Quotes about wilderness
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Aldo Leopold photo

“If the national park idea is the best idea America ever had, wilderness preservation is the highest refinement of that idea.”

Wallace Stegner (1909–1993) American historian, writer, and environmentalist

It All Began with Conservation Smithsonian magazine, April 1990, pages 35-43

Frederick William Robertson photo
Francis Parkman photo
Thomas Brooks photo
William Gibson photo
H. Rider Haggard photo
Edmund Burke photo
Bill McKibben photo
Percy Bysshe Shelley photo

“The death-of-the-author thematics, as commonly adapted, are another inanity: when society does its very best to homogenize us, what is wrong with a strong, knowledgeable, and responsible ego crying in the darkening wilderness?”

Nathaniel Tarn (1928) American poet, essayist, anthropologist, and translator

Nathaniel Tarn (1999) "Octavio Paz, Anthropology, and the Future of Poetry" published in: The Embattled Lyric: Essays and Conversations in Poetics and Anthropology (2007). p. 118.

Thomas Browne photo

“In the Far West, the United States of America openly claimed to be custodians of the whole planet. Universally feared and envied, universally respected for their enterprise, yet for their complacency very widely despised, the Americans were rapidly changing the whole character of man’s existence. By this time every human being throughout the planet made use of American products, and there was no region where American capital did not support local labour. Moreover the American press, gramophone, radio, cinematograph and televisor ceaselessly drenched the planet with American thought. Year by year the aether reverberated with echoes of New York’s pleasures and the religious fervours of the Middle West. What wonder, then, that America, even while she was despised, irresistibly moulded the whole human race. This, perhaps, would not have mattered, had America been able to give of her very rare best. But inevitably only her worst could be propagated. Only the most vulgar traits of that potentially great people could get through into the minds of foreigners by means of these crude instruments. And so, by the floods of poison issuing from this people’s baser members, the whole world, and with it the nobler parts of America herself, were irrevocably corrupted.
For the best of America was too weak to withstand the worst. Americans had indeed contributed amply to human thought. They had helped to emancipate philosophy from ancient fetters. They had served science by lavish and rigorous research. In astronomy, favoured by their costly instruments and clear atmosphere, they had done much to reveal the dispositions of the stars and galaxies. In literature, though often they behaved as barbarians, they had also conceived new modes of expression, and moods of thought not easily appreciated in Europe. They had also created a new and brilliant architecture. And their genius for organization worked upon a scale that was scarcely conceivable, let alone practicable, to other peoples. In fact their best minds faced old problems of theory and of valuation with a fresh innocence and courage, so that fogs of superstition were cleared away wherever these choice Americans were present. But these best were after all a minority in a huge wilderness of opinionated self-deceivers, in whom, surprisingly, an outworn religious dogma was championed with the intolerant optimism of youth. For this was essentially a race of bright, but arrested, adolescents. Something lacked which should have enabled them to grow up. One who looks back across the aeons to this remote people can see their fate already woven of their circumstance and their disposition, and can appreciate the grim jest that these, who seemed to themselves gifted to rejuvenate the planet, should have plunged it, inevitably, through spiritual desolation into senility and age-long night.”

Source: Last and First Men (1930), Chapter II: Europe’s Downfall; Section 1, “Europe and America” (p. 33)

Ta-Nehisi Coates photo
Charles Lindbergh photo

“In wilderness I sense the miracle of life, and behind it our scientific accomplishments fade to trivia.”

Charles Lindbergh (1902–1974) American aviator, author, inventor, explorer, and social activist

"The Wisdom of Wilderness" in LIFE (22 December 1967)

Henry L. Benning photo
Gerald Kaufman photo

“It is time to remind Sharon that the star of David belongs to all Jews, not to his repulsive Government. His actions are staining the star of David with blood. The Jewish people, whose gifts to civilised discourse include Einstein and Epstein, Mendelssohn and Mahler, Sergei Eisenstein and Billy Wilder, are now symbolised throughout the world by the blustering bully Ariel Sharon, a war criminal implicated in the murder of Palestinians at the Sabra and Shatila camps and now involved in killing Palestinians once again.”

Gerald Kaufman (1930–2017) British politician

Kaufman (April 2002) Speech to the House of Commons as cited in: Stuart Littlewood (14 january 2009). " Could the Rising Anger of British MPs Shake America’s Complacency?" http://www.middle-east-online.com/english/?id=29784. Middle East Online. Retrieved on 18 january 2009.
This speech related to Israel's controversial military operation codenamed Defensive Wall

Justin D. Fox photo
Jack Kerouac photo
George Law Curry photo

“When the history of Oregon comes to be written the mind of the historian will be impressed by the earnestness and sincerity of character—the unobtrusive, unostentatious conduct of those who formed its population from the first reclaiming of the wilderness—the pioneer epoch—to the more refined advancement into social and political existence.”

George Law Curry (1820–1878) American politician

George Law Curry (December 7, 1857) " Governor George L. Curry Legislative Message, 1857 http://records.sos.state.or.us/ORSOSWebDrawer/Recordpdf/6777831", Oregon State Archives, Oregon Secretary of State, Oregon Provisional and Territorial Records, 1857, Calendar No. 9376.

Aldo Leopold photo
Karel Appel photo

“As an artist you have to fight and survive the wilderness to keep your creative freedom. Creativity is very fragile. It's like a leaf in the fall; it hangs and when it drops you don't know where it's drifting.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

Source: Karel Appel – the complete sculptures,' (1990), p. 91 'Quotes', K. Appel (1989)

Frederick Douglass photo
Bill Hicks photo
Joseph Conrad photo

“This stretch of the Thames from London Bridge to the Albert Docks is to other watersides of river ports what a virgin forest would be to a garden. It is a thing grown up, not made. It recalls a jungle by the confused, varied, and impenetrable aspect of the buildings that line the shore, not according to a planned purpose, but as if sprung up by accident from scattered seeds. Like the matted growth of bushes and creepers veiling the silent depths of an unexplored wilderness, they hide the depths of London’s infinitely varied, vigorous, seething life. In other river ports it is not so. They lie open to their stream, with quays like broad clearings, with streets like avenues cut through thick timber for the convenience of trade… But London, the oldest and greatest of river ports, does not possess as much as a hundred yards of open quays upon its river front. Dark and impenetrable at night, like the face of a forest, is the London waterside. It is the waterside of watersides, where only one aspect of the world’s life can be seen, and only one kind of men toils on the edge of the stream. The lightless walls seem to spring from the very mud upon which the stranded barges lie; and the narrow lanes coming down to the foreshore resemble the paths of smashed bushes and crumbled earth where big game comes to drink on the banks of tropical streams.Behind the growth of the London waterside the docks of London spread out unsuspected, smooth, and placid, lost amongst the buildings like dark lagoons hidden in a thick forest. They lie concealed in the intricate growth of houses with a few stalks of mastheads here and there overtopping the roof of some four-story warehouse.”

London Bridge to the Royal Albert Dock
The Mirror of the Sea (1906), On the River Thames, Ch. 16

“I certainly haven't stuck my face in the wilderness.”

Radio From Hell (June 12, 2006)

Han-shan photo
Douglas Mawson photo
Halldór Laxness photo
Pat Condell photo
Richard Rodríguez photo
John Muir photo

“Only by going alone in silence, without baggage, can one truly get into the heart of the wilderness. All other travel is mere dust and hotels and baggage and chatter.”

John Muir (1838–1914) Scottish-born American naturalist and author

letter to wife Louie (Louisa Wanda Strentzel) (July 1888); published in William Federic Badè, The Life and Letters of John Muir http://www.sierraclub.org/john_muir_exhibit/life/life_and_letters/default.aspx (1924), chapter 15: Winning a Competence
1880s

Jonathan Edwards photo
Henry Adams photo
Ryan Zinke photo
Horace Smith photo
Bill Mollison photo

“I come more and more to the conclusion that wilderness, in America or anywhere else, is the only thing left that is worth saving.”

Edward Abbey (1927–1989) American author and essayist

A Voice Crying in the Wilderness (Vox Clamantis in Deserto) (1990)

Margaret Atwood photo
Han-shan photo
Richard Rodríguez photo

“His name was William Saroyan. He was the first writer I fell in love with, boyishly in love. I was held by his unaffected voice, his sentimentality, his defiant individualism. I found myself in the stories he told… I learned from Saroyan that you do not have to live in some great city — in New York or Paris — in order to write… When I was a student at Stanford, a generation ago, the name of William Saroyan was never mentioned by any professor in the English Department. William Saroyan apparently was not considered a major American talent. Instead, we undergraduates set about the business of psychoanalyzing Hamlet and deconstructing Lolita. In my mind Saroyan belongs with John Steinbeck, a fellow small town Californian and of the same generation. He belongs with Thornton Wilder, with those writers whose aching love of America was formed by the Depression and the shadow of war. … Saroyan's prose is as plain as it is strong. He talks about the pleasure of drinking water from a hose on a summer afternoon in California's Central Valley, and he holds you with the pure line. My favorite is his novel The Human Comedy… In 1943, The Human Comedy became an MGM movie starring Mickey Rooney, but I always imagined Homer Macaulay as a darker, more soulful boy, someone who looked very much like a young William Saroyan…”

Richard Rodríguez (1944) American journalist and essayist

"Time Of Our Lives" (26 May 1997) http://www.cilicia.com/armo22_william_saroyan_6.html

Gerard Manley Hopkins photo
Max Boot photo

“My dissertation for the Ph. D. degree at the University of Michigan was on applications of vectorial methods to metric geometry (in the sense of the Menger school), especially with a view to the merging of metric geometry in that sense with differential geometry. Professor S B Myers at the University of Michigan sponsored my dissertation, but I was particularly close to R L Wilder there.”

Leonard Jimmie Savage (1917–1971) American mathematician

Leonard Jimmie Savage, cited in: W.A. Wallis, "Leonard Jimmie Savage 1917-1971," in E Shils (ed.), Remembering the University of Chicago: teachers, scientists, and scholars. (University of Chicago Press, Chicago, 1991), 436-451; Quoted in: J J O'Connor and E F Robertson, " Leonard Jimmie Savage http://www-history.mcs.st-and.ac.uk/Biographies/Savage.html," at history.mcs.st-and.ac.uk, November 2010.

John Ruskin photo

“A little group of wise hearts is better than a wilderness full of fools.”

John Ruskin (1819–1900) English writer and art critic

The Crown of Wild Olive, lecture III: War, section 114 (1866).

Conrad Aiken photo
Bill Mollison photo
Ernesto Che Guevara photo
Thomas March Clark photo

“We must reinstate Jesus in the rightful place which belongs to Him in the church; or the church will soon be driven into the wilderness.”

Thomas March Clark (1812–1903) American bishop

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 145.

Joni Madraiwiwi photo
Ursula K. Le Guin photo

“Nobody had made this wilderness, and there was no evil in it and no good; it simply was.”

Source: The Eye of the Heron (1978), Chapter 11 (p. 162)

Aldo Leopold photo

“Hunts differ in flavor, but the reasons are subtle. The sweetest hunts are stolen. To steal a hunt, either go far into the wilderness where no one has been, or else find some undiscovered place under everybody’s nose.”

“October: Smoky Gold”, p. 55.
A Sand County Almanac, 1949, "August: The Green Pasture," "September: The Choral Copse," "October: Smoky Gold," and "October: Red Lanterns"

Mel Brooks photo
Howard Zahniser photo

“A wilderness, in contrast with those areas where man and his own works dominate the landscape, is hereby recognized as an area where the earth and its community of life are untrammeled by man, where man himself is a member of the natural community, a wanderer who visits but does not remain and whose travels leave only trails.”

Howard Zahniser (1906–1964) American environmentalist

From an early draft of the Wilderness Act (S. 1176, submitted to the Senate 11 February 1957, as reprinted in The Living Wilderness volume 21, number 59, Winter-Spring 1956-57, p. 26-36)

Thomas Carlyle photo

“I purpose now, while the impression is more pure and clear within me, to mark down the main things I can recollect of my father. To myself, if I live to after-years, it may be instructive and interesting, as the past grows ever holier the farther we leave it. My mind is calm enough to do it deliberately, and to do it truly. The thought of that pale earnest face which even now lies stiffened into death in that bed at Scotsbrig, with the Infinite all of worlds looking down on it, will certainly impel me. It is good to know how a true spirit will vindicate itself with truth and freedom through what obstructions soever; how the acorn cast carelessly into the wilder-ness will make room for itself and grow to be an oak. This is one of the cases belonging to that class, "the lives of remarkable men," in which it has been said, "paper and ink should least of all be spared." I call a man remarkable who becomes a true workman in this vineyard of the Highest. Be his work that of palace-building and kingdom-founding, or only of delving and ditching, to me it is no matter, or next to none. All human work is transitory, small in itself, contemptible. Only the worker thereof, and the spirit that dwelt in him, is significant. I proceed without order, or almost any forethought, anxious only to save what I have left and mark it as it lies in me.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1880s, Reminiscences (1881)

John Muir photo

“In God's wildness lies the hope of the world — the great fresh, unblighted, unredeemed wilderness. The galling harness of civilization drops off, and wounds heal ere we are aware.”

John Muir (1838–1914) Scottish-born American naturalist and author

July 1890, page 317
John of the Mountains, 1938

Sophie B. Hawkins photo
Dane Cook photo
Robert Moses photo
Benjamin Graham photo

“Instead of passing blithely over into that Promised Land, flowing almost literally with milk and honey, it may be our destiny to wander a full 40 years or more in the wilderness of doubt and divided sentiments.”

Benjamin Graham (1894–1976) American investor

Part I, Chapter I, The Changing Role of Surplus Stocks, p. 4
Storage and Stability (1937)

Francis Parkman photo
Bernard Cornwell photo

“Put a British Soldier in a wilderness and he would soon discover a taproom.”

Bernard Cornwell (1944) British writer

Captain Richard Sharpe, p. 54
Sharpe (Novel Series), Sharpe's Fury (2006)

Lillian Gish photo
Robert E. Howard photo
Gerard Manley Hopkins photo

“No worst, there is none. Pitched past pitch of grief,
More pangs will, schooled at forepangs, wilder wring.”

Gerard Manley Hopkins (1844–1889) English poet

" No Worst, There Is None http://www.bartleby.com/122/41.html", lines 1-2
Wessex Poems and Other Verses (1918)

Anna Akhmatova photo
George Eliot photo
Arthur Schopenhauer photo
Robert Charles Wilson photo

“It has never been man’s gift to make wildernesses. But he can make deserts, and has.”

Wallace Stegner (1909–1993) American historian, writer, and environmentalist

"The War Between the Rough Riders and the Bird Watchers" (1959 address; reprinted in Wildlands and Our Civilization, David Brower, editor, 1964, and in Voices for the Wilderness, William Schwarz, editor, 1970, page 76)

Lawrence Durrell photo

“Brazil is bigger than Europe, wilder than Africa, and weirder than Baffin Land.”

Lawrence Durrell (1912–1990) British novelist, poet, dramatist, and travel writer

Letter to Henry Miller, 1948

Richard Holbrooke photo
Jonas Salk photo
Anna Akhmatova photo
Conor Oberst photo

“The animals laugh from the dark of the wilderness.”

Conor Oberst (1980) American musician

Lifted or The Story Is in the Soil, Keep Your Ear to the Ground (2002)

Letitia Elizabeth Landon photo

“Never day-beam hath shone o'er
Lovelier or wilder shore!
Half was land, and half was sea
Where the eye could only see
The blue sky for boundary.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(30th November 1822) Fragments in Rhyme V: the Happy Isle
7th December 1822) Fragments in Rhyme VI: The Painter's Love see The Improvisatrice (1824
14th December 1822) Fragments in Rhyme VII: Manmadin, The Indian Cupid. Floating down the Ganges see The Improvisatrice (1824
21st December 1822) Fragments in Rhyme IX: The Female Convict see The Improvisatrice (1824
The London Literary Gazette, 1821-1822

Samuel Taylor Coleridge photo
David Attenborough photo
Seamus Heaney photo

“My poetry journey into the wilderness of language was a journey where each point of arrival turned out to be a stepping stone rather than a destination.”

Seamus Heaney (1939–2013) Irish poet, playwright, translator, lecturer

From Nobel Prize for Literature speech 1995
Other Quotes

George William Curtis photo

“Pooh! Pooh! Nonsense!' was the reply, 'that's all very well in theory, but it doesn't work so. The returning of slaves amounts to nothing in fact. All that is obsolete. And why make all this row? Can't you hush? We've nothing to do with slavery, we tell you. We can't touch it; and if you persist in this agitation about a mere form and theory, why, you're a set of pestilent fanatics and traitors; and if you get your noisy heads broken, you get just what you deserve'. And they quoted in the faces of the abolitionists the words of Governor Edward Everett, who was not an authority with them, in that fatal inaugural address, 'The patriotism of all classes of citizens must be invited to abstain from a discussion which, by exasperating the master, can have no other effect than to render more oppressive the condition of the slave'. It was as if some kindly Pharisee had said to Christ, 'Don't try to cast out that evil spirit; it may rend the body on departing'. Was it not as if some timid citizen had said, 'Don't say hard things of intemperance lest the dram-shops, to spite us, should give away the rum'? And so the battle raged. The abolitionists dashed against slavery with passionate eloquence like a hail of hissing fire. They lashed its supporters with the scorpion whip of their invective. Ambition, reputation, ortune, ease, life itself they threw upon the consuming altar of their cause. Not since those earlier fanatics of freedom, Patrick Henry and James Otis, has the master chord of human nature, the love of liberty, been struck with such resounding power. It seemed in vain, so slowly their numbers increased, so totally were they outlawed from social and political and ecclesiastical recognition. The merchants of Boston mobbed an editor for virtually repeating the Declaration of Independence. The city of New York looked on and smiled while the present United States marshal insulted a woman as noble and womanly and humane as Florence Nightingale. In other free States men were flying for their lives; were mobbed, seized, imprisoned, maimed, murdered; but still as, in the bitter days of Puritan persecution in Scotland, the undaunted voices of the Covenanters were heard singing the solemn songs of God that echoed and re-echoed from peak to peak of the barren mountains, until the great dumb wilderness was vocal with praise — so in little towns and great cities were heard the uncompromising voices of these men sternly intoning the majestic words of the Golden Rule and the Declaration of Independence, which echoed from solitary heart to heart until the whole land rang with the litany of liberty.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

Nikos Kazantzakis photo
Kazimir Malevich photo

“I possess only a single bare, frame-less icon [his Squares ] of our times (like a pocket), and it is difficult to struggle. But my happiness in not being like you [ Aleksandr Benois ] will give me the strength to go further and further into the empty wilderness. For it is only there that transformation can take place. And I think you are mistaken when you say in reproaching me that my philosophy will destroy millions of lives. Are you not, all of you, like a roaring blaze that obstructs and prevents any forward movement?”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote in: 'Letter from K. Malevich to art-critic Aleksandr Benois', May 1916; by Jane A, Sharp, in Chapter 'The Critical Reception of the 0. 10 Exhibition: Malevich and Benua', in The great Utopia - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 44
1910 - 1920

Orson Pratt photo

“When, where, and how were you, Joseph Smith, first called? How old were you? and what were you qualifications? I was between fourteen and fifteen years of age. Had you been to college? No. Had you studied in any seminary of learning? No. Did you know how to read? Yes. How to write? Yes. Did you understand much about arithmetic? No. About grammar? No. Did you understand all the branches of education which are generally taught in our common schools? No. But yet you say the Lord called you when you were but fourteen or fifteen years of age? How did he call you? I will give you a brief history as it came from his own mouth. I have often heard him relate it. He was wrought upon by the Spirit of God, and felt the necessity of repenting of his sins and serving God. He retired from his father's house a little way, and bowed himself down in the wilderness, and called upon the name of the Lord. He was inexperienced, and in great anxiety and trouble of mind in regard to what church he should join. He had been solicited by many churches to join with them, and he was in great anxiety to know which was right. He pleaded with the Lord to give him wisdom on the subject; and while he was thus praying, he beheld a vision, and saw a light approaching him from the heavens; and as it came down and rested on the tops of the trees, it became more glorious; and as it surrounded him, his mind was immediately caught away from beholding surrounding objects. In this cloud of light he saw two glorious personages; and one, pointing to the other, said, "Behold my beloved son! hear ye him."”

Orson Pratt (1811–1881) Apostle of the LDS Church

Journal of Discourses 7:220 (August 14, 1859).
Joseph Smith Jr.'s First Vision

Howard Zahniser photo

“A wilderness, in contrast with those areas where man and his own works dominate the landscape, is hereby recognized as an area where the earth and its community of life are untrammeled by man, where man himself is a visitor who does not remain.”

Howard Zahniser (1906–1964) American environmentalist

The Wilderness Act http://www.wilderness.net/nwps/legisact (Public Law 88-577; 16 USC 1131-1136; approved 3 September 1964)