“When I hear the word "stream" uttered with such a revolting primness, what I think of is urine and not the contemporary novel. And besides, it isn't new, it is far from the dernier cri. Shakespeare used it continually, much too much in my opinion, and there's Tristram Shandy, not to mention the Agamemnon.”

— James Joyce

Said in conversation with Frederic Prokosch and quoted in Prokosch's Voices: A Memoir (1983), "At Sylvia’s." Joyce was replying to Prokosch's statement that Molly Bloom’s monologue in Ulysses was written as a stream of consciousness. "Molly Bloom was a down-to-earth lady" said Joyce. "She would never have indulged in anything so refined as a stream of consciousness."

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James Joyce191

Irish novelist and poet 1882–1941

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“Shakespeare wrote better poetry for not knowing too much; Milton, I think, knew too much finally for the good of his poetry.”

Alfred North Whitehead (1861–1947) English mathematician and philosopher

Source: Attributed from posthumous publications, Dialogues of Alfred North Whitehead (1954), Ch. 43, November 11, 1947.

“I drifted about from rock to rock, from stream to stream, from grove to grove. Where night found me, there I camped. When I discovered a new plant, I sat down beside it for a minute or a day, to make its acquaintance and hear what it had to tell. … I asked the boulders I met, whence they came and whither they were going.”

John Muir (1838–1914) Scottish-born American naturalist and author

" Explorations in the Great Tuolumne Cañon http://books.google.com/books?id=ZikGAQAAIAAJ&pg=P139", Overland Monthly, volume XI, number 2 (August 1873) pages 139-147 (at page 141); modified slightly and reprinted in John of the Mountains (1938), page 69 <br class="br">1870s

“The only thing I remember is … he put a lot of urination scenes in Tromeo and Juliet. Too much of that. Other than that, I think he did a great job. It was his idea to put in the line, "What light through yonder plexiglass breaks?" That set up a stunt with plexiglass that almost blew me up. They used too much dynamite, or whatever they use for stunts like that.”

Lloyd Kaufman (1945) American film director

Village Voice http://www.villagevoice.com/2014-01-15/film/troma-lloyd-kaufman-interview/ January 15, 2014 <br class="br">2014

“Love is a special word, and I use it only when I mean it. You say the word too much and it becomes cheap.”

Ray Charles (1930–2004) American musician

For the Love of Women, p. 239
Brother Ray : Ray Charles' Own Story (1978)
Context: Women anchor me. They're there when I need them. They're sensitive to me, and I'm sensitive to them. I'm not saying I've loved that many women. Love is a special word, and I use it only when I mean it. You say the word too much and it becomes cheap.
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You got to set your mind right and the rest will come to you naturally. No restrictions, no hang-ups, no stupid rules, no formalities, no forbidden fruit — just everyone getting and giving as much as he and she can.

“.. I don't want to be a preacher who tries to improve the world according to his own opinion. For that I put too much in perspective in my thinking and perhaps I am more independent. I do not start from a reflex on tradition and on social and political structures but rather from a continual and fresh scanning for the essence of things.”

Roger Raveel (1921–2013) painter

version in original Flemish (citaat van Roger Raveel, in het Vlaams): ..Ik wil geen predikant zijn die de wereld wil verbeteren volgens zijn eigen opinie. Daarvoor denk ik te relatief en wellicht ben ik onafhankelijker en ga ik niet zozeer uit van een reflex op de traditie en op de sociale en politieke structuren maar veeleer uit een steeds opnieuw tasten naar het wezen der dingen. <br class="br">Quote of Raveel in the catalogue of his exhibition in the museum of Deinze in 1972; as cited by Ludo Bekkers in 'Roger Raveel en zijn keuze uit het Museum voor Schone Kunsten in Gent' http://www.tento.be/sites/default/files/tijdschrift/pdf/OKV1975/Roger%20Raveel%20en%20zijn%20keuze%20uit%20het%20Museum%20voor%20Schone%20Kunsten%20in%20Gent.pdf, in Dutch art-magazine 'Openbaar Kunstbezit', Jan/Maart 1975, p. 5 <br class="br">1970's

“I think people talk too much; that's the truth of the matter. I do. I don't believe in words. People use too many words and usually wrongly. I am sure that in the distant future people will talk much less and in a more essential way.”

Michelangelo Antonioni (1912–2007) Italian film director and screenwriter

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Context: I think people talk too much; that's the truth of the matter. I do. I don't believe in words. People use too many words and usually wrongly. I am sure that in the distant future people will talk much less and in a more essential way. If people talk a lot less, they will be happier. Don't ask me why.

“I used to think that it was better to have too much than too little, but now I think if the too much was never supposed to be yours, you should just take what is yours and give the rest back.”

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“I have huge respect for short stories—I just find them much harder to get right than a novel. A novel is a lot baggier and it gives you more leeway to go on for too long or to make mistakes. Whereas in a short story, every sentence, every word, matters—and that’s very hard. I think it’s easier to write too much than it is to write exactly the right thing.”

Tracy Chevalier (1962) American writer

On how she compares short story writing to novel writing in “An Interview with Tracy Chevalier” https://fictionwritersreview.com/interview/an-interview-with-tracy-chevalier/ in Fiction Writers Review (2019 Sep 23)

“In a history book, you can't imagine, you can't speculate, you can't conjure new worlds because that would ruin the history book. .... And in a novel you can't have too much fact-dumping, too much history, it just doesn't work, too much footnoting, again that ruins the story. So I love the fact that I can do speculation and imagination in one and go wild in a novel and then do proper, scrupulous research in the other. I think they compliment each other.”

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https://www.bbc.co.uk/news/av/entertainment-arts-17945784
Meet the Author: Kate Williams
BBC
3 May 2012
2 May 2021

“and love is a word used
too much and
much
too soon.”

Charles Bukowski (1920–1994) American writer

Source: The Night Torn Mad With Footsteps

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