Quotes about wording
page 66

Margaret Cho photo
John of Patmos photo
Phil Brooks photo

“Punk: I can't help but feel a little resp… hell, who am I kidding? I feel like I started this whole thing. This is all my fault. I've been at the epicenter of everything controversial ever since you took over—actually, since before that, I'm sure you remember, John-Boy.
Cena: I was there.
Punk: You were there. I'm the guy that made walking out look cool. The thing about is I think everybody in the parking lot having a picnic right now have completely misunderstood what I was trying to do. See, I didn't break my contract, I didn't break my word. My contract expired, and I was trying to prove a point to an entire company, not just one man. If anybody has any reason to walk out of the WWE, well you can probably put me at the top of that list. I mean, my microphone constantly cuts out, your friend Kevin Nash runs through the… well, slowly, briskly runs through the crowd, jumps me and screws me not once, but twice. Somebody here doesn't want me to be the WWE Champion. The thing about it is this entire industry is based on men solving their problems in between these ropes. This is the company that gives you Hell in a Cell, this is the company that gives you the Elimination Chamber. I don't wanna sound like a broken record, but "unsafe working environment"? I thrive on that! Hell, this is professional wrestling, this ain't ballet! If you believe in something, you stand and you fight, and you fight on the front line; you don't have a hippie sit-in and grill tofu dogs in the parking lot like a bunch of hippies. [To Triple H] When I had a problem with you and your authority, I dealt with you personally. [To Cena] And you, you big boy scout, when I had a problem with you being the poster boy for this company, I dealt with you personally. Shea-Mo, I'm sure sooner or later, you're gonna step on my toes, I will deal with you personally. Now, I know you three smiley good guys look across the ring from me, and I'm the last guy you expect to see here, [to Triple H] and I know I'm the last guy you expect to see in the foxhole with you. But you know what? Here I am. So… so I got a question—what do we do now?
Triple H: "What do we do now?" That's a big question, "what do we do now?" I say we do what we do on Monday Night Raw—we shut up and fight! How about this? As long as you guys are in agreement, Sheamus, you got yourself a match, fella. Tonight, right here, right now, you will go one-on-one with… [Punk raises his hand] one John Cena. And since I'm the only guy kinda wearing stripes out here, I'll referee. And, foxhole buddy, I got a whole table over there lined up with headphones and pipe bombs just waiting for you with your name on it. And if you want, you can go over there and say anything you feel like.
Punk: You want me to do commentary?!
Triple H: I want you to do commentary.
Punk: Can I wear your blazer?!
Triple H: You can even wear my blazer!
Punk: I'm in!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

October 10, 2011
WWE Raw

Dan Quayle photo

“Bobby Knight told me this: "There is nothing that a good defense—cannot beat a better offense." In other words a good offense wins.”

Dan Quayle (1947) American politician, lawyer

Speech to the City Club of Chicago (8 September 1988)

Enver Hoxha photo
Dinah Craik photo
Jacqueline Kennedy Onassis photo
Gertrude Stein photo
Preston Manning photo

“The one from among the Muslims who recites the Qur'an but in the end finds his way to hell, is considerd to be among those that have taken the word of Allah in jest.”

Ali (601–661) cousin and son-in-law of the Islamic prophet Muhammad

Majlisi, Bihārul Anwār, vol. 92, p. 182.
Regarding the Qur'an

Hugh Macmillan, Baron Macmillan photo
Stanley Holloway photo
Muhammad photo
Ursula K. Le Guin photo
Catharine A. MacKinnon photo
Martin Luther King, Jr. photo
Ryan Adams photo

“Words may move but they’re never moving fast enough”

Ryan Adams (1974) American alt-country/rock singer-songwriter

English Girls Approximately
29 (2005)

John Constable photo
Jean-Baptiste Say photo
Samuel Butler photo

“Words impede and either kill, or are killed by, perfect thought; but they are, as a scaffolding, useful, if not indispensable, for the building up of imperfect thought and helping to perfect it.”

Samuel Butler (1835–1902) novelist

Thought and Word, vi
The Note-Books of Samuel Butler (1912), Part VII - On the Making of Music, Pictures, and Books

Antoni Gaudí photo

“Men may be divided into two types: men of words and men of action. The first speaks; the latter act. I am of the second group. I lack the means to express myself adequately. I would not be able to explain to anyone my artistic concepts. I have not yet concretised them. I never had time to reflect on them. My hours have been spent in my work.”

Antoni Gaudí (1852–1926) Catalan architect

La Razón, 1913 in: Gaudi by Gijs Van Hensbergen, introduction p.xxxii http://books.google.com/books?hl=en&id=unF5kAX0xCwC&dq=Gaudi+on+Gaudi&printsec=frontcover&source=web&ots=c0iOxQzVGj&sig=88zRY-TOlnChRUBQTHzDnrtLDEs&sa=X&oi=book_result&resnum=3&ct=result#PPR32,M1

Paul Gauguin photo

“Many people say that I don't know how to draw because I don't draw particular forms. When will they understand that execution, drawing and color (in other words, style) must be in harmony with the poem?”

Paul Gauguin (1848–1903) French Post-Impressionist artist

in a letter to Charles Morice (July 1901), from French Paintings and Painters from the Fourteenth Century to Post-Impressionism, ed. Gerd Muesham [Frederick Ungar, 1970, ISBN 0-8044-6521-5], p. 551
1890s - 1910s

“Out of night has come the day
Out of night, our small earth.
Our words drift away.
Our words journey
to find those who will listen.”

Enya (1961) Irish singer, songwriter, and musician

Song lyrics, Amarantine (2005)

D. S. Bradford photo

“Stolen away were the bitter ends of yesterday
Marked for destruction
Mark these words
Bellowed from the collective consciousness
Of all that is pure
A life that we don't understand”

D. S. Bradford (1982) musician

A Call To The Stars II: A Home In The Sky, verse 2, lines 5-11
A Call To The Stars II: A Home In The Sky (2016)

Jason Aldean photo
Thomas Szasz photo

“In English-speaking countries, the connection between heresy and homosexuality is expressed through the use of a single word to denote both concepts: buggery. … Webster’s Unabridged Dictionary (Third Edition) defines “buggery” as “heresy, sodomy.””

Thomas Szasz (1920–2012) Hungarian psychiatrist

Source: The Manufacture of Madness: A Comparative Study of the Inquisition and the Mental Health Movement (1997), p. 165.

Enoch Powell photo

“What happens then when majorities in the directly elected European Assembly take decisions, or approve policies, or vote budgets which are regarded by the British electorate or by the electorate of some of the mammoth constituencies as highly offensive and prejudicial to their interests? What do the European MPs say to their constituents? They say: “Don't blame me; I had no say, nor did I and my Labour (or Conservative) colleagues, have any say in the framing of these policies”. He will then either add: “Anyhow, I voted against”; or alternatively he will add: “And don't misunderstand if I voted for this along with my German, French, and Italian pals, because if I don't help roll their logs, I shall never get them to roll any of mine”. What these pseudo-MPs will not be able to say is what any MP in a democracy must be able to say, namely, either “I voted against this, and if the majority of my party are elected next time, we will put it right”, or alternatively, “I supported this because it is part of the policy and programme for which a majority in this constituency and in the country voted at the last election and which we shall be proud to defend at the next election”. Direct elections to the European Assembly, so far from introducing democracy and democratic control, will strengthen the arbitrary and bureaucratic nature of the Community by giving a fallacious garb of elective authority to the exercise of supranational powers by institutions and persons who are – in the literal, not the abusive, sense of the word – irresponsible.”

Enoch Powell (1912–1998) British politician

Speech in Brighton (24 October 1977), from Enoch Powell on 1992 (Anaya, 1989), pp. 19-20.
1970s

Alberto Manguel photo
Morarji Desai photo
Adlai Stevenson photo

“Man does not live by words alone, despite the fact that sometimes he has to eat them.”

Adlai Stevenson (1900–1965) mid-20th-century Governor of Illinois and Ambassador to the UN

Speech in Denver, Colorado (5 September 1952)

Edward VIII of the United Kingdom photo

“While the dull talk idly streams,
He sits upon the bank and dreams,
Till some careless word that's said
Finds a fellow in his head…”

Arnold Wall (1869–1966) university professor, philologist, poet, mountaineer, botanist, writer, radio broadcaster

Poem: "The Wit" In: A.E. Currie. New Zealand Verse, (1906), p. 198

Titian photo

“Your Ceasarean Majesty, I consigned to senõr Don Diego di Mendoza, the two portraits of the most serene Empress [ Isabella ], in which I have used all the diligence of which I was capable. I should have liked to take them to your Majesty in person, but that my age and the length of the journey forbade such a course. I beg your Majesty to send me words of the faults or failings which I may have made, and return the pictures that I may correct them. Your Majesty may not permit anyone else to lay hand on them.... Your Majesty’s most humble and constant servant, Titiano.”

Titian (1488–1576) Italian painter

In a letter to Emperor Charles V, from Venice, 5 Oct, 1544; copied in the 'Archives of Simancas' by Mr. Bergenroth; as quoted by J.A.Y. Crowe & G.B. Cavalcaselle in Titian his life and times - With some account... Volume II, publisher John Murray, London, 1877, p. 103
This letter is written by Titian himself - free from the polite style of his secretary/friend Arentino; he is telling the Emperor that he had finished two portraits of the Empress Isabella, he painted after her death after a probably Flemish original. The two portraits were sent to the court in Brussels.
1541-1576
Source: https://en.wikipedia.org/wiki/Titian#/media/File:Isabella_of_Portugal_by_Titian.jpg

Jeanette Winterson photo
Michael Chabon photo

“Childhood, at its best, is a perpetual adventure, in the truest sense of that overtaxed word: a setting forth into trackless lands that might have come to existence the instant before you first laid eyes on them.”

Michael Chabon (1963) Novelist, short story writer, essayist

Maps and Legends http://exchanges.state.gov/forum/vols/vol42/no2/p35.htm, Architectural Digest (April 2001)

Karl G. Maeser photo
Halldór Laxness photo
Neville Chamberlain photo
Grace Aguilar photo

“Able to save to the uttermost, "Lord to whom shall we go; Thou hast the words of eternal life?" Thou who hast abolished death, upon whom else shall we suspend our immortality?”

Henry Melvill (1798–1871) British academic

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 231.

Donald J. Trump photo
Ulysses S. Grant photo
Benito Mussolini photo

“Some still ask of us: what do you want? We answer with three words that summon up our entire program. Here they are…Italy, Republic, Socialization... Socialization is no other than the implantation of Italian Socialism…”

Benito Mussolini (1883–1945) Duce and President of the Council of Ministers of Italy. Leader of the National Fascist Party and subsequen…

Speech given by Mussolini to a group of Milanese Fascist veterans (October 14, 1944), quoted in Revolutionary Fascism, Erik Norling, Lisbon, Finis Mundi Press (2011) pp.119-120.
1940s

Edward Heath photo
Tristram Stuart photo
John Travolta photo
Frederick Buechner photo

“With words as valueless as poker chips, we play games whose object it is to keep us from seeing each other’s cards.”

Frederick Buechner (1926) Poet, novelist, short story writer, theologian

The Alphabet of Grace (1970)

Margaret Caroline Anderson photo
Edgar Rice Burroughs photo
James Hamilton photo

“On Thursday, March 14th, panic was added to chaos. London gold dealers, in describing the day´s action, used the un-British words "stampede", "catastrophe", and "nightmare."”

John Brooks (writer) (1920–1993) American writer

Business Adventures: Twelve Classic Tales from the World of Wall Street

William Styron photo

“In many of Albrecht Dürer’s engravings there are harrowing depictions of his own melancholia; the manic wheeling stars of Van Gogh are the precursors of the artist’s plunge into dementia and the extinction of self. It is a suffering that often tinges the music of Beethoven, of Schumann and Mahler, and permeates the darker cantatas of Bach. The vast metaphor which most faithfully represents this fathomless ordeal, however, is that of Dante, and his all-too-familiar lines still arrest the imagination with their augury of the unknowable, the black struggle to come:
Nel mezzo del cammin di nostra vita
Mi ritrovai per una selva oscura,
Ché la diritta via era smarrita.
In the middle of the journey of our life
I found myself in a dark wood,
For I had lost the right path.
One can be sure that these words have been more than once employed to conjure the ravages of melancholia, but their somber foreboding has often overshadowed the last lines of the best-known part of that poem, with their evocation of hope. To most of those who have experienced it, the horror of depression is so overwhelming as to be quite beyond expression, hence the frustrated sense of inadequacy found in the work of even the greatest artists. But in science and art the search will doubtless go on for a clear representation of its meaning, which sometimes, for those who have known it, is a simulacrum of all the evil of our world: of our everyday discord and chaos, our irrationality, warfare and crime, torture and violence, our impulse toward death and our flight from it held in the intolerable equipoise of history. If our lives had no other configuration but this, we should want, and perhaps deserve, to perish; if depression had no termination, then suicide would, indeed, be the only remedy. But one need not sound the false or inspirational note to stress the truth that depression is not the soul’s annihilation; men and women who have recovered from the disease — and they are countless — bear witness to what is probably its only saving grace: it is conquerable.”

Source: Darkness Visible (1990), X

Statius photo

“The towers shine in a larger blue, and the portals bloom with a mystic light. Silence was ordered and mute in terror fell the world. From on high he begins. His holy words have weight heavy and immutable and the Fates follow his voice.”
Radiant majore sereno culmina et arcano florentes lumine postes. postquam jussa quies siluitque exterritus orbis, incipit ex alto: grave et inmutabile sanctis pondus adest verbis, et vocem fata sequuntur.

Source: Thebaid, Book I, Line 209

Anthony Burgess photo

“…the Malay word chium meant to plough the beloved’s face with one’s nose”

Anthony Burgess (1917–1993) English writer

Fiction, Beds in the East (1959)

John the Evangelist photo

“In the beginning was the Word,
and the Word was with God,
and the Word was God.
He was in the beginning with God;
all things were made through him, and without him was not anything made that was made.
In him was life, and the life was the light of men.
The light shines in the darkness, and the darkness has not overcome it.”

John the Evangelist (10–98) author of the Gospel of John; traditionally identified with John the Apostle of Jesus, John of Patmos (author o…

in John 1:1-5 as quoted in www.ewtn.com http://www.ewtn.com/ewtn/bible/search_bible.asp#ixzz2yvG7XIED
Gospel of John

Anthony Burgess photo
Aron Ra photo

“Demanding an “ape-man” is actually just as silly as asking to see a mammal-man, or a half-human, half-vertebrate. How about a half dachshund, half dog? It’s the same thing. One may as well insist on seeing a town half way between Los Angeles and California. Because the problem with bridging the gap between humans and apes is that there is no gap because humans are apes –definitely and definitively. The word, “ape” doesn’t refer to a species, but to a parent category of collective species, and we’re included. This is no arbitrary classification like the creationists use. It was first determined via meticulous physical analysis by Christian scientists a century before Darwin, and has been confirmed in recent years with new revelations in genetics. Furthermore, it is impossible to define all the characters exclusively indicative of every known member of the family of apes without describing our own genera as one among them. Consequently, we can and have proven that humans are apes in exactly the same way that lions are cats, and iguanas are lizards, and whales are mammals. So where is the proof that humans descend from apes? How about the fact that we’re still apes right now!”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

"9th Foundational Falsehood of Creationism" https://www.youtube.com/watch?v=Qfoje7jVJpU, Youtube (May 8, 2008)
Youtube, Foundational Falsehoods of Creationism

“The worshiping of other things, the showing of disrespect by thought, word, or deed, and the refusal to acknowledge our obligation to him—these things shut God out from our lives.”

Kirby Page (1890–1957) American clergyman

Source: Something More, A Consideration of the Vast, Undeveloped Resources of Life (1920), p. 85

Anna Akhmatova photo

“I've woven them a garment that's prepared
out of poor words, those that I overheard, and will hold fast to every word and glance
all of my days, even in new mischance,
and if a gag should bind my tortured mouth,
through which a hundred million people shout,
then let them pray for me, as I do pray
for them, this eve of my remembrance day.”

Anna Akhmatova (1889–1966) Russian modernist poet

I should like to call you all by name,
But they have lost the lists...
I have, woven fore them a great shroud
Out of the poor words I overheard them speak.
I remember them always and everywhere,
And if they shut my tormented mouth,
Through which a hundred million of my people cry,
Let them remember me also...
Translated by D. M. Thomas
Requiem; 1935-1940 (1963; 1987), Epilogue

Clive Staples Lewis photo
George Holmes Howison photo
Eric S. Raymond photo

“When I hear the words "social responsibility", I want to reach for my gun.”

Eric S. Raymond (1957) American computer programmer, author, and advocate for the open source movement

When receiving an award from an organization called Computer Professionals for Social Responsibility.
[Geeks Win: A survey of the oddballs who write the codes that make the 21st-century world go round, The New York Times Book Review, BR18, 03624331, 4 November 2001]

George Bernard Shaw photo

“Conceive. That is the word that means both the beginning in imagination and the end in creation.”

George Bernard Shaw (1856–1950) Irish playwright

The Serpent, in Pt. I, Act I
1920s, Back to Methuselah (1921)

Thomas Hobbes photo

“No man is bound by the words themselves, either to kill himselfe, or any other man.”

The Second Part, Chapter 21, p. 112
Leviathan (1651)

Aron Ra photo
Milton Friedman photo
Christopher Hitchens photo
John Dryden photo

“Words, once my stock, are wanting to commend
So great a poet and so good a friend.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Epistle to Peter Antony Motteux (1698), lines 54–55.

Joseph Joubert photo
Upton Sinclair photo

“Let us redeem our great words from base uses. Let that no longer call itself Love, which knows that it is not free!”

Upton Sinclair (1878–1968) American novelist, writer, journalist, political activist

Love's Pilgrimage (1911)

James Wilde, 1st Baron Penzance photo
Madison Grant photo
Arthur Scargill photo

“Very well, the starting point would be that claim of Professor Quarrey’s, which had been in the news at the beginning of the year, that the country’s greatest export was noxious gas. And who would like to stir up the fuss again? Obviously, the Canadians, cramped into a narrow band to the north of their more powerful neighbors, growing daily angrier about the dirt that drifted to them on the wind, spoiling crops, causing chest diseases and soiling laundry hung out to dry. So she’d called the magazine Hemisphere in Toronto, and the editor had immediately offered ten thousand dollars for three articles.
Very conscious that all calls out of the country were apt to be monitored, she’d put the proposition to him in highly general terms: the risk of the Baltic going the same way as the Mediterranean, the danger of further dust-bowl like the Mekong Desert, the effects of bringing about climactic change. That was back in the news—the Russians had revised their plan to reverse the Yenisei and Ob. Moreover, there was the Danube problem, worse than the Rhine had ever been, and Welsh nationalists were sabotaging pipelines meant to carry “their” water into England, and the border war in West Pakistan had been dragging on so long most people seemed to have forgotten that it concerned a river.
And so on.
Almost as soon as she started digging, though, she thought she might never be able to stop. It was out of the question to cover the entire planet. Her pledged total of twelve thousand words would be exhausted by North American material alone.”

June “A PLACE TO STAND”
The Sheep Look Up (1972)

Ray Comfort photo

“Hey, you're gonna have to keep it simple for us folks! Keep the words simple so we can understand what you're talking about.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

AronRa vs Ray Comfort (September 17th, 2012), Radio Paul's Radio Rants

Walt Disney photo
James Joyce photo

“When I hear the word "stream" uttered with such a revolting primness, what I think of is urine and not the contemporary novel. And besides, it isn't new, it is far from the dernier cri. Shakespeare used it continually, much too much in my opinion, and there's Tristram Shandy, not to mention the Agamemnon.”

James Joyce (1882–1941) Irish novelist and poet

Said in conversation with Frederic Prokosch and quoted in Prokosch's Voices: A Memoir (1983), "At Sylvia’s." Joyce was replying to Prokosch's statement that Molly Bloom’s monologue in Ulysses was written as a stream of consciousness. "Molly Bloom was a down-to-earth lady" said Joyce. "She would never have indulged in anything so refined as a stream of consciousness."

Michele Bachmann photo
Bruce Springsteen photo
Bruce Springsteen photo
Sarah Helen Whitman photo

“He read the document a second time, but the words had not changed.”

Source: Eifelheim (2006), Chapter XVI (p. 296)