
From an article in Sovetskoye Iskusstvo, November 5, 1934; translation from Laurel Fay Shostakovich: A Life (2000) p. 77.
A collection of quotes on the topic of title, use, likeness, books.
From an article in Sovetskoye Iskusstvo, November 5, 1934; translation from Laurel Fay Shostakovich: A Life (2000) p. 77.
“Leadership is not about titles, positions or flowcharts. It is about one life influencing another.”
Babur-Nama, translated into English by A.S. Beveridge, New Delhi reprint, 1979, pp. 574-75
2015, Young African Leaders Initiative Presidential Summit Town Hall speech (August 2015)
Context: And the one thing I’ve learned, both in my personal life and in my political life, is that if you want more authority, then you also have to be more responsible. You can’t wear the crown if you can’t bear the cross. […] So my attitude is, if you want to participate then you have to recognize that you have broader responsibilities. […] And that is part of leadership. That’s true, by the way, for you individually as well. You have to be willing to take some risks and do some hard things in order to be a leader. A leader is not just a name, a title, and privileges and perks.
To the Spanish Ambassador (1580).
Letter to W. W. Norton, 11 March, 1931
1930s
After beating five time champion Roger Federer in the 2008 Men's Wimbledon Final
“To ravage, to slaughter, to usurp under false titles, they call empire; and where they make a desert, they call it peace.”
Auferre, trucidare, rapere, falsis nominibus imperium; atque, ubi solitudinem faciunt, pacem appellant.
Close of chapter 30 http://la.wikisource.org/wiki/De_vita_et_moribus_Iulii_Agricolae_%28Agricola%29#XXX, Oxford Revised Translation
Variant translations:
They plunder, they slaughter, and they steal: this they falsely name Empire, and where they make a wasteland, they call it peace.
Loeb Classical Library edition
To plunder, butcher, steal, these things they misname empire: they make a desolation and they call it peace.
As translated by William Peterson
More colloquially: They rob, kill and plunder all under the deceiving name of Roman Rule. They make a desert and call it peace.
This is a speech by the Caledonian chieftain Calgacus addressing assembled warriors about Rome's insatiable appetite for conquest and plunder. The chieftain's sentiment can be contrasted to "peace given to the world" which was frequently inscribed on Roman medals. The last part solitudinem faciunt, pacem appellant (they make a desert, and call it peace) is often quoted alone. Lord Byron for instance uses the phrase (in English) as follows,
Agricola (98)
Source: Reflections and Maxims (1746), p. 175.
Killing Hope: US Military and CIA Interventions Since World War II, Chapter 30. Cuba 1959 to 1980s: The unforgivable revolution
Letter to Alexander Hamilton (28 August 1788) http://founders.archives.gov/documents/Washington/04-06-02-0432
1780s
Context: I hope I shall always possess firmness and virtue enough to maintain (what I consider the most enviable of all titles) the character of an honest man, as well as prove (what I desire to be considered in reality) that I am, with great sincerity & esteem, Dear Sir Your friend and Most obedient Hble Ser⟨vt⟩
1950s, What Desires Are Politically Important? (1950)
Letter to the Polish Senate (2007), quoted in "Irena Sendler, Lifeline to Young Jews, Is Dead at 98" http://www.nytimes.com/2008/05/13/world/europe/13sendler.html?em&ex=1210824000&en=cecafcbe4079750b&ei=5087%0A by Dennis Hevesi in The New York Times (13 May 2008)
December 1941. Bodo Scheurig, Henning von Tresckow, <i>ein Preusse gegen Hitler</i>, p. 135-6.
Discourses on the Condition of the Great
Quoted in “Collected works of Periyar E.V.R.” p. 511.
Society
The Crisis No. III.
1770s, The American Crisis (1776–1783)
Alfred Cortot: Master Class on Schumann Kinderszenen (1953) http://www.youtube.com/watch?v=rNUNNNNj_Qw
Vol. I, Ch. 7: Of the Eleventh Horn of Daniel's Fourth Beast
Observations upon the Prophecies of Daniel, and the Apocalypse of St. John (1733)
The Golden Speech (1601)
The Poetic Principle (1850)
Context: I hold that a long poem does not exist. I maintain that the phrase, "a long poem," is simply a flat contradiction in terms.
I need scarcely observe that a poem deserves its title only inasmuch as it excites, by elevating the soul. The value of the poem is in the ratio of this elevating excitement. But all excitements are, through a psychal necessity, transient. That degree of excitement which would entitle a poem to be so called at all, cannot be sustained throughout a composition of any great length.
Command at Sea: the Prestige, Privilege and Burden of Command
Speech https://api.parliament.uk/historic-hansard/commons/1876/mar/09/second-reading-1 in the House of Commons (9 March 1876) on the Royal Titles Act that bestowed on Queen Victoria the title "Empress of India".
1870s
Source: Sylvia cartoon strip, p. 120
2014, Remarks at Clinton Global Initiative (September 2014)
The Crisis No. XIII
1770s, The American Crisis (1776–1783)
Wittgenstein in conversation with Maurice O'Connor Drury, cited in Rush Rhees (eds.) Recollections of Wittgenstein: Hermine Wittgenstein--Fania Pascal--F.R. Leavis--John King--M. O'C. Drury, Oxford University Press, 1984; p. xvi, and p. 168.
Attributed from posthumous publications
Letter to Voltaire (c. November 1776), quoted in Timothy L. S. Sprigge (ed.), The Correspondence of Jeremy Bentham (London: University College London Press, 2017), p. 367
Vol. II, Ch. X, p. 215.
(Buch II) (1893)
But — this little book must be true to its title.
Marginalia http://www.easylit.com/poe/comtext/prose/margin.shtml (November 1844)
2013, Fifth State of the Union Address (February 2013)
2013, "Let Freedom Ring" Ceremony (August 2013)
Source: What is Property? (1840), Ch. I: "Method Pursued in this Work. The Idea of a Revolution"
Context: Of what consequence to you, reader, is my obscure individuality? I live, like you, in a century in which reason submits only to fact and to evidence. My name, like yours, is truth-seeker. My mission is written in these words of the law: Speak without hatred and without fear; tell that which thou knowest! The work of our race is to build the temple of science, and this science includes man and Nature. Now, truth reveals itself to all; to-day to Newton and Pascal, tomorrow to the herdsman in the valley and the journeyman in the shop. Each one contributes his stone to the edifice; and, his task accomplished, disappears. Eternity precedes us, eternity follows us: between two infinites, of what account is one poor mortal that the century should inquire about him?
Disregard then, reader, my title and my character, and attend only to my arguments.
Source: Bend Sinister (1963), p. vi.
Context: The term "bend sinister" means a heraldic bar or band drawn from the left side (and popularly, but incorrectly, supposed to denote bastardy). This choice of title was an attempt to suggest an outline broken by refraction, a distortion in the mirror of being, a wrong turn taken by life, a sinistral and sinister world. The title's drawback is that a solemn reader looking for "general ideas" or "human interest" (which is much the same thing) in a novel may be led to look for them in this one.
"Introduction" to The Best of Isaac Asimov (1973)<!-- , p. ix -->
The Last Question (1956)
Context: "The Last Question" is my personal favorite, the one story I made sure would not be omitted from this collection. Why is it my favorite? For one thing I got the idea all at once and didn't have to fiddle with it; and I wrote it in white-heat and scarcely had to change a word. This sort of thing endears any story to any writer.
Then, too, it has had the strangest effect on my readers. Frequently someone writes to ask me if I can give them the name of a story, which they think I may have written, and tell them where to find it. They don't remember the title but when they describe the story it is invariably "The Last Question". This has reached the point where I recently received a long-distance phone call from a desperate man who began, "Dr. Asimov, there's a story I think you wrote, whose title I can't remember—" at which point I interrupted to tell him it was "The Last Question" and when I described the plot it proved to be indeed the story he was after. I left him convinced I could read minds at a distance of a thousand miles.
No other story I have written has anything like this effect on my readers — producing at once an unshakeable memory of the plot and an unshakeable forgettery of the title and even author. I think it may be that the story fills them so frighteningly full, that they can retain none of the side-issues.
“The vagueness of the title leaves room for various interpretations of its implications.”
Japan, The Ambiguous, and Myself (1994)
Context: Kawabata Yasunari, the first Japanese writer who stood on this platform as a winner of the Nobel Prize for Literature, delivered a lecture entitled Japan, the Beautiful, and Myself. It was at once very beautiful and vague. I have used the English word vague as an equivalent of that word in Japanese aiming. This Japanese adjective could have several alternatives for its English translation. The kind of vagueness that Kawabata adopted deliberately is implied in the title itself of his lecture. It can be transliterated as "myself of beautiful Japan". The vagueness of the whole title derives from the Japanese particle "no" (literally "of") linking "Myself" and "Beautiful Japan".
The vagueness of the title leaves room for various interpretations of its implications.
2017, Farewell Address (January 2017)
Context: It falls to each of us to be those anxious, jealous guardians of our democracy; to embrace the joyous task we've been given to continually try to improve this great nation of ours. Because for all our outward differences, we, in fact, all share the same proud title, the most important office in a democracy: Citizen. Citizen.
Foreword
My Turn (1989)
Context: In 1981, when Ronnie and I moved to Washington, I never dreamed that our eight years there would be a time of so much emotion. But life in the White House is magnified: The highs were higher than I expected, and the lows were much lower.
While I loved being first lady, my eight years with that title were the most difficult years of my life. Both of my parents died while Ronnie was president, and my husband and I were both operated on for cancer. Before we had even settled in, Ronnie was shot and almost killed. Then there was the pressure of living under the intense scrutiny of the media, and the frustration of frequently being misunderstood. Everything I did or said seemed to generate controversy, and it often seemed that you couldn’t open a newspaper without seeing a story about me — my husband and me, my children and me, Donald Regan and me, and so on.
I don’t think I was as bad, or as extreme in my power or my weakness, as I was depicted — especially during the first year, when people thought I was overly concerned with trivialities, and the final year, when some of the same people were convinced I was running the show.
In many ways, I think I served as a lightning rod; and in any case, I came to realize that while Ronald Reagan was an extremely popular president, some people didn’t like his wife very much. Something about me, or the image people had of me, just seemed to rub them the wrong way.
“A poem deserves its title only inasmuch as it excites, by elevating the soul.”
The Poetic Principle (1850)
“When you title yourself, you immediately lend yourself to all kinds of pretension”
Source: Black Coffee Blues
Source: An Unquiet Mind: A Memoir of Moods and Madness
1950-07-06
The Unabridged Journals of Sylvia Plath (2000)
Source: The Unabridged Journals of Sylvia Plath
“A good title is the title of a successful book.”
“It is not titles that make men illustrious, but men who make titles illustrious.”
Book 3, Ch. 38
Discourses on Livy (1517)
“Remember my titles? I don't get poisoned, I do the poisoning. I'm the Princess of it”
Source: Poison Princess
Source: The Moon and I
2014, Speech: Sponsorship Speech for the FY 2015 National Budget
Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 272.
Source: The American Business Cycle, 1986, p. 2
“One can begin a picture and carry it through and stop it and do nothing about the title at all.”
Source: Posthumous quotes, Abstract Expressionist Painting in America, (1983), p. 147
What Is A Jazz Composer? (1971)
Quoted in Luboš Doležel, "Interview: Ryan C. Gordon" http://www.abclinuxu.cz/clanky/rozhovor-ryan-c.-gordon-icculus?page=1 AbcLinuxu.cz (2011-03-08)
New Epilogue, p. 1214 (See also: Karl Marx - History - Statistics...)
Main Currents Of Marxism (1978)