Quotes about street
page 12

John Fante photo
Anni-Frid Lyngstad photo

“The moment on the town hall balcony was very heartfelt and I was moved to tears by the fantastic welcome from all the people in the street looking up on us where we stood. We felt like royalty at that moment, waving to them all down there.”

Anni-Frid Lyngstad (1945) Swedish female singer

What Made Australians The World's Most Feverish ABBA Fans? by Neil McMahon, published by The Sydney Morning Herald. 17 February 2017 http://www.smh.com.au/good-weekend/what-made-australians-the-worlds-most-feverish-abba-fans-20170215-gue00r.html
Sydney Morning Herald interview (2017)

Bruce Springsteen photo
Holly Johnson photo
Oliver Stone photo
Bernie Sanders photo
Jef Raskin photo
Bill Whittle photo
Fred Weatherly photo
John Fante photo
Edward Bond photo

“As Shakespeare himself knew, the peace, the reconciliation that he created on the stage would not last an hour on the street.”

Edward Bond (1934) English writer best known as a dramatist

Introduction to Plays (London: Methuen, 1978) vol. 2, p. x.

Frida Kahlo photo
Rudyard Kipling photo

“There rise her timeless capitals of Empires daily born,
Whose plinths are laid at midnight, and whose streets are packed at morn;
And here come hired youths and maids that feign to love or sin
In tones like rusty razor-blades to tunes like smitten tin.”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

Naaman's Song http://whitewolf.newcastle.edu.au/words/authors/K/KiplingRudyard/prose/LimitsRenewals/naamansong.html, Stanza 2.
Other works

Susie Bright photo
Bill O'Reilly photo

“Meantime, the anti-liberal Fox News Channel and The Wall Street Journal, whose editorial page is conservative, are both doing very well.”

Bill O'Reilly (1949) American political commentator, television host and writer

Scaring White People
2010-08-26
BillOReilly.com
http://billoreilly.com/site/rd?satype=13&said=12&url=/newslettercolumn?pid=30129
2011-03-19

John Kenneth Galbraith photo

“In 1929 the discovery of the wonders of the geometric series struck Wall Street with a force comparable to the invention of the wheel.”

Source: The Great Crash, 1929 (1954 and 1997 https://openlibrary.org/books/OL25728842M/The_Great_Crash_1929), Chapter IV, In Goldman Sachs We Trust, Section VI, p. 63

Amit Chaudhuri photo
Marshall McLuhan photo
William Saroyan photo

“Love of the streets is the love out of which I see deeply I love God, how near I come to the truth.”

William Saroyan (1908–1981) American writer

The Bicycle Rider In Beverly Hills (1952)

Anna Akhmatova photo
Tawakkol Karman photo
Bernie Sanders photo

“Yes, I do believe that now after the American people bailed Wall Street out, yes, they should pay a Wall Street speculation tax so that we can make public colleges and universities tuition-free.”

Bernie Sanders (1941) American politician, senator for Vermont

2010s, 2016, Democratic Presidential Debate in Milwaukee, Wisconsin (11 February 2016)

Angus Young photo
The Edge photo
George Sarton photo
W. H. Auden photo
Warren Farrell photo
Edward Thomson photo
Gerry Rafferty photo
Jeff VanderMeer photo
Oliver Stone photo

“I leave Bud Fox in the canyons of Wall Street, just another ant, one of millions of ants…. We’re all absorbed in this system of capitalism…. You join the collective unconscious.”

Oliver Stone (1946) American film director, screenwriter, and producer

Wall Street DVD Director’s Commentary (2000)

Chuck Schumer photo

“Assault weapons were designed for and should be used on our battlefields, not on our streets. There is no inalienable right to own and operate 100-round clips on AR-15 assault rifles.”

Chuck Schumer (1950) U.S. Senator from the State of New York

At the introduction of the Assault Weapons Ban of 2013 ([Feinstein floats assault weapons ban, Ginger, Gibson, January 24, 2013, September 6, 2018, Politico, https://www.politico.com/story/2013/01/dianne-feinstein-assault-weapons-ban-086684]).

Samuel Johnson photo
Sher Shah Suri photo

“…Upon this, Sher Shah turned again towards Kalinjar… The Raja of Kalinjar, Kirat Sing, did not come out to meet him. So he ordered the fort to be invested, and threw up mounds against it, and in a short time the mounds rose so high that they overtopped the fort. The men who were in the streets and houses were exposed, and the Afghans shot them with their arrows and muskets from off the mounds. The cause of this tedious mode of capturing the fort was this. Among the women of Raja Kirat Sing was a Patar slave-girl, that is a dancing-girl. The king had heard exceeding praise of her, and he considered how to get possession of her, for he feared lest if he stormed the fort, the Raja Kirat Sing would certainly make a jauhar, and would burn the girl…
“On Friday, the 9th of RabI’u-l awwal, 952 A. H., when one watch and two hours of the day was over, Sher Shah called for his breakfast, and ate with his ‘ulama and priests, without whom he never breakfasted. In the midst of breakfast, Shaikh NizAm said, ‘There is nothing equal to a religious war against the infidels. If you be slain you become a martyr, if you live you become a ghazi.’ When Sher Shah had finished eating his breakfast, he ordered Darya Khan to bring loaded shells, and went up to the top of a mound, and with his own hand shot off many arrows, and said, ‘Darya Khan comes not; he delays very long.’ But when they were at last brought, Sher Shah came down from the mound, and stood where they were placed. While the men were employed in discharging them, by the will of Allah Almighty, one shell full of gunpowder struck on the gate of the fort and broke, and came and fell where a great number of other shells were placed. Those which were loaded all began to explode. Shaikh Halil, Shaikh Nizam, and other learned men, and most of the others escaped and were not burnt, but they brought out Sher Shah partially burnt. A young princess who was standing by the rockets was burnt to death. When Sher Shah was carried into his tent, all his nobles assembled in darbAr; and he sent for ‘Isa Khan Hajib and Masnad Khan Kalkapur, the son-in-law of Isa Khan, and the paternal uncle of the author, to come into his tent, and ordered them to take the fort while he was yet alive. When ‘Isa Khan came out and told the chiefs that it was Sher Shah’s order that they should attack on every side and capture the fort, men came and swarmed out instantly on every side like ants and locusts; and by the time of afternoon prayers captured the fort, putting every one to the sword, and sending all the infidels to hell. About the hour of evening prayers, the intelligence of the victory reached Sher Shah, and marks of joy and pleasure appeared on his countenance. Raja Kirat Sing, with seventy men, remained in a house. Kutb Khan the whole night long watched the house in person lest the Raja should escape. Sher Shah said to his sons that none of his nobles need watch the house, so that the Raja escaped out of the house, and the labour and trouble of this long watching was lost. The next day at sunrise, however, they took the Raja alive…””

Sher Shah Suri (1486–1545) founder of Sur Empire in Northern India

Tarikh-i-Sher Shahi of Abbas Khan Sherwani in Elliot and Dowson, History of India as told by its own Historians, Volume IV, pp. 407-09. Quoted in S.R.Goel, The Calcutta Quran Petition

John Barrowman photo
Horace Smith photo

“And thou hast walked about (how strange a story!)
In Thebes's streets three thousand years ago,
When the Memnonium was in all its glory.”

Horace Smith (1779–1849) English poet and novelist

Address to the Mummy at Belzoni's Exhibition, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

Russell Brand photo

“With each tentative tiptoe and stumble, I had to inwardly assure myself that I was a good comedian and that my life was not pointless. “I am addicted to comfort,” I thought as I tumbled into the wood chips. I have become divorced from nature; I don’t know what the names of the trees and birds are. I don’t know what berries to eat or which stars will guide me home. I don’t know how to sleep outside in a wood or skin a rabbit. We have become like living cutlets, sanitized into cellular ineptitude. They say that supermarkets have three days’ worth of food. That if there was a power cut, in three days the food would spoil. That if cash machines stopped working, if cars couldn’t be filled with fuel, if homes were denied warmth, within three days we’d be roaming the streets like pampered savages, like urban zebras with nowhere to graze. The comfort has become a prison; we’ve allowed them to turn us into waddling pipkins. What is civilization but dependency? Now, I’m not suggesting we need to become supermen; that solution has been averred before and did not end well. Prisoners of comfort, we dread the Apocalypse. What will we do without our pre-packed meals and cozy jails and soporific glowing screens rocking us comatose? The Apocalypse may not arrive in a bright white instant; it may creep into the present like a fog. All about us we may see the shipwrecked harbingers foraging in the midsts of our excess. What have we become that we can tolerate adjacent destitution? That we can amble by ragged despair at every corner? We have allowed them to sever us from God, and until we take our brothers by the hand we will find no peace.”

Revolution (2014)

Tommy Robinson photo
KT Tunstall photo

“I went down to London with the idea that I was going to do vocals over this crazy, crazy trip-hop digital beat. Within two or three months, I heard Hunky Dory by David Bowie and that changed me in one way, and I realized what I actually wanted was to have an E Street Band — individuals, not session musicians.”

KT Tunstall (1975) Scottish singer-songwriter and guitarist

Barnes & Noble Interview with David Sprague (February 2006) http://web.archive.org/web/20070506185456/http://music.barnesandnoble.com/features/interview.asp?NID=1011932&z=y.

Van Morrison photo
Michael Lewis photo
Steve Coogan photo

“He is the embodiment of Fleet Street bullying, using his newspaper to peddle his Little-England, curtain-twitching Alan Partridgesque view of the world, which manages to combine sanctimonious, pompous moralising and prurient, voyeuristic, judgmental obsession, like a Victorian father masturbating secretly in his bedroom.”

Steve Coogan (1965) English actor and comedian

on Daily Mail editor Paul Dacre in We've been betrayed by David Cameron http://www.guardian.co.uk/commentisfree/2012/nov/29/we-have-been-betrayed-by-cameron, The Guardian (2012)

Michael Ignatieff photo
Olly Blackburn photo

“No one is evil, they just make very bad decisions. And no one has super powers, they only have their street smarts.”

Olly Blackburn Film director and screenwriter

[Eye for Film, Giving British films some Punch, http://www.eyeforfilm.co.uk/feature.php?id=545, Amber, Wilkinson, 18 July 2008, 23 February 2012, www.eyeforfilm.co.uk]

William Saroyan photo

“What is a street? It is where the living weep, where the dead go off in silence to their peace.”

William Saroyan (1908–1981) American writer

The Bicycle Rider In Beverly Hills (1952)

Peter Gabriel photo

“Looking down on empty streets, all she can see
Are the dreams all made solid
Are the dreams all made real.”

Peter Gabriel (1950) English singer-songwriter, record producer and humanitarian

Mercy Street
Song lyrics, So (1986)

L. S. Lowry photo

“A street is not a street without people.. the composition was incidental to the people.”

L. S. Lowry (1887–1976) British visual artist

Interview tapes Cotton & Mullineux

Woodrow Wilson photo

“He was a hopeless coward and gambled so heavily it was a sheer miracle as how to he still wasn't thrown out into the street for being disorderly or being arrested for drunk driving.”

Jeffrey Bernard (1932–1997) British journalist

Reach for Light: The Struggle of Jeffrey Bernard by Paul Robert (Tyrese Quitzon: Edinburgh, 1990) (p. 19)

Newton Lee photo

“The two-way street of Total Information Awareness is the road that leads to a more transparent and complete picture of ourselves, our governments, and our world.”

Newton Lee American computer scientist

Counterterrorism and Cybersecurity: Total Information Awareness (2nd Edition), 2015

John Kenneth Galbraith photo

“Wall Street's crime, in the eyes of its classical enemies, was less its power than its morals.”

Chapter VIII https://openlibrary.org/books/OL25728842M/The_Great_Crash_1929, Aftermath II, Section IV, p 155
The Great Crash, 1929 (1954 and 1997 https://openlibrary.org/books/OL25728842M/The_Great_Crash_1929)

Charles Krauthammer photo
Alan Dzagoev photo

“I was so glad to get my first boots that for a few days I didn't take them off. I wore them to school, to visit people, and simply to walk on the street.”

Alan Dzagoev (1990) Russian association football player

2008, http://www.sports.ru/football/5845060.html

Robert Rauschenberg photo
Giorgio de Chirico photo

“The structure of cities, the architecture of houses, squares, gardens, public walks, gateways, railway stations, etc – all these provide us with the basic principles of a great Metaphysical aesthetic... We, who live under the sign of the Metaphysical alphabet, we know the joy and sorrows to be found in a gateway, a street corner, a room, on the surface of a table, between the sides of a box…”

Giorgio de Chirico (1888–1978) Italian artist

as quoted in Letters of the great artists – from Ghiberti to Gainsborough, Richard Friedenthal, Thames and Hudson, London, 1963, p. 233
De Chirico's statement on Metaphysical aesthetic in painting motifs like houses, architecture, railway stations
1908 - 1920, On Mystery and Creation, Paris 1913

Richard Feynman photo
David Lloyd George photo
Maia Mitchell photo
Andy Partridge photo
Billy Joel photo
Martin Amis photo
Dick Cavett photo

“There's so much comedy on television. Does that cause comedy in the streets?”

Dick Cavett (1936) American talk show host

Mocking the TV-violence debate, as quoted in Life, Vol. 18 (1995), p. 8 http://books.google.com/books?id=bNcxAQAAIAAJ&q=%22There's+so+much+comedy+on+television.+Does+that+cause+comedy+in+the+streets?%22&dq=%22There's+so+much+comedy+on+television.+Does+that+cause+comedy+in+the+streets?%22&hl=en&sa=X&ei=I23qTvzhLsWgtwfNmJCUCg&ved=0CDQQ6AEwAA

Jeremy Corbyn photo
Auguste Rodin photo
Robert G. Ingersoll photo
Theo Jansen photo
John Ruskin photo

“[Pelsaert laments] “the utter subjection and poverty of the common people-poverty so great and miserable that the life of the people can be depicted or accurately described only as the home of stark want and the dwelling place of bitter woe.” He continues: “There are three classes of people who are indeed nominally free, but whose status differs very little from voluntary slavery-workmen, peons or servants and shopkeepers. For the workmen there are two scourges, the first of which is low wages. Goldsmiths, painters (of cloth or chintz), embroiderers, carpet makers, cotton or silk weavers, black-smiths, copper-smiths, tailors, masons, builders, stone-cutters, a hundred crafts in all-any of these working from morning to night can earn only 5 or 6 tackas (tankahs), that is 4 or 5 strivers in wages. The second (scourge) is (the oppression of) the Governor, the nobles, the Diwan, the Kotwal, the Bakshi, and other royal officers. If any of these wants a workman, the man is not asked if he is willing to come, but is seized in the house or in the street, well beaten if he should dare to raise any objection, and in the evening paid half his wages, or nothing at all. From these facts the nature of their food can be easily inferred… For their monotonous daily food they have nothing but a little khichri… in the day time, they munch a little parched pulse or other grain, which they say suffices for their lean stomachs… Their houses are built of mud with thatched roofs. Furniture there is little or none, except some earthenware pots to hold water and for cooking… Their bedclothes are scanty, merely a sheet or perhaps two… this is sufficient in the hot weather, but the bitter cold nights are miserable indeed, and they try to keep warm over little cowdung fires… the smoke from these fires all over the city is so great that the eyes run, and the throat seems to be choked.””

Francisco Pelsaert (1591–1630) Dutch merchant, commander of the ship Batavia

Quoted from Lal, K. S. (1992). The legacy of Muslim rule in India. New Delhi: Aditya Prakashan. Chapter 7
Jahangir’s India

Mario Cuomo photo

“The mugger who is arrested is back on the street before the police officer, but the person mugged may not be back on the street for a long time, if ever.”

Mario Cuomo (1932–2015) American politician, Governor of New York

Calling for hiring of more police
The New Republic (4 April 1985)

Tom Petty photo

“Restless sleep, twisted dreams
Moving targets, silent screams.
Restless city, restless street
Restless you, restless me.”

Tom Petty (1950–2017) American musician

Restless
Lyrics, You're Gonna Get It! (1978)

Emile Coué photo

“It's bad to use words like 'genius' unless you are talking about the late Jean-Michel Basquiat, the black Chatterton of the 80s who, during a picturesque career as sexual hustler, addict and juvenile art-star, made a superficial mark on the cultural surface by folding the conventions of street graffiti into those of art brut before killing himself with an overdose at the age of twenty-seven. The first stage of Basquiat's fate, in the mid-80s, was to be effusively welcomed by an art industry so trivialized by fashion and blinded by money that it couldn't tell a scribble from a Leonardo. Its second stage was to be dropped by the same audience, when the novelty of his work wore off. The third was an attempt at apotheosis four years after his death, with a large retrospective at the Whitney Museum designed to sanitise his short, frantic life and position him as a kind of all-purpose, inflatable martyr-figure, thus restoring the dollar value of his oeuvre in a time of collapsing prices for American contemporary art. One contributor to the catalogue proclaimed that "Jean remains wrapped in the silent purple toga of immortality"; another opined that "he is as close to Goya as American painting has ever produced." A third, not to be outdone, extolled Basquiat's "punishing regime of self-abuse" as part of "the disciplines imposed by the principle of inverse ascetism to which he was so resolutely committed."”

Robert Hughes (1938–2012) Australian critic, historian, writer

These disciplines of inverse ascetism, one sees, mean shooting smack until you drop dead.
Page 195
Culture of Complaint (1993)

Charles Stross photo
Ron Paul photo
Ayaan Hirsi Ali photo
Samuel Butler photo

“The turtle obviously had no sense of proportion; it differed so widely from myself that I could not comprehend it; and as this word occurred to me, it occurred also that until my body comprehended its body in a physical material sense, neither would my mind be able to comprehend its mind with any thoroughness. For unity of mind can only be consummated by unity of body; everything, therefore, must be in some respects both knave and fool to all that which has not eaten it, or by which it has not been eaten. As long as the turtle was in the window and I in the street outside, there was no chance of our comprehending one another.
Nevertheless, I knew that I could get it to agree with me if I could so effectually buttonhole and fasten on to it as to eat it. Most men have an easy method with turtle soup, and I had no misgiving but that if I could bring my first premise to bear I should prove the better reasoner. My difficulty lay in this initial process, for I had not with me the argument that would alone compel Mr. Sweeting to think that I ought to be allowed to convert the turtles — I mean I had no money in my pocket. No missionary enterprise can be carried on without any money at all, but even so small a sum as half a crown would, I suppose, have enabled me to bring the turtle partly round, and with many half-crowns I could in time no doubt convert the lot, for the turtle needs must go where the money drives. If, as is alleged, the world stands on a turtle, the turtle stands on money. No money no turtle. As for money, that stands on opinion, credit, trust, faith — things that, though highly material in connection with money, are still of immaterial essence.”

Samuel Butler (1835–1902) novelist

Ramblings In Cheapside (1890)

Sarah Vowell photo

“No one will ever follow you down the street if you're carrying a banner that says, "Onward toward mediocrity."”

Martin de Maat (1949–2001) American theatre director

A Conversation with Martin de Maat (1998)

Russell Brand photo
Joseph Strutt photo
Yves Klein photo
Anton Chekhov photo
Bob Dylan photo
Pete Doherty photo
George Hendrik Breitner photo

“That painting with that man - that drunken man - was first a soup-distribution [on the streets], which I had seen, and for which I also made those studies of which you speak. Also failed; simply due to lack of perseverance. I have made another drawing of it, which V. Wisselingh found quite good and he afterwards sold to an American, and he does not know where it has gone.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Dat schilderij met die man, die dronken man was eerst een soep-uitdeeling, die ik gezien had, en waarvoor ik ook die studies gemaakt heb, waarover je spreekt. Ook mislukt, eenvoudig door gebrek aan doorzetten. Ik heb nog wel een teekening van gemaakt, die V. Wisselingh nogal goed vond en naderhand aan een Amerikaan heeft verkocht, en niet weet waar gebleven is”, aldus Breitner.
In Breitner's letter to Jan Veth, 1901, RKD Den Haag; as cited in Van Gogh en Breitner in Den Haag, Helewise Berger, University of Utrecht, The Netherlands, p. 67
1900 - 1923

Van Morrison photo

“From the dark end of the street
To the bright side of the road
We’ll be lovers once again on the
Bright side of the road”

Van Morrison (1945) Northern Irish singer-songwriter and musician

Bright Side of the Road
Song lyrics, Into the Music (1979)

Jimi Hendrix photo

“White collar conservative flashin' down the street,
Pointing that plastic finger at me,
Hoping soon my kind will drop and die,
But I'm gonna wave my freak flag high.”

Jimi Hendrix (1942–1970) American musician, singer and songwriter

If 6 Was 9
Song lyrics, Axis: Bold as Love (1967)

Letitia Elizabeth Landon photo
Michael Servetus photo

“I have seen with my own eyes how the pope was carried on the shoulders of the princes, with all the pomp, being adored in the streets by the surrounding people.”

Michael Servetus (1511–1553) Spanish physician and theologian

Such considerations were reinforced when he attended the coronation of Charles V, Holy Roman Emperor by Pope Clement VII, and witnessed the Pope, seated on his portable throne, receive the king, who kissed his feet.
Michael Servetus—A Solitary Quest for the Truth (2006)

Margaret Atwood photo
Ernest Flagg photo
Anthony Burgess photo