Quotes about laughter
page 5

“The main difficulty in using either lazo or bolas, is to ride so well, as to be able at full speed, and while suddenly turning about, to whirl them so steadily round the head, as to take aim: on foot any person would soon learn the art. One day, as I was amusing myself by galloping and whirling the balls round my head, by accident the free one struck a bush; and its revolving motion being thus destroyed, it immediately fell to the ground, and like magic caught one hind leg of my horse; the other ball was then jerked out of my hand, and the horse fairly secured. Luckily he was an old practised animal, and knew what it meant; otherwise he would probably have kicked till he had thrown himself down. The Gauchos roared with laughter; they cried they had seen every sort of animal caught, but had never before seen a man caught by himself.”

Charles Darwin book The Voyage of the Beagle

Source: The Voyage of the Beagle (1839), chapter III: "Montevideo — Maldonado, etc.", page 51 http://darwin-online.org.uk/content/frameset?pageseq=70&itemID=F11&viewtype=image

Art, Jerk, Learning, Animals

“Fiction is made of life/ Of earth and clay/ Of tears and laughter/ Of blood and sweat/ Hear them, the works of an author or a painter/ The singer and the clown/ Preserve the mystery of life.”

Kuruvilla Pandikattu (1957) Indian philosopher

Life: Relish It!
Life: Relish It! (2012)

Life, Tear

“If we may believe our logicians, man is distinguished from all other creatures by the faculty of laughter.”

Joseph Addison (1672–1719) politician, writer and playwright

No. 494 (26 September 1712).
The Spectator (1711–1714)

“I could see the room dividing as I spoke. I could hear the laughter of some and louder still silence of others. I realised that for some people this was regarded as an event with import. The magazine, the sponsors and some of those in attendance saw it as a kind of ceremony that warranted respect. In effect, it is a corporate ritual, an alliance between a media organisation, GQ, and a commercial entity, Hugo Boss. What dawned on me as the night went on is that even in apparently frivolous conditions the establishment asserts control, and won't tolerate having that assertion challenged, even flippantly, by that most beautifully adept tool: comedy.”

Russell Brand (1975) British comedian, actor, and author

Russell Brand - The Guardian (2013)

People, Silence, Night

“Four men describe how their wives hit them in the lower back with a pole, cracked them over the head or in the neck with a frying pan… the audience renews its laughter after each story. The men are part of a “PMS Men’s Support Group.” Imagine an audience of men laughing as battered women describe how their husbands threatened them with brain or spinal cord injuries by battering them over their heads or in their necks with a frying pan.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Women Can't Hear What Men Don't Say (2000)

Women, Men, Imagination, Support

“I have a theory, that there is a terrific link between what is funny and what is scary. I think there is a very close connection between what frightens people and what makes them laugh. Laughter is a kind of nervousness. Animals don't laugh. Smiling is, anthropologists agree, directly linked to the baring of the teeth.”

Christopher Walken (1943) American actor

Jan Moir (March 11, 2002) "'You're not scared of me, are you?': Christopher Walken has cornered the market in movie menace. But, as Jan Moir discovers, he is just as unsettling in real life", The Daily Telegraph, p. 18.

People, Smile, Thinking, Animals

“Laughter is timeless, imagination has no age, and dreams are forever.”

Walt Disney (1901–1966) American film producer and businessman

Misattributed

Age, Dreams, Imagination, Wedding

“I'm totally aware of how lucky I am. I have health, family, children. I do work that gives me total joy and allows me to make a living, and maybe, if I'm lucky enough, I'll feel I've fulfilled a little bit of service to society because I brought other people some laughter.”

Martin Short (1950) Canadian stand-up comedian

Parade Magazine; January 23rd, 2000

Children, People, Health, Family

“He [somebody at Carnegie Mellon University] had betrayed us. But he didn't just do it to us. Chances are he did it to you too. [Pointing at member of audience. ] And I think, mostly likely, he did it to you too. [Pointing at another member of audience. ][Laughter] And he probably did it to you as well. [Pointing to third member of audience. ] He probably did it to most of the people here in this room — except a few, maybe, who weren't born yet in 1980. Because he had promised to refuse to cooperate with just about the entire population of the Planet Earth. He had signed a non-disclosure agreement.”

Richard Stallman (1953) American software freedom activist, short story writer and computer programmer, founder of the GNU project

2000s, Free Software: Freedom and Cooperation (2001)

People, Thinking, Universe, Chance

“On the whole, Divergant series are the work of the Devil and it's a Shame that one dares base any Demonstration on them. You can get whatever result you want when you use them, and they have given rise to so many Disasters and so many Paradoxes. Can anything more horrible be conceived than to have the following oozing out of you:
0 = 1 - 2n + 3n - 4n + etc.
where n is a whole Number? Risum teneatis amici.”

Niels Henrik Abel (1802–1829) Norwegian mathematician

Laughter retains friends
Letter to Bernt Michael Holmboe (Jan. 1826) as quoted by Arild Stubhaug, Niels Henrik Abel and his Times: Called Too Soon by Flames Afar (2013)

“Nordic art casts a spell on the mind which ranges from laughter to tears and from tears to violent rage. One can see how dangerous it is, we can be tyrannized by a cynical person endowed with the power of art. Much has been said about this demonic aspect. In it lies the ultimate demand that the artist must take responsibility for the states of mind that he produces, or at least he must answer for them by knowing them in his own person. This psychic demand in both the artist and the viewer has made Expressionist art so hated by devotees of aestheticism and formalism.”

Asger Jorn (1914–1973) Danish artist

as quoted on the website of the Jorn Museum 'Articles' by Jorn http://www.museumjorn.dk/en/article_presentation.asp?AjrDcmntId=255, - Jorn talks about the Nordic concept of Expressionism 1959 - 1973, Alpha and Omega', (1963–64)

Hate, Art, Tear, Rage

“It's different now, it's different now. Now I can speak the truth. I can tell you that the one thing I really, really couldn't bear when I was an MP were my constituents. [laughter] Let's face it: the people have contempt for the politicans; it is as nothing to the contempt we have for you. [laughter] All over this country, there are politicians on their way to the Labour Party conference, coming away from the LibDem one, getting ready to go to the Conservative one, thinking "God, at last he's said it. He's said what we all feel, that happiness is the constituency in the rear-view mirror."”

Gyles Brandreth (1948) British writer, broadcaster and former Member of Parliament

The News Quiz series 72, episode 1 (BBC Radio 4, 24 September 2010).

God, Happiness, People, Truth

“Why worry? There should be laughter after pain.
There should be sunshine after rain.
These things have always been the same.
So why worry now?”

Mark Knopfler (1949) English guitarist

Why Worry
Song lyrics, Brothers in Arms (1985)

Pain

“A wonderful thing about true laughter is that it just destroys any kind of system of dividing people.”

John Cleese (1939) actor from England

From an interview http://www.avclub.com/article/john-cleese-14197 with The A. V. Club (2008)

People

“I, the ocean of mind, drink all creation’s waves.
The four veils of solid, liquid, vapor, light,
Lift aright.
Myself, in everything,
Enters the Great Myself.
Gone forever,
The fitful, flickering shadows of a mortal memory.
Spotless is my mental sky,
Below, ahead, and high above.
Eternity and I, one united ray.
I, a tiny bubble of laughter,
Have become the Sea of Mirth Itself.”

Paramahansa Yogananda (1893–1952) Yogi, a guru of Kriya Yoga and founder of Self-Realization Fellowship

Songs of the Soul by Paramahansa Yogananda, Quotes drawn from the poem "Samadhi"

Drink, Light, Memory, Sea

“April, April,
Laugh thy girlish laughter;
Then, the moment after,
Weep thy girlish tears!”

William Watson (poet) (1858–1935) English poet, born 1858

April http://www.recmusic.org/lieder/get_text.html?TextId=22188 (1897).

Tear

“I based my career from the very beginning on people like Maggie Smith, Judi Dench and Margaret Rutherford. I keep thinking Maggie and Judi are going to eventually not want those parts and I’m going to move up and take them (laughter). So, hopefully, I’ll be working in my 70s and 80s. You know, character actresses. I never had looks to lose. I could keep going—Meryl Streep and me.”

Tracey Ullman (1959) English-born actress, comedian, singer, dancer, screenwriter, producer, director, author and businesswoman

Quoted in 2009 in The Many States of Tracey Ullman https://tracey-archives.tumblr.com/post/119868522838/the-many-funny-states-of-tracey-ullman

People, Thinking, Parting

“In my mind, there is nothing so illiberal and so ill-bred, as audible laughter.”

Philip Stanhope, 4th Earl of Chesterfield (1694–1773) British statesman and man of letters

9 March 1748
Letters to His Son on the Art of Becoming a Man of the World and a Gentleman (1774)

“At the risk of appearing disingenuous, I don’t really think of myself as "writing humor." I’m simply reporting on the world I observe, which is frequently hilarious. Here’s the thing. Most of what we witness in life is too complex to take in whole. Because of this we unconsciously edit what we see, select what to really record and what to ignore, which is why people who look at the same thing don’t necessarily see the same thing… Comic writers don’t so much invent funny things as strip away the distractions, the impediments to laughter.”

Richard Russo (1949) American novelist, short story writer and screenwriter

Life, People, World, Thinking

“If future society assumes the contours foretold by Marxism, if the jungle of our cities turns to the polis of man and the dreams of anger are made real, the representative art will be high comedy. Art will be the laughter of intelligence, as it is in Plato, in Mozart, in Stendhal.”

George Steiner (1929–2020) American writer

"Literature and Post-History" (1965).
Language and Silence: Essays 1958-1966 (1967)

Dreams, Art, Intelligence, Future

“Bad boys have long fascinated audiences as well as storytellers, whatever the medium. Such rebels, often without causes beyond self-gratification, have been at the center of much of contemporary popular culture. One of the paradigms for such dramatized morality tales is Mozart's magnificent "Don Giovanni," whose musical and theatrical turns evoked awe and laughter and terror from the more that 1,500 music fans who on Saturday night flocked to Lawrence's Lied Center for the Mozart Festival Opera production. The libertine is thoroughly disreputable. Nonetheless, we look on in fascination because of his devilish smile, dashing good looks, ready wit, and the audacity of his hyper-inflated ego. If you can imagine a young Jack Nicholson with mustache, cape and a flair for sword play, you've got it. Lithuanian baritone Vytautas Juozapaitis gave the Don appropriate swagger and voice. He also brought a comic twist that gave the roué a touch of the trickster. Stepping out of character for a second in the midst of a briskly paced recitative, he paused, turned, and looked up at the supertitled English translation as if to check his lines. It was a joke shared by all. The pleasure of performing, even in the opera's most dramatic moments, was evident.”

Vytautas Juozapaitis (1963) Lithuanian opera singer

Chuck Berg, "Mozart's 'Don Giovanni' triumphs", Topeka Capital Journal (February, 2007) http://www.jennykellyproductions.com/prod_mozart_review.htm

Pleasure, Smile, Music, Imagination

“I am not anti-coloured, take it from me; nothing pleases me more than when I arrive at an airport, or a station, or a seaport, and I see a coloured family there — the black father, the black wife and the black children… When I see these families arriving at the airport I am happy, and when I see them leaving at London airport I am happy.
But if there is one thing that gets up my nose, I must admit, it is this — the way… the thing is when I am down in Torquay and I switch on my television and I see one of them reading our news to us. It is our news and they’re reading it to me. If I was a chauvinist I would say I object even to seeing women reading our news to us.
But now we have women reading our news to us. If they could perhaps have their own news which they were reading to us, I suppose [laughter], it would be very interesting.
For the time being, for a transitional period I'd be prepared to accept that the BBC should have a dinner-jacketed gentleman reading the important news to us, following by a lady reading all the less important news, followed by Trevor McDonald giving us all the latest news about the muggings and the drug busts…”

David Irving (1938) British writer and Holocaust denier

David Irving's Talk to the Clarendon Club http://www.fpp.co.uk/speeches/speech190992.html

Women, Happiness, Children, Family

“People are always coming up to me and saying, 'I love you, love your work.' And then the next sentence is, 'I loved your brother.' John made people laugh, and laughter is a powerful thing”

Jim Belushi (1954) American actor, comedian, singer, and musician

Source: Rick Kogan. " Belushis: Funny is in their bones: Jim, son Robert and stand-up Kyle Lane team up to create intimate Comedy Bar on Ontario Street http://articles.chicagotribune.com/2012-10-26/entertainment/ct-ae-1028-kogan-sidewalks-20121026_1_stand-up-comedy-improv-funny-guyThe," in: The Chicago Tribune, October 26, 2012.

Love, People

“It is by self-reliance, humanly speaking, by the independence which has been the motive and impelling force of our race, that the Scots have thriven in India and in Canada, in Australia and New Zealand, and even in England, where at different times they were banned. As things are we in Scotland do not take much or even ask much from the State, but the State invites us every day to lean upon it. I seem hear the wheedling and alluring whisper, "Sound you may be; we bid you be a cripple. Do you see? Be blind. Do you hear? Be deaf. Do you walk? Be not venturesome; here is a crutch for one arm. When you get accustomed to it you will soon want another, the sooner the better." The strongest man, if encouraged, may soon accustom himself to the methods of an invalid; he may train himself to totter or to be fed with a spoon. The ancient sculptors represent Hercules leaning on his club; our modern Hercules would have his club elongated and duplicated and resting under his arms. (Laughter.) The lesson of our Scottish teaching was "Level up"; the cry of modern civilization is "Level down; let the Government have a finger in every pie," probing, propping, disturbing. ("Hear, hear," and laughter.) Every day the area for initiative is being narrowed, every day the standing ground for self-reliance is being undermined, every day the public infringes, with the best intentions, no doubt, on the individual. The nation is being taken into custody by the State. Perhaps the current cannot now be stemmed; agitation or protest may be alike unavailing; the world rolls on, it may be part of its destiny, a necessary phase in its long evolution, a stage in its blind, toilsome progress to an invisible goal. I neither affirm nor deny. All in the long run is doubtless for the best; but, speaking as a Scotsman to Scotsmen, I plead for our historical character, for the maintenance of those sterling national qualities which have meant so much to Scotland in the past.”

Archibald Primrose, 5th Earl of Rosebery (1847–1929) British politician

Cheers.
Speech to Glasgow University (12 June 1908), reported in The Times (13 June 1908), p. 12.

World, Motivation, Time, Past

“Everyone was laughin’. Even that deaf mute boy was breathing heavy and pointing at me. Which is laughter to their kind.”

Dave Attell (1965) comedian

"Skanks for the Memories"

Boy

“Raise a song for her, O Muse!
The violet-crownèd maiden,
And praise her soft throat's changing hues,
Her low voice, laughter-laden. Sing yet again her thousand charms,
Her eyes entrancing splendour,
Her swarthy cheeks and supple arms
And bosom dark and tender. Yea, sing forevermore of her,
My mistress soft-beguiling,
Fairest of all who are, or were,
My Sappho, sweetly-smiling.”

Alcaeus of Mytilene (-600–-560 BC) ancient Greek poet

"No More for Lycus", as translated by James S. Easby-Smith

Smile, Change, Singing

“"You asking me the way?" "Yes," I said, "since I can't find it myself." "Give it up! Give it up!" said he, and turned with a sudden jerk, like someone who wants to be alone with his laughter.”

Franz Kafka (1883–1924) author

Variant translation: The Policeman said to me, "You want to know the way? Give up! Just give up!" And he turned away like a man that wants to be alone with his laughter.
The Complete Stories (1971)

Jerk, Way

“The right hon. Member for Heseltine—[Laughter. ]—well, that is what he is; he sticks to that principle more than he does to Henley.”

Michael Foot (1913–2010) British politician

Speech http://hansard.millbanksystems.com/commons/1991/mar/26/community-charges-general-reduction-bill in the House of Commons (26 March 1991), referring to Michael Heseltine. MPs are referred to in the House by the constituency they represent rather than by their name, so Mr Heseltine would be "Rt. Hon. Member for Henley". Whether by accident or intent, Foot mixed this up in a way which clearly amused other MPs. 1990s

“I respect Kirkpatrick both for his sponges and for his numinous nummulosphere. It is easy to dismiss a crazy theory with laughter that debars any attempt to understand a man's motivation—and the nummulosphere is a crazy theory. I find that few men of imagination are not worth my attention. Their ideas may be wrong, even foolish, but their methods often repay a close study. […] The different drummer often beats a fruitful tempo.”

Stephen Jay Gould book The Panda's Thumb

"Crazy Old Randolph Kirkpatrick", p. 235
The Panda's Thumb (1980)

Men, Imagination, Motivation, Idea

“It's rooted in the fears to which all men are heir and, thus, deserves sympathy, not censure or laughter. The dream may be out of touch with history, but it's a good dream, and it doesn't appear to have been used to bilk gullible widows out of their savings. Never mind that we have a consistent record of slaughtering our messiahs. Look beyond the wacky arguments to the motivation — that sense of brotherhood which is all that has ever saved mankind from going over the brink.”

Frank Herbert (1920–1986) American writer

On belief in UFOs, in "Flying Saucers: Fact or Farce?", San Francisco Sunday Examiner & Chronicle, "People" supplement, (20 October 1963); reprinted in The Maker of Dune : Insights of a Master of Science Fiction (1987), edited by Tim O'Reilly
General sources

Men, Fear, Dreams, History

“I do not think that any civilization can be called complete until it has progressed from sophistication to unsophistication, and made a conscious return to simplicity of thinking and living, and I call no man wise until he has made the progress from the wisdom of knowledge to the wisdom of foolishness, and become a laughing philosopher, feeling first life's tragedy and then life's comedy. For we must weep before we can laugh. Out of sadness comes the awakening, and out of the awakening comes the laughter of the philosopher, with kindliness and tolerance to boot.”

Lin Yutang book The Importance of Living

Source: The Importance of Living (1937), Ch. I : The Awakening, p. 13

Life, Wisdom, Sadness, Feeling

“Like all young men I set out to be a genius, but mercifully laughter intervened.”

Lawrence Durrell The Alexandria Quartet

The Alexandria Quartet (1957–1960), Clea (1960)

Men, For Men

“Faint winds, and far away a fading laughter…
And the rain and over the fields a voice calling…”

F. Scott Fitzgerald (1896–1940) American novelist and screenwriter

Quoted, This Side of Paradise (1920)

“The first was the classical line, which could be traced back to my early childhood and the Beethoven sonatas I heard my mother play. This line takes sometimes a neo-classical form (sonatas, concertos), sometimes imitates the 18th century classics (gavottes, the Classical symphony, partly the Sinfonietta). The second line, the modern trend, begins with that meeting with Taneyev when he reproached me for the “crudeness” of my harmonies. At first this took the form of a search for my own harmonic language, developing later into a search for a language in which to express powerful emotions (The Phantom, Despair, Diabolical Suggestion, Sarcasms, Scythian Suite, a few of the songs, op. 23, The Gambler, Seven, They Were Seven, the Quintet and the Second Symphony). Although this line covers harmonic language mainly, it also includes new departures in melody, orchestration and drama. The third line is toccata or the “motor” line traceable perhaps to Schumann’s Toccata which made such a powerful impression on me when I first heard it (Etudes, op. 2, Toccata, op. 11, Scherzo, op. 12, the Scherzo of the Second Concerto, the Toccata in the Fifth Concerto, and also the repetitive intensity of the melodic figures in the Scythian Suite, Pas d’acier[The Age of Steel], or passages in the Third Concerto). This line is perhaps the least important. The fourth line is lyrical; it appears first as a thoughtful and meditative mood, not always associated with the melody, or, at any rate, with the long melody (The Fairy-tale, op. 3, Dreams, Autumnal Sketch[Osenneye], Songs, op. 9, The Legend, op. 12), sometimes partly contained in the long melody (choruses on Balmont texts, beginning of the First Violin Concerto, songs to Akhmatova’s poems, Old Granny’s Tales[Tales of an Old Grandmother]). This line was not noticed until much later. For a long time I was given no credit for any lyrical gift whatsoever, and for want of encouragement it developed slowly. But as time went on I gave more and more attention to this aspect of my work. I should like to limit myself to these four “lines,” and to regard the fifth, “grotesque” line which some wish to ascribe to me, as simply a deviation from the other lines. In any case I strenuously object to the very word “grotesque” which has become hackneyed to the point of nausea. As a matter of fact the use of the French word “grotesque” in this sense is a distortion of the meaning. I would prefer my music to be described as “Scherzo-ish” in quality, or else by three words describing the various degrees of the Scherzo—whimsicality, laughter, mockery.”

Sergei Prokofiev (1891–1953) Ukrainian & Russian Soviet pianist and composer

Page 36-37; from his fragmentary Autobiography.
Sergei Prokofiev: Autobiography, Articles, Reminiscences (1960)

Age, Dreams, Music, Search

“The source of totalitarianism is a dogmatic attachment to the official word: the lack of laughter, of ironic detachment. An excessive commitment to Good may in itself become the greatest Evil: real Evil is any kind of fanatical dogmatism, especially exerted in the name of supreme Good… Consider only Mozart's Don Giovanni at the end of the opera, when he is confronted with the following choice: if he confesses his sins, he can still achieve salvation; if he persists, he will be damned forever. From this viewpoint of the pleasure principle, the proper thing to do would be to renounce his past, but he does not, he persists in his Evil, although he knows that by persisting he will be damned forever. Paradoxically, with his final choice of Evil, he acquires the status of an ethical hero - that is, of someone who is guided by fundamental principles beyond the pleasure principle and not just by the search for pleasure or material gain.”

Slavoj Žižek book The Sublime Object of Ideology

23
The Sublime Object of Ideology (1989)

Pleasure, Search, Evil, Past

“[On the Iraq War] I am against the war, but I do support our white troops. [laughter, long pause] No, I'm kidding, I'm kidding. I'm not a Republican. I'm not a member of the party of inclusion. Wonderful, tolerant, rational human beings they are…”

David Cross (1964) American comedian, writer and actor

It's Not Funny

War, Support

“Make them laugh, make them cry, and back to laughter. What do people go to the theater for? An emotional exercise. And no preachment.”

Mary Pickford (1892–1979) Canadian-American actress

Kevin Brownlow, The Parade's Gone By ... (1968), p. 134

People, Exercises, Cry

“Of course after the conference a desperate attempt was made by Mr. Bonham-Carter to show that of course they weren't committed to federation at all. Well I prefer to go by what Mr. Grimond says; I think he's more important. And when he was asked about this question there was no doubt about his answer; it was on television. And the question was [laughter] I see what you mean, I see what you mean. Yes was the question: "But the mood of your conference today was that Europe should be a federal state. Now if we had to choose between a federal Europe and the Commonwealth, this would have to be a choice wouldn't it? You couldn't have the two." And Mr. Grimond replied in these brilliantly clear sentences: "You could have a Commonwealth linked, though not of course a direct political link, you could have a Commonwealth link of other sorts. But of course a federal Europe I think is a very important point. Now the real thing is that if you are going to have a democratic Europe, if you are going to control the running of Europe democratically, you've got to move towards some form of federalism and if anyone says different to that they're really misleading the public." That's one in the eye for Mr. Bonham-Carter. [laughter] Now we must be clear about this, it does mean, if this is the idea, the end of Britain as an independent nation-state. I make no apology for repeating it, the end of a thousand years of history. You may say: "All right let it end." But, my goodness, it's a decision that needs a little care and thought. [clapping] And it does mean the end of the Commonwealth; how can one really seriously suppose that if the mother country, the centre of the Commonwealth, is a province of Europe, which is what federation means, it could continue to exist as the mother country of a series of independent nations; it is sheer nonsense.”

Hugh Gaitskell (1906–1963) British politician

Labour Party Annual Conference Report 1962, page 159. Speaking against the Liberal Party's policy of British membership of the European Communities, Labour Party Conference, 2 October 1962. See the video clip here http://newsvote.bbc.co.uk/1/hi/programmes/the_daily_politics/6967366.stm

History, Idea, Mood, Question

“Gene Ray: Another thing, did you know your father is a fish?
Interviewer: No, I did not know my… [laughter]
Gene Ray: You know how salmon swim upstream, the male fertilizes the female eggs laid in the water?
Interviewer: Yes.
Gene Ray: The sperm fish swims upstream just like the salmon fertilizes female eggs laid in the water.”

Gene Ray (1927)

Radio KoL interview, April 9, 2004

Fish, Water

“"You couldn't have a beastie, a snake-thing, on an island this size," Ralph explained kindly. "You only get them in big countries, like Africa, or India."
Murmur; and the grave nodding of heads.
"He says the beastie came in the dark."
"Then he couldn't see it!"
Laughter and cheers.
"Did you hear that? Says he saw the thing in the dark—"
"He still says he saw the beastie. It came and went away again an' came back and wanted to eat him."
"He was dreaming."
Laughing, Ralph looked for confirmation round the ring of faces. The older boys agreed; but here and there among the little ones was the doubt that required more than rational assurance.
"He must have had a nightmare. Stumbling about among all those creepers."
More grave nodding. They knew about nightmares.
"He says he saw the beastie, the snake-thing, and will it come back tonight?"
"But there isn't a beastie!"
"He says in the morning it turned into them things like ropes in the trees and hung in the branches. He says will it come back again tonight?"
"But there isn't a beastie!"
There was no laughter at all now and more grave watching. Ralph pushed both hands through his hair and looked at the little boy in mixed amusement and exasperation.”

William Golding book Lord of the Flies

Source: Lord of the Flies (1954), Ch. 2: Fire on the Mountain

Dreams, Boy, Tree, Country

“Before I came, I went to visit Jane Austen's grave in Winchester Cathedral to pay my respects, you know, and tell her about the grosses. [Laughter] I don't know how she would react to an evening like this, but I do hope -- I do hope she knows how big she is in Uruguay.”

Emma Thompson (1959) British actress and writer

68th Academy Awards speech (1996)

Hope

“Oblivious of Democritus, the unwilling materialists of our day have generally been awkwardly intellectual and quite incapable of laughter. If they have felt anything, they have felt melancholy. Their allegiance and affection were still fixed on those mythical sentimental worlds which they saw to be illusory. The mechanical world they believed in could not please them, in spite of its extent and fertility. Giving rhetorical vent to their spleen and prejudice, they exaggerated nature's meagreness and mathematical dryness. When their imagination was chilled they spoke of nature, most unwarrantably, as dead, and when their judgment was heated they took the next step and called it unreal.”

George Santayana (1863–1952) 20th-century Spanish-American philosopher associated with Pragmatism

Source: The Life of Reason: The Phases of Human Progress (1905-1906), Vol. V, Reason in Science, Ch. 3 "Mechanism"

World, Imagination, Mathematics, Nature

“The laughter of man is more terrible than his tears, and takes more forms — hollow, heartless, mirthless, maniacal.”

James Thurber (1894–1961) American cartoonist, author, journalist, playwright

New York Times Magazine (7 December 1958).
Letters and interviews

Tear

“I spoke in debates arranged by the Indian students in London and once V. K. Krishna Menon opposed me. The debate concerned the role of Asia in world affairs and I used the word Asiatic. Menon raised a laugh against me by saying that he did not like the word because it rhymed with ‘lunatic’ although I should consider myself free to use it. He advised me to use the word ‘Asian’ instead. When my turn came for reply, I thanked him for his advice but preferred to stick to the Asiatics adding that he had no objection of Menon calling an Asian although the word rhymed with ‘Simian’. This brought the house down and even Menon joined in the laughter and clapping.”

Mohammad Hidayatullah (1905–1992) 11th Chief Justice of India

Source: Law in the Scientific Era, P.48.

World, Housing

“Although the mutual laughter may seem six of one and half-a-dozen of the other, it is not. The Christian is profoundly mad merely by the standards of the world. To the world the wicked seem wise, but are mad in the sight of God. The Christian is touched by the Infinite and will not only have the last laugh at the end of time: even now he laughs more insanely than the worldlings.”

Michael Andrew Screech (1926–2018)

Source: Laughter at the Foot of the Cross (1998), p. 73

God, World, Time, Madness

“I was so enchanted with the open possibilities and the power of being able to choose my part. Who was the child now? I decided I’d be a Japanese businessman because it would be less predictable. Even when I was alone, I was so filled with excitement and laughter at the thought of my task. This was joyful children’s play!”

Piper Laurie (1932) actress

About her role in Twin Peaks. Learning to Live Out Loud: A Memoir (2011), quoted in Word and Film, Piper Laurie: On Twin Peaks and a New Identity, October 31, 2011 http://www.wordandfilm.com/2011/10/piper-laurie-on-twin-peaks-and-a-new-identity/

Children, Parting

“This leads to the paradox, that because the disease is only in the poor countries, there is not much investment. For example, there is more money put into baldness drugs, than are put into malaria. Now, baldness, it is a terrible thing [audience laughter] and rich men are afflicted, so that is why that priority is set.”

Bill Gates (1955) American business magnate and philanthropist

Video may be viewed here http://www.youtube.com/watch?v=ppDWD3VwxVg. TED, February (2009)

Men, Money, Disease, Affliction

“Last week, Mr President, I seemed to hear a strange sound emanating from Blackpool. And I thought at first it was seagulls. [laughter] Then I remembered that Labour was holding its annual Conference there. And I realised it wasn't seagulls, it was chickens—[laughter and applause] chickens being counted before they were hatched—[laughter and applause] except for Labour's call to enter the ERM and cut interest rates. That was a case of counting chickens after they'd flown the coop. Then, I heard voices getting all worked up about someone they kept calling the “Prime Minister in Waiting”. [laughter] It occurs to me, Mr President, that he might have quite a wait. [applause] I can see him now, like the people queuing up for the Winter sales. All got up with his camp bed, hot thermos, woolly balaclava, CND badge… [laughter and applause] Waiting, waiting, waiting… And then when the doors open, in he rushes—only to find that, as always, there's “that woman” ahead of him again. [applause and laughter] I gather there may be an adjective between “that” and “woman” [laughter] only no-one will tell me what it is. [laughter and applause]”

Margaret Thatcher (1925–2013) British stateswoman and politician

Speech to Conservative Party Conference (12 October 1990) http://www.margaretthatcher.org/document/108217 Third term as Prime Minister

People, Winter, Waiting

“Hearing has its own memory. It registers the dog whose sudden barking startled me as a child. The folk songs my nanny used to sing. The dadaism of a cabaret song from Berlin: ‘I tear out one of my eyelashes and stab you dead with it,’ innocently sung by my mother. Hitler conjuring up the Almighty. The crowing voice of little Goebbels. Alarm sirens, the roar of aircraft, the blast of bombs. Ljuba Welitsch being Salome. The sonorities of Edwin Fischer’s piano playing. María Casares as Lady Macbeth in Avignon. Ralph Kirkpatrick’s two Scarlatti recitals. Gré Brouwenstijn as Leonore in Fidelio. The epiphany of Ligeti’s Aventures et Nouvelles Aventures. The magic application of noise in Peter Brook’s A Midsummer Night’s Dream. All sorts of laughter.”

Alfred Brendel (1931) Austrian pianist, poet, and author

quoted in Alan Rusbridger, "Music, Sense and Nonsense by Alfred Brendel review – a great pianist’s thoughts on his art", The Guardian, 24 September 2015

Dogs, Dreams, Tear, Memory

“Tears are as sweet as laughter to some natures.”

Jerome K. Jerome book Idle Thoughts of an Idle Fellow

Idle Thoughts of an Idle Fellow (1886)

Nature, Tear

“There's great value in being able to step back and laugh at yourself, at life and at attitudes. Laughter helps you put everything into perspective.”

Jim Henson (1936–1990) American puppeteer

Interview with The Boston Globe (1989)

Life, Help

“And then, all of a sudden, it was as though through those dark eyes an electrical circuit had been struck. She sat fascinated. Snake-and-bird fascinated. Afterwards she could not recall the details of what he had said. She remembered only that she had been absorbed, rapt, lost, for over ten minutes by the clock. She had perceived images conjured up from the dead past: a hand trailed in clear river water, deliciously cool, while the sun smiled and a shoal of tiny fishes darted between her fingers; the crisp flesh of a ripe apple straight from the tree, so juicy it ran down her chin; grass between her bare toes, the turf like springs so that she seemed not to bear the whole of her weight on her soles but to be floating, dreamlike, in slow motion, instantly transported to the moon; the western sky painted with vast heart-tearing slapdash streaks of red below the bright steel-blue of clouds, and stars coming snap-snap into view against the eastern dark; wind gentle in her hair and on her cheeks, bearing flower perfumes, dusting her with petals; snow cold to the palm as it was shaped into a ball; laughter echoing from a dark lane where only lovers walked, not thieves and muggers; butter like an ingot of soft gold; ocean spray sharp and clean as the edge of an axe; with the same sense of safe, provided rightly used; round pebbles polychrome beside a pool; rain to which a thirsty mouth could open, distilling the taste of a continent of air... And under, and through, and in, and around all this, a conviction: “Something can be done to get that back!”
She was crying. Small tears like ants had itched their paths down her cheeks. She said, when she realized he had fallen silent, “But I never knew that! None of it! I was born and raised right here in New York!””

John Brunner book The Sheep Look Up

”But don’t you think you should have known it?” Austin Train inquired gently.
September “MINE ENEMIES ARE DELIVERED INTO MY HAND”
The Sheep Look Up (1972)

Smile, Star, Spring, Flowers

“They did not talk or want to talk. It was as if they were afraid to talk for fear of spoiling something beautiful. But Anne had never felt so near Katherine Brooke before. By some magic of its own the winter night had brought them together... almost together but not quite.
When they came out to the main road and a sleigh flashed by, bells ringing, laughter tinkling, both girls gave an involuntary sigh. It seemed to both that they were leaving behind a world that had nothing in common with the one to which they were returning... a world where time was not... which was young with immortal youth... where souls communed with each other in some medium that needed nothing so crude as words.”

Lucy Maud Montgomery book Anne of Windy Poplars

Part 2, Ch. 5
Anne of Windy Poplars (1936)

Youth, World, Fear, Beauty

“There is no rose without a thorn
No rain without the storm
There is no laughter without tears
No wisdom without years
In a world gone crazy
Torn between the roads that we must choose
Win or lose.”

Anastacia (1968) American singer-songwriter

Who's Gonna Stop the Rain
Not That Kind (2000)

Wisdom, World, Tear

“The house of laughter makes a house of woe.”

Edward Young Night-Thoughts

Source: Night-Thoughts (1742–1745), Night VIII, Line 757.

Housing

“If books were sold as software and online recordings are, they would have this legalese up front:
The content of this book is distributed on an 'as is' basis, without warranty as to accuracy of content, quality of writing, punctuation, usefulness of the ideas presented, merchantability, correctness or readability of formulae, charts, and figures, or correspondence of (a) the table of contents with the actual contents, (2) page references in the index (if any) with the actual page numbering (if present), and (iii) any illustration with its adjacent caption. Illustrations may have been printed reversed or inverted, the publisher accepts no responsibility for orientation or chirality. Any resemblance of the author or his or her likeness or name to any person, living or dead, or their heirs or assigns, is coincidental; all references to people, places, or events have been or should have been fictionalized and may or may not have any factual basis, even if reported as factual. Similarities to existing works of art, literature, song, or television or movie scripts is pure happenstance. References have been chosen at random from our own catalog. Neither the author(s) nor the publisher shall have any liability whatever to any person, corporation, animal whether feral or domesticated, or other corporeal or incorporeal entity with respect to any loss, damage, misunderstanding, or death from choking with laughter or apoplexy at or due to, respectively, the contents; that is caused or is alleged to be caused by any party, whether directly or indirectly due to the information or lack of information that may or may not be found in this alleged work. No representation is made as to the correctness of the ISBN or date of publication as our typist isn't good with numbers and errors of spelling and usage are attributable solely to bugs in the spelling and grammar checker in Microsoft Word. If sold without a cover, this book will be thinner than those sold with a cover. You do not own this book, but have acquired only a revocable non-exclusive license to read the material contained herein. You may not read it aloud to any third party. This disclaimer is a copyrighted work of Jef Raskin, first published in 2004, and is distributed 'as is', without warranty as to quality of humor, incisiveness of commentary, sharpness of taunt, or aptness of jibe.”

Jef Raskin (1943–2005) American computer scientist

"If Books Were Sold as Software" http://www.newsscan.com/cgi-bin/findit_view?table=newsletter&dateissued=20040818#11200, NewsScan.com (18 August 2004) If Books Were Sold as Software (2004)

Death, People, Books, Art

““Philosophical” ideology critique is truly the heir of a great satirical tradition, in which the motif of unmasking, exposing, baring has served for aeons now as a weapon. But modern ideology critique—according to our thesis has ominously cut itself off from the powerful traditions of laughter in satirical knowledge.”

Peter Sloterdijk (1947) German philosopher

Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), p. 16

Knowledge

“Writer-director John Roecker's debut, Live Freaky! Die Freaky! will have you convulsing on the floor … with nausea, laughter, or both.”

John Roecker (1966) American film director

[Freaky deaky: gay music video director John Roecker takes stop-motion animation to bizarre places in his debut feature Live Freaky! Die Freaky!, The Advocate, February 14, 2006, Kurt B., Reighley]
About

“I was not in full control of myself, and it seemed that I knew her name from before. The evil in her eyes, her color, her scent and her movements were all familiar to me. It was as though my souls, in the life before this, in the world of imagination, had bordered on her soul and that both souls, of the same essence and substance, were destined for union. I must have lived this life very close to her. I had no desire to touch her; the invisible beams that emanated from our bodies and mingled were sufficient for me. Isn't this terrifying experience which seemed so familiar to met quite the same as the feelings of two lovers who feel that they have known each other before and that a mysterious relationship has previously existed between them? Was it possible that someone else could affect me? The dry, repulsive and ominous laughter of the old man, however, tore our bonds asunder.”

Sadegh Hedayat book The Blind Owl

The Blind Owl

Life, World, Color, Feeling

“Jazz today can be spiritual, cerebral, motivating or moving. It can evoke tension, relaxation, laughter, tears. Surely jazz is truly the music of the era, combining stature, dignity and emotion with the highest musical ideals.”

John Dankworth (1927–2010) British musician

Jazz in Revolution (1998), concluding words.

Music, Motivation, Tear

“A sense of humor is a measurement of the extent to which we realize that we are trapped in a world almost totally devoid of reason. Laughter is how we express the anxiety we feel at this knowledge.”

Dave Barry (1947) American writer

Originally published in "Encyclopedia Tropicana: A Reference Book for the Modern World, Volume 1" by Joel Achenbach, The Miami Herald, May 4, 1986; quoted by Bryan Curtis, " Dave Barry: Elegy for the humorist http://slate.msn.com/id/2112218," Slate, January 12, 2005 Columns and articles

World, Feeling, Knowledge, Sense

“Comparing Jews to termites is anti-Semitic, wrong and dangerous. The responsive laughter makes my skin crawl. For everyone who rightly condemned President Trump’s rhetoric when he spoke about immigrants “infesting our country,” this rhetoric should be equally unacceptable to you:”

Chelsea Clinton (1980) daughter of Bill and Hillary Clinton

17 October 2018 https://twitter.com/ChelseaClinton/status/1052565799934849024 response to Louis Farrakhan highlighted by The Hill https://thehill.com/policy/technology/411950-twitter-says-it-wont-suspend-louis-farrakhan-over-tweet-comparing-jews-to

Country

“Life after all is made up of eating and sleeping, of meeting and saying good-by to friends, of reunions and farewell parties, of tears and laughter, of having a haircut once in two weeks, of watering a potted flower and watching one’s neighbor fall off his roof.”

Lin Yutang book The Importance of Living

Source: The Importance of Living (1937), p. 202

Life, Flowers, Tear, Sleep

“Jewish folk music has made a most powerful impression on me. I never tire of delighting in it, it's multifaceted, it can appear to be happy while it is tragic. It's almost always laughter through tears. This quality of Jewish folk music is close to my ideas of what music should be. There should always be two layers in music. Jews were tormented for so long that they learned to hide their despair. They express despair in dance music.”

Dmitri Shostakovich book Testimony

Page 156
Testimony (1979)

Happiness, Music, Idea, Tear

“If I woke up tomorrow morning and it was just a dream, it would be the best dream I've ever had, and I would be ― I would not be happy to be waking up!”

Leona Lewis (1985) British singer-songwriter

laughter
The Xtra Factor: Winner's Story 2006
Upon winning The X-Factor

Happiness, Dreams

“Like the East Side tenement, our house was seldom without the sound of music or laughter or questions being asked or stories being told.”

Harpo Marx (1888–1964) American comedian

book, Harpo Speaks

Music, Question, Housing

“Sometimes tears make more good than laughter.”

Pedro Muñoz Seca (1879–1936) Spanish writer

Tear

“Laughter shall drown the raucous shout;
And, though these shelt’ring walls are thin,
May they be strong to keep hate out
And hold love in.”

Louis Untermeyer (1885–1977) American poet

Poem, Prayer for This House
Other

Love, Hate, Strong

“The laughter came
When the tears stopped falling.
Now all I do is just call your name
(When I say lover)
You walked in and my heart discovered
That my life would never be the same.
Oh, you are my destiny.
You are my one and only.
You gave that joy to me
When my whole life was lonely.”

Lionel Richie (1949) American singer-songwriter, musician, record producer and actor

My Destiny.
Song lyrics, Back to Front (1992)

Life, Lovers, Tear, Heart

“I recall the sudden arpeggios of laughter lilting across the tender, springtime grass — gay-welling, far-floating, fluent, spontaneous, a bell-like feminine fluting, then suppressed; as though snuffed swiftly and irrevocably beneath the quiet solemnity of the vespered air now vibrant with somber chapel bells.”

Ralph Ellison book Invisible Man

Source: Invisible Man (1952), Chapter 5.

Grass

“I miss only, and then only a little, in the late afternoon, the sudden white laughter that like heat lightning bursts in an atmosphere where souls are trying to serve the impossible.”

John Updike book The Centaur

The Centaur (1963)
Context: I miss only, and then only a little, in the late afternoon, the sudden white laughter that like heat lightning bursts in an atmosphere where souls are trying to serve the impossible. My father for all his mourning moved in the atmosphere of such laughter. He would have puzzled you. He puzzled me. His upper half was hidden from me, I knew best his legs.

Soul

“Talking of white supremacist violent types, I was in America, recently… [Wild laughter and applause from audience]”

Bill Bailey (1965) English comedian, musician, actor, TV and radio presenter and author

Part Troll (2004)

“Do not think that I am not sad, though I laugh. See, I have cried even when the laugh did choke me. But no more think that I am all sorry when I cry, for the laugh he come just the same. Keep it always with you that laughter who knock at your door and say, ‘May I come in?’ is not the true laughter.”

Bram Stoker book Dracula

Source: Dracula (1897), Chapter XIV, Dr. Seward's Diary entry for 22 September
Context: Van Helsing and I came on here. The moment we were alone in the carriage he gave way to a regular fit of hysterics. He has denied to me since that it was hysterics, and insisted that it was only his sense of humour asserting itself under very terrible conditions. He laughed till he cried, and I had to draw down the blinds lest any one should see us and misjudge; and then he cried, till he laughed again; and laughed and cried together, just as a woman does. I tried to be stern with him, as one is to a woman under the circumstances; but it had no effect. Men and women are so different in manifestations of nervous strength or weakness! Then when his face grew grave and stern again I asked him why his mirth, and why at such a time. His reply was in a way characteristic of him, for it was logical and forceful and mysterious. He said:—
“Ah, you don't comprehend, friend John. Do not think that I am not sad, though I laugh. See, I have cried even when the laugh did choke me. But no more think that I am all sorry when I cry, for the laugh he come just the same. Keep it always with you that laughter who knock at your door and say, ‘May I come in?’ is not the true laughter. No! he is a king, and he come when and how he like. He ask no person; he choose no time of suitability. He say, ‘I am here.’ Behold, in example I grieve my heart out for that so sweet young girl; I give my blood for her, though I am old and worn; I give my time, my skill, my sleep; I let my other sufferers want that so she may have all. And yet I can laugh at her very grave — laugh when the clay from the spade of the sexton drop upon her coffin and say ‘Thud, thud!’ to my heart, till it send back the blood from my cheek. My heart bleed for that poor boy — that dear boy, so of the age of mine own boy had I been so blessed that he live, and with his hair and eyes the same. There, you know now why I love him so. And yet when he say things that touch my husband-heart to the quick, and make my father-heart yearn to him as to no other man — not even you, friend John, for we are more level in experiences than father and son — yet even at such a moment King Laugh he come to me and shout and bellow in my ear, ‘Here I am! here I am!’ till the blood come dance back and bring some of the sunshine that he carry with him to my cheek. Oh, friend John, it is a strange world, a sad world, a world full of miseries, and woes, and troubles; and yet when King Laugh come, he make them all dance to the tune he play. Bleeding hearts, and dry bones of the churchyard, and tears that burn as they fall — all dance together to the music that he make with that smileless mouth of him. And believe me, friend John, that he is good to come, and kind. Ah, we men and women are like ropes drawn tight with strain that pull us different ways. Then tears come; and, like the rain on the ropes, they brace us up, until perhaps the strain become too great, and we break. But King Laugh he come like the sunshine, and he ease off the strain again; and we bear to go on with our labour, what it may be.”

Sadness, Thinking, Cry

“Back of every mistaken venture and defeat is the laughter of wisdom, if you listen.”

Carl Sandburg (1878–1967) American writer and editor

Incidentals (1904); this is sometimes paraphrased: "I am an idealist. I believe in everything — I am only looking for proofs."
Context: Back of every mistaken venture and defeat is the laughter of wisdom, if you listen. Every blunder behind us is giving a cheer for us, and only for those who were willing to fail are the dangers and splendors of life. To be a good loser is to learn how to win. I was sure there are ten men in me and I do not know or understand one of them. I could safely declare, I am an idealist. A Parisian cynic says "I believe in nothing. I am looking for clues." My statement would be : I believe in everything — I am only looking for proofs.

Wisdom

“A dreadful laugh at last escapes his lips;
The laughter sets him free.
A Fool lives in the Universe! he cries.
The Fool is me!”

Ray Bradbury (1920–2012) American writer

Christ, Old Student in a New School (1972)
Context: That so much time was wasted in this pain.
Ten thousand years ago he might have let off down
To not return again!
A dreadful laugh at last escapes his lips;
The laughter sets him free.
A Fool lives in the Universe! he cries.
The Fool is me!
And with one final shake of laughter
Breaks his bonds.
The nails fall skittering to marble floors.
And Christ, knelt at the rail, sees miracle
As Man steps down in amiable wisdom
To give himself what no one else can give:
His liberty.

Fools, Universe

“You laughed for the marrow in their bones that was not yet ready for laughter;
And you wept for their eyes that yet were dry.”

Khalil Gibran book Jesus, The Son of Man

A Man From Lebanon: Nineteen Centuries Afterward
Jesus, The Son of Man (1928)
Context: You laughed for the marrow in their bones that was not yet ready for laughter;
And you wept for their eyes that yet were dry.
Your voice fathered their thoughts and their understanding.
Your voice mothered their words and their breath.

“The shedding of easy solutions, of comforting illusions, may be painful, but it leaves behind it a sense of freedom and relief. And that is why, in the last resort, the Theatre of the Absurd does not provoke tears of despair but the laughter of liberation.”

Martin Esslin (1918–2002) Playwright, theatre critic, scholar

Introduction to Absurd Drama (1965)
Context: The Theatre of the Absurd attacks the comfortable certainties of religious or political orthodoxy. It aims to shock its audience out of complacency, to bring it face to face with the harsh facts of the human situation as these writers see it. But the challenge behind this message is anything but one of despair. It is a challenge to accept the human condition as it is, in all its mystery and absurdity, and to bear it with dignity, nobly, responsibly; precisely because there are no easy solutions to the mysteries of existence, because ultimately man is alone in a meaningless world. The shedding of easy solutions, of comforting illusions, may be painful, but it leaves behind it a sense of freedom and relief. And that is why, in the last resort, the Theatre of the Absurd does not provoke tears of despair but the laughter of liberation.

Pain, Sense, Tear, Freedom

“To make sure that my blasphemy is thoroughly expressed, I hereby state my opinion that the notion of a god is a basic superstition, that there is no evidence for the existence of any god(s), that devils, demons, angels and saints are myths, that there is no life after death, heaven nor hell, that the Pope is a dangerous, bigoted, medieval dinosaur, and that the Holy Ghost is a comic-book character worthy of laughter and derision. I accuse the Christian god of murder by allowing the Holocaust to take place -- not to mention the "ethnic cleansing" presently being performed by Christians in our world -- and I condemn and vilify this mythical deity for encouraging racial prejudice and commanding the degradation of women.”

James Randi (1928) Canadian-American stage magician and scientific skeptic

This comprehensive statement was arrived at by examining the statutes of those seven states that have remained in the Dark Ages, so that I might satisfy their definitions of blasphemy. Skeptic Magazine, 1995 (Volume 3, No. 4) http://www.petting-zoo.net/~deadbeef/archive/383.html, stated in an unsuccessful effort to be officially charged with blasphemy http://www.celebatheists.com/?title=James_Randi.

Life, Death, Women, God

“Love is enough: draw near and behold me
Ye who pass by the way to your rest and your laughter”

William Morris (1834–1896) author, designer, and craftsman

Love is Enough (1872), Song IV: Draw Near and Behold Me
Context: Love is enough: draw near and behold me
Ye who pass by the way to your rest and your laughter,
And are full of the hope of the dawn coming after;
For the strong of the world have bought me and sold me
And my house is all wasted from threshold to rafter.
— Pass by me, and hearken, and think of me not!

Love, Way, Drawing

“Wearing their wits, which means their laughter,
As their crown. Set free upon the earth
By simple gifts of knowing how mere mirth can cut the bonds
And pull the blood spikes out”

Ray Bradbury (1920–2012) American writer

Christ, Old Student in a New School (1972)
Context: Ten thousand times a million sons of sons move
Through one great and towering town
Wearing their wits, which means their laughter,
As their crown. Set free upon the earth
By simple gifts of knowing how mere mirth can cut the bonds
And pull the blood spikes out;
Their conversation shouts of "Fool!"

“I make of my reproach and laughter a drumbeat sounding in the world beyond.”

Franz Kafka (1883–1924) author

(July 1910)
The Diaries of Franz Kafka 1910-1923 (1948)
Context: I can prove at any time that my education tried to make another person out of me than the one I became. It is for the harm, therefore, that my educators could have done me in accordance with their intentions that I reproach them; I demand from their hands the person I now am, and since they cannot give him to me, I make of my reproach and laughter a drumbeat sounding in the world beyond.

World

“It is not given me to trace
The lovely laughter of that face”

Stephen Vincent Benét (1898–1943) poet, short story writer, novelist

Young Adventure (1918), The Quality of Courage
Context: It is not given me to trace
The lovely laughter of that face,
Like a clear brook most full of light,
Or olives swaying on a height,
So silver they have wings, almost;
Like a great word once known and lost
And meaning all things. Nor her voice
A happy sound where larks rejoice,
Her body, that great loveliness,
The tender fashion of her dress,
I may not paint them.
These I see,
Blazing through all eternity,
A fire-winged sign, a glorious tree!

Love

“Life is sad enough, Magir. Laughter is a thing to be treasured.”

David Gemmell book The King Beyond the Gate

Source: Drenai series, The King Beyond the Gate, Ch. 22

“Such grinning inanity is very sad to the soul of man. Human faces should not grin on one like masks; they should look on one like faces! I love honest laughter, as I do sunlight; but not dishonest”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Past and Present (1843)
Context: "No man in this fashionable London of yours," friend Sauerteig would say, "speaks a plain word to me. Every man feels bound to be something more than plain; to be pungent withal, witty, ornamental. His poor fraction of sense has to be perked into some epigrammatic shape, that it may prick into me;—perhaps (this is the commonest) to be topsyturvied, left standing on its head, that I may remember it the better! Such grinning inanity is very sad to the soul of man. Human faces should not grin on one like masks; they should look on one like faces! I love honest laughter, as I do sunlight; but not dishonest: most kinds of dancing too; but the St.-Vitus kind not at all! A fashionable wit, ach Himmel, if you ask, Which, he or a Death's- head, will be the cheerier company for me? pray send not him!"

Love, Sadness, Soul

“With your face comes laughter
And with your touch
And with your touch comes joy.”

Happy Rhodes (1965) American singer-songwriter

"Ra Is A Busy God"
Many Worlds Are Born Tonight (1998)
Context: Even the leaves laugh
'cause they have what I have
Reach from the best tree
So he can see me
And with your face
With your face comes laughter
And with your touch
And with your touch comes joy.

Joy

“I still get laughed at but it doesn't bother me,
I'm just so glad to hear laughter around me.”

Amanda Palmer (1976) American punk-cabaret musician

Do You Swear to Tell the Truth the Whole Truth and Nothing but the Truth So Help Your Black Ass (2010)
Lyrics

“For all their laughter, ghouls are a dull lot.”

Brian McNaughton (1935–2004) US author

"Meryphillia"
The Throne of Bones (1997)
Context: For all their laughter, ghouls are a dull lot. Hunger is the fire in which they burn, and it burns hotter than the hunger for power over men or for knowledge of the gods in a crazed mortal. It vaporizes delicacy and leaves behind only a slag of anger and lust. They see their fellows as impediments to feeding, to be mauled and shrieked at when the mourners go home. They are seldom alone, not through love of one another's company, but because a lone ghoul is suspected of stealing food. Their copulation is so hasty that distinctions of sex and identity are often ignored.

“The immense laughter of Bruno when he understood that Copernicus had inverted the universe — what was it but joy in the confirmation of his knowledge that Mind, in the center of all, contains within it all that it is the center of?”

John Crowley (1942) American writer

Bk. 3, Ch. 4
Little, Big: or, The Fairies' Parliament (1981)
Context: The immense laughter of Bruno when he understood that Copernicus had inverted the universe — what was it but joy in the confirmation of his knowledge that Mind, in the center of all, contains within it all that it is the center of? … the Universe exploded into infinitude, a circle of which Mind, the center, was everywhere and the circumference nowhere. The trick-mirror of finitude was smashed, Bruno laughed, the starry realms were a jewelled bracelet in the hand.

Knowledge, Universe, Joy

“I would say laughter is the best medicine. But it’s more than that. It’s an entire regime of antibiotics and steroids.”

Stephen Colbert (1964) American political satirist, writer, comedian, television host, and actor

Entertainment Weekly interview http://www.ew.com/ew/article/0,,20006490,00.html (4 January 2007) Context: I would say laughter is the best medicine. But it’s more than that. It’s an entire regime of antibiotics and steroids. Laughter brings the swelling down on our national psyche, and then applies an antibiotic cream... Obviously, it’s a challenge to make light of the darkness but, um, it’s better than crying about it.

“But ere the laughter died from out the rear,
Anger in front saw profanation near;
Jubal was but a name in each man's faith
For glorious power untouched by that slow death
Which creeps with creeping time”

George Eliot (1819–1880) English novelist, journalist and translator

The Legend of Jubal (1869)
Context: But ere the laughter died from out the rear,
Anger in front saw profanation near;
Jubal was but a name in each man's faith
For glorious power untouched by that slow death
Which creeps with creeping time; this too, the spot,
And this the day, it must be crime to blot,
Even with scoffing at a madman's lie:
Jubal was not a name to wed with mockery.
Two rushed upon him: two, the most devout
In honor of great Jubal, thrust him out,
And beat him with their flutes. 'Twas little need;
He strove not, cried not, but with tottering speed,
As if the scorn and howls were driving wind
That urged his body, serving so the mind
Which could but shrink and yearn, he sought the screen
Of thorny thickets, and there fell unseen.
The immortal name of Jubal filled the sky,
While Jubal lonely laid him down to die.

Death, Faith, Time, Anger

“What brings understanding is love. When your heart is full, then you will listen to the teacher, to the beggar, to the laughter of children, to the rainbow, and to the sorrow of man. Under every stone and leaf, that which is eternal exists.”

Jiddu Krishnamurti (1895–1986) Indian spiritual philosopher

"Ninth Talk in Bombay, (14 March 1948) http://www.jkrishnamurti.com/krishnamurti-teachings/view-text.php?tid=270&chid=4600&w=%22What+brings+understanding+is+love%22, J.Krishnamurti Online, JKO Serial No. BO48Q1, published in The Collected Works, Vol. IV, p. 200 1940s Context: What brings understanding is love. When your heart is full, then you will listen to the teacher, to the beggar, to the laughter of children, to the rainbow, and to the sorrow of man. Under every stone and leaf, that which is eternal exists. But we do not know how to look for it. Our minds and hearts are filled with other things than understanding of "what is". Love and mercy, kindliness and generosity do not cause enmity. When you love, you are very near truth. For, love makes for sensitivity, for vulnerability. That which is sensitive is capable of renewal. Then truth will come into being. It cannot come if your mind and heart are burdened, heavy with ignorance and animosity.

Love, Children, Understanding, Teachers

“Laughter always forgives.”

Martin Amis (1949) Welsh novelist

"Political Correctness: Robert Bly and Philip Larkin" (1997)

Forgiveness

“With weeping and with laughter
Still is the story told,
How well Horatius kept the bridge
In the brave days of old.”

Thomas Babington Macaulay, 1st Baron Macaulay book Lays of Ancient Rome

Horatius, st. 70
Lays of Ancient Rome (1842)
Context: When the goodman mends his armor,
And trims his helmet's plume;
When the goodwife's shuttle merrily
Goes flashing through the loom;
With weeping and with laughter
Still is the story told,
How well Horatius kept the bridge
In the brave days of old.

“This happens to be that the power of laughter and love would beat out the power of fear every time. ”

John Goodman (1952) American actor, voice artist, and comedian

Love, Fear, Time

“Man is the only creature endowed with the power of laughter; is he not also the only one that deserves to be laughed at?”

Fulke Greville, 1st Baron Brooke (1554–1628) English politician

“True happiness is impossible without solitude…. I need solitude in my life as I need food and drink and the laughter of little children. Extravagant though it may sound, solitude is the filter of my soul. It nourishes me, and rejuvenates me. Left alone, I discovered that I keep myself good company.”

Sophia Loren (1934) Italian actress

Life, Happiness, Children, Food

“It is not reassuring to watch the ease with which foreign scholars have absorbed or adopted the non-temple thesis from their Indian colleagues (whom they assume to be neutral observers) even without being shown any positive evidence. In academic circles in the West, my own restating the status quaestionis in terms of actual evidence has only earned me hateful labels and laughter, and this from big professors at big universities whose prestige is based on the widespread belief that scholarship goes by hard evidence, not politically fashionable opinions. Never has any of them offered hard evidence for the newly dominant view, or even just shown a little familiarity with the contents of the debate.”

Koenraad Elst (1959) orientalist, writer

2000s, Ayodhya: The Case Against the Temple (2002)

Hate, Fashion, Universe

“Tragedy is all about losing. And humor is all about gaining perspective. Humour returns our gladness. And with gladness comes generosity. Humor returns us to the light and makes us light—it kills grudges, buries bodies–buries revenge—buries blame and guilt—fear and dread. Laughter, like hiccups and sneezes and farts and burps, relieves us of severity.”

Giannina Braschi (1953) Puerto Rican writer

On the healing effects of humor in “52 WEEKS / 52 INTERVIEWS: WEEK 34: GIANNINA BRASCHI” http://monkeybicycle.net/52-weeks-52-interviews-week-34-giannina-braschi/ (Monkey Bicycle)

Fear, Making love, Revenge, Light

“Our folks understood that there was a war upon us and that school was a weapon that outdid any Glock. Yet the whole process—with its equally spaced desks, precisely timed periods and lectures, with its standardized pencils and tests—felt unnatural to me. But much as I hated their terms, having been impressed into them, I hated more the failing. So I was left with a great unconscious sadness, an emptiness which, even when I was alone, I was not fully aware. But it worked on me like an invisible weight, altered my laughter, posture, my approach to girls. Fuck what you have heard or what you have seen in your son. He may lie about homework and laugh when the teacher calls home. He may curse his teacher, propose arson for the whole public system. But inside is the same sense that was in me. None of us ever want to fail. None of us want to be unworthy, to not measure up.”

Ta-Nehisi Coates (1975) writer, journalist, and educator

Source: The Beautiful Struggle: A Memoir (2008), p. 169-170.

Hate, War, Lie, Sadness

“Do you not know that close to your doors a great multitude of men and women, flesh of your flesh, live lives that are one agony from birth to death? Listen! their dwellings are so near that if you hush your laughter you will hear their grievous voices, the piteous crying of the little ones that suckle poverty, the hoarse curses of men sodden in misery turned half-way back to brutes, the chaffering of an army of women selling themselves for bread. With what have you stopped your ears that you do not hear these doleful sounds?”

Edward Bellamy (1850–1898) American author and socialist

Source: Looking Backward, 2000-1887 http://www.gutenberg.org/ebooks/25439 (1888), Ch. 28.

Death, Women, Men, Way

Quotes about laughter page 5

Quotes about laughter
page 5