Quotes about styling
page 8

“Why can't a writer use writing as a painter uses paint? I try to. When I wrote The Tree of Man I felt I couldn't write about simple, illiterate people in a perfectly literate way; but in my present novel the language is more sophisticated. I think perhaps I have clarified my style quite a lot over the years. I find it a great help to hear the language going on around me; not that what I write, the narrative, is idiomatic Australian, but the whole work has a balance and rhythm which is influenced by what is going on around you. When you first write the narrative it might be unconscious, but when you come to work it over you do it more consciously. It gives what I am writing a greater feeling of reality.”

Patrick White (1912–1990) English-born Australian writer

In The Making (1970)

People, Way, Feeling, Thinking

“My style is too developed to be arrested
It's the freestyle, so now it's out on parole
They tried to hold my soul in a holding cell so I would sell
but I bonded with a break and had enough to make bail”

Common (rapper) (1972) American rapper, actor and author from Illinois

"Resurrection" (Track 1)
Albums, Resurrection (1994)

Soul

“Idea for movie: alcohol-based LXG-style crossover in which buddy heroes Jack Daniels and Jim Beam sail around the world with Captain Morgan. Jack's girlfriend is called Midori and she likes having sex on the beach. Their smartmouth talking pet is the Famous Grouse.”

Ben Croshaw (1983) English video game journalist

2 June 2011
Twitter

Alcohol, World, Sex, Idea

“[The Passion story] completely destroys the aesthetics of the separation of styles; it engenders a new elevated style, which does not scorn everyday life and which is ready to absorb the sensory realistic, even the ugly, the undignified, the physically base. Or—if anyone prefers to have it the other way around—a new sermo humilis is born, a low style, such as would properly only be applicable to comedy, but which now reaches out far beyond its original domain, and encroaches upon the deepest and the highest, the sublime and the eternal.”

Erich Auerbach Mimesis: The Representation of Reality in Western Literature

Source: Mimesis: The Representation of Reality in Western Literature (1946), p. 72

Life, Way, Passion

“… homosexual culture is bitterly hostile to the family and to small town culture, the stability. Today it controls very largely, this is recognized by many writers, the world of fashions and the world of publishing. And it uses these two media, communications and styles, to war against the family and small town culture against the law and against standards. The canons of homosexual culture today are the standards of the Jet-set, very emphatically, and more and more of all society. The homosexual culture today is infecting the world at large.”

Rousas John Rushdoony (1916–2001) American theologian

Audio lectures, Homosexuality (n. d.)

Hostility, War, World, Family

“He maintains that culture shows itself above all else in a unity of artistic style running through every expression of a nation's life. On the other hand, the fact of having learnt much and knowing much is, as he points out, neither a necessary means to culture nor a sign of culture; it accords remarkably well with barbarism, that is to say, with want of style or a motley hotchpotch of styles.”

Georg Brandes (1842–1927) Danish literature critic and scholar

On Friedrich Nietzsche's views on culture, p. 6
An Essay on Aristocratic Radicalism (1889)

Life

“Many people say that I don't know how to draw because I don't draw particular forms. When will they understand that execution, drawing and color (in other words, style) must be in harmony with the poem?”

Paul Gauguin (1848–1903) French Post-Impressionist artist

in a letter to Charles Morice (July 1901), from French Paintings and Painters from the Fourteenth Century to Post-Impressionism, ed. Gerd Muesham [Frederick Ungar, 1970, ISBN 0-8044-6521-5], p. 551
1890s - 1910s

People, Color, Understanding, Drawing

“By the end of the decade it had become obvious that perhaps the one constant of our variegated and strung-out peer groups was a pervasive sense of self-consciousness that sent us in grouchy packs to ugly festivals just to be together and dig ourselves and each other, as if all of this meant something greater than that we were kids who liked rock 'n' roll and came out to have a good time, as if our very styles and trappings and drugs and jargon could be in themselves political statements for any longer than about fifteen stoned seconds, even a threat to the Mother Country! So we loved and loved and doted on ourselves and our reflections in each other even as the whole thing got out of hand and turned into mud and disaster areas and downs and death.”

Lester Bangs (1948–1982) American music critic and journalist

"James Taylor Marked for Death" (1971), p. 66
Psychotic Reactions and Carburetor Dung (1988)

Love, Death, Sense, Time

“His style is perfect joy, and it is only when one has come across a fairer and kindlier handling of one of his victims that one is resentful of his tittering.”

Lytton Strachey (1880–1932) British writer

George Lyttelton, letter to Rupert Hart-Davis, October 23, 1957, in The Lyttelton Hart-Davis Letters Vols. 1 & 2 (1985) p. 374. ISBN 0719542464.
Criticism

Joy, Perfection

“Oil painting and color, said Michelangelo, are for “women and the lazy.” His sharp-edged Apollonian style is the only way to beat back mother nature.”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 158

Women, Color, Way, Nature

“I have…read it with a good deal of amusement and enjoyment. The latter is due, I suppose, entirely to the subject – for everyone likes to imagine what a man could do if he were a dictator or Pope, or Caliph; the amusement is mainly at the author's expence. The style is one of the most preposterous I have ever read, and I doubt if I ever saw so much pedantry combined with so much ignorance.”

Frederick Rolfe (1860–1913) British writer, photographer and historian

C. S. Lewis, letter to Arthur Greeves dated October 1, 1934, cited from W. H. Lewis (ed.) The Collected Letters of C. S. Lewis (San Francisco: HarperSanFrancisco, 2004) vol. 2, p. 143
Criticism

Imagination, Reading

“He [in general] has found his style, when he cannot do otherwise, i. e., cannot do something else.”

Paul Klee (1879–1940) German Swiss painter

Diary entry (Munich, 1908), # 825, in The Diaries of Paul Klee, 1898-1918; University of California Press, 1968, p. 227
1903 - 1910

“When you demand the nature of my motives, you reveal the style of your thinking to be callow, captious, superficial, craven, uncertain and impudent.”

Jack Vance book The Languages of Pao

Source: The Languages of Pao (1958), Chapter 14 (p. 149)

Motivation, Nature, Thinking

“If someone gave me a million dollars to run a music label, I would focus on creating a specific artistic point of view, and creating some channel to build a fanbase. Warp Records was a great example of a label that had a particular style, and many people would buy records just because the artists were associated with the label.”

Andrew Sega (1975) musician from America

Andrew Sega Shrine interview, 2011

People, Music

“I felt that the man who strove for dignity, nobility, and honour should have his task made as difficult and as hazardous as possible, and that in particular he should be forgiven no lapses in style.”

Kenneth Burke (1897–1993) American philosopher

Source: Towards a Better Life (1966), p. 3

“Art's means of representing a thing – style, technique and the object represented – are circumstances of art, just as the artist's individual qualities (way of life, abilities, environment and so on) are circumstances of art. Art can just as well be made in harmony with the circumstances of its making as in defiance of them. In itself art is neither visible nor definable: all that is visible and imitable is its circumstances, which are easily mistaken for the art itself.”

Gerhard Richter (1932) German visual artist, born 1932

undated quotes, The Daily Practice of Painting, Writings (1962-1993)

Life, Art, Way

Georg Wilhelm Friedrich Hegel book Lectures on the Philosophy of History

Georg Wilhelm Friedrich Hegel, Lectures on the Philosophy of History Vol 3 1837 translated by ES Haldane and Francis H. Simson) first translated 1896 P. 91-92
Lectures on the Philosophy of History (1832), Volume 3

Life, God, Justice, Way

“I like to take things easy. I don't constantly think about music. I never plan concerts, practise or even hum. When I go up on the stage, music courses through me. My family members attend my concerts because they do not hear me sing at home. I have entrusted you [Prince Rama Varma] with the task of popularising my style of singing among others, especially in foreign countries. I have heard some of your foreign students sing my compositions and was surprised. They sound better than many Indian students. I want to be known more as a composer than as a musician. You are now making this happen.”

M. Balamuralikrishna (1930–2016) Carnatic vocalist, instrumentalist and playback singer

Source: Interview by Prince Rama Varma "There's no one way to teach".

Family, Music, Home, Thinking

“Those Englishmen who are taunted with following the methods of the French Impressionists, sneered at for imitating a foreign style, are in reality but practising their own, for the French artists simply developed a style which was British in its conception.”

Wynford Dewhurst (1864–1941) British artist

Wynford Dewhurst 1904, quoted in: Douglas Cooper (1954) The Courtauld Collection: A Catalogue and Introduction. p. 44.

Reality

“Mani Madhava Cakyar with his unfailing urge for complicated, difficult and minute details has enriched the art during the decades of his unparalleled performing life without permitting even an iota of compromise regarding the essentials of traditional style. He has served his Kuladharma ever since his maiden appearance with tireless effort, enthusiasm, perseverance and vigor. He introduced new forms to improve this art form without impairing its tradition. The effectiveness of these innovations which only a genius could visualise and perform has already been proved several times”

Mani Madhava Chakyar (1899–1990) Indian actor

"The Hindu (1989)
Abhinaya and Netrābhinaya
Source: K. A. Chandrahasan, In pursuit of excellence (Performing Arts), "The Hindu", Sunday March 26, 1989

Life, Art, Effort, Appearance

“On the Indian front, [the Hindutva movement] should spearhead the revival, rejuvenation and resurgence of Hinduism, which includes not only religious, spiritual and cultural practices springing from Vedic or Sanskritic sources, but from all other Indian sources independently of these: the practices of the Andaman islanders and the (pre-Christian) Nagas are as Hindu in the territorial sense, and Sanâtana in the spiritual sense, as classical Sanskritic Hinduism. (…) A true Hindutvavadi should feel a pang of pain, and a desire to take positive action, not only when he hears that the percentage of Hindus in the Indian population is falling due to a coordination of various factors, or that Hindus are being discriminated against in almost every respect, but also when he hears that the Andamanese races and languages are becoming extinct; that vast tracts of forests, millions of years old, are being wiped out forever; that ancient and mediaeval Hindu architectural monuments are being vandalised, looted or fatally neglected; that priceless ancient documents are being destroyed or left to rot and decay; that innumerable forms of arts and handicrafts, architectural styles, plant and animal species, musical forms and musical instruments, etc. are becoming extinct; that our sacred rivers and environment are being irreversibly polluted and destroyed…”

Shrikant Talageri (1958) Indian author

Talageri in S.R. Goel (ed.): Time for Stock-Taking, p.227-228.

Pain, Art, Music, Feeling

“(On her role in The Locket) My character was the greatest challenge I ever had – a destructive young woman who's a kleptomaniac. The form of the film – flashbacks within flashbacks within flashbacks – was criticised by some reviewers of the time as too confusing. Today, though, its style is highly regarded by film historians... Many movie fans seem to remember me best from the Dr. Kildare series but, first and foremost, I remember The Locket.”

Laraine Day (1920–2007) American actress

The Independent, Obituaries, Laraine Day, November 13, 2007.

Time

“Neither a community, nor a race, nor yet a culture, an ethnicity or social class, Islam can and must be regarded as what it claims to be: a religion. Yet, as such, it should behave as a religion. That is to say: develop a theology, some sense of transcendence and a moral structure to advocate and defend a set of beliefs. However, this is precisely what modern Islam is not, perhaps does not want to be. Unable to perform as a religion, modern Islam (in most of its varieties) acts like a political movement. It is obsessed with jihad and martyrdom, Kashmir, Palestine, world conquest, hijab, beards, uniforms and other paraphernalia of totalitarianism. In many mosques, including some in France, God is given no more than a cameo role, as jihadists, suicide bombers, hostage-takers and ISIS-style throat-cutters get top billing.”

Amir Taheri (1942) Iranian journalist

Stop giving modern Islam a free pass http://nypost.com/2015/01/09/stop-giving-modern-islam-a-free-pass/, New York Post (January 9, 2015). New York Post

God, World, Religion, Communication

“There is a rhetoric of knowledge, a characteristic way in which arguments, proofs, speculations, experiments, polemics, even humor are expressed. …speaking or writing a subject is a performing art, and each subject requires a somewhat different kind of performance from every other. Historians, for example, do not speak or write history in the same way biologists speak or write biology. …it is worth remembering that some scholars-one thinks of Veblen in sociology, Freud in psychology, Galbraith in economics - have exerted influence as much through their manner as their matter. The point is that knowledge is a form of literature, and the various styles of knowledge ought to be studied and discussed.”

Neil Postman (1931–2003) American writer and academic

Language Education in a Knowledge Context (1980)

Art, Way, History, Literature

“Must one go through the five official stages? What are those five stages again: "anger, denial, bargaining, depression, and acceptance." Well, back up: here comes my acceptance speech. "I am now, and I have always been a flaming faggot, responsible for style in its every manifestation. I have my own five steps: flippancy, sentimentality, sarcasm, camp, and smut. They've got me through life, and deity dammit, they'll get me through death!"”

Robert Patrick (playwright) (1937) Playwright, poet, lyricist, short story writer, novelist

Pouf Positive
Untold Decades: Seven Comedies of Gay Romance (1988)

Life, Death, Anger

“For Cioran the aphoristic style is less a principle of reality than a principle of knowing: that it’s the destiny of every profound idea to be quickly checkmated by another idea, which it itself has implicitly generated.”

Susan Sontag book Styles of Radical Will

“‘Thinking against oneself’: reflections on Cioran,” p. 79
Styles of Radical Will (1966)

Idea, Reality

“I think I’m starting to resolve a puzzle that’s been bugging me for awhile.
Pop economists (or, at least, pop micro-economists) are often making one of two arguments:1. People are rational and respond to incentives. Behavior that looks irrational is actually completely rational once you think like an economist.
2. People are irrational and they need economists, with their open minds, to show them how to be rational and efficient.
Argument 1 is associated with “why do they do that?” sorts of puzzles. Why do they charge so much for candy at the movie theater, why are airline ticket prices such a mess, why are people drug addicts, etc. The usual answer is that there’s some rational reason for what seems like silly or self-destructive behavior.
Argument 2 is associated with “we can do better” claims such as why we should fire 80% of public-schools teachers or Moneyball-style stories about how some clever entrepreneur has made a zillion dollars by exploiting some inefficiency in the market.
The trick is knowing whether you’re gonna get 1 or 2 above. They’re complete opposites!”

Andrew Gelman (1965) American mathematician

“One of the easiest ways to differentiate an economist from almost anyone else in society” http://andrewgelman.com/2011/07/19/one_of_the_easi/ (19 July 2011)

People, School, Behavior, Thinking

“Every businessperson knows a story about a highly intelligent, highly skilled executive who was promoted into a leadership position only to fail at the job. And they also know a story about someone with solid—but not extraordinary—intellectual abilities and technical skills who was promoted into a similar position and then soared.
Such anecdotes support the widespread belief that identifying individuals with the “right stuff” to be leaders is more art than science. After all, the personal styles of superb leaders vary: Some leaders are subdued and analytical; others shout their manifestos from the mountaintops. And just as important, different situations call for different types of leadership. Most mergers need a sensitive negotiator at the helm, whereas many turnarounds require a more forceful authority.”

Daniel Goleman (1946) American psychologist & journalist

Source: IQ and technical skills are important, but emotional intelligence is the sine qua non of leadership (1998), p. 93-94

Art, Intelligence, Support, Science

“With respect to the homosocial/homosexual style, it seems to be possible to divide Victorian men among three rough categories according to class. The first includes aristocratic men and small groups of their friends and dependents, including bohemians and prostitutes; for these people, by 1865, a distinct homosexual role and culture seem already to have been in existence in England… It seems to have constituted a genuine subculture, facilitated in the face of an ideologically hostile dominant culture by money, privilege, internationalism, and for the most part, the ability to command secrecy… This role is closely related to — is in fact, through Oscar Wilde, the antecedent of — the particular stereotype that at least until recently has characterized American middle-class gay homosexuality; its strongest associations, as we have noted, are with effeminacy, transvestism, promiscuity, prostitution, continental European culture, and the arts.”

Eve Kosofsky Sedgwick (1950–2009) American academic

Between Men: English Literature and Male Homosocial desire (New York: Columbia University Press, 1985), pp. 172-173

Men, Money, Hostility, People

“So you play your albums and you smoke your pot
And you meet your girlfriend in the parking lot
Oh, but still you're aching for the things you haven't got,
What went wrong?
And if you can't understand why your world is so dead
And why you've got to keep in style and feed your head
Well, you're twenty one and still you mother makes your bed
And that's too long.”

Billy Joel (1949) American singer-songwriter and pianist

Captain Jack.
Song lyrics, Piano Man (1973)

World, Understanding, Dead

“Rajendra Kumar in Sangam, whereas Devsaab (Anand) had his own style his own mannerisms. I learnt so much from Dilipsaab especially mannerisms, like the way of delivering my Bhojpuri lines.”

Vyjayanthimala (1936) Indian actress, politician & dancer

Why Vyjayanthimala has 'nothing to say' about today's heroines

Way

“[Seurat's pointilist style] Inhibits me and hinders the development of spontaneity of sensation.”

Camille Pissarro (1830–1903) French painter

quote, c. 1888; as quoted in: Arts and Activities. Vol. 81-82, (1977), p. cxxxvii http://www.artnet.com/auction-houses/lesliehindman-auctioneers/artist-camille-pissarro/ 1880's

“Too often in a modern building the work of art is an afterthought – a piece of decoration added to fill a space that is felt to be too empty. Ideally the work of art should be a focus round which the harmony of the whole building revolves – inseparable from the design, structurally coherent and aesthetically essential... He [the sculptor] will want to consider both external proportions and internal space volumes in relation to the size and style of sculpture that might be required – not merely the decorative function of sculpture... I am thinking of the didactic and symbolic functions of sculpture in Gothic architecture, inseparable from the architectural conception itself…”

Henry Moore (1898–1986) English artist

Quote of Moore, as cited by Unesco, International Conference of artists, Venice 1952; typescript, in HMF Library
1940 - 1955

Art, Thinking

“The time has probably come to admit that the notion of an avant-garde is no longer useful in discussing contemporary literature. How can there be an avant-garde without a mainstream? Avant-garde de quoi? one must ask. Establishment institutions — universities, museums, foundations, commercial galleries, even the state — have embraced the idea of experimental art for so long that the avant-garde is now a safely domesticated concept, just another traditional style.”

Dana Gioia (1950) American writer

"Notes Toward a New Bohemia," http://www.danagioia.net/essays/ebohemia.htm transcript of a 1993 talk at the Poet's House, New York City, published in Poetry Flash (November/December 1993) and revised for publication in Grantmakers in the Arts (Spring 1994) Essays

Art, Literature, Idea, Universe

“These aren't nerds. They're a bunch of interesting guys, and that's the problem with Revenge of the Nerds II. The movie doesn't have the nerve to be about real nerds. It hedges its bets. A nerd is not a nerd because he understands computers and wears a plastic pen protector in his shirt pocket. A nerd is a nerd because he brings a special lack of elegance to life. An absence of style. An inability to notice the feelings of other people. A nerd is a nerd from the inside out, which is something the nerds who made this movie will never understand.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/revenge-of-the-nerds-ii-nerds-in-paradise-1987 of Revenge of the Nerds II: Nerds in Paradise (13 July 1987) Reviews, One-and-a-half star reviews

Life, People, Guy, Feeling

“… style without substance is nothing, the substance in the story was the most important thing. Of course, there is a layer of style. If I were a director working in a different era, I would have had to be at MGM. I don't think I'd probably know how to make anything but enhanced reality, because that's what comes naturally to me.”

Tom Ford (1961) American fashion designer

A singular man, Shapiro, Gregg, December 24, 2009, The Bay Area Reporter, April 18, 2016 http://www.ebar.com/arts/art_article.php?sec=film&article=704,

Nature, Thinking, Reality

“Well, evolution is a theory. It is also a fact. And facts and theories are different things, not rungs in a hierarchy of increasing certainty. Facts are the world's data. Theories are structures of ideas that explain and interpret facts. Facts do not go away while scientists debate rival theories for explaining them. Einstein's theory of gravitation replaced Newton's, but apples did not suspend themselves in mid-air pending the outcome. And human beings evolved from apelike ancestors whether they did so by Darwin's proposed mechanism or by some other, yet to be discovered. […] Evolutionists make no claim for perpetual truth, though creationists often do (and then attack us for a style of argument that they themselves favor). In science, “fact” can only mean “confirmed to such a degree that it would be perverse to withhold provisional assent.””

Stephen Jay Gould book Hen's Teeth and Horse's Toes

I suppose that apples might start to rise tomorrow, but the possibility does not merit equal time in physics classrooms.
"Evolution as Fact and Theory", pp. 254–55 (originally appeared in Discover Magazine, May 1981)
Hen's Teeth and Horse's Toes (1983)

Truth, World, Idea, Science

“The most sensational of all the sick literary lives was that of Maupassant, who died mad at forty-three and whose hatred of God, man and nature - manifested in literary productions which give us immense pleasure: how is that to be explained? - spring from a kind of mother fixation as well as a terror of the cold. He was a bull of a man much given to boats and riparian dalliance, but he had bad circulation. He had other things too, including a Chinese-style priapism which enabled him to copulate, usually in public, six times in a row, the secret being his failure to detumesce. This, of course, like acne and the common cold, can be a symptom of tertiary syphilis, which Maupassant certainly had.”

Anthony Burgess (1917–1993) English writer

Non-Fiction, Homage to QWERT YUIOP: Selected Journalism 1978-1985 (1986)

God, Pleasure, Secret, Spring

“Song "Gangnam Style" (July 2012)”

Psy (1977) South Korean singer

“They [Kandinsky, Jawlensky and Paul Klee ] were constantly arguing about art and each of them, at first, had his own ideas and his own style. Jawlensky was far less intellectual than Kandinsky or Klee and was often frankly puzzled by their theories. My 1908 portrait entitled 'Zuhören' ('Listening') actually represents Jawlensky, with an expression of puzzled astonishment on his chubby face, listening to Kandinsky's new theories of art.”

Gabriele Münter (1877–1962) German painter

Source: Interview by Edouard Roditi (1958), p. 117

Art, Idea

“The Book of Boz is neither a novel nor a poem nor a tale. Even less is it a drama or an essay.
It is nothing except the style that inspires it and haunts it, to excess.
No points of reference here.
No beacon.
You sail wherever the wind blows.
Stories are woven, end, are reborn, with the flow, before a storm comes up to carry us further away, to the threshold of a new vision.
For, that is The Book of Boz : a work outside of norms, indefinable, created by a wanderer for other wanderers.”

Julien Friedler (1950) artist, writer

The Book of Boz http://www.spiritofboz.org/en/spirit-of-boz/the-book-of-boz/ The Spirit of Boz

Books

“The stereotyped style of cultic representations was well known as early as the Neolithic age, but the stiffly ceremonial forms of courtly art are absolutely new and come into prominence here for the first time in the history of human culture. They reflect the rule of a higher, superindividual social order, of a world which owes its greatness and splendour to the favour of the king. They are anti-individualistic, static and conventional… All the good things and the charms of life are connected, for the privileged members of this society, with their separation from the other classes, and all the maxims which they follow assume more or less the character of rules of decorum and etiquette. This decorum and etiquette, the whole self-stylization of the upper class, demand among other things that one does not allow oneself to be portrayed as one really is, but according to how one must appear to conform with certain hallowed conventions, remote from reality and the present time. Etiquette is the highest law not merely for the ordinary mortal, but also for the king, and in the imagination of this society even the gods accept the forms of courtly ceremonial.”

Arnold Hauser (1892–1978) Hungarian art historian

The Social History of Art, Volume I. From Prehistoric Times to the Middle Ages, 1999, Chapter II. Ancient Oriental Urban cultures

Life, God, Age, World

“If an artist can't do anymore, then he should just quit; and an artist ought to be able to change his style without feeling bad. I heard that Lichtenstein said he might not be painting comic strips a year of two from now [1963]. I think that would be so great, to be able to change styles. And I think that's what's going to happen; that's going to be the whole new scene.”

Andy Warhol (1928–1987) American artist

Source: 1963 - 1967, What Is Pop Art? Interviews with Eight Painters, Part 1 (1963), pp. 116-19

Feeling, Thinking, Change, Painting

“It is the nobility of their style which will make our writers of 1840 unreadable forty years from now.”

Stendhal (1783–1842) French writer

Ce sera la noblesse de leur style qui, dans quarante ans, rendra illisibles nos écrivains de 1840.
Marginalia note, first edition of La Chartreuse de Parme (1840)

“Ask any left-liberal American Jew if he supports a 'Right of Return' to Israel proper for every self-styled Palestinian refugee, and he'll likely recoil: 'Are you meshuga? Never! That's a euphemism for Israel's demise.' The very thing he rejects for Israel, the liberal Jew is inclined to champion for America: a global right of return to the US for citizens of the world.”

Ilana Mercer South African writer

“American Rabbis For Israel First, http://www.economicpolicyjournal.com/2014/08/american-rabbis-for-israel-first.html Economic Policy Journal, August 8, 2014. 2010s, 2014

World, Support

“The physicians in Celle were fifteen years behind in their practice; they had heard of a new style of practice, but regarded it as a mere chimera. When I ventured to say a word or two, they did not understand me: when I appealed to some great authority, they were ignorant of it: when I spoke from my own practical experience, they looked at me, from head to foot, and said sneeringly, "Well, well; experience will come in time." But when by chance I ventured to make some proposal, they turned round, and wondered where they should find room enough in the churchyards to bury my patients. The great applause with which my Dissertations had been received in all the learned journals, even in England as well as in France, gave me courage, hoping that this circumstance would make some impression on the mind of the public; but it was generally thought I had ill employed my time, and knew little or nothing. Being obliged to frequent society, I was so disgusted with the general tone and the topics of their conversation, that I was almost in despair; at last, some young ladies treated me with more attention.”

Albrecht Thaer (1752–1828) German agronomist and an avid supporter of the humus theory for plant nutrition

My Life and Confessions, for Philippine, 1786

Hope, Courage, Understanding, Learning

“All his tunk-a-tunks, his hoo-goo-boos — those mannered, manufactured, individual, uninteresting little sound-inventions — how typical they are of the lecture-style of the English philosopher, who makes grunts or odd noises, uses homely illustrations, and quotes day in and day out from Alice, in order to give what he says some appearance of that raw reality it so plainly and essentially lacks. These “tootings at the wedding of the soul” are fun for the tooter, but get as dreary for the reader as do all the foreign words — a few of these are brilliant, a few more pleasant, and the rest a disaster: “one cannot help deploring his too extensive acquaintance with the foreign languages”, as Henry James said, of Walt Whitman, to Edith Wharton.”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Reflections on Wallace Stevens”, p. 129
Poetry and the Age (1953)

Quotes, Home, Soul, Reality

“The existence of antagonistic "conspiracies" was recognized by the defenders of religious and political views. Iconoclasts knew that images might distort the basic message of their creed (which consisted of words and resided in Holy Books). Church architecture and church music were adapted to the needs of the Holy Faith. Alternative styles were either fought or made part of religious PR. I conclude that our 'field of experience' is molded, overlaid, and 'conspired' against not just by language, but by numerous other patterns and institutions, many of them in mutual conflict. An inference from a style, a particular linguistic apparatus, or, more recently, from scientific beliefs, to a cosmology, corresponding ways of life and an all-embracing "spirit of the age therefore needs special support; it cannot be made as a matter of course.”

Paul Karl Feyerabend (1924–1994) Austrian-born philosopher of science

pg 28.
Conquest of Abundance (2001 [posthumous])

Life, Books, Age, Faith

“The Pre-Lutheran German Bible. The precise origin of the mediaeval German Bible is still unknown. Dr. Ludwig Keller of Münster first suggested in his Die Reformation und die älteren Reformparteien, Leipzig, 1885, pp. 257-260, the hypothesis that it was made by Waldenses (who had also a Romanic version); and he tried to prove it in his Die Waldenser und die deutschen Bibelübersetzungen, Leipzig, 1886 (189 pages). Dr. Hermann Haupt, of Würzburg, took the same ground in his Die deutsche Bibelübersetzung der mittelalterlichen Waldenser in dem Codex Teplensis und der ersten gedruckten Bibel nachgewiesen, Würzburg, 1885 (64 pages); and again, in self-defense against Jostes, in Der waldensische Ursprung des Codex Teplensis und der vor-lutherischen deutschen Bibeldrucke, Würzburg, 1886. On the other hand, Dr. Franz Jostes, a Roman Catholic scholar, denied the Waldensian and defended the Catholic origin of that translation, in two pamphlets: Die Waldenser und die vorlutherische Bibelübersetzung, Münster, 1885 (44 pages), and Die Tepler Bibelübersetzung. Eine zweite Kritik, Münster, 1886 (43 pages). The same author promises a complete history of German Catholic Bible versions.
The hostility of several Popes and Councils to the circulation of vernacular translations of the Bible implies the existence of such translations, and could not prevent their publication, as the numerous German editions prove. Dutch, French, and Italian versions also appeared among the earliest prints. See Stevens, Nos. 687 and 688 (p. 59 sq.). The Italian edition exhibited in 1877 at London is entitled: La Biblia en lingua Volgare (per Nicolo di Mallermi). Venetia: per Joan. Rosso Vercellese, 1487, fol. A Spanish Bible by Bonif. Ferrer was printed at Valencia, 1478 (see Reuss, Gesch. der heil. Schr. N. T., II. 207, 5th Ed.).
The Bible is the common property and most sacred treasure of all Christian churches. The art of printing was invented in Catholic times, and its history goes hand in hand with the history of the Bible. Henry Stevens says (The Bibles in the Caxton Exhibition, p. 25): ""The secular history of the Holy Scriptures is the sacred history of Printing. The Bible was the first book printed, and the Bible is the last book printed. Between 1450 and 1877, an interval of four centuries and a quarter, the Bible shows the progress and comparative development of the art of printing in a manner that no other single book can; and Biblical bibliography proves that during the first forty years, at least, the Bible exceeded in amount of printing all other books put together; nor were its quality, style, and variety a whit behind its quantity.""”

Philip Schaff (1819–1893) American Calvinist theologian

Roman Catholic rival German versions of the Bible

Hostility, Books, Art, History

“The possibility of starting a new program at the college — a military Cegep that would allow all officer cadets to spend two years in Saint-Jean before going to Kingston, instead of studying only in Kingston — is being considered. In the spirit of progress, would it be possible to support a principle as basic as the freedom of francophones in the Canadian Armed Forces by establishing a Cegep-style francophone bilingual military college.”

Roméo Dallaire (1946) Canadian politician

H7860 Canadian Senator Hon. Roméo Dallaire (CMR/RMC 1969), on Collège militaire royal de Saint-Jean (2007)

Support, Study, Freedom

“The gesture of exposure characterizes the style of argumentation of ideology critique, from the critique of religion in the eighteenth century to the critique of fascism in the twentieth. Everywhere, one discovers extrarational mechanisms of opinion: interests, passions, fixations, illusions. That helps a bit to mitigate the scandalous contradiction between the postulated unity of truth and the factual plurality of opinions—since it cannot be eliminated. Under these assumptions, a true theory would be one that not only grounds its own theses best, but also knows how to defuse all significant and persistent counterpositions through ideology critique.”

Peter Sloterdijk (1947) German philosopher

Source: Kritik der zynischen Vernunft [Critique of Cynical Reason] (1983), p. 18

Truth, Religion, Passion, Help

“I shall christen this style the Mandarin, since it is beloved by literary pundits, by those who would make the written word as unlike as possible to the spoken one. It is the style of all those writers whose tendency is to make their language convey more than they mean or more than they feel, it is the style of most artists and all humbugs.”

Cyril Connolly book Enemies of Promise

Source: Enemies of Promise (1938), Part 1: Predicament, Ch. 2: The Mandarin Dialect (p. 13)

Feeling

“Dicko: Hayley, hair looks great by the way. Curls are good for you. I've got to say, look, I don't think you're a natural at this. You have to work really hard at everything you do and it's pleasing to see the way you're moving in the right direction. I think that was a really tough song to chose. Some of those timings in there, it was a bit like a maths exam at times for me trying to keep up. But I think it's a really good style for you. That type of song. That type of artist, George as well. The only problem I have with you, I've had it for the past few weeks, is I can see you concentrating and I can hear you thinking about what you're trying to do as you're doing it and I don't know. Sometimes I just think if you could switch all of that off and just let yourself go a bit I think you'd be a lot better for it. But that was very good.”

Hayley Jensen (1983) Australian singer

Australian Idol, Final Performances, Final 8

Way, Nature, Problem, Thinking

“One must beware of a formula good for everything, that will serve to interpret the other arts as well as reality, and that instead of creating will only produce a style, or rather a stylization.”

Georges Braque (1882–1963) French painter and sculptor

Source: 1908 - 1920, quotes from Artists on Art...(1972), p. 422 - Braque's quote, Paris 1917

Art, Reality

“When you think of the visual style, when you think of the visual language of a film there tends to be a natural separation of the visual style and the narrative elements, but with the great, whether it is Stanley Kubrick, Terrence Malick or Hitchcock what you're seeing is inseparable, a vital relationship between the images and the story he's telling.”

Christopher Nolan (1970) British–American film director, screenwriter, and producer

Chistopher Nolan and David Fincher featurette on Movieweb http://www.movieweb.com/movie/the-tree-of-life-2011/christopher-nolan-and-david-fincher-featurette

Nature, Thinking

“Surrey, for his justness of thought, correctness of style, and purity of expression, may justly be pronounced the first English classical poet.”

Henry Howard, Earl of Surrey (1516–1547) English Earl

Thomas Warton The History of English Poetry (1774-81) vol. 3, p. 27.
Criticism

“On my Fleischmann Hour from Rochester I went into a "rave" about the Victor record of ["It Must Be True"] as played by Gus Arnheim and his Cocoanut Grove Orchestra. From all reports that drift back to me, and from people that I know in California, Arnheim has the finest dance aggregation on the West Coast, and to my way of thinking, perhaps the finest in the entire world. It may sound like a rather broad statement, but I would be willing to back his organization against any other in any other part of the world. Although I have never seen them perform on the stage to what they have in the way of showmanship, from a pure musical standpoint I feel that they are unexcelled.
Perhaps my great admiration for them is increased by the presence of Bing Crosby, formerly the lead in Paul Whiteman's "Rhythm Boys", who, in my humble opinion, has the finest recording voice to which it has ever been my pleasure to listen. If he doesn't capture all the feminine hearts in America through his records, no one ever will. He has the most unique style of singing I have ever listened to since I used to enjoy the records of Charlie Kaley.”

Rudy Vallée (1901–1986) American singer, actor, bandleader, and entertainer

"Tuneful Topics", Radio Digest, June 1931. https://archive.org/stream/radiodigest2627unse#page/n869/mode/2up

People, Pleasure, World, Music

“The country is so beautiful, where so many heroes had devoted their lives into it. Sorry that the Qin Emperor or the Han Wu Emperor lacks a sense for literacy; while the founders of the Tang and Song dynasties came short in style. The great man, Genghis Khan, only knew how to shoot eagles with an arrow. The past is past. To see real heroes, look around you.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

Qinyuanchun ["Snow"] (沁园春•雪) (1936; first published in late 1945). Variant translation of the last stanza: "All are past and gone! / For truly great men / Look to this age alone."

Beauty, Sense, Past, Country

“The man has a great style!”

Joseph Martin Kraus (1756–1792) German composer

Christoph Willibald Gluck

“I will tell you what this people need, with regard to preaching; you need, figuratively, to have it rain pitchforks, tines downwards, from this pulpit, Sunday after Sunday. Instead of the smooth, beautiful, sweet, still, silk-velvet-lipped preaching, you should have sermons like peals of thunder, and perhaps we then can get the scales from our eyes. This style is necessary in order to save many of this people.”

Brigham Young (1801–1877) Latter Day Saint movement leader

Journal of Discourses 3:222 (March 2, 1856)
1850s

People, Beauty

“The increasing prominence of a presidential-style prime minister is steadily denigrating the traditions and institutions of Canadian democracy.”

Elizabeth May (1954) Canadian politician

Introduction, p. 8
Losing Confidence - Power, politics, And The Crisis In Canadian Democracy (2009)

Democracy

“Daring with my poem 'Special Pleading' to give myself such freedom as I desired, in my own style”

Sidney Lanier (1842–1881) American musician, poet

From Memorial by William Hayes Ward to The Poems of Sidney Lanier (ed. Mary D Lanier)

Freedom

“I could no more write a romance than an epic poem. I could not sit seriously down to write a serious romance under any other motive than to save my life; and if it were indispensable for me to keep it up and never relax into laughing at myself or other people, I am sure I should be hung before I had finished the first chapter. No, I must keep to my own style and go on in my own way; and though I may never succeed again in that, I am convinced that I should totally fail in any other.”

Jane Austen (1775–1817) English novelist

Letter to Mr. Clarke (1816-04-01) [Letters of Jane Austen -- Brabourne Edition]
Letters

Life, People, Way, Motivation

“Style is ephemeral – Form is eternal”

David Bomberg (1890–1957) painter

"The Bomberg Papers", An Anthology From X (Oxford University Press, 1988), p. 90.

“Contemporary theories of politics tend to portray politics as a reflection of society, political phenomena as the aggregate consequences of individual behavior, action as the result of choices based on calculated self-interest, history as efficient in reaching unique and appropriate outcomes, and decision making and the allocation of resources as the central foci of political life. Some recent theoretical thought in political science, however, blends elements of these theoretical styles into an older concern with institutions. This new institutionalism emphasizes the relative autonomy of political institutions, possibilities for inefficiency in history, and the importance of symbolic action to an understanding of politics. Such ideas have a reasonable empirical basis, but they are not characterized by powerful theoretical forms. Some directions for theoretical research may, however, be identified in institutionalist conceptions of political order.”

James G. March (1928–2018) American sociologist

James G. March and Johan P. Olsen. "The new institutionalism: organizational factors in political life." American political science review 78.03 (1983): 734-749.

Life, Behavior, History, Idea

“I thought… that the fact that in characterizing truth for a language it is necessary to put words into relations with objects was enough to give some grip for the idea of correspondence; but this now seems to me a mistake. The mistake is in a way only a misnomer, but terminological infelicities have a way of breeding conceptual confusion, and so it is here. Correspondence theories have always been conceived as providing an explanation or analysis of truth, and this, a Tarski-style theory of truth, certainly does not do.”

Donald Davidson (philosopher) (1917–2003) scriitor amator

Donald Davidson (1990, p. 135), as cited in: Simon Evnine (1991) Donald Davidson. p. 137

Truth, Way, Idea

“We may not appreciate the fact; but a fact nevertheless it remains: we are living in a Golden Age, the most gilded Golden Age of human history — not only of past history, but of future history. For, as Sir Charles Darwin and many others before him have pointed out, we are living like drunken sailors, like the irresponsible heirs of a millionaire uncle. At an ever accelerating rate we are now squandering the capital of metallic ores and fossil fuels accumulated in the earth’s crust during hundreds of millions of years. How long can this spending spree go on? Estimates vary. But all are agreed that within a few centuries or at most a few millennia, Man will have run through his capital and will be compelled to live, for the remaining nine thousand nine hundred and seventy or eighty centuries of his career as Homo sapiens, strictly on income. Sir Charles is of the opinion that Man will successfully make the transition from rich ores to poor ores and even sea water, from coal, oil, uranium and thorium to solar energy and alcohol derived from plants. About as much energy as is now available can be derived from the new sources — but with a far greater expense in man hours, a much larger capital investment in machinery. And the same holds true of the raw materials on which industrial civilization depends. By doing a great deal more work than they are doing now, men will contrive to extract the diluted dregs of the planet’s metallic wealth or will fabricate non-metallic substitutes for the elements they have completely used up. In such an event, some human beings will still live fairly well, but not in the style to which we, the squanderers of planetary capital, are accustomed.”

Aldous Huxley (1894–1963) English writer

"Tomorrow and Tomorrow and Tomorrow" in Adonis and the Alphabet (1956); later in Collected Essays (1959), p. 293

Men, Alcohol, Age, History

“The 4D style, or cosmic comics and relativistic humor, is based on Einstein's theory of relativity which I came up with 20 years ago. 4D works use the idea of the fourth dimension, time, playing on such surrealistic and amazing subjects as motion relativity, space curvature and time dilation.”

Javad Alizadeh (1953) cartoonist, journalist and humorist

Quoted in "Cartoonist Alizadeh, translating world into humor" in Press TV (23 April 2009) http://edition.presstv.ir/detail/92323.html

Idea, Time

“The dinner was the best style of women's-magazine art, whereby the salad was served in hollowed apples, and everything but the invincible fried chicken resembled something else.”

Sinclair Lewis book Babbitt

Babbitt (1922), Ch. 8

Women, Art

“The musical language which made the classical style possible is that of tonality, which was not a massive, immobile system but a living, gradually changing language from its beginning. It had reached a new and important turning point just before the style of Haydn and Mozart took shape.”

Charles Rosen (1927–2012) American pianist and writer on music

Part I. Introduction. 1. The Musical Language of the Late Eighteenth Century
Classical Style: Haydn, Mozart, Beethoven (Expanded edition, 1997)

Music, Change

“In 1848, driven by a revolution in Paris, King Louis Philippe abdicated and Louis Napoleon (a nephew of Napoleon Bonaparte) was elected president of France. Four years later, after a coup d’etat, Louis Napoleon styled himself Napoleon II, emperor of France.
napoleon III’s first act as emperor was to imprison his political opponents. He was a crafty monarch, and his ambition during his reign was to seek glory through military adventurism while the great mass of French peasants remained ina state of poverty and despair.
Initially, Napoleon III achieved a short-lived public popularity by trying to “modernize” France and liberalize its economy, but his legacy remains that of a dictator and conniving politician.
In 1870, fearful that Germany was expanding too fast, Napoleon III declared war against this neighbor. The French were quickly defeated, and Napoleon III became a prisoner of war. Upon release in 1871, he was exiled to England, where he lived until his death in 1873.
Maurice Joly was mindful of this growing tension between Germany and France. He had been born in 1821 of French parents. He was admitted to the Paris bar as an attorney and was a one-time member of the General Assembly. Joly devoted most of time to writing caustic essays on French politics. He joined many other severe critics of Napoleon III, who regarded him as a ruthless despot.
In 1864, Joly wrote a book called “The Dialogue in Hell between Machiavelli and Montesquieu.”…It intended to liken Napoleon III to the infamous Machiavelli, author of “The Prince,” a treatise on the acquisition of power. Holy intended to reveal the French dictator’s dark and evil plans.”

Will Eisner (1917–2005) American cartoonist

Will Eisner, pp. 7-8
The Plot: The Secret Story of the Protocols of the Elders of Zion (10/2/2005)

Death, War, Books, Fear

“He inherited from his mother's stories the fundamental style he used, unaltered, in his own stories: namely, the assumption that fact may not be truth, and truth may not be factual.”

Haruki Murakami book The Wind-Up Bird Chronicle

The Wind-Up Bird Chronicle (1994-1995)

Truth

“How glad I was to paint that for the soldiers it is very beautiful, how much respect and even love for art there is in human beings, in spite of everything, and who would have thought that my style, which seemed so modern and incomprehensible to critics and public at rotten exhibitions in the cities, would now be able to speak and convey something to men to whom I make a gift of it.”

Erich Heckel (1883–1970) German artist

In a letter to de:Gustave Schiefler, from Flanders, at Christmas 1915; as quoted by de:Wolf-Dieter Dube, in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 62 Heckel wrote Schiefler about his 'Madonna'-painting, he painted in Ostende, Flander in 1915. Heckel was a medical orderly in Flanders together with Max Beckmann, in World War 1. Both artists got a lot of free time in the army for their artistic activities. The 'Madonna' got destroyed in World War 2. https://www.bildindex.de/document/obj00001491

Love, Men, Beauty, Art

“Print also created new literary forms and altered ideas of literary style. Medieval poetry was conceived for the ear, and each poem had to stand the test of recitation. In addition, medieval audiences were not always interested in the poet himself, since his work was known to them only through the interpretations of minstrels, who frequently rephrased poems to suit their own image and images. The printed page changed these conditions. Slowly, the printed poet came into a new relationship with his reader. He learned not to be so repetitive as his predecessors since a reader could be depended upon to return as often as needed to uncompromised passages. …After the flowering of dramatic poetry during the Elizabethan Age, the printed page substituted for the theater, and millions of children came to know Shakespeare only through this form.”

Neil Postman (1931–2003) American writer and academic

Teaching as a Subversive Activity (1969)

Children, Age, Flowers, Idea

“The New World Order schemers are absolutely determined to have their way. They have been able to go a long way toward their goal by using subterfuge and deceit. But ultimately the transformation of a world of independent nations into the global plantation they are aiming at will involve changes so profound and so traumatic that subterfuge and deceit will not be enough to keep the serfs under control. They will need raw police power, applied KGB style. They want to begin developing that power now. They're a pretty bold and arrogant bunch of schemers, but they understand that according to the old way of looking at things -- according to our way -- they are traitors. They understand that if the general public ever gets a real inkling of what they are up to, if they ever lose their grip on the situation, they'll all end up hanging from lampposts. What they are planning is so monstrous, so evil, that the thought of being brought to account for it frightens them. They want to use every means at their disposal to make sure their plan succeeds. And, my friends, we will resort to every means at our disposal to insure that their scheme does not succeed and that they do indeed end up hanging from lampposts.”

William Luther Pierce (1933–2002) American white nationalist

The New World Order, 1997.
1990s, 1990

World, Way, Understanding, Evil

Johan Olsen (1939) Norwegian political scientist

James G. March and Johan P. Olsen. "The new institutionalism: organizational factors in political life." American political science review 78.03 (1983): 734-749; Abstract.

Life, Behavior, History, Idea

“Elements of Gandhism were by and large inherent in my life style and mode of thinking even after I adopted Marxism. While expressing my ideological difference with Gandhism, I became a political activist who upheld the high values of Gandhism and tried to translate them in my personal lifestyle.”

E. M. S. Namboodiripad (1909–1998) Indian politician

[Namboodiripad, E. M. S., The Mahatma and the Ism, http://books.google.com/books?id=AAw59zNJDYoC, 2010, LeftWord Books, 978-81-87496-98-4, 10]

Life, Thinking, Personality

“Mere talk makes drama and spectacle unlikely — unless the talk becomes heated and excessive. So it becomes excessive. Not every show features the Crossfire-style food-fight, but it is a tendency on all shows.”

Michael Crichton book State of Fear

State of Fear (2004)

Food, Fight

“I love coming in with a battle plan, but I also love the freedom to make things up with my actors, and my DP, too. Sometimes we’ll be in a scene and I see new things we can do, so I will throw whatever stuff that has been cooking away in my brain for a long time because I think what I'm coming up with on the set might serve the film better. You know, your instinct will tell you, “This is a better way, try this other way instead,” and that's very important for me, and that is my style of filmmaking, for better or for worse. That's how I like to approach it. And a lot of it comes to me when I'm designing the script, the screenplay. I'm generally very involved in the screenplay, even the ones I'm not on officially as a writer, I'm still extremely involved in how I craft the screen with the writers. I like to get in there and I really craft the world so I can have an idea of how all that will play out before I go on set. Then when I go on set, I like to keep it free, so that I can improvise with my actors.”

James Wan (1977) Malaysian-born Australian film director, screenwriter and producer

Interview: James Wan on His Creative Process, Returning to Horror with The Conjuring 2 and His Approach to Aquaman https://dailydead.com/interview-james-wan-creative-process-returning-horror-conjuring-2-approach-aquaman/ (June 9, 2016)

Love, World, Way, Idea

“Hardship is vanishing, but so is style, and the two are more closely connected than the present generation supposes.”

E.M. Forster (1879–1970) English novelist

"Cambridge"
Two Cheers for Democracy (1951)

“Putin’ on style don’t pay in politics. p. 50”

George Washington Plunkitt (1842–1924) New York State Senator

Plunkitt of Tammany Hall, Chapter 12, Dangers of the Dress Suit in Politics

“His [Champlain's] books mark the man,—all for his theme and his purpose, nothing for himself. Crude in style, full of the superficial errors of carelessness and haste, rarely diffuse, often brief to a fault, they bear on every page the palpable impress of truth.”

Francis Parkman (1823–1893) American historian

Pt. II, Ch. 17 Death of Champlain
Pioneers of France in the New World (1865)

Truth, Books, Error

“One of the things a cartoon does is to express violent emotion and passion in a completely mechanical and removed style. To express this thing in a painterly style would dilute it; the techniques I use are not commercial, they only appear to be commercial – and the ways of seeing and composing and unifying are different and have different ends.”

Roy Lichtenstein (1923–1997) American pop artist

Source: 1960's, What is Pop Art? Interviews with eight painters' (1963), pp. 25-27

Way, Appearance, Passion

“I know from experience that to one who thinks much and feels deeply, it often seems that he has only to put down his thoughts and feelings in order to produce something altogether out of the common; yet as soon as he sets to work he falls into a certain mannerism of style and common phraseology; his thoughts do not come spontaneously, and one might almost say that it is not the mind that directs the pen, but the pen leads the mind into common, empty artificiality.”

Henryk Sienkiewicz book Without Dogma

"Rome, 9 January"
Without Dogma (1891)

Feeling, Thinking

“The style of kindness has changed.”

Louise Burfitt-Dons (1953) Activist, writer, blogger

Speech to World Kindness Movement (November 2007)

Change

“There was a Socratic style of life (which the Cynics were to imitate), and the Socratic dialogue was an exercise which brought Socrates’ interlocutor to put himself in question, to take care of himself, and to make his soul as beautiful and wise as possible.”

Pierre Hadot (1922–2010) French historian and philosopher

trans. Michael Chase (1995), p. 269
La Philosophie comme manière de vivre (2001)

Life, Beauty, Exercises, Soul

“Almost all great painters in old age arrive at the same kind of broad, simplified style, as if they wanted to summarise the whole of their experience in a few strokes and blobs of colour.”

Kenneth Clark (1903–1983) Art historian, broadcaster and museum director

Source: The Romantic Rebellion (1973), Ch. 13: Degas

Age

“Behind all the Great-Society-style and standardized testing, wars on poverty or drugs, self-esteem seminars. A good portion of the African-American population was simply institutionalized or interned, in public housing complexes, in urban schools, and in one of the biggest prison systems the world has ever known. It all amounts to a sprawling race gulag in which people are both dependent and hedged about with restrictions.”

Crispin Sartwell (1958) American philosopher

White Liberals: We’re Not Racist (August 29, 2016)

War, People, World, School

“I would say that the surest measure of a man's or a woman's maturity is the harmony, style, joy, and dignity he creates in his marriage, and the pleasure and inspiration he provides for his spouse.”

Benjamin Spock (1903–1998) American pediatrician and author of Baby and Child Care

Quoted in Older & Wiser Edited by G. B. Dianda and B. J. Hofmayer (1995)

Marriage, Pleasure, Joy

“Isn't this the prettiest little thing you've ever seen? It was over a year ago I held this belt high in the air after I fought for it for the first time in Dayton, Ohio against Samoa Joe and I proclaimed this belt the most important thing to me. Right now, in my hands, as of this day 6/18/05, THIS becomes the most important belt in the world! This belt in the hands of any other man is just a belt, but in my hands it becomes power. Just like this microphone in the hands of any of the boys in the back is just a microphone, but in the hands of a dangerous man like myself it becomes a pipe-bomb. These words that I speak spoken by anybody else are just words strung loosely together to form sentences. What I say I mean, and what I mean I say, and they become anthems! You see, if I could be afforded the time here a little bit of a story. There was once an old man, walking home from work. He was walking in the snow, and he stumbled upon a snake frozen in the ice. He took that snake, and he brought it home, and he took care of it, and he thawed it out, and he nursed it back to health. And as soon as that snake was well enough, it bit the old man. And as the old man lay there dying he asked the snake, 'Why? I took care of you. I loved you. I saved your life.' And that snake looked that man right in the eye and said, 'You stupid old man. I'm a snake.' The greatest thing the devil ever did was make you people believe he didn't exist… and you're looking at him right now! I AM THE DEVIL HIMSELF! And all of you stupid, mindless people fell for it! You all believed in the same make-believe superhero that the legendary Ricky 'The Dragon' Steamboat saw some year ago today. No, you see, you don't know anything. You followed me hook-line and sinker, all of you did, and I'm not mad at you… I just feel sorry for you. This belongs to me! Everything you see here belongs to me, and I did what I had to do to get my hands on this. Now I am the GREATEST PRO WRESTLER walkin' the Earth today! This is my stage, this is my theater, you are my puppets! When I pulled those marionette strings, and I moved your emotions, and I played with them, and honestly it's 'cause I get off on it. I hate each and every single one of you with a thousand burns and I will not stop… I will not stop until I prove that I am better than you, that I am better than Low Ki, that I am better than AJ Styles! I'm better than Samoa Joe. Ladies and gentlemen, the champ is here! You don't have to love it, but you better learn to accept it. 'Cause I'm taking this with me, and there's not a single person in that locker room that can stop me!”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Ring of Honor, Death Before Dishonor III. June 18th, 2005. This promo took place directly after Punk defeated Austin Aries for the ROH World Championship proceeding to turn the, at the time face, Punk heel. Directly after this promo Christopher Daniels made his first appearance in ROH in over a year to challenge for the belt. This promo also made reference to an old parable http://www.snopes.com/critters/malice/scorpion.htm about an animal doing an act of kindness to another creature that is venomous and being surprised when the animal injects the venom to the creature after the act of kindness who then proceeds to explain it is their nature to perform the act. Ring of Honor

Love, Life, Hate, People

“It may be inverted snobbishness but I don't want old style, Old Etonian Tories of the old school to succeed me and go back to the old complacent, consensus ways. John Major is someone who has fought his way up from the bottom and is far more in tune with the skilled and ambitious and worthwhile working classes than Douglas Hurd is.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Said to Woodrow Wyatt (23 November 1990), Sarah Curtis (ed.), The Journals of Woodrow Wyatt. Volume Two (Pan, 2000), pp. 401-402.
Third term as Prime Minister

School, Way

“One great mystery is why sexual reproduction became dominant for higher life-forms. Optimization theory says it should be otherwise.
Take a fish or lizard, ideally suited to her environment, with just the right internal chemistry, agility, camouflage—whatever it takes to be healthy, fecund, and successful in her world. Despite all this, she cannot pass on her perfect characteristics. After sex, her offspring will be jumbles, getting only half of their program from her and half their re-sorted genes somewhere else.
Sex inevitably ruins perfection. Parthenogenesis would seem to work better—at least theoretically. In simple, static environments, well-adapted lizards who produce duplicate daughters are known to have advantages over those using sex.
Yet, few complex animals are known to perform self-cloning. And those species exist in ancient, stable deserts, always in close company with a related sexual species.
Sex has flourished because environments are seldom static. Climate, competition, parasites—all make for shifting conditions. What was ideal in one generation may be fatal the next. With variability, your offspring get a fighting chance. Even in desperate times, one or more of them may have what it takes to meet new challenges and thrive.
Each style has its advantages, then. Cloning offers stability and preservation of excellence. Sex gives adaptability to changing times. In nature it is usually one or the other. Only lowly creatures such as aphids have the option of switching back and forth.”

David Brin book Glory Season

Introduction to Chapter 8 (pp. 123-124)
Glory Season (1993)

Life, World, Sex, Optimism

“A la Rothschild, a style I define as many good things used irreverently.”

Robert Denning (1927–2005) American interior designer

Aileen Mehle, "Manhattan Grand Luxe — Richly Appointed Rooms For Collectors", Architectural Digest (September 1994), v. 51 #9, pp. 126-176.

“If one cannot overlook a hurt, many hurts will grow from it. It is a fatal style of living.”

Gottfried von Straßburg book Tristan

Swer keinen schaden vertragen kan,
dâ wahsent dicke schaden an.
und ist ein veiclîcher site.
Source: Tristan, Line 281

Hurt

“Painting has turned back from the non-objective way to the object, and the development of painting has returned to the figurative part of the way that had led to the destruction of the object. But on the way back, painting came across a new object that the proletarian revolution had brought to the fore and which had to be given form, which means that it had to be raised to the level of a work of art... I am utterly convinced that if you keep to the way of Constructivism, where you are now firmly stuck, which raises not one artistic issue except for pure utilitarianism and in theater simple agitation, which may be one hundred percent consistent ideologically but is completely castrated as regards artistic problems, and forfeits half its value... If you go on as you are.... then Stanislavski will emerge as the winner in the theater and the old forms will survive. And as to architecture, if the architects do not produce artistic architecture, the Greco-Roman style of Zyeltovski will prevail, together with the Repin style in painting..”

Kazimir Malevich (1879–1935) Russian and Soviet artist of polish descent

Quote of Malevich from his letter 8 April 1932, to Meyerhold, in 'Two Letters to Meyerhold', in Kunst & Museumjournaal 6, (1990), pp. 9-10; as quoted by Paul Wood in The great Utopia, - The Russian and Soviet Avant-Garde, 1915-1932; Guggenheim Museum, New York, 1992, p. 24 – note 112
This quote clarifies Malevich's famous return to the figuration of the Russian peasant life, in the time of forced collectivization of Russian agriculture: 'for him [= Malevich] the return to figuration was not a break with the Revolution but a way of safeguarding it and preventing the return of Classicism and Naturalism' (Paul Wood in The great Utopia; Guggenheim Museum, New York, 1992, p. 24 – note 112)
1931 - 1935

Art, Way, Problem, Parting

“You take a change… Calculate the odds, research the international market properly, establish the Southern Africans' taste, style, appetite and enjoyment, aim at giving them a good time at the best quality that they can afford - then go for it!”

Sol Kerzner (1935) South African businessman

Sunday Times interview (1980s)

Change, Time

“It's no coincidence that an acute sensibility to the condition of animals comes up at the same time as industrialised food and concentration camp style farming.”

Gilles Dauvé (1947) French writer

"Letter on Animal Liberation" (1999)

Food, Time, Animals