Quotes about colors
page 10

Lyndon B. Johnson photo

“I'll tell you what's at the bottom of it. If you can convince the lowest white man he's better than the best colored man, he won't notice you're picking his pocket. Hell, give him somebody to look down on, and he'll empty his pockets for you.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

As quoted in "What a Real President Was Like: To Lyndon Johnson, the Great Society Meant Hope and Dignity" http://pqasb.pqarchiver.com/washingtonpost/doc/307079109.html?FMT=ABS&FMTS=ABS:FT&date=Nov+13%2C+1988&author=Moyers%2C+Bill+D&desc=What+a+Real+President+Was+Like%3B+To+Lyndon+Johnson%2C+the+Great+Society+Meant+Hope+and+Dignity, by Bill Moyers, The Washington Post (13 November 1988).
Attributed

Eric Holder photo

“[I] can’t actually imagine a time in which the need for more diversity would ever cease. Affirmative action has been an issue since segregation practices. The question is not when does it end, but when does it begin [.. ] When do people of color truly get the benefits to which they are entitled?”

Eric Holder (1951) 82nd Attorney General of the United States

Holder talks financial crime, affirmative action at Low http://www.columbiaspectator.com/2012/02/24/holder-talks-financial-crime-affirmative-action-low, Columbia Spectator, February 24, 2012.
2010s

Frank Stella photo
Aldous Huxley photo
Frantz Fanon photo

“At risk of arousing the resentment of my colored brothers, I will say that the black is not a man.”

Introduction,page 8
Black Skin, White Masks (1952)

Phillip Guston photo
Elbert Hubbard photo
Lyndon B. Johnson photo

“I look good in dark colors.”

Paul deParrie (1949–2006) American activist

Anarchy in the name of God http://www.culteducation.com/reference/a-abortion/a-abortion5.html

Camille Pissarro photo
Samuel Taylor Coleridge photo
Frederick Douglass photo

“[T]he Constitution of the United States knows no distinction between citizens on account of color.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, Reconstruction (1866)

Philip K. Dick photo
Harry V. Jaffa photo
Ron Paul photo
Robert Rauschenberg photo
Robert G. Ingersoll photo
Mark Waid photo
Bell Hooks photo
Harry V. Jaffa photo
Happy Rhodes photo

“Oh, even the leaves laugh
As you spin and tumble through
We explode in color
All for your honor”

Happy Rhodes (1965) American singer-songwriter

"Ra Is A Busy God"
Many Worlds Are Born Tonight (1998)

Samuel R. Delany photo
Han-shan photo
Hillary Clinton photo
Gore Vidal photo
Owen Lovejoy photo
Happy Rhodes photo

“I want to go wherever you go because
all the colors are brighter there
and there is more magic in the air
wherever you go, here and hereafter.”

Happy Rhodes (1965) American singer-songwriter

"Here And Hereafter" - Live performance, Santa Cruz, CA (9 June 2001) http://www.youtube.com/watch?v=PFlk0MJez_g
Find Me (2007)

George Hendrik Breitner photo

“.. in an review of the exhibition in Arti, [in Amsterdam] you say that most of my submissions are not meant as a study. I don't know what you mean by study. I understand a study as a work I am painting directly after nature, with the aim hold on the casual tone, color and line. All of mine that is presented there, is immediately felt in nature and not one of the sketches is done by heart after received impressions for any paintings. I thought I had to tell you this, because then you might get a different view of it - whether you think they are more worthy or not because of this, I don't want to judge.... yours GH Breitner”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

Mejufvrouw In een stukje over de Tent. in Arti zegt u dat het meerendeel van mijn inzending niet als studie bedoeld zijn. Ik weet niet wat u onder studie verstaat. Ik versta daar onder wat men direct naar de natuur schilderd om de toevallige toon kleur en lijn vast te houden. Na alles wat er van mij is. is dadelijk naar de natuur ervaren en zijn geen van allen [1:2] schetsen uit het hoofd gedaan na ontvangen indrukken voor eventuelen schilderijen. Ik meende u dat te moeten zeggen omdat u er dan misschien een anderen kijk op krijgt of u vind dat ze daarom verdienstelijker zijn of niet wil ik niet beoordeelen.. ..Hoogachtend uw GH Breitner
quote of Breitner in a letter to art-critic Grada Hermina Marius, 22 Feb. 1908; original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/951
1900 - 1923

August Macke photo
Nathalia Crane photo

“In the darkness, who would answer for the color of a rose,
Or the vestments of the May moth and the pilgrimage it goes?”

Nathalia Crane (1913–1998) American writer

"The Blind Girl"
The Janitor's Boy And Other Poems (1924)

Václav Smil photo

“Apple! Boy, what a story. No taxes paid, everything made abroad — yet everyone worships them. This new iPhone, there's nothing new in it. Just a golden color. What the hell, right? When people start playing with color, you know they're played out.”

Václav Smil (1943) Canadian geographer

This Is the Man Bill Gates Thinks You Absolutely Should Be Reading http://wired.com/2013/11/vaclav-smil-wired/all/1 in Wired (25 November 2013)

Andy Warhol photo
Marsden Hartley photo
Howard Dean photo

“The Republicans are not very friendly to different kinds of people. I mean, they're a pretty monolithic party. They pretty much, they all behave the same, they all look the same. It's pretty much a white Christian party. Again, the Democrats abduct everybody you can think of. So, as this gentleman was talking about, it's a coalition, a lot of it independent. The problem is, we gotta make sure that turns into a party, which means this: I've gotta spend time in the communities, and our folks gotta spend time in the communities. I think, we're more welcoming to different folks, because that's the type of people we are. But that's not enough. We do have to deliver on things, particularly on jobs, and housing, and business opportunities and college opportunities, and so fourth. I think, there has been a lot of progress in the last 20-40 years, but the stakes keep changing. I think there's a lot of folks who vote, maybe right now, in the Asian-American communities, who don't wanna vote Democrats, but they're angry with the President on his immigration policy, the Patriot Act. But, what we need to do while this is going on, is develop a really close relationship with the Asian-American community, so later on there's gonna be a benefit, you know, more equal division. There'll be some party loyalty, as people would rememeber that we were there when it really made a difference. That's really what I'm trying to do. If I come in here 8 weeks before the elections, we're not getting anywhere. Asking if you would vote, you're still mad at the lesser of two evils. So that's why I'm here 3.5 years before the elections. We want different kind of people to run for office, too. We want a very diverse group of people running for office, African-Americans, Asian-Americans, Latinos. I think Villaraigosa's election in Los Angeles is incredibly important for the Democratic Party. Bush can go out and talk all he wants about "this is the party of opportunity", you know, he can make his appointments, Condi Rice, or, what's this guy's name, Commerce Secretary, Gutierrez. But you can't succeed electorally if you're a person of color in then Republican Party, there're very few people who have succeeded. You can pick some out, JC Watts, I'm trying to think of an Asian-American who's been a success who's a Republican, I can't think of one off the top of my head. You know, there's always a few, but not many. Because this is the party of opportunity for people of color, and for communities of color. And we're hoping to cement that relationship so that'll always be that way. [Q: You've been very tough on the Republicans, some Democrats criticized you over the weeked for doing that, Joe Biden…] I just got off the phone with John Edwards. What happened was, John Edwards was, in a sense, set up by the reporter, "well you know, Governor Dean said this". Well what I said was, the Republican leadership didn't seem to care much about working people. That's essentially the gist of the quote, and, you know, the RNC put out a press release. I don't think there's a lot of difference between me and John Edwards right now, I haven't spoken to Senator Biden, but I'm sure that I will. Today, it's all over the wires that Durbin and Sheila Jackson Lee and all of these folks are coming to my defense. Look, we have to be tough on the Republicans; the Republicans don't represent ordinary Americans, and they don't have any understanding of what it is to have to go out and try to make ends meet. You know, the context of what I was talking about was these long lines that you have to wait in to vote. How could you design a system that sometimes causes people to vote, to stand in line for 6 or 8 hours, if you had any understanding what their lives are like: they gotta pick up the kids, they gotta work, sometimes they have two jobs. So that was the context of the remarks. [crosstalk/laughter] This is one of those flaps that comes up once in awhile when I get tough, but I think we all wanna be tougher on the Republicans.”

Howard Dean (1948) American political activist

Source: Discussion with reporters Portia Li and Carla Marinucci, in San Francisco http://web.archive.org/web/20060427191647/http://www.sfgate.com/cgi-bin/object/article?f=/chronicle/archive/2005/06/07/MNdean07.TMP&o=1, June 6, 2005

Georgia O'Keeffe photo
Cesar Chavez photo
A. Wayne Wymore photo
Wassily Kandinsky photo
Piet Mondrian photo
R. A. Salvatore photo
John Donne photo
Vincent Van Gogh photo

“Here, under a stronger sun, I have found true what Pissarro said, and what Gauguin wrote to me as well, the simplicity, the lack of color, the gravity of great sunlight effects.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, Oct. 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 555) p. 28
1880s, 1888

Georgia O'Keeffe photo
James Comey photo
Neal Stephenson photo
Kazimir Malevich photo

“I have broken the blue boundary of color limits, come out into the white, besides me comrade-pilots swim in this infinity. I have established the semaphore of Suprematism. I have beaten the lining of the colored sky, torn it away and in the sack that formed itself, I have put color and knotted it. Swim! The free white sea lies before you.”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

In the 'Catalogue 10th State Exhibition', Kasimir Malevich, Moscow, 1919; as quoted in Autocritique, – essays on art and anti-art 1963 – 1987, Barbara Rose, Weidenfeld & Nicolson, New York, 1988, p. 71
1910 - 1920

Ken Ham photo
Johannes Bosboom photo

“The romantic [Dutch] movement under the leadership of the geniuses Nuyen [c. 1830] also attracted me to follow. And in spite of the fact that in this way people lost their color and embellishment and often degenerating into chic, later on, a more sensible search arose for enlivening of coloration, heightening effect and strengthening the relief.”

Johannes Bosboom (1817–1891) Dutch painter

version in original Dutch (citaat van Johannes Bosboom, in Nederlands): De romantische beweging onder aanvoering van den genialen nl:Wijnand Nuijen trok ook mij aan tot volgen. En al verviel men langs dien weg in gekleurdheid en opgesmuktheid, vaak ontaardend in chic; er ontsproot daaruit later een meer verstandig zoeken naar verlevendiging van coloriet, verhooging van effect, vermeerdering van reliëf.
Quote from Bosboom's small autobiography, 1891; as cited in De Hollandsche Schilderkunst in de Negentiende Eeuw, G. H. Marius; https://ia800204.us.archive.org/31/items/dehollandschesch00mariuoft/dehollandschesch00mariuoft.pdf Martinus Nijhoff, s-'Gravenhage / The Hague, tweede druk, 1920, pp. 74-75 (translation from the original Dutch: Fons Heijnsbroek)
1890's

Abby Stein photo

“When and if, all the Jews, Muslims, LGBTQIA, People of Color, People of less privileged socio-economic status, and so on, with the help of allies, gather to cry out loud: “WE RESIST” there is nothing we cannot accomplish!”

Abby Stein (1991) Trans activist, speaker, and educator

IfNotNow Torah, February 24, 2017 https://medium.com/ifnotnowtorah/a-timely-lesson-lets-rise-up-together-30f4e869088a#.4vrm67rcq/
2017

Frederick Douglass photo
Cormac McCarthy photo

“A legion of horribles, hundreds in number, half naked or clad in costumes attic or biblical or wardrobed out of a fevered dream with the skins of animals and silk finery and pieces of uniform still tracked with the blood of prior owners, coats of slain dragoons, frogged and braided cavalry jackets, one in a stovepipe hat and one with an umbrella and one in white stockings and a bloodstained weddingveil and some in headgear of cranefeathers or rawhide helmets that bore the horns of bull or buffalo and one in a pigeontailed coat worn backwards and otherwise naked and one in the armor of a spanish conquistador, the breastplate and pauldrons deeply dented with old blows of mace or saber done in another country by men whose very bones were dust and many with their braids spliced up with the hair of other beasts until they trailed upon the ground and their horses’ ears and tails worked with bits of brightly colored cloth and one whose horse’s whole head was painted crimson red and all the horsemen’s faces gaudy and grotesque with daubings like a company of mounted clowns, death hilarious, all howling in a barbarous tongue and riding down upon them like a horde from a hell more horrible yet than the brimstone land of Christian reckoning, screeching and yammering and clothed in smoke like those vaporous beings in regions beyond right knowing where the eye wanders and the lip jerks and drools.”

Source: Blood Meridian (1985), Chapter IV

Zainab Salbi photo
Ryū Murakami photo
Umberto Pettinicchio photo

“It is an intense blue, born after a certain period and has in turn a key to reading. When we spread it on the sculpture, the story is burned, because the color is so vivid that what is written in the sculpture goes into the background. So, there is a process of liberation and even if the work and the blue seem very different, they have a common denominator between them, the motive of poetics. We often allow ourselves to be conditioned by the scenic apparatus.”

Umberto Pettinicchio (1943) Italian painter

"Le colline della Brianza e i suoi stupendi campanili sono la mia ispirazione" Umberto Pettinicchio https://www.ilgiorno.it/lecco/cronaca/locale/2010/01/31/287262-colline_della_brianza_suoi_stupendi_campanili_sono_ispirazione.shtml, Castenuovo, Lecco, January 31, 2010; Elvira Carella, ilgiorno.it.

Louis Hémon photo

“Love must give warmth and unfading color to every day of the dullest life.”

Source: Maria Chapdelaine (1913), Ch. 6, p. 86

Edgar Rice Burroughs photo
Edwin M. Stanton photo
Christopher Monckton photo

“Communists, socialists and fascists everywhere, from Mr. Obama upward, have taken to the global warming cause like a quack to colored water. Just about every word they utter on this subject is a falsehood calculated to deceive, or—in plain English—a lie.”

Christopher Monckton (1952) British public speaker and hereditary peer

Leftists are immoral: Pray for them http://www.wnd.com/2013/12/leftists-are-immoral-pray-for-them/ WorldNetDaily, December 24, 2013.

Jacoba van Heemskerck photo

“Again I only gave numbers [of her art-works, she sent for the next Sturm-exhibition]. I stick to my idea of not giving titles... Titles are really disgusting romantic, and now in a while people will have hundreds of Spring's, Summers, Trees [paintings], to Liebknecht, Eberts, etc.. Above everything color and line have their own specific language, which doesn't want to be captured in a title.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Ich habe wieder nur Nummern gegeben. Ich bleibe bei meiner Idee, keine Titel zu geben. .. ..Titel sinds o widerlich romantisch, und jetz wird man in einiger Zeit hunderte Frühlings, Sommer, Bäume, an Liebknechts, Eberts und so weiter haben. Farbe und Linien haben für alle eine verschiedene eigene Sprache, die nicht im Titel festgelegt werden woll.
in a letter to Herwarth Walden, 14 Jan. 1920; as cited in the catalogue Der Sturm, Herwarth Walden und die Europäische Avantgarde, Berlin 1912-1932 Taschenbuch – 1961
Already in 1914 Jacoba started to number her paintings and drawings
1920's

Garth Brooks photo
John Fante photo
Ellsworth Kelly photo

“Like the postcard collages, the colors are shapes in a landscape. In this case [his collage 'Napoleon at Würtsburg'] it is a painting of a landscape, not a photo as in the postcards [collages], and therefore a contrast of the traditional painting and a presentation of literal space on top of depicted space.”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

1981 - 2008
Source: 'Kelly in conversation, summers 1985 and 1986'; ed. Diane Upright, "Ellsworth Kelly: Works on Paper", Harry N. Inc., Publishers, New York, in association with the Fort Worth Art Museum, New York, 1987 p. 21

Arshile Gorky photo

“.. it was the Cubist painters who created the new magic of space and color that everywhere today confronts our eyes in new architecture and design. Since then the various branches of modern art through exhaustive experiment and research have created a vast laboratory whose discoveries unveiled for all the secrets of form, line and color..”

Arshile Gorky (1904–1948) Armenian-American painter

Quote from Gorky's text: 'Camouflage', 1942; an announcement for a teaching program [set up by Gorky and the director of the Grand Central School of Art, Edmund Greasen]
1942 - 1948

Henri Matisse photo
Maurice Denis photo

“The profoundness of our emotions comes from the sufficiency of these lines and these colors to explain themselves.... everything is contained in the beauty of the work.”

Maurice Denis (1870–1943) French painter

Quote 1890, from Denis' essay published in the review 'Art et Critique'; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [13]
In August 1890, Denis consolidated his new ideas and presented them in a famous essay published in the review 'Art et Critique'. In his essay, he termed the new movement 'neo-traditionaism', in opposition to the 'progressism' of the Neo-impressionists, led by Seurat
1890 - 1920

Sathya Sai Baba photo

“A news sense is really a sense of what is important, what is vital, what has color and life — what people are interested in. That's journalism.”

Burton Rascoe (1892–1957) American writer

As quoted in Useful Quotations : A Cyclopedia of Quotations (1933) edited by Tryon Edwards, C. N. Catrevas, and Jonathan Edwards

Mao Zedong photo

“In seeking victory, those who direct a war cannot overstep the limitations imposed by the objective conditions. Within these limitations, however, they can and must play a dynamic role in striving for victory. The stage of action for commanders in a war must be built upon objective possibilities, but on that stage they can direct the performance of many a drama, full of sound and color, power and grandeur.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

On Protracted Warfare (1938)
Original: (zh-CN) 指导战争的人们不能超越客观条件许可的限度期求战争的胜利,然而可以而且必须在客观条件的限度之内,能动地争取战争的胜利。战争指挥员活动的舞台,必须建筑在客观条件的许可之上,然而他们凭借这个舞台,却可以导演出很多有声有色、威武雄壮的戏剧来。

Yasunari Kawabata photo
Harry Chapin photo
Michelle Obama photo
William Allen Butler photo

“No record of her high descent
There needs, nor memory of her name;
Enough that Raphael’s colors blent
To give her features deathless fame.”

William Allen Butler (1825–1902) American lawyer

Incognita of Raphael, reported in Bartlett's Familiar Quotations 10th ed. (1919).

Robert F. Kennedy photo
John F. Kennedy photo
Robert Delaunay photo

“Light in nature creates movement in color. The movement is provided by the relationships of uneven measures, of colors contrasts among themselves and constitutes Reality [In this quote Delaunay is referring to his series 'Window'-paintings', which he had started in 1912].”

Robert Delaunay (1885–1941) French painter

Quote in: 'Nous irons jusqu'au soleil', Delaunay; as cited in 'Futurism', ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 217
1915 - 1941

Lewis Black photo
Carlos Drummond de Andrade photo

“I never saw the sea.
I don't know if it's pretty,
I don't know if it's rough.
The sea doesn't matter to me.I saw the lake.
Yes, the lake.
The lake is large and also calm.The rain of colors
from the exploding afternoon
makes the lake shimmer
makes it a lake painted
by every color.
I never saw the sea.
I saw the lake ...”

Carlos Drummond de Andrade (1902–1987) Brazilian poet

<p>Eu não vi o mar.
Não sei se o mar é bonito.
Não sei se ele é bravo.
O mar não me importa.</p><p>Eu vi a lagoa.
A lagoa, sim.
A lagoa é grande
e calma também.</p><p>Na chuva de cores
da tarde que explode,
a lagoa brilha.
A lagoa se pinta
de todas as cores.
Eu não vi o mar.
Eu vi a lagoa...</p>

"Lagoa" ["Lake"]
Alguma Poesia [Some Poetry] (1930)

Peter Paul Rubens photo

“The light falls so unfavorably on the altar that one can hardly discern the figures or enjoy the beauty of color and the delicacy of the heads and draperies which I executed with great care from nature and completely successfully according to the judgement of all. Therefore, seeing that all the merit in the work is thrown away and since I cannot obtain the honor due my efforts unless the results can be seen, I do not think I will unveil it.”

Peter Paul Rubens (1577–1640) Flemish painter

Quote of Rubens, in his letter to Count Annibale Chieppio (minister of the Duke of Mantua), February 2, 1608; as cited in Rembrandts Eyes', by w:Simon Schrama, Alfred A. Knopf, Borzoi Books, New York 1999, p. 130 (LPPR, 42)
Rubens reports in this quote about the overdoses of light, falling upon his recently-made altar-painting 'Virgin and Child Adored by Angels', (Rome, Santa Maria, Vallicella), 1607 which is fading the colors for the viewer.
1605 - 1625

Joseph von Fraunhofer photo

“Since the violet rays through the objective of the theodolite telescope have a shorter focal length than the red rays, it is evident why the eye-piece must be displaced in order to see plainly the lines in the different colors.”

Joseph von Fraunhofer (1787–1826) German optical physicist

Prismatic and Diffraction Spectra: Memoirs http://books.google.com/books?id=5GE3AAAAMAAJ (1899) Tr. & Ed. J. S. Ames p. 7

Ram Dass photo
George William Curtis photo
Frederick Douglass photo

“I recognize the Republican party as the sheet anchor of the colored man's political hopes and the ark of his safety.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

The Petersburg men had written Douglass seeking advice about supporting John M. Langston as their Republican candidate for Congress. He would be their first black representative, but earlier he had worked against the Republican party. Douglass called him a trickster and said not to support anyone "whose mad ambition would imperil the success of the Republican party."
1880s, Letter to the Men of Petersburg (1888)

Roger Raveel photo

“As far as my exhibition concerned [opening was 8 May 1954, in Ghent].... there is however a recent and important painting hanging there 'Man met Boompje' [Man with tree, later titled 'The Gardener] - permettez-moi - with beautiful refracting matters and color: lemon-yellow spots and lacquerish black on white, (face) transparent pure light-blue with a very thin layer glacis over it (in the small wall) and strong-blue painted vertical line. Yellow brown and mauve brush-sweeps with small red dashes over it (for the small tree), and further a lot of beautiful white.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Wat nu mijn tentoonstelling betreft (opening was 8 mei 1954, in Gent].. .er is echter een recent en belangrijk werk bij n.l. 'Man met boompje' [later 'De Tuinman' getiteld] - permettez-moi- met mooie brekende materies en kleur: citroengele vlekken en lakachtig zwarte op wit, (gezicht) transparante zuivere lichte blauwe met een heel dunne glacis erover (in muurtje) en sterk blauwe geschilderde vertikale lijn. Geelbruine en mauve vegen met daarop kleine rode streepjes (voor boompje) verder veel mooi wit.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, May 1954; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 164 (translation: Fons Heijnsbroek)
1945 - 1960

Harry Chapin photo
George Hendrik Breitner photo

“My drawings for the art exhibition don't get finished and time is running out. 15 or 16 Dec. I believe. Of course they show soldiers once again and of course the people say that it looks like Neuville, although that man doesn't see any color.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Mijn teekeningen voor de kunstbeschouwing willen maar niet klaar komen en de tijd dringt. De 15 of 16 Dec. geloof ik. 't Zijn natuurlijk weer soldaten en natuurlijk zeggen de lui weer dat 't op Neuville lijkt. hoewel die man geen spat kleur ziet.
quote of Breitner in a letter to his Maecenas A.P. van Stolk, 8 Dec. 1881; original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/594
before 1890

Bawa Muhaiyaddeen photo