Quotes about trunk

A collection of quotes on the topic of trunk, tree, likeness, life.

Quotes about trunk

Kenzaburō Ōe photo
Abraham Lincoln photo

“I mean the powerful influence which the interesting scenes of the Revolution had upon the passions of the people as distinguished from their judgment. By this influence, the jealousy, envy, and avarice incident to our nature and so common to a state of peace, prosperity, and conscious strength, were for the time in a great measure smothered and rendered inactive, while the deep-rooted principles of hate, and the powerful motive of revenge, instead of being turned against each other, were directed exclusively against the British nation. And thus, from the force of circumstances, the basest principles of our nature, were either made to lie dormant, or to become the active agents in the advancement of the noblest cause — that of establishing and maintaining civil and religious liberty. But this state of feeling must fade, is fading, has faded, with the circumstances that produced it. I do not mean to say that the scenes of the Revolution are now or ever will be entirely forgotten, but that, like everything else, they must fade upon the memory of the world, and grow more and more dim by the lapse of time. In history, we hope, they will be read of, and recounted, so long as the Bible shall be read; but even granting that they will, their influence cannot be what it heretofore has been. Even then they cannot be so universally known nor so vividly felt as they were by the generation just gone to rest. At the close of that struggle, nearly every adult male had been a participator in some of its scenes. The consequence was that of those scenes, in the form of a husband, a father, a son, or a brother, a living history was to be found in every family — a history bearing the indubitable testimonies of its own authenticity, in the limbs mangled, in the scars of wounds received, in the midst of the very scenes related — a history, too, that could be read and understood alike by all, the wise and the ignorant, the learned and the unlearned. But those histories are gone. They can be read no more forever. They were a fortress of strength; but what invading foeman could never do, the silent artillery of time has done — the leveling of its walls. They are gone. They were a forest of giant oaks; but the all-restless hurricane has swept over them, and left only here and there a lonely trunk, despoiled of its verdure, shorn of its foliage, unshading and unshaded, to murmur in a few more gentle breezes, and to combat with its mutilated limbs a few more ruder storms, then to sink and be no more. They were pillars of the temple of liberty; and now that they have crumbled away that temple must fall unless we, their descendants, supply their places with other pillars, hewn from the solid quarry of sober reason.”

Abraham Lincoln (1809–1865) 16th President of the United States

1830s, The Lyceum Address (1838)

George Monck, 1st Duke of Albemarle photo

“Little General Monck
Sat upon a trunk,
Eating a crust of bread;
There fell a hot coal
And burnt in his clothes a hole,
Now little General Monck is dead.”

George Monck, 1st Duke of Albemarle (1608–1670) English soldier and politician

Nursery rhyme; The Oxford Dictionary of Nursery Rhymes (2nd ed. 1997), pp365-6
About

Hilaire Belloc photo
Alan Watts photo

“The problem comes up because we ask the question in the wrong way. We supposed that solids were one thing and space quite another, or just nothing whatever. Then it appeared that space was no mere nothing, because solids couldn't do without it. But the mistake in the beginning was to think of solids and space as two different things, instead of as two aspects of the same thing. The point is that they are different but inseparable, like the front end and the rear end of a cat. Cut them apart, and the cat dies. Take away the crest of the wave, and there is no trough.
Here is someone who has never seen a cat. He is looking through a narrow slit in a fence, and, on the other side, a cat walks by. He sees first the head, then the less distinctly shaped furry trunk, and then the tail. Extraordinary! The cat turns round and walks back, and again he sees the head, and a little later the tail. This sequence begins to look like something regular and reliable. Yet again, the cat turns round, and he witnesses the same regular sequence: first the head, and later the tail. Thereupon he reasons that the event head is the invariable and necessary cause of the event tail, which is the head's effect. This absurd and confusing gobbledygook comes from his failure to see that head and tail go together: they are all one cat.
The cat wasn't born as a head which, sometime later, caused a tail; it was born all of a piece, a head-tailed cat. Our observer's trouble was that he was watching it through a narrow slit, and couldn't see the whole cat at once.”

Alan Watts (1915–1973) British philosopher, writer and speaker

Source: The Book on the Taboo Against Knowing Who You Are (1966), p. 26-27

William Logan (author) photo
Eckhart Tolle photo
Eckhart Tolle photo
Sarah Waters photo
David Benioff photo
Isabel Allende photo
Karen Joy Fowler photo
Alyson Nöel photo
Ralph Waldo Emerson photo
Franz Kafka photo
Robert Greene photo
Vincent Van Gogh photo

“And my aim in my life is to make picture and drawings, as many and as well as I can, then, at the end of my life, I hope to pass away, looking back with love and tender regret, and thinking: "Oh, pictures I might have made!" Theo, I declare I prefer to think how arms, legs, head are attached to the trunk, rather than whether I myself am or am not more or less an artist.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in his letter to brother Theo, from Drenthe, The Netherlands, Autumn 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 338) p. 21
1880s, 1883

“To find accidently a handwritten letter of some old friend in a trunk. Ah, is this not happiness?”

Jin Shengtan (1610–1661) Chinese writer

"Thirty-three Happy Moments"

Ambrose Bierce photo

“Riven and torn with cannon-shot, the trunks of the trees protruded bunches of splinters like hands, the fingers above the wound interlacing with those below.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: What I Saw At Shiloh (1881), VII

B.K.S. Iyengar photo
Sam Kinison photo
Bobby Fischer photo

“I'm very concerned because I think the Jews want to drive the elephants to extinction because the trunk of an elephant reminds them of an uncircumcised penis. I'm absolutely serious about that… Jews are sick, they're mental cases.”

Bobby Fischer (1943–2008) American chess prodigy, chess player, and chess writer

Source: Radio Interview, July 6 2001 http://www.geocities.jp/bobbby_b/mp3/F_18_1.MP3

John Ruysbroeck photo
Paul Klee photo

“Our initial perplexity before nature is explained by our seeing at first the small outer branches and not penetrating to the main branches or the trunk. But once this is realized, one will perceive a repetition of the whole law even in the outermost leaf and turn it to good use.”

Paul Klee (1879–1940) German Swiss painter

Quote (1904), # 536, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1903 - 1910

Henry Moore photo

“I myself in my work tend to humanize everything, to relate mountains to people, tree trunks to the human body, pebbles to heads & figures, etc… To cut out & make a taboo any organic representational element or human reference & then say the artist has gained freedom, seems as silly as locking yourself up in a small cell & saying 'now I know where I am – this is freedom – freedom from the outside world”

Henry Moore (1898–1986) English artist

critic on the idea of pure Abstract art by Moore
1940 - 1955
Source: 'Unpublished notes' for 'Art and Life', 1941, HMR Archive; as quoted in Henry Moore writings and Conversations, edited by Alan Wilkinson, University of California Press, California 2002, p. 114

Stephenie Meyer photo
Sher Shah Suri photo

“Sher Shah Sur’s name is associated in our textbooks with the Grand Trunk Road from Peshawar to Dacca, with caravanserais, and several other schemes of public welfare. It is true that he was not a habitual persecutor of Hindus before he became the emperor at Delhi. But he did not betray Islam when he became the supreme ruler. The test came at Raisen in 1543 AD. Shaykh Nurul Haq records in Zubdat-ul-Tawarikh as follows: “In the year 950 H., Puranmal held occupation of the fort of Raisen… He had 1000 women in his harem… and amongst them several Musulmanis whom he made to dance before him. Sher Khan with Musulman indignation resolved to conquer the fort. After he had been some time engaged in investing it, an accommodation was proposed and it was finally agreed that Puranmal with his family and children and 4000 Rajputs of note should be allowed to leave the fort unmolested. Several men learned in the law (of Islam) gave it as their opinion that they should all be slain, notwithstanding the solemn engagement which had been entered into. Consequently, the whole army, with the elephants, surrounded Puranmal’s encampment. The Rajputs fought with desperate bravery and after killing their women and children and burning them, they rushed to battle and were annihilated to a man.””

Sher Shah Suri (1486–1545) founder of Sur Empire in Northern India

Zubdat-ul-Tawarikh quoted in Goel, Sita Ram (2001). The story of Islamic imperialism in India. Chapter 7 ISBN 9788185990231

Georgia Hopley photo

“There you have the worst problem for prohibition officials. They resort to all sorts of tricks, concealing metal containers in their clothing, in false bottoms of trunks and traveling bags, and even in baby buggies. On the Canadian, Mexican and Florida borders inspectors are constantly on the lookout for women bootleggers, who try to smuggle liquor into the states. Their detection and arrest is far more difficult than that of the male law-breakers.”

Georgia Hopley (1858–1944) American journalist and temperance advocate

In regards to woman bootleggers. Quoted in "First woman prohibition agent says her sex must see to law enforcement". The Evening Star (Washington, D.C.) March 12, 1922 p. 5.
Quoted in Minnick, Fred (2013). Whiskey Women: The Untold Story of how Women Saved Bourbon, Scotch, and Irish Whiskey pg. 33

Rembrandt van Rijn photo
Kevin James photo
Conor McGregor photo

“Of course I want that gold belt. Don’t tell me that gold belt sitting up here right now on this table would not look great along side this ivory, elephant-trunk suit that I have got on me right now. It would look perfect.”

Conor McGregor (1988) Irish mixed martial artist and boxer

UFC 178 post-event press conference https://www.youtube.com/watch?v=zAAC34JzxS0 (September 2014), Ultimate Fighting Championship, Zuffa, LLC
2010s, 2014

Paula Modersohn-Becker photo
Douglas Adams photo
Fernand Léger photo
Ralph Waldo Emerson photo

“The state of society is one in which the members have suffered amputation from the trunk, and strut about so many walking monsters,—a good finger, a neck, a stomach, an elbow, but never a man.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1830s, The American Scholar http://www.emersoncentral.com/amscholar.htm (1837)

Caterina Davinio photo

“And I go down the stairs again
with the screeching of my worn out
soul

P. G. tunes instruments
for his golden arm
alchemy in a metropolitan shell

The squeak of time was
thrown back into the cracks
where the plaster has the form of a twisting branch

and my veins are sturdy trunks,
scaly, for drops of green sap
nourishment rising
from the bowels of the earth,
…”

Caterina Davinio (1957) Italian writer

The Book of Opium (1975 - 1990), (Heroin) P. G.'s Basement
Source: Caterina Davinio, Il libro dell'oppio 1975 – 1990 (The Book of Opium 1975 – 1990), Puntoacapo Editrice, Novi Ligure 2012. English translation by Caterina Davinio and David W. Seaman.

Steve Martin photo

“It was so sweet backstage, you should have seen it — The Teamsters were helping Michael Moore into the trunk of his limo.”

Steve Martin (1945) American actor, comedian, musician, author, playwright, and producer

After Moore's speech at the 75th Academy Awards, in 2003.

Gerald Durrell photo
Arthur Guiterman photo
Octavio Paz photo

“the reality beyond language is not completely reality, a reality that does not speak or say is not reality;
and the moment I say that, the moment I write, letter by letter, that a reality stripped of names is not reality, the names evaporate, they are air, they are a sound encased in another sound and in another and another, a murmur, a faint cascade of meanings that fade away to nothingness:
the tree that I say is not the tree that I see, tree does not say tree, the tree is beyond its name, a leafy, woody reality: impenetrable, untouchable, a reality beyond signs, immersed in itself, firmly planted in its own reality: I can touch it but I cannot name it, I can set fire to it but if I name it I dissolve it:
the tree that is there among the trees is not the tree that I name but a reality that is beyond names, beyond the word reality, it is simply reality just as it is, the abolition of differences and also the abolition of similarities;
the tree that I name is not the tree, and the other one, the one that I do not name and that is there, on the other side of my window, its trunk now black and its foliage still inflamed by the setting sun, is not the tree either, but, rather, the inaccessible reality in which it is planted:
between the one and the other there appears the single tree of sensation which is the perception of the sensation of tree that is vanishing, but
who perceives, who senses, who vanishes as sensations and perceptions vanish?”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Ernst Ludwig Kirchner photo

“[carving a sculpture in wood] is such a sensual pleasure when blow by blow the figure grows more and more from the trunk.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

in a letter to de:Gustav Schiefler from Dresden, 27 June, 1911; as quoted in German Expressionist Sculpture, ed. Stephanie Barron, Los Angeles County Museum of Art, 1983, p. 114
1905 - 1915

Freeman Dyson photo
Michael Lewis photo
Stephen King photo
Ramakrishna photo
Pietro Metastasio photo

“The canker which the trunk conceals is revealed by the leaves, the fruit, or the flower.”

Pietro Metastasio (1698–1782) Italian poet and librettist (born 3 January 1698, died 12 April 1782)

D'ogni pianta palesa l'aspetto
Il difetto, che il tronco nasconde
Per le fronde, dal frutto, o dal fior.
Part I.
Giuseppe Riconosciuto (1733)

Dave Barry photo
Vincent Van Gogh photo
Steve Wozniak photo
Wassily Kandinsky photo
Bun B photo

“Rolling up ho's like turtles in a half a shell open up my trunk, and let'z see what I have to sell”

Bun B (1973) American rapper from Texas; 1/2 of UGK

Short Texas
Too Hard to Swallow (1992)

John Von Neumann photo

“With four parameters I can fit an elephant, and with five I can make him wiggle his trunk.”

John Von Neumann (1903–1957) Hungarian-American mathematician and polymath

Attributed to von Neumann by Enrico Fermi, as quoted by Freeman Dyson in "A meeting with Enrico Fermi" in Nature 427 (22 January 2004) p. 297 http://dx.doi.org/10.1038/427297a

Hank Williams photo

“You wore out a brand new trunk,
packin' and unpackin your junk.”

Hank Williams (1923–1953) American country music singer

"You're gonna change (or I'm gonna leave)" (1949)
Lyrics

Theodor Reuss photo
Auguste Rodin photo

“The landscape painter, perhaps, goes even further. It is not only in living beings that he sees the reflection of the universal soul; it is in the trees, the bushes, the valleys, the hills. What to other men is only wood and earth appears to the great landscapist like the face of a great being. Corot saw kindness abroad in the trunks of the trees, in the grass of the fields, in the mirroring water of the lakes. But there Millet read suffering and resignation.
Everywhere the great artist hears spirit answer to his spirit. Where, then, can you find a more religious man?
Does not the sculptor perform his act of adoration when he perceives the majestic character of the forms that he studies? — when, from the midst of fleeting lines, he knows how to extricate the eternal type of each being? — when he seems to discern in the very breast of the divinity the immutable models on which all living creatures are moulded? Study, for example, the masterpieces of the Egyptian sculptors, either human or animal figures, and tell me if the accentuation of the essential lines does not produce the effect of a sacred hymn. Every artist who has the gift of generalizing forms, that is to say, of accenting their logic without depriving them of their living reality, provokes the same religious emotion; for he communicates to us the thrill he himself felt before the immortal verities.”

Auguste Rodin (1840–1917) French sculptor

Art, 1912, Ch. Mystery in Art

Conrad Aiken photo
Yury Dombrovsky photo

“It took all of her considerable strength to heave the girl’s wrapped body into her arms, pivot, and let it thump into the trunk.”

Lis Wiehl (1961) American legal scholar

Source: Heart of Ice A Triple Threat Novel with April Henry (Thomas Nelson), p. 118

Gregory Scott Paul photo
Manav Gupta photo
Carl Linnaeus photo

“The Lord himself hath led him with his own Almighty hand.
He hath caused him to spring from a trunk without root, and planted him again in a distant and more delightful spot, and caused him to rise up to a considerable tree.
Inspired him with an inclination for science so passionate as to become the most gratifying of all others.
Given him all the means he could either wish for, or enjoy, of attaining the objects he had in view.
Favoured him in such a manner that even the not obtaining of what he wished for, ultimately turned out to his great advantage.
Caused him to be received into favour by the "Mœcenates Scientiarum"; by the greatest men in the kingdom; and by the Royal Family.
Given him an advantageous and honourable post, the very one that, above all others in the world, he had wished for.
Given him the wife for whom he most wished, and who managed his household affairs whilst he was engaged in laborious studies.
Given him children who have turned out good and virtuous.
Given him a son for his successor in office.
Given him the largest collection of plants that ever existed in the world, and his greatest delight.
Given him lands and other property, so that though there has been nothing superfluous, nothing has he wanted.
Honoured him with the titles of Archiater, Knight, Nobleman, and with Distinction in the learned world.
Protected him from fire.
Preserved his life above 60 years.
Permitted him to visit his secret council-chambers.
Permitted him to see more of the creation than any mortal before him. Given him greater knowledge of natural history than any one had hitherto acquired.
The Lord hath been with him whithersoever he hath walked, and hath cut off all his enemies from before him, and hath made him a name, like the name of the great men that are in the earth. 1 Chron. xvn. 8.”

Carl Linnaeus (1707–1778) Swedish botanist, physician, and zoologist

As quoted in The Annual Review and History of Literature http://books.google.com.mx/books?id=hx0ZAAAAYAAJ&printsec=frontcover&hl=es#v=onepage&q=%22The%20Lord%20himself%20hath%20led%20him%20with%20his%20own%20Almighty%20hand%22&f=false (1806), by Arthur Aikin, T. N. Longman and O. Rees, p. 472.
Also found in Life of Linnaeus https://archive.org/stream/lifeoflinnaeus00brigiala#page/176/mode/2up/search/endeavoured (1858), by J. Van Voorst & Cecilia Lucy Brightwell, London. pp. 176-177.
Linnaeus Diary

John Barrowman photo
Michael Chabon photo
Letitia Elizabeth Landon photo

“Our society, it turns out, can use modern art. A restaurant, today, will order a mural by Míro in as easy and matter-of-fact a spirit as, twenty-five years ago, it would have ordered one by Maxfield Parrish. The president of a paint factory goes home, sits down by his fireplace—it looks like a chromium aquarium set into the wall by a wall-safe company that has branched out into interior decorating, but there is a log burning in it, he calls it a firelace, let’s call it a fireplace too—the president sits down, folds his hands on his stomach, and stares at two paintings by Jackson Pollock that he has hung on the wall opposite him. He feels at home with them; in fact, as he looks at them he not only feels at home, he feels as if he were back at the paint factory. And his children—if he has any—his children cry for Calder. He uses thoroughly advanced, wholly non-representational artists to design murals, posters, institutional advertisements: if we have the patience (or are given the opportuity) to wait until the West has declined a little longer, we shall all see the advertisements of Merrill Lynch, Pierce, Fenner, and Smith illustrated by Jean Dubuffet.
This president’s minor executives may not be willing to hang a Kandinsky in the house, but they will wear one, if you make it into a sport shirt or a pair of swimming-trunks; and if you make it into a sofa, they will lie on it. They and their wives and children will sit on a porcupine, if you first exhibit it at the Museum of Modern Art and say that it is a chair. In fact, there is nothing, nothing in the whole world that someone won’t buy and sit in if you tell him it is a chair: the great new art form of our age, the one that will take anything we put in it, is the chair. If Hieronymus Bosch, if Christian Morgenstern, if the Marquis de Sade were living at this hour, what chairs they would be designing!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“The Taste of the Age”, pp. 19–20
A Sad Heart at the Supermarket: Essays & Fables (1962)

Rachel Maddow photo

“The bomb exploded the junk in Vladimir's trunk. Y'know, they always said that Communists would get it in the end.”

Rachel Maddow (1973) American journalist

The Rachel Maddow Show MSNBC (1 April 2009)
Commenting on a bomb that blew a hole in an 80-year-old St. Petersburg statue of Vladimir Lenin.

George Gordon Byron photo

“If I love you—
I never behave like a climbing trumpet vine
Using your high branches to show myself off;
If I love you—
I never mimic infatuated little birds
Repeating monotonous songs into the shadows,
Nor do I look at all like a wellspring
Sending out its cooling consolation all year round,
Or just another perilous crag
Augmenting your height, setting off your prestige.
Nor like the sunlight
Or even spring rain.
No, these are not enough.
I would be a kapok tree by your side
Standing with you—
both of us shaped like trees.
Our roots hold hands underground,
Our leaves touch in the clouds.
As a gust of wind passes by
We salute each other
And not a soul
Understands our language.
You have your bronze boughs and iron trunk
Like knives and swords,
Also like halberds;
I have my red flowers
Like heavy sighs,
Also like heroic torches.
We share cold waves, storms and thunderbolts;
Together we savor fog, haze and rainbows.
We seem to always live apart,
But actually depend upon each other forever.
This has to be called extraordinary love.
Faith resides in it:
Love—
I love not only your sublime body
But the space you occupy,
The land beneath your feet.”

Shu Ting (1952) Chinese writer

"To the Oak Tree" [ 致橡树 https://www.youtube.com/watch?v=APZjf9K6KX0, Zhi xiangshu] (27 March 1977), in The Red Azalea: Chinese Poetry Since the Cultural Revolution, ed. Edward Morin, trans. Fang Dai and Dennis Ding (University of Hawaii Press, 1990), ISBN 978-0824813208, pp. 102–103.

Jonathan Swift photo
Rudyard Kipling photo
Théodore Rousseau photo
Conrad Aiken photo
Learned Hand photo
Ferdinand Hodler photo
José Martí photo
Samuel Butler (poet) photo
B.K.S. Iyengar photo
Ferdinand Hodler photo

“There are many branches of learning, but only the one solid tree-trunk of wisdom.”

Henry S. Haskins (1875–1957)

Source: Meditations in Wall Street (1940), p. 91

Henry George photo

“As robbers unite to plunder and divide the spoils, the trunk lines of railroads unite to raise rates and pool their earnings. The public is then forced to pay the cost of the whole maneuver, as the vanquished are forced to pay the cost of their own enslavement by a conquering army.”

Progress and Poverty (1879)
Context: But there is another form of monopoly, far more general and far more insidious. The accumulation of large amounts of capital under consolidated control creates a new kind of power—essentially different from the power of increase. Increase is constructive in its nature. Power from accumulation is destructive. It is often exercised with reckless disregard, not only to industry but to the personal rights of individuals. A railroad approaches a small town as a highwayman approaches his victim. “Agree to our terms or we will bypass your town” is as effective a threat as “your money or your life.” As robbers unite to plunder and divide the spoils, the trunk lines of railroads unite to raise rates and pool their earnings. The public is then forced to pay the cost of the whole maneuver, as the vanquished are forced to pay the cost of their own enslavement by a conquering army.

Frederick Douglass photo

“American statesmanship, worthy of the name, is now taxing its energies to frame measures to meet the demands of constantly increasing expansion of power, responsibility and duty. Without fault or merit on either side, theirs or ours, the balance is largely in our favor. Like the grand old forests, renewed and enriched from decaying trunks once full of life and beauty, but now moss-covered, oozy and crumbling, we are destined to grow and flourish while they decline and fade”

Frederick Douglass (1818–1895) American social reformer, orator, writer and statesman

1860s, Our Composite Nationality (1869)
Context: I am especially to speak to you of the character and mission of the United States, with special reference to the question whether we are the better or the worse for being composed of different races of men. I propose to consider first, what we are, second, what we are likely to be, and, thirdly, what we ought to be. Without undue vanity or unjust depreciation of others, we may claim to be, in many respects, the most fortunate of nations. We stand in relations to all others, as youth to age. Other nations have had their day of greatness and glory; we are yet to have our day, and that day is coming. The dawn is already upon us. It is bright and full of promise. Other nations have reached their culminating point. We are at the beginning of our ascent. They have apparently exhausted the conditions essential to their further growth and extension, while we are abundant in all the material essential to further national growth and greatness. The resources of European statesmanship are now sorely taxed to maintain their nationalities at their ancient height of greatness and power. American statesmanship, worthy of the name, is now taxing its energies to frame measures to meet the demands of constantly increasing expansion of power, responsibility and duty. Without fault or merit on either side, theirs or ours, the balance is largely in our favor. Like the grand old forests, renewed and enriched from decaying trunks once full of life and beauty, but now moss-covered, oozy and crumbling, we are destined to grow and flourish while they decline and fade. This is one view of American position and destiny. It is proper to notice that it is not the only view. Different opinions and conflicting judgments meet us here, as elsewhere.

Ramakrishna photo

“Thinking thus he did not move. At last the elephant took him up by his trunk, and dashed him aside.”

Ramakrishna (1836–1886) Indian mystic and religious preacher

Saying 15
Râmakrishna : His Life and Sayings (1898)
Context: The Master said: "Everything that exists is God." The pupil understood it literally, but not in the true spirit. While he was passing through a street, he met with an elephant. The driver (mahut) shouted aloud from his high place, "Move away, move away!" The pupil argued in his mind, "Why should I move away? I am God, so is the elephant also God. What fear has God of Himself?" Thinking thus he did not move. At last the elephant took him up by his trunk, and dashed him aside. He was severely hurt, and going back to his Master, he related the whole adventure. The Master said, "All right, you are God. The elephant is God also, but God in the shape of the elephant-driver was warning you also from above. Why did you not pay heed to his warnings?"

Felix Adler photo

“Man is like a tree, with the mighty trunk of intellect, the spreading branches of imagination, and the roots of the lower instincts that bind him to the earth. The moral life, however, is the fruit he bears; in it his true nature is revealed.”

Felix Adler (1851–1933) German American professor of political and social ethics, rationalist, and lecturer

Section 6 : Higher Life
Founding Address (1876), Life and Destiny (1913)
Context: Man is like a tree, with the mighty trunk of intellect, the spreading branches of imagination, and the roots of the lower instincts that bind him to the earth. The moral life, however, is the fruit he bears; in it his true nature is revealed.
It is the prerogative of man that he need not blindly follow the law of his natural being, but is himself the author of a higher moral law, and creates it even in acting it out.

Richard Wright photo

“With a twitching nose
A dog reads a telegram
On a wet tree trunk.”

Richard Wright (1908–1960) African-American writer

Haiku: This Other World (1998)

Vitruvius photo

“In felling a tree we should cut into the trunk of it to the very heart, and then leave it standing so that the sap may drain out drop by drop throughout the whole of it.”

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter IX, Sec. 3
Context: In felling a tree we should cut into the trunk of it to the very heart, and then leave it standing so that the sap may drain out drop by drop throughout the whole of it.... Then and not till then, the tree being drained dry and the sap no longer dripping, let it be felled and it will be in the highest state of usefulness.

Vimalakirti photo
Alessandro Cagliostro photo
Posidonius photo

“When men were scattered over the earth, protected by eaves or by the dug-out shelter of a cliff or by the trunk of a hollow tree, it was philosophy that taught them to build houses.”

Posidonius (-135–-51 BC) ancient greek philosopher

As quoted in Epistulae morales ad Lucilium by Seneca, Epistle XC (trans. R. M. Gummere)

Mary McCarthy photo