Quotes about wall
page 12

Begum Aga Khan photo
Ernesto Che Guevara photo

“The interests of the IMF represent the big international interests that today seem to be established and concentrated in Wall Street.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Regarding the IMF, in an interview for Radio Rivadavia of Argentina (3 November 1959)

Sasha Pivovarova photo

“I have these large pieces of recycled brown paper stretched on my apartment wall and when I am not doing anything fashion-related, I'm drawing on it, playing with colour spectrums.”

Sasha Pivovarova (1985) Russian model

Interview with V magazine, quoted in "A supermodel life", The Sydney Morning Herald (25 November 2008) http://www.smh.com.au/lifestyle/fashion/a-supermodel-life-20090403-9o99.html

Jonathan Safran Foer photo
George W. Bush photo
Mike Scott photo
Johannes Grenzfurthner photo
Joseph E. Stiglitz photo

“The fall of Wall Street is for market fundamentalism what the fall of the Berlin Wall was for communism.”

Joseph E. Stiglitz (1943) American economist and professor, born 1943.

Interview with Nathan Gardels, The Huffington Post, September 16th 2008 http://www.huffingtonpost.com/nathan-gardels/stiglitz-the-fall-of-wall_b_126911.html?show_comment_id=15934161

Thomas Buchanan Read photo

“With dreamful eyes
My spirit lies
Under the walls of Paradise.”

Thomas Buchanan Read (1822–1872) American artist

Drifting.

Oliver Stone photo
Bernie Sanders photo
Ravi Gomatam photo
Jef Raskin photo
Rex Ryan photo

“How much motivation are they going to get by putting a quote from me on the wall saying that I believe in my football team […] If that's where you're going to draw motivation from, hell, we'll probably kick your”

Rex Ryan (1962) American football coach

butt
[NY Jets coach Rex Ryan takes swipe at New England Patriots coach Bill Belichick, http://www.nj.com/jets/index.ssf/2009/08/ny_jets_coach_rex_ryan_takes_v.html, The Star-Ledger, Advance Publications, Hutchinson, Dave, August 18, 2009, http://www.webcitation.org/5x47EWTG5, March 9, 2011, March 9, 2011]

Rosa Luxemburg photo
Aldous Huxley photo

““What about spatial relationships?” the investigator inquired, as I was looking at the books. It was difficult to answer. True, the perspective looked rather odd, and the walls of the room no longer seemed to meet in right angles. But these were not the really important facts. The really important facts were that spatial relationships had ceased to matter very much and that my mind was perceiving the world in terms of other than spatial categories. At ordinary times the eye concerns itself with such problems as Where?—How far?—How situated in relation to what? In the mescalin experience the implied questions to which the eye responds are of another order. Place and distance cease to be of much interest. The mind does its Perceiving in terms of intensity of existence, profundity of significance, relationships within a pattern. I saw the books, but was not at all concerned with their positions in space. What I noticed, what impressed itself upon my mind was the fact that all of them glowed with living light and that in some the glory was more manifest than in others. In this context position and the three dimensions were beside the point. Not, of course, that the category of space had been abolished. When I got up and walked about, I could do so quite normally, without misjudging the whereabouts of objects. Space was still there; but it had lost its predominance. The mind was primarily concerned, not with measures and locations, but with being and meaning.”

describing his experiment with mescaline, pp. 19-20
Source: The Doors of Perception (1954)

Bill O'Reilly photo

“Meantime, the anti-liberal Fox News Channel and The Wall Street Journal, whose editorial page is conservative, are both doing very well.”

Bill O'Reilly (1949) American political commentator, television host and writer

Scaring White People
2010-08-26
BillOReilly.com
http://billoreilly.com/site/rd?satype=13&said=12&url=/newslettercolumn?pid=30129
2011-03-19

Jackson Pollock photo
John Kenneth Galbraith photo

“In 1929 the discovery of the wonders of the geometric series struck Wall Street with a force comparable to the invention of the wheel.”

Source: The Great Crash, 1929 (1954 and 1997 https://openlibrary.org/books/OL25728842M/The_Great_Crash_1929), Chapter IV, In Goldman Sachs We Trust, Section VI, p. 63

“Almost all medieval Muslim historians credit their heroes with desecration of Hindu idols and/or destruction of Hindu temples. The picture that emerges has the following components, depending upon whether the iconoclast was in a hurry on account of Hindu resistance or did his work at leisure after a decisive victory:
1. The idols were mutilated or smashed or burnt or melted down if they were made of precious metals.
2. Sculptures in relief on walls and pillars were disfigured or scraped away or torn down.
3. Idols of stone and inferior metals or their pieces were taken away, sometimes by cartloads, to be thrown down before the main mosque in (a) the metropolis of the ruling Muslim sultan and (b) the holy cities of Islam, particularly Mecca, Medina and Baghdad.
4. There were instances of idols being turned into lavatory seats or handed over to butchers to be used as weights while selling meat.
5. Brahmin priests and other holy men in and around the temple were molested or murdered.
6. Sacred vessels and scriptures used in worship were defiled and scattered or burnt.
7. Temples were damaged or despoiled or demolished or burnt down or converted into mosques with some structural alterations or entire mosques were raised on the same sites mostly with temple materials.
8. Cows were slaughtered on the temple sites so that Hindus could not use them again.”

Sita Ram Goel (1921–2003) Indian activist

Hindu Temples – What Happened to Them, Volume I (1990)

Michael Elmore-Meegan photo
Phillip Abbott Luce photo
T. E. Lawrence photo

“The common base of all the Semitic creeds, winners or losers, was the ever present idea of world-worthlessness. Their profound reaction from matter led them to preach bareness, renunciation, poverty; and the atmosphere of this invention stifled the minds of the desert pitilessly. A first knowledge of their sense of the purity of rarefaction was given me in early years, when we had ridden far out over the rolling plains of North Syria to a ruin of the Roman period which the Arabs believed was made by a prince of the border as a desert-palace for his queen. The clay of its building was said to have been kneaded for greater richness, not with water, but with the precious essential oils of flowers. My guides, sniffing the air like dogs, led me from crumbling room to room, saying, 'This is jessamine, this violet, this rose'. But at last Dahoum drew me: 'Come and smell the very sweetest scent of all', and we went into the main lodging, to the gaping window sockets of its eastern face, and there drank with open mouths of the effortless, empty, eddyless wind of the desert, throbbing past. That slow breath had been born somewhere beyond the distant Euphrates and had dragged its way across many days and nights of dead grass, to its first obstacle, the man-made walls of our broken palace. About them it seemed to fret and linger, murmuring in baby-speech. 'This,' they told me, 'is the best: it has no taste.”

My Arabs were turning their backs on perfumes and luxuries to choose the things in which mankind had had no share or part.
Source: Seven Pillars of Wisdom (1922), Ch. 3

Roger Manganelli photo
Douglas Coupland photo
Bernie Sanders photo

“Yes, I do believe that now after the American people bailed Wall Street out, yes, they should pay a Wall Street speculation tax so that we can make public colleges and universities tuition-free.”

Bernie Sanders (1941) American politician, senator for Vermont

2010s, 2016, Democratic Presidential Debate in Milwaukee, Wisconsin (11 February 2016)

Norman Mailer photo

“With the pride of an artist, you must blow against the walls of every power that exists, the small trumpet of your defiance.”

Norman Mailer (1923–2007) American novelist, journalist, essayist, playwright, film maker, actor and political candidate

As quoted in The Eternal Adam and the New World Garden (1968) by David W. Noble, p. 204

Halldór Laxness photo
Agatha Christie photo

“Proof must be solid break walls of facts.”

Agatha Christie (1890–1976) English mystery and detective writer

(1945)

Gildas photo

“Meanwhile the hooked weapons of their enemies were not idle, and our wretched countrymen were dragged from the wall and dashed against the ground.”
Interea non cessant uncinata nudorum tela, quibus miserrimi cives de muris tracti solo allidebantur.

Section 19.
Gildas here describes post-Roman Britons on Hadrian's Wall defending it against the Scots and Picts below. This bizarre image, familiar to students of British history for generations, is belied by a more recent translation which runs, "Meanwhile there was no respite from the barbed spears flung by their naked opponents, which tore our wretched countrymen from the walls and dashed them to the ground." (Michael Winterbottom (trans.) Gildas: The Ruin of Britain and Other Works (1978) p. 23).
De Excidio Britanniae (On the Ruin of Britain)

Emo Philips photo

“So I'm at the wailing wall, standing there like a moron, with my harpoon.”

Emo Philips (1956) American comedian

The Guardian - The best God joke ever - and it's mine! (September 1980)

Stephen Baxter photo
Richard Rodríguez photo
Thomas Carlyle photo
Anu Garg photo
Vitruvius photo
Calvin Coolidge photo
Ze'ev Jabotinsky photo
Vitruvius photo
Ezra Pound photo

“With usura hath no man a house of good stone
each block cut smooth and well fitting
[…]
with usura
hath no man a painted paradise on his church wall
[…]
no picture is made to endure nor to live with
but it is made to sell and sell quickly”

Canto XLV
Regarding usura, in 1972 Pound wrote in the foreword to "Selected Prose, 1909-1965":
<blockquote>"re USURY
I was out of focus, taking a symptom for a cause.
The cause is AVARICE."</blockquote>
The Cantos

Anton Chekhov photo

“An expansive life, one not constrained by four walls, requires as well an expansive pocket.”

Anton Chekhov (1860–1904) Russian dramatist, author and physician

Letter to A.S. Suvorin (March 11, 1892)
Letters

Oliver Stone photo

“I leave Bud Fox in the canyons of Wall Street, just another ant, one of millions of ants…. We’re all absorbed in this system of capitalism…. You join the collective unconscious.”

Oliver Stone (1946) American film director, screenwriter, and producer

Wall Street DVD Director’s Commentary (2000)

Hugo Black photo
Dafydd ap Gwilym photo
Eric Hoffer photo
James A. Garfield photo

“Indeed, we can find no more instructive lesson on the whole question of suffrage than the history of its development in the British empire. For more than four centuries, royal prerogative and the rights of the people of England have waged perpetual warfare. Often the result has appeared doubtful, often the people have been driven to the wall, but they have always renewed the struggle with unfaltering courage. Often have they lost the battle, but they have always won the campaign. Amidst all their reverses, each generation has found them stronger, each half-century has brought them its year of jubilee, and has added strength to the bulwark of law and breadth to the basis of liberty. This contest has illustrated again and again the saying that 'eternal vigilance is the price of liberty'. The growth of a city, the decay of a borough, the establishment of a new manufacture, the enlargement of commerce, the recognition of a new power, have, each in its turn, added new and peculiar elements to the contest. Hallam says: 'It would be difficult, probably, to name any town of the least consideration in the fourteenth and fifteenth centuries, which did not, at some time or other, return members to Parliament. This is so much the case, that if, in running our eyes along the map, we find any seaport, as Sunderland or Falmouth, or any inland town, as Leeds or Birmingham, which has never enjoyed the elective franchise, we may conclude at once that it has emerged from obscurity since the reign of Henry VIII.'”

James A. Garfield (1831–1881) American politician, 20th President of the United States (in office in 1881)

Constitutional History of England, Chap. XIII
1860s, Oration at Ravenna, Ohio (1865)

“This London, of course, with its hollow, drum-like name, is neither England nor abroad but something on its own, a walled fantasy of remembered tales.”

Laurie Lee (1914–1997) British writer

Eight-Year-Old World, p. 26.
I Can't Stay Long (1975)

Arlo Guthrie photo
Michael Lewis photo
Harold Macmillan photo

“So what did they do? They solemnly asked Parliament, not to approve or disapprove, but to 'take note' of our decision. Perhaps some of the older ones among you will remember that popular song: 'She didn't say "Yes", she didn't say "No". She didn't say "stay", she didn't say "go". She wanted to climb, but dreaded to fall, she bided her time and clung to the wall.'”

Harold Macmillan (1894–1986) British politician

"Mr Macmillan Denies Threat to Britain's Sovereignty", The Times, 15 October 1962, p. 6.
Speech to the Conservative Party conference, Blackpool, 13 October 1962, having some fun at the expense of the opposition Labour Party.
1960s

Hans Haacke photo

“When works of art are presented like rare butterflies on the walls, they're decontextualized. We admire their beauty, and I have nothing against that, per se. But there is more to art than that…”

Hans Haacke (1936) conceptual political artist

1990s, Portraits: Talking with Artists at the Met, the Modern, the Louvre, and Elsewhere, 1998

Rufus Wainwright photo

“But I don’t even think you hear me at all
Under your medieval ceiling behind your biblical wall”

Rufus Wainwright (1973) American-Canadian singer-songwriter and composer

Jericho
Song lyrics, Out of the Game (2012)

Woodrow Wilson photo
John Kenneth Galbraith photo

“Wall Street's crime, in the eyes of its classical enemies, was less its power than its morals.”

Chapter VIII https://openlibrary.org/books/OL25728842M/The_Great_Crash_1929, Aftermath II, Section IV, p 155
The Great Crash, 1929 (1954 and 1997 https://openlibrary.org/books/OL25728842M/The_Great_Crash_1929)

Ezra Koenig photo
John Mayer photo
Aldous Huxley photo
Eino Leino photo

“As [Phoenix] drew near her room, she heard a woman's voice saying, "It will be easier for us when that monster of yours dies."
"There will be another one, and she will be the same," answered Chia Lien's voice.
"You can make Patience your wife," the woman said. "She will be easier to manage."
"She won't even let me touch Patience," Chia Lien said. "And Patience doesn't dare complain, though she doesn't like her vigilance either. I wonder what I have done to deserve such a wife."
Phoenix shook with rage. Thinking that Patience must have complained behind her back, she turned to her and slapped her face. She then burst into the room, seized Pao-er's wife and struck her repeatedly. Fearing that Chia Lien would bolt from the room, she planted herself at the door while she denounced the woman. "Prostitute!" she cried, "you seduce your mistress's husband and then plot to murder her! And you," she turned to Patience, "you prostitutes are all in conspiracy against me, though you pretend to be on my side." She struck Patience again.
Patience was outraged. She cried, "You two—is it not enough for you to do this shameful thing without dragging me in?" She also made for Pao-er's wife.
Chia Lien, who had until now stood helplessly watching Phoenix beat Pao-er's wife, took the opportunity to hide his own embarrassment by beating Patience. "Who are you to raise your hand against her?" he said to the maid.
Patience retreated and said, weeping, "But why did you drag me into it?"
Phoenix's anger mounted when she saw that Patience was afraid of Chia Lien and commanded her to ignore him and beat Pao-er's wife. The maid, outraged and helpless, ran out of the room, crying and threatening to kill herself.
Phoenix now threw herself at Chia Lien, crying that he might as well kill her then and there since he wanted to get rid of her. Chia Lien grew desperate. He seized a sword from the wall and said he would gladly oblige if she insisted.
Yu-shih and others arrived on the scene. "What is the matter now?"”

Wang Chi-chen (1899–2001)

she asked. "Everything was going well a moment ago."
Emboldened by the presence of the newcomers, Chia Lien became more menacing. Phoenix, on the other hand, quieted herself and left the scene to seek the protection of the Matriarch. She threw herself sobbing into the Matriarch's arms and said, "Save me, Lao Tai-tai. Lien Er-yeh wants to kill me."
Source: Dream of the Red Chamber (1958), pp. 198–199

Neil Armstrong photo
50 Cent photo
Thom Yorke photo

“That there
That's not me
I go
Where I please
I walk through walls
I float down the Liffey”

Thom Yorke (1968) English musician, philanthropist and singer-songwriter

Lyrics, Kid A (2000)

Loreena McKennitt photo
Francis Escudero photo

“She may be temporarily confined now to the walls of her house, but these walls are temporary. For crumble they will, due not to the ravages of the elements but more because of the unwavering desire of the people of Myanmar to be liberated from the shackles of repression.”

Francis Escudero (1969) Filipino politician

The Official Website of the Senate of the Philippines http://www.senate.gov.ph/press_release/2009/0812_escudero1.asp
2009, Statement: on the latest conviction of Aung San Suu Kyi

Samuel Taylor Coleridge photo

“On the receipt of this letter, Hijaj obtained the consent of Wuleed, the son of Abdool Mullik, to invade India, for the purpose of propagating the faith and at the same time deputed a chief of the name of Budmeen, with three hundred cavalry, to join Haroon in Mikran, who was directed to reinforce the party with one thousand good soldiers more to attack Deebul. Budmeen failed in his expedition, and lost his life in the first action. Hijaj, not deterred by this defeat, resolved to follow up the enterprise by another. In consequence, in the year AH 93 (AD 711) he deputed his cousin and son-in-law, Imad-ood-Deen Mahomed Kasim, the son of Akil Shukhfy, then only seventeen years of age, with six thousand soldiers, chiefly Assyrians, with the necessary implements for taking forts, to attack Deebul…“On reaching this place, he made preparations to besiege it, but the approach was covered by a fortified temple, surrounded by strong wall, built of hewn stone and mortar, one hundred and twenty feet in height. After some time a bramin, belonging to the temple, being taken, and brought before Kasim, stated, that four thousand Rajpoots defended the place, in which were from two to three thousand bramins, with shorn heads, and that all his efforts would be vain; for the standard of the temple was sacred; and while it remained entire no profane foot dared to step beyond the threshold of the holy edifice. Mahomed Kasim having caused the catapults to be directed against the magic flag-staff, succeeded, on the third discharge, in striking the standard, and broke it down… Mahomed Kasim levelled the temple and its walls with the ground and circumcised the brahmins. The infidels highly resented this treatment, by invectives against him and the true faith. On which Mahomed Kasim caused every brahmin, from the age of seventeen and upwards, to be put to death; the young women and children of both sexes were retained in bondage and the old women being released, were permitted to go whithersoever they chose.”

Firishta (1560–1620) Indian historian

Muhammad bin Qãsim (AD 712-715)Debal (Sindh)
Tãrîkh-i-Firishta

Alfred Tarski photo
José Luis Rodríguez Zapatero photo

“There isn't any wall, however high, however wide or however big, whatever it is made from, that can bar you from achieving a better life. There isn't any wall or pit that is in front of you to stop you from achieving a future of wellbeing.”

José Luis Rodríguez Zapatero (1960) Former Prime Minister of Spain

Dinner speech at which Zapatero was the guest of honour, hosted by Felipe Calderón in the National Palace, Mexico City.
As President, 2007
Source: Transcripción oficial en la web de la Presidencia de México http://www.presidencia.gob.mx/prensa/discursos/?contenido=31030

Aldous Huxley photo
Henry Miller photo
Joseph Stella photo
Ai Weiwei photo
Piet Mondrian photo
Conrad Aiken photo
Owen Lovejoy photo

“The Republican Party is for positive intervention. They propose, as our fathers did, to erect a wall of intervention, of prohibition, and station an angel of liberty at the gates in that wall, who shall keep watch and ward there day and night, and guard the territories against the entrance of slavery, as the cherubim of God kept sin out of Eden.”

Owen Lovejoy (1811–1864) American politician

As quoted in His Brother's Blood: Speeches and Writings, 1838&ndash;64 https://web.archive.org/web/20160319082926/https://books.google.com/books?id=qMEv8DNXVbIC&pg=PA233#v=onepage&q&f=false (2004), edited by William Frederick Moore and Jane Ann Moore, p. 233
1860s, Speech (October 1860)

Hugh Laurie photo
Elton John photo
Willy Brandt photo

“I put it down on paper again in the summer of this year: ‘Berlin will live, and the Wall will fall.”

Willy Brandt (1913–1992) German social-democratic politician; Chancellor of the Federal Republic of Germany

[...] ich habe es noch in diesem Sommer erneut zu Papier gebracht: Berlin wird leben, und die Mauer wird fallen.
speech at the Rathaus Schöneberg in Berlin on 10 November 1989, hdg.de/lemo http://www.hdg.de/lemo/html/dokumente/DieDeutscheEinheit_redeBrandt1989/index.html

Leighton W. Smith, Jr. photo
Billy Joel photo
Johann Hari photo
Harry Turtledove photo
Colin Wilson photo
Roberto Mangabeira Unger photo
Georges Seurat photo

“.. the flag is green with a red spot in the center; above, the blue of the sky, the orange-tinted white of the walls, and the orange-grey of the clouds.”

Georges Seurat (1859–1891) French painter

short notation, 1881: from 'Notes inedites de Seurat sur Delacroix', in 'Bulletin de la Vie Artistique', April 1922; as quoted by John Rewald, in Georges Seurat', a monograph https://ia800607.us.archive.org/23/items/georges00rewa/georges00rewa.pdf; Wittenborn and Compagny, New York, 1943. p. 6 - note 9
Seurat studied carefully the paintings of Eugene Delacroix, and wrote in 1881 about Delacroix's painting 'The Fanatics of Tangier' https://upload.wikimedia.org/wikipedia/commons/a/a0/Eug%C3%A8ne_Delacroix_-_The_Fanatics_of_Tangier_-_WGA06195.jpg this notation
Quotes, 1881 - 1890

“Our society, it turns out, can use modern art. A restaurant, today, will order a mural by Míro in as easy and matter-of-fact a spirit as, twenty-five years ago, it would have ordered one by Maxfield Parrish. The president of a paint factory goes home, sits down by his fireplace—it looks like a chromium aquarium set into the wall by a wall-safe company that has branched out into interior decorating, but there is a log burning in it, he calls it a firelace, let’s call it a fireplace too—the president sits down, folds his hands on his stomach, and stares at two paintings by Jackson Pollock that he has hung on the wall opposite him. He feels at home with them; in fact, as he looks at them he not only feels at home, he feels as if he were back at the paint factory. And his children—if he has any—his children cry for Calder. He uses thoroughly advanced, wholly non-representational artists to design murals, posters, institutional advertisements: if we have the patience (or are given the opportuity) to wait until the West has declined a little longer, we shall all see the advertisements of Merrill Lynch, Pierce, Fenner, and Smith illustrated by Jean Dubuffet.
This president’s minor executives may not be willing to hang a Kandinsky in the house, but they will wear one, if you make it into a sport shirt or a pair of swimming-trunks; and if you make it into a sofa, they will lie on it. They and their wives and children will sit on a porcupine, if you first exhibit it at the Museum of Modern Art and say that it is a chair. In fact, there is nothing, nothing in the whole world that someone won’t buy and sit in if you tell him it is a chair: the great new art form of our age, the one that will take anything we put in it, is the chair. If Hieronymus Bosch, if Christian Morgenstern, if the Marquis de Sade were living at this hour, what chairs they would be designing!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Taste of the Age”, pp. 19–20
A Sad Heart at the Supermarket: Essays & Fables (1962)

Rowland Hill (preacher) photo
Ayumi Hamasaki photo

“Why are you ashamed of yourself?
What happens after that?
But I really like your way of walking
In which you head straight and always hit a wall.”

Ayumi Hamasaki (1978) Japanese recording artist, lyricist, model, and actress

Startin'
Lyrics, Secret