Quotes about wind
page 11

Cormac McCarthy photo
Stanley Baldwin photo
William Pitt, 1st Earl of Chatham photo

“The poorest man may in his cottage bid defiance to all the forces of the Crown. It may be frail — its roof may shake — the wind may blow through it — the storm may enter — the rain may enter — but the King of England cannot enter — all his force dares not cross the threshold of the ruined tenement!”

William Pitt, 1st Earl of Chatham (1708–1778) British politician

Speech on the Excise Bill, House of Commons (March 1763), quoted in Lord Brougham, Historical Sketches of Statesmen Who Flourished in the Time of George III (1855), I, p. 42.
repeated by Brennan, J., MILLER v. UNITED STATES, 357 U.S. 301 (1958) http://caselaw.lp.findlaw.com/scripts/getcase.pl?court=US&vol=357&invol=301
repeated by Alfred Denning, Baron Denning, Southam v Smout [1964] 1 QB 308 at 320.

Du Fu photo

“Clear waters wind
Around our village,
With long summer days
Full of loveliness;
Fluttering in and out
From the house beams
The swallows play;
Waterfowl disport together
As everlasting lovers; …
What more could I wish for?”

Du Fu (712–770) Chinese poet of the Tang Dynasty

"The River by Our Village", as translated by Rewi Alley in Du Fu: Selected Poems (1962), p. 100

John Dryden photo
James Macpherson photo
Irvine Welsh photo
Edward Coote Pinkney photo
Algis Budrys photo
Mark Tully photo
John D. Carmack photo

“The idea that I can be presented with a problem, set out to logically solve it with the tools at hand, and wind up with a program that could not be legally used because someone else followed the same logical steps some years ago and filed for a patent on it is horrifying.”

John D. Carmack (1970) American computer programmer, engineer, and businessman

On software patents, Quoted in "John Carmack: Knee Deep in the Voodoo" http://web.archive.org/web/20010624154450/http://www.voodooextreme.com/games/interviews/carmack/ Voodoo Extreme(2000-11-11)

Gerard Manley Hopkins photo
William Collins photo

“In yonder Grave a Druid lies
Where slowly winds the Stealing Wave!
The Year's best Sweets shall duteous rise
To deck its Poet's sylvan Grave!”

William Collins (1721–1759) English poet, born 1721

Source: Ode Occasioned by the Death of Mr. Thomson, (1748) http://www.luminarium.org/eightlit/collins/thomson.php, line 1.

Thomas Warton photo

“Nor rough, nor barren, are the winding ways
Of hoar antiquity, but strown with flowers.”

Thomas Warton (1728–1790) English literary historian, critic, poet

"Sonnet Written in a Blank Leaf of Dugdale's Monasticon" (1777), line 13.

Anthony Burgess photo
Herman Melville photo

“At the height of their madness
The night winds pause,
Recollecting themselves;
But no lull in these wars.”

Herman Melville (1818–1891) American novelist, short story writer, essayist, and poet

The Armies of the Wilderness, Pt. II, st. 5
Battle Pieces: And Aspects of the War (1860)

Henry David Thoreau photo
Thomas Chatterton photo
Chief Seattle photo
Jones Very photo
Charles Dibdin photo

“Spanking Jack was so comely, so pleasant, so jolly,
Though winds blew great guns, still he ’d whistle and sing;
Jack loved his friend, and was true to his Molly,
And if honour gives greatness, was great as a king.”

Charles Dibdin (1745–1814) British musician, songwriter, dramatist, novelist and actor

The Sailor’s Consolation. A song with this title, beginning, "One night came on a hurricane", was written by William Pitt, of Malta, who died in 1840.

Edwin Arnold photo
Oliver Wendell Holmes photo
Gulzarilal Nanda photo
Anish Kapoor photo
Torquato Tasso photo

“Fame, whose sweet voice whispers of phantom bliss
to you proud mortals, and who seems so fair,
is a mere echo, dream, dream lost in shade,
at every wind-puff scattered and unmade.”

Torquato Tasso (1544–1595) Italian poet

La fama che invaghisce a un dolce suono
Voi superbi mortali, e par si bella,
E un'ecco, un sogno, anzi del sogno un'ombra,
Ch'ad ogni vento si dilegua e sgombra.
Canto XIV, stanza 63 (tr. Wickert)
Gerusalemme Liberata (1581)

Conrad Aiken photo
Harsha of Kashmir photo
James Fenimore Cooper photo

“To paraphrase Thoreau, it was not sherry I drank nor I who drank sherry; it was the wine of the Hesperides and I was served it by the wind from the west.”

Mary Lee Settle (1918–2005) Novelist, biographer, academic

Spanish Recognitions: The Road from the Past (2004)

Michael Parenti photo

“Twelve states in the Great Plains have a wind energy potential greater then the electric use of our entire nation.”

Michael Parenti (1933) American academic

Source: Democracy for the Few (2010 [1974]), sixth edition, Chapter 7, p. 118

Max Stirner photo
Eugene McCarthy photo

“The maple tree that night
Without a wind or rain
Let go its leaves
Because its time had come.”

Eugene McCarthy (1916–2005) American politician

"The Maple Tree"
Poems

Philip K. Dick photo
Elaine Goodale Eastman photo
Maurice de Vlaminck photo
Alexander Mackenzie photo
Letitia Elizabeth Landon photo

“I envy thee, thou careless wind!
How light, how wild thy wandering :
Thou hast no earthly chain, to bind
One fetter on thy airy wing.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(2nd August 1823) both from Songs
The London Literary Gazette, 1823

Edmund Clarence Stedman photo
Harry Chapin photo
Steve Jobs photo

“I feel like somebody just punched me in the stomach and knocked all my wind out. I'm only 30 years old and I want to have a chance to continue creating things. I know I've got at least one more great computer in me. And Apple is not going to give me a chance to do that.”

Steve Jobs (1955–2011) American entrepreneur and co-founder of Apple Inc.

On his expulsion from any position of authority at Apple, after having invited John Sculley to become CEO, as quoted in Playboy (September 1987)
1980s

Kate Bush photo
Jean-François Revel photo
Ted Hughes photo
T. E. Lawrence photo
George Villiers, 2nd Duke of Buckingham photo

“A Lady that was drown'd at Sea, and had a wave for her Winding sheet.”

George Villiers, 2nd Duke of Buckingham (1628–1687) English statesman and poet

Bayes, Act IV, sc, i
The Rehearsal (1671)

Bion of Borysthenes photo
John Lubbock, 1st Baron Avebury photo

“The death of Black Jade coincided with the wedding hour of Pao-yu and Precious Virtue. Shortly after Snow Duck was taken to the wedding chambers, Black Jade had regained consciousness. During this lucid moment, which was not unlike the afterglow of the setting sun, she took Purple Cuckoo's hand and said to her with an effort, "My hour is here. You have served me for many years, and I had hoped that we should be together the rest of our lives… but I am afraid…"
The effort exhausted her and she fell back, panting. She still held Purple Cuckoo's hand and continued after a while, "Mei-mei, I have only one wish. I have no attachment here. After my death, tell them to send my body back to the south––"
She stopped again, and her eyes closed slowly. Purple Cuckoo felt her mistress' hand tighten over hers. Knowing this was a sign of the approaching end, she sent for Li Huan, who had gone back to her own apartment for a brief rest. When the latter returned with Quest Spring, Black Jade's hands were already cold and her eyes dull. They suppressed their sobs and hastened to dress her. Suddenly Black Jade cried, "Pao-yu, Pao-yu, how––" Those were her last words.
Above their own lamentations, Li Huan, Purple Cuckoo, and Quest Spring thought they heard the soft notes of an ethereal music in the sky. They went out to see what it was, but all they could hear was the rustling of the wind through the bamboos and all they could see was the shadow of the moon creeping down the western wall.”

Wang Chi-chen (1899–2001)

Source: Dream of the Red Chamber (1958), p. 307

Epes Sargent photo

“When the night-wind bewaileth the fall of the year,
And sweeps from the forest the leaves that are sere;
I wake from my slumber and list to the roar
And it saith to my spirit, "No more, never more!"”

Epes Sargent (1813–1880) American editor, poet and playwright

When the Night-wind bewaileth, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

John Muir photo

“Winds are advertisements of all they touch, however much or little we may be able to read them; telling their wanderings even by their scents alone.”

John Muir (1838–1914) Scottish-born American naturalist and author

Source: 1890s, The Mountains of California (1894), chapter 10: A Wind-Storm in the Forests

P.G. Wodehouse photo
Brandon Boyd photo

“I lean against the wind, pretend that I am weightless, and in this moment I am happy.”

Brandon Boyd (1976) American rock singer, writer and visual artist

Lyrics, Morning View (2001)

John F. Kennedy photo
Richard L. Daft photo

“The management science approach to organizational decision making is the analog to the rational approach by individual managers. Management science came into being during World War II. At that time, mathematical and statistical techniques were applied to urgent, large-scale military problems that were beyond the ability of individual decision makers. Mathematicians, physicists, and operations researchers used systems analysis to develop artillery trajectories, antisubmarine strategies, and bombing strategies such as salvoing (discharging multiple shells simultaneously). Consider the problem of a battleship trying to sink an enemy ship several miles away. The calculation for aiming the battleship's guns should consider distance, wind speed, shell size, speed and direction of both ships, pitch and roll of the firing ship, and curvature of the earth. Methods for performing such calculations using trial and error and intuition are not accurate, take far too long, and may never achieve success.
This is where management science came in. Analysts were able to identify the relevant variables involved in aiming a ship's guns and could model them with the use of mathematical equations. Distance, speed, pitch, roll, shell size, and so on could be calculated and entered into the equations. The answer was immediate, and the guns could begin firing. Factors such as pitch and roll were soon measured mechanically and fed directly into the targeting mechanism. Today, the human element is completely removed from the targeting process. Radar picks up the target, and the entire sequence is computed automatically.”

Richard L. Daft (1964) American sociologist

Source: Organization Theory and Design, 2007-2010, p. 500

Kate Bush photo

“See those trees
Bend in the wind
I feel they've got a lot more sense than me
You see I try to resist…”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Song lyrics, The Red Shoes (1993)

Voltairine de Cleyre photo
Jean-Baptiste Say photo
Letitia Elizabeth Landon photo
Vitruvius photo

“There are… many… names for winds derived from localities or from the squalls which sweep from rivers or down mountains.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter VI, Sec. 10

Sarah McLachlan photo
Gouverneur Morris photo
P.G. Wodehouse photo

“Bingo swayed like a jelly in a high wind.”

P.G. Wodehouse (1881–1975) English author

Eggs, Beans and Crumpets (1940)

P.G. Wodehouse photo
Pete Doherty photo
John Muir photo
Kunti photo
William Cullen Bryant photo

“The stormy March has come at last,
With winds and clouds and changing skies;
I hear the rushing of the blast
That through the snowy valley flies.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

March. Reported in Bartlett's Familiar Quotations, 10th ed. (1919)
Attributed

F. Scott Fitzgerald photo
Letitia Elizabeth Landon photo
Haruki Murakami photo
Orville Wright photo

“We came down here for wind and sand, and we have got them.”

Orville Wright (1871–1948) American aviation pioneer

Letter to Katherine Wright, 18 October 1900; as published in Marvin W. McFarland, ed., The Papers of Wilbur and Orville Wright (New York: McGraw-Hill, 1953), vol. 1, p. 37.

Charles Olson photo
John Muir photo
William Carlos Williams photo
Jacques Derrida photo

“Although Saussure recognized the necessity of putting the phonic substance between brackets ("What is essential in language, we shall see, is foreign to the phonic character of the linguistic sign" [p. 21]. "In its essence it [the linguistic signifier] is not at all phonic" [p. 164]), Saussure, for essential, and essentially metaphysical, reasons had to privilege speech, everything that links the sign to phone. He also speaks of the "natural link" between thought and voice, meaning and sound (p. 46). He even speaks of "thought-sound" (p. 156). I have attempted elsewhere to show what is traditional in such a gesture, and to what necessities it submits. In any event, it winds up contradicting the most interesting critical motive of the Course, making of linguistics the regulatory model, the "pattern" for a general semiology of which it was to be, by all rights and theoretically, only a part. The theme of the arbitrary, thus, is turned away from its most fruitful paths (formalization) toward a hierarchizing teleology:… One finds exactly the same gesture and the same concepts in Hegel. The contradiction between these two moments of the Course is also marked by Saussure's recognizing elsewhere that "it is not spoken language that is natural to man, but the faculty of constituting a language, that is, a system of distinct signs …," that is, the possibility of the code and of articulation, independent of any substance, for example, phonic substance.”

Source: Positions, 1982, p. 21

“Perhaps we cannot raise the winds. But each of us can put up the sail, so that when the wind comes we can catch it.”

E. F. Schumacher (1911–1977) British economist

Small is Beautiful: A Study of Economics As If People Mattered (1973)

George William Russell photo
Arthur O'Shaughnessy photo
Mirkka Rekola photo
Arthur Murphy photo

“Thus far we run before the wind.”

Arthur Murphy (1727–1805) Irish writer

The Apprentice: A Farce in Two Acts (1756), Act v. Sc. 1.

Edith Sitwell photo

“The flames of the heart consumed me, and the mind
Is but a foolish wind.”

Edith Sitwell (1887–1964) British poet

Green Song & Other Poems (1944), Heart and Mind

“The threads of wyrd are a dimension of ourselves that we cannot grasp with words. We spin webs of words, yet wyrd slips through like the wind.”

Brian Bates (1944) British academic

The Way of the Wyrd : Tales of an Anglo-Saxon Sorcerer (1983)
Context: The threads of wyrd are a dimension of ourselves that we cannot grasp with words. We spin webs of words, yet wyrd slips through like the wind. The secrets of wyrd do not lie in our word-hoards, but are locked in the soul. We can only discern the shadows of reality with our words, whereas our souls are capable of encountering the realities of wyrd directly. This is why wyrd is accessible to the sorcerer: the sorcerer sees with his soul, not with eyes blinkered by the shape of words.
Do not live your life searching around for answers in your word-hoard. You will find only words to rationalize your experience. Allow yourself to open to wyrd and it will cleanse, renew, change, and develop your casket of reason. Your word-hoard should serve your experience, not the reverse.

Letitia Elizabeth Landon photo
Harlan Ellison photo
Ludovico Ariosto photo

“Behold the state of man's unstable mind,
Still prone to change with every changing wind!
All our resolves are weak, but weakest prove
Where sprung from sense of disappointed love.”

O degli uomini inferma e instabil mente!
Come siàn presti a variar disegno!
Tutti i pensier mutamo facilmente,
Più quei che nascon d’amoroso sdegno.
Canto XXIX, stanza 1 (tr. J. Hoole)
Orlando Furioso (1532)

John Ogilby photo

“Three times I strove to cling about her Neck,
Thrice her in vain my circling Arms entwin'd
She like a swift Dream flyes, or nimble Wind.”

John Ogilby (1600–1676) Scottish academic

The Works of Publius Virgilius Maro (2nd ed. 1654), Virgil's Æneis

“Just as a vessel caught by the Pleiads on the foaming deep and kept safe only by its anxious helmsman’s care cleaves unharmed the sea that contending winds make boisterous, so Pollux warily watches the blows.”
Spumanti qualis in alto Pliade capta ratis, trepidi quam sola magistri cura tenet, rapidum ventis certantibus aequor intemerata secat, Pollux sic providus ictus servat.

Source: Argonautica, Book IV, Lines 268–272

Eric Rücker Eddison photo