie photo
Ralph Ellison photo
John Updike photo

“I miss only, and then only a little, in the late afternoon, the sudden white laughter that like heat lightning bursts in an atmosphere where souls are trying to serve the impossible.”

The Centaur (1963)
Context: I miss only, and then only a little, in the late afternoon, the sudden white laughter that like heat lightning bursts in an atmosphere where souls are trying to serve the impossible. My father for all his mourning moved in the atmosphere of such laughter. He would have puzzled you. He puzzled me. His upper half was hidden from me, I knew best his legs.

Bill Bailey photo

“Talking of white supremacist violent types, I was in America, recently… [Wild laughter and applause from audience]”

Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author

Part Troll (2004)

Bram Stoker photo

“Do not think that I am not sad, though I laugh. See, I have cried even when the laugh did choke me. But no more think that I am all sorry when I cry, for the laugh he come just the same. Keep it always with you that laughter who knock at your door and say, ‘May I come in?’ is not the true laughter.”

Source: Dracula (1897), Chapter XIV, Dr. Seward's Diary entry for 22 September
Context: Van Helsing and I came on here. The moment we were alone in the carriage he gave way to a regular fit of hysterics. He has denied to me since that it was hysterics, and insisted that it was only his sense of humour asserting itself under very terrible conditions. He laughed till he cried, and I had to draw down the blinds lest any one should see us and misjudge; and then he cried, till he laughed again; and laughed and cried together, just as a woman does. I tried to be stern with him, as one is to a woman under the circumstances; but it had no effect. Men and women are so different in manifestations of nervous strength or weakness! Then when his face grew grave and stern again I asked him why his mirth, and why at such a time. His reply was in a way characteristic of him, for it was logical and forceful and mysterious. He said:—
“Ah, you don't comprehend, friend John. Do not think that I am not sad, though I laugh. See, I have cried even when the laugh did choke me. But no more think that I am all sorry when I cry, for the laugh he come just the same. Keep it always with you that laughter who knock at your door and say, ‘May I come in?’ is not the true laughter. No! he is a king, and he come when and how he like. He ask no person; he choose no time of suitability. He say, ‘I am here.’ Behold, in example I grieve my heart out for that so sweet young girl; I give my blood for her, though I am old and worn; I give my time, my skill, my sleep; I let my other sufferers want that so she may have all. And yet I can laugh at her very grave — laugh when the clay from the spade of the sexton drop upon her coffin and say ‘Thud, thud!’ to my heart, till it send back the blood from my cheek. My heart bleed for that poor boy — that dear boy, so of the age of mine own boy had I been so blessed that he live, and with his hair and eyes the same. There, you know now why I love him so. And yet when he say things that touch my husband-heart to the quick, and make my father-heart yearn to him as to no other man — not even you, friend John, for we are more level in experiences than father and son — yet even at such a moment King Laugh he come to me and shout and bellow in my ear, ‘Here I am! here I am!’ till the blood come dance back and bring some of the sunshine that he carry with him to my cheek. Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes, and troubles; and yet when King Laugh come, he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall — all dance together to the music that he make with that smileless mouth of him. And believe me, friend John, that he is good to come, and kind. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come; and, like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again; and we bear to go on with our labour, what it may be.”

Carl Sandburg photo

“Back of every mistaken venture and defeat is the laughter of wisdom, if you listen.”

Carl Sandburg (1878–1967) American writer and editor

Incidentals (1904); this is sometimes paraphrased: "I am an idealist. I believe in everything — I am only looking for proofs."
Context: Back of every mistaken venture and defeat is the laughter of wisdom, if you listen. Every blunder behind us is giving a cheer for us, and only for those who were willing to fail are the dangers and splendors of life. To be a good loser is to learn how to win. I was sure there are ten men in me and I do not know or understand one of them. I could safely declare, I am an idealist. A Parisian cynic says "I believe in nothing. I am looking for clues." My statement would be : I believe in everything — I am only looking for proofs.

Ray Bradbury photo

“A dreadful laugh at last escapes his lips;
The laughter sets him free.
A Fool lives in the Universe! he cries.
The Fool is me!”

Ray Bradbury (1920–2012) American writer

Christ, Old Student in a New School (1972)
Context: That so much time was wasted in this pain.
Ten thousand years ago he might have let off down
To not return again!
A dreadful laugh at last escapes his lips;
The laughter sets him free.
A Fool lives in the Universe! he cries.
The Fool is me!
And with one final shake of laughter
Breaks his bonds.
The nails fall skittering to marble floors.
And Christ, knelt at the rail, sees miracle
As Man steps down in amiable wisdom
To give himself what no one else can give:
His liberty.

Khalil Gibran photo

“You laughed for the marrow in their bones that was not yet ready for laughter;
And you wept for their eyes that yet were dry.”

A Man From Lebanon: Nineteen Centuries Afterward
Jesus, The Son of Man (1928)
Context: You laughed for the marrow in their bones that was not yet ready for laughter;
And you wept for their eyes that yet were dry.
Your voice fathered their thoughts and their understanding.
Your voice mothered their words and their breath.

“The shedding of easy solutions, of comforting illusions, may be painful, but it leaves behind it a sense of freedom and relief. And that is why, in the last resort, the Theatre of the Absurd does not provoke tears of despair but the laughter of liberation.”

Martin Esslin (1918–2002) Playwright, theatre critic, scholar

Introduction to Absurd Drama (1965)
Context: The Theatre of the Absurd attacks the comfortable certainties of religious or political orthodoxy. It aims to shock its audience out of complacency, to bring it face to face with the harsh facts of the human situation as these writers see it. But the challenge behind this message is anything but one of despair. It is a challenge to accept the human condition as it is, in all its mystery and absurdity, and to bear it with dignity, nobly, responsibly; precisely because there are no easy solutions to the mysteries of existence, because ultimately man is alone in a meaningless world. The shedding of easy solutions, of comforting illusions, may be painful, but it leaves behind it a sense of freedom and relief. And that is why, in the last resort, the Theatre of the Absurd does not provoke tears of despair but the laughter of liberation.

James Randi photo
William Morris photo

“Love is enough: draw near and behold me
Ye who pass by the way to your rest and your laughter”

William Morris (1834–1896) author, designer, and craftsman

Love is Enough (1872), Song IV: Draw Near and Behold Me
Context: Love is enough: draw near and behold me
Ye who pass by the way to your rest and your laughter,
And are full of the hope of the dawn coming after;
For the strong of the world have bought me and sold me
And my house is all wasted from threshold to rafter.
— Pass by me, and hearken, and think of me not!

Ray Bradbury photo

“Wearing their wits, which means their laughter,
As their crown. Set free upon the earth
By simple gifts of knowing how mere mirth can cut the bonds
And pull the blood spikes out”

Ray Bradbury (1920–2012) American writer

Christ, Old Student in a New School (1972)
Context: Ten thousand times a million sons of sons move
Through one great and towering town
Wearing their wits, which means their laughter,
As their crown. Set free upon the earth
By simple gifts of knowing how mere mirth can cut the bonds
And pull the blood spikes out;
Their conversation shouts of "Fool!"

Franz Kafka photo

“I make of my reproach and laughter a drumbeat sounding in the world beyond.”

Franz Kafka (1883–1924) author

(July 1910)
The Diaries of Franz Kafka 1910-1923 (1948)
Context: I can prove at any time that my education tried to make another person out of me than the one I became. It is for the harm, therefore, that my educators could have done me in accordance with their intentions that I reproach them; I demand from their hands the person I now am, and since they cannot give him to me, I make of my reproach and laughter a drumbeat sounding in the world beyond.

Stephen Vincent Benét photo

“It is not given me to trace
The lovely laughter of that face”

Stephen Vincent Benét (1898–1943) poet, short story writer, novelist

Young Adventure (1918), The Quality of Courage
Context: It is not given me to trace
The lovely laughter of that face,
Like a clear brook most full of light,
Or olives swaying on a height,
So silver they have wings, almost;
Like a great word once known and lost
And meaning all things. Nor her voice
A happy sound where larks rejoice,
Her body, that great loveliness,
The tender fashion of her dress,
I may not paint them.
These I see,
Blazing through all eternity,
A fire-winged sign, a glorious tree!

“Life is sad enough, Magir. Laughter is a thing to be treasured.”

Source: Drenai series, The King Beyond the Gate, Ch. 22

Thomas Carlyle photo

“Such grinning inanity is very sad to the soul of man. Human faces should not grin on one like masks; they should look on one like faces! I love honest laughter, as I do sunlight; but not dishonest”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Past and Present (1843)
Context: "No man in this fashionable London of yours," friend Sauerteig would say, "speaks a plain word to me. Every man feels bound to be something more than plain; to be pungent withal, witty, ornamental. His poor fraction of sense has to be perked into some epigrammatic shape, that it may prick into me;—perhaps (this is the commonest) to be topsyturvied, left standing on its head, that I may remember it the better! Such grinning inanity is very sad to the soul of man. Human faces should not grin on one like masks; they should look on one like faces! I love honest laughter, as I do sunlight; but not dishonest: most kinds of dancing too; but the St.-Vitus kind not at all! A fashionable wit, ach Himmel, if you ask, Which, he or a Death's- head, will be the cheerier company for me? pray send not him!"

Happy Rhodes photo

“With your face comes laughter
And with your touch
And with your touch comes joy.”

Happy Rhodes (1965) American singer-songwriter

"Ra Is A Busy God"
Many Worlds Are Born Tonight (1998)
Context: Even the leaves laugh
'cause they have what I have
Reach from the best tree
So he can see me
And with your face
With your face comes laughter
And with your touch
And with your touch comes joy.

Amanda Palmer photo

“I still get laughed at but it doesn't bother me,
I'm just so glad to hear laughter around me.”

Amanda Palmer (1976) American punk-cabaret musician

Do You Swear to Tell the Truth the Whole Truth and Nothing but the Truth So Help Your Black Ass (2010)
Lyrics

“For all their laughter, ghouls are a dull lot.”

Brian McNaughton (1935–2004) US author

"Meryphillia"
The Throne of Bones (1997)
Context: For all their laughter, ghouls are a dull lot. Hunger is the fire in which they burn, and it burns hotter than the hunger for power over men or for knowledge of the gods in a crazed mortal. It vaporizes delicacy and leaves behind only a slag of anger and lust. They see their fellows as impediments to feeding, to be mauled and shrieked at when the mourners go home. They are seldom alone, not through love of one another's company, but because a lone ghoul is suspected of stealing food. Their copulation is so hasty that distinctions of sex and identity are often ignored.

John Crowley photo

“The immense laughter of Bruno when he understood that Copernicus had inverted the universe — what was it but joy in the confirmation of his knowledge that Mind, in the center of all, contains within it all that it is the center of?”

John Crowley (1942) American writer

Bk. 3, Ch. 4
Little, Big: or, The Fairies' Parliament (1981)
Context: The immense laughter of Bruno when he understood that Copernicus had inverted the universe — what was it but joy in the confirmation of his knowledge that Mind, in the center of all, contains within it all that it is the center of? … the Universe exploded into infinitude, a circle of which Mind, the center, was everywhere and the circumference nowhere. The trick-mirror of finitude was smashed, Bruno laughed, the starry realms were a jewelled bracelet in the hand.

Stephen Colbert photo

“I would say laughter is the best medicine. But it’s more than that. It’s an entire regime of antibiotics and steroids.”

Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor

Entertainment Weekly interview http://www.ew.com/ew/article/0,,20006490,00.html (4 January 2007)
Context: I would say laughter is the best medicine. But it’s more than that. It’s an entire regime of antibiotics and steroids. Laughter brings the swelling down on our national psyche, and then applies an antibiotic cream... Obviously, it’s a challenge to make light of the darkness but, um, it’s better than crying about it.

George Eliot photo

“But ere the laughter died from out the rear,
Anger in front saw profanation near;
Jubal was but a name in each man's faith
For glorious power untouched by that slow death
Which creeps with creeping time”

George Eliot (1819–1880) English novelist, journalist and translator

The Legend of Jubal (1869)
Context: But ere the laughter died from out the rear,
Anger in front saw profanation near;
Jubal was but a name in each man's faith
For glorious power untouched by that slow death
Which creeps with creeping time; this too, the spot,
And this the day, it must be crime to blot,
Even with scoffing at a madman's lie:
Jubal was not a name to wed with mockery.
Two rushed upon him: two, the most devout
In honor of great Jubal, thrust him out,
And beat him with their flutes. 'Twas little need;
He strove not, cried not, but with tottering speed,
As if the scorn and howls were driving wind
That urged his body, serving so the mind
Which could but shrink and yearn, he sought the screen
Of thorny thickets, and there fell unseen.
The immortal name of Jubal filled the sky,
While Jubal lonely laid him down to die.

Jiddu Krishnamurti photo

“What brings understanding is love. When your heart is full, then you will listen to the teacher, to the beggar, to the laughter of children, to the rainbow, and to the sorrow of man. Under every stone and leaf, that which is eternal exists.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

"Ninth Talk in Bombay, (14 March 1948) http://www.jkrishnamurti.com/krishnamurti-teachings/view-text.php?tid=270&chid=4600&w=%22What+brings+understanding+is+love%22, J.Krishnamurti Online, JKO Serial No. BO48Q1, published in The Collected Works, Vol. IV, p. 200
1940s
Context: What brings understanding is love. When your heart is full, then you will listen to the teacher, to the beggar, to the laughter of children, to the rainbow, and to the sorrow of man. Under every stone and leaf, that which is eternal exists. But we do not know how to look for it. Our minds and hearts are filled with other things than understanding of "what is". Love and mercy, kindliness and generosity do not cause enmity. When you love, you are very near truth. For, love makes for sensitivity, for vulnerability. That which is sensitive is capable of renewal. Then truth will come into being. It cannot come if your mind and heart are burdened, heavy with ignorance and animosity.

Martin Amis photo

“Laughter always forgives.”

Martin Amis (1949) Welsh novelist

"Political Correctness: Robert Bly and Philip Larkin" (1997)

Thomas Babington Macaulay, 1st Baron Macaulay photo

“With weeping and with laughter
Still is the story told,
How well Horatius kept the bridge
In the brave days of old.”

Horatius, st. 70
Lays of Ancient Rome (1842)
Context: When the goodman mends his armor,
And trims his helmet's plume;
When the goodwife's shuttle merrily
Goes flashing through the loom;
With weeping and with laughter
Still is the story told,
How well Horatius kept the bridge
In the brave days of old.

John Goodman photo
Fulke Greville, 1st Baron Brooke photo
Sophia Loren photo
Koenraad Elst photo
Ta-Nehisi Coates photo
Edward Bellamy photo