Quotes about a smile
page 14

Peter Greenaway photo

“The moistened thumb of the expectant reader has not yet marked the soft tissues of this lean clean smiling volume. Spread me, and break me open, for pleasure.”

Peter Greenaway (1942) British film director

From the second book, "The Book of the Innocent"
The Pillow Book

Michael Moorcock photo
Donald J. Trump photo
Amanda Lear photo
Park Benjamin, Sr. photo
George Crabbe photo
Julio Cortázar photo
Harry Chapin photo
Vasco Rossi photo
Jerome K. Jerome photo
Bill Clinton photo

“Someone should tell him that part of the art of politics is smiling when you feel like you’re swallowing a turd.”

Bill Clinton (1946) 42nd President of the United States

To Alastair Campbell on David Trimble according to Campbell's diaries, The Blair Years (2007) http://books.google.co.uk/books?id=XAUVWij78oQC&pg=PA320&lpg=PA320&dq=%22Someone+should+tell+him+that+part+of+the+art+of+politics+is+smiling+when+you+feel+like+you%E2%80%99re+swallowing+a+turd%22&source=bl&ots=NeSrq9ZCGr&sig=hXsgQneQqkODxOnpvNE1yWfmPto&hl=en&sa=X&ei=DSWBUriUFI6jhgfd9YDYCQ&ved=0CC4Q6AEwAA#v=onepage&q=%22Someone%20should%20tell%20him%20that%20part%20of%20the%20art%20of%20politics%20is%20smiling%20when%20you%20feel%20like%20you%E2%80%99re%20swallowing%20a%20turd%22&f=false
Attributed

Elizabeth Hand photo
Enoch Powell photo
James Shirley photo
Amy Goodman photo

“In the meantime, it just makes it a little harder to smile. But so does the world.”

Amy Goodman (1957) American broadcast journalist, syndicated columnist, investigative reporter and author

Whom the Bell's Palsy Tolls http://www.truthdig.com/report/item/20071030_for_whom_the_bells_palsy_tolls/For (referring to her fall 2007 bout of Bell's Palsy).

Leigh Hunt photo
Percy Bysshe Shelley photo
Dejan Stojanovic photo

“I enjoy it when the world smiles; the more smiles, the warmer I am.”

Dejan Stojanovic (1959) poet, writer, and businessman

"The Shape and a Smile," p. 10
The Shape (2000), Sequence: “Home of the Shape”

Jane Taylor photo

“I thank the goodness and the grace
Which on my birth have smiled,
And made me in these Christian days,
A happy English child.”

Jane Taylor (1783–1824) British poet

"A Child's Hymn of Praise," from Hymns for Infant Minds (1810).

Ogden Nash photo
Shushanik Kurghinian photo
Paul Simon photo
Kate Bush photo
George Gordon Byron photo

“Here's a sigh to those who love me,
And a smile to those who hate:
And, whatever sky's above me,
Here's a heart for every fate.”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

To Thomas Moore, st. 2.

John Fante photo
Pat Murphy photo

“Twenty years ago I had been invited to a seminar on Hurdles To Secularism… There were four or five Muslim participants present in that seminar…. They were invited to speak next. But they all smiled and said that they had nothing to add to what their ‘Hindu brethren’ had already said so ‘loudly and so lucidly’. And then all of a sudden I saw some fireworks from the same silent and satisfied Islamic fraternity. They had all stood up, shaking with uncontrollable rage, and were shouting at the same time, “He is lying!” They were pointing their fingers at the gentleman who had been invited to speak by the president, and who had said only a few sentences…. This was the late Hamid Dalwai. I had heard of him. But this was the first time I saw him. He was a tall man with a slight stoop, a smiling face, and a rather relaxed self-possession. He was saying, “All that has been said about Hindu communalism today is nothing new. We have heard it for the nth time. The intention of the working paper of this seminar, however, was to highlight for the first time what has so far been ignored by all progressive people who swear by secularism. What I want to expose today is Muslim communalism which has already divided the motherland, and which is still strong enough to poison our body-politic…”
It was at this point that the Muslim gentlemen had stood up and started shouting… All hell now broke loose as the Islamic fraternity stood up again, and started shouting that they had not come to the seminar to be insulted by “a hired hoodlum of the RSS fascists”. JP could restrain them no more, and declared the proceedings closed with a note of anguish in his voice.”

Hamid Dalwai (1932–1977) Indian social reformer, thinker and writer

About Hamid Dalwai at a seminar. Goel, S. R. (1994). Defence of Hindu society.
About

John Milton photo
Julia Child photo
Torquato Tasso photo

“Chance in uncertain, fortune double-faced,
Smiling at first, she frowneth in the end:
Beware thine honor be not then disgraced,
Take heed thou mar not when thou think'st to mend.”

Torquato Tasso (1544–1595) Italian poet

Giunta è tua gloria al sommo e per lo innanzi
Fuggir le dubbie guerre a te conviene,
Ch' ove tu vinca sol di stato avvanzi
Nè tua gloria maggior quindi diviene;
Mal' Imperio acquii'tato e prefo dianzi
El' onor perdi, se 'l contrario avviene.
Canto II, stanza 67 (tr. Fairfax)
Gerusalemme Liberata (1581)

Gouverneur Morris photo

“Whenever I go anywhere I find persons in humble situations who smile at me and wish me well. I smile back and wish them well. It is because at some time or other I have tipped them. To me the system has never been an annoyance but a delightful opportunity for the exercise of tact and judgment.”

Gouverneur Morris (1752–1816) American politician

Bohemian San Francisco, Its Restaurants and Their Most Famous Recipes—The Elegant Art of Dining http://www.gutenberg.org/cache/epub/9464/pg9464.html, 1914, by Clarence E. Edwords
1810s

Tim McGraw photo
Vinko Vrbanić photo
Joseph Goebbels photo

“When you stroll through Munich it can happen that you suddenly stand in front of an old house, an idyllically-dreaming church that smiles like a friendly anachronism into our modern time.”

Joseph Goebbels (1897–1945) Nazi politician and Propaganda Minister

Wenn man durch München ohne Ziel streift, kann man es erleben, daß man plötzlich vor einem alten Haus, einer heimlich-verträumten Kirche steht, die wie ein freundlicher Anachronismus in unsere moderne Zeit hineinlächelt.
Michael: a German fate in diary notes (1926)

Damian Pettigrew photo
Edgar Rice Burroughs photo

“Your hair shines like gold, says my child.
You are pretty old, says my child.
And I think to myself how I used to be.
There's another wrinkle that I see.
Then he takes my hand and smiles at me.”

Amber (1970) Dutch born German singer, songwriter, label owner and executive producer

"The Smile of My Child", Naked (2002).

Stella Vine photo

“Even in the most horrendous situations there is always something to smile about.”

Stella Vine (1969) English artist

Mansfield, Karl. "The 5-Minute Interview: Stella Vine: 'There have been a few times" http://findarticles.com/p/articles/mi_qn4158/is_/ai_n15873617, The Independent, (2005-11-28)
On her philosophy for life.

Oliver Wendell Holmes photo

“His home! the Western giant smiles,
And twirls the spotty globe to find it;
This little speck, the British Isles?
’T is but a freckle,—never mind it.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

A good Time going; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Hartley Coleridge photo

“Her very frowns are fairer far
Than smiles of other maidens are.”

Hartley Coleridge (1796–1849) British poet, biographer, essayist, and teacher

"Song. She is not fair"
Poems (1851)

Robert Penn Warren photo
Judith Sheindlin photo

“DON'T SPEAK! See how fast I can get the smile off your face?”

Judith Sheindlin (1942) American lawyer, judge, television personality, and author

http://www.youtube.com/watch?v=u1cYWq1bm_Q
Quotes from Judge Judy cases, Being cocky

Mikhail Bulgakov photo
James Joyce photo

“Our civilization, bequeathed to us by fierce adventurers, eaters of meat and hunters, is so full of hurry and combat, so busy about many things which perhaps are of no importance, that it cannot but see something feeble in a civilization which smiles as it refuses to make the battlefield the test of excellence.”

James Joyce (1882–1941) Irish novelist and poet

"A Suave Philosophy," in Daily Express, Dublin (6 February 1903), printed in James Joyce: Occasional, Critical and Political Writing (2002) edited by Kevin Barry [Oxford University Press, <small> ISBN 0-192-83353-7</small>], p. 67

Rufus Wainwright photo

“I don't want to hold you and feel so helpless
I don't want to smell you and lose my senses
And smile in slow motion
With eyes in love.”

Rufus Wainwright (1973) American-Canadian singer-songwriter and composer

Foolish Love
Song lyrics, Rufus Wainwright (1998)

Letitia Elizabeth Landon photo

“As steals the dew along the flower,
So stole thy smile on me;
I cannot tell the day, nor hour
I first loved thee!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(1836-2) (Vol.47) Songs-IV.
The Monthly Magazine

Charles Dickens photo
Tom Petty photo
Charles Macklin photo
Van Morrison photo

“I'm in heaven, I'm in heaven
I'm in heaven when you smile, when you smile.”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Jackie Wilson Said (I'm in Heaven When You Smile)
Song lyrics, Saint Dominic's Preview (1972)

Torquato Tasso photo

“Armida smiles to hear, but keeps her gaze
fixed on herself, love's labours to behold.
Her locks she braided and their wanton ways
in lovely order marshalled and controlled.
She wound the curls of her fine strands with sprays
of flowers, like enamel worked on gold,
and made the stranger rose join with her pale
breast's native lily, and composed her veil.”

Torquato Tasso (1544–1595) Italian poet

Ride Armida a quel dir: ma non che cesse
Dal vagheggiarsi, o da' suoi bei lavori.
Poichè intrecciò le chiome, e che ripresse
Con ordin vago i lor lascivi errori,
Torse in anella i crin minuti, e in esse,
Quasi smalto su l'or, consparse i fiori:
E nel bel sen le peregrine rose
Giunse ai nativi giglj, e 'l vel compose.
Canto XVI, stanza 23 (tr. Wickert)
Gerusalemme Liberata (1581)

“I turned to Brecht and asked him why, if he felt the way he did about Jerome and the other American Communists, he kept on collaborating with them, particularly in view of their apparent approval or indifference to what was happening in the Soviet Union. […] Brecht shrugged his shoulders and kept on making invidious remarks about the American Communist Party and asserted that only the Soviet Union and its Communist Party mattered. […] But I argued… it was the Kremlin and above all Stalin himself who were responsible for the arrest and imprisonment of the opposition and their dependents. It was at this point that he said in words I have never forgotten, 'As for them, the more innocent they are, the more they deserve to be shot.' I was so taken aback that I thought I had misheard him. 'What are you saying?' I asked. He calmly repeated himself, 'The more innocent they are, the more they deserve to be shot.' […] I was stunned by his words. 'Why? Why?' I exclaimed. All he did was smile at me in a nervous sort of way. I waited, but he said nothing after I repeated my question. I got up, went into the next room, and fetched his hat and coat. When I returned, he was still sitting in his chair, holding a drink in his hand. When he saw me with his hat and coat, he looked surprised. He put his glass down, rose, and with a sickly smile took his hat and coat and left. Neither of us said a word. I never saw him again.”

Sidney Hook (1902–1989) American philosopher

Out of Step (1985)

Cao Xueqin photo

“Having made an utter failure of my life, I found myself one day, in the midst of my poverty and wretchedness, thinking about the female companions of my youth. As I went over them one by one, examining and comparing them in my mind's eye, it suddenly came over me that those slips of girls – which is all they were then – were in every way, both morally and intellectually, superior to the 'grave and mustachioed signior' I am now supposed to have become. The realization brought with it an overpowering sense of shame and remorse, and for a while I was plunged in the deepest despair. There and then I resolved to make a record of all the recollections of those days I could muster – those golden days when I dressed in silk and ate delicately, when we still nestled in the protecting shadow of the Ancestors and Heaven still smiled on us. I resolved to tell the world how, in defiance of all my family's attempts to bring me up properly and all the warnings and advice of my friends, I had brought myself to this present wretched state, in which, having frittered away half a lifetime, I find myself without a single skill with which I could earn a decent living. I resolved that, however unsightly my own shortcomings might be, I must not, for the sake of keeping them hid, allow those wonderful girls to pass into oblivion without a memorial.”

Cao Xueqin (1724–1763) Chinese writer during the Qing dynasty

Cao Xueqin, as quoted in the introduction attributed to his younger brother (Cao Tangcun) to the first chapter of Dream of the Red Chamber, present in the jiaxu (1754) version (the earliest-known manuscript copy of the novel), translated by David Hawkes in The Story of the Stone: The Golden Days (Penguin, 1973), pp. 20–21

Erica Jong photo

“Inevitably, I drank too much, talked too much, smiled too hard, swallowed back too much bile.”

Erica Jong (1942) Novelist, poet, memoirist, critic

How to Save Your Own Life (1977)

Pete Yorn photo
John Fante photo

“I disagree with Les. We always found good cunt at the Lyceum. Friendly cunt, clean cunt, spare cunt, jeans and knicker stuffed full of nice juicy hairy cunt, handfuls of cunt, palmful grabbing the cunt by the stem, or the root – infantile memories of cunt – backrow slides – slithery oily cunt, the cunt that breathes – the cunt that’s neatly wrapped in cotton, in silk, in nylon, that announces, that speaks or thrusts, that winks that’s squeezed in a triangle of furtive cloth backed by an arse that’s creamy, springy billowy cushiony tight, knicker lined, knicker skinned, circumscribed by flowers and cotton, by views, clinging knicker, juice ridden knicker, hot knicker, wet knicker, swelling vulva knicker, witty cunt, teeth smiling the eyes biting cunt, cultured cunt, culture vulture cunt, finger biting cunt, cunt that pours, cunt that spreads itself over your soft lips, that attacks, cunt that imagines – cunt you dream about, cunt you create as a Melba, a meringue with smooth sides – remembered from school boys’ smelly first cunt, first foreign cunt, amazing cunt – cunt that’s cruel. Cunt that protects itself and makes you want it even more cunt – cunt that smells of the air, of the earth, of bakeries, of old apples, of figs, of sweat of hands of sour yeast of fresh fish cunt. So – are we going Les? We might pick up a bit of crumpet.”

East (1975), Scene 17

Pink (singer) photo

“I've been the girl with her skirt pulled high,
Been the outcast never running with mascara eyes.
I see the world as a candy store
With a cigarette smile saying things you can't ignore.”

Pink (singer) (1979) American singer-songwriter

God Is a DJ, written by Pink, Billy Mann and Jonathan S. Davis
Song lyrics, Try This (2003)

Isaac Asimov photo
Masiela Lusha photo
Honoré de Balzac photo

“Unfortunately her portrait will cure no one of the addiction to loving sweetly smiling angels with dreamy looks, innocent faces, and a strong-box for a heart.”

Honoré de Balzac (1799–1850) French writer

Malheureusement, ce portrait ne corrigera personne de la manie d’aimer de anges au doux sourire, à l’air rêveur, à figure candide, dont le cœur est un coffre-fort.
La cousine Bette http://fr.wikisource.org/wiki/La_Cousine_Bette_-_4#XXXVII._R.C3.A9flexions_morales_sur_l.E2.80.99immoralit.C3.A9 (1846), translated by Sylvia Raphael, ch. XXXVII: Moral reflections on immorality.

Bernard Cornwell photo
Robert Southwell photo

“When Fortune smiles, I smile to think
How quickly she will frown.”

Robert Southwell (1561–1595) English Jesuit

Source: Content and Rich, Line 63; p. 59.

Arlo Guthrie photo
Statius photo

“But the child, lying in the bosom of the vernal earth and deep in herbage, now crawls forward on his face and crushes the soft grasses, now in clamorous thirst for milk cries for his beloved nurse; again he smiles, and would fain utter words that wrestle with his infant lips, and wonders at the noise of the woods, or plucks at aught he meets, or with open mouth drinks in the day, and strays in the forest all ignorant of its dangers, in carelessness profound.”
At puer in gremio vernae telluris et alto gramine nunc faciles sternit procursibus herbas in vultum nitens, caram modo lactis egeno nutricem clangore ciens iterumque renidens et teneris meditans verba inluctantia labris miratur nemorum strepitus aut obuia carpit aut patulo trahit ore diem nemorique malorum inscius et vitae multum securus inerrat.

Source: Thebaid, Book IV, Line 793 (tr. J. H. Mozley)

Anastacia photo

“Anytime or only for a while
Don't worry
Make a wish
I'll be there to see your smile.”

Anastacia (1968) American singer-songwriter

You'll Never Be Alone
Freak of Nature (2001)

Phil Brooks photo

“Punk: [after hearing John Laurinaitis propose a WWE Championship match at Survivor Series against Alberto Del Rio] Okay, pardon me for not being all smiles, that's exactly what I want, but… what's the catch? You gonna make it a handicap match, or is Ricardo Rodriguez the special guest referee? No, are you gonna be the special guest ring announcer with your majestic voice?
Laurinaitis: Punk, there's only one thing you have to do.
Punk: There's one thing I have to do… for you. I have to do something for you to get a title shot? Let me guess—I gotta re-grip your skateboard, you need new ball bearings?
Laurinaitis: You know what, Punk? I know you don't like me, okay? And that's okay. I'm not playing the part of Executive Vice President of Talent Relations, I am the Executive Vice President of Talent Relations and the General Manager of Raw. So in order for me to make it official, you need to tell me in front of the WWE Universe that you respect me. Tell me that you respect me.
Punk: Are you Aretha Franklin? You want me to tell these people I respect you when I know clearly that you don't respect me 'cause I don't wear a bourgeois suit and I don't tow the company line? You wanna talk about respect? Respect, Johnny, is earned, it isn't just given. And you're gonna come out here and say that when you're in charge, this place… this place is just oh so run like a tight ship. Have you watched the product? We've got rings collapsing, you got Kevin Nash interfering in every other match of mine; this place isn't any better with you in charge. How's that for respect?
Laurinaitis: Punk, you're about to make a big mistake. Okay, swallow your pride, stand up like a man, and tell me that you respect me.
Punk: Okay. All right. Don't get hot. [Imitating Laurinaitis] I respect you, Funk-man. That all right? Was that good enough?
Laurinaitis: I tell you what, Punk. You've got one more chance to show me and tell me you respect me, and I mean it.
Punk: Okay, Mr. Laurinaitis, sir, Executive Vice President of Talent Relations and interim Raw General Manager. I respect you. I respect the fact that each week, you come out here in front of the millions of fans in the WWE Universe, live on the USA Network, with this awesome, completely lost deer-in-the-headlights look on your face; I respect the fact that you don't know how close to hold the microphone to your mouth when you speak; I respect the fact that you used to compete in this ring with your awesome Kentucky waterfall mullet, and you were never any good, but you somehow still ascended to the top of the WWE corporate structure, showing the world new-found levels of brown-nosery; but above all, I respect the fact that never before in this business has somebody with so little done so much! I respect you! How's that sound?! Does that sound good enough for you?!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

October 24, 2011
WWE Raw

David Hare photo

“Smiles are the language of love.”

David Hare (1947) British writer

Augustus William Hare and Julius Charles Hare Guesses at Truth (London: Macmillan, ([1827-48] 1867) p. 249.
Misattributed

Philip Stanhope, 4th Earl of Chesterfield photo

“Let this be one invariable rule of your conduct—never to show the least symptom of resentment, which you cannot, to a certain degree, gratify; but always to smile, where you cannot strike.”

Philip Stanhope, 4th Earl of Chesterfield (1694–1773) British statesman and man of letters

26 March 1754
Letters to His Son on the Art of Becoming a Man of the World and a Gentleman (1774)

Christopher Walken photo

“I have a theory, that there is a terrific link between what is funny and what is scary. I think there is a very close connection between what frightens people and what makes them laugh. Laughter is a kind of nervousness. Animals don't laugh. Smiling is, anthropologists agree, directly linked to the baring of the teeth.”

Christopher Walken (1943) American actor

Jan Moir (March 11, 2002) "'You're not scared of me, are you?': Christopher Walken has cornered the market in movie menace. But, as Jan Moir discovers, he is just as unsettling in real life", The Daily Telegraph, p. 18.

George William Curtis photo

“Pooh! Pooh! Nonsense!' was the reply, 'that's all very well in theory, but it doesn't work so. The returning of slaves amounts to nothing in fact. All that is obsolete. And why make all this row? Can't you hush? We've nothing to do with slavery, we tell you. We can't touch it; and if you persist in this agitation about a mere form and theory, why, you're a set of pestilent fanatics and traitors; and if you get your noisy heads broken, you get just what you deserve'. And they quoted in the faces of the abolitionists the words of Governor Edward Everett, who was not an authority with them, in that fatal inaugural address, 'The patriotism of all classes of citizens must be invited to abstain from a discussion which, by exasperating the master, can have no other effect than to render more oppressive the condition of the slave'. It was as if some kindly Pharisee had said to Christ, 'Don't try to cast out that evil spirit; it may rend the body on departing'. Was it not as if some timid citizen had said, 'Don't say hard things of intemperance lest the dram-shops, to spite us, should give away the rum'? And so the battle raged. The abolitionists dashed against slavery with passionate eloquence like a hail of hissing fire. They lashed its supporters with the scorpion whip of their invective. Ambition, reputation, ortune, ease, life itself they threw upon the consuming altar of their cause. Not since those earlier fanatics of freedom, Patrick Henry and James Otis, has the master chord of human nature, the love of liberty, been struck with such resounding power. It seemed in vain, so slowly their numbers increased, so totally were they outlawed from social and political and ecclesiastical recognition. The merchants of Boston mobbed an editor for virtually repeating the Declaration of Independence. The city of New York looked on and smiled while the present United States marshal insulted a woman as noble and womanly and humane as Florence Nightingale. In other free States men were flying for their lives; were mobbed, seized, imprisoned, maimed, murdered; but still as, in the bitter days of Puritan persecution in Scotland, the undaunted voices of the Covenanters were heard singing the solemn songs of God that echoed and re-echoed from peak to peak of the barren mountains, until the great dumb wilderness was vocal with praise — so in little towns and great cities were heard the uncompromising voices of these men sternly intoning the majestic words of the Golden Rule and the Declaration of Independence, which echoed from solitary heart to heart until the whole land rang with the litany of liberty.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

Katherine Paterson photo
Lionel Richie photo
Nick Cave photo
Samuel Taylor Coleridge photo

“Above all things I entreat you to preserve your faith in Christ. It is my wealth in poverty, my joy in sorrow, my peace amid tumult. For all the evil I have committed, my gracious pardon; and for every effort, my exceeding great reward. I have found it to be so. I can smile with pity at the infidel whose vanity makes him dream that I should barter such a blessing for the few subtleties from the school of the cold-blooded sophists.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 235, and various other sources beginning no earlier than 1880; actually an elaboration and modification of a quote by D.W. Clark, The Mount of Blessing (1854), p. 56: "It shall be my wealth in poverty, my joy in sorrow, and its promised rewards shall cheer me in all trials, and sustain me in all sufferings".
Misattributed

John Clare photo

“When trouble haunts me, need I sigh?
No, rather smile away despair;”

John Clare (1793–1864) English poet

"The Stranger"
Poems Chiefly from Manuscript

Raymond Chandler photo
James K. Morrow photo
Robert Graves photo

“Let Cupid smile and the fiend must flee;
Hey and hither, my lad.”

Robert Graves (1895–1985) English poet and novelist

"Love and Black Magic"
Fairies and Fusiliers (1917)

Stephen Crane photo

“To change the subject, he said, “I’ve been thinking a lot.”
“What about?”
“Free will.”
“Free will?”
“Yeah,” he said, trying not to fidget, a weird feeling in his head. “I reckon free will is bullshit.”
“You need to get some sleep, Spider.”
“No, no, I feel okay, more or less.”
“Free will,” she said, shaking her head.
“It’s an illusion. That’s all it is. Everything is already sorted out, every decision, every possibility, it’s all determined, scripted, whatever.”
Iris was looking at him as if she was worried. “Where’d all this come from?”
“I’ve been to the End of bloody Time, Iris. From that perspective, everything is done and settled. Basically, everything that could happen has happened. It’s all mapped out, documented, diagrammed, written up in great big books, and ignored.”
“You’re a crazy bastard, you know that, Spider?”
“Maybe not crazy enough,” he said.
Iris was still struggling for traction on the conversation. “You think everything is predetermined? Is that it? But what about—”
“No. You just think you have free will.”
“So, according to you,” Iris said, looking bewildered, “a guy who kills his wife was always going to kill her. She was always going to die.”
“From his point of view, he doesn’t know that, and neither does she, but yeah. She was always a goner, so to speak.”
“There is no way I can accept this,” she said. “It’s intolerable. It robs individual people of moral agency. According to you nobody chooses to do anything; they’re just following a script. That means nobody’s responsible for anything.”
“I said free will is an illusion. We think we’ve got moral agency, we think we make choices. It’s a perfect illusion. It just depends on your point of view.”
“It’s a bloody pathway to madness, I reckon,” Iris said.
“I dunno,” he said. “Right now, sitting here, thinking about everything, I think it makes a lot of sense. Kinda, anyway.””

“Think you’ll find that’s just an illusion,” she said, and flashed a tiny smile.
Source: Time Machines Repaired While-U-Wait (2008), Chapter 22 (pp. 271-272)

Max Barry photo
Enoch Powell photo
Jane Yolen photo

“Joss shook his head and managed a smile. "Hey, have you ever seen what happens when you drop Mentos in diet soda?"”

Ninth Grade Slays, page 41 (2008)
The Chronicles of Vladimir Tod (2007-)

Susan Cooper photo

“He made the quick apologetic grimace that seemed to be as near as he ever came to a smile.”

Susan Cooper (1935) English fantasy writer

Source: The Dark Is Rising (1965-1977), The Grey King (1975), Chapter 8 “The Girl from the Mountains” (p. 91)

Ernst Kaltenbrunner photo

“Where do you think I was today? I stood straight in front of him (Himmler) for a whole hour and talked, and he… he played with a puzzle the whole time – you know, this glass cube with three balls on the inside… When I finished, he took off his pince-nez, wiped it with a handkerchief – he has a skull even on his handkerchief – and said, "Listen, Ernst! Have you by any chance, ever had a dream, where you're riding in the back of a ragged truck to who knows where, and some monsters are sitting around you?" I didn’t say anything. Then he smiled and said, "Ernst, you know, I know as well as you that no astral exists. But what do you think, if you, and even Canaris, have your own people in 'Annenerbe', shouldn’t I have my own people there as well?" I did not understand what he meant. "Think Ernst, think!" he said. I kept silent. Then he smiled and asked, "Whose man do you think is Kröger?" …Yes, Emma… It seems I'm too simple for all these intrigues… But I know that while the Führer needs me, my heart will keep beating… You know, Emma… Sometimes it seems to me, that it's not me who is alive, but it's the Führer who is living inside me…”

Ernst Kaltenbrunner (1903–1946) Austrian-born senior official of Nazi Germany executed for war crimes

To Emma, recorded by secret spy listening device WS-M/13 located in Kaltenbrunner's bedroom, 1/14/1935. Quoted in "Kröger's Revelation" - by Viktor Pelevin - 1991 - Page 277

Ambrose Bierce photo

“When prosperous the fool trembles for the evil that is to come; in adversity the philosopher smiles for the good that he has had.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: Epigrams, p. 371

Ursula K. Le Guin photo
William Julius Mickle photo
Ben Gibbard photo