Quotes about writer
page 16

“The task of an American writer is not to describe the misgivings of a woman taken in adultery as she looks out of a window at the rain but to describe four hundred people under the lights reaching for a foul ball. This is ceremony.”

John Cheever (1912–1982) American novelist and short story writer

The Sixties, 1963 entry.
The Journals of John Cheever (1991)

People, Light

“The responsibility of the writer as a moral agent is to try to bring the truth about matters of human significance to an audience that can do something about them.”

Noam Chomsky (1928) american linguist, philosopher and activist

Source: Quotes 1990s, 1995-1999, Powers and Prospects (1996), p. 56.

Truth

“A writer is, after all, only half his book. The other half is the reader and from the reader the writer learns.”

P. L. Travers (1899–1996) Australian-British novelist, actress and journalist

As quoted in The New York Times (2 July 1978)

Books, Learning

“Every writer hopes or boldly assumes that his life is in some sense exemplary, that the particular will turn out to be universal.”

Martin Amis (1949) Welsh novelist

The Observer [London] (30 August 1987)

Life, Hope, Sense, Universe

“Why there are so many great actresses, so few great woman writers? The erotic urge that lies at the bottom of all art has a feminine and a masculine character. Feminine is the urge to be; masculine the urge to do. Interpretative art always has more of the feminine about it”

Max Frisch (1911–1991) Swiss playwright and novelist

Sketchbook 1946-1949

Art

“I saw that everything famous and beautiful in the world, if we judge by the descriptions and drawings of writers and artists, always loses when we go to see it and examine it closely.”

Giacomo Casanova (1725–1798) Italian adventurer and author from the Republic of Venice

History of My Life (trans. Trask 1967), 1997 reprint, vol. 11, chap. 4, p. 112

World, Beauty, Drawing

“Any opinion writer worth his salt would have rejected the quaint notion that certain eternally aggrieved identity groups have exclusive linguistic rights to words in the English language.”

Ilana Mercer South African writer

"Uber Alec, Barking-Mad Bashir, Death-Defying Libertarians" http://www.wnd.com/2013/11/uber-alec-barking-mad-bashir-death-defying-libertarians, WorldNetDaily.com, November 29, 2013. 2010s, 2013

“A very useful book might be written with the sole object of advising what parts of what books should be read. It should not be a book of elegant extracts, but should merely refer to the passages which are advised to be read. It might also indicate what are the chief works upon any given subject. For example, take rent; the important passages in Adam Smith, Ricardo, Jones, Mill, and other writers, should be referred to.”

Arthur Helps (1813–1875) British writer

Source: Brevia: Short Essays and Aphorisms. (1871), p. 37

Books, Reading, Parting

“As for 'story' I never yet did enjoy a novel or play in which someone didn't tell me afterward that there was something wrong with the story, so that's going to be no drawback as far as I'm concerned. "Good Lord, why am I so bored"—"I know; it must be the plot developing harmoniously." So I often reply to myself, and there rises before me my special nightmare—that of the writer as craftsman, natty and deft.”

E.M. Forster (1879–1970) English novelist

Letter 104, to Forrest Reid, 19 June 1912
Selected Letters (1983-1985)

“The writers of "Sanford and Son" were so brave in bringing their program to television. I mean, working with all those black people!”

Sarah Silverman (1970) American comedian and actress

Jesus Is Magic (2005)

People

“All hail, Macpherson! hail to thee, Sire of Ossian! The Phantom was begotten by the suing embrace of all impudent Highlander upon a cloud of tradition—it travelled southward, where it was greeted with acclamation, and the thin Consistence took its course through Europe, upon the breath of popular applause. […] Having had the good fortune to be born and reared in a mountainous country, from my very childhood I have felt the falsehood that pervades the volumes imposed upon the world under the name of Ossian. From what I saw with my own eyes, I knew that the imagery was spurious. In Nature everything is distinct, yet nothing defined into absolute independent singleness. In Macpherson's work, it is exactly the reverse; every thing (that is not stolen) is in this manner defined, insulated, dislocated, deadened,—yet nothing distinct. It will always be so when words are substituted for things. […] Yet, much as those pretended treasures of antiquity have been admired, they have been wholly uninfluential upon the literature of the Country. No succeeding writer appears to have taught from them a ray of inspiration; no author, in the least distinguished, has ventured formally to imitate them—except the boy, Chatterton, on their first appearance. […] This incapacity to amalgamate with the literature of the Island, is, in my estimation, a decisive proof that the book is essentially unnatural; nor should I require any other to demonstrate it to be a forgery, audacious as worthless.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

William Wordsworth, "Essay Supplementary to the Preface" http://spenserians.cath.vt.edu/TextRecord.php?textsid=35963 in Poems by William Wordsworth, Vol. I (1815), pp. 363–365. Criticism

Books, World, Travel, Mountain

“In utter loneliness a writer tries to explain the inexplicable.”

John Steinbeck (1902–1968) American writer

New York Times (2 June 1969)

Loneliness

“However, there is one great temptation and that is that you can forget that the aim of the writer was to reject all other worlds and to construct one of his own and that the aim of the translator is to re-embody himself into the world of the various writers.”

Ventseslav Konstantinov (1940–2019) Bulgarian writer and Translator

As quoted in "From Bach to Kafka, or... about temptation - An interview by Emil Bassat http://darl.eu/intervie/84_05_30.htm" in Sofia News (30 May 1984).

World, Forgetting

“Ginsberg used to stay in the publishing house. Our editorial office had two rooms and a kitchen; it was a tiny place. And one of the rooms was kind of a guest room so that visiting authors could stay there. Allen would come sometimes for a week at a time or more. And he hung out in the store, also. The store had become quite a center for writers by that time. Ginsberg was working on "The Fall of America," which was his long chronicle of the Vietnam War, which is full of the anguish and passion and anger that so many people felt. The war had been going on for such a long time by then. That book won the National Book Award [in 1974].”

Nancy Peters (1936) American writer and publisher

"And the beat goes on", http://sfgate.com/cgi-bin/article.cgi?f=/c/a/2003/06/09/DD158147.DTL San Francisco Chronicle, 2003-06-09. 2000s

War, People, Books, Passion

“When I come to put down their names, there weren’t many. David O. Selznick, Sam Goldwyn, Darryl Zanuck, Walter Wanger, Irving Thalberg seem to exhaust the list…Ninety per cent of the producers I have known were not bright. They were as slow-witted and unprofessional toward making up a story as stockbrokers might be, or bus drivers. Even after twenty or thirty years of telling writers what and how to write, they were still as ignorant of writing as if they had never encountered the craft.”

Ben Hecht (1894–1964) American screenwriter

from "Elegy for Wonderland", by Ben Hecht, Esquire Magazine, March 1959

“The life of Lord Krishna has been misunderstood by many Western commentators. Scriptural allegory is baffling to literal minds. A hilarious blunder by a translator will illustrate this point. The story concerns an inspired medieval saint, the cobbler Ravidas, who sang in the simple terms of his own trade of the spiritual glory hidden in all mankind:
Under the vast vault of blue
Lives the divinity clothed in hide.
One turns aside to hide a smile on hearing the pedestrian interpretation given to Ravidas' poem by a Western writer:
"He afterwards built a hut, set up in it an idol which he made from a hide, and applied himself to its worship."”

Paramahansa Yogananda book Autobiography of a Yogi

Source: Autobiography of a Yogi, Chapter 42 - "Last Days With My Guru"

Life, Smile, Clothes

“I really like Shakespeare a lot. The characters that he writes for females, I think, are really great and a lot more compelling than what modern writers write, which is weird because they didn't have actresses then.”

Julia Stiles (1981) American actress

Daily News, April 12, 1999.

Thinking

“I am the only major best-selling novelist in the United States who is not tainted by "liberalism" and Communism, and who has never belonged to a Communist front. As a result, the press, which is mainly "liberal", has been furiously attacking me for years in their alleged "reviews."… In our bitterness, we are beginning to wonder what protection an antiCommunist has in the United States now, had we been Communists we'd have had the enthusiastic support of the press and would now be very wealthy, for, as liberal writers told me in New York, with contempt, that had we been "liberals" we'd not have had to pay any taxes, or only token payments.”

Taylor Caldwell (1900–1985) Novelist

Letter to the Federal Bureau of Investigation http://www.peterbgemma.com/2013/07/no-eunuch-ever-wrote-a-book/ (1957) 1950s

Communication, Support

“I was talking to a woman last night. I said, “I’m not like other people.” She started to giggle. Then I raised my voice and said evenly, “That’s one blessing God gave writers — they’re not like other people!””

Taylor Caldwell (1900–1985) Novelist

1970s-, The Captains, the Kings, and Taylor Caldwell (1978)

God, People, Night

“Among Latin writers, the acceptations of the word nature are so many, that I remember, one author reckons up no less than fourteen or fifteen. Hence we see how easy 'tis for the generality of men, without excepting those who write of natural things, to impose upon others and themselves, in the use of a word so apt to be mis-employ'd... the very great ambiguity of this term, and the promiscuous use made of it, without sufficiently attending to its different significations, render many of the expressions wherein 'tis employ'd either unintelligible, improper, or false.”

Robert Boyle (1627–1691) English natural philosopher, chemist, physicist, and inventor

"A Free Inquiry into the Vulgar Notion of Nature" Sect.1 ibid.

Men, Nature, Falseness

“I wanted the kind of power of insight and self-command that I experienced in the works of a Jean Paul Sartre, James Baldwin, or Margaret Walker. I wanted to make that kind of music that I heard in the poetry of a Langston Hughes or the stories of James Joyce. That combination of power and beauty more than anything else is probably what made me most want to become a writer. It wasn't until I became a journalist with the U. S. Air Force that I became more objective in my literary outlook and accepted that writing professionally included responsibilities to something other than my personal desires or needs.”

Aberjhani (1957) author

(GCA Interview with Aberjhani). From Articles, Essays, and Poems, Gale Contemporary Authors http://en.wikipedia.org/wiki/Contemporary_Authors

Beauty, Music, Personality

“One seeking to understand the recurrent ebb and flow of economic activity characteristic of the present day finds these numerous explanations both suggestive and perplexing. All are plausible, but which is valid? None necessarily excludes all the others, but which is the most important? Each may account for certain phenomena; does any one account for all the phenomena? Or can these rival explanations be combined in such a fashion as to make a consistent theory which is wholly adequate?
There is slight hope of getting answers to these questions by a logical process of proving and criticizing the theories. For whatever merits of ingenuity and consistency they may possess, these theories have slight value except as they give keener insight into the phenomena of business cycles. It is by study of the facts which they purport to interpret that the theories must be tested. But the perspective of the investigation would be distorted if we set out to test each theory in turn by collecting evidence to confirm or to refute it. For the point of interest is not the validity of any writer's views, but clear comprehension of the facts. To observe, analyze, and systematize the phenomena of prosperity, crisis, and depression is the chief task. And there is better prospect of rendering service if we attack this task directly, than if we take the round about way of considering the phenomena with reference to the theories.
This plan of attacking the facts directly by no means precludes free use of the results achieved by others. On the contrary, their conclusions suggest certain facts to be looked for, certain analyses to be made, certain arrangements to be tried. Indeed, the whole investigation would be crude and superficial if we did not seek help from all quarters. But the help wanted is help in making a fresh examination into the facts.”

Wesley Clair Mitchell (1874–1948) American statistician

Source: Business Cycles, 1913, p. 19-20; as cited in: Mary S. Morgan. The History of Econometric Ideas. p. 46

Hope, Way, Fashion, Understanding

“But he, with these burthens on him, planned, commenced, and completed, the History of India; and this in the course of about ten years, a shorter time than has been occupied (even by writers who had no other employment) in the production of almost any other historical work of equal bulk, and of anything approaching to the same amount of reading and research. And to this is to be added, that during the whole period, a considerable part of almost every day was employed in the instruction of his children: in the case of one of whom, myself, he exerted an amount of labour, care, and perseverance rarely, if ever, employed for a similar purpose, in endeavouring to give, according to his own conception, the highest order of intellectual education.”

John Stuart Mill book Autobiography

Source: Autobiography (1873)

https://archive.org/details/autobiography01mill/page/4/mode/1up p. 4

Children, Education, History, Time

“Of the contemporaries of Newton one of the most prominent was John Wallis. …Wallis was a voluminous writer, and not only are his writings erudite, but they show a genius in mathematics… He was one of the first to recognize the significance of the generalization of exponents to include negative and fractional as well as positive and integral numbers. He recognized also the importance of Cavalieri's method of indivisibles, and employed it in the quadrature of such curves as y=xn, y=x1/n, and y=x0 + x1 + x2 +… He failed in his attempts at the approximate quadrature of the circle by means of series because he was not in possession of the general form of the binomial theorem. He reached the result, however, by another method. He also obtained the equivalent of ds = \! dx \sqrt{1+(\frac{dy}{dx})^2} for the length of an element of a curve, thus connecting the problem of rectification with that of quadrature.”

David Eugene Smith (1860–1944) American mathematician

History of Mathematics (1923) Vol.1

Mathematics, Problem

“Diophantos lived in a period when the Greek mathematicians of great original power had been succeeded by a number of learned commentators, who confined their investigations within the limits already reached, without attempting to further the development of the science. To this general rule there are two most striking exceptions, in different branches of mathematics, Diophantos and Pappos. These two mathematicians, who would have been an ornament to any age, were destined by fate to live and labour at a time when their work could not check the decay of mathematical learning. There is scarcely a passage in any Greek writer where either of the two is so much as mentioned. The neglect of their works by their countrymen and contemporaries can be explained only by the fact that they were not appreciated or understood. The reason why Diophantos was the earliest of the Greek mathematicians to be forgotten is also probably the reason why he was the last to be re-discovered after the Revival of Learning. The oblivion, in fact, into which his writings and methods fell is due to the circumstance that they were not understood. That being so, we are able to understand why there is so much obscurity concerning his personality and the time at which he lived. Indeed, when we consider how little he was understood, and in consequence how little esteemed, we can only congratulate ourselves that so much of his work has survived to the present day.”

Thomas Little Heath (1861–1940) British civil servant and academic

Historical Introduction, p.17
Diophantos of Alexandria: A Study in the History of Greek Algebra (1885)

Fate, Age, Mathematics, Understanding

“Well, I first, uh, started doing this after World War II when I was kind of tramping around France, Germany, and the lowlands, and I came upon these frightened, waif-type children, and, uh, they actually looked like rats running around and they acted like it. And, uh, I started painting this type of thing of these chi—these children, they didn't even seem to know why—these children didn't even seem to know how to talk; they couldn't even pray. And it started like, uh, an artist work—it-it does—you don't know how to talk about it, but the painting can talk for you, and I think this is the difference between an artist and a poet and a writer: in other words, an artist, uh, paints what he has to say, where other people do it in, uh, in more verbal type of…”

Walter Keane (1915–2000) American plagiarist

Interviewed https://www.youtube.com/watch?v=9WgStC6fvtM by Gary E. Park (circa 1964). 1964

War, Children, People, World

“From fried witchetty grubs to gold-plated turnips, when you're a writer you never know what's going to appear on your plate next. It keeps a woman alert, it does.”

Lois McMaster Bujold (1949) Science Fiction and fantasy author from the USA

"Publishing, Writing, and Authoring", p. 75
The Vorkosigan Companion (2008)

Appearance

“There is no way of being almost funny or mildly funny or fairly funny or tolerably funny. You are either funny or not funny and there is nothing in between. And usually it is the writer who thinks he is funny and the reader who thinks he isn't.”

Isaac Asimov book Buy Jupiter and Other Stories

Buy Jupiter and Other Stories (1975), p. 33
General sources

Way, Thinking

“A true critic ought to dwell rather upon excellencies than imperfections, to discover the concealed beauties of a writer, and communicate to the world such things as are worth their observation.”

Joseph Addison (1672–1719) politician, writer and playwright

No. 291 (2 February 1712).
The Spectator (1711–1714)

World, Beauty, Communication

“The historian…loaden with old mouse-eaten records, authorizing himself (for the most part) upon other histories, whose greatest authorities are built upon the notable foundation of hearsay; having much ado to accord differing writers and to pick truth out of partiality; better acquainted with a thousand years ago than with the present age, and yet better knowing how this world goeth than how his own wit runneth; curious for antiquities and inquisitive of novelties; a wonder to young folks and a tyrant in table talk, denieth, in a great chafe, that any man for teaching of virtue, and virtuous actions is comparable to him.”

Philip Sidney (1554–1586) English diplomat

Page 89.
An Apology of Poetry, or The Defence of Poesy (1595)

Truth, Age, World, History

“As far as I'm concerned, some of the best literature of the last hundred years has come out of the genre tradition and of course the best of it challenges expectations just as the best of literary fiction challenges those expectations. But it's not that genre fiction is any more a constraint than mimetic fiction. So I see myself very much as a genre writer. I love the fantastic genres. I see what I'm doing as a development of them but very much a part of them. I never feel that I'm leaving them behind. I try and be as experimental and avant-garde and stretching as I can be but I don't see that as turning my back on the genre at all. Genre has always been able to encompass that.”

China Miéville (1972) English writer

interview with 3am http://www.3ammagazine.com/litarchives/2003/feb/interview_china_mieville.html

Love, Feeling, Literature, Parting

“Perched on the southern tip of Africa, far from the centre of anything, many writers have lamented the cultural backwardness, the oppression of living in a divided city. Even as Cape Town evolves, grows more cosmopolitan, holds its first Picasso exhibition, becomes an international convention hub, acquires its very own fashion week … I still can’t help feeling the old unease. Is it the parochialism and cliquishness that outsiders comment on, joking that only third-generation Capetonians are really accepted? Is it the self-satisfied airheads basking at Camps Bay cafés, flicking golden curls and agonising over which cocktail to order? Is it the smug self-sufficiency that comes with having so much beauty on your doorstep that you don’t need to connect with your neighbour? Is it something to do with the schizophrenia of the city not being quite African, of holding onto Europe’s apron strings, of not knowing who or what it really is? Or is it the crime, that ubiquitous topic of so much conversation and so little action, which makes this one of the most violent cities on earth?”

Justin D. Fox (1967) South African author, photojournalist, lecturer and editor

Cape Town Calling (2007)

Beauty, Feeling, Fashion, Help

“An energetic crudity, even a riotous absurdity, has more promise in it than a clever and elegant mediocrity, because it shows that the young man is speaking out of his own heart, and struggling to express himself in his own way rather than in the way he finds in other men's books. The early works of original writers are usually very bad; then succeeds a short interval of imitation in which the influence of some favourite author is distinctly traceable; but this does not last long, the native independence of the mind reasserts itself, and although perhaps academic and critical demands are somewhat disregarded, so that the original writer on account of his very originality receives but slight recognition from the authorities, nevertheless if there is any real power in the voice it soon makes itself felt in the world.”

George Henry Lewes (1817–1878) British philosopher

The Principles of Success in Literature (1865)

Men, Books, World, Way

“A great writer has a high respect for values. His essential function is to raise life to the dignity of thought, and this he does by giving it a shape.”

André Maurois (1885–1967) French writer

The Art of Writing

Life

“And, what is worse, the reader often shares the writer's prejudices, and is far too well pleased with his conclusions to examine either his premises or his reasoning. Stand on a barrel in the streets of Bagdad, and say in a loud voice, 'Twice two is four, and ginger is hot in the mouth, therefore Mohammed is the prophet of God', and your logic will probably escape criticism; or, if anyone should by chance criticise it, you could easily silence him by calling him a Christian dog.”

A.E. Housman (1859–1936) English classical scholar and poet

"The Application of Thought to Textual Criticism", a lecture delivered on August 4, 1921

God, Dogs, Silence, Chance

“Most of the writers I know come from a variety of backgrounds: history, journalism, engineering, physics. The common element here is not what you study, but the fact that you learn how to study, to do research, and to synthesize new ideas out of old. The soul of science fiction, and perhaps even all fiction, is to look at a situation and ask, “what would happen if….” Change some variables and see how that makes people react to the situation. So, getting yourself a good grounding in any field of study will supply you with a great background wealth of material to use to build your stories. Then you really just need to start writing and keep writing. Writing is a skills-based endeavor and there is no easy way to become successful at it. Writers write.”

Michael A. Stackpole (1957) science fiction author

"Interview" at his official website http://www.michaelastackpole.com/?page_id=8

People, Way, Soul, History

Cyril Connolly book Enemies of Promise

Source: Enemies of Promise (1938), Part 2: The Charlock’s Shade, Ch. 15: The Slimy Mallows (p. 122-123)

Death, Truth, Hope, Way

“This book did not get for me any general recognition. It got for me, instead, something in every way more valuable. For it was The Cream of the Jest which first made for me in the seventeenth year of my writing, a few warm friends who but a little later were to fight in my behalf very nobly, and with wholly heroic tenacity… If few writers have met with more smug, more prurient, or more disingenuous opponents, no writer whatever, I think has found more faithful allies.”

James Branch Cabell book The Cream of the Jest

Author's Note (1929 edition)
The Cream of the Jest (1917)

Books, Faith, Way, Thinking

“I am a novelist, not an activist… But I think that no one who reads what I write or who listens to my lectures can doubt that I am enlisted in the freedom movement. As an individual, I am primarily responsible for the health of American literature and culture. When I write, I am trying to make sense out of chaos. To think that a writer must think about his Negroness is to fall into a trap.”

Ralph Ellison (1914–1994) American novelist, literary critic, scholar and writer

As quoted in "An American Novelist Who Sometimes Teaches" by John Corry http://www.nytimes.com/books/99/06/20/specials/ellison-teaches.html in The New York Times (20 November 1966).

Health, Literature, Thinking, Sense

“When I thought of myself as a writer in the 1960s, I questioned what made me go from the left to the right margin, from one page to another. As I thought of the space I was also thinking about time. Then I thought: ‘Why am I limiting myself to a piece of paper when there’s a world out there?’ I focused on performance in the early 1970s because the common language of the time was ‘finding oneself.’ In a time like that, what else could I do but turn in on myself and then go from me to you? Photography, film, and video were sidesteps–spaces in front of you–whereas I was more interested in the space where you were in the middle. Now I’m involved with peopled spaces–that’s design and architecture.”

Vito Acconci (1940–2017) Designer, landscape architect, performance and installation artist

Vito Acconci interview, in The Art Newspaper, Art Basel edition, December 5, 2012.

People, World, Question, Thinking

“I write exactly as I speak, so therefore I would not say any writer influenced me at all.”

Maeve Binchy (1940–2012) Irish novelist

When asked about her influences. guardian.co.uk http://www.guardian.co.uk/books/2008/jun/10/maevebinchy

“As his blessed nature dictated, he was characterized by perfect devotion to the rites of the Faith; he followed the teaching of the great Imam. Abu Hanifa (God be pleased with him!), and established and enforced to the best of his power the five foundations of Islam'Through the auspices of his hearty endeavour, the Hanafi creed (i. e., the Orthodox Sunni faith) has gained such strength and currency in the great country of Hindustan as was never seen in the times of any of the preceding sovereigns. By one stroke of the pen, the Hindu clerks (writers) were dismissed from the public employment. Large numbers of the places of worship of the infidels and great temples of these wicked people have been thrown down and desolated. Men who can see only the outside of things are filled with wonder at the successful accomplishment of such a seemingly difficult task. And on the sites of the temples lofty mosques have been built.”

Aurangzeb (1618–1707) Sixth Mughal Emperor

Maasir-i-alamgiri, translated into English by Sir Jadu-Nath Sarkar, Calcutta, 1947, pp. 312-15
Quotes from late medieval histories

Men, God, People, Faith

“Writer-director John Roecker's debut, Live Freaky! Die Freaky! will have you convulsing on the floor … with nausea, laughter, or both.”

John Roecker (1966) American film director

[Freaky deaky: gay music video director John Roecker takes stop-motion animation to bizarre places in his debut feature Live Freaky! Die Freaky!, The Advocate, February 14, 2006, Kurt B., Reighley]
About

Laughter

“After all, everybody, that is, everybody who writes is interested in living inside themselves in order to tell what is inside themselves. That is why writers have to have two countries, the one where they belong and the one in which they live really. The second one is romantic, it is separate from themselves, it is not real but it is really there.”

Gertrude Stein book Paris France

Source: Paris France (1940), p. 2

Country

“It is precisely those artists and writers who are most inclined to think of their art as the manifestation of their personality who are in fact the most in bondage to public taste.”

Simone Weil (1909–1943) French philosopher, Christian mystic, and social activist

Source: Simone Weil : An Anthology (1986), Human Personality (1943), p. 57

Art, Thinking, Personality

“I had the naive, simplistic idea that producers and writers and artists of the time helped in a minuscule way to change the mind-set of America.”

M. Ward (1973) singer-songwriter and guitarist

On his album Post-War and the postwar music of the late 1940s and 50s, as quoted in Vanity Fair (August 2006)

Way, Idea, Change, Time

“International Jews.
In violent opposition to all this sphere of Jewish effort rise the schemes of the International Jews. The adherents of this sinister confederacy are mostly men reared up among the unhappy populations of countries where Jews are persecuted on account of their race. Most, if not all, of them have forsaken the faith of their forefathers, and divorced from their minds all spiritual hopes of the next world. This movement among the Jews is not new. From the days of Spartacus-Weishaupt to those of Karl Marx, and down to Trotsky (Russia) Bela Kun (Hungary), Rosa Luxemborg (Germany) and Emma Goldman (United States), this world-wide conspiracy for the overthrow of civilization and for the reconstitution of society on the basis of arrested development, of envious malevolence, and impossible equality, has been steadily growing. It played, as a modern writer, Mrs. Webster, has so ably shown, a definitely recognizable part in the tragedy of the French Revolution. It has been the mainspring of every subversive movement during the Nineteenth Century; and now at last this band of extraordinary personalities from the underworld of the great cities of Europe and America have gripped the Russian people by the hair of their heads and have become practically the undisputed masters of that enormous empire.
Graves: This was written by Winston Churchill, a highly regarded M. P. in England…so, I need hardly remind you that it will take strong evidence to prove the “Protocols” ‘’’a fake!’’’
Raslovlev: At an old bookshop I got a copy of “The Dialogue in Hell between Machiavelli and Montesquieu,” by Maurice Joly, 1864.
I examined what I had. It was obvious that the “Protocols of Zion” was copied from it.
Graves: How did you get this?
Raslovlev: I bought this book from a friend, formerly of the Okhrana, our secret agents in France. They ordered the plagiarism!
When the Bolsheviks came in, we left with what we could take out with us.
How much is it worth to you, or your paper, Mr. Graves?
Graves: Hmm…can’t say yet! …Is Geneva really the place of publication??
Raslovlev: I do know that the “Protocols of Zion: was intended to prove to the Tsar that the Revolt in Russia was a Jewish Plot…it was written by an Okhrana agent…a plagiarist, Mathieu Golovinski!
When it was first published in Russia round 1902, its publisher, Dr. Nilus, claimed it to be notes stolen from an 1897 Zionist congress by French agents!
Graves: But that congress was convened by Theodore Herzl to promote a Jewish state. It was not a secret meeting…Dr. Nilus’s claim is a lie!
Raslovlev: Yes, it is indeed! Let me show you…we will compare the “Protocols” with Joly’s Book.
Raslovlev: Set them side by side Graves, and you will see obvious plagiarism of Joly’s “dialogue!”
Graves: I see…be patient while I go through it…yes! Yes! Yes!”

Will Eisner (1917–2005) American cartoonist

Source: The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005), pp. 70-73

Men, People, Lie, Secret

“When success happens to an English writer, he acquires a new typewriter. When success happens to an American writer, he acquires a new life.”

Martin Amis (1949) Welsh novelist

"Kurt Vonnegut" (1983)
The Moronic Inferno and Other Visits to America (1986)

Life, Success

“You can teach the writing of verse.. like prose.. an instrument.. and the recognition of true poetry. The rest, writers must teach them selves.”

John Hollander (1929–2013) American poet

Interview with J D McCarthy 'The Art of Poetry' no 35 Fall 1985

“I can remember one of the last conversations I had with my very dear and much missed friend, the writer Kathy Acker. This was very soon after I had just become interested and involved with magic. I was saying to her how the way I was then seeing things was that basically magic was about the last and best bastion of revolution. The political revolution, the sexual revolution, these things had their part and had their limits, whereas the idea of a magical revolution would revolve around actually changing people’s consciousnesses, which is to say, actually changing the nature of perceived reality. Kathy agreed with that completely — it sort of followed on some of her own experiences — and I still think that that is true. In some ways, magic is the most political of all of the areas that I’m involved with.”

Alan Moore (1953) English writer primarily known for his work in comic books

Alan Moore on Anarchism (2009)

People, Way, Idea, Nature

“I don't ask writers about their work habits. I really don't care. Joyce Carol Oates says somewhere that when writers ask each other what time they start working and when they finish and how much time they take for lunch, they're actually trying to find out, "Is he as crazy as I am?"”

Philip Roth (1933–2018) American novelist

I don't need that question answered.
Paris Review Interview (1986)

Question, Time

“If the public likes you, you're good. Shakespeare was a common, down-to-earth writer in his day.”

Mickey Spillane (1918–2006) American writer

Writers on Writing interview (1986)

“Welcome back! If you're wondering where our good friend -- Kevin Eubanks couldn't be here. Kevin is on tour. He's in France right now. He called me today and he's over there and he wouldn't be back until next week. So if you're wondering where Kevin Eubanks is, he's with us in spirit certainly.
Okay. Boy, this is the hard part. I want to thank you, the audience. You folks have been just incredibly loyal. (emotionally) This is tricky. (laughs) We wouldn't be on the air without you people. Secondly, this has been the greatest 22 years of my life. (applause)
I am the luckiest guy in the world. I got to meet presidents, astronauts, movie stars, it's just been incredible. I got to work with lighting people who made me look better than I really am. I got to work with audio people who made me sound better than I really do. (voice breaking) And I got to work with producers! And writers! (choked pause) And just all kinds of talented people who make me look a lot smarter than I really am.
I'll tell you something. First year of this show, I lost my mom. Second year, I lost my dad. Then my brother died. And after that, I was pretty much out of family. And the folks here became my family. Consequently, when they went through rough times, I tried to be there for them. The last time we left the show, you might remember we had the 64 children that were born among all our staffers that married. That was a great moment.
And when people say to me, hey why don't you go to ABC? Why don't you go to FOX? Why don't you go…? I didn't know anybody over there. These are the only people I have ever known. I'm also proud to say this is a a union show. And I have never worked (applause) -- I have never worked with a more professional group of people in my life. They get paid good money and they do a good job.
And when the guys and women on this show would show me the new car they bought or the house up the street here in Burbank that one of the guys got, I felt I played a bigger role in their success as they played in mine. That was just a great feeling.
And I'm really excited for Jimmy Fallon. You know, it's fun to kind of be the old guy and sit back here and see where the next generation takes this great institution, and it really is. It's been a great institution for 60 years. I am so glad I got to be a part of it, but it really is time to go, hand it off to the next guy; it really is.
And in closing, I want to quote Johnny Carson, who was the greatest guy to ever do this job. And he said, I bid you all a heartfelt good night. Now that I brought the room down, hey, Garth, have you got anything to liven this party up? Give it a shot! Garth Brooks!”

Jay Leno (1950) American comedian, actor, writer, producer, voice actor and television host

Farewell speech, February 6, 2014
The Tonight Show

Life, Women, Money, Children

“Lunatics are writers whose works write them.”

David Mitchell book Ghostwritten

"Night Train"
Ghostwritten (1999)

“The occasional trip into realms labeled madness — can mean, especially if you are a writer, that you are given to telling the unvarnished, brutal, searing truth, whether society likes it or not. And not the Sylvia Plath look-at-me kinds of truth, but the spiritual-seer and mad-shaman types of truth, the truths that really hurt, the truths that get into society's craw and stick there, causing festering metaphysical sores indicative of social cancers or worse — but also the types of truth that speak to you deeply, authentically, radiantly, if you have the courage to listen.”

Ken Wilber (1949) American writer and public speaker

Integral Spirituality in Real Life

Truth, Courage, Hurt, Madness

“"Found the short story collection, PIGEONS FROM HELL by Robert E. Howard the creator of Conan the Barbarian when I was thirteen, or fourteen. It was the first dark fantasy and heroic fantasy I’d ever read. In that moment I knew not only did I want to be a writer, but this is what I wanted to write." ~ Laurel K. Hamilton, About Laurel K. Hamilton,”

Robert E. Howard (1906–1936) American author

http://www.laurellkhamilton.org/Laurell.html LaurelKHamilton.com
About

Hell, Reading

“I can remember the horror which came over my parents when they became convinced that it was so with me [that I wanted to be a writer]—and properly so. What you have and they had to look forward to is life made intolerable by a mean, cantankerous, opinionated, moody, quarrelsome, unreasonable, nervous, flighty, irresponsible son. You will get no loyalty, little consideration and desperately little attention from him. In fact you will want to kill him. I'm sure my father and mother often must have considered poisoning me.”

John Steinbeck (1902–1968) American writer

Paris Review - The Art of Fiction No. 45 (1969)

Life, Parent, Loyalty

“People were not all fascists on one side and bolshevists on the other. A contemporary writer says” ‘if there is talk of fascism in Austria, in the interest of historical accuracy and the honour of our people it should be stated that the first Austrian fascists were extreme left-wingers and that they were directly responsible for the emergence and formation of the other brand of fascism.”

Kurt Schuschnigg (1897–1977) Chancellor of Austria

Source: The Brutal Takeover: The Austrian ex-Chancellor’s account of the Anschluss of Austria by Hitler, 1971, p. 53

People

“Book-to-screen adaptations must always strive for two things: First, you must find a way to tell the broad story of the original plot; second, you must somehow reflect the spirit and texture of the novel—that is, you must transform a lot of words into a few pictures. All those digressions, inner monologues, thought processes, turns of phrase, all those word pictures, and especially all that un-photographable stuff that made the novel so delicious, must somehow be represented onscreen by use of the filmmaker's tools: moving pictures, dialogue and performance, sets, costumes, music and all the other tricks of the trade. That's the process a writer must go through to create a successful blueprint for a film.”

Tommy Lee Wallace (1949) American film director

Tommy Lee Wallace on Crafting His Miniseries Masterpiece, IT https://dailydead.com/stephen-king-week-tommy-lee-wallace-on-crafting-his-miniseries-masterpiece-it/ (October 27, 2015)

Books, Music, Way, Success

“A boy in his teens! What did I know about death? This is a problem for Irish writers — our literary forebears are enormous. They stand behind us like Easter Island statues, and we keep trying to measure up to them, leaping towards heights we can't possibly reach. I suppose that's a good thing, but it makes for a painful early life for the writer. Anyway, hunched there over my Aunt Sadie's Remington, I was starting to learn how to write. Now, fifty years later, I'm still learning.”

John Banville (1945) Irish writer

John Banville, The Art of Fiction No. 200 (2009)

Life, Death, Pain, Boy

“The writer, who as an engineer has spent most of his life in factories, is inclined to look at the basis for investment from a technological point of view… Consider … the class of industrial investments only… The situation is one of entrepreneurs and boards of directors considering, from time to time, various ’possibilities of investment’, such as extra lathes or looms, an extension to a factory, a venture in some completely new product, and so on. It is helpful to think of these ’opportunities for investment’ as existing, in a given situation, in great number and variety, whether they are at that moment under active consideration or not. When any such possibility is considered it is assessed in respect of ’expected profitability’. One may conveniently think of all possibilities of investment as ’quanta’ that can be placed in a schedule of small ranges of expected profitability according to these assessments. The placement of a given ’opportunity for investment’ on this schedule has some ’margin of uncertainty”

Arnold Tustin (1899–1994) British engineer

a curious analogy with the case of the quanta of physics
Source: The Mechanism of Economic Systems (1953), p. 103; As cited in: Prices Revalued as Information: Circuit Elements, online document 2013

Life, Thinking, Time, Help

“The writer of these lines has nothing whatsoever to teach anyone; his words are just his contribution to our common discussion of what must inevitably be for us the most important subject which could be discussed by sentient beings.”

Wei Wu Wei (1895–1986) writer

Introduction to Open Secret (1965)

“According to the technical language of old writers, a thing and its qualities are described as subject and attributes; and thus a man’s faculties and acts are attributes of which he is the subject. The mind is the subject in which ideas inhere. Moreover, the man’s faculties and acts are employed upon external objects; and from objects all his sensations arise. Hence the part of a man’s knowledge which belongs to his own mind, is subjective: that which flows in upon him from the world external to him, is objective.”

William Whewell (1794–1866) English philosopher & historian of science

Part 1, Book 1, ch. 2, sect. 7.
Philosophy of the Inductive Sciences (1840)

World, Idea, Knowledge, Parting

“I must treat with reverence everything which Lord Kenyon has said: but not everything which text writers have represented him to have said, which he did not say.”

Lloyd Kenyon, 1st Baron Kenyon (1732–1802) British Baron

Lefroy, C.J., Persse v. Kinneen (1859), (Lr. Rep.) L. T. Vol. 1 (N. S.), 78.
About

“Ian McEwan is a very good writer; the first half of Atonement alone would ensure him a lasting place in English letters.”

John Banville (1945) Irish writer

Banville on Saturday http://marksarvas.blogs.com/elegvar/2005/05/banville_on_sat.html, from The New York Review of Books (source dated 10 May 2005).

“America has had much more respect for its writers because they had to define what America was. America wasn't sure what it was.”

Martin Amis (1949) Welsh novelist

Interview with Robert Birnbaum (8 December 2003) http://www.identitytheory.com/interviews/birnbaum135.php

“Good writers are visible just behind their words.”

William Zinsser (1922–2015) writer, editor, journalist, literary critic, professor

Source: On Writing Well (Fifth Edition, orig. pub. 1976), Chapter 4, Style, p. 23.

“Justice is closely connected to respect for rights. Modern writers discuss both subjects together with no suggestion that one might discuss one with the other. It was not always so. Greek political theory and Roman Law had sophisticated ideas about justice in its various aspects, but did not embrace our conception of individual rights. This may seem counter-intuitive. How could a society recognize someone as the owner of a piece of property without acknowledging an individual right? How does legitimate one-man rule, monarchy, differ from its illegitimate parody, tyranny, unless the lawful king has a right to the authority he exercises that the tyrant does not?
The answer is that property and authority were defined by law rather than our notion of individual rights. To own property was to be the person to whom the law accorded the privileges and immunities that locally defined ownership. To be a legitimate ruler was to be the person the law designated to rule. It is a commonplace that ancient notions of law accorded far more power over property to the family and other groups than modern notions of private property do. Even under the Roman Law, where ownership had an 'absolute' and sovereign character, property was not understood in the modern way; when the law told the judge to give a man his ius, this primarily meant that he should be treated as the law required. The 'subjective' understanding of rights, whereby the right-holder may stand on his rights or not as he chooses, was not a Roman notion.”

Alan Ryan (1940) British philosopher

Justice (1993)

Family, Justice, Law, Way

“Whereas materialistic historians and philosophers neglect psychic realities, Freud is inclined to overstress their importance. I am not a psychologist, but it seems to me fairly evident that physiological factors, especially our endocrines, control our destiny … I am not able to venture a judgment on so important a phase of modern thought. However, it seems to me that psychoanalysis is not always salutary. It may not always be helpful to delve into the subconscious. The machinery of our legs is controlled by a hundred different muscles. Do you think it would help us to walk if we analyzed our legs and knew exactly which one of the little muscles must be employed in locomotion and the order in which they work? … I am not prepared to accept all his [Freud's] conclusions, but I consider his work an immensely valuable contribution to the science of human behavior. I think he is even greater as a writer than as a psychologist. Freud's brilliant style is unsurpassed by anyone since Schopenhauer.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

1920s, Viereck interview (1929)

Behavior, Thinking, Reality, Science

“Everybody can write; writers can't do anything else.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

“In the Clunie Public Library in Sacramento, in those last years of a legally segregated America, there was no segregated shelf for Negro writers. Frederick Douglass on the same casement with Alexis de Tocqueville, Benjamin Franklin. Today, when our habit is willfully to confuse literature with sociology, with sorting, with trading in skins, we imagine the point of a "life" is to address some sort of numerical average, common obstacle or persecution. Here is a book "about" teenaged Chinese-American girls. So it is shelved.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Life, Books, Imagination, Girl

“I think a lot of directors, they come out of film school, they don't know anything about acting. Or they're writers that don't know anything about the process. And I think they're afraid sometimes to talk to actors and be honest with actors.”

Matt Dillon (1964) American actor

Betsy Pickle (June 1, 1997) "Redefining Himself, On and Off-Camera", The Knoxville News-Sentinel, p. T4.

School, Thinking

“Some writers maintain arithmetic to be only the only sure guide in political economy; for my part, I see so many detestable systems built upon arithmetical statements, that I am rather inclined to regard that science as the instrument of national calamity.”

Jean-Baptiste Say (1767–1832) French economist and businessman

Source: A Treatise On Political Economy (Fourth Edition) (1832), Book I, On Production, Chapter XVII, Section III, p. 188

Science, Parting

“We must never lose sight of the deep and indestructible connections between translation/literature and life. If what we write is to have a chance of living on the page, then we must also live, we must observe life, we must experience and learn to transmute that experience. Translators no less than creative writers.”

John Minford (1946) New Zealand sinologist

Public Lecture (2018)

Life, Literature, Learning, Chance

“Poetry is not a branch of analytical philosophy. It is a primal, holistic kind of human communication. A poet needs innocence as much as knowledge, emotion as much as intelligence, vulnerability as much as rigor. A poet can become too smart for his or her own good and forget the childlike pleasures of sound and story, sense, and sensuality that poetry should provide. The challenge for a writer is to master the medium of poetry without losing that inner innocence.”

Dana Gioia (1950) American writer

"Paradigms Lost," interview with Gloria Brame, ELF: Eclectic Literary Forum (Spring 1995)
Interviews

Pleasure, Intelligence, Communication, Knowledge

“Quirini, in 1676, contended in opposition to Scilla, that the diluvian waters could not have conveyed heavy bodies to the summit of mountains, since the agitation of the sea never (as Boyle had demonstrated) extended to great depths, and still less could the testacea, as some pretended, have lived in these diluvian waters, for 'the duration of the flood was brief, and the heavy rains must have destroyed the saltness of the sea! He was the first writer who ventured to maintain that the universality of the Noachian cataclysm ought not to be insisted upon. …Visionary as was this doctrine, it gained many proselytes even amongst the more sober reasoners of Italy and Germany, for it conceded both that fossil bodies were organic, and that the diluvial theory could not account for them.”

Charles Lyell book Principles of Geology

Chpt.3, p. 35
Principles of Geology (1832), Vol. 1

Mountain, Universe, Water, Sea

“The greatest pleasure in translating is precisely this feeling of spiritual closeness and spiritual merging with the translated author. Moreover this spiritual relation is different with every writer.”

Ventseslav Konstantinov (1940–2019) Bulgarian writer and Translator

As quoted in "From Bach to Kafka, or... about temptation - An interview by Emil Bassat http://darl.eu/intervie/84_05_30.htm" in Sofia News (30 May 1984).

Pleasure, Feeling

“I often read Khalil Gibran, and always find his words full of wisdom. "Bread baked without love is a bitter bread that feeds but half a man's hunger"—those who cannot work with their hearts achieve but a hollow, half-hearted success that breeds bitterness all around. If you are a writer who would secretly prefer to be a lawyer or a doctor, your written words will feed but half the hunger of your readers; if you are a teacher who would rather be a businessman, your instructions will meet but half the need for knowledge of your students; if you are a scientist who hates science, your performance will satisfy but half the needs of your mission.”

A. P. J. Abdul Kalam book Wings of Fire

Source: Wings of Fire, p. 45.

Love, Wisdom, Hunger, Hate

“One writer quite cutely remarks that his best work of fiction was his Income Tax Return.”

Peter de Noronha (1897–1970) Indian businessman

The Pageant of Life (1964), On Writers

“I have always noticed that in portraits of really great writers the mouth is always firmly closed.”

Gertrude Stein (1874–1946) American art collector and experimental writer of novels, poetry and plays

What Are Masterpieces and Why Are There So Few of Them (1936), Afterword of a later edition

“When a writer doesn't show his face, he becomes a local symptom of God's famous reluctance to appear.”

Don DeLillo Mao II

Part 1, Ch. 3
Mao II (1991)

God, Appearance

“Without the reader there would be no writer.”

Dermot Healy (1947–2014) Irish writer

Small talk: Dermot Healy, 2011

“It is not solely by weapons that ISIS imposes its control. More important is the terror it has instilled in millions in Syria, Iraq, Jordan, Lebanon and, increasingly, Saudi Arabia and Kuwait. Indeed, Jordan’s panic-driven decision to execute two jihadists in response to the burning of its captured pilot is another sign of the terror Daesh has instilled in Arab governments and much of the public. In the short run, terror is a very effective means of psychological control of unarmed and largely defenseless populations. Even in areas far from Daesh’s reach, growing numbers of preachers, writers, politicians and even sheiks and emirs, terrorized by unprecedented savagery, are hedging their bets. Today, Daesh is a menacing presence not only in Baghdad but in Arab capitals from Cairo to Muscat — an evil ghost capable of launching attacks in the Sinai and organizing deadly raids on Jordanian and Saudi borders. ISIS enjoys yet another advantage: It has a clear strategy of making areas beyond its control unsafe. No one thinks Daesh can seize Baghdad, but few Baghdadis feel they’re living anything close to a normal life. Daesh’s message is clear: No one is safe anywhere, including in non-Muslim lands, until the whole world is brought under “proper Islamic rule.””

Amir Taheri (1942) Iranian journalist

How ISIS is winning: The long reach of terror http://nypost.com/2015/02/05/how-isis-is-winning-the-long-reach-of-terror/, New York Post (February 5, 2015). New York Post

Life, World, Feeling, Thinking

“In my opinion Mr. Moore is a greater poet than Mr. Yeats. He has lived obscurely, and has not displayed Mr. Yeats's talent for self-dramatization; for these reasons and others he has never become a public figure or a popular writer.”

Thomas Sturge Moore (1870–1944) British playwright, poet and artist

Yvor Winters Uncollected Essays and Reviews (Chicago: Swallow Press, 1973) p. 139.
Criticism

“I don't want to become the kind of writer who's putting out a book every two years. Money is not my primary concern. I've been broke before and I'll do it again.”

Philip Ó Ceallaigh (1968) Irish writer

Notes from a library bar (2006)

Money, Books

“I felt a real Christian satisfaction in the fact that, if there were no other, there was one man who (several years before existence set the race another lesson to learn) made a practical effort on a small scale to learn the lesson of loving one’s neighbor and alas! Got at the same time a frightful insight into what an illusion Christendom is, and (a little later, to be sure) an insight also into what a situation the simpler classes suffered themselves to be seduced by paltry-newspaper writers, whose struggle or fight for equality (since it is in the service of a lie) cannot lead to any other result but to prompt the privileged classes in self-defence to stand proudly aloof from the common man, and to make the common man insolent in his forwardness.”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

Source: 1840s, The Point of View for My Work as an Author (1848), p. 49

Love, Lie, Effort, Suffering

“The ability of writers to imagine what is not the self, to familiarize the strange and mystify the familiar, is the test of their power.”

Toni Morrison (1931–2019) American writer

"Black Matters" in Playing in the Dark: Whiteness and the Literary Imagination (1992)

Imagination

“In this world you either read or write, and writers write out of contempt for their colleagues, out of a desire to have something good to read once in a while.”

Umberto Eco book The Mysterious Flame of Queen Loana

The Mysterious Flame of Queen Loana (2004)

World, Reading

“It's frightfully important for a writer to be his age, not to be younger or older than he is. One might ask, "What should I write at the age of sixty-four," but never, "What should I write in 1940."”

W. H. Auden (1907–1973) Anglo-American poet

Source: Paris Review interview (1972), p. 250

Age

“The doctor who makes a friend of his patients, the lawyer who defends death penalty cases in distant countries for no fee, the schoolteacher who opens a child's eyes to a new world of books and poetry — such people do nothing that can be measured in marketplaces. The greatest painters, composers and writers don't offer you choices, they present you with what only they can do, and you must take it or leave it. So when such subjects as the values of the marketplace are discussed, you will probably not have much to contribute. You can repeat a poem in your head and wait until the conversation is over. But if anyone starts talking about "level playing fields," get up and steal quietly from the room.”

John Mortimer (1923–2009) English barrister, dramatist, screenwriter and author

Source: Where There's a Will: Thoughts on the Good Life (2003), Ch. 19 : The Marketplace

Death, People, Books, World

“The Elgin writer says that we shall "jeopardize the best interests of the Socialist Party" if we insist upon the political equality of the Negro. I say that the Socialist Party would be false to its historic mission, violate the fundamental principles of Socialism, deny its philosophy and repudiate its own teachings if, on account of race considerations, it sought to exclude any human being from political equality and economic freedom. Then, indeed, would it not only "jeopardize" its best interests, but forfeit its very life, for it would soon be scorned and deserted as a thing unclean, leaving but a stench in the nostrils of honest men.”

Eugene V. Debs (1855–1926) American labor and political leader

The Negro and His Nemesis (1904)

Life, Men, Freedom, Falseness

“It seemed perfectly possible that, in spite of my certainty of my own genius, I might die of some illness, or perhaps even in a street accident, before I had ever glimpsed the meaning of life. My moods of happiness and self-confidence convinced me that I had a "destiny" to become a famous writer, and to be remembered as one of the most important thinkers of the century.”

Colin Wilson (1931–2013) author

Source: The Books in My Life (1998), p. 67

Life, Happiness, Confidence, Mood

“The balance had been upset and the reactions from the American press and intelligence services were enraged. In a secret American report recently found in the archives, we read that Mattei's power must be contained at all costs and his possibilities for influencing the government must be reduced. Mattei is not only a force in industry, oil, and politics by now, but he also has a hold on information, because in 1957, through ENI, he took control of II Giorno, a Milanese daily, which at that time was much more important than it is today. It provided very lively coverage, had the best and brightest writers, it was present in every country in the world, and most of all, it had a policy of true support for the countries which were trying to free themselves from the colonial yoke, a policy of open support toward Algeria, for example, which was at the time a French colony. France was losing this colony, but there was a war, a savage repression from the French to hold onto their colony. Mattei sent Italo Pietra to Algeria, who later became the editor-in-chief of Il Giorno. He was the first, unofficial representative of Mattei who negotiated not with the French, but with the Algerians, the National Liberation Front”

Nico Perrone (1935) Italian historian and writer

Source: The Strategic Stakes in Mattei's Flight, p. 25

War, Secret, World, Intelligence

“Playing the lottery is gambling, and I'm not a gambler. I assessed my life, knew I wanted to become a successful writer, and believed that I had a winner for a story. All I imagined was getting a huge publishing deal and attending the premier of my movie. In fact, every time my wife and I went to the movies, I'd tell her that, one day, we'll be in a theater in Hollywood watching MEG. Does that mean that I wasn't scared? Of course not. The process is similar to crawling out on a limb of a very high tree. You know you're out there and that it's a huge drop if you fall. Out along the weakest branches grows the fruit. If you really intend on making it all the way out to the fruit, you can't hold onto the trunk, you have to let go. At the same time, you have to be smart enough not to look down (negatives), which, of course, everyone you know is screaming at you to do. If you don't want to fall, then keep looking at the fruit. This all may sound hooky, but it works and it's how I've chosen to live my life, ever since I was 13 years old.”

Steve Alten (1959) American writer

Interview with Steve Alten http://www.screenwritersutopia.com/article/d14867f2 (March 11th, 2004)

Life, Way, Imagination, Tree

“"Oh, son, I wish you hadn’t become a scenario writer!" she sniffled.
"Aw, now, Moms," I comforted her, "it’s no worse than playing the piano in a call house."”

S.J. Perelman (1904–1979) American humorist, author, and screenwriter

"Strictly from Hunger", The Most of S. J. Perelman (1992) p. 45

Moms, Housing

“Those who prefer their English sloppy have only themselves to thank if the advertisement writer uses his mastery of the vocabulary and syntax to mislead their weak minds.”

Dorothy L. Sayers (1893–1957) English crime writer, playwright, essayist and Christian writer

Essays, The Psychology of Advertising (1937)

“The original writer is not he who refrains from imitating others, but he who can be imitated by none.”

François-René de Chateaubriand (1768–1848) French writer, politician, diplomat and historian

L’écrivain original n’est pas celui qui n’imite personne, mais celui que personne ne peut imiter.
The Oxford Dictionary of Quotations (1979) 3rd edition
Variant translations:
The original style is not the style which never borrows of any one, but that which no other person is capable of reproducing.
As translated by Charles I. White (1856) Part 2, Book 1, Chapter 3
An original writer is not one who imitates nobody, but one whom nobody can imitate.
Bartlett's Familiar Quotations (1980) 15th edition.
Le génie du Christianisme (1802)

“Everything I did on that show was me screwing around in the hallways, running around looking for attention. Joe Pesci, I never said 'Oh, I wanna do the Joe Pesci Show.' It was me, sitting around, bored out of my mind, and just walking the hallways going [Joe Pesci voice] 'Where do you get your culios big enough to call me…wait, I'm not gonna answer ya! S'ya worryin' about your weight, ya fat bastard, otherwise you wouldn't have problems upstairs doin' ya wife!' And this stoner guy, who was an intern, said 'Hey man, you should do that on [Weekend] Update!' He said, 'Well, "Casino's" coming out, and you should go on as Pesci and have Norm [MacDonald] say he's never heard of it.' Originally, it was me and the stoner intern, and I'd go on and Norm MacDonald's [Norm MacDonald voice] 'Hey, here to see, tell you how to do a movie, is Joe Pesci over here!' And I'd come on, [Joe Pesci voice] 'Hey, blah blah blah blah!' And he goes 'Well, I've never heard of it,' and I knock the crap out of him. And then some writer was like 'Wait wait wait, what are you doing? Hey, I've got an idea for it.'”

Jim Breuer (1967) American actor and comedian

And then we went in...
Explaining the origin of the Joe Pesci skits in an interview on Mancow's Morning Madhouse
Unsourced

Guy, Idea, Problem, Waiting

“SF is a rebellious art form and it needs writers and readers and bad attitudes — an attitude of "Why?" or "How come?" or "Who says?"”

Philip K. Dick (1928–1982) American author

Introduction to The Golden Man (1980)
Context: That was my problem then and it's my problem now; I have a bad attitude. In a nutshell, I fear authority but at the same time I resent it — the authority and my own fear — so I rebel. And writing SF is a way to rebel. … SF is a rebellious art form and it needs writers and readers and bad attitudes — an attitude of "Why?" or "How come?" or "Who says?"

Art

“The writer serves his daemon and his subject. And the democracy that does not know that the daemon and the subject must be served is not, in any ideal sense of the word, a democracy at all.”

Lionel Trilling book The Liberal Imagination

The Function of the Little Magazine
The Liberal Imagination (1950)
Context: The writer must define his audience by its abilities, by its perfections, so far as he is gifted to conceive them. He does well, if he cannot see his right audience within immediate reach of his voice, to direct his words to his spiritual ancestors, or to posterity, or even, if need be, to a coterie. The writer serves his daemon and his subject. And the democracy that does not know that the daemon and the subject must be served is not, in any ideal sense of the word, a democracy at all.

Democracy, Sense

Quotes about writer page 16

Quotes about writer
page 16