Quotes about writing
page 25

Ken MacLeod photo
Helena Petrovna Blavatsky photo
Carson Cistulli photo
Andy Rooney photo

“An odd outlook on life is the beginning of good comedic writing.”

Phil Vischer (1966) American puppeter

Interview article at InfuzeMag.com http://www.infuzemag.com/interviews/archives/2004/03/phil_vischer_in.html

Camille Pissarro photo

“I don't know what to write Feneon about the theory of 'passages'. I will write him what seems to me to be the truth of the matter, that I am at this moment looking for some substitute for the dot [which was the 'heart of [w:Neo-Impressionism|Neo-Impressionist]] painting]; so far I have not found what I want, the actual execution does not seem to me to be rapid enough and does not follow sensation with enough inevitability, but it would be best not to speak of this. The fact is I would be hard put to express my meaning clearly, although I am completely aware of what I lack.”

Camille Pissarro (1830–1903) French painter

Quote of Camille Pissarro, in a letter, Paris, 20 February 1889, to his son Lucien; in Camille Pissarro - Letters to His Son Lucien ed. John Rewald, with assistance of Lucien Pissarro; from the unpublished French letters; transl. Lionel Abel; Pantheon Books Inc. New York, second edition, 1943, p. 134-135
Rewald: 'This data was doubtless for an article in preparation. While the question of the 'passage', which was going to separate Camille Pissarro from pointillism and thus from Divisionism, was then the main preoccupation of the artist, Pissarro was still unable to express himself with precision on it.'
1880's

Richard Rodríguez photo
Matthew Lewis (writer) photo
Robert A. Heinlein photo
Harry Chapin photo
Friedrich Hayek photo
Comte de Lautréamont photo
Núria Añó photo
Henry Miller photo

“Writing is Crude hieroglyphs chiseled in pain & sorrow to commemorate an event which is intransmissible.”

Henry Miller (1891–1980) American novelist

Henry Miller on Writing (1964)

Christopher Hitchens photo

“The idea that God speaks to some illiterate merchant warlord in Arabia, and he’s able to write this down perfectly and it contains the answers to all — don’t waste my time with that bulls**t. Also, the archangel Gabriel speaks only Arabic, it seems? Crap.”

Christopher Hitchens (1949–2011) British American author and journalist

http://www.inquisitr.com/1735647/christopher-hitchens-islam-comments-resurface-after-charlie-hebdo-its-the-most-depraved-religion/
2010s, 2010

Eric Hoffer photo
John Kenneth Galbraith photo
John Maynard Keynes photo

“I don't really start until I get my proofs back from the printers. Then I can begin my serious writing.”

John Maynard Keynes (1883–1946) British economist

As quoted in The Guardian (8 June 1983). p. 82
Attributed

Zine El Abidine Ben Ali photo

“I will say to you once more loud and clear: Do write on any subject you choose. There are no taboos except what is prohibited by law and press ethics.”

Zine El Abidine Ben Ali (1936–2019) Tunisian politician

Regarding to restrictions of free press, of Tunisia, (2001). http://www.unhcr.org/refworld/country,,CPJ,,TUN,,47c56649c,0.html.

Joseph Joubert photo
Donald E. Westlake photo
Bernie Sanders photo

“In our age, if a boy or girl is untalented, the odds are in favor of their thinking they want to write.”

Theodore Roethke (1908–1963) American poet

Source: Poetry and Craft (1965), p. 89

Harry Chapin photo
Ward Cunningham photo
James Boswell photo

“I fancy mankind may come, in time, to write all aphoristically.”

James Boswell (1740–1795) Scottish lawyer, diarist and author

Quoting Samuel Johnson (16 August 1773)
The Journal of a Tour to the Hebrides with Samuel Johnson, LL.D. (1785)

“Writing without making mistakes is like vomiting hot air.”

Günter Brus (1938) Austrian artist

Source: Nervous Stillness on the Horizon (2006), P. 261 (2003)

Herman Wouk photo

“I regard the writing of humor as a supreme artistic challenge.”

Herman Wouk (1915–2019) Pulitzer Prize-winning American author whose novels include The Caine Mutiny, The Winds of War and War and …

Book-of-the-Month Club News (May 1985).

Robert E. Howard photo

“Haiku reading and writing can lead to a deeper understanding and appreciation of life and our environment.”

William J. Higginson (1938–2008) American writer

Haiku Handbook Mcagraw Hill Books 1985 ISBN 0070287864

Chris Cornell photo
Bhimrao Ramji Ambedkar photo

“New Directions is a reviewer’s nightmare; it’s enough punishment to read it all, without writing about it too.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

In All Directions”, p. 87
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

George Steiner photo

“The critic lives at second hand. He writes about. The poem, the novel, or the play must be given to him; criticism exists by the grace of other men's genius.”

George Steiner (1929–2020) American writer

"Humane Literacy".
Language and Silence: Essays 1958-1966 (1967)

Jayant Narlikar photo
Harold Innis photo
John Stuart Mill photo
William Dalrymple photo

“I am writing definitely primarily for an audience who don’t know India.”

William Dalrymple (1965) author and historian

In Amrita Ghosh, "Author in Focus: An Interview with Dalrymple".

Horace photo

“To have good sense, is the first principle and fountain of writing well.”
Scribendi recte sapere est et principium et fons.

Source: Ars Poetica, or The Epistle to the Pisones (c. 18 BC), Line 309

Octavio Paz photo

“the reality beyond language is not completely reality, a reality that does not speak or say is not reality;
and the moment I say that, the moment I write, letter by letter, that a reality stripped of names is not reality, the names evaporate, they are air, they are a sound encased in another sound and in another and another, a murmur, a faint cascade of meanings that fade away to nothingness:
the tree that I say is not the tree that I see, tree does not say tree, the tree is beyond its name, a leafy, woody reality: impenetrable, untouchable, a reality beyond signs, immersed in itself, firmly planted in its own reality: I can touch it but I cannot name it, I can set fire to it but if I name it I dissolve it:
the tree that is there among the trees is not the tree that I name but a reality that is beyond names, beyond the word reality, it is simply reality just as it is, the abolition of differences and also the abolition of similarities;
the tree that I name is not the tree, and the other one, the one that I do not name and that is there, on the other side of my window, its trunk now black and its foliage still inflamed by the setting sun, is not the tree either, but, rather, the inaccessible reality in which it is planted:
between the one and the other there appears the single tree of sensation which is the perception of the sensation of tree that is vanishing, but
who perceives, who senses, who vanishes as sensations and perceptions vanish?”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Fryderyk Skarbek photo

“You will turn over many a futile new leaf till you learn we must all write on scratched-out pages.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

“The impulse to write a novel comes from a momentary unified vision of life.”

Angus Wilson (1913–1991) british author

The Wild Garden (London: Secker & Warburg, 1963) p. 149.

Daniel Dennett photo
Alice A. Bailey photo
Klaus Kinski photo

“In traditional economic writings dealing with the economy as a whole, it is usually assumed that prices are highly flexible and that economic adjustment is brought about through price changes. We are going to examine inflexible prices.”

Gardiner C. Means (1896–1988) American economist

Gardiner C. Means, "Price inflexibility and the requirements of a stabilizing monetary policy." Journal of the American Statistical Association 30.190 (1935): 401-413.

Anne Morrow Lindbergh photo
Courtney Love photo

“I wore a dress that was so restricting and shoes that were five inches high, I could barely stage-dive. Then I got the best write-ups, for being feminine, I guess. I couldn’t move well and I was restrained, which equals great review. That’s pretty horrid.”

Courtney Love (1964) American punk singer-songwriter, musician, actress, and artist

On her attire during live performances, Billboard https://books.google.com/books?id=gA0EAAAAMBAJ&pg=PA135&dq=I+wore+a+dress+that+was+so+restricting+and+shoes+that+were+five+inches+high,+I+could+barely+stage-dive,+Then+I+got+the+best+write-ups,+for+being+feminine,+I+guess.+I+couldn’t+move+well+and+I+was+restrained,+which+equals+great+review.+That’s+pretty+horrid+Read+more+at+http://www.nme.com/list/courtney-love-30-of-her-most-candid-quotes-1309%233eCzLehAzLfAYAW2.99&hl=en&sa=X&ved=0ahUKEwiHoYHrgbfSAhUDOSYKHeg-DR8Q6AEIGjAA#v=onepage&q=I%20wore%20a%20dress%20that%20was%20so%20restricting%20and%20shoes%20that%20were%20five%20inches%20high%2C%20I%20could%20barely%20stage-dive%2C%20Then%20I%20got%20the%20best%20write-ups%2C%20for%20being%20feminine%2C%20I%20guess.%20I%20couldn’t%20move%20well%20and%20I%20was%20restrained%2C%20which%20equals%20great%20review.%20That’s%20pretty%20horrid%20Read%20more%20at%20http%3A%2F%2Fwww.nme.com%2Flist%2Fcourtney-love-30-of-her-most-candid-quotes-1309%233eCzLehAzLfAYAW2.99&f=false (30 March 1996)
1996–2005

Frederic G. Kenyon photo

“It is from the graves and ruins and rubbish-heaps of Egypt that writings have been restored to us in great numbers.”

Frederic G. Kenyon (1863–1952) British palaeographer and biblical and classical scholar

Source: The Story Of The Bible, Chapter III, How The Books Of The New Testament Were Written, p. 21

Ward Cunningham photo
Ian Hacking photo
Piet Joubert photo
Corneliu Zelea Codreanu photo
Mark Heard photo
Jean-Luc Marion photo
Khushwant Singh photo
Marcel Duchamp photo

“He [= Duchamp himself, writing in the third person] CHOSE IT. He took an ordinary article of life, placed it so that its useful significance disappeared under the new title and point of view – created a new thought for that object.”

Marcel Duchamp (1887–1968) French painter and sculptor

Quote in: 'The Bride and the Bachelors', Tomkins, p. 41; as quoted in The New York school – the painters & sculptors of the fifties, Irving Sandler, Harper & Row, Publishers, 1978, p. 171
in this quote Duchamp is quoting himself
posthumous

Edith Sitwell photo

“A great many people now reading and writing would be better employed keeping rabbits.”

Edith Sitwell (1887–1964) British poet

As quoted in Writers on Writing (1986) by Jon Winokur, p. 24

Alfred Noyes photo
Mark Strand photo
Arthur Schopenhauer photo
Matt Mullenweg photo

“We are much better at writing code than haiku.”

Matt Mullenweg (1984) American entrepreneur

http://automattic.com/ Automattic Home Page

Eudora Welty photo
José Rizal photo

“Each one writes history according to his convenience.”

José Rizal (1861–1896) Filipino writer, ophthalmologist, polyglot and nationalist

Letter to Blumentritt, written at Leipzig,(22 August 1886)

Victor Klemperer photo
George W. Bush photo
Gloria Estefan photo
Jerry Pournelle photo
Edward Everett Hale photo
Xi Murong photo
Bret Easton Ellis photo

“A writer will do anything to avoid the act of writing.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 4, Style, p. 21.

Bob Dylan photo

“I am a writer an a singer of the words I write I am no speaker nor any politician an my songs speak for me because I write them in the confinement of my own mind an have t cope with no one except my own self.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Letter sent to the ECLC after Dylan received the Tom Paine Award at the Bill of Rights dinner on December 13, 1963, as reported in "Mr. Dylan Regrets" http://www.hotpress.com/Bob-Dylan/music/interviews/Mr-Dylan-Regrets/2836632.html by Niall Stokes, Hot Press (11 November 2005)

Edsger W. Dijkstra photo
G. I. Gurdjieff photo
Claude Lévi-Strauss photo
Vyasa photo

“I am ready, but only on one condition. Once I start writing, you should not stop dictating to me.”

Vyasa central and revered figure in most Hindu traditions

Ganesha to Vyasa on the latter’s request to him to write down his narration of Mahabharata. Quoted in p. 139.
Sources, Hindu Culture, An Introduction

Peter Kreeft photo
Leighton W. Smith, Jr. photo

“There were a lot of people who were willing to write a letter for me. Not because I was academically inclined, but because I worked hard.”

Leighton W. Smith, Jr. (1939) United States Navy admiral

On his admission to the United States Naval Academy at Annapolis in 1958 as an appointment of US congressman Frank W. Boykin, as quoted in Afterburner : Naval Aviators and the Vietnam War (2004) by John Darrell Sherwood, Ch. 20 : Leighton Warren Smith and the Fall of Thanh Hoa, p. 272

Graham Greene photo
Isaac Asimov photo

“Plowboy: You truly feel that all the major changes in history have been caused by science and technology?
Asimov: Those that have proved permanent—the ones that affected every facet of life and made certain that mankind could never go back again—were always brought about by science and technology. In fact, the same twin "movers" were even behind the other "solely" historical changes. Why, for instance, did Martin Luther succeed, whereas other important rebels against the medieval church—like John Huss—fail? Well, Luther was successful because printing had been developed by the time he advanced his cause. So his good earthy writings were put into pamphlets and spread so far and wide that the church officials couldn't have stopped the Protestant Reformation even if they had burned Luther at the stake.
Plowboy: Today the world is changing faster than it has at any other time in history. Do you then feel that science—and scientists—are especially important now?
Asimov: I do think so, and as a result it's my opinion that anyone who can possibly introduce science to the nonscientist should do so. After all, we don't want scientists to become a priesthood. We don't want society's technological thinkers to know something that nobody else knows—to "bring down the law from Mt. Sinai"—because such a situation would lead to public fear of science and scientists. And fear, as you know, can be dangerous.
Plowboy: But scientific knowledge is becoming so incredibly vast and specialized these days that it's difficult for any individual to keep up with it all.
Asimov: Well, I don't expect everybody to be a scientist or to understand every new development. After all, there are very few Americans who know enough about football to be a referee or to call the plays … but many, many people understand the sport well enough to follow the game. It's not important that the average citizen understand science so completely that he or she could actually become involved in research, but it is very important that people be able to "follow the game" well enough to have some intelligent opinions on policy.
Every subject of worldwide importance—each question upon which the life and death of humanity depends—involves science, and people are not going to be able to exercise their democratic right to direct government policy in such areas if they don't understand what the decisions are all about.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

Mother Earth News interview (1980)

Jozef Israëls photo

“.. isn't it stupid that what you were writing in your article is still understood by so few people. Among others there was somebody - I believe in the [magazine] 'Nieuws van de Dag' -, who thought the 'Old woman in front of the hearth' [painting of Israels]….- how beautifully painted - was as sickening subject. - Furthermore, Alberd. Thijm [Dutch art-critic and very critical of Israel's' often applied 'dejection'] was also raving strongly about my pulling down of the togs of the poor people. Well-roared, lion, I thought - well understood [ironic! ] for what reason I painted it.. (translation from the original Dutch: Fons Heijnsbroek)”

Jozef Israëls (1824–1911) Dutch painter

version in original Dutch (citaat van Jozef Israëls in Nederlands): ..is het niet gek dat wat gij zegt in uw stuk nog door zo weinig mensen begrepen wordt. Onder anderen was er iemand ik geloof in het 'Nieuws van den Dag', die de 'oude vrouw bij den haard' [in een schilderij van Israels].. ..hoe mooi ook geschilderd walgelijk zegge walgelijk van onderwerp vond. – Voorts is [kunst-criticus, erg kritisch op Israëls' vaak toegepaste 'neerslachtigheid'] ook erg aan 't malen geweest over mijn omhalen van de plunje van de arme lui. Goed gebruld leeuw dacht ik – goed begrepen [ironisch!] waarvoor het geschilderd is..
In a letter, 10 May 1885, to A.S. Kok in The Hague; in R.K.D. The Hague: Archive of A.S. Kok
Quotes of Jozef Israels, 1871 - 1900

Ernest Gellner photo
Erik Naggum photo
Vitruvius photo
Jorge Luis Borges photo

“Well, he wrote a book -- well, maybe here I'm being political -- he wrote a book about the tyrants of South America, and then he had several stanzas against the United States. Now he knows that that's rubbish. And he had not a word against Perón. Because he had a law suit in Buenos Aires, that was explained to me afterwards, and he didn't care to risk anything. And so, when he was supposed to be writing at the top of his voice, full of noble indignation, he had not a word to say against Perón. And he was married to an Argentine lady, he knew that many of his friends had been sent to jail. He knew all about the state of our country, but not a word against him. At the same time, he was speaking against the United States, knowing the whole thing was a lie, no? But, of course, that doesn't mean anything against his poetry. Neruda is a very fine poet, a great poet in fact. And when they gave Miguel de Asturias the Nobel Prize, I said that it should have been given to Neruda! Now when I was in Chile, and we were on different political sides, I think he did the best thing to do. He went on a holiday during the three or four days I was there so there was no occasion for our meeting. But I think he was acting politely, no? Because he knew that people would be playing him up against me, no? I mean, I was an Argentine, poet, he was a Chilean poet, he's on the side of the Communists, I'm against them. So I felt he was behaving very wisely in avoiding a meeting that would have been quite uncomfortable for both of us.”

Jorge Luis Borges (1899–1986) Argentine short-story writer, essayist, poet and translator, and a key figure in Spanish language literature

Page 96.
Conversations with Jorge Luis Borges (1968)

Byron White photo

“We're the only branch of government that explains itself in writing every time it makes a decision.”

Byron White (1917–2002) Associate Justice of the U.S. Supreme Court, American football player

Reported by Evan Thomas in Time Magazine, Oct. 08, 1984, in response to the assertion that the Supreme Court is the most secretive branch in terms of carrying out its deliberations.