Quotes about symbol
page 11

Umberto Eco photo

“Scholem … says that Jewish mystics have always tried to project their own thought into the biblical texts; as a matter of fact, every unexpressible reading of a symbolic machinery depends on such a projective attitude.”

[4] Symbol, 4.4 : The symbolic mode, 4.4.4 : The Kabalistic drift
Semiotics and the Philosophy of Language (1984)
Context: Scholem … says that Jewish mystics have always tried to project their own thought into the biblical texts; as a matter of fact, every unexpressible reading of a symbolic machinery depends on such a projective attitude. In the reading of the Holy Text according to the symbolic mode, "letters and names are not conventional means of communication. They are far more. Each one of them represents a concentration of energy and expresses a wealth of meaning which cannot be translated, or not fully at least, into human language" [On the Kabbalah and Its Symbolism (1960); Eng. tr., p. 36]. For the Kabalist, the fact that God expresses Himself, even though His utterances are beyond any human insight, is more important than any specific and coded meaning His words can convey.
The Zohar says that "in any word shine a thousand lights" (3.202a). The unlimitedness of the sense of a text is due to the free combinations of its signifiers, which in that text are linked together as they are only accidentally but which could be combined differently.

Martin Luther King, Jr. photo

“Five score years ago, a great American, in whose symbolic shadow we stand today signed the Emancipation Proclamation. This momentous decree came as a great beacon light of hope to millions of Negro slaves who had been seared in the flames of withering injustice. It came as a joyous daybreak to end the long night of their captivity. But one hundred years later, we must face the tragic fact that the Negro is still not free.”

Martin Luther King, Jr. (1929–1968) American clergyman, activist, and leader in the American Civil Rights Movement

1960s, I Have A Dream (1963)
Context: Five score years ago, a great American, in whose symbolic shadow we stand today signed the Emancipation Proclamation. This momentous decree came as a great beacon light of hope to millions of Negro slaves who had been seared in the flames of withering injustice. It came as a joyous daybreak to end the long night of their captivity. But one hundred years later, we must face the tragic fact that the Negro is still not free.
One hundred years later, the life of the Negro is still sadly crippled by the manacles of segregation and the chains of discrimination. One hundred years later, the Negro lives on a lonely island of poverty in the midst of a vast ocean of material prosperity. One hundred years later, the Negro is still languished in the corners of American society and finds himself an exile in his own land.

John D. Barrow photo
G. K. Chesterton photo

“There is truth in every ancient fable, and there is here even something of it in the fancy that finds the symbol of the Republic in the bird that bore the bolts of Jove.”

"The Future of Democracy"
What I Saw in America (1922)
Context: There is truth in every ancient fable, and there is here even something of it in the fancy that finds the symbol of the Republic in the bird that bore the bolts of Jove. Owls and bats may wander where they will in darkness, and for them as for the sceptics the universe may have no centre; kites and vultures may linger as they like over carrion, and for them as for the plutocrats existence may have no origin and no end; but it was far back in the land of legends, where instincts find their true images, that the cry went forth that freedom is an eagle, whose glory is gazing at the sun.

Jean Piaget photo

“This assimilation of every fresh object to already existing motor schemas may be conceived of as the starting point of ritual acts and symbols, at any rate from the moment that assimilation becomes stronger than actual accommodation itself.”

Jean Piaget (1896–1980) Swiss psychologist, biologist, logician, philosopher & academic

Source: The Moral Judgment of the Child (1932), Ch. 1 : The Rules of the Game
Context: Genetically speaking, the explanation both of rites and of symbols would seem to lie in the conditions of preverbal motor intelligence. When it is presented with any new thing, a baby of 5 to 8 months will respond with a dual reaction; it will accommodate itself to the new object and it will assimilate the object to earlier motor schemas. Give the baby a marble, and it will explore its surface and consistency, but will at the same time use it as something to grasp, to suck, to rub against the sides of its cradle, and so on. This assimilation of every fresh object to already existing motor schemas may be conceived of as the starting point of ritual acts and symbols, at any rate from the moment that assimilation becomes stronger than actual accommodation itself.

Albert Pike photo

“It is not in the books of the Philosophers, but in the religious symbolism of the Ancients, that we must look for the footprints of Science, and re-discover the Mysteries of Knowledge.”

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. XXXII : Sublime Prince of the Royal Secret
Context: Science has its nights and its dawns, because it gives the intellectual world a life which has its regulated movements and its progressive phases. It is with Truths, as with the luminous rays: nothing of what is concealed is lost; but also, nothing of what is discovered is absolutely new. God has been pleased to give to Science, which is the reflection of His Glory, the Seal of His Eternity.
It is not in the books of the Philosophers, but in the religious symbolism of the Ancients, that we must look for the footprints of Science, and re-discover the Mysteries of Knowledge.

Margaret Fuller photo

“Only upon the old can build the new;
The symbol which you seek is found in you.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

Life Without and Life Within (1859), The One In All
Context: And dost thou seek to find the one in two?
Only upon the old can build the new;
The symbol which you seek is found in you.

Walt Disney photo

“Mickey Mouse is, to me, a symbol of independence.”

Walt Disney (1901–1966) American film producer and businessman

Quoted in A Walt Disney World Resort Outing : The Only Vacation Planning Guide Exclusively for Gay and Lesbian Travelers (2002) by Dann Hazel and Josh Fippen, p. 211, and Organisation And Complexity : Using Complexity Science to Theorise Organisational Aliveness (2004) by Jacco van Uden, p. 43
Context: Mickey Mouse is, to me, a symbol of independence. He was a means to an end. He popped out of my mind onto a drawing pad 20 years ago on a train ride from Manhattan to Hollywood at a time when business fortunes of my brother Roy and myself were at lowest ebb and disaster seemed right around the corner. Born of necessity, the little fellow literally freed us of immediate worry. He provided the means for expanding our organization to its present dimensions and for extending the medium of cartoon animation toward new entertainment levels. He spelled production liberation for us.

Albert Pike photo

“The Sun is the ancient symbol of the life-giving and generative power of the Deity.”

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. I : Apprentice, The Twelve-Inch Rule and Common Gavel, p. 1
Context: The Sun is the ancient symbol of the life-giving and generative power of the Deity. To the ancients, light was the cause of life; and God was the source from which all light flowed; the essence of Light, the Invisible Fire, developed as Flame manifested as light and splendor. The Sun was his manifestation and visible image; and the Sabæans worshipping the Light — God, seemed to worship the Sun, in whom they saw the manifestation of the Deity.
The Moon was the symbol of the passive capacity of nature to produce, the female, of which the life-giving power and energy was the male. It was the symbol of Isis, Astarte, and Artemis, or Diana. The "Master of Life" was the Supreme Deity, above both, and manifested through both; Zeus, the Son of Saturn, become King of the Gods; Horus, son of Osiris and Isis, become the Master of Life; Dionusos or Bacchus, like Mithras, become the author of Light and Life and Truth.

Borís Pasternak photo

“The idea that underlies this is that communion between mortals is immortal, and that the whole of life is symbolic because it is meaningful.”

Book One, Ch. 2 : A Girl from a Different World, § 10, as translated by Max Hayward and Manya Harari (1958)
Variant translations:
I think that if the beast dormant in man could be stopped by the threat of, whatever, the lockup or requital beyond the grave, the highest emblem of mankind would be a lion tamer with his whip, and not the preacher who sacrifices himself. But the point is precisely this, that for centuries man has been raised above the animals and borne aloft not by the rod, but by music: the irresistibility of the unarmed truth, the attraction of its example. It has been considered up to now that the most important thing in the Gospels is the moral pronouncements and rules, but for me the main thing is that Christ speaks in parables from daily life, clarifying the truth with the light of everyday things. At the basis of this lies the thought that communion among mortals is immortal and that life is symbolic because it is meaningful.
Book One, Part 2 : A Girl from a Different World, § 10, as translated by Richard Pevear and Larissa Volokhonsky (2010)
I think that if the beast who sleeps in man could be held down by threats of any kind, whether of jail or retribution, then the highest emblem of humanity would be the lion tamer, not the prophet who sacrificed himself.... What for centuries raised man above the beast is not the cudgel but the irresistible power of unarmed truth.
Paraphrase of the 1958 translation, as quoted in The New York Times (1 January 1978)
Doctor Zhivago (1957)
Context: I think that if the beast who sleeps in man could be held down by threats — any kind of threat, whether of jail or of retribution after death — then the highest emblem of humanity would be the lion tamer in the circus with his whip, not the prophet who sacrificed himself. But don’t you see, this is just the point — what has for centuries raised man above the beast is not the cudgel but an inward music: the irresistible power of unarmed truth, the powerful attraction of its example. It has always been assumed that the most important things in the Gospels are the ethical maxims and commandments. But for me the most important thing is that Christ speaks in parables taken from life, that He explains the truth in terms of everyday reality. The idea that underlies this is that communion between mortals is immortal, and that the whole of life is symbolic because it is meaningful.

Larry Niven photo

“The bleeding-heart symbol does not represent any known revolutionary organization.”

Larry Niven (1938) American writer

Source: A Gift From Earth (1968), Ch. 12 : The Slowboat
Context: The bleeding-heart symbol does not represent any known revolutionary organization. … Yes, the bleeding heart was something else again. A gruesome symbol on a vivarium floor. Fingers that broke without their owner noticing. An ink drawing appearing from nowhere on a dossier cover, like a signature. A signature.

Robert H. Jackson photo

“Our principles fix what our life stands for, our aims create the light our life is bathed in, and our rationality, both individual and coordinate, defines and symbolizes the distance we have come from mere animality.”

The Nature of Rationality (1993), Ch. V : Instrumental Rationality and Its Limits; Rationality's Imagination, p. 181
Context: Our principles fix what our life stands for, our aims create the light our life is bathed in, and our rationality, both individual and coordinate, defines and symbolizes the distance we have come from mere animality. It is by these means that our lives come to more than what they instrumentally yield. And by meaning more, our lives yield more.

Alan Watts photo
Felix Frankfurter photo

“The Procrustean bed is not a symbol of equality. It is no less inequality to have equality among unequals.”

Felix Frankfurter (1882–1965) American judge

Dissenting in New York v. United States, 331 U.S. 284, 353 (1947).
Judicial opinions

Upton Sinclair photo

“The story of the hero who slays the devouring dragon was not merely a symbol of day and night, of summer and winter; it was a literal explanation of the phenomena, it was the science of early times.”

Book One : The Church of the Conquerors, "The Priestly Lie"
The Profits of Religion (1918)
Context: When the first savage saw his hut destroyed by a bolt of lightning, he fell down upon his face in terror. He had no conception of natural forces, of laws of electricity; he saw this event as the act of an individual intelligence. To-day we read about fairies and demons, dryads and fauns and satyrs, Wotan and Thor and Vulcan, Freie and Flora and Ceres, and we think of all these as pretty fancies, play-products of the mind; losing sight of the fact that they were originally meant with entire seriousness—that not merely did ancient man believe in them, but was forced to believe in them, because the mind must have an explanation of things that happen, and an individual intelligence was the only explanation available. The story of the hero who slays the devouring dragon was not merely a symbol of day and night, of summer and winter; it was a literal explanation of the phenomena, it was the science of early times.

Benjamin Peirce photo

“Symbols are essential to comprehensive argument.”

Benjamin Peirce (1809–1880) American mathematician

On the Uses and Transformations of Linear Algebra (1875)
Context: Some definite interpretation of a linear algebra would, at first sight, appear indispensable to its successful application. But on the contrary, it is a singular fact, and one quite consonant with the principles of sound logic, that its first and general use is mostly to be expected from its want of significance. The interpretation is a trammel to the use. Symbols are essential to comprehensive argument.

Albert Pike photo

“All religious expression is symbolism”

Source: Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry (1871), Ch. III : The Master, p. 62
Context: All religious expression is symbolism; since we can describe only what we see, and the true objects of religion are The Seen. The earliest instruments of education were symbols; and they and all other religious forms differed and still differ according to external circumstances and imagery, and according to differences of knowledge and mental cultivation. All language is symbolic, so far as it is applied to mental and spiritual phenomena and action. All words have, primarily, a material sense, howsoever they may afterward get, for the ignorant, a spiritual non-sense. To "retract," for example, is to draw back, and when applied to a statement, is symbolic, as much so as a picture of an arm drawn back, to express the same thing, would he. The very word " spirit" means " breath," from the Latin verb spiro, breathe.

P. D. Ouspensky photo

“He knows that it is he who stands before an altar with magic symbols, and reaches from earth to heaven; that he also walks on a dusty road under a scorching sun to a precipice where a crocodile awaits him”

P. D. Ouspensky (1878–1947) Russian esotericist

Card XII : The Hanged Man http://www.sacred-texts.com/tarot/sot/sot23.htm
The Symbolism of the Tarot (1913)
Context: And then I saw a man in terrible suffering, hung by one leg, head downward, to a high tree. And I heard the voice: —
"Look! This is a man who saw Truth. Suffering awaits the man on earth, who finds the way to eternity and to the understanding of the Endless.
"He is still a man, but he already knows much of what is inaccessible even to Gods. And the incommensurableness of the small and the great in his soul constitutes his pain and his golgotha.
"In his own soul appears the gallows on which he hangs in suffering, feeling that he is indeed inverted.
"He chose this way himself.
"For this he went over a long road from trial to trial, from initiation to initiation, through failures and falls.
"And now he has found Truth and knows himself.
"He knows that it is he who stands before an altar with magic symbols, and reaches from earth to heaven; that he also walks on a dusty road under a scorching sun to a precipice where a crocodile awaits him; that he dwells with his mate in paradise under the shadow of a blessing genius; that he is chained to a black cube under the shadow of deceit; that he stands as a victor for a moment in an illusionary chariot drawn by sphinxes; and that with a lantern in bright sunshine, he seeks for Truth in a desert.
"Now he has found Her."

Marilyn Monroe photo

“That's the trouble, a sex symbol becomes a thing. But if I'm going to be a symbol of something, I'd rather it be sex than some of the things we've got symbols of… I just hate to be a thing.”

Marilyn Monroe (1926–1962) American actress, model, and singer

Comment on her sex symbol status, quoted in Ms. magazine (August 1972) p. 40

Mahmoud Ahmadinejad photo
Urvashi Butalia photo
M.J. Akbar photo

“It is extremely symbolic that Advani is the heir of Nathuram Godse who, in pursuit of what he was convinced was his duty to India, shot dead the man who had chanted the name of Ram all his life till his last breath.”

M.J. Akbar (1951) journalist, author

Illustrated Weekly of India, 22/12/1990. Quoted from Elst, Koenraad (1991). Ayodhya and after: Issues before Hindu society.

Arthur James Balfour photo
Neville Chamberlain photo

“This morning I had another talk with the German Chancellor, Herr Hitler, and here is the paper which bears his name upon it as well as mine.... We regard the agreement signed last night and the Anglo-German Naval Agreement, as symbolic of the desire of our two peoples never to go to war with one another again.”

Neville Chamberlain (1869–1940) Former Prime Minister of the United Kingdom

Speech at Heston Airport after his return from Munich (30 September 1938), quoted in The Times (1 October 1938) Oxford Book of Modern Quotes http://hudsoncress.org/html/library/dictionaries/The%20Oxford%20Dictionary%20of%20Modern%20Quotations.pdf(pdf)
Prime Minister

Peter Ladefoged photo
Karl Pearson photo

“That it does not pay to gamble has been the oft repeated theme of the moralist, and has been demonstrated with much brave show of symbols by mathematicians from Lagrange to De Morgan and onwards.”

Karl Pearson (1857–1936) English mathematician and biometrician

"The Scientific Aspect of Monte Carlo Roulette" (1894)

“The stone walls were incised with those inevitable, mysterious symbols which have become nothing more than queer designs now, though a million years ago they bore deep significance.”

C. L. Moore (1911–1987) American author

The Cold Gray God (1935), p. 235
Short fiction, Northwest of Earth (1954)

Arthur Stanley Eddington photo
Arthur Stanley Eddington photo
Raquel Welch photo

“Whatever my film work was, it was a departure from the sex symbol previously, who was blonde and more docile than the characters I portrayed as a sex symbol…I think it was a different role for women. Women watch other women, and they are affected by that.”

Raquel Welch (1940–2023) American actress

On how she felt that her early roles were a form of liberation in “Body of Work: Screen Siren Raquel Welch Gets Her Lincoln Center Retrospective” https://observer.com/2012/02/body-of-work-screen-siren-raquel-welch-gets-her-lincoln-center-retrospective/ in The Observer (2012 Feb 7)

Helena Roerich photo
Maylis de Kerangal photo

“I began to think about its double nature: on the one hand you have an organ in your body and on the other you have a symbol of love. From that time I started to pursue the image of a heart crossing the night from one body to another. It is a simple narrative structure but it’s open to a lot of things. I had the intuition that this book could give form to my intimate experience of death.”

Maylis de Kerangal (1967) French writer

On the heart as the focus for her book Mend the Living in “‘What is a heart? You have an organ in your body and you have a symbol of love’” https://www.theguardian.com/books/2017/apr/28/maylis-de-kerangal-interview-wellcome-prize-writing in The Guardian (2017 Apr 28)

Vinayak Damodar Savarkar photo

“Hindutva was a political argument made in a poetic register. It was an argument with and against an unnamed Gandhi at an opportune moment when he seemed finished with politics. Hindutva was also a political cry from behind prison walls, reminding the larger world outside that even if Gandhi was no longer on the political scene, Savarkar was back. He was still a leader, a politician capable of pulling together a nationalist community. But unlike Gandhi, he was offering a sense of Hindu-ness that could be the basis for a more genuine and, in the end, more effective nationalism than that of the Mahatma. The startling change for its time was Savarkar’s assertion that it was not religion that made Hindus Hindu. If Gandhi had officiated at the marriage of religion and politics, and Khilafat leaders were using the symbols of religion to forge a community, Savarkar argued that name and place were what bound the Hindu community, not religion . . . The fundamental (negative) contribution of Hindutva was to install a new term for nationalist discourse, one that was both modern and secular, if open to a secular understanding of religious identity. In place of religion qua religion, he secularized a plethora of Hindu religious leaders. In so doing, he did not create a sterilely secular nationalism. He did quite the opposite. He enchanted a secular nationalism by placing a mythic community into a magical land .”

Vinayak Damodar Savarkar (1883–1966) Indian pro-independence activist,lawyer, politician, poet, writer and playwright

Janaki Bakhle quoted in Vikram Sampath - Savarkar, Echoes from a Forgotten Past, 1883–1924 (2019)

Ernest Becker photo

“At first the child is amused by his anus and feces, and gaily inserts his finger into the orifice, smelling it, smearing feces on the walls, playing games of touching objects with his anus, and the like. This is a universal form of play that does the serious work of all play: it reflects the discovery and exercise of natural bodily functions; it masters an area of strangeness; it establishes power and control over the deterministic laws of the natural world; and it does all this with symbols and fancy. With anal play the child is already becoming a philosopher of the human condition. But like all philosophers he is still bound by it, and his main task in life becomes the denial of what the anus represents: that in fact, he is nothing but body so far as nature is concerned. Nature’s values are bodily values, human values are mental values, and though they take the loftiest flights they are built upon excrement, impossible without it, always brought back to it. As Montaigne put it, on the highest throne in the world man sits on his arse. Usually this epigram makes people laugh because it seems to reclaim the world from artificial pride and snobbery and to bring things back to egalitarian values. But if we push the observation even further and say men sit not only on their arse, but over a warm and fuming pile of their own excrement—the joke is no longer funny. The tragedy of man’s dualism, his ludicrous situation, becomes too real. The anus and its incomprehensible, repulsive product represents not only physical determinism and boundness, but the fate as well of all that is physical: decay and death.”

The Recasting of Some Basic Psychoanalytic Ideas
The Denial of Death (1973)

Koenraad Elst photo
Koenraad Elst photo
George Curzon, 1st Marquess Curzon of Kedleston photo

“The symbol of Empire in its noon-tide splendour.”

George Curzon, 1st Marquess Curzon of Kedleston (1859–1925) British politician

Nicholas Mansergh, The Commonwealth Experience (London: Weidenfeld and Nicolson, 1969), p. 5.
About Curzon

Charles Stross photo
Philip K. Dick photo

“The Neanderthal probably thought the Cro-Magnon man had merely an improved line. A little more advanced ability to conjure up symbols and shape flint. From your description, this thing is more radical than a mere improvement.”

Philip K. Dick (1928–1982) American author

"This thing," Baines said slowly, "has an ability to predict. So far, it's been able to stay alive. It's been able to cope with situations better than you or I could. How long do you think we'd stay alive in that chamber, with energy beams blazing down at us? In a sense it's got the ultimate survival ability. If it can always be accurate —"
The Golden Man (1954)

John Conyers photo
Aldous Huxley photo
Jonah Goldberg photo
Marilyn Ferguson photo
Dwight D. Eisenhower photo

“Shortly we will be fighting our way across the Continent of Europe in battles designed to preserve our civilization. Inevitably, in the path of our advance will be found historical monuments and cultural centers which symbolize to the world all that we are fighting to preserve. It is the responsibility of every commander to protect and respect these symbols whenever possible. In some circumstances the success of the military operation may be prejudiced in our reluctance to destroy these revered objects. Then, as at Casssino, where the enemy relied on our emotional attachments to shield his defense, the lives of our men are paramount. So, where military necessity dictates, commanders may order the required action even though it involves destruction to some honored site. But there are many circumstances in which damage and destruction are not necessary and cannot be justified. In such cases, through the exercise of restraint and discipline, commanders will preserve centers and objects of historical and cultural significance. Civil Affairs Staffs at higher echleons will advise commanders of the locations of historical monuments of this type both in advance of the front lines and in occupied areas. This information together with the necessary instruction, will be passe down through command channels to all echleons.”

Dwight D. Eisenhower (1890–1969) American general and politician, 34th president of the United States (in office from 1953 to 1961)

May 26 1944 letter as qtd. in “The Law of Armed Conflict: Constraints on the Contemporary Use of Military Force”, edited by Howard M. Hensel, 2007, p. 58.
1940s

Johann Wolfgang von Goethe photo

“Art is long, life short, judgment difficult, opportunity transient. To act is easy, to think is hard; to act according to our thought is troublesome. Every beginning is cheerful: the threshold is the place of expectation. The boy stands astonished, his impressions guide him: he learns sportfully, seriousness comes on him by surprise. Imitation is born with us: what should be imitated is not easy to discover. The excellent is rarely found, more rarely valued. The height charms us, the steps to it do not: with the summit in our eye, we love to walk along the plain. It is but a part of art that can be taught: the artist needs it all. Who knows it half, speaks much, and is always wrong: who knows it wholly, inclines to act, and speaks seldom or late. The former have no secrets and no force : the instruction they can give is like baked bread, savory and satisfying for a single day; but flour cannot be sown, and seed-corn ought not to be ground. Words are good, but they are not the best. The best is not to be explained by words. The spirit in which we act is the highest matter. Action can be understood and again represented by the spirit alone. No one knows what he is doing while he acts aright, but of what is wrong we are always conscious. Whoever works with symbols only is a pedant, a hypocrite, or a bungler. There are many such, and they like to be together. Their babbling detains the scholar: their obstinate mediocrity vexes even the best. The instruction which the true artist gives us opens the mind; for, where words fail him, deeds speak. The true scholar learns from the known to unfold the unknown, and approaches more and more to being a master.”

Johann Wolfgang von Goethe (1749–1832) German writer, artist, and politician

Book VII Chapter IX
Wilhelm Meister's Wanderjahre (Journeyman Years) (1821–1829)

Herbert Read photo

“The revolutionary artist is born into a world of clichés, of stale images and signs which no longer pierce the consciousness to express reality. He therefore invents new symbols, perhaps a whole new symbolic system.”

Herbert Read (1893–1968) English anarchist, poet, and critic of literature and art

The Philosophy of Modern Art: Collected Essays (1971).
Other Quotes

Herbert Read photo
V. V. Giri photo
Thiago Silva photo

“Thiago Silva is without doubt the best central defender in the world. He has incredible qualities. He is a symbol of elegance like Franz Beckenbauer was. Silva follows in his footsteps.”

Thiago Silva (1984) Brazilian footballer

Ronaldo, 2014 http://www.le10sport.com/football/ligue1/psg/psg-ronaldo-thiago-silva-il-marche-sur-les-traces-de-beckenbauer136274
From former and current footballers

Rekha photo
Mengistu Haile Mariam photo
S. I. Hayakawa photo

“SPAN ID=A_frustrated_or_unhappy_animal> A frustrated or unhappy animal can do relatively little about its tensions. A human being, however, with an extra dimension (the world of symbols) to move around in, not only undergoes experience, but he also symbolizes his experience to himself. Our states of tension--especially the unhappy tensions -- become tolerable as we manage to state what is wrong -- to get it said -- whether to a sympathetic friend, or on paper to a hypothetical sympathetic reader, or even to oneself. If our symbolizations are adequate and sufficiently skillful, our tensions are brought symbolically under control.”

To achieve this control, one may employ what Kenneth Burke has called "symbolic strategies" -- that is, ways of reclassifying our experiences so that they are "encompassed" and easier to bear. Whether by processes of "pouring out one's heart" or by "symbolic strategies" or by other means, we may employ symbolizations as mechanisms of relief when the pressures of a situation become intolerable. </SPAN>
Source: Language in Thought and Action (1949), Bearing the Unbearable, p. 144-145

Pedro Albizu Campos photo
Mark Rothko photo

“It was not that the figure had been removed, not that the figures had been swept away, but the symbols for the figures, and in turn the shapes in the later canvases were substitutes for the figures.... these new shapes say.... what the symbols said.”

Mark Rothko (1903–1970) American painter

Rothko, explaining Seitz his new way of painting during the mid-1940s
Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 142
after 1970, posthumous

Augustus De Morgan photo

“When… we have a series of values of a quantity which continually diminish, and in such a way, that name any quantity we may, however small, all the values, after a certain value, are severally less than that quantity, then the symbol by which the values are denoted is said to diminish without limit. And if the series of values increase in succession, so that name any quantity we may, however great, all after a certain point will be greater, then the series is said to increase without limit.”

Augustus De Morgan (1806–1871) British mathematician, philosopher and university teacher (1806-1871)

It is also frequently said, when a quantity diminishes without limit, that it has nothing, zero or 0, for its limit: and that when it increases without limit it has infinity or &infin; or 1&frasl;0 for its limit.
The Differential and Integral Calculus (1836)

Thomas Carlyle photo
Leo Tolstoy photo
Thomas Carlyle photo
Raewyn Connell photo
Marilyn Ferguson photo
Marilyn Ferguson photo

“I find that the more serious a festival, the more they try to find some deeper symbolic meaning into everything.”

Mattie Do (1981) Laotian film director

『永遠の散歩』Q&A マティー・ドー | "The Long Walk[Bor Mi Vanh Chark https://www.youtube.com/watch?v=DfFCgPzBUag" Q&A Mattie Do (Director) - 7 Nov 2019, at 07 Min 07 Sec]
From Tokyo International Film Festival Q&A

Marilyn Ferguson photo
Alan Turing photo
Alan Turing photo
Alan Turing photo

“The "scanned symbol" is the only one of which the machine is... "directly aware."”

However, by altering its m-configuration the machine can effectively remember some of the symbols which it has "seen" (scanned) previously.
On Computable Numbers, with an Application to the Entscheidungsproblem (1936)

Alan Turing photo

“It means "Ask the next question." Ask the next question, and the one that follows that, and the one that follows that. It's the symbol of everything humanity has ever created, and is the reason it has been created. This guy is sitting in a cave and he says, "Why can't man fly?"”

Theodore Sturgeon (1918–1985) American speculative fiction writer

Well, that's the question. The answer may not help him, but the question now has been asked.
The next question is what? How? And so all through the ages, people have been trying to find out the answer to that question. We've found the answer, and we do fly. This is true of every accomplishment, whether it's technology or literature, poetry, political systems or anything else. That is it. Ask the next question. And the one after that.

His explanation of the meaning of a small symbol he used when writing his signature, as quoted in an interview with David Duncan (with an image of his signature) http://www.physics.emory.edu/~weeks/misc/duncan.html, sometime around 1980.

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“Does not the beauty of the artist's work lie for us in the accuracy with which his symbols resume innumerable facts of our past emotional experience? ... [A]esthetic judgment... how exactly parallel it is to the scientific judgment.”

Introductory. Pearson refers the reader to William Wordsworth's preface to the Lyrical Ballads (1815) "General View of Poetry".
The Grammar of Science (1900)

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“In physics we have outgrown archer and apple-pie definitions of the fundamental symbols. To a request to explain what an electron really is supposed to be we can only answer, "It is part of the A B C of physics."”

Arthur Stanley Eddington (1882–1944) British astrophysicist

The external world of physics has thus become a world of shadows. In removing our illusions we have removed the substance, for indeed we have seen that substance is one of the greatest of our illusions. Later perhaps we may inquire whether in our zeal to cut out all that is unreal we may not have used the knife too ruthlessly. Perhaps, indeed, reality is a child which cannot survive without its nurse illusion. But if so, that is of little concern to the scientist, who has good and sufficient reasons for pursuing his investigations in the world of shadows and is content to leave to the philosopher the determination of its exact status in regard to reality. In the world of physics we watch a shadowgraph performance of the drama of familiar life. The shadow of my elbow rests on the shadow table as the shadow ink flows over the shadow paper. It is all symbolic, and as a symbol the physicist leaves it. Then comes the alchemist Mind who transmutes the symbols. The sparsely spread nuclei of electric force become a tangible solid; their restless agitation becomes the warmth of summer; the octave of aethereal vibrations becomes a gorgeous rainbow. Nor does the alchemy stop here. In the transmuted world new significances arise which are scarcely to be traced in the world of symbols; so that it becomes a world of beauty and purpose — and, alas, suffering and evil.
The frank realisation that physical science is concerned with a world of shadows is one of the most significant of recent advances.

Introduction
The Nature of the Physical World (1928)

“Art is the creation of forms symbolic of human feeling.”

Susanne K. Langer (1895–1985) American philosopher

Source: Feeling and Form (1953), Ch. 3, p. 40

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“A sex symbol is a heavy load to carry when one is tired, hurt and bewildered.”

Marilyn Monroe (1926–1962) American actress, model, and singer

Attributed to Monroe on social media, but this quote was actually said by Clara Bow.
Misattributed

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“Christ on the cross – what a symbol. A symbol of love surpassed by sorrow, which lies at the root of human condition, the main symbol of human poetry.. ..but that's enough of that, I'm getting morbid. It's Siredey's fault [his doctor during his last years, when Manet was seriously ill: syphilis]. Doctors always remind me of undertakers. Though I must say, I feel a lot better this evening.”

Edouard Manet (1832–1883) French painter

quoted in The private lives of the Impressionists, Sue Roe; Harpen Collins Publishers, New York 2006, p. 232
1880s
while working on Antonin Proust's portrait https://commons.wikimedia.org/wiki/File:PeinturesMus%C3%A9eFabre089-Manet.jpg in 1881-82

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“Censorship has an advantage of making you express yourself in very inventive ways and to think in symbols…those are the only weapons you have against censorship. It also helps by filling your desk drawers with mountains of rejected scripts you can use later in life, if you’re as lucky as I am.”

Jan Švankmajer (1934) Czech animator, photographer and director

Surrealism’s Not Dead: Interview with Jan Svankmajer https://beautifulbizarre.net/2016/06/29/surrealisms-not-dead-interview-with-jan-svankmajer/ (June 29, 2016)

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