Quotes about wording
page 48

Sören Kierkegaard photo
Ariel Sharon photo

“You cannot like the word, but what is happening is an occupation -- to hold 3.5 million Palestinians under occupation. I believe that is a terrible thing for Israel and for the Palestinians.”

Ariel Sharon (1928–2014) prime minister of Israel and Israeli general

Sharon pledges to 'immediately' remove unauthorized outposts http://www.cnn.com/2003/WORLD/meast/05/26/mideast/, CNN, 26 May 2003.
2000s

Denis Healey photo
James Bryce, 1st Viscount Bryce photo
Henry Clay Work photo
Kevin Spacey photo
Maia Mitchell photo
Statius photo

“Sweet semblance of the children who have forsaken me, Archemorus, solace of my lost estate and country, pride of my servitude, what guilty gods took your life, my joy, whom but now in parting I left at play, crushing the grasses as you hastened in your forward crawl? Ah, where is your starry face? Where your words unfinished in constricted sounds, and laughs and gurgles that only I could understand? How often would I talk to you of Lemnos and the Argo and lull you to sleep with my long tale of woe!”
O mihi desertae natorum dulcis imago, Archemore, o rerum et patriae solamen ademptae seruitiique decus, qui te, mea gaudia, sontes extinxere dei, modo quem digressa reliqui lascivum et prono uexantem gramina cursu? heu ubi siderei vultus? ubi verba ligatis imperfecta sonis risusque et murmura soli intellecta mihi? quotiens tibi Lemnon et Argo sueta loqui et longa somnum suadere querela!

Source: Thebaid, Book V, Line 608

Thomas Jefferson photo
Neil Diamond photo

“Longfellow Serenade,
Such were the plans I'd made.
For she was a lady
And I was a dreamer,
With only words to trade.”

Neil Diamond (1941) American singer-songwriter

Longfellow Serenade
Song lyrics, Serenade (1974)

David Graeber photo
Albert Einstein photo

“How much do I love that noble man
More than I could tell with words
I fear though he'll remain alone
With a holy halo of his own.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Wie lieb ich diesen edlen Mann
Mehr als ich mit Worten sagen kann.
Doch fürcht' ich, dass er bleibt allein
Mit seinem strahlenden Heiligenschein.
Poem by Einstein on Spinoza (1920), as quoted in Einstein and Religion by Max Jammer, Princeton UP 1999 http://docs.google.com/viewer?a=v&q=cache:i-4Gd4RHW3gJ:press.princeton.edu/chapters/s6681.pdf+max+jammer&hl=de&gl=de&pid=bl&srcid=ADGEESjMqxYX4kB2T1bfEXiMcwf_HE3uetROnsVm99yTeJxLw-8CHBpPjK16CpXW7n5wuR5wFLq5Yxgo14sSpVSTYXTmTT1DPz4pDDl4_z5eFR7mVqZn3ei9vF-rVVrRfwITDQeH7I5F&sig=AHIEtbShlMEqHZfrr0q5IJtYTNouk3VxAg, p. 43; original German manuscript: "Zu Spinozas Ethik" http://www.autodidactproject.org/other/einstein9-spinoza8.html.
1920s

Ken Ham photo
Clement of Alexandria photo
John Byrne photo

“This guy should have been taken out of the croc pen, had his kids taken from him, and been thrown in the deepest, darkest, dankest pit the Australian judicial system has to offer. Preferably after being skinned alive. Asshole is too good a word.”

John Byrne (1950) American author and artist of comic books

2006
http://www.byrnerobotics.com/forum/forum_posts.asp?TID=14104&PN=1&TPN=3
On the death of Steve Irwin, "The Crocodile Hunter"

Walter Raleigh photo
James Thurber photo

“A word to the wise is not sufficient if it doesn't make any sense.”

James Thurber (1894–1961) American cartoonist, author, journalist, playwright

"The Weaver and the Worm", The New Yorker ( 11 August 1956 http://www.newyorker.com/archive/1956/08/11/1956_08_11_019_TNY_CARDS_000252308); Further Fables for Our Time (1956)
From Fables for Our Time and Further Fables for Our Time

Klaus Kinski photo
Elton John photo

“And it's no sacrifice,
Just a simple word.
It's two hearts living
In two separate worlds.
But it's no sacrifice.
No sacrifice.
It's no sacrifice at all.”

Elton John (1947) English rock singer-songwriter, composer and pianist

Sacrifice
Song lyrics, Sleeping with the Past (1989)

Alan Moore photo

“I was talking earlier — about anarchy and fascism being the two poles of politics. On one hand you’ve got fascism, with the bound bundle of twigs, the idea that in unity and uniformity there is strength; on the other you have anarchy, which is completely determined by the individual, and where the individual determines his or her own life. Now if you move that into the spiritual domain, then in religion, I find very much the spiritual equivalent of fascism. The word “religion” comes from the root word ligare, which is the same root word as ligature, and ligament, and basically means “bound together in one belief.” It’s basically the same as the idea behind fascism; there’s not even necessarily a spiritual component it. Everything from the Republican Party to the Girl Guides could be seen as a religion, in that they are bound together in one belief. So to me, like I said, religion becomes very much the spiritual equivalent of fascism. And by the same token, magic becomes the spiritual equivalent of anarchy, in that it is purely about self-determination, with the magician simply a human being writ large, and in more dramatic terms, standing at the center of his or her own universe. Which I think is a kind of a spiritual statement of the basic anarchist position. I find an awful lot in common between anarchist politics and the pursuit of magic, that there’s a great sympathy there.”

Alan Moore (1953) English writer primarily known for his work in comic books

Alan Moore on Anarchism (2009)

“The conflict about the meaning of free speech went on through the 1920s, Holmes and Brandeis persisting in their view and expressing it in strongly worded dissents. In one sense it was a curious performance by the two of them, for each had a deep commitment to the Supreme Court as an institution and thought that division among the justices should be avoided when possible.”

Anthony Lewis (1927–2013) American journalist

[82-83, Anthony, Lewis, w:Anthony Lewis, Make No Law: The Sullivan Case and the First Amendment, Vintage, 1992, 0679739394, http://books.google.com/books?id=YElZ5GgC7E0C&lpg=PA1&pg=PT127#v=onepage&q&f=false]

Bonar Law photo
Scott Adams photo

“You might think the word “homemade” is just a word we use as a marketing ploy. But what you don’t realize is that the staff sleeps here at night. If your tablecloth is wrinkled, that’s why.”

Scott Adams (1957) cartoonist, writer

Restaurant menus
Source: "Menus: Stacey’s Homemade Soup Of The Day", Stacey's at Waterford, 2008-01-14 http://www.eatatstaceys.com/staceys-waterford/menus-lunch.php, Atttributed to Adams by "About Us", Stacey's at Waterford, 2008-01-14 http://www.eatatstaceys.com/staceys-waterford/about-us.php,

Jean Paul Sartre photo

“A writer who takes political, social or literary positions must act only with the means that are his. These means are the written words.”

Jean Paul Sartre (1905–1980) French existentialist philosopher, playwright, novelist, screenwriter, political activist, biographer, and …

Refusing the Nobel Prize, New York Times (22 October 1964)

Humphrey Lyttelton photo
Edward VIII of the United Kingdom photo
Cathy Newman photo

“Look at a woman's Wikipedia page and you can't believe a word of it.”

Cathy Newman (1974) journalist

Cited in " Cathy Newman: 'The internet is being written by men with an agenda' https://www.theguardian.com/media/2018/mar/19/cathy-newman-the-internet-is-being-written-by-men-with-an-agenda", 25 March 2018.

“When your mother has grown old
and with her so have you,
When that which once came easy
has at last become a burden,
When her loving, true eyes
no longer see life as once they did
When her weary feet
no longer want to wear her as she stands,
then reach an arm to her shoulder,
escort her gently, with happiness and passion
The hour will come, when you, crying,
must take her on her final walk.
And if she asks you, then give her an answer
And if she asks you again, listen!
And if she asks you again, take in her words
not impetuously, but gently and in peace!
And if she cannot quite understand you,
explain all to her gladly
For the hour will come, the bitter hour
when her mouth will ask for nothing more.”

Source: The poem was originally titled "Habe Geduld". It was first published in Blüthen des Herzens around 1906. https://www.bartfmdroog.com/droog/dd/bluthen_des_herzens_scans.html#front

Adolf Hitler used this poem with the title "Deine Mutter" in the handwritten manuscript he signed and dated in 1923. For this reason, this poem is sometimes misattributed to him. Adolf Hitler, "Denk' es!" (Be Reminded!) 1923, first published in Sonntag-Morgenpost (14 May 1933).

Jayachamarajendra Wadiyar photo
Vyasa photo
Václav Havel photo
Michael Faraday photo

“The secret is comprised in three words — Work, finish, publish.”

Michael Faraday (1791–1867) English scientist

His well-known advice to the young William Crookes, who had asked him the secret of his success as a scientific investigator, as quoted in Michael Faraday (1874) by John Hall Gladstone, p. 123

William Wordsworth photo
Friedrich Engels photo
Peter Greenaway photo
Hermann Samuel Reimarus photo
Joyce Carol Oates photo
Richard Rodríguez photo
Paul Auster photo

“The story is not in the words; it's in the struggle.”

"The Locked Room", p. 294
The New York Trilogy (1987)

Gwyneth Paltrow photo

“I would do anything for Giancarlo and Valentino, When we were on a road trip in Italy for my 30th birthday, my father got pneumonia and…he just kind of died on me. It was horrible. But Giancarlo and Valentino were godsends. They came to my rescue. When somebody does a thing like that for you, well, you just love them beyond words.”

Gwyneth Paltrow (1972) American actress, singer, and food writer

Referring to designer Valentino Garavani and his business partner Giancarlo Giammetti at the VBH Gallery on New York City. http://blogs.wsj.com/speakeasy/2009/10/28/valentino-welcomes-gwyneth-paltrow-zac-posen-to-the-last-emperor-dvd-release/ (October 28, 2009)

William James photo
Bernard Lewis photo
Erik Naggum photo

“The very word "exist" derives from "to step forth, to stand out."”

Erik Naggum (1965–2009) Norwegian computer programmer

Re: Lisp advocacy misadventures http://groups.google.com/group/comp.lang.lisp/msg/a05e5e2737bddd69 (Usenet article).
Usenet articles, Miscellaneous

John Banville photo
Georg Büchner photo

“Your words smell of corpses.”

Act II.
Dantons Tod (Danton's Death) (1835)

“Earlier fundamental work of Whitehead, Russell, Wittgenstein, Carnap, Whorf, etc., as well as my own attempt to use this earlier thinking as an epistemological base for psychiatric theory, led to a series of generalizations: That human verbal communication can operate and always does operate at many contrasting levels of abstraction. These range in two directions from the seemingly simple denotative level (“The cat is on the mat”). One range or set of these more abstract levels includes those explicit or implicit messages where the subject of discourse is the language. We will call these metalinguistic (for example, “The verbal sound ‘cat’ stands for any member of such and such class of objects”, or “The word, ‘cat’ has no fur and cannot scratch”). The other set of levels of abstraction we will call metacommunicative (e. g., “My telling you where to find the cat was friendly”, or “This is play”). In these, the subject of discourse is the relationship between the speakers. It will be noted that the vast majority of both metalinguistic and metacommunicative messages remain implicit; and also that, especially in the psychiatric interview, there occurs a further class of implicit messages about how metacommunicative messages of friendship and hostility are to be interpreted.”

Gregory Bateson (1904–1980) English anthropologist, social scientist, linguist, visual anthropologist, semiotician and cyberneticist

Gregory Bateson (1955) " A theory of play and fantasy http://sashabarab.com/syllabi/games_learning/bateson.pdf". In: Psychiatric research reports, 1955. pp. 177-178] as cited in: S.P. Arpaia (2011) " Paradoxes, circularity and learning processes http://www2.units.it/episteme/L&PS_Vol9No1/L&PS_Vol9No1_2011_18b_Arpaia.pdf". In: L&PS – Logic & Philosophy of Science, Vol. IX, No. 1, 2011, pp. 207-222

Joachim Kaiser photo

“The word "Silence" today sounds "bridegroom" or the "tragedy of love."”

Joachim Kaiser (1928–2017) German music critic

quoted in Dieter Schott, Bill Luckin, Geneviève Massard-Guilbaud, Resources of the City: Contributions to an Environmental History of Modern Europe (2005), p. 225

Aubrey Beardsley photo
Richard Francis Burton photo

“With God's foreknowledge man's free will! what monster-growth of human brain,
What powers of light shall ever pierce this puzzle dense with words inane?”

Richard Francis Burton (1821–1890) British explorer, geographer, translator, writer, soldier, orientalist, cartographer, ethnologist, spy, lin…

The Kasîdah of Hâjî Abdû El-Yezdî (1870)

P.G. Wodehouse photo
Robert Pinsky photo

“I am very interested in memorization which is the process of incorporating a poem, so, I would say the kind of poetry I write is the kind that emphasises the physical qualities of the words.”

Robert Pinsky (1940) American poet, editor, literary critic, academic.

WPFW-FM inteview with Grace Cavalieri 1995/96 season

Anu Garg photo

“We're all surrounded by words like air, and we all need them even though they are often invisible, just like air.”

Anu Garg (1967) Indian author

2002-11-28
http://www.nytimes.com/2002/11/28/technology/circuits/28garg.html?src=pm&pagewanted=all
A Word of the Day Keeps Banality at Bay
The New York Times
Katie Hafner

Brigham Young photo
Brion Gysin photo

“Writers don't own their words. Since when do words belong to anybody? 'Your very own words,' indeed! And who are you?”

Brion Gysin (1916–1986) Canadian artist

'Cut-Ups Self-Explained' in Brion Gysin Let the Mice In, Tuning in to the Multimedia Age, p. 153.

Anastacia photo

“The truest words are never wasted
I'm letting go just show me how
I'm getting closer I can taste it
This time, our time.”

Anastacia (1968) American singer-songwriter

Apology
Resurrection (2014)

Lucy Lawless photo

“Up until I came here this week, and I met so many women and young girls who feel, to use their word - and I'm a bit embarrassed, but it's a good word - empowered, by watching. I realized this isn't a burden, this is an honor.”

Lucy Lawless (1968) New Zealand actress

Christy Slewinski, New York Daily News (September 29, 1996) "Lucy Lawless is a Star on the Strength of 'Xena'", The Seattle Times, p. 21.

Stanley Baldwin photo
Simone de Beauvoir photo
Miguel de Cervantes photo

“Those two fatal words, Mine and Thine.”

Miguel de Cervantes (1547–1616) Spanish novelist, poet, and playwright

Source: Don Quixote de la Mancha (1605–1615), Part I, Book II, Ch. 3.

Lauren Bacall photo
Stephen Fry photo
Jean de La Bruyère photo
George Lippard photo
Caspar David Friedrich photo
Alexander Hamilton photo
Oliver Wendell Holmes photo

“Time, time only, can gradually wean us from our Epeolatry, or word-worship, by spiritualizing our ideas of the thing signified.”

Oliver Wendell Holmes (1809–1894) Poet, essayist, physician

Source: The Professor at the Breakfast Table (1859), Ch. V.

Edouard Manet photo
Richard Feynman photo

“I do feel strongly that this is nonsense! … So perhaps I could entertain future historians by saying I think all this superstring stuff is crazy and is in the wrong direction. I think all this superstring stuff is crazy and is in the wrong direction. … I don’t like it that they’re not calculating anything. … why are the masses of the various particles such as quarks what they are? All these numbers … have no explanations in these string theories – absolutely none! … I don’t like that they don’t check their ideas. I don’t like that for anything that disagrees with an experiment, they cook up an explanation—a fix-up to say, “Well, it might be true.” For example, the theory requires ten dimensions. Well, maybe there’s a way of wrapping up six of the dimensions. Yes, that’s all possible mathematically, but why not seven? When they write their equation, the equation should decide how many of these things get wrapped up, not the desire to agree with experiment. In other words, there’s no reason whatsoever in superstring theory that it isn’t eight out of the ten dimensions that get wrapped up and that the result is only two dimensions, which would be completely in disagreement with experience. So the fact that it might disagree with experience is very tenuous, it doesn’t produce anything.”

Richard Feynman (1918–1988) American theoretical physicist

interview published in Superstrings: A Theory of Everything? (1988) edited by Paul C. W. Davies and Julian R. Brown, p. 193-194

Peter Greenaway photo
Oswald Spengler photo

“And at that point, too, in Buddhist India as in Babylon, in Rome as in our own cities, a man's choice of the woman who is to be, not mother of his children as amongst peasants and primitives, but his own "companion for life", becomes a problem of mentalities. The Ibsen marriage appears, the "higher spiritual affinity" in which both parties are "free"—free, that is, as intelligences, free from the plantlike urge of the blood to continue itself, and it becomes possible for a Shaw to say "that unless Woman repudiates her womanliness, her duty to her husband, to her children, to society, to the law, and to everyone but herself, she cannot emancipate herself." The primary woman, the peasant woman, is mother. The whole vocation towards which she has yearned from childhood is included in that one word. But now emerges the Ibsen woman, the comrade, the heroine of a whole megalopolitan literature from Northern drama to Parisian novel. Instead of children, she has soul-conflicts; marriage is a craft-art for the achievement of "mutual understanding"….
At this level all Civilizations enter upon a stage, which lasts for centuries, of appalling depopulation. The whole pyramid of cultural man vanishes. It crumbles from the summit, first the world-cities, then the provincial forms, and finally the land itself, whose best blood has incontinently poured into the towns, merely to bolster them up awhile. At the last, only the primitive blood remains, alive, but robbed of its strongest and most promising elements. This residue is the Fellah type.
If anything has demonstrated the fact that Causality has nothing to do with history, it is the familiar "decline" of the Classical, which accomplished itself long before the irruption of Germanic migrants. The Imperium enjoyed the completest peace; it was rich and highly developed; it was well organized; and it possessed in its emperors from Nerva to Marcus Aurelius a series of rulers such as the Caesarism of no other Civilization can show. And yet the population dwindled, quickly and wholesale. The desperate marriage-and-children laws of Augustus—amongst them the Lex de maritandis ordinibus, which dismayed Roman society more than the destruction of Varus's legions—the wholesale adoptions, the incessant plantation of soldiers of barbarian origin to fill the depleted country-side, the immense food-charities of Nerva and Trajan for the children of poor parents—nothing availed to check the process.”

Vol. II, Alfred A. Knopf, 1928, pp. 104–06 https://archive.org/stream/Decline-Of-The-West-Oswald-Spengler/Decline_Of_The_West#page/n573/mode/2up/search/depopulation
The Decline of the West (1918, 1923)

Jane Roberts photo
Rab Butler photo

“Conservatives were planning before the word entered the vocabulary of political jargon.”

Rab Butler (1902–1982) British politician

About the Industrial Charter (Conservative Political Centre, 1947), pp. 6-7.

Thomas Carlyle photo
Gustave Courbet photo
Basil of Caesarea photo
Peter Greenaway photo
Marshall McLuhan photo

“All words at every level of prose and poetry and all devices of language and speech derive their meaning from figure / ground relation.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

quoted in McLuhan: A Guide for the Perplexed by W. Terrence Gordon, 2010, p. 167
1980s

Stuart Davis photo

“I paint what I see in America, in other words I paint the American scene.”

Stuart Davis (1892–1964) American painter

Cited in: Ian Chilvers, "Davis, Stuart," in: The Oxford Dictionary of Art, (2994). p. 195

Mata Amritanandamayi photo
Gabrielle Roy photo
Alan Moore photo
James Van Allen photo

“After a vast research program, which depended very heavily upon the use of a number of highspeed computers, I am pleased to offer you the result: "Space is that in which everything else is." In other words, "Space is the hole that we are in."”

James Van Allen (1914–2006) American nuclear physicist

On the definition of space: Reach Into Space http://www.time.com/time/magazine/article/0,9171,892531,00.html, Time, 1959-05-04.

Conrad Burns photo

“The Helena Independent Record, noted that "The senator has drawn attention previously for his choice of words."”

Conrad Burns (1935–2016) United States Marine

Feb 28, 2006 http://www.helenair.com/articles/2006/02/28/montana_top/000burns.txt
About

Michael Chabon photo
Jonathan Swift photo

“My advice to anyone who loves to read or write is to love words first. Look at fonts and at print carefully. Ignore what they mean and just marvel at what they look like.”

Mark Getty (1960) British businessman

City A.M.: "What I'm reading: Quickfire interview with Getty Images co-founder Mark Getty on his favourite books and the advice he'd give to aspiring writers" http://www.cityam.com/288100/im-reading-quickfire-interview-getty-images-co-founder-mark (25 June 2018)

Joseph Joubert photo
Dejan Stojanovic photo

“Vandals listen only when others are stronger. If vandals are equal or stronger, their word is the last word.”

”New Vandals,” p. 65
Circling: 1978-1987 (1993), Sequence: “A Warden with No Keys”

Vanna Bonta photo
Orson Welles photo

“My father once told me that the art of receiving a compliment is, of all things, the sign of a civilized man. He died soon afterwards, leaving my education in this important matter sadly incomplete; I'm only glad that, on this, the occasion of the rarest compliment he ever could have dreamed of, that he isn't here to see his son so publicly at a loss. In receiving a compliment, or in trying to, the words are all worn out by now. They're polluted by ham and corn. And, when you try to scratch around for some new ones, it's just an exercise in empty cleverness. What I feel this evening, is not very clever. it's the very opposite of emptiness. The corny old phrase is the only one I know to say it: my heart is full; with a full heart, with all of it, I thank you. This is Samuel Johnson, on the subject of what he calls contrarieties: "there are goods, so opposed that we cannot seize both, and, in trying, fail to seize either. Flatter not yourself, he says, with contrarieties. Of the blessings set before you, make your choice. No man can, at the same time, fill his cup from the source, and from the mouth of the nile." For this business of contrarieties has to do with us. With you, who are paying me this compliment, and for me, who has strayed so far from this hometown of ours. Not that I am alone in this, or unique, I am never that; but there are a few of us left in this conglomerated world of us who still trudge stubbornly along this lonely rocky road; and this is in fact our contrariety. We don't move nearly as fast as our cousins on the freeway; we don't even get as much accomplished just as the family sized farm can't possibly raise as many crops or get as much profit as the agricultural factory of today. What we do come up with has no special right to call itself better it's just.. different. No if there's any excuse for us it all, it's that we're simply following the old American tradition of the maverick, and we are a vanishing breed. This honor I can only accept in the name of all the mavericks. And also, as a tribute to the generosity of all the rest of you; to the givers, to the ones with fixed addresses. A maverick may go his own way but he doesn't think that it's the only way, or ever claim that it's the best one, except maybe for himself. And don't imagine that this raggle-taggle gypsy-o is claiming to be free. It's just that some of the necessities to which I am a slave are different from yours. As a director, for instance, I pay myself out of my acting jobs. I use my own work to subsidize my work (in other words I'm crazy). But not crazy enough to pretend to be free. But it's a fact that many of the films you've seen tonight could never have been made otherwise. Or, if otherwise, well, they might have been better, but certainly they wouldn't have been mine. The truth is I don't believe that this great evening would ever have brightened my life if it wasn't for this: my own, particular, contrariety. Let us raise our cups, then, standing as some of us do on opposite ends of the river, to what really matters to us all: to our crazy, beloved profession, to the movies — to good movies, to every possible kind.”

Orson Welles (1915–1985) American actor, director, writer and producer

Speech given upon his acceptance of the AFI Lifetime Achievement award. Viewable http://www.youtube.com/watch?v=oXJnxClGamA&list=HL1349840607&feature=mh_lolz

Geoff Dyer photo
Nanak photo
George Gordon Byron photo

“Farewell!
For in that word, that fatal word,—howe'er
We promise, hope, believe,—there breathes despair.”

George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement

Canto I, stanza 15.
The Corsair (1814)