As quoted in "What a Real President Was Like: To Lyndon Johnson, the Great Society Meant Hope and Dignity" http://pqasb.pqarchiver.com/washingtonpost/doc/307079109.html?FMT=ABS&FMTS=ABS:FT&date=Nov+13%2C+1988&author=Moyers%2C+Bill+D&desc=What+a+Real+President+Was+Like%3B+To+Lyndon+Johnson%2C+the+Great+Society+Meant+Hope+and+Dignity, by Bill Moyers, The Washington Post (13 November 1988).
Attributed
Quotes about colors
page 10
Source: Autobiography of a Brown Buffalo (1972), p. 133.
Holder talks financial crime, affirmative action at Low http://www.columbiaspectator.com/2012/02/24/holder-talks-financial-crime-affirmative-action-low, Columbia Spectator, February 24, 2012.
2010s
quote from Stella, reacting in the artist-talk on Donald Judd who emphasis the 'whole' of an art work
Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 119
“At risk of arousing the resentment of my colored brothers, I will say that the black is not a man.”
Introduction,page 8
Black Skin, White Masks (1952)
Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, pp. 73-75
Source: The Note Book of Elbert Hubbard (1927), p. 170.
1960s, Civil Rights Bill signing speech (1964)
Anarchy in the name of God http://www.culteducation.com/reference/a-abortion/a-abortion5.html
Quote of Pissarro, in a letter, Paris, 6 December 1886, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 84
1880's
On Poesy or Art (1818)
“[T]he Constitution of the United States knows no distinction between citizens on account of color.”
1860s, Reconstruction (1866)
'Search for the Real in the Visual Arts', p. 45
Search for the Real and Other Essays (1948)
1990s, The Party of Lincoln vs. The Party of Bureaucrats (1996)
2004-07-03 speech to Congress opposing House resolution celebrating 40th anniversary of Civil Rights Act, quoted in * Civil Rights Act
RonPaul.com
http://www.ronpaul.com/on-the-issues/civil-rights-act/
2000s, 2001-2005
quote about her years 1950-51 - reacting on the general view that her painting art was mainly focused on color and not on drawing / line
1960s, Interview with Barbara Rose', Archives - American Art, 1968
1950's, Is today's artist with or against the past, (1958)
Centennial Oration (4 July 1876) http://www.infidels.org/library/historical/robert_ingersoll/centennial_oration.html
1990s, The Party of Lincoln vs. The Party of Bureaucrats (1996)
“Oh, even the leaves laugh
As you spin and tumble through
We explode in color
All for your honor”
"Ra Is A Busy God"
Many Worlds Are Born Tonight (1998)
The answer is everything!
Presidential campaign (April 12, 2015 – 2016), Speech in Reno, Nevada (August 25, 2016)
"Lincoln and the Priests of Academe"
1990s, United States - Essays 1952-1992 (1992)
As quoted in His Brother's Blood: Speeches and Writings, 1838–64 https://books.google.com/books?id=qMEv8DNXVbIC&pg=PA177 (2004), edited by William Frederick Moore and Jane Ann Moore, p. 177
1850s, The Fanaticism of the Democratic Party (February 1859)
"Here And Hereafter" - Live performance, Santa Cruz, CA (9 June 2001) http://www.youtube.com/watch?v=PFlk0MJez_g
Find Me (2007)
Mejufvrouw In een stukje over de Tent. in Arti zegt u dat het meerendeel van mijn inzending niet als studie bedoeld zijn. Ik weet niet wat u onder studie verstaat. Ik versta daar onder wat men direct naar de natuur schilderd om de toevallige toon kleur en lijn vast te houden. Na alles wat er van mij is. is dadelijk naar de natuur ervaren en zijn geen van allen [1:2] schetsen uit het hoofd gedaan na ontvangen indrukken voor eventuelen schilderijen. Ik meende u dat te moeten zeggen omdat u er dan misschien een anderen kijk op krijgt of u vind dat ze daarom verdienstelijker zijn of niet wil ik niet beoordeelen.. ..Hoogachtend uw GH Breitner
quote of Breitner in a letter to art-critic Grada Hermina Marius, 22 Feb. 1908; original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/951
1900 - 1923
in a letter to artist de:Hans Thuar, 1913, from Lake Thun in Switzerland; as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 145
"The Blind Girl"
The Janitor's Boy And Other Poems (1924)
This Is the Man Bill Gates Thinks You Absolutely Should Be Reading http://wired.com/2013/11/vaclav-smil-wired/all/1 in Wired (25 November 2013)
Source: The Look of Maps (1952), p. 13-14; As cited in: Clifford H. Wood, C. Peter Keller (1996) Cartographic design: theoretical and practical perspectives. p. 21
n.p.
1921 - 1930, Art and the Personal Life', Marsden Hartley, 1928
Source: Discussion with reporters Portia Li and Carla Marinucci, in San Francisco http://web.archive.org/web/20060427191647/http://www.sfgate.com/cgi-bin/object/article?f=/chronicle/archive/2005/06/07/MNdean07.TMP&o=1, June 6, 2005
Canyon, Texas, (November, 1916), p. 216
1915 - 1920, Letters to Anita Pollitzer' (1916)
What the Future Holds (1984)
Systems Movement: Autobiographical Retrospectives (2004)
His heart belong to DADA, Time 73, 4 May, 1959: 58; as quoted in Jasper Johns, Writings, sketchbook Notes, Interviews, ed. Kirk Varnedoe, Moma New York, 1996, p. 82
1950s
Quote in: 'Plastic Art and Pure Plastic Art', Piet Mondrian (1937); in 'Documents of modern Art' ed. Robert Motherwell for Wittenborn, Schulz, New York 1945
1930's
1959
Quote from a speech of Kline in the jazz club The Five Spot, as quoted in Introduction by David Anram, The Stamp of Impulse, Abstract expressionist prints, David Anram, David Acton, p. 21
1960's
Quote in his letter to brother Theo, from Arles, Oct. 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 555) p. 28
1880s, 1888
both quotes in a letter to William M. Milliken, New York November 1, 1930; as quoted in Voicing our visions, – Writings by women artists; ed. Mara R. Witzling, Universe New York, 1991, p. 227
1930s
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
2010s, Hard Truths: Law Enforcement (2015)
Source: Color, Format and Abstract Art' (1977), pp. 99 – 105
In the 'Catalogue 10th State Exhibition', Kasimir Malevich, Moscow, 1919; as quoted in Autocritique, – essays on art and anti-art 1963 – 1987, Barbara Rose, Weidenfeld & Nicolson, New York, 1988, p. 71
1910 - 1920
Source: The Bad Place (1990), Chapter 32
Rainbow Lights at the Ark https://answersingenesis.org/blogs/ken-ham/2016/12/20/rainbow-lights-at-ark/, Around the World with Ken Ham (December 20, 2016)
Around the World with Ken Ham (May 2005 - Ongoing)
version in original Dutch (citaat van Johannes Bosboom, in Nederlands): De romantische beweging onder aanvoering van den genialen nl:Wijnand Nuijen trok ook mij aan tot volgen. En al verviel men langs dien weg in gekleurdheid en opgesmuktheid, vaak ontaardend in chic; er ontsproot daaruit later een meer verstandig zoeken naar verlevendiging van coloriet, verhooging van effect, vermeerdering van reliëf.
Quote from Bosboom's small autobiography, 1891; as cited in De Hollandsche Schilderkunst in de Negentiende Eeuw, G. H. Marius; https://ia800204.us.archive.org/31/items/dehollandschesch00mariuoft/dehollandschesch00mariuoft.pdf Martinus Nijhoff, s-'Gravenhage / The Hague, tweede druk, 1920, pp. 74-75 (translation from the original Dutch: Fons Heijnsbroek)
1890's
IfNotNow Torah, February 24, 2017 https://medium.com/ifnotnowtorah/a-timely-lesson-lets-rise-up-together-30f4e869088a#.4vrm67rcq/
2017
Speech http://teachingamericanhistory.org/library/document/the-nations-problem/
Source: How to Argue and Win Every Time (1995), Ch. 6 : The Power of Prejudice : Examining the Garment, Bleaching the Stain, p. 74
"Le colline della Brianza e i suoi stupendi campanili sono la mia ispirazione" Umberto Pettinicchio https://www.ilgiorno.it/lecco/cronaca/locale/2010/01/31/287262-colline_della_brianza_suoi_stupendi_campanili_sono_ispirazione.shtml, Castenuovo, Lecco, January 31, 2010; Elvira Carella, ilgiorno.it.
“Love must give warmth and unfading color to every day of the dullest life.”
Source: Maria Chapdelaine (1913), Ch. 6, p. 86
Letter to Abraham Lincoln (5 December 1863); As quoted in Black Union Soldiers in the Civil War, by Hondon B. Hargrove, p. 108
Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 421.
Leftists are immoral: Pray for them http://www.wnd.com/2013/12/leftists-are-immoral-pray-for-them/ WorldNetDaily, December 24, 2013.
translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:) Ich habe wieder nur Nummern gegeben. Ich bleibe bei meiner Idee, keine Titel zu geben. .. ..Titel sinds o widerlich romantisch, und jetz wird man in einiger Zeit hunderte Frühlings, Sommer, Bäume, an Liebknechts, Eberts und so weiter haben. Farbe und Linien haben für alle eine verschiedene eigene Sprache, die nicht im Titel festgelegt werden woll.
in a letter to Herwarth Walden, 14 Jan. 1920; as cited in the catalogue Der Sturm, Herwarth Walden und die Europäische Avantgarde, Berlin 1912-1932 Taschenbuch – 1961
Already in 1914 Jacoba started to number her paintings and drawings
1920's
We Shall Be Free, written by Stephanie Davis and G. Brooks.
Song lyrics, The Chase (1992)
1981 - 2008
Source: 'Kelly in conversation, summers 1985 and 1986'; ed. Diane Upright, "Ellsworth Kelly: Works on Paper", Harry N. Inc., Publishers, New York, in association with the Fort Worth Art Museum, New York, 1987 p. 21
Quote from Gorky's text: 'Camouflage', 1942; an announcement for a teaching program [set up by Gorky and the director of the Grand Central School of Art, Edmund Greasen]
1942 - 1948
Source: 1905 - 1910, Notes d'un Peintre' (Notes of a Painter) (1908), p. 412
Quote 1890, from Denis' essay published in the review 'Art et Critique'; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [13]
In August 1890, Denis consolidated his new ideas and presented them in a famous essay published in the review 'Art et Critique'. In his essay, he termed the new movement 'neo-traditionaism', in opposition to the 'progressism' of the Neo-impressionists, led by Seurat
1890 - 1920
Source: 1960s, Interview with Henry Geldzahler', in 'Artforum', 1965, p. 37
As quoted in Useful Quotations : A Cyclopedia of Quotations (1933) edited by Tryon Edwards, C. N. Catrevas, and Jonathan Edwards
The Crying of Lot 49 (1966)
On Protracted Warfare (1938)
Original: (zh-CN) 指导战争的人们不能超越客观条件许可的限度期求战争的胜利,然而可以而且必须在客观条件的限度之内,能动地争取战争的胜利。战争指挥员活动的舞台,必须建筑在客观条件的许可之上,然而他们凭借这个舞台,却可以导演出很多有声有色、威武雄壮的戏剧来。
Japan, the Beautiful and Myself (1969)
2010s, 2016 Democratic National Convention (2016)
Incognita of Raphael, reported in Bartlett's Familiar Quotations 10th ed. (1919).
On the Mindless Menace of Violence (1968)
1963, Civil Rights Address
Quote in: 'Nous irons jusqu'au soleil', Delaunay; as cited in 'Futurism', ed. By Didier Ottinger; Centre Pompidou / 5 Continents Editions, Milan, 2008, p. 217
1915 - 1941
The White Album (2000)
<p>Eu não vi o mar.
Não sei se o mar é bonito.
Não sei se ele é bravo.
O mar não me importa.</p><p>Eu vi a lagoa.
A lagoa, sim.
A lagoa é grande
e calma também.</p><p>Na chuva de cores
da tarde que explode,
a lagoa brilha.
A lagoa se pinta
de todas as cores.
Eu não vi o mar.
Eu vi a lagoa...</p>
"Lagoa" ["Lake"]
Alguma Poesia [Some Poetry] (1930)
Quote of Rubens, in his letter to Count Annibale Chieppio (minister of the Duke of Mantua), February 2, 1608; as cited in Rembrandts Eyes', by w:Simon Schrama, Alfred A. Knopf, Borzoi Books, New York 1999, p. 130 (LPPR, 42)
Rubens reports in this quote about the overdoses of light, falling upon his recently-made altar-painting 'Virgin and Child Adored by Angels', (Rome, Santa Maria, Vallicella), 1607 which is fading the colors for the viewer.
1605 - 1625
Prismatic and Diffraction Spectra: Memoirs http://books.google.com/books?id=5GE3AAAAMAAJ (1899) Tr. & Ed. J. S. Ames p. 7
he felt God knocking at his heart, 'Whoso doeth it unto the least of these my little ones, doeth it unto me'.
1850s, The Present Aspect of the Slavery Question (1859)
The Petersburg men had written Douglass seeking advice about supporting John M. Langston as their Republican candidate for Congress. He would be their first black representative, but earlier he had worked against the Republican party. Douglass called him a trickster and said not to support anyone "whose mad ambition would imperil the success of the Republican party."
1880s, Letter to the Men of Petersburg (1888)
version in original Flemish (citaat van Roger Raveel, in het Vlaams): Wat nu mijn tentoonstelling betreft (opening was 8 mei 1954, in Gent].. .er is echter een recent en belangrijk werk bij n.l. 'Man met boompje' [later 'De Tuinman' getiteld] - permettez-moi- met mooie brekende materies en kleur: citroengele vlekken en lakachtig zwarte op wit, (gezicht) transparante zuivere lichte blauwe met een heel dunne glacis erover (in muurtje) en sterk blauwe geschilderde vertikale lijn. Geelbruine en mauve vegen met daarop kleine rode streepjes (voor boompje) verder veel mooi wit.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, May 1954; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 164 (translation: Fons Heijnsbroek)
1945 - 1960
translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Mijn teekeningen voor de kunstbeschouwing willen maar niet klaar komen en de tijd dringt. De 15 of 16 Dec. geloof ik. 't Zijn natuurlijk weer soldaten en natuurlijk zeggen de lui weer dat 't op Neuville lijkt. hoewel die man geen spat kleur ziet.
quote of Breitner in a letter to his Maecenas A.P. van Stolk, 8 Dec. 1881; original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/594
before 1890
Source: Translations, The Aeneid of Virgil (1866), Book XI, p. 427