Quotes about feelings
page 47

Berthe Morisot photo
Mark Tobey photo

“We all feel a separateness; we wish that a drop of water would soften our ego; the world needs a common conscience: agreement.... we must concentrate outside ourselves.”

Mark Tobey (1890–1976) American abstract expressionist painter

Quote from Tobey's Bahai lecture, 1951; as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, pp. 66/67
1950's

Henry Moore photo

“And for me Michelangelo's greatest work is one that was in his studio partly finished, partly unfinished when he died 'The Rondanini Pietà'. I don't know of any other single work of art by anyone that is more poignant, more moving. It isn't the most powerful of Michelangelo's works – it's a mixture, in fact, of two styles…. the changing became so drastic that I think he knocked the head off the sculpture… So the figure must originally have been a good deal taller. And if we see also the proportion of the length of the body of Christ compared with the length of the legs, there's no doubt that the whole top of the original sculpture has been cut away. Now this to me is a great question. Why should I and other sculptors I know, my contemporaries – I think that Giacometti feels this, I know Marino Marini feels it – find this work one of the most moving and greatest works we know of when it's a work which has such disunity in it?… But that's so moving, so touching: the position of the heads, the whole tenderness of the top part of the sculpture, is in my opinion more what it is by being in contrast with the rather finished, tough, leathery, typical Michelangelo legs. The top part is Gothic and the lower part is sort of Renaissance.”

Henry Moore (1898–1986) English artist

Quote of Henri Moore in his interview with David Silvester, in 'The Sunday Times Magazine', 16 Febr. 1964, pp. 18, 20-22
1955 - 1970

Lewis Pugh photo

“I always feel nostalgic when I disembark (off a ship). It's not that I don't like land. I just love being at sea.”

Lewis Pugh (1969) Environmental campaigner, maritime lawyer and endurance swimmer

6 November 2014, Twitter
Speaking & Features

Lama Ole Nydahl photo
Barbara Hepworth photo
William Gibson photo
Marvin Gaye photo
Joni Mitchell photo
Albert Einstein photo
Joey Comeau photo
Phil Brooks photo

“I really hope that the symbolism isn't lost on you four Superstars in the chamber right now, because it's killing me. Here's four extremely weak individuals that, every day, are locked inside a prison of addiction, like most of these people here today; and now, the four of you are locked inside the Elimination Chamber with me. And be sure, it's not me locked in here with you — it's you locked in here with me. And tomorrow morning, when you're nursing the pain and the wounds that this chamber and myself have caused you, I want you to remember that when your pod door opens and you came out and I defeated you, don't think of it as failure. Think of it as me saving you. [Standing over Rey Mysterio's pod] Think of it as me setting you free.
Punk: [To Undertaker, after elimination R-Truth] You'd better pray that your pod door opens last, 'cause when you come out, I'm gonna make you tap out, just like I did before. [To John Morrison] And I'm gonna prove to you that your decadent rock life will get you nowhere. I'm gonna prove to the world that straight-edge means I'm better than you! For those of you at home, feel free, place your hand on the screen and feel CM Punk flow through you!
Lawler: Matt, did you just put your hand on the screen?
Striker: Yes.
Lawler: Do you feel CM Punk flow through you?
Punk: Nobody can stop me!
Cole: Guys, the sermon's over in [checking the timer] three seconds.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Elimination Chamber - February 21, 2010
Friday Night SmackDown

Karel Appel photo

“Pollock... I also feel
like an erupting volcano.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

ATV, 187; p. 167
Karel Appel, a gesture of colour' (1992/2009)

Slavoj Žižek photo
Fred Dibnah photo

“A man who says he feels no fear is either a fool or a liar.”

Fred Dibnah (1938–2004) English steeplejack and television personality, with a keen interest in mechanical engineering

Unsourced

“The essence of Gumby is that he makes children feel safe. He's their greatest pal.”

Art Clokey (1921–2010) American animator

Quoted by Mike Antonucci (Knight Ridder), "Gumby's creator formed a spirit in clay", The Milwaukee Journal Sentinel, 1 January 1998, p. 6E

Seneca the Younger photo

“Our feeling about every obligation depends in each case upon the spirit in which the benefit is conferred; we weigh not the bulk of the gift, but the quality of the good-will which prompted it.”
Eo animo quidque debetur quo datur, nec quantum sit sed a quali profectum voluntate perpenditur.

Seneca the Younger (-4–65 BC) Roman Stoic philosopher, statesman, and dramatist

Alternate translation: The spirit in which a thing is given determines that in which the debt is acknowledged; it's the intention, not the face-value of the gift, that's weighed. (translator unknown).
Source: Epistulae Morales ad Lucilium (Moral Letters to Lucilius), Letter LXXXI: On benefits, Line 6

Fernand Léger photo
Richard Maurice Bucke photo
Letitia Elizabeth Landon photo
Gottfried Schatz photo
Albert Einstein photo

“Certain it is that a conviction, akin to religious feeling, of the rationality or intelligibility of the world lies behind all scientific work of a higher order. … This firm belief, a belief bound up with deep feeling, in a superior mind that reveals itself in the world of experience, represents my conception of God.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

'Essays in Science (1934) p. 11. Reprinted in Ideas and Opinions On Scientific Truth (1954) p. 261, Crown Publishers, Inc. New York, New York, USA, 1954, ISBN 0679601058.
1940s

Warren Farrell photo

“The nature of men’s responsibilities distanced men from feelings, whereas the nature of women’s responsibilities encouraged the expression of feelings.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Women Can't Hear What Men Don't Say (2000)

Nathan Leone photo
Bill Evans photo
John Fante photo
Antoni Tàpies photo
Leo Tolstoy photo

“The Christianity of the first centuries recognized as productions of good art, only legends, lives of saints, sermons, prayers, and hymn-singing evoking love of Christ, emotion at his life, desire to follow his example, renunciation of worldly life, humility, and the love of others; all productions transmitting feelings of personal enjoyment they considered to be bad, and therefore rejected … This was so among the Christians of the first centuries who accepted Christ teachings, if not quite in its true form, at least not yet in the perverted, paganized form in which it was accepted subsequently.
But besides this Christianity, from the time of the wholesale conversion of whole nations by order of the authorities, as in the days of Constantine, Charlemagne and Vladimir, there appeared another, a Church Christianity, which was nearer to paganism than to Christ's teaching. And this Church Christianity … did not acknowledge the fundamental and essential positions of true Christianity — the direct relationship of each individual to the Father, the consequent brotherhood and equality of all people, and the substitution of humility and love in place of every kind of violence — but, on the contrary, having founded a heavenly hierarchy similar to the pagan mythology, and having introduced the worship of Christ, of the Virgin, of angels, of apostles, of saints, and of martyrs, but not only of these divinities themselves but of their images, it made blind faith in its ordinances an essential point of its teachings.
However foreign this teaching may have been to true Christianity, however degraded, not only in comparison with true Christianity, but even with the life-conception of the Romans such as Julian and others, it was for all that, to the barbarians who accepted it, a higher doctrine than their former adoration of gods, heroes, and good and bad spirits. And therefore this teaching was a religion to them, and on the basis of that religion the art of the time was assessed. And art transmitting pious adoration of the Virgin, Jesus, the saints, and the angels, a blind faith in and submission to the Church, fear of torments and hope of blessedness in a life beyond the grave, was considered good; all art opposed to this was considered bad.”

Leo Tolstoy (1828–1910) Russian writer

What is Art? (1897)

“All the people who are hating me right now and are here waiting to see me die, when you wake up in the morning you aren't going to feel any different. You are going to hate me as much tomorrow as you do tonight.
Reach out to God and he will hear you. Let him touch your hearts. Don't hate all your lives.”

Sean Sellers (1969–1999) American murderer

Final statement before his execution (5 February 1999), quoted in "Man Who Killed 3 as Teen Is Among Pair Executed" in Los Angeles Times (5 February 1999) http://articles.latimes.com/1999/feb/05/news/mn-5135.

H. A. L. Fisher photo
Franz Marc photo

“The impure men and women who surrounded me (and particularly the men), did not arouse any of my real feelings; while the natural feeling for life possessed by animals set in vibration everything good in me.”

Franz Marc (1880–1916) German painter

from the front of World War 1.
In a letter to his wife, April 1915; as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 444
1915 - 1916

Cyrano de Bergerac photo
Richard Monckton Milnes, 1st Baron Houghton photo

“Great thoughts, great feelings came to them,
Like instincts, unawares.”

Richard Monckton Milnes, 1st Baron Houghton (1809–1885) British politician and poet

The Men of Old.

Gautama Buddha photo

“‘Brethren, if outsiders should speak against me, or against the Doctrine, or against the Order, you should not on that account either bear malice, or suffer heart-burning, or feel ill will. If you, on that account, should be angry and hurt, that would stand in the way of your, own self-conquest. If, when others speak against us, you feel angry at that, and displeased, would you then be able to judge how far that speech of theirs is well said or ill?’
‘That would not be so, Sir.’
‘But when outsiders speak in dispraise of me, or of the Doctrine, or of the Order, you should unravel what is false and point it out as wrong, saying: “For this or that reason this is not the fact, that is not so, such a thing is not found among us, is not in us.”
‘But also, brethren, if outsiders should speak in praise of me, in praise of the Doctrine, in praise of the Order, you should not, on that account, be filled with pleasure or gladness, or be lifted up in heart. Were you to be so that also would stand in the way of your self-conquest. When outsiders speak in praise of me, or of the Doctrine, or of the Order, you should acknowledge what is right to be the fact, saying: “For this or that reason this is the fact, that is so, such a thing is found among us, is in us.””

Gautama Buddha (-563–-483 BC) philosopher, reformer and the founder of Buddhism

T. W. Rhys Davids trans. (1899), Brahmajāla Sutta, verse 1.5-6 https://en.wikisource.org/wiki/Brahmajala_Sutta#Brahmaj.C4.81la_Sutta_.5B9.5D_-_The_Perfect_Net (text at archive.org https://archive.org/stream/bookofdiscipline02hornuoft#page/3/mode/1up), as cited in: (1992). A Comparative History of Ideas, p. 221-2
Source: Pali Canon, Sutta Pitaka, Digha Nikaya (Long Discourses)

Samuel Taylor Coleridge photo

“To know, to esteem, to love, and then to part,
Makes up life's tale to many a feeling heart!”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

On taking Leave of ———— (1817)
Bartlett's Familiar Quotations, 10th ed. (1919)

Richard Powers photo
W. H. Auden photo
William Rowan Hamilton photo

“How ‘real’ it is one feels when trying to form other groups…Most people will never get this other grouping as clear, stable, and optically real as the former one.”

Wolfgang Köhler (1887–1967) German-American psychologist and phenomenologist

Source: Gestalt Psychology. 1930, p. 143; About group formation

Pete Yorn photo

“The Pink Panther is supposed to use humor to uplift. Instead, I departed this movie feeling depressed. Lifeless comedies can suck the energy out of a viewer, especially when they sully the image of an cinematic icon.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=810 of The Pink Panther (2006).
One-star reviews

“Out among the big things —
The heights that gleam afar —
A feller gets to wonder
What means each distant star;
He may not get an answer,
But somehow, every night
He feels, among the big things,
That everything’s all right.”

Arthur Chapman (poet) (1873–1935) American poet and newspaper columnist

Out Among the Big Things, st. 3.
Out Where the West Begins and Other Western Verses http://www.cowboypoetry.com/ac.htm#outbk (1917)

Lupe Fiasco photo
Rekha photo
Shreya Ghoshal photo
Sarah McLachlan photo
Pauline Kael photo
Akira Kurosawa photo

“T were vain to tell thee all I feel,
Or say for thee I'd die.
Ah, well-a-day, the sweetest melody
Could never, never say, one half my love for thee.”

J. Augustine Wade (1796–1845) Irish composer

T were vain to tell, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Letitia Elizabeth Landon photo
Rumi photo

“Quit acting like a wolf, and feel
the shepherd's love filling you.”

Rumi (1207–1273) Iranian poet

"A Community of the Spirit" in Ch. 1 : The Tavern, p. 2
Disputed, The Essential Rumi (1995)

Prem Rawat photo
Letitia Elizabeth Landon photo
Thomas Moore photo
Eric Hoffer photo
Robert T. Kiyosaki photo

“Eleanor Roosevelt said it best: “Do what you feel in your heart to be right—for you’ll be criticized anyway. You’ll be damned if you do, and damned if you don’t.””

Robert T. Kiyosaki (1947) American finance author , investor

Rich Dad Poor Dad: What the Rich Teach Their Kids About Money-That the Poor and the Middle Class Do Not!

E.M. Forster photo

“To make us feel small in the right way is a function of art; men can only make us feel small in the wrong way.”

E.M. Forster (1879–1970) English novelist

"A Book That Influenced Me"
Two Cheers for Democracy (1951)

James Brown photo

“When I hold you in my arms,
I know that I can't do no wrong.
And when I hold you in my arms,
My love can't do me no harm.And I feel nice, like sugar and spice
I feel nice, like sugar and spice.
So nice, so nice, well I got you.”

James Brown (1933–2006) American singer, songwriter, musician, and recording artist

I Got You (I Feel Good), from I Got You (1966)
Song lyrics

Ravi Zacharias photo

“Love is a command, not just a feeling. Somehow, in the romantic world of music and theater we have made love to be what it is not. We have so mixed it with beauty and charm and sensuality and contact that we have robbed it of its higher call of cherishing and nurturing.”

Ravi Zacharias (1946) Indian philosopher

[I, Isaac, Take Thee, Rebekah: Moving from Romance to Lasting Love, 2005, 9781418515812, http://books.google.com/books?id=lhWCB2v3UlQC&pg=PA30&dq=%22Love+is+a+command%22, 39]
2000s

Cassandra Clare photo
Miguel de Unamuno photo

“And above all, we must feel and act as if an endless continuation of our earthly life awaited us after death; and if it be that nothingness is the fate that awaits us we must not, in the words of Obermann, so act that it shall be a just fate.”

Miguel de Unamuno (1864–1936) 19th-20th century Spanish writer and philosopher

The Tragic Sense of Life (1913), X : Religion, the Mythology of the Beyond and the Apocatastasis

Thomas Jefferson photo

“The selfish spirit of commerce knows no country, and feels no passion or principle but that of gain.”

Thomas Jefferson (1743–1826) 3rd President of the United States of America

Letter to Larkin Smith (1809)
1800s, Post-Presidency (1809)

Bono photo
Luciano Pavarotti photo

“Nothing that has happened has made me feel gloomy or remain depressed. I love my life.”

Luciano Pavarotti (1935–2007) Italian operatic tenor

Pavarotti : My World (1995)

Max Tegmark photo
Karl Pilkington photo

“You know how they say people have six senses? There's loads more than that. [The ability to feel someone looking at you], that's been around since man and dinosaur were knockin' about.”

Karl Pilkington (1972) English television personality, social commentator, actor, author and former radio producer

Podcast Series 1 Episode 1
On Biology

Navneet Aditya Waiba photo

“I would like to inspire the younger generation to go back to the roots we belong to. I feel that the songs will bring back those memories.”

Navneet Aditya Waiba Nepali folk singer

https://thehimalayantimes.com/entertainment/music/songs-of-tribute-navneet-aditya-waiba-and-satya-aditya-waiba/

Robinson Jeffers photo

“I decided not to tell lies in verse. Not to feign any emotions that I did not feel.”

Robinson Jeffers (1887–1962) American poet

The Selected Poems of Robinson Jeffers, Stanford University Press (2001) ISBN 978-0804738903

George Carlin photo
Anni-Frid Lyngstad photo

“The sexiest is when a person can feel happy with one's self.”

Anni-Frid Lyngstad (1945) Swedish female singer

Regarding the correlation between age and sexiness, as quoted in "”Det sexigaste är när en person känner sig bekväm med sig själv” Abba-Frida i DV-intervju", Johanna Ewerbring, 22 April 2015, Damernasvarld.se https://www.damernasvarld.se/intervju-abba-anni-frid/

Anton Chekhov photo

“We live not in order to eat, but in order not to know what we feel like eating.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

The Fruits of Long Meditations (1884)

John Frusciante photo

“A slave in the fields one night
He's running along
Gets far enough to be a free man
And he's feeling so strong”

John Frusciante (1970) American guitarist, singer, songwriter and record producer

Ah Yom
Lyrics, The Empyrean (2009)

Arshile Gorky photo

“The Persian art is great, I feel compelled to tell you this my Mouguch [pet name for his wife], because it pleases me so much. I adore those sick and lovely Persian – civilization which reveals there ancient custom's to me, which is deeply impregnated with my own.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: 1942 - 1948, Arshile Gorky, – Goats on the roof' (2009), p. 356: in a letter to his wife Mougouch Gorky, late Summer 1947

Gloria Estefan photo
Adolf Hitler photo
Lois McMaster Bujold photo
Rachel Marsden photo

“Al Gore could really pollute a bathroom … Just look at the guy. If someone doesn't take away his pork 'n' beans, he's bound to get another one of those 'gut feelings' and mistake his own greenhouse gas production for science!”

Rachel Marsden (1974) journalist

Toronto Sun column
cited in Fox's Ann Coulter 2.0 http://www.salon.com/news/feature/2007/03/29/marsden/index.html. Salon.com.

“There are so many things that we wish we had done yesterday, so few that we feel like doing today.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Ben Gibbard photo
Albert Einstein photo

“The strange thing about growing old is that the intimate identification with the here and now is slowly lost; one feels transposed into infinity, more or less alone, no longer in hope or fear, only observing.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Letter to Queen Mother Elisabeth of Belgium (12 January 1953), Einstein Archive 32-405. Quoted in Albert Einstein: Creator and Rebel by Banesh Hoffman (1973), p. 261 http://books.google.com/books?id=sdDaAAAAMAAJ&q=%22no+longer+in+hope+or+fear%22#search_anchor, and also partially quoted (with a reference to the exact date of the letter) in Einstein: His Life and Universe by Walter Isaacson (2007), p. 536
1950s

Lucy Lawless photo

“They either overcompensate for the way they feel and are incredibly sycophantic or incredibly brusque in order to prove they don't think you're superior.”

Lucy Lawless (1968) New Zealand actress

Discussing the differences between her fans in the United States and those in New Zealand— reported in Sarah Stuart (January 12, 2003) "Superstars in our midst", Sunday Star Times, p. A1.

“I object very much when my work is said to not be political, because my feelings about the social system are in there somewhere. The idea is to have it all in there together—you can’t pull it out.”

Donald Judd (1928–1994) artist

1980
Source: Flash Art, Nr. 132-134, (1987), p. 36: Cited in: " ‘Donald Judd: Stacks’ at Mnuchin Gallery http://galleristny.com/2013/10/donald-judd-stacks-at-mnuchin-gallery/" by Andrew Russeth at galleristny.com, 10/01/13.

Li Qingzhao photo

“Seeing a guest come, she feels shy;
Her stockings coming down, away she tries to fly.
Her hairpin drops;
She never stops
But to look back.
She leans against the door,
Pretending to sniff at mume blossoms once more.”

Li Qingzhao (1084–1155) Chinese writer

《点绛唇》 ("Rouged Lips"), as translated by Xu Yuan Zhong in Song of the Immortals (New World Press, 1994), p. 227

Dorothy Thompson photo

“To have felt too much is to end in feeling nothing.”

Dorothy Thompson (1893–1961) American journalist and radio broadcaster

A comment regarding her divorce from Sinclair Lewis, quoted by Vincent Sheean in Dorothy and Red (1963)

“Sometimes the love you'll feel after you've been hurt is stronger than ever.”

Source: Life, the Truth, and Being Free (2010), p. 124

Neal Stephenson photo
Gerhard Richter photo
Hannah Arendt photo
Helen Hayes photo
Henry Hazlitt photo

“Let us begin with the simplest illustration possible: let us, emulating Bastiat, choose a broken pane of glass.A young hoodlum, say, heaves a brick through the window of a baker’s shop. The shopkeeper runs out furious, but the boy is gone. A crowd gathers, and begins to stare with quiet satisfaction at the gaping hole in the window and the shattered glass over the bread and pies. After a while the crowd feels the need for philosophic reflection. And several of its members are almost certain to remind each other or the baker that, after all, the misfortune has its bright side. It will make business for some glazier. As they begin to think of this they elaborate upon it. How much does a new plate glass window cost? Fifty dollars? That will be quite a sum. After all, if windows were never broken, what would happen to the glass business? Then, of course, the thing is endless. The glazier will have $50 more to spend with other merchants, and these in turn will have $50 more to spend with still other merchants, and so ad infinitum. The smashed window will go on providing money and employment in ever-widening circles. The logical conclusion from all this would be, if the crowd drew it, that the little hoodlum who threw the brick, far from being a public menace, was a public benefactor.Now let us take another look. The crowd is at least right in its first conclusion. This little act of vandalism will in the first instance mean more business for some glazier. The glazier will be no more unhappy to learn of the incident than an undertaker to learn of a death. But the shopkeeper will be out $50 that he was planning to spend for a new suit. Because he has had to replace a window, he will have to go without the suit (or some equivalent need or luxury). Instead of having a window and $50 he now has merely a window. Or, as he was planning to buy the suit that very afternoon, instead of having both a window and a suit he must be content with the window and no suit. If we think of him as a part of the community, the community has lost a new suit that might otherwise have come into being, and is just that much poorer.The glazier’s gain of business, in short, is merely the tailor’s loss of business. No new “employment” has been added. The people in the crowd were thinking only of two parties to the transaction, the baker and the glazier. They had forgotten the potential third party involved, the tailor. They forgot him precisely because he will not now enter the scene. They will see the new window in the next day or two. They will never see the extra suit, precisely because it will never be made. They see only what is immediately visible to the eye.”

Economics in One Lesson (1946), The Broken Window (ch. 2)