Quotes about colors (1678 quotes, page 9)

“They [French critics of the Paris Salon of 1824, where his painting 'the Hay Wain' received a gold medal] are very amusing and acute — but very shallow and feeble. Thus one — after saying: "'it is but justice to admire the truth — 'the color' — and 'general vivacity' & richness —" – yet they want the objects more formed and defined &c, and say they are like the rich preludes in musick, and the full harmonious warblings of the Aeolian lyre, which means 'nothing,' and they call them orations — and harangues — and high-flown conversations affecting a careless ease — &c &v &c - Is not some of this 'blame' the highest 'praise' – what is poetry?”

John Constable (1776–1837) English Romantic painter

What is Coleridge's Ancient Mariner (the very best modern poem) but something like this?
Quote from John Constable's letter to Rev. John Fisher, 1824, as quoted in Leslie Parris and Ian Fleming-Williams, Constable, (Tate Gallery Publications, London, 1993), p. 205
1820s

Truth , Justice , Painting

“These universal means of expression were discovered in modern painting by a logical and gradual progress toward ever more abstract form and color. Once the solution was discovered, there followed the exact representation of relations alone, that is to say, of the essential and fundamental element in any plastic emotion of the beautiful.”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's, Natural Reality and Abstract Reality', 1919

Beauty , Universe , Painting

“I like lots of color and mix-and-match.”

Rachel Trachtenburg (1993) American musician

On her fashion sense( New York Times http://www.slideshowplayers.com/press/NYT_aug06.html), August 2006

“Do you know what was great? Finding out that a stupid, ridiculous thing like copying a postcard could lead to a picture. And then the freedom to paint whatever you felt like. Stags, aircraft, kings, secretaries. Not having to invent anything anymore, forgetting everything you meant by painting – color, composition, space – and all of the things you previously knew and thought. Suddenly none of this was a prior necessity for art.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), pp. 60-61, note 94

Stupidity , Art , Freedom , Painting

“The materials, the colors, were like friendship and love, both wanting to fulfill themselves in the most beautiful form.”

Emil Nolde (1867–1956) German artist

undated quotes

Love , Friendship , Beauty

“Why was his hair tinted with gold? An evil omen was golden hair in my life. Why had not the brown of his eyes crushed out and killed the blue? — for brown were his father’s eyes, and his father’s father’s. And thus in the Land of the Color-line I saw, as it fell across my baby, the shadow of the Veil.”

W.E.B. Du Bois book The Souls of Black Folk

Source: The Souls of Black Folk (1903), Ch. XI: Of the Passing of the First-Born

Life , Evil , Baby

“Ultimately, the economic foundations of this country must be shaken if black people are to control their lives. The colonies of the United States—and this includes the black ghettoes within its borders, north and south—must be liberated. For a century, this nation has been like an octopus of exploitation, its tentacles stretching from Mississippi and Harlem to South America, the Middle East, southern Africa, and Vietnam; the form of exploitation varies from area to area but the essential result has been the same—a powerful few have been maintained and enriched at the expense of the poor and voiceless colored masses. This pattern must be broken.”

Stokely Carmichael (1941–1998) American activist

"What We Want," http://www.nybooks.com/articles/1966/09/22/what-we-want/ New York Review of Books, Septmber 22, 1966

People , Country

“Los Angeles is the home of self-expression, but the artists are middle-class and middling-minded; no passions will calcify here for years in the gloom to be revealed a decade later as the tessellations of hard and fertile work. … In this land of the pretty-pretty, the virility is in the barbarisms, the vulgarities, it is in the huge billboards, the screamers of the neon lighting, the shouting farm-utensil colors of the gas stations and monster drugstores, it is in the swing of the sports cars, hot rods, convertibles.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

Superman Comes to the Supermarket (1960)

Angels , Cars , Home , Sport

“As we jumped from our plane, as far as one could see were parachutes of many colors floating gently to earth in the warm afternoon sunshine. In contrast to the scattered drop in Normandy, there were no lonely officers roaming about looking for their units- the fields were alive with American soldiers assembling their equipment and hurrying to the rendezvous points of their companies.”

Maxwell D. Taylor (1901–1987) United States general

Source: Swords and Plowshares (1972), p. 88

“It seems that the first consideration of a painter who stands before the white canvas should be to decide what curves and arabesques should cut the surface, what tints and tones should cover it... Following the precepts of Delacroix he would not begin a composition until he had first determined its organization. Guided by tradition and by science, he would adjust the composition to his conception, that is to say he would adapt the lines (directions and angles), the chiaroscuro (tones), the colors (tints), to the traits he wished to make dominant.”

Paul Signac (1863–1935) French painter

Chapt. III.; as quoted by John Rewald, in Georges Seurat', a monograph https://ia800607.us.archive.org/23/items/georges00rewa/georges00rewa.pdf; Wittenborn and Compagny, New York, 1943. p. 21
From Delacroix to Neo-Impressionism, 1899

Science

“So we get to the fountain, my brother and I, and we look around, there wasn't a lot of people there and I said to my brother, "You go first." He tasted the white water and then we looked around and says, "Your turn." We tasted — I taste the white water. Then we both taste the colored water, and we looked at each other, six and seven years old. The water tastes the same! What's the big deal? We had not been taught segregation at the age of six and seven. We wondered what the big deal was about.
Now, that being said and growing in the segregated South, I am not mad at America. I don't have a grudge against America, because one of the things that has made this nation great in the short 235-year history, Sean, is its ability to change. A lot of other countries don't have that ability. We ought to be appreciative of the fact that this country has that kind of resilience.”

Herman Cain (1945) American writer, businessman and activist

People , Age , History , Water

“If I'm in, you know, especially in a poor area, and I see guys walking like they're thugs down the street, I don't care what color they are, I go "That guy looks like they're a thug, and looks like they're tough, okay… If they try to shake me down I'm gonna ignore them and keep walking, and if they come up to me and try to put a hand on me, I'm gonna punch 'em right in the throat. 'Cause I don't wanna jump on top on of 'em and hurt my knees and stuff, when I slam their head in the ground. Plus, I don't wanna kill 'em. 'Cause then I'd have to go to jail and stuff, and they'd have to find that it was done in self defense. Been down that road." So, I'm sitting there and I'm thinking, "Alright. I'm gonna punch this guy in the throat." I'm thinking how hard am I gonna punch him. And I'm not thinking he's a black guy. I'm thinking the guy's walking like a thug, thinks they're tough, and I'm thinking about how I'm going to defend myself. Just like when I've been at the Coast, a few years ago, and walk out of a restaurant in South Padre and they're having a biker rally—and it wasn't like a nice biker rally, most rallies are nice people—it was like thug wannabes, rode up with a motorcycle…and were looking at me, and I was thinking "Okay. Alright. That guy is taking his helmet off. I'm gonna punch him in the throat the minute he tries to get up and do something, and then I'm gonna assault those next three guys. Then they'll probably pull a weapon. I need to take that." I mean, that's what I'm thinking whenever something like that is going on. I can't help it. I'm thinking, "Alright, I'm ready to kill." That's just how I am. And I'm thinking, "Alright. Okay. Instantly assess these guys. These are probably ex-con, real criminals. I've got my three kids here. That gives me, you know, just turbo dinosaur power. And I'm thinking, "Control yourself. Don't have a fight, unless you absolutely got to."”

Alex Jones (1974) American radio host, author, conspiracy theorist and filmmaker

You know, the man in me is ready to take all on! and... you know what I'm talking about, don't you? ARGH, you scum! I hate gang members and filth! And it has nothing to do with black people. But I will stump your head in if you start a fight with me, you thug scum! Anyways, excuse me ladies and gentlemen.
"Alex Jones Self-Defense Rant" https://www.youtube.com/watch?v=HIMJ_pxy2eU, July 2013.
2013

Hate , People , Guy , Thinking

“Every time my nose gushed blood, I felt like a little boy who'd wet his pants. I jumped out of the chair, pressed a handkerchief against my face, and hustled toward the nearest bathroom […] How red the blood looked against the whiteness of the porcelain sink, I thought. How vividly imagined that color was, how aesthetically shocking. The other fluids that came out of us were dull in comparison, the palest of squirts. Whitish spittle, milky semen, yellow pee, green-brown mucus. We excreted autumn and winter colors, but running invisibly through our veins, the very stuff that kept us alive, was the crimson of a mad artist—a red as brilliant as fresh paint.”

Paul Auster book Oracle Night

Paul Auster, Oracle Night, New York: Henry Holt and Company, pp. 41-42.
Oracle Night (2003)

Imagination , Boy , Autumn , Winter

“No church is a fit temple of God where a man, because of his color, is excluded or made to occupy a corner. Religion teaches that we cannot be pleasing to God unless we look upon mankind as children of our Father in heaven. And they who order and compel a man because he is colored to betake himself to a corner marked off for his race, practically contradict the principles of justice and of equal rights established by the God of Mercy, who lives on the altar.”

John Ireland (bishop) (1838–1918) Catholic bishop

Sermon at St. Augustine Catholic Church (1890)

God , Children , Religion , Justice

“Ask yourself, if you or a loved one is to undergo brain or heart surgery, does it matter whether the surgeons who will operate had been selected for medical school for any other reason than their aptitude for medicine and surgery? Even if there were no quotas, should race have been "taken into consideration" in their selection? Consider the hairline life and death decisions that surgeons make all the time. Does not every consideration, however slight, apart from aptitude, dilute the qualifications of surgeons for surgery? The next time you are crossing a great bridge, do you not rely upon the qualifications of the engineers and builders to ensure your safety? What does the skin color of the classmates of doctors or engineers have to do with their medicine or their engineering? Is it not their professional qualification that matters, and not either the sameness or the differences from which they came? Is not the same true if we are seeking mathematicians, physicists, economists, or generals? In each case, what is apt for the end in view may be regarded as good, what is inapt may be regarded as bad.”

Harry V. Jaffa (1918–2015) American historian and collegiate professor

2000s, Is Diversity Good? (2003)

Love , Life , Death , School

“Someday I must be able to paint truly remarkable colors. Yesterday I held in my lap a wide, silver-gray satin ribbon which I edged with two narrower black, patterned silk ribbons. And I placed on top of these a plump, bottle-green velvet bow. I'd like to be able to paint something one day in those colors.”

Paula Modersohn-Becker (1876–1907) German artist

‎note in her Journal, 3 June, 1902; as quoted in Paula Modersohn-Becker, the Letters and Journals, ed. Günter Busch and ‎Liselotte von Reinken (1998), p. 278
1900 - 1905
Variant: Someday I must be able to paint truly remarkable colors. Yesterday I held in my lap a wide, silver-gray satin ribbon which I edged with two narrower black, patterned silk ribbons. And I placed on top of these a plump, bottle-green velvet bow. I'd like to be able to paint something one day in those colors.

Painting

“Your letter is received, accompanied by a newspaper clipping which discusses the possibility that a colored man may be the Republican nominee for Congress from one of the New York districts.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Letter to Charles F. Gardner (1924)

“I don’t want to color my facts with my suppositions,” he said. “My facts are the results of good, reliable magic. My suppositions are just that—suppositions—and may be totally wrong.”

Michael Kurland book Ten Little Wizards

Source: Ten Little Wizards (1988), Chapter 6 (p. 55)

“Hugo [Claus], Now you should see my recent works. A drawing in ink, three pencil drawings and two sketches in oil-paint: a still-life and a landscape in the strongest colors you can imagine. I still have to work on the landscape, but I really think it will be the best of my paintings till now.... but the happiest thing is, I have acquired much more freedom.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): Hugo [Claus], nu zoudt U eens moeten mijn laatste werk zien, een pentekening, drie potloodtekeningen en twee studies met olieverf: een stilleven en een landschap in de hevigste kleuren die Ge U kunt indenken. Aan dat landschap moet ik nog werken maar ik denk dat het mijn beste werk zal zijn, van mijn schilderwerk, en drie tekeningen vind ik mijn beste maar het gelukkigste is dat ik een veel grotere vrijheid heb verworven.
Quote of Raveel, in a letter to his friend Hugo Claus, from Machelen aan de Leie, 20-24 March 1948; as cited in Hugo Claus, Roger Raveel; Brieven 1947 – 1962, ed. Katrien Jacobs, Ludion; Gent Belgium, 2007 - ISBN 978-90-5544-665-0, p. 50 (translation: Fons Heijnsbroek)
1945 - 1960

Life , Imagination , Thinking , Freedom

“The prejudice against color, of which we hear so much, is no stronger than that against sex. It is produced by the same cause, and manifested very much in the same way. The negro's skin and the woman's sex are both prima facie evidence that they were intended to be in subjection to the white Saxon man.”

Elizabeth Cady Stanton (1815–1902) Suffragist and Women's Rights activist

Speech before the New York Legislature (1860-02-18).

Sex , Way

“Friends and fellow citizens, the story of our presence here is soon and easily told. We are here in the District of Columbia, here in the city of Washington, the most luminous point of American territory; a city recently transformed and made beautiful in its body and in its spirit; we are here in the place where the ablest and best men of the country are sent to devise the policy, enact the laws, and shape the destiny of the Republic; we are here, with the stately pillars and majestic dome of the Capitol of the nation looking down upon us; we are here, with the broad earth freshly adorned with the foliage and flowers of spring for our church, and all races, colors, and conditions of men for our congregation — in a word, we are here to express, as best we may, by appropriate forms and ceremonies, our grateful sense of the vast, high, and preeminent services rendered to ourselves, to our race, to our country, and to the whole world by Abraham Lincoln.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1870s, Oratory in Memory of Abraham Lincoln (1876)

Men , World , Law , Beauty

“During the summer of 1765 the happy phrase of Isaac Barré—"these sons of liberty"—was everywhere repeated, and was put on as a kind of protective coloring by strong patriots, who henceforth thought of themselves as Sons of Liberty and no traitors at all. Rather were they traitors who would in any way justify an act of tyranny; most of all those so-called Americans, accepting the office of Stamp Master, who cunningly aspired to make a farthing profit out of the hateful business of enslaving their own countrymen.”

Carl L. Becker (1873–1945) American historian

The Eve of the Revolution (1918)

Hate , Way , Business , Strong

“I do not wish parties or tendencies, whatever the color, to penetrate into the ranks of the armed forces under any circumstances.”

Abd al-Karim Qasim (1914–1963) Prime Minister of Iraq

As quoted in Ibrahim Al-Marashi and Sammy Salama (2008), Iraq's Armed Forces: An Analytical History.

“The goal of the war [on terrorism] is more than just getting oil and fuel. The United States is intent on taking over the world… It's important we all understand that the main terrorist and the main enemy of the world's people is the U. S. government. Racism has been a weakness of this country from its beginning. Throughout history, all people of color, and all people who don't see eye-to-eye with the U. S. government have been subject to American terror.”

Yuri Kochiyama (1921–2014) American activist

[Diane Carol Fujino, Heartbeat of Struggle: The Revolutionary Life of Yuri Kochiyama, https://books.google.com/books?id=b1oowDNmgpoC&pg=PA310, 2005, U of Minnesota Press, 978-0-8166-4593-0, 310] ; In response to the United States' actions following the September 11 attacks in 2001.

War , People , World , History

“We must work assiduously and with determined boldness to remove from the body politic this cancerous disease of discrimination which is preventing our democratic and Christian health from being realized. Then and only then will we be able to bring into full realization the dream of our American democracy-a dream yet unfulfilled. A dream of equality of opportunity, of privilege and property widely distributed; a dream of a land where men will not take necessities from the many to give luxuries to the few; a dream of a land where men do not argue that the color of a man’s skin determines the content of his character, where they recognize that the basic thing about a man is not his specific but his fundamentum; a dream of a place where all our gifts and resources are held not for ourselves alone but as instruments of service for the rest of humanity; the dream of a country where every man will respect the dignity and worth of all human personality, and men will dare to live together as brothers-that is the dream.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, The Rising Tide of Racial Consciousnes (1960)

Men , Health , Disease , Dreams

“But three decades have evaporated in our lives, too quickly and without sufficient residual evidence of their importance. But much has changed since then. The hope that there would be expeditious resolutions to our myriad problems has long since evaporated with those years. Many who debated and hoped then, now do neither. There now seems to be a broad acceptance of the racial divide as a permanent state. While we once celebrated those things that we had in common with our fellow citizens who did not share our race, so many now are triumphal about our differences, finding little, if anything, in common. Indeed, some go so far as to all but define each of us by our race and establish the range of our thinking and our opinions, if not our deeds by our color.”

Clarence Thomas (1948) Associate Justice of the Supreme Court of the United States

1990s, I Am a Man, a Black Man, an American (1998)

Hope , Problem , Thinking , Change

“In the United States, the slightest infusion of Teutonic blood is thought to be sufficient to account for any considerable degree of intelligence found under any possible color of the skin.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1870s, Self-Made Men (1872)

Intelligence

“.. if the objects will be mathematical values, the ambient in which they live will be a particular rhythm in the emotion which surrounds them. The graphic translation of this rhythm will be a state of form, a state of color, each of which will give back to the spectator the 'state of mind' which produced it..”

Umberto Boccioni (1882–1916) Italian painter and sculptor

in a letter of 12 Feb. 1912 from Paris, to his friend Nino Barbantini (director of the Ca' Pesaro in Venice); as cited in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003, p. 67
1912

Mathematics

“Antiessentialist thinking forces us to view the world differently. We must accept shadings and continua as fundamental. We lose criteria for judgment by comparison to some ideal: short people, retarded people, people of other beliefs, colors, and religions are people of full status.”

Stephen Jay Gould book The Flamingo's Smile

"Of Wasps and WASPs", p. 161
The Flamingo's Smile (1985)

People , World , Religion , Thinking

“It is too evident that if the drawing is bad, the color false, the deepest emotion must fail to express itself.”

Auguste Rodin (1840–1917) French sculptor

RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911

Drawing , Falseness

“The listener with no preconceptions hears massive waves of sound breaking over him and forms from them the image of a passionate soul seeking and finding the path to faith and peace in God through a life of struggle and a vigorous pursuit of ideals. It is impossible not to hear the confessional tone of this musical language; Liszt’s sonata becomes - perhaps involuntarily on the part of the composer - an autobiographical document and one which reveals an artist in the Faustian mold in the person of its author. As in the Harmonies poétiques et religieuses, the underlying religious concept which dominates and permeates the whole work demands a special kind of approach. Whereas representations of human passions and conflicts force themselves on our understanding with their powerfully suggestive coloring, this concept only becomes manifest to those souls who are prepared to soar to the same heights. The equilibrium of the sonata’s hymnic chordal motif, the transformation of its defiant battle motif (first theme) into a triumphant fanfare, and its appearance in bright, high notes on the harp, together with the devotional atmosphere of the Andante, represent a particular challenge to the listener; he is, after all, also expected to grasp the wide-spanned arcs of sound which, from the first hesitant descending octaves to the radiant final chords, build up a graphic panorama of the various stages of progress of a human spirit filled with faith and hope. As the reflection of a remarkable artistic personality worthy of deep admiration and, by extension, of the whole Romantic period, Liszt’s B minor Sonata deserves lasting recognition.”

Burkard Schliessmann classical pianist

About the Liszt Sonata in B minor

Life , God , Peace , Faith

“Justice Antonin Scalia fundamentally changed the way the Supreme Court interpreted both statutes and the Constitution. In both contexts, his focus on text and its original public meaning often translated into more limited criminal prohibitions and broader constitutional protections for defendants. ‎As to statutes, Justice Scalia refocused the court’s attention on the text of the laws Congress enacted. Although he may not have succeeded in getting the court to forswear even looking at legislative history, he did persuade his colleagues to start — and very often end — the analysis with the text. In the criminal context, he limited terms like extortion and property to their common law core and found the residual clause of the Armed Career Criminal Act as unconstitutionally vague as “the phrase ‘fire-engine red, light pink, maroon, navy blue, or colors that otherwise involve shades of red.” When it came to interpreting the Constitution, he likewise put the text first and emphasized that the terms must be understood in light of their original public meaning. He believed that the words should be understood the way the framers used them. This did not mean that constitutional protections were frozen in time.”

Paul Clement (lawyer)

In Scalia, criminal defendants have lost a great defender: Paul Clement https://www.usatoday.com/story/opinion/2016/02/19/scalia-funeral-constitution-defendants-jury-paul-clement-column/80575460/ (February 19, 2016)

Justice , Law , Way , History

“The simple fact is that no people can enslave another for centuries without coming out with a notion of superiority, and when the color and other physical traits of those peoples were quite different it was inevitable that the prejudice should take a racist form.”

Walter Rodney book How Europe Underdeveloped Africa

Source: How Europe Underdeveloped Africa (1972), p. 137.

People

“Material, space, and color are the main aspects of visual art. Everyone knows that there is material that can be picked up and sold, but no one sees space and color. Two of the main aspects of art are invisible; the basic nature of art is invisible.”

Donald Judd (1928–1994) artist

1990s
Source: Artforum International. Vol. 32 (1994), p. 38

Art , Nature

“But notwithstanding all this, in many parts of our country where the colored population is large the people of that race are by various devices deprived of any effective exercise of their political rights and of many of their civil rights. The wrong does not expend itself upon those whose votes are suppressed. Every constituency in the Union is wronged.”

Benjamin Harrison (1833–1901) American politician, 23rd President of the United States (in office from 1889 to 1893)

First State of the Union Address (1889)

People , Exercises , Parting , Country

“He could jazz up the map-reading class by having a full-size color photograph of Betty Grable in a bathing suit, with a co-ordinate grid system laid over it. The instructor could point to different parts of her and say, "Give me the co-ordinates."… The Major could see every unit in the Army using his idea…. Hot dog!”

Norman Mailer book The Naked and the Dead

On Maj. Dalleson, in Pt. 4, Ch. 1
The Naked and the Dead (1948)

Dogs , Idea , Reading , Parting

“I love colors…as much as I love concepts.”

Genco Gulan (1969) contemporary artist

Graf, Marcus. Concepual Colors of Genco Gulan, Revolver Publishing http://www.revolver-books.de/, 2012. ISBN-13: 978-3868952049.

Love

“[T]he intelligence and ability of a colored person are in pretty direct proportion to the amount of white blood he has, and … most of the positions of leadership, influence, and prominence in the Negro race are held not by real Negroes but by Mulattoes, many of whom have very little Negro blood.”

Madison Grant (1865–1937) American lawyer, eugenicist, and conservationist

The Conquest of a Continent (1933)

Intelligence , Personality

“When it is storming and raining, thundering and lightening I am in my element; nature must be seen in action. Then outside, I put on my jacket, put my feet in clogs, put on a hat and start on a march. When the showers settle down, with charcoal or black chalk [I] make a scribble, to keep a firm grip on what one sees. When working out, hue and color come smoothly back into the memory.”

Jan Hendrik Weissenbruch (1824–1903) Dutch painter of the Hague School (1824-1903)

version in original Dutch / citaat van J. H. Weissenbruch, in het Nederlands: Als het stormt en regent, als het dondert en bliksemt ben ik in mijn element; de natuur moet men in werking zien. Dan buiten, trek ik mijn jekker aan, steek mijn voeten in klompen, zet een soort hoed op en ga op marsch. Als de buien bedaren, met houtskool of zwart krijt een krabbel gemaakt om vast te houden wat je ziet. Bij het uitwerken komen toon en kleur vanzelf in de herinnering.
Source: J. H. Weissenbruch', (n.d.), pp. 29-30

Nature , Memory

“Dear Mr. Lincoln, We Coloreds have taken a vote and decided that we don't cotton to that whole emancipation thing. Freedom means having to work for real, think for ourselves, and take consequences along with the rewards. That is just far too much to ask of us Colored People and we demand that it stop!”

Mark Williams American conservative activist, radio talk show host and author

From a blog post. The letter is attributed to the head of the NAACP.
Source: http://www.huffingtonpost.com/2010/07/18/tea-party-expels-mark-williams_n_650445.html

People , Thinking , Freedom

“Jobs: Part of what made the Macintosh great was that the people working on it were musicians, poets, and artists, and zoologists, and historians. They also happened to be the best computer scientists in the world. But if it hadn’t been computer science, these people would have been doing amazing things in other fields. We all brought to this a sort of “liberal arts” air, an attitude that we wanted to pull the best that we saw into this field. You don’t get that if you are very narrow.
Cringley: How does the Web affect the economy?
Jobs: We live in an information economy. The problem is that information's usually impossible to get, at least in the right place, at the right time. The reason Federal Express won over its competitors was its package-tracking system. For the company to bring that package-tracking system onto the Web is phenomenal. I use it all the time to track my packages. It's incredibly great. Incredibly reassuring. And getting that information out of most companies is usually impossible.
But it's also incredibly difficult to give information. Take auto dealerships. So much money is spent on inventory—billions and billions of dollars. Inventory is not a good thing. Inventory ties up a ton of cash, it's open to vandalism, it becomes obsolete. It takes a tremendous amount of time to manage. And, usually, the car you want, in the color you want, isn't there anyway, so they've got to horse-trade around. Wouldn't it be nice to get rid of all that inventory? Just have one white car to drive and maybe a laserdisc so you can look at the other colors. Then you order your car and you get it in a week.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

Robert X. Cringley for a Public Broadcasting System [PBS] television series, “Triumph of the Nerds” (1995), “The Lost Interview: Steve Jobs Tells Us What Really Matters” https://www.forbes.com/sites/stevedenning/2011/11/17/the-lost-interview-steve-jobs-tells-us-what-really-matters/#5cb0fc8e6c3a, Forbes, Steve Denning, Nov 17, 2011,
1990s

Money , People , World , Art

“Delacroix's composition is more entirely created, while that of Seurat employs matter organized scientifically, reproducing, presenting t our eyes objects constructed by scientific means rather than by signs, coming from our feeling. As result there is in his works a positivism, a slightly inert stability, coming from his composition, which is not the result of a creation of the mind, but of a juxtaposition of the objects. It is necessary to cross this barrier to re-feel light, colored and soft, and pure, the noblest pleasure”

Henri Matisse (1869–1954) French artist

In a letter to Camoin, Autumn 1914; as quoted in Matisse on Art, Jack Flam, University of California Press 1995 p. 275, note 5
1910s

Pleasure , Feeling , Light

“Unfortunately, in places like Ferguson and New York City, and in some communities across this nation, there is a disconnect between police agencies and many citizens—predominantly in communities of color.”

James Comey (1960) American lawyer and the seventh director of the Federal Bureau of Investigation (FBI)

2010s, Hard Truths: Law Enforcement (2015)

Communication

“That [watercolor] with the Cows has been partially washed out [reducing colors] and that ugly hedge of willow trees has been taken out, and is already doing better, but the paper is not a good quality. I don't know I'll finish it or make a new one.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Die [aquarel] met de Koeijen is gedeeltelijk uitgewassen [kleuren vermindert] en die leelijke heg van wilgeboomen er uit [gehaald] en doet reeds beter, maar het papier is niet heel goed. Ik weet niet of ik die af zal maken of een nieuwe [maken].
In a letter to Pieter verLoren van Themaat, 30 March 1867; in Haagsch Gemeentearchief / Municipal Archive of The Hague
1860's

Tree

“Ours is a new land. It has had an almost unbelievable task to perform, and has performed it well. We have been called to fit the institutions of ancient civilization to the conditions of a new country. In that task the leaders of the Nation have been supported by a deep devotion to the essentials of freedom. At the bottom of the national character has been a strain of religious earnestness and moral determination which has never failed to give color and quality to our institutions. Because our history shows us these things, we dare make honest appraisal of our shortcomings. We have not failed. We have succeeded. Because we have been privileged to rely upon generations of men and women ready to serve and to sacrifice, we have magnificently succeeded.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Reign of Law (1925)

Women , Men , History , Support

“A unitary method of thought is indispensable to the interpretation of European history. The pervasive dualisms which distort the thought of western man are an element in this general condition, which therefore must be diagnosed in a language which does not take these dualisms for granted. No interpretation of European man in traditional European terms can bring the truth to light, any more than the color-blind can know their deficiency.”

Lancelot Law Whyte (1896–1972) Scottish industrial engineer

Source: The Next Development in Man (1948), p. 25

Truth , History , Light

“This morning I received a letter from de Bellio. He writes that he does not believe scientific research into the nature of color and light can help the artist, neither can anatomy nor the laws of optics. He wants to discuss these questions with me and find out my views. Now everything depends on how this knowledge is to be used. But surely it is clear that we could not pursue our studies of light with much assurance if we did not have as a guide the discoveries of Chevreul and other scientists. I would not have distinguished between local color and light if science had not given us the hint; the same holds true for complementary colors, contrasting colors, etc. 'Yes', he will tell me: 'but these have always been taken into account, look at Monet' It is at this point that the question becomes serious!”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, in a letter, Eragny, 23 February 1887, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 99
1880's

Law , Question , Nature , Knowledge

“You wouldn't believe how many people will hang a picture of an electric chair in their room – especially if the color of the picture matches the curtains.”

Andy Warhol (1928–1987) American artist

As quoted in Geoff Nicholson (2002), Andy Warhol: A Beginner's Guide, London: Hodder & Stoughton, ISBN 0-340-84620-8 [ISBN 978-0-340-84620-9]
1968 - 1974, Electric chair quote
Variant: (You wouldn't believe how many people will hang up a picture of an electric chair? especially if it matches the color of their curtains.)

People

“In secondary immigration, as I await processing, I sit with people for whom I imagine the experience is less of a novelty. To be blunt, non-white people. Mexican and Arabian people, mostly—I assume, I don’t look at their passports; they don’t have them, they’re behind the desks with the border police, equally trapped and obese, behind the counter, often the same color as the people they’re casually harassing. “Who does this notion of nation most suit,” I wonder as I sit there, unable to use my phone. Proper rich people don’t encounter these rooms, these borders, these problems. For them the world is as it is when seen from space, without boundary, without limitation, full of fluid possibility and whispering wonder.”

Russell Brand book Revolution

Revolution (2014)

People , World , Imagination , Problem

“What he wanted was to make his proclamation as effective as possible in the event of such a peace. He said, in a regretful tone, 'The slaves are not coming so rapidly and so numerously to us as I had hoped'. I replied that the slaveholders knew how to keep such things from their slaves, and probably very few knew of his proclamation. 'Well', he said, 'I want you to set about devising some means of making them acquainted with it, and for bringing them into our lines'. He spoke with great earnestness and much solicitude, and seemed troubled by the attitude of Mr. Greeley, and the growing impatience there was being manifested through the North at the war. He said he was being accused of protracting the war beyond its legitimate object, and of failing to make peace when he might have done so to advantage. He was afraid of what might come of all these complaints, but was persuaded that no solid and lasting peace could come short of absolute submission on the part of the rebels, and he was not for giving them rest by futile conferences at Niagara Falls, or elsewhere, with unauthorized persons. He saw the danger of premature peace, and, like a thoughtful and sagacious man as he was, he wished to provide means of rendering such consummation as harmless as possible. I was the more impressed by this benevolent consideration because he before said, in answer to the peace clamor, that his object was to save the Union, and to do so with or without slavery. What he said on this day showed a deeper moral conviction against slavery than I had ever seen before in anything spoken or written by him. I listened with the deepest interest and profoundest satisfaction, and, at his suggestion, agreed to undertake the organizing a band of scouts, composed of colored men, whose business should be somewhat after the original plan of John Brown, to go into the rebel States, beyond the lines of our armies, and carry the news of emancipation, and urge the slaves to come within our boundaries.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Source: 1880s, Life and Times of Frederick Douglass (1881), pp. 434–435.

Men , War , Peace , Hope

“In visual perception a color is almost never seen as it really is — as it physically is. This fact makes color the most relative medium in art.”

Josef Albers (1888–1976) German-American artist and educator

Quoted in: Margaret Walch (1979) Color source book, p. 98

Art

“If we were to do the Second Coming of Christ in color for a full hour, there would be a considerable number of stations which would decline to carry it on the grounds that a Western or a quiz show would be more profitable.”

Edward R. Murrow (1908–1965) Television journalist

On receiving the "Family of Man" Award (1964); as quoted in Prime Time: The Life of Edward R. Murrow by Alexander Kendrick (1969)

Christ

“Hume describes (E, 235) as a “fancied monster” a man who has “no manner of concern to his fellow-creatures but to regard the happiness and misery of all sensible beings with greater indifference than even two contiguous shades of the same color” (ibid.). To limit one's concern to those sensible beings who are of one's own species is to be part-monster, but such monsters, alas, are not merely fancied ones.”

Annette Baier (1929–2012) New Zealand philosopher

Source: Knowing Our Place in the Animal World, p. 75

Parting , Indifference , Happiness

“Should I not be proud, when for twenty years I have had to admit to myself that the great Newton and all the mathematicians and noble calculators along with him were involved in a decisive error with respect to the doctrine of color, and that I among millions was the only one who knew what was right in this great subject of nature?”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Letter to Eckermann (30 December 1823)

Error , Nature , Decision

“This country does not discriminate. No president, no officer in this country should hold office that has any hint of treating people differently because of the color of their skin or where they came from and that kind of thing. We believe in equality and fair treatment and that's the moral principle that we adhere to as a nation.”

Jeff Sessions (1946) Former United States Attorney General

Interview with Matt Murphy http://www.al.com/news/index.ssf/2016/03/jeff_sessions_on_donald_trump.html (2016)

People , Country

“Because their possessions were great, the appeasers had much to lose should the Red flag fly over Westminster. That was why they had felt threatened by the hunger riots of 1932. It was also the driving force behind their exorbitant fear and distrust of the new Russia. They had seen a strong Germany as a buffer against Bolshevism, had thought their security would be strengthened if they sidled up to the fierce, virile Third Reich. Nazi coarseness, anti-Semitism, the Reich's darker underside, were rationalized; time, they assured one another, would blur the jagged edges of Nazi Germany. So, with their eyes open, they sought accommodation with a criminal regime, turned a blind eye to its iniquities, ignored its frequent resort to murder and torture, submitted to extortion, humiliation, and abuse until, having sold out all who had sought to stand shoulder to shoulder with Britain and keep the bridge against the new barbarism, they led England herself into the cold damp shadow of the gallows, friendless save for the demoralized republic across the Channel. Their end came when the House of Commons, in a revolt of conscience, wrenched power from them and summoned to the colors the one man who had foretold that all had passed, who had tried, year after year, alone and mocked, to prevent the war by urging the only policy which would have done the job. And now, in the desperate spring of 1940, with the reins of power at last now firm in his grasp, he resolved to lead Britain and her fading empire in one last great struggle worthy of all they had been and meant, to arm the nation, not only with weapons but also with the mace of honor, creating in every English breast a soul beneath the ribs of death.”

William Manchester (1922–2004) (April 1, 1922 – June 1, 2004) American author, journalist and historian

Source: The Last Lion: Winston Spencer Churchill: Alone 1932-1940 (1988), p. 688-689

Death , Hunger , War , Fear

“You know my tendency is always to imagine things in my head and to work from this idea. I am going to explain my theory of blue, yellow and red, which will probably seem as 'Spanish' to you as my face.
Blue is the male principle, astringent and spiritual. Yellow is the female principle, gentle, gay and spiritual. Red is matter, brutal and heavy and always the color to be opposed and overcome by the other two. For example, if you mix serious, spiritual blue with red, you intensify the blue to unbearable sorrow, and yellow the conciliatory, the complementary color to purple, becomes indispensable... If you mix red and yellow to make orange, you turn passive, feminine yellow into a Fury, with sensual force that again makes cool, spiritual blue indispensable, the man..”

Franz Marc (1880–1916) German painter

Quote in Franz Marc's letter to August Macke, Dec. 1910; as cited by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 129
1905 - 1910

Imagination , Idea

“How would you like to have a thousand brilliantly colored cliff swallows keeping house in the eaves of your barn, and gobbling up insects over your farm at the rate of 100,000 per day? There are many Wisconsin farmsteads where such a swallow-show is a distinct possibility.”

Aldo Leopold (1887–1948) American writer and scientist

"Cliff Swallows to Order" [1944]; Published in For the Health of the Land, J. Baird Callicott and Eric T. Freyfogle (eds.), 1999, p. 119.
1940s

Housing

“It may be remarked incidentally that the recognition of the relational character of scientific objects completely eliminates an old metaphysical issue. One of the outstanding problems created by the rise of modern science was due to the fact that scientific definitions and descriptions are framed in terms of which qualities play no part. Qualities were wholly superfluous. As long as the idea persisted (an inheritance from Greek metaphysical science) that the business of knowledge is to penetrate into the inner being of objects, the existence of qualities like colors, sounds, etc., was embarrassing. The usual way of dealing with them is to declare that they are merely subjective, existing only in the consciousness of individual knowers. Given the old idea that the purpose of knowledge (represented at its best in science) is to penetrate into the heart of reality and reveal its "true" nature, the conclusion was a logical one. …The discovery of the nonscientific because of the empirically unverifiable and unnecessary character of absolute space, absolute motion, and absolute time gave the final coup de grâce to the traditional idea that solidity, mass, size, etc., are inherent possessions of ultimate individuals.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

Time and Individuality (1940)

Way , Idea , Business , Nature

“Well, you must now imagine my friend at my age or almost there. You must picture him growing gray, tired of life and convinced that he had at last discovered the secret of peace. At this time he met, while visiting some relatives in a country house, a mere girl of twenty, who was the image, the haunting image of her whom he had hoped to marry thirty years before. It was one of those strange resemblances which extend from the color of the eyes to the 'timbre' of the voice, from the smile to the thought, from the gestures to the finest feelings of the heart. I could not, in a few disjointed phrases describe to you the strange emotions of my friend. It would take pages and pages to make you understand the tenderness, both present and at the same time retrospective, for the dead through the living; the hypnotic condition of the soul which does not know where dreams and memories end and present feeling begins; the daily commingling of the most unreal thing in the world, the phantom of a lost love, with the freshest, the most actual, the most irresistibly naïve and spontaneous thing in it, a young girl. She comes, she goes, she laughs, she sings, you go about with her in the intimacy of country life, and at her side walks one long dead. After two weeks of almost careless abandon to the dangerous delights of this inward agitation imagine my friend entering by chance one morning one of the less frequented rooms of the house, a gallery, where, among other pictures, hung a portrait of himself, painted when he was twenty-five. He approaches the portrait abstractedly. There had been a fire in the room, so that a slight moisture dimmed the glass which protected the pastel, and on this glass, because of this moisture, he sees distinctly the trace of two lips which had been placed upon the eyes of the portrait, two small delicate lips, the sight of which makes his heart beat. He leaves the gallery, questions a servant, who tells him that no one but the young woman he has in mind has been in the room that morning.”

Paul Bourget (1852–1935) French writer

Pierre Fauchery, as quoted by the character "Jules Labarthe"
The Age for Love

Love , Life , Secret , Age

“It was in mid-summer [1906]. The colors of the flowers attracted me irresistibly and almost sudden I was painting. My first small gardens paintings were born.”

Emil Nolde (1867–1956) German artist

Quote of Nolde, 1906 in Jahre der Kämpfe (The years of struggles); as cited by Francesco Mazzaferro in 'The Diaries of Paul Klee' - Part Three: Klee as a Secessionist and a Neo-Impressionist Artist http://letteraturaartistica.blogspot.nl/2015/05/paul-klee-ev.html
1900 - 1920

Flowers , Summer , Painting

“Paint studies of parts, for instance a piece of land, a group of trees or things like that, but always in a way that people can understand these things in relation with the whole landscape, by adding behind that group of trees the air in a right tone color and thereby in connection with the trees... Furthermore studies of a whole, preferably very simple subjects - A meadow with horizon and a piece of air to examine further the general tone color, the harmony of the whole.... and study nature even more by thinking about it than working after it.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Schilder studies van gedeelten, bv. een stuk grond, een boomgroep of dergelijke maar toch altijd zóó dat men die in verband met het geheele landschap begrijpen kan, door achter die boomgroep de lucht juist van toon en daardoor in verband met de boomen er bij te schilderen.. .Verder studies van een geheel, liefst zeer eenvoudige sujetten - Eene weide met horizon en stuk lucht. Om nog meer de algemeene toon, de harmonie van het geheel na te gaan.. ..en bestudeer de natuur nog meer met er over te denken dan met er na [naar!?] te werken.
Quote from a letter of Roelofs to his pupil Hendrik W. Mesdag, 27 May 1866; as cited by De Bodt, in Halverwege Parijs, Willem Roelofs en de Nederlandse Schilderskolonie in Brussel, Gent, 1995a, p. 238
1860's

People , Way , Understanding , Nature

“Looking carefully, one discovers at last that this gorgeous combination of all the hues of Paradise contains or hides a Last Judgment [....]

To the Virgin and her suppliants, as to us, who though outcasts in other churches can still hope in hers, the Last Judgment was not a symbol of God's justice or man's corruption but of her own infinite mercy. The Trinity judged, through Christ;— Christ loved and pardoned, through her. She wielded the last and highest power on earth and in hell. In the glow and beauty of her nature, the light of her Son's infinite love shone as the sunlight through the glass, turning the Last Judgement itself into the highest proof of her divine and supreme authority. The rudest ruffian of the middle-ages, when he looked at this Last Judgment, laughed, for what was the Last Judgment to her! An ornament, a play-thing, a pleasure! a jewelled decoration which she wore on her breast! Her chief joy was to pardon; her eternal instinct was to love; her deepest passion was pity! On her imperial heart the flames of hell showed only the opaline colors of heaven. Christ the Trinity might judge as much as he pleased, but Christ the Mother would rescue; and her servants could look boldly into the flames.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

Love , God , Pleasure , Age

“But the little boy said…
"There are so many colors in the rainbow
So many colors in the morning sun
So many colors in the flowers and I see every one."”

Harry Chapin (1942–1981) American musician

Flowers are Red
Song lyrics, Living Room Suite (1978)

Boy , Flowers , Sun

“In an effort to create reality on the ground - instead of reporting on it - the American media seem to color events by refracting them through a sickeningly sentimental prism.”

Ilana Mercer South African writer

“Media’s Sickening Sentimentality on Egypt,” http://www.ilanamercer.com/phprunner/public_article_list_view.php?editid1=587 WorldNetDaily.com, February 19, 2011.
2010s, 2011

Reality , Effort

“It is a lovely and terrible wilderness, such as wilderness as Christ and the prophets went out into; harshly and beautifully colored, broken and worn until its bones are exposed, its great sky without a smudge of taint from Technocracy, and in hidden corners and pockets under its cliffs the sudden poetry of springs.”

Wallace Stegner (1909–1993) American historian, writer, and environmentalist

Wilderness Letter http://wilderness.org/bios/former-council-members/wallace-stegner (1960)

Love , Spring , Christ

“In order to use color effectively it is necessary to recognize that color deceives continually.”

Josef Albers (1888–1976) German-American artist and educator

Quoted in: Faber Birren (1976) Color Perception in Art. p. 20

“"Do you know what this is, Lord Vorkosigan?" Giaja asked.
Miles eyed the medallion of the Order of Merit on its colored ribbon, glittering on a bed of velvet. "Yes, sir. It is a lead weight, suitable for sinking small enemies. Are you going to sew me into a silk sack with it, before you throw me overboard?"”

Lois McMaster Bujold Vorkosigan Saga

Vorkosigan Saga, Cetaganda (1996)

“Being black in America has little to do with skin color. Being black means that your heart, your soul, your mind, and your body are where the dispossessed are.”

James H. Cone (1938–2018) American theologian

Source: Black Theology and Black Power (1969), p. 151

Soul , Heart

“Tell [Père] Tanguy to send me some paints. What I need most are ten tubes of white, two of chrome yellow, one bright red, one brown lac, one ultramarine, five Veronese green, one cobalt j I have on hand only one tube of white … I expect to begin to paint again from nature, and I need the colors.”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, in a letter, Eragny, 25 February 1887, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 100
1880's

Nature , Painting

“A large vocabulary is like an artist having a big palette of colors. We don't have to use all the colors in a single painting, but it helps to be able to find just the right shade when we need it.”

Anu Garg (1967) Indian author

The Philomath Speaks An Interview with Anu Garg (Dec 15, 2009) http://www.nas.org/articles/The_Philomath_Speaks_An_Interview_with_Anu_Garg

Help , Painting

“.. I am always between two currents of thought, first the material difficulties, turning round and round to make a living; and second, study of color. I am always in hope of making a discovery there, to express the love of two lovers by a marriage of two complementary colors, their mingling and their opposition, the mysterious vibrations of kindred tones. To express the thought of a brow by the radiance of a light tone against a sombre background. To express hope by some star, the eagerness of a soul by a sunset radiance. Certainly there is nothing in that of stereoscopic realism, but is it not some thing that actually exists?”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, September 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 531) p. 22
1880s, 1888

Love , Marriage , Hope , Soul

“He treated me as a man… He did not let me feel for a moment that there was any difference in the color of our skins.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

About Abraham Lincoln (1864), as quoted in Reconstruction: America's Unfinished Revolution, 1863-1877 https://books.google.com/books?id=cwVkgrvctCcC&printsec=frontcover&dq=%22Eric+Foner%22+%22Republicans%22&hl=en&sa=X&ved=0ahUKEwiOwdup3aLLAhVK7SYKHZufDmUQ6AEIRjAH#v=onepage&q&f=false, by Eric Foner, p. 6
1860s

Feeling

“What amazement, followed by what a revelation! In place of windows opening on nature, like the impressionists, these were surfaces which were solidly decorative, powerfully colorful, bordered with brutal strokes, partitioned.”

Maurice Denis (1870–1943) French painter

Quote of Denis, 1909: from Bouillon 2006, pp. 17-18; as cited on Wikipedia: Maurice Denis https://en.wikipedia.org/wiki/Maurice_Denis - reference [9]
In 1889, Denis was captivated by an exposition of works of Paul Gauguin and his friends at the Cafe Volponi, on the edge of the Paris Universal Exposition, that year
1890 - 1920

Nature

“Rosa Parks showed us all that one little person can make a whole bunch of noise without so much as a whisper. She showed the world that the color of your skin shouldn't determine what part of the bus you sit in… as you ride through life.”

Richard Pryor (1940–2005) American stand-up comedian, actor, social critic, writer, and MC

Post http://www.richardpryor.com/forums/msgs.cfm?msg=38560&forum=6 on US civil rights activist Rosa Parks.
Web-posts

Life , World , Parting , Personality

“Draw all kind of everyday object placed, in such a way that they have in them the life of the man or woman – corsets that have just been removed, for example, and which retain the form of the body. Do a series in aquatint on mourning, different blacks – black veils of deep mourning floating on the face – black gloves – mourning carriages, undertaker’s vehicles – carriages like Venetian gondolas. On smoke – smoker’s smoke, pipes, cigarettes, cigars – smoke from locomotives, from tall factory chimneys, from steam boats, etc. On evening – infinite variety of subjects in cafes, different tones of glass robes reflected in the mirrors. On bakery, bread. Series of baker's boys, seen in the cellar itself or through the basement windows from the street – backs the colour of the pink flour – beautiful curves of dough – still-life's of different breads, large, oval, long, round, etc. Studies in color of the yellows, pinks, grays, whites of bread…… Neither monuments nor houses have ever been done from below, close up as they appear when you walk down the street. [a working note in which Degas planned series of views of modern Paris, the same time when he sketched the backstreet brothels, making graphic unflinching and even his realistic 'pornographic' sketches he called his 'glimpses through the keyhole', in which he also experimented with perspectives]”

Edgar Degas (1834–1917) French artist

Quote from Degas' Notebooks; Clarendon Press, Oxford 1976, nos 30 & 34 circa 1877; as quoted in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 182
quotes, undated

Life , Beauty , Way , Boy

“People think that painting is about color
It's mostly composition
It's composition that's the whole thing
The classic image-
Two late Tang dishes, one with a flower image,
one empty – the empty form goes all the way to heaven
It is the classic form – lighter weight.”

Agnes Martin (1912–2004) American artist

1970's, The Untroubled Mind', 1971

People , Way , Flowers , Thinking

“Well, now the American people have returned the Republican party to power; and the question is, what will it do? … For a dozen years and more the Republican party has seemed in a measure paralyzed in the presence of high-handed fraud and brutal violence toward its newly-made citizens. The question now is, will it regain its former health, activity, and power? Will it be as true to its friends in the South as the Democratic party has been to its friends in that section, or will it sacrifice its friends to conciliate its enemies? … Not only the negro but all honest men, north and south, must hold the Republican party in contempt, if it fails to do its whole duty at this point. The Republican party has made the colored man free; and the Republican party must make him secure in his freedom, or abandon its pretensions.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Speech http://teachingamericanhistory.org/library/document/the-nations-problem/

Men , People , Health , Question

“In such fundamental considerations it would be surprising if many new concepts appear, for countless good minds have worked long on these matters over many years. Indeed, new original ideas should at first be suspect, though if they withstand examination they should be welcomed. My intent is not to create a new school or art form but to discern the pattern of a mosaic which lies hidden in the cluttered, colored marble chips of today's empirical facts.”

James Grier Miller (1916–2002) biologist

Source: Living Systems: Basic Concepts (1969), p. 126-127

School , Art , Idea , Appearance

“I've been identified with pink throughout my career, but I'm not as crazy about it as I've led people to believe. My favorite colors are actually neutrals—black and white—but then who thinks of a movie queen in black and white? Everything has to be in living color.”

Jayne Mansfield (1933–1967) American actress, singer, model

Here They Are Jayne Mansfield (1992)

People , Thinking

“I have likewise made many 'skies' and effects — for I wish it could be said of me as Fuselli says of Rembrandt, 'he followed nature in her calmest abodes and could pluck a flower on every hedge — yet he was born to cast a steadfast eye on the bolder phenomena of nature'… We have had noble clouds & effects of light & dark & color.”

John Constable (1776–1837) English Romantic painter

Quote from a letter to Rev. John Fisher in 1821 on his oil-sketches of stormy weather, as quoted in Leslie Parris and Ian Fleming-Williams, Constable (Tate Gallery Publications, London 1993), p. 222
1820s

Flowers , Nature , Light

“It is hard, terribly hard, to keep on working when one does not sell, and one literally has to pay for one's colors from what would not be too much for eating, drinking and lodgings, calculated ever so strictly. And then, besides, the models... All the same they are building State museums, and the like, for hundreds of thousands, but meanwhile, the artists can go to the dogs.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter, from Antwerp, Belgium, Dec. 1885; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 438) p. 35
1880s, 1885

Dogs , Drink

“I might get an idea [for the start of a painting] sitting looking at the river, or something, or a specific.... Yeess. I'm sure, yes, I'm sure it [the environment] influences me in terms of green and gray and color and... I mean, New York light is so different, and it always hits me when I come here [in New York], and it excites me to see great extremes of dark and light and no nuance - which I love. But there the Isle de France [round about Paris] has that, you know, filtered light that is that.. where even on a gray day, the green is very green, and the red is very red.... I think walking out barefoot and moving the paintings, being able to move them out of my studio [in Vetheuil] for transportation, things like that have had [influence]... As well as the landscape. Lake Michigan was pretty important, you know.”

Joan Mitchell (1925–1992) American painter

Tape number two, side A
1975 - 1992, Oral history interview with Joan Mitchell, 1986

Love , Idea , Thinking , Light

“The end of the occupation. The right of return of the Palestinian people. These are critical dividing lines in human rights. We have to be here. No American would put up with an Israeli-style occupation of their hometown for 53 days let alone 54 years. US tax dollars are funding violence against people of color inside the US borders and outside the US borders.”

Van Jones (1968) American environmental advocate and civil rights activist

Wartimes : Reports From The Opposition (2003) a CD financed, produced and featuring the voice of Jones, as quoted at "Cool... But, Yes, Communist" by Marty Peretz, in The New Republic (10 September 2009) http://www.tnr.com/blog/the-spine/cool-yes-communist

People

“Most people think that these high-density poor neighborhoods, predominately people of color, just came about through some accident of history, but they were the conscious creation”

Cory Booker (1969) 35th Class 2 senator for New Jersey in U.S. Congress

of institutional racism
In [Ray, Elaine, Cory Booker encourages students to use their moral imaginations to work for good, https://news.stanford.edu/thedish/2016/02/24/cory-booker-encourages-students-to-use-their-moral-imaginations-to-work-for-good/, Stanford University, 21 August 2018, February 24, 2016], as quoted in [Ross, Janell, Six noteworthy things about Cory Booker, https://www.washingtonpost.com/news/the-fix/wp/2016/07/25/six-noteworthy-things-about-cory-booker/?noredirect=on&utm_term=.8842f22736b9, 21 August 2018, The Washington Post, July 25, 2016]
2016

People , History , Thinking

“I think of Abstract Art in the same way I think of all Art, Past and Present. I see it as divided into two Major categories, Objective and Subjective. Objective Art is Absolute Art. Subjective Art is Illustration, or communication by Symbols, Replicas, and Oblique Emotional Passes. They are both Art, but their Content has no Identity. Their difference cannot be defined as a difference of Idiom, because all Paintings have the Laws of Design as a common denominator. Design exists as an Idiom of Color-Space Logic, and it also exists in an Idiom of Representational Likenesses. Objective Art and Subjective Art exist in both Idioms. Their difference can only be defined in terms of what the Artist thinks his Purpose means-its Content as a Design Image.”

Stuart Davis (1892–1964) American painter

Source: George L. K. Morris, Willem De Kooning, Alexander Calder, Fritz Glarner, Robert Motherwell, Stuart Davis. " What Abstract Art Means to Me http://www.jstor.org/stable/4058250," in: The Bulletin of the Museum of Modern Art, Vol. 18, No. 3, (Spring, 1951), pp. 2-15

Law , Art , Way , Communication

“Can you appreciate music without playing it? Yes, you can. You can appreciate baseball without playing it. Many people attend a football game merely for the crowd, the excitement, the color.”

Jascha Heifetz (1901–1987) Lithuanian violinist

Heifetz official web site http://www.jaschaheifetz.com/about/quotes.html

People , Music , Game , Football

“If you could extend the elective franchise to all persons of color who can read the Constitution of the United States in English and write their names and to all persons of color who own real estate valued at not less than two hundred and fifty dollars and pay taxes thereon, and would completely disarm the adversary. This you can do with perfect safety. And as a consequence, the radicals, who are wild upon negro franchise, will be completely foiled in their attempts to keep the Southern States from renewing their relations to the Union.”

Andrew Johnson (1808–1875) American politician, 17th president of the United States (in office from 1865 to 1869)

Letter to William L. Sharkey, governor of Mississippi (June 1865).
Quote

Reading , Personality , Perfection

“The first-century church in Jerusalem clearly had it. And they didn't have any fancy accoutrements. So it can't possibly be stained-glass windows, hand-carved cherubs, custom silk tapestries, gold-inlaid hymnals, thousand-pipe organs, marble floors, mile-high steeples, hand-painted ceilings, mahogany pews, giant cast-iron bells, and a three-piece, thousand dollar suit. It doesn't stick any better to a young, hip, shaved-headed pastor with rimmed glasses, a goatee, and tattoos than it does to an older, stately gentleman in a robe. Nor is it spotlights and lasers, video production, satellite dishes, fog machines, shiny gauze backdrops, four-color glossy brochures, sexy billboards, loud "contemporary" music, free donuts, coffee shops, hip bookstores, break dancing or acrobatics, sermon series named after television shows, a retro-modern matching chair and table onstage, or blue jeans and Heelys. It is not being on television, being on the Internet, or being on book and magazine covers. It is real. It is genuine.”

Craig Groeschel (1967) American priest

It – How Churches and Leaders Can Get It and Keep It (2008, Zondervan)

Books , Music , Coffee , Tattoo

“You profess to believe "that, of one blood, God made all nations of men to dwell on the face of all the earth," and hath commanded all men, everywhere to love one another; yet you notoriously hate, (and glory in your hatred), all men whose skins are not colored like your own. You declare, before the world, and are understood by the world to declare, that you "hold these truths to be self evident, that all men are created equal; and are endowed by their Creator with certain inalienable rights; and that, among these are, life, liberty, and the pursuit of happiness;" and yet, you hold securely, in a bondage which, according to your own Thomas Jefferson, "is worse than ages of that which your fathers rose in rebellion to oppose," a seventh part of the inhabitants of your country.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1850s, What to the Slave is the Fourth of July? (1852)

Love , Life , Men , God

“It seems to me that today the Surrealist crisis is the central problem in French art. It is essential for future development that this crisis should be solved… The principal error in the aesthetic program of Surrealism is that it is too literary. Painters have experimented with visions, images, dreams, but not with painting, not with color... The unpainterliness of Surrealism has inevitably produced a reaction among younger painters. [Jorn is thinking here of French painters such as Bazaine, Esteve, Lapique, Singier, Le Moal, and he suggests there should be reciprocity]... These artists cannot get any further unless they absorb the lessons of Surrealism into their painting, just as Surrealists can only advance if they adopt the painterly methods of the other group.”

Asger Jorn (1914–1973) Danish artist

Quote in a writing of Jorn on modern art in Paris, 1947; as cited on the website of the Jorn Museum. 'Articles' by Jorn http://www.museumjorn.dk/en/article_presentation.asp?AjrDcmntId=255,
1940 - 1948, Various sources

Dreams , Art , Error , Problem

“She had called Martin a 'lie-hunter,' a 'truth-seeker.' They decided now that most people who call themselves 'truth-seekers'—persons who scurry about chattering of Truth as though it were a tangible separable thing, like houses or salt or bread—did not so much desire to find Truth as to cure their mental itch. In novels, these truth-seekers quested the 'secret of life' in laboratories which did not seem to be provided with Bunsen flames or reagents; or they went, at great expense and much discomfort from hot trains and undesirable snakes, to Himalayan monasteries, to learn from unaseptic sages that the Mind can do all sort of edifying things if one will but spend thirty or forty years in eating rice and gazing on one's navel. To these high matters Martin responded, 'Rot!' He insisted that there is no Truth but only many truths; that Truth is not a colored bird to be chased among the rocks and captured by its tail, but a skeptical attitude toward life. He insisted that no one could expect more than, by stubbornness or luck, to have the kind of work he enjoyed and an ability to become better acquainted with the facts of that work than the average job-holder.”

Sinclair Lewis book Arrowsmith

Arrowsmith (1925), Ch. 25

Life , People , Truth , Lie

“To describe drunkenness for the colorful vocabulary is rather cynical. There is nothing easier than to capitalize on drunkards.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to N.A. Leikin (December 24, 1886)
Letters

“I don't think he [ Josef Albers ] ever realized that it was his discipline that I came for. Besides, my response to what I learned from him was just the opposite of what he intended... I was very hesitant about arbitrarily designing forms and selecting colors that would achieve some predetermined result, because I didn't have any ideas to support that sort of thing – I didn't want color to serve me, in other words.”

Robert Rauschenberg (1925–2008) American artist

Source: 1960's, The Bride and the Bachelors, (1962), pp. 199-200

Idea , Support , Thinking , Learning

“Color is primarily Quality. Secondly, it is also Weight, for it has not only color value but also brilliance. Thirdly, it is Measure, for besides Quality and Weight, it has its limits, its area, and its extent, all of which may be measured.Tone value is primarily Weight, but in its extent and its boundaries, it is also Measure.Line, however, is solely Measure.”

Paul Klee (1879–1940) German Swiss painter

Quote from Klee's lecture 'On Modern Art', Kunstverein, Jena (26 January 1924), trans. Paul Findlay in Paul Klee: On Modern Art (London, 1948)
1921 - 1930

“Someday I’ll do an historical survey and in-depth analysis of lipstick color names and it will be an accurate reflection of our evolving culture.”

Andrea Lewis (writer) Microsoft employee

“ Fire and Ice http://www.cadillaccicatrix.org/andrea_lewis.htm,” Cadillac Cicatrix (2009)
2000-09

“Tain’t by turnin’ out to hack folks
You’re agoin’ to git your right,
Nor by lookin’ down on black folks
Coz you’re put upon by white;
Slavery ain’t o’ nary color,
’Tain’t the hide thet makes it wus,
All it keers fer in a feller
’S jest to make him fill its pus.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

No. 1, st. 6
The Biglow Papers (1848–1866), Series I (1848)

“At its core, the argument against racism, at least as it works to further black interests, is an argument against collectivism. You're meant to avoid judging an entire people based on the color of their epidermis or the conduct of a statistically significant number of them. It is, however, deemed perfectly acceptable to malign and milk Europeans for all they're worth, based on the lack of pigment in their skin and their overall better socio-economic performance.”

Ilana Mercer South African writer

"Europeans Abolished Slavery; Africans/Muslims Still Practice It." http://www.frontpagemag.com/fpm/263735/europeans-abolished-slavery-africansmuslims-still-ilana-mercer FrontPage Magazine 8/4/016.
2010s, 2016

People

“Hubert Humphrey, one of the chief authors and sponsors of the Civil Rights Act of 1964, had declared that under Title VII no discrimination on the basis of race or color was to be lawful. He explicitly said that this meant no discrimination of white against black, and no discrimination of black against white.”

Harry V. Jaffa (1918–2015) American historian and collegiate professor

1990s, The Party of Lincoln vs. The Party of Bureaucrats (1996)

Law

“I also sold some drawings [he means his watercolors] - the Dutch pieces [he painted in The Netherlands] sell rather well [in Brussels, where he lived then]. People seem to prefer colored drawings here. (translation from original Dutch: Fons Heijnsbroek)”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Ik heb alweder ook eenige teekeningen [hij bedoelt hiermee zijn aquarellen] verkocht – de Hollandsche gevallen vinden nogal aftrek [in Brussel, waar hij toen woonde]. Men schijnt hier gekleurde teekeningen te prefereren.
In a letter to Jan Weissenbruch, 18 Dec. 1847; in Haagsch Gemeentearchief / Municipal Archive of The Hague; ; as cited by De Bodt, in Halverwege Parijs, Willem Roelofs en de Nederlandse Schilderskolonie in Brussel, Gent, 1995a, in 1995a, pp. 233-35
1840' + 1850's

People , Drawing , Painting

Quotes about colors page 9

Quotes about colors
page 9