“Emily: YOU CAN'T SPEAK AND TYPE AT THE SAME TIME, BINDY!

Bindy: Watch me.”

Misc.

We the People interview (1996)
Context: Traditionally the gaze was conceived as a way of fingering, of touching. The old Greeks spoke about looking as a way of sending out my psychopodia, my soul's limbs, to touch your face and establish a relationship between the two of us. This relationship was called vision. Then, after Galileo, the idea developed that the eyes are receptors into which light brings something from the outside, keeping you separate from me even when I look at you. People began to conceive of their eyes as some kind of camera obscura. In our age people conceive of their eyes and actually use them as if they were part of a machinery. They speak about interface. Anybody who says to me, "I want to have an interface with you," I say, "please go somewhere else, to a toilet or wherever you want, to a mirror." Anybody who says, "I want to communicate with you," I say, "Can't you talk? Can't you speak? Can't you recognize that there's a deep otherness between me and you, so deep that it would be offensive for me to be programmed in the same way you are."

Response to violent criticism by Bernard Montgomery, 1st Viscount Montgomery of Alamein about Eisenhower's broad front tactics before Operation Market Garden, as quoted in Arnhem — A Tragedy of Errors (1994) by Peter Harclerode, p. 27 and BBC documentary D-Day to Berlin, on Eisenhower's aircraft at Brussels airport on 10 September 1944.
1940s

Stupid
Song lyrics, Afterglow (2003)

BlackBerry's Quest: Fend Off the iPhone http://nytimes.com/2008/04/27/technology/27rim.html in The New York Times (27 April 2008)

"The Cottage".
Fairies and Fusiliers (1917)
Context: Through the window I can see
Rooks above the cherry-tree,
Sparrows in the violet bed,
Bramble-bush and bumble-bee,
And old red bracken smoulders still
Among boulders on the hill,
Far too bright to seem quite dead.
But old Death, who can't forget,
Waits his time and watches yet,
Waits and watches by the door.