Quotes about art
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Ai Weiwei photo

“I always want to design a frame that’s open to everyone. I don’t see art as a secret code.”

Ai Weiwei (1957) Chinese concept artist

“ Artist’s Quotes http://www.tate.org.uk/whats-on/tate-modern/exhibition/unilever-series-ai-weiwei/artists-quote.” Excerpted from a conversation with curators Juliet Bingham and Marko Daniel, Beijing, May 31 and June 1, 2010. Tate Museums, UK.
2010-, 2010

Piet Mondrian photo
Brook Taylor photo
Marino Marini photo
Samuel Butler photo

“To the memory of Sir Thomas Denison, Knt., this monument was erected by his afflicted widow. He was an affectionate husband, a generous relation, a sincere friend, a good citizen, an honest man. Skilled in all the learning of the common law, he raised himself to great eminence in his profession; and showed by his practice, that a thorough knowledge of the legal art and form is not litigious, or an instrument of chicane, but the plainest, easiest, and shortest way to the end of strife. For the sake of the public he was pressed, and at the last prevailed upon, to accept the office of a judge in the Court of King's Bench. He discharged the important trust of that high office with unsuspected integrity, and uncommon ability. The clearness of his understanding, and the natural probity of his heart, led him immediately to truth, equity, and justice; the precision and extent of his legal knowledge enabled him always to find the right way of doing what was right. A zealous friend to the constitution of his country, he steadily adhered to the fundamental principle upon which it is built, and by which alone it can be maintained, a religious application of the inflexible rule of law to all questions concerning the power of the crown, and privileges of the subject. He resigned his office February 14, 1765, because from the decay of his health and the loss of his sight, he found himself unable any longer to execute it. He died September 8, 1765, without issue, in the sixty-seventh year of his age. He wished to be buried in his native country, and in this church. He lies here near the Lord Chief Justice Gascoigne, who by a resolute and judicious exertion of authority, supported law and government in a manner which has perpetuated his name, and made him an example famous to posterity.”

Thomas Denison (1699–1765) British judge (1699–1765)

Memorial inscription, reported in Edward Foss, The Judges of England, With Sketches of Their Lives (1864), Volume 8, p. 266-268.
About

TY Bello photo
John Ruskin photo

“Fine art is that in which the hand, the head, and the heart of man go together.”

John Ruskin (1819–1900) English writer and art critic

The Two Paths, Lecture II: The Unity of Art, section 54 (1859).

Jonathan Swift photo

“Civilization is the art of living in towns of such size that everyone does not know everyone else.”

Book II, Chapter 1, p. 149
The Origin of Consciousness in the Breakdown of the Bicameral Mind (1976)

Theo van Doesburg photo
Piet Mondrian photo
André Maurois photo
Donald Ervin Knuth photo
Joe Biden photo

“Coming to the period following Islamic invasions, Hindu society did not bother to remember the Arabs, the Ghaznavids, the Ghurids, the Mamluks, the Khaljis, the Tughlaqs, the Sayyads, the Lodis, and the Mughals. But it took pride in Bapa Raval who had humbled the Arabs; in Maharani Nayakidevi of Gujarat and Prithivi Raj Chauhan who had defeated Muhammad Ghuri again and again; in Gora and Badal who had rescued Rana Ratan Singh from the camp of Alauddin Khalji and then laid down their lives in defence of Padmini and her Chittor; in Harihara and Bukka who had founded the Vijayanagar Empire which stood like a rock against Islamic imperialism for more than two centuries; in Rana Sangram Singh who had crossed swords with Babur; in Maharana Pratap who had defied the mightiest Mughal in the midst of great adversity; in Durgadas Rathor who had despised the wrath of Aurangzeb in defence of his right to give refuge to a rebellious Mughal prince; in Chhatrapati Shivaji who devised a new diplomacy and innovated a new art of warfare which finally worsted the most powerful Muslim empire and rolled back the Islamic invasion; in Chhatrasal Bundela and Maharaja Surajmal who revived Hindu rule in the north; in Banda Bairagi who avenged the wrongs done by Muslim despots to Guru Arjun Deva, Guru Tegh Bahadur and Guru Gobind Singh; and in Maharaja Ranjit Singh who liberated the Punjab and the North-West Frontier Province from Islamic stranglehold.”

Sita Ram Goel (1921–2003) Indian activist

Muslim Separatism – Causes and Consequences (1987)

Caspar David Friedrich photo

“You should keep sacred every impuls of your mind; you should keep sacred every pious sentiment; because that is art in us. In an inspired hour she will appear in a clear form, and this form will be your picture.”

Caspar David Friedrich (1774–1840) Swedish painter

as quoted in Nature and Culture: American Landscape and Painting, 1825-1875, Barbara Novak; Oxford University Press, 2007, note 74
undated

Auguste Rodin photo
Giorgio Vasari photo
Piero Manzoni photo
Florence Earle Coates photo
William Wordsworth photo
Báb photo
Robert Chambers (publisher, born 1802) photo
Julie Taymor photo

“Never hesitate to imitate another writer - every person learning a craft or an art needs models. Eventually you'll find your own voice and will shed the skin of the writer you imitated.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 13, Bits & Pieces, p. 136.

Báb photo
Golda Meir photo

““Quantum” brings a hand in fiction that challenges all conventional fixtures of control within the psyche of art.”

Wilson Harris (1921–2018) Guyanese writer

Interview with Wilson Harris (2003)

Gerald of Wales photo

“It is only in the case of musical instruments that I find any commendable diligence in the [Irish] people. They seem to me to be incomparably more skilled in these than any other people that I have seen. The movement is not, as in the British instrument to which we are accustomed, slow and easy, but rather quick and lively, while at the same time the melody is sweet and pleasant. It is remarkable how, in spite of the great speed of the fingers, the musical proportion is maintained. The melody is kept perfect and full with unimpaired art through everything – through quivering measures and the involved use of several instruments – with a rapidity that charms, a rhythmic pattern that is varied and a concord achieved through elements discordant.”
In musicis solum instrumentis commendabilem invenio gentis istius diligentiam. In quibus, prae omni natione quam vidimus, incomparabiliter instructa est. Non enim in his, sicut in Britannicis quibus assueti sumus instrumentis, tarda et morosa est modulatio, verum velox et praeceps, suavis tamen et jocunda sonoritas. Mirum quod, in tanta tam praecipiti digitorum rapacitate, musica servatur proportio; et arte per omnia indemni inter crispatos modulos, organaque multipliciter intricata, tam suavi velocitate, tam dispari paritate, tam discordi concordia, consona redditur et completur melodia.

Gerald of Wales (1146) Medieval clergyman and historian

Topographia Hibernica (The Topography of Ireland) Part 3, chapter 11 (94); translation from Gerald of Wales (trans. John J. O'Meara) The History and Topography of Ireland ([1951] 1982) p. 103.

James Frazer photo
Marianne von Werefkin photo
G. K. Chesterton photo

“It is a quaint comment on the notion that the English are practical and the French merely visionary, that we were rebels in arts while they were rebels in arms.”

G. K. Chesterton (1874–1936) English mystery novelist and Christian apologist

Ch I: The Victorian Compromise and Its Enemies (p. 8)
The Victorian Age in Literature (1913)

Julian of Norwich photo
Qi Jiguang photo
Robert Crumb photo
Wassily Kandinsky photo
Steve Jobs photo
Friedrich List photo

“From the nation they draw all the benefits of civilisation, enlightenment, progress, and social and political institutions, as well as advances in the arts and sciences.”

Friedrich List (1789–1846) German economist with dual American citizenship

Source: The Natural System of Political Economy (1837), p. 30

Yehudi Menuhin photo
Logan Pearsall Smith photo
Jerry Coyne photo

“Remember three things about censorship. First, it doesn’t work to suppress art or words that you don’t like. Second, trying to censor something just arouses interest in it, as well as resentment towards those who try to tell others what they can or cannot see. Third, exhibiting art or recommending that students read a book does not mean an endorsement of the image or contents.”

Jerry Coyne (1949) American biologist

" National Coalition Against Censorship and PEN defend Met’s showing of a “controversial” painting https://whyevolutionistrue.wordpress.com/2017/12/09/national-coalition-against-censorship-and-pen-defend-mets-showing-of-a-controversial-painting/" December 9, 2017

Georges Rouault photo
Edward Hopper photo
Yagyū Munenori photo

“Throwing down your own sword is also an art of war. If you have attained mastery of swordlessness, you will never lack for a sword. The opponent's sword is your sword. This is acting at the vanguard of the moment.”

Yagyū Munenori (1571–1646) samurai and daimyo of the early Edo period

As quoted in Soul of the Samurai (2005) by Thomas Cleary, p. 28
Variant translation: If you have attained mastery of swordlessness, you will never be without a sword.

Lydia Maria Child photo

“Pillars are fallen at thy feet,
Fanes quiver in the air,
A prostrate city is thy seat,
And thou alone art there.”

Lydia Maria Child (1802–1880) American abolitionist, author and women's rights activist

Marius amid the Ruins of Carthage

Seymour Papert photo
George Bernard Shaw photo

“Consistency is the enemy of enterprise, just as symmetry is the enemy of art.”

George Bernard Shaw (1856–1950) Irish playwright

As quoted in Bernard Shaw : The Lure of Fantasy (1991) by Michael Holroyd
1940s and later

Wallace Stevens photo
Leon R. Kass photo
Georg Brandes photo
Sri Aurobindo photo
Stephen King photo
Will Cuppy photo

“Philip [II of Spain] was a great believer in diplomacy, or the art of lying. He fooled some of the people some of the time.”

Will Cuppy (1884–1949) American writer

The Decline and Fall of Practically Everybody (1950), Part III: Strange Bedfellows, Philip the Sap

Francis Parkman photo
André Malraux photo

“A large share of our art heritage is now derived from peoples whose idea of art was quite other than ours, and even from peoples to whom the very idea of art meant nothing.”

André Malraux (1901–1976) French novelist, art theorist and politician

Part I, Chapter V
Les voix du silence [Voices of Silence] (1951)

Andrew Marvell photo

“How should I avoid to be her slave,
Whose subtle art invisibly can wreath
My fetters of the very air I breath?”

Andrew Marvell (1621–1678) English metaphysical poet and politician

The Fair Singer.

Thomas Gray photo

“Twas on a lofty vase's side,
Where China's gayest art had dyed
The azure flowers, that blow;
Demurest of the tabby kind,
The pensive Selima reclined,
Gazed on the lake below.”

Thomas Gray (1716–1771) English poet, historian

St. 1
On the Death of a Favourite Cat http://www.thomasgray.org/cgi-bin/display.cgi?textodfc (1747)

Gerhard Richter photo
Leo Tolstoy photo

“What are wanted for the Indian as for the Englishman, the Frenchman, the German, and the Russian, are not Constitutions and Revolutions, nor all sorts of Conferences and Congresses, nor the many ingenious devices for submarine navigation and aerial navigation, nor powerful explosives, nor all sorts of conveniences to add to the enjoyment of the rich, ruling classes; nor new schools and universities with innumerable faculties of science, nor an augmentation of papers and books, nor gramophones and cinematographs, nor those childish and for the most part corrupt stupidities termed art — but one thing only is needful: the knowledge of the simple and clear truth which finds place in every soul that is not stupefied by religious and scientific superstitions — the truth that for our life one law is valid — the law of love, which brings the highest happiness to every individual as well as to all mankind. Free your minds from those overgrown, mountainous imbecilities which hinder your recognition of it, and at once the truth will emerge from amid the pseudo-religious nonsense that has been smothering it: the indubitable, eternal truth inherent in man, which is one and the same in all the great religions of the world. It will in due time emerge and make its way to general recognition, and the nonsense that has obscured it will disappear of itself, and with it will go the evil from which humanity now suffers.”

A Letter to a Hindu (1908)

Thomas Dekker photo

“Art thou poor, yet hast thou golden slumbers?
O sweet content!
Art thou rich, yet is thy mind perplex'd?
O punishment!”

Thomas Dekker (1572–1632) English dramatist and pamphleteer

Poem Sweet Content http://www.bartleby.com/101/204.html

Marco Girolamo Vida photo

“When first to man the privilege was given
To hold by verse an intercourse with Heaven,
Unwilling that the immortal art should lie
Cheap, and exposed to every vulgar eye,
Great Jove, to drive away the groveling crowd,
To narrow bounds confined the glorious road,
For more exalted spirits to pursue,
And left it open to the sacred few.”

Principio quoniam magni commercia coeli Numina concessere homini, cui carmina curae, Ipse Deum genitor divinam noluit artem Omnibus expositam vulgo, immeritisque patere: Atque ideo, turbam quo longe arceret inertem, Angustam esse viam voluit, paucisque licere.

Marco Girolamo Vida (1485–1566) Italian bishop

Book III, line 358
De Arte Poetica (1527)

Connie Willis photo
Margaret Fuller photo
Richard Leakey photo

“Where Breuil has seen chaos—or at least, randomness—in wall art, Leroi-Gourhan sought and found order.”

Richard Leakey (1944) Kenyan paleoanthropologist, conservationist, and politician

Origins Reconsidered: In Search of What Makes Us Human (1992)

Phillip Guston photo
Jacob Bronowski photo
Richard Francis Burton photo

“Conquer thyself, till thou hast done this, thou art but a slave; for it is almost as well to be subjected to another's appetite as to thine own.”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

As quoted in The New Dictionary of Thoughts : A Cyclopedia of Quotations from the Best Authors of the World, Both Ancient and Modern, Alphabetically Arranged by Subjects (1957) by Tryon Edwards, p. 510

Alan Moore photo
Johann Wolfgang von Goethe photo

“Art is long, life short; judgment difficult, opportunity transient.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Die Kunst ist lang, das Leben kurz, das Urteil schwierig, die Gelegenheit flüchtig.
Bk. VII, Ch. 9
Cf. Hippocrates, Ars longa vita brevis, Aphorisms 1:1
Wilhelm Meister's Lehrjahre (Apprenticeship) (1786–1830)

Georges Braque photo
Anaïs Nin photo
Frances Bean Cobain photo
Johann Wolfgang von Goethe photo

“In art the best is good enough.”

In der Kunst ist das Beste gut genug.
Italian Journey (March 3, 1787)

William Faulkner photo
Dan Fogelberg photo
Auguste Rodin photo
John Derbyshire photo
Ursula K. Le Guin photo

“It was men’s ambitions, they said, that had perverted all the arts to ends of gain.”

Ursula K. Le Guin (1929–2018) American writer

“The Finder” (p. 56)
Earthsea Books, Tales from Earthsea (2001)

Nicholas Murray Butler photo

“There is no. man, there is no people, without a God. That God may be a visible idol, carved of wood or stone, to which sacrifice is offered in the forest, in the temple, or in the market-place; or it may be an invisible idol, fashioned in a man's own image and worshipped ardently at his own personal shrine. Somewhere in the universe there is that in which each individual has firm faith, and on which he places steady reliance. The fool who says in his heart "There is no God" really means there is no God but himself. His supreme egotism, his colossal vanity, have placed him at the center of the universe which is thereafter to be measured and dealt with in terms of his personal satisfactions. So it has come to pass that after nearly two thousand years much of the world resembles the Athens of St. Paul's time, in that it is wholly given to idolatry; but in the modern case there are as many idols as idol worshippers, and every such idol worshipper finds his idol in the looking-glass. The time has come once again to repeat and to expound in thunderous tones the noble sermon of St. Paul on Mars Hill, and to declare to these modern idolaters "Whom, therefore, ye ignorantly worship, Him declare I unto you."
There can be no cure for the world's ills and no abatement of the world's discontents until faith and the rule of everlasting principle are again restored and made supreme in the life of men and of nations. These millions of man-made gods, these myriads of personal idols, must be broken up and destroyed, and the heart and mind of man brought back to a comprehension of the real meaning of faith and its place in life. This cannot be done by exhortation or by preaching alone. It must be done also by teaching; careful, systematic, rational teaching, that will show in a simple language which the uninstructed can understand what are the essentials of a permanent and lofty morality, of a stable and just social order, and of a secure and sublime religious faith.
Here we come upon the whole great problem of national education, its successes and its disappointments, its achievements and its problems yet unsolved. Education is not merely instruction far from it. It is the leading of the youth out into a comprehension of his environment, that, comprehending, he may so act and so conduct himself as to leave the world better and happier for his having lived in it. This environment is not by any means a material thing alone. It is material of course, but, in addition, it is intellectual, it is spiritual. The youth who is led to an understanding of nature and of economics and left blind and deaf to the appeals of literature, of art, of morals and of religion, has been shown but a part of that great environment which is his inheritance as a human being. The school and the college do much, but the school and the college cannot do all. Since Protestantism broke up the solidarity of the ecclesiastical organization in the western world, and since democracy made intermingling of state and church impossible, it has been necessary, if religion is to be saved for men, that the family and the church do their vital cooperative part in a national organization of educational effort. The school, the family and the church are three cooperating educational agencies, each of which has its weight of responsibility to bear. If the family be weakened in respect of its moral and spiritual basis, or if the church be neglectful of its obligation to offer systematic, continuous and convincing religious instruction to the young who are within its sphere of influence, there can be no hope for a Christian education or for the powerful perpetuation of the Christian faith in the minds and lives of the next generation and those immediately to follow. We are trustees of a great inheritance. If we abuse or neglect that trust we are responsible before Almighty God for the infinite damage that will be done in the life of individuals and of nations…. Clear thinking will distinguish between men's different associations, and it will be able to render unto Caesar the things which are Caesar's, and to render unto God the things which are God's.”

Nicholas Murray Butler (1862–1947) American philosopher, diplomat, and educator

Making liberal men and women : public criticism of present-day education, the new paganism, the university, politics and religion https://archive.org/stream/makingliberalmen00butluoft/makingliberalmen00butluoft_djvu.txt (1921)

Arthur Wesley Dow photo

“Realism was the death of art.”

Arthur Wesley Dow (1857–1922) painter from the United States

Composition: A Series of Exercises in Art Structure for the Use of Students and Teachers, Boston (1899)

José Martí photo
Logan Pearsall Smith photo

“The disconcerting fact may first be pointed out that if you write badly about good writing, however profound may be your convictions or emphatic your expression of them, your style has a tiresome trick (as a wit once pointed out) of whispering: ‘Don’t listen!’ in your readers’ ears. And it is possible also to suggest that the promulgation of new-fangled aesthetic dogmas in unwieldy sentences may be accounted for—not perhaps unspitefully—by a certain deficiency in aesthetic sensibility; as being due to a lack of that delicate, unreasoned, prompt delight in all the varied and subtle manifestations in which beauty may enchant us.
Or, if the controversy is to be carried further; and if, to place it on a more modern basis, we adopt the materialistic method of interpreting aesthetic phenomena now in fashion, may we not find reason to believe that the antagonism between journalist critics and the fine writers they disapprove of is due in its ultimate analysis to what we may designate as economic causes? Are not the authors who earn their livings by their pens, and those who, by what some regard as a social injustice, have been more or less freed from this necessity—are not these two classes of authors in a sort of natural opposition to each other? He who writes at his leisure, with the desire to master his difficult art, can hardly help envying the profits of money-making authors.”

Logan Pearsall Smith (1865–1946) British American-born writer

criticizing the Cambridge School of criticism, e.g. John Middleton Murry and Herbert Read, “Fine Writing,” pp. 306-307
Reperusals and Recollections (1936)

Traci Bingham photo

“I'm learning as much martial arts as I possibly can. My show is packed with action. Enough to get a rise.”

Traci Bingham (1968) American actress

"Get Ready for the Battle of the Baywatch Babes", interview with TV Guide (25 March 2000) http://www.tvguide.com/news/ready-battle-baywatch-38819/.

Samson Raphael Hirsch photo
Marshall McLuhan photo

“If a work of art is to explore new environments, it is not to be regarded as a blueprint but rather as a form of action-painting.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

To Wilfred Watson, October 6 1965. Letters of Marshall McLuhan (1987), p. 325
1960s

Johann Wolfgang von Goethe photo
Daniel Buren photo
Henri Poincaré photo
Newton Lee photo
Northrop Frye photo

“There is a curious law of art…that even the attempt to reproduce the act of seeing, when carried out with sufficient energy, tends to lose its realism and take on the unnatural glittering intensity of hallucination.”

Northrop Frye (1912–1991) Canadian literary critic and literary theorist

“Design as a Principle in the Arts”, The Critical Path and Other Writings on Critical Theory, 1963–1975, p. 232
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