Quotes about styling
page 7

“McGraw was an improviser, a teacher. He brought much to the game that keeps baseball fresh and suspenseful today—the hit-and-run play, the steal, the squeeze play, the uses of the bunt and the defenses against it. He helped turn the game into a thing of fluid beauty, infielders charging the plate or roaming far from their bases, outfielders moving with each pitch, racing in for base hits before them, backing each other in the outfield, entering the infield itself on rundown plays. Yet when the game changed radically, with the introduction of the livelier baseball, McGraw naturally shifted to a power emphasis, founding his team about such men as George Kelly, Bill Terry, Mel Ott. He knew, too, that the old pitching style of permitting a man to hit a deadened ball because it would then be caught in the big fields had to be changed, and his staffs led the league year after year in strikeouts, in earned-runs.”

Arnold Hano (1922) American writer

Hano, Arnold (1967). Greatest Giants of Them All. New York, NY: G.P. Putnam's Sons. pp. 248–249.
Sports-related

Men, Beauty, Game, Nature

“I am gratified by her having pleasure in what I write, but I wish the knowledge of my being exposed to her discerning criticism may not hurt my style, by inducing too great a solicitude. I begin already to weigh my words and sentences more than I did, and am looking about for a sentiment, an illustration, or a metaphor in every corner of the room. Could my ideas flow as fast as the rain in the store-closet it would be charming.”

Jane Austen (1775–1817) English novelist

Letter (1809-01-24) [Letters of Jane Austen -- Brabourne Edition]
Letters

Pleasure, Idea, Knowledge, Hurt

“Many of the visions and revelations handed down as having been given by him are spurious. The miracles ascribed to him are all fabrications of Moslem zealots. He expressly and repeatedly disclaimed all miracles excepting the Koran; which, considering its incomparable merit, and the way in which it had come down to him from heaven, he pronounced the greatest of miracles. And here we must indulge a few observations on this famous document. While zealous Moslems and some of the most learned doctors of the faith draw proofs of its divine origin from the inimitable excellence of its style and composition, and the avowed illiteracy of Mahomet, less devout critics have pronounced it a chaos of beauties and defects; without method or arrangement; full of obscurities, incoherencies, repetitions, false versions of scriptural stories, and direct contradictions. The truth is that the Koran as it now exists is not the same Koran delivered by Mahomet to his disciples, but has undergone many corruptions and interpolations.”

Washington Irving (1783–1859) writer, historian and diplomat from the United States

Mahomet and his successors, George P. Putnam, 1850, p. 330-331.
Mahomet and his successors (1849)

Truth, Faith, Beauty, Way

“The woodcut is the most graphic of the printmaking techniques. Its practice demands much technical ability and interest. Kirchner's technical skill made woodcutting easy for him. Thus he came in a spontaneous way through the simplification necessary here to a clear style of representation. We see in his woodcuts, which constantly accompanied his creative work, the formal language of the paintings prefigured.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

de:Louis de Marsalle (pseudonym of Kirchner) Uber Kirchners Graphik, Genius 3, no. 2 (1921), p. 252-53; as quoted in 'The Revival of Printmaking in Germany', I. K. Rigby; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 52
1920's

Way, Painting

“I believe strongly that commonsense gun safety measures would assist us. Right now -- and this is something Donald has supported, along with the gun lobby -- right now, we've got too many military- style weapons on the streets. In a lot of places, our police are outgunned. We need comprehensive background checks, and we need to keep guns out of the hands of those who will do harm.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Presidential campaign (April 12, 2015 – 2016), First presidential debate (September 26, 2016)

Support

“There is a Polish countess here, who likes me much. She has been very handsome, still is, in the style of the full-blown rose. She is a widow, very rich, one of the emancipated women, naturally vivacious, and with talent. This woman envies me; she says, "How happy you are; so free, so serene, so attractive, so self-possessed!" I say not a word, but I do not look on myself as particularly enviable. A little money would have made me much more so; a little money would have enabled me to come here long ago, and find those that belong to me, or at least try my experiments; then my health would never have sunk, nor the best years of my life been wasted in useless friction. Had I money now, — could I only remain, take a faithful servant, and live alone, and still see those I love when it is best, that would suit me. It seems to me, very soon I shall be calmed, and begin to enjoy.”

Margaret Fuller (1810–1850) American feminist, poet, author, and activist

Letter (17 November 1847).
Memoirs of Margaret Fuller Ossoli (1852)

Love, Life, Women, Money

“Very little comes easily to our poor, benighted species (the first creature, after all, to experiment with the novel evolutionary inventions of self-conscious philosophy and art). Even the most “obvious,” “accurate,” and “natural” style of thinking or drawing must be regulated by history and won by struggle. Solutions must therefore arise within a social context and record the complex interactions of mind and environment that define the possibility of human improvement.”

Stephen Jay Gould book Leonardo's Mountain of Clams and the Diet of Worms

"Seeing Eye to Eye, Through a Glass Clearly", p. 72
Leonardo's Mountain of Clams and the Diet of Worms (1998)

Art, History, Nature, Thinking

“A successful partnership thrives because of the willingness of both to place the well-being of the other above their own. When the man makes the woman a queen and she treats him like a king, their noble style dissolves any limits for growth. With this enriching approach, a living, completing love will emerge.”

Lama Ole Nydahl (1941) Danish lama

Buddha & Love: Timeless Wisdom for Modern Relationships (2012)

Love, Success, Partnership

“Nietzsche … did not settle for a demure civic conversation in the style of Richard Rorty's ironist, or saunter off with the smug nod that registers a deconstructive job neatly done. He was aware that his own criticisms and exposures owed both their motivation and their effect to the spirit of truthfulness. His aim was to see how far the values of truth could be revalued, how they might be understood in a perspective quite different from the Platonic and Christian metaphysics which had provided their principal source in the West up to now.”

Bernard Williams (1929–2003) English moral philosopher

Source: Truth and Truthfulness (2002), p. 18

Truth, Motivation

“The important thing is that Clyff Still – you know his work? – and Rothko, and I – we've changed the nature of painting… I don't mean there aren't any other good painters. Bill [ Willem the Kooning ] is a good painter, but he's a 'French' painter [Pollock meant: a French-abstract style]. I told him so, the last time I saw him after his last show,… all those pictures in his last show start with an image. You can see it even though he's covered it up, or tried to…. Style – that's the French part of it. He has to cover it up with style.. [answering Seldon Rodman's question]”

Jackson Pollock (1912–1956) American artist

In an interview (1956); published in Conversations with Artists, by Seldon Rodman, New York, Capricorn Books, 1961, pp. 84-85
1950's

Question, Nature, Change, Time

“Despite efforts to disguise his hatred of Israel in Islamic terms… Khamenei is more influenced by Western-style anti-Semitism than by classical Islam's checkered relations with Jews. His argument about territories becoming "irrevocably Islamic" does not wash, if only because of its inconsistency. He has nothing to say about vast chunks of former Islamic territory, including some that belonged to Iran for millennia, now under Russian rule. Nor is he ready to embark on Jihad to drive the Chinese out of Xinjiang, a Muslim khanate until the late 1940s. Israel, which in terms of territory accounts for one per cent of Saudi Arabia, is a very small fry. Khamenei's shedding of tears for "the sufferings of Palestinian Muslims" are also unconvincing. To start with, not all Palestinians are Muslims. And, if it were only Muslim sufferers who deserved sympathy, why doesn't the "Supreme Guide" beat his chest about the Burmese Rohingya and the Chechens massacred and enchained by Vladimir Putin, not to mention Muslims daily killed by fellow-Muslims across the globe?”

Amir Taheri (1942) Iranian journalist

The Ayatollah's Plan for Israel and Palestine http://www.gatestoneinstitute.org/6263/khamenei-israel-palestine, Gatestone Institute (July 31, 2015)

Tear, Effort, Suffering

“I always say I'm an escape artist, Style is something I've always tried to avoid. I'm more interested in character. Character comes out of the work. Style is applied or imposed on it.”

Elaine de Kooning (1918–1989) American painter

in 'Sketches for a Series', interview with art-critic Rose Slivka; as quoted in 'Elaine de Kooning, Artist and Teacher, Dies at 68', New York Times, Grace Glueck, February 2, 1989
1972 - 1989

“Strive not for singularity in dress; Fools have the more and men of sense the less. To look original is not worth while, But be in mind a little out of style.”

Ambrose Bierce (1842–1914) American editorialist, journalist, short story writer, fabulist, and satirist

Source: Epigrams, p. 345

Men, Fools, Sense

“Writing should never be allowed to become a substitute for living. Style cannot breath in a void. It should not be forgotten that Dickens was at one time a reporter, Balzac a lawyer's clerk and Tchekov a county doctor. Art is different from life but cannot exist without it.”

André Maurois (1885–1967) French writer

The Art of Writing

Life, Art, Time

“It is of small importance whether De Stijl still exists as a 'group'; a new style was born, a new aesthetic created; it needs only to be understood – and cultivated.”

Piet Mondrian (1872–1944) Peintre Néerlandais

Quote in: 'L'expression plastique nouvelle dans la peinture', Piet Mondriaan, 'Cahiers d'Art', 1, Paris, 1926, pp. 181-183
1920's

“It is not governed by the senseless world of current style that pervades and pollutes popular music, nor is it part of an established hierarchy, so that it is cloistered and protected.”

John Dankworth (1927–2010) British musician

Of jazz. Jazz in Revolution (1998).

World, Music, Parting

“Derangement is the signature expression of the Great Backlash, a style of conservatism that first came snarling onto the national stage in response to the partying and protests of the late sixties. While earlier forms of conservatism emphasized fiscal sobriety, the backlash mobilizes voters with explosive social issues — summoning public outrage over everything from busing to un-Christian art — which it then marries to pro-business economic polices. Cultural anger is marshaled to achieve economic ends. And it is these economic achievements — not the forgettable skirmishes of the never-ending culture wars — that are the movement’s greatest monuments. The backlash is what has made possible the international free-market consensus of recent years, with all the privatization, deregulation, and de-unionization that are its components. Backlash ensures that Republicans will continue to be returned to office even when their free-market miracles fail and their libertarian schemes don’t deliver and their "New Economy" collapses. It makes possible the police pushers’ fantasies of “globalization” and a free-trade empire that are foisted upon the rest of the world with such self-assurance. Because some artist decides to shock the hicks by dunking Jesus in urine, the entire plant must remake itself along the lines preferred by the Republican Party, U. S. A.The Great Backlash has made the laissez-faire revival possible, but this does not mean that it speak to us in the manner of the capitalists of old, invoking the divine right of money or demanding that the lowly learn their place in the great chain of being. On the contrary; the backlash imagines itself as a foe of the elite, as the voice of the unfairly persecuted, as a righteous protest of the people on history’s receiving end. That is champions today control all three branches of government matters not a whit. That is greatest beneficiaries are the wealthiest people on the plant does not give it pause.”

Thomas Frank book What's the Matter with Kansas?

Introduction: What's the Matter with America (pp. 5-6).
What's the Matter with Kansas? (2004)

Money, War, People, World

“In an ever-advancing spiral the public was made to believe that only Hollywood-style extravaganzas were worth seeing and that only they could give an accurate sense of the world of art. The resulting box-office pressure made the museums still more dependent on corporate funding. Then came the recessions of the 1970s and 1980s. Many individual donors could no longer contribute at the accustomed rate, and inflation eroded the purchasing power of funds. To compound the financial problems, many governments, facing huge deficits—often due to sizable expansions of military budgets—cut their support for social services as well as their arts funding. Again museums felt they had no choice but to turn to corporation for a bail-out.”

Hans Haacke (1936) conceptual political artist

1980s, "Museums, Managers of Consciousness," 1983

World, Art, Support, Problem

“Joan's beauty was more than the sum of its parts. She was soft and feminine, and wore silky clinging clothes and small bandannas tied close to her head. In her reserve, in her achievement of a personal style, she reminded Edie of Garbo.”

Joan Vollmer (1923–1951) Common-law wife of William S. Burroughs

About

Beauty, Parting, Personality, Clothes

“…it was in her refusal to allow any of us to indulge in self-pity of any kind…through a maddening style of argument, in which the following three statements were repeated in various sequences:
A. It's your life + social commentary.
B. What you want and what you get are usually two entirely different things.
C. No one ever said that life was fair.”

Nicholas Sparks (1965) American writer and novelist

Nicholas Sparks about his mother Jill Sparks, Chapter 8, p. 127
2000s, Three Weeks with My Brother (2004)

Life

“The principle of the Gothic architecture is infinity made imaginable. It is no doubt a sublimer effort of genius than the Greek style; but then it depends much more on execution for its effect.”

Samuel Taylor Coleridge (1772–1834) English poet, literary critic and philosopher

29 June 1833
Table Talk (1821–1834)

Imagination, Effort, Dependency

“I am biased towards the belief that every painter must be grounded in strong and faultless drawing skills, and until one has not experimented with all styles of painting and has not comprehended their potentialities one's work is not complete. Even an abstract painter must know how to draw as well as a figurative artist. As for me, drawing has never created any problem, since I know how to draw anatomy correctly if I had to, I understand the function of muscle groups and sculpture.”

Guity Novin (1944) artist

Source: Ayandegan (1973), p. 4

Understanding, Problem, Strong, Drawing

“(Referring to the music of Anton Bruckner) "Nightmarish hangover style" (traumverwirrten Katzenjammerstil)”

Eduard Hanslick (1825–1904) austrian musician and musicologist

From Norman Lebrecht, The Book of Musical Anecdotes (1985, Sphere Books)

Music

“Now, the most eloquent irreligious individual voice in Nigeria is our first Nobel laureate Wole Soyinka. Soyinka is an eminent literary scholar. He has consistently argued for tolerance and respect for the humanity of all in the face of religious intolerance and extremism. Soyinka has not minced words in condemning the unconscionable religious gladiators in the region that have often turned the country into a theatre of absurdity and holy wars. He has been consistent in his condemnation of the jihadists and crusaders who often orchestrate religious bloodletting in their quest to implement Sharia law or to further some self-styled divine mandate. While I cannot say for sure how impactful his rational appeals are on policies and programs, Soyinka’s statements are sources of hope and light at times of darkness and despair. I can say for certain that on occasions when religious extremists push the nation to the brink. When religion blinds and people are unable to see or think clearly, when fear and fanaticism loom very large, Soyinka is a voice of rational sanity, thoughtful courage, and moderation.”

Leo Igwe (1970) Nigerian human rights activist

An Interview with Dr. Leo Igwe — Founder, Nigerian Humanist Movement (2017)

War, People, Fear, Religion

“The biblical case for vegetarianism does not rest on the view that killing may never be allowable in the eyes of God, rather on the view that killing is always a grave matter. When we have to kill to live we may do so, but when we do not, we should live otherwise. It is vital to appreciate the force of this argument. In past ages many – including undoubtedly the biblical writers themselves – have thought that killing for food was essential in order to live. But … we now know that – at least for those now living in the rich West – it is perfectly possible to sustain a healthy diet without any recourse to flesh products. … Those individuals who opt for vegetarianism can do so in the knowledge that they are living closer to the biblical ideal of peaceableness than their carnivorous contemporaries. The point should not be minimized. In many ways it is difficult to know how we can live more peaceably in a world striven by violence and greed and consumerism. Individuals often feel powerless in the face of great social forces beyond even democratic control. To opt for a vegetarian life-style is to take one practical step towards living in peace with the rest of creation. One step towards reducing the rate of institutionalized killing in the world today.”

Andrew Linzey (1952) British theologian and divine

Source: Animal Theology (1994), pp. 131-132

Life, God, Age, World

“For me," he explains his mammoth project, "it is an obligation to know and learn to understand the various styles living within the guitar, to work with them and pursue them up to a certain point and, when I feel I have learned enough about them, to let them go again. These CDs are a form of pool, a rucksack with everything I have at the moment and what I have focused on.”

Andreas Paolo Perger (1970) Guitarist, Improviser, Composer

Süddeutsche Zeitung, August 1997, Ralf Dombrowski

Feeling, Understanding, Learning

“The best teachers still taught in a Socratic style, asking questions, responding to the answers with still another question. And in all of our courses, we were taught that what mattered most was asking the right question — having posed the question well, answering the question was often a relatively easy matter.”

Joseph E. Stiglitz (1943) American economist and professor, born 1943.

Autobiographical Essay (2001)

Question, Teachers

“If anyone makes trouble I've advised him to dot him one on the jaw in the best British style.”

John Buchan book The House of the Four Winds

Source: The House of the Four Winds (1935), Ch. III

“Style is the outcome of constraint.”

André Maurois (1885–1967) French writer

The Art of Writing

“Petrie found that certain types of pottery were characteristic of a particular phase of the Bronze Age, whereas other styles were found only a phase of the Iron Age, or only during the Hellenistic or Greek periods.”

Jeffrey H. Schwartz (1948) American anthropologist

Source: What the Bones Tell Us (1997), Ch. 1

Age

“If there be any thing in my style or thought to be commended, the credit is due to my kind parents in instilling into my mind an early love of the Scriptures.”

Daniel Webster (1782–1852) Leading American senator and statesman. January 18, 1782 – October 24, 1852. Served as the Secretary of Sta…

Reported in Josiah Hotchkiss Gilbert, Dictionary of Burning Words of Brilliant Writers (1895), p. 33

Love, Parent

“The life of a journalist is poor, nasty, brutish and short. So is his style.”

Stella Gibbons book Cold Comfort Farm

Foreword.
Cf. Thomas Hobbes — "the life of man, solitary, poor, nasty, brutish, and short", in Leviathan (1651), Pt. I, Ch. 13.
Cold Comfort Farm (1932)

Life

“A [learning] style is a disposition to adopt one class of learning strategy.”

Gordon Pask (1928–1996) British psychologist

Source: Learning Strategies, Teaching Strategies, and Conceptual or Learning Style (1988), p. 85.

Learning

“Wilhelm II styled himself Admiral of the Atlantic, though that ocean had never been claimed to be an inland waterway. The fleet of gunboats that cruised up and down the Yangtze was a standing temptation for the local representatives of the Great Powers to give point to their often unreasonable demands by a demonstration or the threat of a bombardment. Many instances could be given of this kind of 'gunboat diplomacy' in the interests of missionaries, private debtors and even ordinary Christian converts.”

K. M. Panikkar (1895–1963) Indian diplomat, academic and historian

Asia and Western Dominance: a survey of the Vasco Da Gama epoch of Asian history, 1498–1945

“Style… the very hall-mark of great art… there is little use in trying to define style.”

Ernest Flagg (1857–1947) American architect

Small Houses: Their Economic Design and Construction (1922)

Art

“We often hear that mothers do the caring; fathers just do the playing. This is a false dichotomy -- even a dangerous one -- because fathers’ particular style of play involves both a conscious focus on teaching and, as the research is now showing, is instructive to children even when it is not consciously designed to be so.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Source: Father and Child Reunion (2001), p. 57.

Children, Falseness

“I wanted to create an interesting scifi universe that didn’t violate the laws of physics, and that means that you’re limited to staying inside the solar system. I also wanted to get away from the ship-centric style of science fiction. Star Trek is ship-centric and it’s all about the Enterprise — there are many other examples. What if we decided to get away from the obsession with ships and instead thought about big machines and structures that might be used to create a civilization inside the solar system?”

Neal Stephenson (1959) American science fiction writer

About Seveneves, "Here's How Space Megastructures Will Look, According to Neal Stephenson" in Gizmodo, interviewed by Annalee Newitz, May 20, 2015 (pre-Zero)

Law, Star, Universe, Science

“Having now retrieved a little more of leasure, both for Delineation and Description, for a further elucidation of what I have said, I shall make it my third Attempt, to explain;
First, A Helioscope to look upon the body of the Sun, without any offence to the Observers eye.
Secondly, A way of shortening reflective and refractive Telescopes.
Thirdly, A way of using a Glass of any length, without moving the Tube.
Fourthly, An Instrument for taking the Diameters of the Sun, Moon and Planets, or for taking any other Distances, to five or ten Degrees, to the certainty of a Second. …
Fifthly, An Instrument for describing all manner of Dials, by the tangent projection.
Sixthly, The uses thereof;
1. For adjusting the Hand of a Clock, so as to make it move in the shadow of a Dial, whose style is parallel to the Axis: Or,
2. In the Azimuth of any Celestial Body, that is, in the shadow of the upright, or any other way inclining Style, upon any plain.
3. For making a Hand move according to the true æquation of Time.
4. For making all manner of Elliptical Dials, in Mr. Foster's way, &c.
5. For communicating a circular motion in a Curve Line, without any shaking: And for divers other excellent purposes.”

Robert Hooke (1635–1703) English natural philosopher, architect and polymath

A Description of Helioscopes, and Some Other Instruments https://books.google.com/books?id=KQtPAAAAcAAJ (1676)

Way, Communication, Time, Sun

“The simple fact is that Chairman Mao was a pretty perceptive political thinker. You can deplore what he did in China and still realize that not everything he wrote was the sheer embodiment of evil. […] Is this really how you want to start judging politicians -- by their favorite philosophers? […] Actually thinking about issues has gone way out of style on the right. It's much easier to march in lockstep with populist goons like Glenn Beck. […] It's appalling that so many LGF readers are buying into this insanity. What's wrong with you people?”

Charles Foster Johnson (1953) American musician

October 16, 2009 http://littlegreenfootballs.com/article/34925_Video-_John_McCain_Quotes_Chairman_Mao/comments/

People, Way, Thinking, Evil

“Confidence is at the root of so many attractive qualities - a sense of humor, a sense of style, a willingness to be who you are no matter what anyone else might think or say.”

Wentworth Miller (1972) British-born American actor

TheScene.com.au. 14 Jun 2007. Beanpole give Miller a Break. 27 Aug 2009. http://www.thescene.com.au/Fashion/Hype/BEANPOLES-GIVE-MILLER-A-BREAK/ TV.com Trivia http://www.tv.com/wentworth-miller/person/714/trivia.html on what qualities he finds attractive in a woman, at a Beanpole Press Conference in South Korea

Confidence, Thinking, Sense

“Well, you know I used to play piano for the church. You know that spiritual, 'Give Me that Old Time Religion', most churches just say, [sings] "Give me that old time religion" but I did, [sings] "Give me that old time, talkin' 'bout religion," you know I put that little thing in it you know, I always did have that thing but I didn't know what to do with the thing I had. So the style has always been with me… I always had my little thing I wanted to let the world hear, you know.”

Little Richard (1932) American pianist, singer and songwriter

When asked what inspired him to write 'Tutti Frutti' amd where the style came from, in The Rolling Stone Interviews: 1967-1980 (1989) edited by Peter Herbst, p. 91.

World, Religion, Singing, Time

“Because she jumbles up so many cultural categories, because she is a feminist not in the Yale Gender Studies sense but the How Do I Reload This Thang way, because she is a woman who in style, history, moxie and femininity is exactly like a normal American feminist and not an Abstract Theory feminist; because she wears makeup and heels and eats mooseburgers and is Alaska Tough, as Time magazine put it; because she is conservative, and pro-2nd Amendment and pro-life; and because conservatives can smell this sort of thing — who is really one of them and who is not — and will fight to the death for one of their beleaguered own; because of all of this she is a real and present danger to the American left, and to the Obama candidacy.”

Peggy Noonan (1950) American author and journalist

"Open Mic Night at MSNBC" The Wall Street Journal (3 September 2008) http://online.wsj.com/article/declarations.html

Life, Death, Way, History

“Prokofiev was not alone among the leading composers of the twentieth century in changing his style repeatedly in the course of his career: Stravinsky, Schoenberg, Bartók, and others modified their musical language drastically at various stages of their creative lives. In Prokofiev’s case, he always maintained certain stylistic facets throughout the transformations of his musical language.”

Boris Berman (1948) Russian/American musician

Prokofiev’s piano sonatas : a guide for the listener and the performer (2008), Prokofiev: His Life and the Evolution of His Musical Language

Music, Change

“There are two styles of walls "opus reticulatum," now used by everybody and the ancient style called "opus incertum." Of these, the reticulatum looks better, but its construction makes it likely to crack… On the other hand, in the opus incertum, the rubble lying in courses and imbricated, makes a wall which though not beautiful, is stronger.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book II, Chapter VIII "Methods of Building Walls" Sec. 1

Beauty, Lying

“A Poet, Naturalist, and Historian,
Who left scarcely any style of writing untouched,
And touched nothing that he did not adorn.”

Samuel Johnson (1709–1784) English writer

Epitaph on Goldsmith
Bartlett's Familiar Quotations, 10th ed. (1919)

““He had his own style. He could convey his thoughts through expressions. His eye movement was superb!”
Birju Maharaj- great Kathak dancer, selecting him as one of the ten finest dancers he has known, 2000”

Mani Madhava Chakyar (1899–1990) Indian actor

Abhinaya and Netrābhinaya Source: Birju Maharaj- the Kathak maestro on the ten finest dancers he has known http://health.rediff.com/millenni/birju.htm, rediff.com: The Millennium Special

“As an artistic style, mannerism conformed to a divided outlook on life which was, nevertheless, spread uniformly all over Western Europe; the baroque is the expression of an intrinsically more homogeneous worldview, but one which assumes a variety of shapes in the different European countries. Mannerism, like Gothic, was a universal European phenomenon, even if it was restricted to much narrower circles than the Christian art of the Middle Ages; the baroque, on the other hand, embraces so many ramifications of artistic endeavour, appears in so many different forms in the individual countries and spheres of cultures, that it seems doubtful at first sight whether it is possible to reduce them all to a common denominator.”

Arnold Hauser (1892–1978) Hungarian art historian

'Chapter 8. The Concept of Baroque
The Social History of Art', Volume II. Renaissance, Mannerism, Baroque, 1999

Life, Age, Art, Universe

“He [Jean] still felt surges of generosity, and gave in to them if they didn’t cramp his style. That was it. He could be kind if kindness caused him no problems.”

Gabrielle Roy book The Tin Flute

Source: The Tin Flute (1945), P. 206

Problem

“The nature of the universe is the nature of things that are. Now, things that are have kinship with things that are from the beginning. Further, this nature is styled Truth; and it is the first cause of all that is true.”

Marcus Aurelius book Meditations

Source: Meditations (c. 121–180 AD), Book IX, 1

Truth, Nature, Universe

“There are two ways of confronting the country's problems. One is through a management style based on adventurism, instability, play-acting, exaggerations, wrongdoing, being secretive, self-importance, superficiality and ignoring the law. The second way is based on realism, respect, openness, collective wisdom and avoiding extremism.”

Mir-Hossein Mousavi (1941) Iranian politician and architect

As quoted in "Ahmadinejad lashes out at Iran's ex-presidents", CNN (4 June 2009) http://www.cnn.com/2009/WORLD/meast/06/03/iran.election.debate/index.html

Wisdom, Secret, Law, Way

“If ever they are put to the test, they shy away, affirming that nationalism is 'practical', cosmopolitanism but a remote ideal. Though they see it intellectually, their hearts are not capable of responding to it. If ever the nation is in danger, their cosmopolitanism evaporates, and they stand for the nation in the good old style. Yet intellectually they know that in their modem world this way leads to disaster.”

Olaf Stapledon book Last Men in London

Source: Last Men in London (1932), Chapter V: Origins of the European war

World, Way, Heart

“I was interested in achieving a creative freedom, a style that I could express with Seurat's.... color technique [color-divisionism], but shaped to my own needs. Proof that I found it is in my paintings of that period, among which is the famous 'Pan-Pan a Monico' [Severini painted in 1912]. My preference for Neo-Impressionism dates from those works. At times I tried to suppress it, but it always worked its way back to the surface.”

Gino Severini (1883–1966) Italian painter

Source: The Life of a Painter - autobiography', 1946, p. 53; as quoted in: Shannon N. Pritchard, Gino Severini and the symbolist aesthetics of his futurist dance imagery, 1910-1915 https://getd.libs.uga.edu/pdfs/pritchard_shannon_n_200305_ma.pdf Diss. uga, 2003.

Color, Way, Freedom, Time

“Her style was plain and poetic as rain on a daisy--she was particularly gifted at the description of empty land and horses. She lived in the basement of my house for a hundred dollars a month, and I was desperately in love with her.”

Michael Chabon book Wonder Boys

Wonder Boys (1995)

Love, Horse, Housing

“The great masters of modern analysis are Lagrange, Laplace, and Gauss, who were contemporaries. It is interesting to note the marked contrast in their styles. Lagrange is perfect both in form and matter, he is careful to explain his procedure, and though his arguments are general they are easy to follow. Laplace on the other hand explains nothing, is indifferent to style, and, if satisfied that his results are correct, is content to leave them either with no proof or with a faulty one. Gauss is as exact and elegant as Lagrange, but even more difficult to follow than Laplace, for he removes every trace of the analysis by which he reached his results, and studies to give a proof which while rigorous shall be as concise and synthetical as possible.”

W. W. Rouse Ball (1850–1925) English mathematician

W. W. Rouse Ball, History of Mathematics, (London, 1901), p. 463;

Study, Perfection, Indifference

“Militant leftism in politics appears to have its roots in broadly analogous sentiments. Every labour politician has observed that the most indignant members of his local Party are not usually the poorest, or the slum-dwellers, or those with most to gain from further economic change, but the younger, more self-conscious element, earning good incomes and living comfortably in neat new council houses: skilled engineering workers, electrical workers, draughtsmen, technicians, and the lower clerical grades. (Similarly the most militant local parties are not in the old industrial areas, but either in the newer high-wage engineering areas or in middle-class towns; Coventry or Margate are the characteristic strongholds.) Now it is people such as these who naturally resent the fact that despite their high economic status, often so much higher than their parents’, and their undoubted skill at work, they have no right to participate in the decisions of their firm, no influence over policy, and far fewer non-pecuniary privileges than the managerial grades; and outside their work they are conscious of a conspicuous educational handicap, of a style of life which is still looked down on by middle-class people often earning little if any more, of differences in accent, and generally of an inferior class position.”

Anthony Crosland book The Future of Socialism

The Future of Socialism by Anthony Crosland
The Future of Socialism (1956)

Life, People, Education, Nature

“Men fall, roughly speaking, into two flocks: Those whose intelligence is uninquiring in the face of Art, and does not demand to be appeased before their emotions can be stirred; and those who, having a speculative bent of mind, must first be satisfied by an enlightening quality in a work of Art, before that work of Art can awaken in them feeling. The audience of the realist is drawn from this latter type of man; the much larger audience of the romantic artist from the former; together with, in both cases, those fastidious few for whom all Art is style and only style, and who welcome either kind, so long as it is good enough.”

John Galsworthy (1867–1933) English novelist and playwright

Vague Thoughts On Art (1911)

Men, Art, Feeling, Intelligence

“villas with columns in different styles [in Louisiana, America] painted white, in gardens of magnolias, orange trees, banana trees, negroes in old clothes like characters from La Belle Jardiniere.... rosy white children in black [negro] arms.... a brilliant light which streams my eyes.... the Negresses of all shades, holding in their arms little white babies, so white, against white houses with columns of fluted wood and in gardens of orange trees.”

Edgar Degas (1834–1917) French artist

quote on his journey through America during 1872
Quote from his letter, Louisiana, America 1872; as cited in The private lives of the Impressionists, Sue Roe, Harpen Collins Publishers, New York 2006, p. 113-114
1855 - 1875

Children, Quotes, Tree, Light

“To approach Bach, one has to realize that 100 years after Bach’s death, Bach and his music totally had been forgotten. Even while he was still alive, Bach himself believed in the polyphonic power and the resulting symmetric architectures of well-proportioned music. But this had been an artificial truth - even for him. Other composers, including his sons, already composed in another style, where they found other ideals and brought them to new solutions. The spirit of the time already had changed while Bach was still alive. A hundred years later, it was Mendelssohn who about 1850 discovered Bach anew with the performance of the St. Matthew Passion. Now a new renaissance began, and the world learned to know the greatness of Bach. To become acquainted with Bach, many transcriptions were done. But the endeavors in rediscovering Bach had been - stylistically - in a wrong direction. Among these were the orchestral transcriptions of Leopold Stokowski, and the organ interpretations of the multitalented Albert Schweitzer, who, one has to confess, had a decisive effect on the rediscovery of Bach. All performances had gone in the wrong direction: much too romantic, with a false knowledge of historic style, the wrong sound, the wrong rubato, and so on. The necessity of artists like Rosalyn Tureck and Glenn Gould - again 100 years later - has been understandable: The radicalism of Glenn Gould pointed out the real clarity and the internal explosions of the power-filled polyphony in the best way. This extreme style, called by many of his critics refrigerator interpretations, however really had been necessary to demonstrate the right strength to bring out the architecture in the right manner, which had been lost so much before. I’m convinced that the style Glenn Gould played has been the right answer. But there has been another giant: it was no less than Helmut Walcha who, also beginning in the 1950, started his legendary interpretations for the DG-Archive productions of the complete organ-work cycle on historic organs (Silbermann, Arp Schnitger). Also very classical in strength of speed and architectural proportions, he pointed out the polyphonic structures in an enlightened but moreover especially humanistic way, in a much more smooth and elegant way than Glenn Gould on the piano. Some years later it was Virgil Fox who acquainted the U. S. with tours of the complete Bach cycle, which certainly was effective in its own way, but much more modern than Walcha. The ranges of Bach interpretations had become wide, and there were the defenders of the historical style and those of the much more modern romantic style. Also the performances of the orchestral and cantata Bach had become extreme: on one side, for example, Karl Richter, who used a big and rich-toned orchestra; on the other side Helmut Rilling, whose Bach was much more historically oriented.”

Burkard Schliessmann classical pianist

Talkings on Bach

Death, Truth, World, Music

“By and large the literature of a democracy will never exhibit the order, regularity, skill, and art characteristic of aristocratic literature; formal qualities will be neglected or actually despised. The style will often be strange, incorrect, overburdened, and loose, and almost always strong and bold. Writers will be more anxious to work quickly than to perfect details. Short works will be commoner than long books, wit than erudition, imagination than depth. There will be a rude and untutored vigor of thought with great variety and singular fecundity. Authors will strive to astonish more than to please, and to stir passions rather than to charm taste.”

Alexis De Tocqueville book Democracy in America

Book One, Chapter XIII.
Democracy in America, Volume II (1840), Book One

Books, Art, Democracy, Imagination

“We need to launch a nationwide campaign against superstition and belief in witchcraft. Nigerians should be told that witches are not real, and that witches and spirits are imaginary entities created by primitive minds during the infancy of human race to explain situations and issues they could not understand or resolve commonsensically. This campaign should be taken to all Nigerian schools, colleges and universities. It should be publicized over the radios and television, in the newspapers, in market places, in churches and mosques. In particular, we need to check the activities of our so called pastors and other self styled men and women of God who use the Bible or Holy books to perpetrate and justify atrocious acts and human right abuses. These religious charlatans continue to act and preach in ways that reinforce the belief in witches and provoke acts of witch accusation, persecution and killing. This has been the driving force in Akwa Ibom State, and until Nigerians learn to reject superstition and irrationalism such tragedies will continue to occur.”

Leo Igwe (1970) Nigerian human rights activist

Saving Child Witches: A Nigerian Perspective http://enblog.mukto-mona.com/2008/12/14/saving-child-witches-a-nigerian-perspective/ (December 14th, 2008)

Women, Men, God, Books

“I have two thoughts [on the question of interviewer Joseph S. Trovato: 'Were the projects a good thing for American art?']. That practically all of the best painters of my generation developed on the projects such as Pollock, de Kooning, Brooks, Hague (sculptor), B. Greene, and Baziotes. I could go on and on. My second thought is that the reason it was good is that it had a broad base due to the economic situation we were in - the depression - and all kinds of art and styles, plus all degrees of talent were employed. Everybody was given an opportunity to prove himself. The many painters I mentioned above who have come such a long way is proof of this.”

Phillip Guston (1913–1980) American artist

n.p.
1961 - 1980, Oral history interview with Philip Guston, 1965 January 29

Art, Way, Question

“In French there is an old expression, 'la patte', meaning the artist's touch, his personal style, his 'paw'. I wanted to get away from la patte and all that retinal painting.”

Marcel Duchamp (1887–1968) French painter and sculptor

posthumous

Painting, Personality

“While his brushstrokes are rudimentary, bystanders appreciated the artist's unorthodox style.”

Pricasso (1949) Australian painter

[Annette Sharp, The Diary: Painting by members, The Sun-Herald, Sydney, Australia, 29 July 2007, 2, Fairfax Media Publications Pty Limited]
About

“There are always an ample sufficiency of compassionate neighbours ready to console one who, by common consent, is styled "the disconsolate widower.””

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Traits and Trials of Early Life (1836)

“I think sometimes that people assume because I'm on television I'm an expert, but I think the whole point of what I do is that I'm not and I don't have any training. My approach isn't about a fancy ingredient or style. I cook what I love to eat.”

Nigella Lawson (1960) British food writer, journalist and broadcaster

As quoted in "British sensation Lawson says cooking should be about fun, family" by Beth Cooney in Oakland Tribune (4 June 2003)

Love, People, Thinking, Training

“"Non-fiction", on the other hand, declares itself to be the carrier of fact, an expression of reality, and thus of truth. Why then does most fact-based work have a remarkably short shelf life? The reply might be that additional facts come along. That we are learning all the time. In that case, it was never an expression of reality or truth. And even if the facts are overtaken, the arguments built upon them should not date with such terrifying rapidity. Decade-old serious "non-fiction" often seems arcane, irrelevant. The written style itself seems to become old-fashioned. Two-centuries-old decent "fiction" on the other hand can easily remain fresh.”

John Ralston Saul (1947) Canadian author and essayist

On Equilibrium (2001)

Life, Truth, Fashion, Reality

“We must endeavour to bring about a correlationship and complementarity between the spiritual and secular. Let there be whatever changes in our style of living or in the conditions of society. The recognition of the soul and conscience, the acknowledgement of the supremacy of Divine, faith and devotion to Dharma, and the limitation of selfishness and greed - if these four are kept alive, we can boldly assert that the teaching of the Gita will remain alive.”

D. V. Gundappa (1887–1975) Indian writer

The Gita for Every Man

Faith, Soul, Change, Selfishness

“I have attempted to write the following account of myself, as if I were a dead man in another world looking back at my own life. Nor have I found this difficult, for life is nearly over with me. I have taken no pains about my style of writing.”

Charles Darwin (1809–1882) British naturalist, author of "On the origin of species, by means of natural selection"

volume I, chapter II: "Autobiography", page 27 http://darwin-online.org.uk/content/frameset?pageseq=45&itemID=F1452.1&viewtype=image The Life and Letters of Charles Darwin (1887)

Life, Pain, World, Dead

“…taste is free, and all styles are good which amuse.”

Henry Adams (1838–1918) journalist, historian, academic, novelist

Mont Saint Michel and Chartres (1904)

“I returned to the Holiday Inn — where they have a swimming pool and air-conditioned rooms — to consider the paradox of a nation that has given so much to those who preach the glories of rugged individualism from the security of countless corporate sinecures, and so little to that diminishing band of yesterday's refugees who still practice it, day by day, in a tough, rootless and sometimes witless style that most of us have long since been weaned away from.”

Hunter S. Thompson book The Great Shark Hunt

Gonzo Papers, Vol. 1: The Great Shark Hunt: Strange Tales from a Strange Time (1979)
1970s

Holiday

“Fashion fades, only style remains the same.”

Coco Chanel (1883–1971) French fashion designer

As quoted in Architectural Digest (September 1994), p. 30

Fashion

“[Looper's] sort of a down-to-earth Blade Runner: it feels real. It's that style of sci-fi that could actually exist in 30 years.”

Joseph Gordon-Levitt (1981) American actor, director, producer, and writer

Los Angeles Times http://herocomplex.latimes.com/2012/04/13/looper-trailer-joseph-gordon-levitt-completes-time-travel-circle/, 2012

Feeling

“As for my style, for my vision of the cinema, editing is not simply one aspect; it's the aspect.”

Orson Welles (1915–1985) American actor, director, writer and producer

Mitry, Jean; King, Christopher. The Aesthetics and Psychology of the Cinema (1999). Indiana University Press. [ISBN 0-253-21377-0], p. 176.

“Nothing so closely approaches a grand style as turgid nonsense: the ridiculous is one of the extremes of the subtle.”

Jean-Louis Guez de Balzac (1597–1654) French author, best known for his epistolary essays

Rien n'est si voisin du haut style que le galimatias: le ridicule est une des extrémités du subtil.
Socrate Chrétien, Discours X.
Translation reported in Harbottle's Dictionary of quotations French and Italian (1904), p. 202.
Socrate Chrétien (1662)

“With 'The Muppet Show' we used to play with a lot of different styles. That's what it was: a variety thing.”

Jim Henson (1936–1990) American puppeteer

Interview with Associated Press (1984)

“.. the equivalence of sounds, gratings, scratches, explosions, shots, blows, hammering, shouts, resonance, echoes in space; meditation of a cosmic theme, reflection for the contemplation of the earth, of magma, of lava, of ash; battlefield; garden; play-field; destiny of the ephemeral... Far from the cliché people have of artists holding the baggage of necessary originality, personality, style, etc., that calls for an outsider's discussion of the works, for the author there is, foremost, a nucleus of thought that is more anonymous and collective and of which artists are but humble servants. This is surely the zone where wisdom is deposited, the wisdom that one may really find beneath all ideologies and the contingencies of this world. It is the impulse of our life instinct for knowledge, love and freedom that has been kept and fed by the wisdom of all time.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

1945 - 1970, A Report on the Wall' 1970

Love, Life, Wisdom, People

“The art of the future will give form to our scientific convictions; this is our religion and our truth, and it is profound and weighty enough to produce the greatest style and the greatest revaluation of form that the world has ever seen. Today, instead of using the laws of nature as a means of artistic expression, we pose the religious problems of a new content. The art of our time will surely have profound analogies with the art of primitive periods long past, without of course, the formalistic similarities now senselessly sought by many archaist artists [Marc rejects abstraction of Cubism, among others]. And our time will just as surely be followed in some distant, ripe, late European future by another period of cool maturity, which in its turn will again set up its own formal laws and traditions. [written at the front of World War 1.”

Franz Marc (1880–1916) German painter

near Verdun, 1915]
Source: 1915 - 1916, 100 Aphorisms', Franz Marc (1915), p. 446

War, Truth, World, Religion

“I can understand deposing the Queen from the throne perfectly well. I can understand an attempt made on the life of the Queen perfectly well, or expelling her from her dominions but I do not, for the life of me, know what it is to depose her ‘from the style, honour, or royal name of the Imperial Crown of the United Kingdom.”

Robert Holmes (1765–1859) Irish writer

Speech (1848-05-20) in the case of John Mitchel, Young Irelander and one of the Irish Confederation Leaders. Mitchel was later sentenced to fourteen years transportation.

Life, Understanding

“…he had found an image of one of the big Western-style business hotels along the waterfront: one of those places where it was possible to be a white person without attracting one’s own personal Stonehenge of cataleptic, openmouthed gapers.”

Neal Stephenson book Reamde

Xiamen, Day 4
Reamde (2011), Part I: Nine Dragons

Business, Personality

“The subtlety of Brazilian rhythms comes from the type of instruments used. Afro-Cuban music has a scraper called the güiro which is played with a solid stick producing a loud scraping noise. This same instrument is paralleled in Braziliam music with the reco-reco, the difference being that the reco-reco is much smaller, less resonant, and played with something like a brush. The cabasa is a gourd wrapped in beads that is incapable of extremely loud noise. The same is true of the chocalho or cylinder, and the tambourine. A regular set of drums contrasts this. The result is a light rhythm that, unlike the conga, bongos and timbales of Afro-Cuban music, does not engulf the listener but permeates him. To this is usually added the guitar (unamplified) played finger-style, which completes the subtlety.”

Clare Fischer (1928–2012) American keyboardist, composer, arranger, and bandleader

From "Clare Fischer on Bossa Nova" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#3f6344g3cshffpj in Downbeat (November 8, 1962), p. 23

Music, Light

“Command & Conquer is very much a part of what my style…was founded on, combining the various elements of rock, electronic, hip-hop, and contemporary edge with some orchestral and some what-not—it comes down to not having limitations on what it is you can do, and when you have a project like this that allows you that freedom and that creativity to thrive, you can really take advantage…I think the biggest difference now is, imagine my mindset and the way I was thinking and writing when Command & Conquer first came out, and add about fifteen years experience to that—I think that's what you can expect from Universe at War.”

Frank Klepacki (1974) American musician, video game music composer and sound director

Petroglyph Video Podcast Source: [Kevin Yu, Frank Klepacki = date=2007-03-27, http://www.petroglyphgames.com/news/index.php?id=149&year=2007, VIDEO PODCAST: THE KING IS BACK TO PREVIEW THE MUSIC IN UAW!, Petroglyph Games http://www.petroglyphgames.com/, 22 April, 2007]

War, Way, Imagination, Thinking

“Fame is but a fruit tree:
So very unsound.
It can never flourish
Till its stalk is in the ground.
So men of fame
Can never find a way
Till time has flown
Far from their dying day.
Forgotten while you're here,
Remembered for a while.
A much updated ruin
From a much outdated style.”

Nick Drake (1948–1974) British singer-songwriter

Fruit Tree
Song lyrics, Five Leaves Left (1969)

Men, Way, Tree, Time

“Sir Timothy was a fluent speaker, and when there was nothing to be said was possessed of a great plenty of words. And he was gifted with that peculiar power which enables a man to have the last word in every encounter, — a power which we are apt to call repartee, which is in truth the readiness which comes from continual practice. You shall meet two men of whom you shall know the one to be endowed with the brilliancy of true genius, and the other to be possessed of but moderate parts, and shall find the former never able to hold his own against the latter. In a debate, the man of moderate parts will seem to be greater than the man of genius. But this skill of tongue, this glibness of speech is hardly an affair of intellect at all. It is, — as is style to the writer, — not the wares which he has to take to market, but the vehicle in which they may be carried. Of what avail to you is it to have filled granaries with corn if you cannot get your corn to the consumer? Now Sir Timothy was a great vehicle, but he had not in truth much corn to send.”

Anthony Trollope book The Duke's Children

Source: The Duke's Children (1879), Ch. 26

Men, Truth, Parting

“His father was a Butcher, and I have been told heretofore by some of the neighbours, that when he was a boy he exercised his father's Trade, but when he kill'd a Calfe he would doe it in high style, and make a Speech.”

John Aubrey book Brief Lives

"William Shakespeare"
Brief Lives

Exercises, Boy

““It is the principle of Business, which is more fundamental than the law of gravity. Wherever you go in the galaxy, you can find a food business, a housebuilding business, a war business, a peace business, a governing business, and so forth. And, of course, a God business, which is called ‘religion,’ and which is a particularly reprehensible line of endeavor. I could talk for a year on the perverse and nasty notions that the religions sell, but I’m sure you’ve heard it all before. But I’ll just mention one matter, which seems to underlie everything the religions preach, and which seems to me almost exquisitely perverse.”
“What’s that?” Carmody asked.
“It’s the deep, fundamental bedrock of hypocrisy upon which religion is founded. Consider: no creature can be said to worship if it does not possess free will. Free will, however, is free. And just by virtue of being free, is intractable and incalculable, a truly Godlike gift, the faculty that makes a state of freedom possible. To exist in a state of freedom is a wild, strange thing, and was clearly intended as such. But what do the religions do with this? They say, ‘Very well, you possess free will; but now you must use your free will to enslave yourself to God and to us.’ The effrontery of it! God, who would not coerce a fly, is painted as a supreme slavemaster! In the face of this, any creature with spirit must rebel, must serve God entirely of his own will and volition, or must not serve him at all, thus remaining true to himself and to the faculties God has given him.”
“I think I see what you mean,” Carmody said.
“I’ve made it too complicated,” Maudsley said. “There’s a much simpler reason for avoiding religion.”
“What’s that?”
“Just consider its style—bombastic, hortatory, sickly-sweet, patronizing, artificial, inapropos, boring, filled with dreary images or peppy slogans—fit subject matter for senile old women and unweaned babies, but for no one else. I cannot believe that the God I met here would ever enter a church; he had too much taste and ferocity, too much anger and pride. I can’t believe it, and for me that ends the matter. Why should I go to a place that a God would not enter?””

Robert Sheckley book Dimension of Miracles

Source: Dimension of Miracles (1968), Chapter 13 (pp. 88-89)

Women, God, War, Peace

“You got that James Dean daydream look in your eye,
And I got that red lip, classic thing that you like.
And when we go crashing down, we come back every time,
'Cause we never go out of style, we never go out of style.
You've got that long hair slick back, white t-shirt
And I got that good girl faith and a tight little skirt.
And when we go crashing down, we come back every time.
'Cause we never go out of style, we never go out of style”

Taylor Swift (1989) American singer-songwriter

Style, written by Taylor Swift, Max Martin, Shellback, and Ali Payami
Song lyrics, 1989 (2014)

Faith, Girl, Time

“Fashion is a way of not having to decide who you are. Style is deciding who you are and being able to perpetuate it.”

Quentin Crisp (1908–1999) writer, Actor

Speech, 29 October 1980.

Way, Fashion

“Arguments are like eels: however logical, they may slip from the minds weak grasp unless fixed there by imagery and style.”

Alain de Botton book The Consolations of Philosophy

Source: The Consolations of Philosophy (2000), Chapter III, Consolation For Frustration, p. 92.

“Right now I'm in Hollywood—I don't like Hollywood, it's not really my style. But I've found my own little niche here where it's not bad. It's one of those things where I've been on an extended work trip here for 2 years. I still technically live in Chicago and I'm dying to get back. That's one of the big things for me, I go back to Chicago when I want to hang out. I'm weirdly very proud of my city, and I hope, God willing, I die there.”

Patrick Stump (1984) American musician

AbsolutePunk.net, Patrick Stump, Part 2 - 10.13.08

God, Hope

“Model Driven Architecture is a style of enterprise application development and integration, based on using automated tools to build system independent models and transform them into efficient implementations.”

Grady Booch (1955) American software engineer

Attributed to Grady Booch in: Tarek M. Sobh (2008) Advances in Computer and Information Sciences and Engineering. p. 457

“I come from a place that likes grandeur; it likes large gestures; it is not inhibited by flourish; it is a rhetorical society; it is a society of physical performance; it is a society of style.”

Derek Walcott (1930–2017) Saint Lucian–Trinidadian poet and playwright

Interview with Ed Hirsch (1986), Writers at Work: The Paris Review Interviews, Eighth Series (Penguin, 1988)

“The defendant styles herself "a creator of fashions." Her favor helps a sale. Manufacturers of dresses, millinery and like articles are glad to pay for a certificate of her approval. The things which she designs, fabrics, parasols and what not, have a new value in the public mind when issued in her name. She employed the plaintiff to help her to turn this vogue into money.”

Benjamin N. Cardozo (1870–1938) United States federal judge

Wood v. Lucy, Lady Duff-Gordon, 222 N.Y. 88, 91; 118 N.E. 214 (N.Y. 1917). This opening paragraph has been debated among legal practitioners, some of whom take its tone to be a sly rebuke by Cardozo of a profession which he considered to have an exaggerated influence.
Judicial opinions

Money, Fashion, Help

“People don't want to listen to an imitation. If they want to listen to my style, they will go and buy my records.”

Begum Akhtar (1914–1974) Indian musician

In Quotations by 60 Greatest Indians, Dhirubhai Ambani Institute of Information and Communication Technology http://resourcecentre.daiict.ac.in/eresources/iresources/quotations.html, Quote

People

“But basilicas of the greatest dignity and beauty may also be constructed in the style of that one which I erected, and the building of which I superintended at Fano.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter I, Sec. 6

Beauty