Quotes about colors
page 11

“I possess no silver bullet or magic wand. But this much I can promise - we will ensure that each and every rebel shall realize that he or she owns a part of this land we love, that whatever our creed or color, our political beliefs or ethnic group, we are first and foremost Filipinos.”

Francis Escudero (1969) Filipino politician

2009, Speech: The Socio-Economic Peace Program of Senator Francis Escudero

Love, Parting

“There has been great difficulty in getting able bodied negroes to fill up the colored regiments in consequence of the rebel cavalry runing off all that class to Georgia and Texas. This is especially the case for a distance of fifteen or twenty miles on each side of the river. I am now however sending two expeditions into Louisiana, one from Natchez to Harrisonburg and one from Goodriche's Landing to Monroe, that I expect will bring back a large number. I have ordered recruiting officers to accompany these expeditions. I am also having a Brigade of Cavalry from Tennessee to Vicksburg which will enable me to move troops to a greater distance into the interior and will facilitate materially the recruiting service.”

Ulysses S. Grant (1822–1885) 18th President of the United States

1860s, Letter to Abraham Lincoln (1863)

“When, therefore, it shall be asked what we have to do with the memory of Abraham Lincoln, or what Abraham Lincoln had to do with us, the answer is ready, full, and complete. Though he loved Caesar less than Rome, though the Union was more to him than our freedom or our future, under his wise and beneficent rule we saw ourselves gradually lifted from the depths of slavery to the heights of liberty and manhood; under his wise and beneficent rule, and by measures approved and vigorously pressed by him, we saw that the handwriting of ages, in the form of prejudice and proscription, was rapidly fading away from the face of our whole country; under his rule, and in due time, about as soon after all as the country could tolerate the strange spectacle, we saw our brave sons and brothers laying off the rags of bondage, and being clothed all over in the blue uniforms of the soldiers of the United States; under his rule we saw two hundred thousand of our dark and dusky people responding to the call of Abraham Lincoln, and with muskets on their shoulders, and eagles on their buttons, timing their high footsteps to liberty and union under the national flag; under his rule we saw the independence of the black republic of Haiti, the special object of slave-holding aversion and horror, fully recognized, and her minister, a colored gentleman, duly received here in the city of Washington; under his rule we saw the internal slave-trade, which so long disgraced the nation, abolished, and slavery abolished in the District of Columbia; under his rule we saw for the first time the law enforced against the foreign slave trade, and the first slave-trader hanged like any other pirate or murderer.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1870s, Oratory in Memory of Abraham Lincoln (1876)

Love, People, Age, Law

“In many instances the conduct of colored workmen, and those who have spoken for them, has not been in asking or demanding that equal rights be accorded to them as to white workmen, but somehow conveying the idea that they are to be petted and coddled and given special consideration and special privilege. Of course that can't be done.”

Samuel Gompers (1850–1924) American Labor Leader[AFL]

Gompers, Samuel. The Samuel Gompers Papers: The American Federation of Labor and the Great War, 1917-18. Stuart Bruce Kaufman, Peter J. Albert, and Grace Palladino, eds. Urbana, Ill.: University of Illinois Press, 2006, p. 348.

Idea

“My friend, there is something very serious in this business. The Holy Ghost carries on the whole Christian system in this earth. Not a baptism, not a marriage, not a sacrament can be administered but by the Holy Ghost, Who is transmitted from age to age by laying the hands of the Bishop on the heads of candidates for the ministry.... There is no authority, civil or religious — there can be no legitimate government — but what is administered by this Holy Ghost. There can be no salvation without it — all without it is rebellion and perdition, or, in more orthodox words, damnation... Your prophecy, my dear friend, has not become history as yet. I have no resentment of animosity against the gentleman [Jefferson] and abhor the idea of blackening his character or transmitting him in odious colors to posterity. But I write with difficulty and am afraid of diffusing myself in too many correspondences. If I should receive a letter from him, however, I should not fail to acknowledge and answer it.”

John Adams (1735–1826) 2nd President of the United States

Adams as misquoted by David Barton, in "The Dream of Dr. Benjamin Rush & God's Hand in Reconciling John Adams and Thomas Jefferson" in WallBuilders (June 2008) http://www.wallbuilders.com/LIBissuesArticles.asp?id=10152; omitting many words, giving a very misleading impression that Adams (who did not believe in the Christian Trinity) is endorsing the viewpoint that a government must be administered by the Holy Ghost to be legitimate. Barton went on to use another version, substituting some of Adams' words with false ones: Misattributed

Marriage, Age, History, Idea

“Another sign was seen in heaven. Look! A great fiery-colored dragon, with seven heads and ten horns and on its heads seven diadems; and its tail drags a third of the stars of heaven, and it hurled them down to the earth. And the dragon kept standing before the woman who was about to give birth, so that when she did give birth, it might devour her child.”

John the Evangelist (10–98) author of the Gospel of John; traditionally identified with John the Apostle of Jesus, John of Patmos (author o…

Revelation 12:3-4 http://www.jw.org/en/publications/bible/nwt/books/revelation/12/, NWT Revelation

Star, Birth

“Often since I have, in some sort, shot an Iguana, and have remembered that one in the reserve. Up at Meru I saw a young Native girl with a bracelet on, a leather strap two inches wide, and all embroidered over with very small turquoise-coloured beads which varied little in colour and played in green, light blue and ultra-marine. It was an extraordinarily live thing; it seemed to draw breath on her arm, so that I wanted it for myself, and made Farah buy it from her. No sooner had it come upon my arm that it gave up the ghost. It was nothing now, a small, cheap, purchased article of finery. It had been the play of colors, the duet between the turquoise and the "negre", — that quick, sweet, brownish black, like peat and black pottery, of the Native's skin, — that had created the life of the bracelet. …I stood in Meru and looked at my pale hand and the dead bracelet, it was as if an injustice had been done to a noble thing, as if truth had been suppressed. So sad did it seem that I remembered the saying of the hero in a book that I had read as a child: "I have conquered them all, but I am standing amongst graves."”

Karen Blixen book Out of Africa

Out of Africa (1937)

Life, Truth, Books, Sadness

“Don't be afraid of putting on color, refine the work little by little. Don't proceed according to rules and principles, but paint what you observe and feel... One must have only one master – nature; she is the one always be consulted.”

Camille Pissarro (1830–1903) French painter

1890's

Feeling, Nature, Painting

“That's how it is
One day two paintings were hanging,
Right opposite each other
Really colorful and beautiful the one
And the other simple and honest
* That simplicity and truth are the characteristics
of science and of art.
Well, people can not understand that.
It was to the tinsel that they gave their favor.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (kort gedicht van Jozef Israëls, in het Nederlands):
Zoo is het
Er hingen eens twee schilderijen,
Juist vlak tegenover elkaar
Regt kleurig en schitterend de eene
En d'ander eenvoudig en waar
** Dat eenvoud en waarheid het kenmerk
Van wetenschap is en van kunst
Och, dat kan het volk niet begrijpen
En [aan] 't klatergoud schonk het zijn gunst.
A short poem of Israëls, written in his letter from The Hague, 13 Dec. 1876 to art-seller Pilgeram & Lefèvre in London; from collection of Fondation Custodia, Institut Neérlandais Paris, input no. 1971-A 506
Quotes of Jozef Israels, 1871 - 1900

People, Truth, Beauty, Art

“I love people, it doesn’t matter their color, nationality, sexual orientation, whatever. We all live here on the same planet. I also don’t like this good looking/bad looking thing. Who cares? Just because you don’t have looks doesn’t mean you aren’t pretty inside.”

Miss Foozie (1960) drag queen

[ Terry Oldes http://www.terryoldes.com/, A Barrel Full of Monkeys – OR – More Baggage Than Ann Miller Brought On the Love Boat, 2008-03-28, 2007-08-14, Starbooks Press http://www.starbookspress.com/, Sarasota, Florida, Foozie, http://www.missfoozie.com/terryoldes.htm] [ Terry Oldes http://www.terryoldes.com/, Miss Foozie, http://www.missfoozie.com/terryoldes.htm, "Foozie" by Terry Oldes, MISS FOOZIE http://www.missfoozie.com/, 2009-03-30]

Love, People

“Color has taken possession of me; no longer do I have to chase after it, I know that it has hold of me forever... Color and I are one. I am a painter.”

Paul Klee (1879–1940) German Swiss painter

Diary-note (Tunisia, 16 April 1914), # 926; as quoted by Suzanne Partsch in Klee (reissue), Benedikt Taschen, Cologne, 2007 - ISBN 978-3-8228-6361-9, p. 20
1911 - 1914, Diary-notes from Tunisia' (1914)

“I have a dream that we can have one day, once again, a beautiful land. I have a dream that we can have a land of our own kind, in which the enemies of our people will cease to exist within our borders. I have a dream that one day, White people will be proud of themselves once again. When one day the value of race will be universally recognized, as it must be. When one day, it will be taught to keep your race pure, to ennoble and advance your race is the highest good in this world. I have dream that this current order will fall upon itself in misery, and the enemies of our people will be legally tried and convicted for their crimes. Those white people who have betrayed the interests of White people will be tried for treason, legally, through the process but will pay for their crimes. I have a dream in which the White House will one day become White once again, and not beige, and not black, and not putrid-colored green. I have a dream that we can have a land that we are proud of once again and not simply have platitudes to the American flag without having any kind of real basis behind it worthy of pride. I have a dream that one day, once again, we can be safe and secure in our homes, when one day our home will be our castle, once again, and nobody would ever dare even think about entering our home, to deprive us of what is rightfully ours.”

Matthew F. Hale (1971) White separatist religious leader

In Klassen We Trust (2002), Episode 5.

People, World, Beauty, Dreams

“If I have done anything for the colored people, it is in a great measure due to my having had the good-fortune, when I escaped from slavery, to become acquainted with William Lloyd Garrison, and with Wendell Phillips, and with our friend Oliver Johnson, and with Dr. Bowditch. The home of Dr. Bowditch, I may say, gave me the first shelter I received in this city. I have often been asked where I got my education. I have answered, from the Massachusetts Abolition University, Mr. Garrison, president… I meet with colored men on all sides smoking and sometimes drinking. That is not the way to rise in the world. For my own part, I neither smoke, nor chew tobacco nor take snuff, nor drink whiskey; and I should be delighted if I could make the same statement with regard to my whole people.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Speech at the Wendell Phillips Club http://teachingamericanhistory.org/library/document/the-nations-problem/ (11 September 1886). 1880s

Men, People, World, Education

“I have not told the police about it. Every member of the police department I have encountered during my stay in San Francisco has been nearly as surly and intractable as my rapist friend, because I look like a hippie. Each time I attempted to explain myself I was rebuffed or threatened.
From this experience I am tempted to draw an odd analogy: under stress, neither the policeman nor the rapist allows an opportunity for rational communication. Each one relies on violence to make to make his impression. This is not an accident, but, rather evidence of a widespread sickness. When will violence stop long enough for communication to begin? On second thought, perhaps I am doing the police department a grave disservice in not attempting to put them in contact with the rapist. Maybe, with just a little mind-bending, that rapist would make a damned good cop, and both could swagger together, true soul brothers, under the many-colored cloak of Fascism.”

Lisa Mason book Summer of Love

Source: Summer of Love (1994), Chapter 10 “Dedicated to the One I Love” (p. 230)

Soul, Communication, Time, Drawing

“Sabi is the color of the poem. It does not necessarily refer to the poem that describes a lonely scene. If a man goes to war wearing stout armor or to a party dressed up in gay clothes, and if this man happens to be an old man, there is something lonely about him. Sabi is something like that.”

Bashō Matsuo (1644–1694) Japanese poet

sabi wa ku no iro nari. kanjaku naru ku wo iu ni arazu. tatoeba, roujin no katchuu wo taishi senjou ni hataraki, kinshuu wo kazari goen ni haberitemo, oi no sugata aru ga gotoshi. Classical Japanese Database, Translation #42 http://carlsensei.com/classical/index.php/translation/view/42 (Translation: Robert Hass) Statements

War, Clothes

“In nature, light creates the color; in the picture, color creates light. Every color shade emanates a very characteristic light — no substitute is possible.”

Hans Hofmann (1880–1966) American artist

As quoted in Readings in American art, 1900 -1975 (1975) by Barbara Rose, p. 117
1970s and later
Variant: In nature, light creates the color. In the picture, color creates the light.

Nature, Light

“I sit with Shakespeare and he winces not. Across the color-line I move arm in arm with Balzac and Dumas, where smiling men and welcoming women glide in gilded halls. From out the caves of the evening that swing between the strong-limbed earth and the tracery of the stars, I summon Aristotle and Aurelius and what soul I will, and they come all graciously with no scorn nor condescension. So, wed with Truth, I dwell above the Veil. Is this the life you grudge us, O knightly America? Is this the life you long to change into the dull red hideousness of Georgia? Are you so afraid lest peering from this high Pisgah, between Philistine and Amalekite, we sight the Promised Land?”

W.E.B. Du Bois book The Souls of Black Folk

Source: The Souls of Black Folk (1903), Ch. VI: Of the Training of Black Men

Life, Women, Men, Truth

“Corben's technique introduced the airbrush to comics. His sophisticated knowledge of how color is printed allowed him to get fantastic results. His work has maintained a sense of humor and spectacle in tales of barbarians, time travelers and Arabian nights.|Harvey Kurtzman”

Richard Corben (1940) American illustrator

[Kurtzman, Harvey, From Aargh! to Zap!, Prentice Hall Press, New York, 1991, 88, 978-0-13-363680-2]</ref>}}

Travel, Knowledge, Sense, Time

“So he imports this special breed of scorpions and feeds them on metal meal and the scorpions turned a phosphorescent blue color and sort of hummed. “Now we must find a worthy vessel,” he said. So we flush out this old goof ball artist and put the scorpion to him and he turned sort of blue and you could see he was fixed right to metal. These scorpions could travel on a radar beam and service the clients after Doc copped for the bread. It was a good thing while it lasted and the heat couldn’t touch us. However all these scorpion junkies began to glow in the dark and if they didn’t score on the hour metamorphosed into scorpions straight away. So there was a spot of bother and we had to move on disguised as young junkies on the way to Lexington. Bill and Johnny we sorted out the names but they keep changing like one day I would wake up as Bill the next day as Johnny. So there we are in the train compartment shivering junk sick our eyes watering and burning.”

William S. Burroughs book The Soft Machine

Source: The Soft Machine (1961), Chapter One: "Dead on Arrival"

Way, Travel, Water, Change

“I had no desire to copy Pollock. I didn't want to take a stick and dip it in a can of enamel [paint]. I needed something more liquid, watery, thinner. All my life, I have been drawn to water and translucency. I love the water; I love to swim, to watch changing seascapes. One of my favorite childhood games was to fill a sink with water and punt nail polish into to see what happened when the colors burst up the surface, merging into each other as floating, changing shapes.”

Helen Frankenthaler (1928–2011) American artist

Quote from Abstract Expressionism, Barbara Hess, Taschen, Köln, 2006, p. 80
1990s - 2000s

Love, Life, Game, Water

“Thoughts at the open window of the payroll department [in a military barrack - World War I. ]: That everything is transitory is merely a simile. Everything we see is a proposal, a possibility, an expedient. The real truth, to begin with, remains invisible beneath the surface. The colors that captivate us are not lighting, but light. The graphic universe consists of light and shadow. The diffused clarity of slightly overcast weather is richer in phenomena than a sunny day. A thin stratum of cloud just before the stars break through. It is difficult to catch and represent this, because the moment is so fleeting. It has to penetrate into our soul. The formal has to fuse with the Weltanschauung”

Paul Klee (1879–1940) German Swiss painter

world view
Quote (July 1917), # 1081, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1916 - 1920

War, Truth, World, Soul

“But trying to be a painter did teach me to look at the world in a very particular way—looking very closely at things, at colors, at how things form themselves in space — and I've always been grateful for that. You have all this space, and you have a figure: what do you do with it? And in a way that’s what all art is. How do we find a place for our creatures, or inventions, in this incoherent space into which we’re thrown?”

John Banville (1945) Irish writer

John Banville, The Art of Fiction No. 200 (2009)

World, Art, Way

“I suppose he had the good luck to be executed, no? I had an hour's chat with him in Buenos Aires. He struck me as a kind of play actor, no? Living up to a certain role. I mean, being a professional Andalusian… But in the case of Lorca, it was very strange because I lived in Andalusia and the Andalusians aren't a bit like that. His were stage Andalusians. Maybe he thought that in Buenos Aires he had to live up to that character, but in Andalusia, people are not like that. In fact, if you are in Andalusia, if you are talking to a man of letters and you speak to him about bullfights, he'll say, 'Oh well, that sort of this pleases people, I suppose, but really the torero works in no danger whatsoever. Because they are bored by these things, because every writer is bored by the local color in his own country. Well, when I met Lorca, he was being a professional Andalusian… Besides, Lorca wanted to astonish us. He said to me that he was very troubled about a very important figure in the contemporary world. A character in whom he could see all the tragedy of American life. And then he went on in this way until I asked him who was this character and it turned out this character was Mickey Mouse. I suppose he was trying to be clever. And I thought, 'That's the kind of thing you say when you are very, very young and you want to astonish somebody.' But after all, he was a grown man, he had no need, he could have talked in a different way. But when he started in about Mickey Mouse being a symbol of America, there was a friend of mine there and he looked at me and I looked at him and we both walked away because we were too old for that kind of game, no? Even at that time.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Richard Burgin, Conversation with Jorge Luis Borges, pages 92-93.
Conversations with Jorge Luis Borges (1968)

Life, People, World, Way

“the color of the sky as far as I can see is coal gray
lift my head from the pillow and then fall again
with a shiver in my bones just thinking about the weather
a quiver in my lips as if I might cry”

Natalie Merchant (1963) American singer-songwriter

Song lyrics, In My Tribe (1987), Like The Weather

Thinking, Cry, Weather

“.. color being enigmatic in itself.... then to be logical we cannot use it any other way than enigmatically..”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1890s - 1910s, The Writings of a Savage (1996), p. 145

Way

“A musical event in Münich has brought me a great dolt.... an evening of chamber-music by Arnold Schoenberg (Vienna).... the audience behaved loutishly, like school brats, sneezing and clearing their throats, when not tittering and scraping their chairs, so it was hard to follow the music. Can you imagine a music in which tonality (that is, the adherence to any key) is completely suspended? I was constantly reminded of Kandinsky's large composition which also permits no trace of tonality.... and also of Kandinsky's 'jumping spots' in hearing this music [of Schoenberg], which allows each tone sounded to stand on its own (a kind of white canvas between the spots of color). Schönberg proceeds from the principle that the concepts of consonance and dissonance do not exist at all. A so-called dissonance is only a mere remote consonance – an idea which now occupies me constantly while painting..”

Franz Marc (1880–1916) German painter

In a letter to August Macke (14 January 1911); as quoted in August Macke; Franz Marc: Briefwechsel, Cologne 1965; as quoted in Boston Modern - Figurative Expressionism as Alternative Modernism, Judith Bookbinder, University Press of New England, Hanover and England, 2005, p. 35
Franz Marc visited a concert with music of the composer Arnold Schönberg on 11 Jan. 1911 with Wassily Kandinsky, Alexej von Jawlensky, Gabriele Münter and others; they played there compositions of Schönberg he wrote in 1907 and 1909: his second string quartet and the 'Three piano pieces'
1911 - 1914

School, Music, Imagination, Idea

“We [Richter and w:Blinky Palermo ] could really just speak about painting. The main thing was about the surface of color or the proportion of color. It was impossible for me to talk to Sigmar Polke about the opacity of color. With Palermo, yes. We supported each other, we comforted each other a little bit. We thought this really could not be true that everything was supposed to be over ['painting' as an expression of art, in the 1970's). Art had to be relevant [in the 1970's], and our art was not relevant.”

Gerhard Richter (1932) German visual artist, born 1932

Source: after 2000, Doubt and belief in painting' (2003), pp. 96-97

Art, Support, Painting

“A line cannot control pictorial space absolutely. A line may flow freely in and out space, but cannot independently create the phenomenon of push and pull necessary to plastic creation. Push and pull are expanding and contracting forces which are activated by carriers in visual motion. Planes are the most important carriers, lines and points less so... the picture plane reacts automatically in the opposite direction to the stimulus received; thus action continues as long as it receives stimulus in the creative process. Push answers with pull and pull with push. … At the end of his life and the height of his capacity Cézanne understood color as a force of push and pull. In his pictures he created an enormous sense of volume, breathing, pulsating, expanding, contracting through his use of colors.”

Hans Hofmann (1880–1966) American artist

'Search for the Real in the Visual Arts', p. 44
Search for the Real and Other Essays (1948)

Life, Sense

“Our history will be what we make it. And if there are any historians about fifty or a hundred years from now, and there should be preserved the kinescopes for one week of all three networks, they will there find recorded in black and white, or perhaps color, evidence of decadence, escapism and insulation from the realities of the world in which we live.”

Edward R. Murrow (1908–1965) Television journalist

RTNDA Convention Speech (1958)

World, History, Reality

“I was early regarded as having unusual intellectual capacity. I was an omnivorous reader, and I added to that a desire to systematize my understanding. As a result, history, for example, was not merely a set of dates and colorful stories; I could understand it as a sequence in which one event flowed out of another. This sense of order crystallized during my high-school and college years into a predominant interest in mathematics and mathematical logic.”

Kenneth Arrow (1921–2017) American economist

Arrow (1984) "November 1984 lecture at Trinity University". Lecture presented November 5, 1984.
1970s-1980s

School, History, Mathematics, Understanding

“Machine-held strings of binary digits can simulate a great many kinds of things, of which numbers are just one kind. For example, they can simulate automobiles on a freeway, chess pieces, electrons in a box, musical notes, Russian words, patterns on a paper, human cells, colors, electrical circuits, and so on. To think of a computer as made up essentially of numbers is simply a carryover from the successful use of mathematical analysis in studying models. Most of this series of lectures has been devoted to applications of computers, and this is not the time to give details about their usefulness. I merely wish to point out certain types of things being done with computers today that could not have been done in 1945. Some of these are technological, some are intellectual.”

George Forsythe (1917–1972) Stanford University computer scientist

As cited in: Zenon Pylyshyn (1970) Perspectives on the computer revolution. p. 379
"Educational implications of the computer revolution," 1963

Music, Mathematics, Thinking, Study

“In order to render this change eligible as well to the society as to the slaves, it would be necessary that a complete incorporation of the latter into the former should result from the act of manumission. This is rendered impossible by the prejudices of the whites, prejudices which proceeding principally from the difference of color must be considered…”

James Madison (1751–1836) 4th president of the United States (1809 to 1817)

1780s, Memorandum to Abolitionists (1789)

Change

“Now, there are electromagnetic changes [during projections] that can be perceived with instruments. Certain electrical fields will make themselves known under these conditions. The fields have always existed, but they will become apparent to physical instruments only when they are being crossed -- in other words, at the very act of projection. Other hints: A cool body temperature but with room temperature between 73.8 and 75.9. High humidity is poor. The color of a room is important. Cool colors are best. Too warm colors are detrimental, being too closely allied with earthly conditions.”

Jane Roberts (1929–1984) American Writer

Source: Seth, Dreams & Projections of Consciousness, (1986), p. 347, quoting from Session 274

Change

“[The] kind of thinking […] which refuses to make distinctions among artists on the basis of color or nationality or gender, which insists on inclusion rather than exclusion, is hardly fashionable with the current tribalism known as multiculturalism and cultural diversity. But it represents […] the only kind of thinking that can prepare the way for great art, and builds the path to a reconciled society.”

Robert Brustein (1927) American writer

"More Noise Than Funk", The New Republic (3/4/1996) - review of the George C. Wolfe / Savion Glover musical production Bring in Da Noise, Bring in Da Funk at the Public Theatre in New York

Art, Way, Fashion, Thinking

“The bright side is that the conquering of color caste in America is America's own innermost desire. This nation early laid down as the moral basis for its existence the principles of equality and liberty. However much Americans have dodged this conviction, they have refused to adjust their laws to their own license. Today, more than ever, they refuse to discuss systematizing their caste order to mutual advantage, apparently because they most seriously mean that caste is wrong and should not be given recognition. They stand warm heartedly against oppression in all the world. When they are reluctantly forced into war, they are compelled to justify their participation to their own conscience by insisting that they are fighting against aggression and for liberty and equality.”

Gunnar Myrdal book An American Dilemma

Source: An American Dilemma (1944), p. 1021

War, World, Law, Fight

“The only faith that wears well and holds its color in all weathers, is that which is woven of conviction and set with the sharp mordant of experience.”

James Russell Lowell (1819–1891) American poet, critic, editor, and diplomat

Abraham Lincoln (1864)

Faith, Weather

“All it takes is one good selfie and then send it around to all of the sites that post hot girls and maybe you’ll get chosen and they’ll pick you up. I mean it’s the little things too, see what’s trending, always see what’s trending. I don’t like to post selfies back-to-back-to-back. I don’t like to post professional photos back-to-back, or when it comes to colors, or if it’s too close or too far away or just like the littlest things. Everything matters, it really does. It can make a huge difference. If you’re going for modeling, like brand your page. If you’re trying to go for specific — if you’re not going for something. Like let’s say for me I’m a model and an actress, so I wanted to lean more towards both of those, so pictures of my food wouldn’t work because I’m not a blogger, or pictures of just random stuff that doesn’t make sense. People follow me for a reason and I know why they follow me.”

Antje Utgaard (1994) American actress

Social Media Star Antje Utgaard On Her Modeling Career, Instagram Tips & Being Compared To Kate Upton https://uinterview.com/news/social-media-star-antje-utgaard-modeling-career-instagram-tips-compared-kate-upton-video-exclusive/ (October 7, 2016)

People, Food, Photo, Girl

“The great virtue of a free market system is that it does not care what color people are; it does not care what their religion is; it only cares whether they can produce something you want to buy. It is the most effective system we have discovered to enable people who hate one another to deal with one another and help one another.”

Milton Friedman (1912–2006) American economist, statistician, and writer

"Why Government Is the Problem" (February 1, 1993), p. 19

Hate, People, Religion, Help

“Will you remember my name or at the end of the night is it all a game
Or will you hold on to my hand together forever we will stand
Or the sun will rise and you’ve had your prize
And you don’t even know the color of my eyes”

Michelle Lambert (1985) American singer-songwriter and violinist

"I'm Just a Girl" (2015)

Game, Sun, Night

“The Goldberg Variations have always enjoyed a special status, with pianists regarding them as a touchstone of their technical and interpretative powers. At stake are the ability to light up the work from within, a tightrope walk that at the same time describes a vast circle, starting out and returning to a state of apotheotic stillness, the ability to find one’s bearings within a particular concentration of inner and outer complexity, an inner and outer coherence and homogeneity that are all-embracing, the ability, finally, to produce an explosion of inner cells by reduced means and, hence, a particular sensitivity, sinewy tension, and color. The performer must play a game with particular devices, finding solutions to the problems posed by the work not in octave doublings and other playful expedients but in a tightly structured inner rigor and order. What is demanded is a particular form of internalization, of inner and outer lyricism. It is this that makes the Goldberg Variations so unique - and so demanding.”

Burkard Schliessmann classical pianist

Talkings on Bach

Game, Problem, Light, Time

“.. coloring is also drawing.”

Anton Mauve (1838–1888) Dutch painter (1838–1888)

Quote of Mauve; as cited by Vincent van Gogh in his letter to brother Theo http://vangoghletters.org/vg/letters/let175/letter.html, from Etten, c. 12-15 Oct. 1881] 1880's

Drawing

“One life is far too little for all the things I feel within myself, and I invent other lives within and outside myself for them. A whirling crowd of invented beings surrounds me and prevents me from seeing reality. Color bites at my heart.”

Marianne von Werefkin (1860–1938) expressionist painter

from her short biography on the website of museum 'Lenbachhause', undated http://www.lenbachhaus.de/collection/the-blue-rider/werefkin/?L=1 1906 - 1911

Life, Feeling, Reality, Heart

“It is impossible to explain the recent works of these 'savages' as a formal development and new interpretation of Impressionism... The most beautiful prismatic colors and the celebrated Cubism are now meaningless goals for these 'savages.”

Franz Marc (1880–1916) German painter

1911 - 1914, The 'Savages' of Germany' (1912)

Beauty

“Punk: I'm not gonna have you sit here and belittle me. Say I've lost sight? I've lost sight of things, John? The reason I say I'm gonna take that and walk out is because I don't fit a certain mold. Because I am the underdog, and that's exactly what you've lost sight of. Earlier in this ring, you mentioned great wrestlers like Eddie Guerrero and you said they used to look at you and say that the kid couldn't hang. And now you stand here and look at me as the kid that can't hang. John, I was hanging off of your gangster car, WrestleMania 22, as it rolled down in Chicago, Illinois, and I stood there in a suit looking as ridiculous as [points to Vince McMahon] that man looks right now in his suit, holding a phony Tommy gun, and I said to myself someday, I'm not gonna be standing out there watching you in the ring; I was gonna be in the ring watching you go down to CM Punk. And now here we are in your hometown of Boston. And now next week, we'll be back there in my hometown—Chicago, Illinois. And this… this is the part where I talk 'em into the building. See, you are the one that's lost sight, and I apologize for raising my voice because I'm not that guy. But when you stand here and tell me that I've lost sight, when you, the 10-time Champion who stands for hustle, loyalty and respect; who, from Boston, Massachusetts, lives and breathes these red colors, the same colors as your beloved Red Sox, who also portray themselves as the underdog, I'm sure just like the Bruins portray themselves as the underdog. Just like the Patriots think they're the underdog! Hey, how about those Celtics? Are they the underdogs too? Here's what you've lost sight of, John, and I'm really happy that your father and your wife are sitting in the front row so they can hear it!
John Cena: That's the last time I'm gonna tell you, man, ease up.
Punk: What you've lost sight of is what you are, and what you are is what you hate. You're the 10-time WWE Champion! You're the man! You, like the Red Sox, like Boston, are no longer the underdog! You're a dynasty. You are what you hate. You have become the New York Yankees! [John immediately punches Punk, who scoots out of the ring, grabs the contract, and goes up the ramp. Points respectively to Vince and John] You're Steinbrenner, and you might as well be Jeter! Mr. 3000, I'm the underdog! [John's music plays for fourteen seconds] Turn it off! Turn the music off because I have something to say, and I'm positive that everybody here wants to hear it, and everybody sitting at home has their DVRs fired up because they wanna hear it! I'm glad you just punched me in the face, John. I'm glad it went down this way because it hit me like a bolt of lightning—exactly why I no longer wanna be here, why I wanna leave. It's because I'm tired of this. I'm tired of you. I'm just tired. So ladies and gentlemen of the WWE Universe, Vince, John, Sunday night, say goodbye to the WWE Title, say goodbye to John Cena, and say goodbye to CM Punk! [Rips up the contract] I'll go be the best in the world somewhere else.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

July 11, 2011
WWE Raw

Hate, Happiness, World, Music

“The rectangular picture-plane indicates the starting point of Suprematism; a new realism of color conceived as non-objective creation. The forms of Suprematist art live like all the living forms of nature. This is a new plastic realism, plastic precisely because the realism of hills, sky and water is missing. Every real form is a world. And any plastic surface is more alive than a (drawn or painted) face from which stares a pair of eyes and a smile. [1914]”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote of Malevich, cited in Artists on Art; from the 14th – 20th centuries, ed. Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 452
1910 - 1920

World, Smile, Art, Nature

“It seems to me from my experience where I have been in North Carolina, Georgia, Tennessee and Texas, that while the colored Negroes have great respect for white doctors they can get closer to their own members and more or less lay their cards on the table which means their ignorance, superstitions and doubts. They do not do this with the white people and if we can train the Negro doctor at the Clinic he can go among them with enthusiasm and with knowledge, which, I believe, will have far-reaching results among the colored people. His work in my opinion should be entirely with the Negro profession and the nurses, hospital, social workers, as well as the County’s white doctors. His success will depend upon his personality and his training by us.”

Margaret Sanger (1879–1966) American birth control activist, educator and nurse

People, Knowledge, Success, Dependency

“We do not ask the passage of any law forcing us upon anybody who does not want to receive us. But we do want a law enacted that we may be recognized like other men in the country. Why is it that colored members of Congress cannot enjoy the same immunities that are accorded to white members? Why cannot we stop at hotels here without meeting objection? Why cannot we go into restaurants without being insulted? We are here enacting laws for the country and casting votes upon important questions; we have been sent here by the suffrages of the people, and why cannot we enjoy the same benefits that are accorded to our white colleagues on this floor?”

Joseph Hayne Rainey (1832–1887) politician

1873, Speech on Civil Rights Act (1873)

Men, People, Law, Question

“Formerly, the purchase of Texas by our Government, for the purpose of bestowing it as a gift upon our colored population, was a favorite opinion of ours; but we have settled down into the belief, that the object is neither practicable nor expedient. In the first place, it is not probable that the Congress would make the purchase; nor, secondly, is it likely that the mass of our colored people would remove without some compulsory process; nor, thirdly, would it be safe or convenient to organise them as a distinct nation among us,—an imperium in imperio. The fact is, it is time to repudiate all colonization schemes, as visionary and unprofitable; all those, we mean, which have for their design the entire separation of the blacks from the whites. We must take our free colored and slave inhabitants as we find them—recognise them as countrymen who have extraordinary claims upon our charities—give them the advantages of education—respect them as members of one great family, who may be made useful in society and honorable in reputation. This is our view of the subject.”

William Lloyd Garrison (1805–1879) American journalist

The Liberator http://deadconfederates.com/2016/03/21/garrison-gives-up-on-colonization/ (22 January 1861) The Liberator (1831 - 1866)

People, Education, Family, Time

“My objects are to be seen as stimulants for the transformation of the idea of sculpture.... or of art in general. They should provoke thoughts about what sculpture can be and how the concept of sculpting can be extended to the invisible materials used by everyone.
THINKING FORMS – how we mold our thoughts or
SPOKEN FORMS – how we shape our thoughts into words or
SOCIAL SCULPTURE – how we mold and shape the world in which we live:
Sculpture as an evolutionary process; everyone an artist.
That is why nature of my sculpture is not fixes and finished. Processes continue in most of them: chemical reactions, fermentations, color changes, delays, drying up. Everything is in a STATE of CHANGE.”

Joseph Beuys (1921–1986) German visual artist

Beuys' quote from Theory of Social Sculpture, 1979, as cited in: Chris Thompson. Felt: Fluxus, Joseph Beuys, and the Dalai Lama. 2011. p. 88-89
1970's

World, Art, Idea, Nature

“The muse lends me a lyre of myriad tunes,
her brush of myriad tints—I want to play
a wizard working wonders, magic tricks
with all the sounds and colors of the earth.”

Thế Lữ (1907–1989)

Source: An Anthology of Vietnamese Poems, trans. Huỳnh Sanh Thông (Yale University Press, 1996), ISBN 978-0300064100

“In America today there are many “colored” people who are designated “black” or “African.” Whereas they are mixed with the West—with the so-called whites who represent the West—in blood and spirit. This is a fateful, hidden matter though we do not see it as such. It may be partly responsible for deadly, one-sided polarizations in cultures around the globe that see themselves similarly locked into racial investitures.”

Wilson Harris (1921–2018) Guyanese writer

Interview with Wilson Harris (2003)

Fate, People

“I like colorized diffs, but let's face it, those particular color choices will make most people decide to pick out their eyes with a fondue fork.

And that's not good. Digging in your eye-sockets with a fondue fork is strictly considered to be bad for your health, and seven out of nine optometrists are dead set against the practice.

So in order to avoid a lot of blind git users, please apply this patch.”

Linus Torvalds (1969) Finnish-American software engineer and hacker

Message to Git mailing list, 2006-06-22, Torvalds, Linus, 2006-08-28 http://lwn.net/Articles/190241/, 2000s, 2006

People, Health, Dead

“In this same month ninety-five years ago-on March 30, 1870 — the Constitution of the United States was amended for the fifteenth time to guarantee that no citizen of our land should be denied the right to vote because of race or color. The command of the Fifteenth Amendment is unequivocal and its equal force upon State Governments and the Federal Government is unarguable. Section 1 of this Amendment provides: The right of citizens of the United States to vote shall not be denied or abridged by the United States or by any State on account of race, color, or previous condition of servitude.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, Special message to Congress on the right to vote (1965)

Time

“It turns out that certain picture shapes don't allow you to use different kinds of quantity distributions of color for different expressions. The quantities and configurations of colors are as important as the colors themselves. When I first started painting circles, I went fairly quickly to a 6-foot square module. I think de Kooning said in an interview or artist's discussion that he only wanted to make gestures as big as his arm could reach. It struck me that he was saying this physical size had to do with the expressive size of the pictures he wanted to make. And as far as I know, when I got to the 6-foot square size, it was right in terms of myself and wasn't too much of a field. Or it was a field, yet it was still physical. And that's why I used it for so long.”

Kenneth Noland (1924–2010) American artist

Source: Color, Format and Abstract Art' (1977), pp. 99 – 105

Thinking, Painting

“I have heard that you have found the secret of engraving on copper on white ground, as Elsheimer did. To bite the plate with acid, he covered the copper with a white paste. He then drew with the point down to the metal, which is of reddish color, and it looked as if he were drawing with red crayon on white paper. I cannot remember the composition of this write paste, although he communicated it to me.”

Peter Paul Rubens (1577–1640) Flemish painter

Quote of Rubens in a letter to Pieter van Veen, 19 June 1622, as cited
1605 - 1625
Source: http://remdoc.huygens.knaw.nl/#/document/remdoc/e12885

Secret, Communication, Past, Drawing

“Color is to the eye what music is to the ear.”

Louis Comfort Tiffany (1848–1933) American stained glass and jewelry designer

The Art Work of Louis C. Tiffany (Doubleday, Page & Co New York, 1916)

Music

“'Cause baby you're a firework,
Come on, show 'em what you're worth.
Make 'em go "Oh, Oh, Oh"
As you shoot across the sky-y-y.Baby, you're a firework,
Come on, let your colors burst.
Make 'em go "Oh, Oh, Oh"
You're gonna leave 'em falling down-own-own.”

Katy Perry (1984) American singer, songwriter and actress

Firework, written by Katy Perry, Mikkel S. Eriksen, Tor Erik Hermansen Sandy Wilhelm, and Ester Dean
Song lyrics, Teenage Dream (2010)

Baby

“[Black is] the most popular and the most convenient and the most elegant of all colors.”

Christian Dior (1905–1957) French fashion designer

As quoted in: Fakiko Fukai et al. (2004) Fashion in colors, p. 195

“Strangewood was never silent. It was never supposed to be. There was such life and color in the wood and in the creatures who lived there that silence would be tantamount to death. It was very silent in Strangewood.”

Christopher Golden (1967) American writer

Page 160
Strangewood (1999)

Life, Death, Silence

“When the end comes, I hope it’s as strange as that. I hope that the sky tears open and the world is washed with colors that we’ve never seen before.”

Joey Comeau (1980) writer

Lockpick Pornography

World, Hope, Tear

“The sublimity of color in Hodgkin's pictures can be thought of as, first of all, expressive of gratitude — for the world that resists and survives the ego and its discontents.”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

"About Hodgkin," from Howard Hodgkin Paintings (1995), p. 109

World, Gratitude

“The immediate source of ecological crisis is capitalism… Capitalism is a cancer in the biosphere… I believe the color of radicalism today is not red, but green.”

Steve Chase American activist

Steve Chase, ed., Defending the Earth: A Dialogue Between Murray Bookchin and Dave Foreman(Boston South End Press, 1991, p 57-59); O'Leary, Richard. Environmental mafia: the enemy is us. pp. 41

“Deep inside, I am a shy man. And in the presence of colorful characters, I am a clam. I never try to out-eccentric the eccentricsǃ”

Alfred Hitchcock (1899–1980) British filmmaker

As quoted in "New York Close-Up" http://www.mediafire.com/view/sllj68n3ug6dgju/Concert_Thursday_to_Aid_Memori.jpg.

“Men of mixed blood in this country apply the name 'negro' to themselves, not because it is a correct ethnological description, but to seem especially devoted to the black side of their parentage. Hence in some cases they are more noisily opposed to the conclusion to which I have come, than either the white or the honestly black race. The opposition to amalgamation, of which we hear so much on the part of colored people, is for most part the merest affectation, and, will never form an impassable barrier to the union of the two varieties.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1880s, The Future of the Colored Race (1886)

Men, People, Parting, Country

“On a Clear Day: Art work that is completely abstract - free from any expression of the environment is like music and can be responded to in the same way. Our response to line and tone and color is the same as our response to sounds... It holds meaning for us that is beyond expression in words.
These prints [title, 'On a Clear Day'] express innocence of mind. If you can go with them and hold your mind as empty and tranquil as they are and recognize your feelings at the same time you will realize your full response to this work.”

Agnes Martin (1912–2004) American artist

a passage Martin wrote in 1975 'On a Clear Day', 15 Oct. 1975. Printed in Agnes Martin, eds. Morris and Bell, p. 124
1970's

Art, Music, Way, Feeling

“Already in 1915, Sophie Taeuber [his wife] divides the surface of her aquarelle into squares and rectangles which she then juxtaposes horizontally and perpendicularly [as Mondrian, Itten and Paul Klee did in the same period]. She constructs them as if they were masonry work. The colors are luminous, ranging from the raw yellow to deep red or blue.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Source: 1960s, Jours effeuillés: Poèmes, essaies, souvenirs (1966), p. 288, Arp refers in this quote to the structure in the early watercolor paintings by his wife Sophie Taeuber.

“This society is not hospitable to persons of color, women or left-handed people.”

Pauli Murray (1910–1985) American writer, activist and lawyer

[Boodman, Sandra, 28 February 1977, A master of many trades, Washington Post, Washington DC]

Women, People, Personality

“They have been taught that if you are sunny, cheery, sincere, group-adjusted, popular, the world is yours, including barbecue pits, charge plates, diaper service, percale sheets, friends for dinner, washer-dryer combinations, color slides of the kiddies on the home projector, and eternal whimsical romance — with crinkly smiles and Rock Hudson dialogue. So they all come smiling and confident and unskilled into a technician’s world, and in a few years they learn that it is all going to be grinding and brutal and hateful and precarious. These are the slums of the heart.”

John D. MacDonald (1916–1986) writer from the United States

Travis McGee series, (1964)

Hate, World, Smile, Home

“The impressionistic method leads into a complete splitting and dissolution of all areas involved in the composition, and color is used to create an overall effect of light. The color is, through such a shading down from the highest light in the deepest shadows, sacrified an degraded to a (black-and-white) function. This leads to the destructions of the color as color.”

Hans Hofmann (1880–1966) American artist

Hofmann's quote in: 'Space pictorially realized through the intrinsic faculty of the colors to express volume' in New Paintings by Hans Hofmann (1951); also in Hans Hofmann (1998) by Helmut Friedel and Tina Dickey
1950s

Light

“Yellow can paint happiness and also pain... Every color harbors its soul within, delighting or repelling and inspiring me.”

Emil Nolde (1867–1956) German artist

undated quotes

Pain, Happiness, Soul, Painting

“I make a little mystique for myself. Since I have no preference or so-called sense of color, I could take almost everything that could be some accident of a previous painting. Or I set out to make a series. I take, for instance, some pictures where I take a color, some arbitrary color I took from some place. Well, this is gray maybe, and I mix the color for that, and then I find out that when I am through with getting the color the way I want it, I have six other colors in it, to get that color; and then I take those six colors and I use them also with this color. It is probably like a composer does a variation on a certain theme. But it isn't technical, it isn't just fun.”

Willem de Kooning (1904–1997) Dutch painter

interview conducted by David Sylvester for the BBC, 1962; as quoted in Abstract Expressionism: Creators and Critics, edited by Clifford Ross, Abrahams Publishers, New York 1990, p. 50.
1960's

Way, Sense, Painting

“[The press from right to left, is corrupt. It will say anything if the bribe is large enough]… gloss over events according to the color of the subsidy, undress, attack, traduce, rant, all according to the sum in the envelope. [177]”

Louis-ferdinand Céline (1894–1961) French writer

L'Ecole des cadavres (1938)

“I saw standing against the great stone pillar — on more red plush — a tall, slim boy in evening dress — so much slimmer, so much taller, so much more poised than I expected. A very refined face, not at all like those grinning 'Lindy' pictures — a firm mouth, clear, straight blue eyes, fair hair, and nice color. Then I went down the line very confused and overwhelmed by it all. He did not smile — just bowed and shook hands.”

Anne Morrow Lindbergh (1906–2001) American aviator and author

On first meeting Charles.
Bring Me a Unicorn (1971)

Smile, Boy

“A white man's government? Not a government of intelligence, of justice, of virtue? Not a government by the consent of the governed, but a government of complexion? Where reason is skin deep? Who is a white man? Is a Spaniard? Is a Creole? Is an octoroon? Ohio says that a blood mixture of half-and-half will do for her. But if you have a qualification for the enjoyment of equal rights which vast numbers of our population cannot by nature satisfy, it is as if you made it depend upon a man's height or the color of his hair. You ask us to prefer a system of accidents to one of principles. You ask us to agree that a worthless, idle, drunken rascal, whose face might possibly be white if it could ever be washed clean enough, may be more safely trusted with political power, than an honest, intelligent, sober, industrious colored citizen.”

George William Curtis (1824–1892) American writer

1860s, The Good Fight (1865)

Justice, Intelligence, Nature, Dependency

“I was interested in achieving a creative freedom, a style that I could express with Seurat's.... color technique [color-divisionism], but shaped to my own needs. Proof that I found it is in my paintings of that period, among which is the famous 'Pan-Pan a Monico' [Severini painted in 1912]. My preference for Neo-Impressionism dates from those works. At times I tried to suppress it, but it always worked its way back to the surface.”

Gino Severini (1883–1966) Italian painter

Source: The Life of a Painter - autobiography', 1946, p. 53; as quoted in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003.

Way, Freedom, Time, Painting

“She had a lot of face and chin. She had pewter-colored hair set in a ruthless permanent, a hard beak, and large moist eyes with the sympathetic expression of wet stones.”

Raymond Chandler book The High Window

Source: The High Window (1942), chapter 2

“There are nations, such as the inhabitants of Hindostan, known to be one in descent which nevertheless, contain groups of people of almost all shades of color, and likewise discrepant in other of those important features on which much stress has been laid.”

Robert Chambers (publisher, born 1802) book Vestiges of the Natural History of Creation

Source: Vestiges of the Natural History of Creation (1844), p. 278-279

People

“Suppose it be granted that Mr. Cleveland is a just man, and desires to protect colored citizens in the exercise of their constitutional rights. What is he, and what is any man in the Presidential chair, without the support of his party? As against his party, he is only as a feather against a whirlwind. In the hands of his party, Mr. Cleveland is as clay in the hands of the potter.”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

Speech http://teachingamericanhistory.org/library/document/the-nations-problem/ (1888). 1880s

Exercises, Support

“When your young and hungry and nobody's ever really accepted you because of your color and class, the hurt of your own family having cast you out in the first place still inside you somewhere, you dance hard because there is no other way to live, and when opportunity knocks its more of an abduction than a housecall.”

Margaret Cho (1968) American stand-up comedian

From Her Books, I Have Chosen To Stay And Fight, FOLLOWING YOUR DREAMS

Family, Way, Dance, Hurt

“An occasion such as this which has brought us here can not but direct our consideration to these things. It has been a painful and difficult experience, this by which another race has been recruited to the standard of civilization and enlightenment; for that is really what has been going on; and the episodes of Negro slavery in America, of civil war, and emancipation, and, following that, the rapid advancement of the American colored people both materially and spiritually, must be recognized as parts of a long evolution by which all mankind is gradually being led to higher levels, expanding its understanding of its mission here, approaching nearer and nearer to the realization of its full and perfected destiny.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, The Progress of a People (1924)

Pain, War, People, Understanding

“It is color, not locally true from the point of view of the stereoscopic realist, but color to suggest any emotion of an ardent temperament. When Paul Mantz saw at the exhibition the violent and inspired sketch of Delacroix…. the 'Barque of Christ' - he turned away from it exclaiming: 'I did not know that one could be so terrible with a little blue and green'. Hokusai wrings the same cry from you [Theo], but he does it by his line, his drawing, when you say in your letter - 'the waves are claws and the ship is caught in them'. Well, if you make the color exact or the drawing exact, it won't give you sensations like that.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Arles, 8 September 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 533) pp. 32-33 1880s, 1888

Christ, Drawing, Cry

“However, new plasticism is pure painting [in contrast with the opinion of Theo van Doesburg, then]: the means of expression still are form and color, though these are completely interiorized; the straight line and flat color remain purely pictorial means of expression.”

Piet Mondrian (1872–1944) Peintre Néerlandais

1910's, Natural Reality and Abstract Reality', 1919

Painting

“But racial bias isn’t epidemic in law enforcement any more than it is epidemic in academia or the arts. In fact, I believe law enforcement overwhelmingly attracts people who want to do good for a living—people who risk their lives because they want to help other people. They don’t sign up to be cops in New York or Chicago or L. A. to help white people or black people or Hispanic people or Asian people. They sign up because they want to help all people. And they do some of the hardest, most dangerous policing to protect people of color.”

James Comey (1960) American lawyer and the seventh director of the Federal Bureau of Investigation (FBI)

2010s, Hard Truths: Law Enforcement (2015)

People, Law, Art, Help

“That this time would be another, / but it is, / it is about to go under, every moment. / Facts bleed their color, / see how they break up and dissolve, / their fabric does not last; / you do see, don't you? / Not even your disaster / deserves belief.”

Mirkka Rekola (1931–2014) Finnish writer

Time

“We know that today in America, too many folks are still stopped on the street because of the color of their skin, or they're made to feel unwelcome because of where they come from, or they're bullied because of who they love. As you go forth, when you encounter folks who still hold the old prejudices because they've only been around folks like themselves, when you meet folks who think they know all the answers because they've never heard any other viewpoints, it's up to you to help them see things differently.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

Quoted on Yahoo News!, "First lady tells Kansas students to fight bias" (16 May 2014) http://news.yahoo.com/first-lady-tells-kansas-students-fight-bias-021747701.html 2010s

Love, Feeling, Thinking, Help

“Painting.... turned to the design of purely abstract volumetric forms... Since the leading exponent of the color theory was a painter (Malevich), he failed to recognize the objective reality of the world [in architecture! ]. Because he always looked at it only through his own eyes, he remained trapped in a world devoid of real objects. The broader implications of this had to be developed by us, the architects.”

El Lissitsky (1890–1941) Soviet artist, designer, photographer, teacher, typographer and architect

Quote from: 'Basic Premises'
1926 - 1941, Rußland: Die Rekonstruktion der Architektur in der Sowjetunion' (1929)

World, Reality, Painting

“Justice requires us to remember that when any citizen denies his fellow, saying, "His color is not mine," or "His beliefs are strange and different," in that moment he betrays America, though his forebears created this Nation.”

Lyndon B. Johnson (1908–1973) American politician, 36th president of the United States (in office from 1963 to 1969)

1960s, Inaugural address (1965)

Justice

“I work a lot and I think a lot. I really want to try to paint on glass.. Please will you ask him [mr. architect Taut ] if there are any transparent colors, which one can use to paint on the glass directly... I want to dispose of a new technique in which the artist can paint on the glass directly instead of canvas. When one wants to reach colors spiritually-bright, then a time will come that oil-paint and canvas are no longer suitable... So, if you have time, please ask Mr. Taut if he understands my view and maybe he knows the ways how I can follow my direction.”

Jacoba van Heemskerck (1876–1923) Dutch painter

translation from German, Fons Heijnsbroek, 2018
(original version, written by Jacoba in German:)Ich arbeite sehr viel und denke sehr viel. Ich möchte so gern versuchen, auf Glas zu mahlen. .. ..bitte fragen sie ihn dann [Herr Taut] ob es transparante Farbe gibt, womit man gleich auf Glas malen kann. .. ..ich möchte eine neue Technik haben, dass der Künstler so direkt das Glas verwenden kann statt Leinwand. Wenn man die Farben leuchtend geistlich haben will, dann wird es eine Zeit kommen, dass Oelfarben und Leinwand sich dafür nicht mehr eignen.. ..So wenn Sie Zeit haben, fragen Sie dann Herrn Taut ob er meine Idee versteht und vielieich den Weg kennt, den ik gehen müsse.
in a letter to Herwarth Walden, 11 Nov. 1914; as cited by Arend H. Huussen Jr. in Jacoba van Heemskerck, kunstenares van het Expressionisme, Haags Gemeentemuseum The Hague, 1982, p. 19
It was not until April 1918 that Jacoba wrote Walden she had decided to submit a series of designs for stained glass windows for the upcoming 'Sturm' exhibition - in April 1919 she sent him ten stained-glass windows, 'Nrs. 12-26'
1910's

Way, Understanding, Thinking, Time

“When you teach a man to hate and fear his brother, when you teach that he is a lesser man because of his color or his beliefs or the policies he pursues, when you teach that those who differ from you threaten your freedom or your job or your family, then you also learn to confront others not as fellow citizens but as enemies, to be met not with cooperation but with conquest; to be subjugated and mastered. We learn, at the last, to look at our brothers as aliens, men with whom we share a city, but not a community; men bound to us in common dwelling, but not in common effort. We learn to share only a common fear, only a common desire to retreat from each other, only a common impulse to meet disagreement with force.”

Robert F. Kennedy (1925–1968) American politician and brother of John F. Kennedy

On the Mindless Menace of Violence (1968)

Men, Hate, Fear, Family

“Contrast = dissonance, and hence a maximum expressive effect. I will take as an example a commonplace subject: the visual effect of curled and round puffs of smoke rising between houses. You want to convey their plastic value... Here you have the best example on which to apply research into multiplicative intensities. Concentrate your curves with the greatest possible variety without breaking up their mass; frame them by means of the hard, dry relationship of the surfaces of the houses, dead surfaces that will acquire movement by being colored in contrast to the central mass and being opposed by live forms; you will obtain a maximum effect.”

Fernand Léger (1881–1955) French painter

Quote, 1914, in 'Functions of Painting by Fernand Leger'; p. 14
Quotes of Fernand Leger, 1910's, Contemporary Achievements in Painting, 1914

Housing, Dead

“Since light is best expressed through differences in color quality, color should not be handled as a tonal gradation, to produce the effect of light.”

Hans Hofmann (1880–1966) American artist

'Terms' p. 74
Search for the Real and Other Essays (1948)

Light

“Drawing is but a means to an end. One imagines that drawing can be beautiful-it is not the lines which are beautiful, but what they signify, the sentiments which they translate. In reality, there is no such thing as beauty in drawing, or color beauty lies alone in revelation of truth.”

Auguste Rodin (1840–1917) French sculptor

RODIN, AUGUSTE. L'Art. Entretiens réunis par Paul Gsell, 1911

Truth, Beauty, Imagination, Reality

“I have a garden and across the road, a park. I never go for walks, but I look out the window and 'ask for permission' [to paint the view] as I call it. If I need some green, I find it there. In that sense, I’m a very old-fashioned painter, tied to nature. But I remain modern in that I execute some rather impious structures. I will react if I feel that my paintings, though abstract, become too naturalistic. I have another studio in Italy and I worked a lot there this summer. I still depend on my surroundings, so some of my work was very influenced by the Italian landscape, its olive trees and the very cold green color of the leaves. You could identify the specific landscape in those paintings and it drove me crazy. So I had to destroy them. But even destruction can still help underline what is good about a picture.”

Per Kirkeby (1938–2018) Danish artist

1995 and later, interview in Kirkeby’s home studio, Copenhagen (2012)

Feeling, Fashion, Nature, Sense

“No federal legislation prior to 1812 placed any restriction on the right of suffrage in consequence of the color of the citizen. From 1789 to 1812 Congress passed ten separate laws establishing new Territories. In all these, freedom, and not color, was the basis of suffrage.”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

1860s, Oration at Ravenna, Ohio (1865)

Law, Freedom

“I hope.... to paint some in a lighter gamut, more flesh and blood, but, at the same time, I am trying to get a still stronger soft soap and copper-like effect. In reality I daily see, in the gloomy huts, effects against the light or in the evening twilight.... which I compare to soft soap and brass color of a worn-out 10 centime piece.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Nuenen, The Netherlands, June 1885; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 410) p. 31 1880s, 1885

Hope, Reality, Light, Time

“There is but one solution of the problem, and it is to obliterate absolutely all color line. Open up to the Negro as to the white man, the political offices of the country, making but one test, that of mental and moral fitness. Throw down at once the barriers which close out the Negro merely on account of his color from hotel, theater, and railway carriage. Meet your Negro brother as your equal at banquets and in social gatherings. Give him, in one word, and in full meaning of the terms, equal rights and equal privileges, political, civil, and social. I know no color line, I will acknowledge none. The time is not distant when Americans and Christians will wonder that there ever was a race prejudice.”

John Ireland (bishop) (1838–1918) Catholic bishop

[McClarey, Donald R, Father John Ireland and the Fifth Minnesota, The American Catholic, 2012-08-23, https://the-american-catholic.com/2012/08/23/father-john-ireland-and-the-fifth-minnesota/, 2018-02-04] [Source for quote doesn't list primary source., February 2018]

Problem, Distant, Time, Country

“I borrow some subject or other from life or from nature, and, using it as a pretext, I arrange lines and colors so as to obtain symphonies, harmonies that do not represent a thing that is real, in the vulgar sense of the word, and do not directly express any idea, but are supposed to make you think the way music is supposed to make you think, unaided by ideas or images, simply through the mysterious affinities that exist between our brains and such arrangements of colors and lines.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Source: 1870s - 1880s, The Writings of a Savage (1996), p. 109

Life, Music, Way, Idea