“Until the end of the fascist era and of the war [World War 2. ], I continued to hark back to the sober realism [in his human figure sculptures, then] of the artists of the Etruscan funerary figures, or the sculptors of some Roman portraits, especially the earlier ones. My own way of reacting against the imperialist pathos of official Fascist art continued, until 1944, to consist in identifying my art very consciously with my private life, so that I never allowed myself any form of expression that might seem too blatantly public.”

Source: Conversations with Judith Cladel (1939–1944), p. 406

Source: Sweet Tooth

Quote from a conversation with J.P. Hodin, 18 August 1959; in an extract from J.P. Hodin, Barbara Hepworth, London, 1961, Two Conversations with Barbara Hepworth: 'Art and Life' and 'The Ethos of Sculpture', pp. 23–24
1947 - 1960

Bio! TY Bello http://www.pulse.ng/entertainment/music/bio-ty-bello-id2789473.html

In an interview with w:David Sylvester (1960), edited for BBC broadcasting: first published in 'Living Arts', April 1964; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 8
1960s

Source: 1900s, Notes d'un Peintre (Notes of a Painter) (1908), p. 410

Giannino Castiglioni. Milano, 1884 - Lierna (Lago di Como), 1971. Scultore. in: II personaggi pubblici., p. 42 ( online http://www.alessandraubertazzi.eu/wp-content/pdf/monumentale/personaggipubblici.pdf)

Source: Interview with Edouard Roditi' (1958), p. 89

N 45, as quoted in Edvard Much – behind the scream, Sue Prideaux; Yale University Press, New Haven and London, 2007, p. 35
after 1930