Quotes about type
page 3

Robert A. Heinlein photo
Richelle Mead photo
Ralph Waldo Emerson photo
Ryū Murakami photo
Sylvia Day photo
Rachel Caine photo

“Maybe you're not his type." Michael said
"Oh, now you're just being insulting.”

Rachel Caine (1962) American writer

Source: Kiss of Death

Raymond Chandler photo
Richelle Mead photo
Chetan Bhagat photo

“Emily: YOU CAN'T SPEAK AND TYPE AT THE SAME TIME, BINDY!

Bindy: Watch me.”

Jaclyn Moriarty (1968) Australian writer

Source: The Year of Secret Assignments

Haruki Murakami photo
Isaac Asimov photo

“Writing is a lonely job. Even if a writer socializes regularly, when he gets down to the real business of his life, it is he and his type writer or word processor. No one else is or can be involved in the matter.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

Source: I. Asimov

Don DeLillo photo
Umberto Eco photo
Charles Stross photo
Charles Bukowski photo
Andy Warhol photo
Rick Riordan photo
Haruki Murakami photo
Jim Butcher photo
Charles Bukowski photo

“I found the best thing
I could do
was just to type away
at my own work
and let the dying
die
as they always have.”

Charles Bukowski (1920–1994) American writer

Source: You Get So Alone at Times That it Just Makes Sense

Alfred Hitchcock photo

“I am a typed director. If I made Cinderella, the audience would immediately be looking for a body in the coach.”

Alfred Hitchcock (1899–1980) British filmmaker

Newsweek (11 June 1956).

Walter Isaacson photo
Anthony Giddens photo

“This situation [alienation] can therefore [according to Durkheim] be remedied by providing the individual with a moral awareness of the social importance of his particular role in the division of labour. He is then no longer an alienated automaton. but is a useful part of an organic whole: ‘from that time, as special and uniform as his activity may be, it is that of an intelligent being, for it has direction, and he is aware of it.’ This is entirely consistent with Durkheim’s general account of the growth of the division of labour, and its relationship to human freedom. It is only through moral acceptance in his particular role in the division of labour that the individual is able to achieve a high degree of autonomy as a self-conscious being, and can escape both the tyranny of rigid moral conformity demanded in undifferentiated societies on the one hand and the tyranny of unrealisable desires on the other.
Not the moral integration of the individual within a differentiated division of labour but the effective dissolution of the division of labour as an organising principle of human social intercourse, is the premise of Marx’s conception. Marx nowhere specifies in detail how this future society would be organised socially, but, at any rate,. this perspective differs decisively from that of Durkheim. The vision of a highly differentiated division of labour integrated upon the basis of moral norms of individual obligation and corporate solidarity. is quite at variance with Marx’s anticipation of the future form of society.
According to Durkheim’s standpoint. the criteria underlying Marx’s hopes for the elimination of technological alienation represent a reversion to moral principles which are no longer appropriate to the modern form of society. This is exactly the problem which Durkheim poses at the opening of The Division of Labour: ‘Is it our duty to seek to become a thorough and complete human being. one quite sufficient unto himself; or, on the contrary, to be only a part of a whole, the organ of an organism?’ The analysis contained in the work, in Durkheim’s view, demonstrates conclusively that organic solidarity is the ‘normal’ type in modern societies, and consequently that the era of the ‘universal man’ is finished. The latter ideal, which predominated up to the seventeenth and eighteenth centuries in western Europe is incompatible with the diversity of the contemporary order. In preserving this ideal. by contrast. Marx argues the obverse: that the tendencies which are leading to the destruction of capitalism are themselves capable of effecting a recovery of the ‘universal’ properties of man. which are shared by every individual.”

Anthony Giddens (1938) British sociologist

Source: Capitalism and Modern Social Theory (1971), pp. 230-231.

Richard von Mises photo
Hugo Diemer photo
Nicholas Sparks photo

“Writing is easy. It's just the typing that's hard.”

Nicholas Sparks (1965) American writer and novelist

Miles Sparks, Prologue, p. 3
2000s, Three Weeks with My Brother (2004)

Benjamin Franklin photo

“Franklin is a good type of our American manhood. Although not the wealthiest or the most powerful, he is undoubtedly, in the versatility of his genius and achievements, the greatest of our self-made men. The simple yet graphic story in the Autobiography of his steady rise from humble boyhood in a tallow-chandler shop, by industry, economy, and perseverance in self-improvement, to eminence, is the most remarkable of all the remarkable histories of our self-made men. It is in itself a wonderful illustration of the results possible to be attained in a land of unequaled opportunity by following Franklin's maxims.”

Benjamin Franklin (1706–1790) American author, printer, political theorist, politician, postmaster, scientist, inventor, civic activist, …

Written by Frank Woodworth Pine in his introduction to the 1916 publication of The Autobiography of Benjamin Franklin https://www.gutenberg.org/files/20203/20203-h/20203-h.htm. Pine, F.W. (editor). Henry Holt and Company via Gutenberg Press. (1916). Introduction.
The Autobiography (1818), The Autobiography (1916)

Elia M. Ramollah photo
Frederick Winslow Taylor photo
Thomas Carlyle photo

“He who first shortened the labor of copyists by device of movable types was disbanding hired armies, and cashiering most kings and senates, and creating a whole new democratic world: he had invented the art of printing.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Bk. I, ch. 5.
1830s, Sartor Resartus (1833–1834)

Richard Nixon photo

“Well, then, some of you will say, and rightly, "Well, what did you use the fund for, Senator? Why did you have to have it?" Let me tell you in just a word how a Senate office operates. First of all, a Senator gets $15,000 a year in salary. He gets enough money to pay for one trip a year, a round trip, that is, for himself, and his family between his home and Washington, DC. And then he gets an allowance to handle the people that work in his office to handle his mail. And the allowance for my State of California, is enough to hire 13 people. And let me say, incidentally, that that allowance is not paid to the Senator. It is paid directly to the individuals that the Senator puts on his payroll. But all of these people and all of these allowances are for strictly official business; business, for example, when a constituent writes in and wants you to go down to the Veteran's Administration and get some information about his GI policy — items of that type, for example. But there are other expenses that are not covered by the Government. And I think I can best discuss those expenses by asking you some questions.Do you think that when I or any other senator makes a political speech, has it printed, should charge the printing of that speech and the mailing of that speech to the taxpayers? Do you think, for example, when I or any other Senator makes a trip to his home State to make a purely political speech that the cost of that trip should be charged to the taxpayers? Do you think when a Senator makes political broadcasts or political television broadcasts, radio or television, that the expense of those broadcasts should be charged to the taxpayers? Well I know what your answer is. It's the same answer that audiences give me whenever I discuss this particular problem: The answer is no. The taxpayers shouldn't be required to finance items which are not official business but which are primarily political business.”

Richard Nixon (1913–1994) 37th President of the United States of America

1950s, Checkers speech (1952)

“[Unnamed actress on the set of Grand Prix] never had eyes for me. Hell, she wouldn't even talk to me, after she'd found out that I was just an unimportant actor. Good grief! Then, this is what happened: We were sitting in the foyer of the Hotel de Paris in Monte Carlo. She, myself and Antonio. Then an assistant director crossed our path. That actress was trying to get him to take us to the theatre where they were showing the rushes of the day before. After some discussion, she persuaded him. He said: `Be quiet, I'm gonna lose my job…' So we hid in the balcony, looking down, where that wonderful director Frankenheimer was sitting. After some minutes of racing cars, finally her scene came, and she was doing a phone call - she was playing a sophisticated magazine editor -, and suddenly you could hear the director, who had this loud, resonant voice, howling in rage, because he didn't like her at all. `Oh my God, she's awful! She can't walk, she can't talk, look at her hair!' So he turned to that faggot hairdresser, who was like Katherine the Great, and this guy said: `Well, usually she plays this peasant types. I don't know why you cast her for this role in the first place!”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

And remember, this actress was sitting there with us, and she nearly went crazy! She was squirming with embarrassment. This is an actor's nightmare, you know. The next day she was fired.
Euro Trash Cinema magazine interview (March 1996)

Jerry Fodor photo

“Consider some of the qualities of typical modernistic poetry: very interesting language, a great emphasis on connotation, "texture"; extreme intensity, forced emotion — violence; a good deal of obscurity; emphasis on sensation, perceptual nuances; emphasis on details, on the part rather than on the whole; experimental or novel qualities of some sort; a tendency toward external formlessness and internal disorganization — these are justified, generally, as the disorganization required to express a disorganized age, or, alternatively, as newly discovered and more complex types of organization; an extremely personal style — refine your singularities; lack of restraint — all tendencies are forced to their limits; there is a good deal of emphasis on the unconscious, dream structure, the thoroughly subjective; the poet's attitudes are usually anti-scientific, anti-common-sense, anti-public — he is, essentially, removed; poetry is primarily lyric, intensive — the few long poems are aggregations of lyric details; poems usually have, not a logical, but the more or less associational style of dramatic monologue; and so on and so on. This complex of qualities is essentially romantic; and the poetry that exhibits it represents the culminating point of romanticism.”

"A Note on Poetry," preface to The Rage for the Lost Penny: Five Young American Poets (New Directions, 1940) [p. 49]
Kipling, Auden & Co: Essays and Reviews 1935-1964 (1980)

Kofi Annan photo

“I hope we do not see another Iraq-type operation for a long time — without UN approval and much broader support from the international community.”

Kofi Annan (1938–2018) 7th Secretary-General of the United Nations

"Iraq war illegal, says Annan" BBC News (16 September 2004) http://news.bbc.co.uk/1/hi/world/middle_east/3661134.stm; when asked if the invasion of Iraq was illegal, he replied "Yes, if you wish. I have indicated it was not in conformity with the UN charter from our point of view, from the charter point of view, it was illegal."

François Englert photo
James A. Michener photo
Jason Biggs photo

“The American Pie success has been so wonderful for me, but it's also locked me into a certain type of role. It's limited my options.”

Jason Biggs (1978) American actor

On debut in show Orange Is the New Black, interviewed in: — [December 4, 2014, http://www.rollingstone.com/movies/news/q-a-jason-biggs-changes-stripes-in-orange-is-the-new-black-20130710, Rolling Stone, Q&A: Jason Biggs Changes Stripes in 'Orange Is the New Black', July 10, 2013, James Sullivan]

Guity Novin photo
David Foster Wallace photo
Ellsworth Kelly photo

“There’s only two types of people in the world, Ye, weird and boring.”

Source: The Coyote Kings of the Space-Age Bachelor Pad (2004), Chapter 28 “Glass Slippers or the Glass Slip?” (p. 161)

Jean Dubuffet photo
Vincent Van Gogh photo

“.. by going on drawing those types of working people, etc., I hope to arrive at the point of being able to do illustration work for papers and books.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

In his letter to brother Theo, from Brussels, Belgium (January 1881, letter 140); as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 19
being art student in Brussels
1880s, 1881

Charles Lyell photo
Patrick White photo
Mike Vallely photo
William Lai photo

“When coal-fired power generation is a necessity for Taiwan, the Linkou Power Plant, equipped with the most advanced generators and pollution control and abatement systems and burning the types of coal that have the fewest impurities, is the model we look toward.”

William Lai (1959) Taiwanese politician

William Lai (2018) cited in " Premier visits coal-fired power plant to alleviate public concerns http://focustaiwan.tw/news/aipl/201803180015.aspx" on Focus Taiwan, 18 March 2018.

Erving Goffman photo
Peter Sloterdijk photo
Francis Parkman photo
Peter L. Berger photo
Herbert Spencer photo

“The Republican form of government is the highest form of government; but because of this it requires the highest type of human nature — a type nowhere at present existing.”

Herbert Spencer (1820–1903) English philosopher, biologist, sociologist, and prominent classical liberal political theorist

Vol. 3, Ch. XV, The Americans
Essays: Scientific, Political, and Speculative (1891)

Bhakti Tirtha Swami photo
Richard Koch photo
Frank Klepacki photo
Thomas Piketty photo
Kurt Lewin photo

“For any type of social management, It is of great practical importance that levels of quasi-stationary equilibria can be changed in either of two ways: by adding forces in the desired direction, or by diminishing opposing forces.”

Kurt Lewin (1890–1947) German-American psychologist

Source: 1940s, Quasi-Stationary Social Equilibria and the Problem of Permanent Change, 1947, p. 40.

Alexander Bogdanov photo
Max Scheler photo
Leo Tolstoy photo
Frederick Winslow Taylor photo
Robert Benchley photo

“I am more the inspirational type of speller. I work on hunches rather than mere facts, and the result is sometimes open to criticism by purists.”

Robert Benchley (1889–1945) American comedian

My Ten Years in a Quandary and How They Grew (1936)

Phil Esposito photo
Patrick Rothfuss photo

““You don’t seem the superstitious type.”
“I’m not,” Ben said. “I’m careful. There’s a difference.””

Source: The Name of the Wind (2007), Chapter 12, “Puzzle Pieces Fitting” (p. 93)

Paul Keating photo

“Because in the end those kind of conservative tea-leaf-reading focus group driven polling types who I think led Kim into nothingness, he's got his life to repent in leisure now at what they did to him.”

Paul Keating (1944) Australian politician, 24th Prime Minister of Australia

On Kim Beazley's ALP Leadership, Lateline interview, June 7 2007.

Maddox photo
Jeremy Corbyn photo

“I believe honestly and deeply that the treatment of whales is an example of the evil intelligence of humankind in relation to the rest of the natural world. We have seen greed of the most impossible kind descending on the Arctic and the Antarctic to destroy the most intelligent and beautiful creatures that the planet can produce…We are in the process of destroying much of the planet through destruction of the ozone layer, leading to the greenhouse effect, and the destruction of life. The whale is an example of how such destruction happens. As the ozone layer is destroyed the plankton in the Southern ocean will die and the whales will lose much of their food. Last year we opposed the Antarctic Minerals Bill because we feared that it would lead to pollution of the Southern ocean and damage the whales' food supply. The Government must oppose any extension of whaling of any type, scientific or otherwise, and I hope and trust that they will do so. But we must go further. Countries which engage in the barbarity of so-called scientific whaling, which in reality is crude commercialism of the nastiest kind, deserve retribution from us all and we must bring every possible sanction to bear against them. If we do not take care of our planet and our environment, and of animals such as the whale, mankind will suffer and our planet will die because we have not cared for the natural environment that we all share.”

Jeremy Corbyn (1949) British Labour Party politician

Speech http://hansard.millbanksystems.com/commons/1990/mar/02/whaling in the House of Commons (2 March 1990).
1990s

J. B. S. Haldane photo
Dane Clark photo
Gordon Tullock photo
Alain-René Lesage photo
Jim Butcher photo
Ron Paul photo

“The American people have been offered two lousy choices. One, which is corporatism, a fascist type of approach, or, socialism. We deliver a lot of services in this country through the free market, and when you do it through the free market prices go down. But in medicine, prices go up. Technology doesn't help the cost, it goes up instead of down. But if you look at almost all of our industries that are much freer, technology lowers the prices. Just think of how the price of cell phones goes down. Poor people have cell phones, and televisions, and computers. Prices all go down. But in medicine, they go up, and there's a reason for that, that's because the government is involved with it… I do [think that prices will go down without government involvement], but probably a lot more than what you're thinking about, because you have to have competition in the delivery of care. For instance, if you have a sore throat and you have to come see me, you have to wait in the waiting room, and then get checked, and then get a prescription, and it ends up costing you $100. If you had true competition, you should be able to go to a nurse, who could for 1/10 the cost very rapidly do it, and let her give you a prescription for penicillin. See, the doctors and the medical profession have monopolized the system through licensing. And that's not an accident, because they like the idea that you have to go see the physician and pay this huge price. And patients can sort this out, they're not going to go to a nurse if they need brain surgery…”

Ron Paul (1935) American politician and physician

Interview by Laura Knoy on NHPR, June 5, 2007 http://info.nhpr.org/node/13016
2000s, 2006-2009

Ben Hecht photo