Quotes about street
page 13

Dylan Moran photo
George William Curtis photo

“The country does want rest, we all want rest. Our very civilization wants it — and we mean that it shall have it. It shall have rest — repose — refreshment of soul and re-invigoration of faculty. And that rest shall be of life and not of death. It shall not be a poison that pacifies restlessness in death, nor shall it be any kind of anodyne or patting or propping or bolstering — as if a man with a cancer in his breast would be well if he only said he was so and wore a clean shirt and kept his shoes tied. We want the rest of a real Union, not of a name, not of a great transparent sham, which good old gentlemen must coddle and pat and dandle, and declare wheedlingly is the dearest Union that ever was, SO it is; and naughty, ugly old fanatics shan't frighten the pretty precious — no, they sha'n't. Are we babies or men? This is not the Union our fathers framed — and when slavery says that it will tolerate a Union on condition that freedom holds its tongue and consents that the Constitution means first slavery at all costs and then liberty, if you can get it, it speaks plainly and manfully, and says what it means. There are not wanting men enough to fall on their knees and cry: 'Certainly, certainly, stay on those terms. Don't go out of the Union — please don't go out; we'll promise to take great care in future that you have everything you want. Hold our tongues? Certainly. These people who talk about liberty are only a few fanatics — they are tolerably educated, but most of 'em are crazy; we don't speak to them in the street; we don't ask them to dinner; really, they are of no account, and if you'll really consent to stay in the Union, we'll see if we can't turn Plymouth Rock into a lump of dough'. I don't believe the Southern gentlemen want to be fed on dough. I believe they see quite as clearly as we do that this is not the sentiment of the North, because they can read the election returns as well as we. The thoughtful men among them see and feel that there is a hearty abhorrence of slavery among us, and a hearty desire to prevent its increase and expansion, and a constantly deepening conviction that the two systems of society are incompatible. When they want to know the sentiment of the North, they do not open their ears to speeches, they open their eyes, and go and look in the ballot-box, and they see there a constantly growing resolution that the Union of the United States shall no longer be a pretty name for the extension of slavery and the subversion of the Constitution. Both parties stand front to front. Each claims that the other is aggressive, that its rights have been outraged, and that the Constitution is on its side. Who shall decide? Shall it be the Supreme Court? But that is only a co-ordinate branch of the government. Its right to decide is not mutually acknowledged. There is no universally recognized official expounder of the meaning of the Constitution. Such an instrument, written or unwritten, always means in a crisis what the people choose. The people of the United States will always interpret the Constitution for themselves, because that is the nature of popular governments, and because they have learned that judges are sometimes appointed to do partisan service.”

George William Curtis (1824–1892) American writer

1850s, The Present Aspect of the Slavery Question (1859)

Glenn Beck photo
Vladimir Putin photo
George Savile, 1st Marquess of Halifax photo

“A man that should call every thing by its right Name, would hardly pass the Streets without being knock'd down as a common Enemy.”

George Savile, 1st Marquess of Halifax (1633–1695) English politician

Political, Moral, and Miscellaneous Reflections (1750), Miscellaneous Thoughts and Reflections

Matt Ridley photo
Carole King photo
James Comey photo
Assata Shakur photo
Daniel J. Boorstin photo

“The cities of Italy are now deluged with droves of these creatures [tour groups], for they never separate, and you see them, forty in number, pouring along a street with their director — now in front, now at the rear, circling them like a sheep dog — and really the process is as like herding as may be.”

Daniel J. Boorstin (1914–2004) American historian

Charles James Lever, Cornelius O'Dowd Upon Men and Women and Other Things in General (Blackwood's Magazine, 1864-1865): "Continental Excursionists" [Adamant Media Corporation, 2001, ISBN 0-543-90729-5</small>], p. 243. Quoted by Boorstin in The Image: A Guide to Pseudo-Events in America (1961) [Vintage edition, 1992, <small>ISBN 0-679-74180-1], Ch. 3: From Traveler to Tourist: The Lost Art of Travel, p. 88.
Misattributed

Gerry Rafferty photo
Steve Blank photo

“Mentorship is a two-way street. While I was learning from them [brilliant mentors] - and their years of experience and expertise - what I was giving back was equally important. I brought fresh insights and new perspectives to their thinking.”

Steve Blank (1953) American businessman

" Speech at New York University's Tandon School of Engineering http://www.huffingtonpost.com/steve-blank/nyu-commencement-speech-2_b_10114910.html," at huffingtonpost.com, posted 05/24/2016.

Thomas Carlyle photo
William Saroyan photo
Harold Lloyd photo
Richard Rodríguez photo
John Fante photo
Jeff Foxworthy photo
Jay Gould photo
Larry the Cable Guy photo

“You can always tell when gas is expensive. You always see street gangs doing walk-bys.”

Larry the Cable Guy (1963) American stand-up comedian, actor, country music artist, voice artist

Morning Constitutions (2007)

Bob Dylan photo

“The ancient empty street's too dead for dreaming.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Bringing It All Back Home (1965), Mr. Tambourine Man

Kage Baker photo
Patrick Modiano photo
Brad Paisley photo
James Joseph Sylvester photo
Maddox photo
Philip Morrison photo
Common (rapper) photo

“This is street rad-i-o, For unsung hero,
Driving in the regal, trying to stay legal,
My daughter found Nemo, I found the new primo,
Yeah, you know how we do, we do it for the people.”

Common (rapper) (1972) American rapper, actor and author from Illinois

"The People", Finding Forever
Albums, Compilations, Singles, and Cameos

John Banville photo
Newton Lee photo
Michael Savage photo
Vladimir Putin photo

“Even 50 years ago, the streets of Leningrad taught me one thing: if a fight is inevitable, go and fight first.”

Vladimir Putin (1952) President of Russia, former Prime Minister

2015-10-22, Valdai Forum. http://blogs.ft.com/the-world/2015/10/putin-on-isis-when-a-fight-is-inevitable-you-hit-first/
2011 - 2015

Tom Baker photo
David Lloyd George photo

“In the year 1910 we were beset by an accumulation of grave issues—rapidly becoming graver. … It was becoming evident to discerning eyes that the Party and Parliamentary system was unequal to coping with them. … The shadow of unemployment was rising ominously above the horizon. Our international rivals were forging ahead at a great rate and jeopardising our hold on the foreign trade which had contributed to the phenomenal prosperity of the previous half-century, and of which we had made such a muddled and selfish use. Our working population, crushed into dingy and mean streets, with no assurance that they would not be deprived of their daily bread by ill-health or trade fluctuations, were becoming sullen with discontent. Whilst we were growing more dependent on overseas supplies for our food, our soil was gradually going out of cultivation. The life of the countryside was wilting away and we were becoming dangerously over-industrialised. Excessive indulgence in alcoholic drinks was undermining the health and efficiency of a considerable section of the population. The Irish controversy was poisoning our relations with the United States of America. A great Constitutional struggle over the House of Lords threatened revolution at home, another threatened civil war at our doors in Ireland. Great nations were arming feverishly for an apprehended struggle into which we might be drawn by some visible or invisible ties, interests, or sympathies. Were we prepared for all the terrifying contingencies?”

David Lloyd George (1863–1945) Former Prime Minister of the United Kingdom

War Memoirs: Volume I (London: Odhams, 1938), p. 21.
War Memoirs

Oliver Stone photo
Neal Stephenson photo
Farah Pahlavi photo
Franklin Pierce photo
Daniel Tosh photo

“Even when I was a kid, my imaginary friend would play with the kid across the street. I'd be like, "Hey, so I guess I'll see you later," and he's, like, "Whatever, queer."”

Daniel Tosh (1975) American stand-up comedian

That's a hate crime!
Comedy Central Presents: Daniel Tosh (2003)

Margaret Sanger photo

“MOTHERS! / Can you afford to have a large family? / Do you want any more children? / If not, why do you have them? / DO NOT KILL, / DO NOT TAKE LIFE / BUT PREVENT / Safe, Harmless Information can be obtained of trained nurses at / 46 AMBOY STREET.”

Margaret Sanger (1879–1966) American birth control activist, educator and nurse

(Handbill advertising Sanger's first clinic, Brooklyn, New York, October 1916) https://sangerpapers.files.wordpress.com/2012/05/sanger_flyer.jpg
published in "Birthright: What's next for Planned Parenthood." Jill Lepore. The New Yorker, Nov. 14 2011 - page 48.

Mrs Patrick Campbell photo

“Does it really matter what these affectionate people do — so long as they don’t do it in the streets and frighten the horses!”

Mrs Patrick Campbell (1895–1940) British stage actress

Reply to a young actress who asserted that an older actor in a production showed too much affection for the leading man (c. 1910); as reported by Alan Dent in Mrs. Patrick Campbell, p. 78 (1961).
[horses]Variants: "My dear, I don't care what they do, so long as they don't do it in the street and frighten the horses."
"I don’t mind where people make love, so long as they don't do it in the street and frighten the horses."
"It doesn't make any difference what you do in the bedroom as long as you don't do it in the street and frighten the horses."
"Does it really matter what these affectionate people do, so long as they don't do it on the street and frighten the horses?"
On the internet, a similar comment regarding politicians has been widely attributed to Victor Hugo, but without any definite sources. It appears to be a modern satirical invention, derived from Mrs. Campbell's statements.

Donald Barthelme photo

““How does one conquer fear, Don B.?”
“One takes a frog and sews it to one’s shoe,” he said.
“The left or the right?”
Don B. gave me a pitying look.
“Well, you’d look mighty funny going down the street with only one frog sewed to your shoes, wouldn’t you?" he said. “One frog on each shoe.””

Donald Barthelme (1931–1989) American writer, editor, and professor

“The Teachings of Don B.: A Yankee Way of Knowledge”, pp. 7–8.
The Teachings of Don. B: Satires, Parodies, Fables, Illustrated Stories, and Plays of Donald Barthelme (1992)

Jesse Helms photo

“The Negro cannot count forever on the kind of restraint that’s thus far left him free to clog the streets, disrupt traffic, and interfere with other men’s rights.”

Jesse Helms (1921–2008) American politician

WRAL-TV commentary, 1963 cited in Media Downplay Bigotry of Jesse Helms http://fair.org/press-release/media-downplay-bigotry-of-jesse-helms/
1960s

Rand Paul photo
Johnny Cash photo

“Just around the corner there's heartache
Down the street that losers use.
If you can wade in through the teardrops,
You'll find me at the Home of the Blues.”

Johnny Cash (1932–2003) American singer-songwriter

Home of the Blues, written by Johnny Cash, Douglas L. McAlphin, and Glenn Douglas Tubb
Song lyrics, Johnny Cash Sings the Songs That Made Him Famous (1958)

“The time to buy is when there's blood in the streets, even if the blood is your own.”

Victor Rothschild, 3rd Baron Rothschild (1910–1990) senior executive with Royal Dutch Shell and N M Rothschild & Sons, an advisor to the Edward Heath and Marga…

A statement sometimes attributed to him, and also, more plausibly, to the first Baron Rothschild (as one of 1871); as quoted in Heads I Win, Tails I Win: Why Smart Investors Fail and How to Tilt the Odds in Your Favour (2016) by Spencer Jakab, p. 221
Variants:
When there's blood in the streets it's time to buy.
As quoted in Inside Man (2006)
Disputed

Donald J. Trump photo

“David Brody: Radical Islam: to Evangelicals, this is a bread and butter issue. You said there's a Muslim problem in this country. What do you mean by that exactly?
Donald Trump: Bill O'Reilly asked me is there a Muslim problem? And I said absolutely, yes. In fact I went a step further. I said I didn't see Swedish people knocking down the World Trade Center. It was very interesting. I thought that was going to be a controversial statement and somebody, I think it was Dennis Miller introduced me, he was doing like an analysis of me, he said, I love it. The guy said what the truth is. He didn't mince his words. He didn't say, 'Oh, gee, no there's not a Muslim problem, everybody's wonderful.' And by the way, many, many, most Muslims are wonderful people, but is there a Muslim problem? Look what's happening. Look what happened right here in my city with the World Trade Center and lots of other places. So I said it and I thought it was going to be very controversial but actually it was very well received. I think people want the truth. I think they're tired of politicians. They're tired of politically correct stuff. I mean I could have said, 'Oh absolutely not Bill, there's no Muslim problem, everything is wonderful, just forget about the World Trade Center.' But you have to speak the truth. We're so politically correct that this country is falling apart.
Brody: With some evangelicals there are some problems with the teachings of the Koran. Do you have concerns about the Koran?
Trump: Well, I'll tell you what. The Koran is very interesting. A lot of people say it teaches love and there is a very big group of people who really understand the Koran far better than I do. I'm certainly not an expert, to put it mildly. But there's something there that teaches some very negative vibe. I mean things are happening, when you look at people blowing up all over the streets that are in some of the countries over in the Middle East, just blowing up a super market with not even soldiers, just people, when 250 people die in a super market that are shopping, where people die in a store or in a street. There's a lot of hatred there that's some place. Now I don't know if that's from the Koran. I don't know if that's from some place else. But there's tremendous hatred out there that I've never seen anything like it. So, you have two views. You have the view that the Koran is all about love and then you have the view that the Koran is, that there's a lot of hate in the Koran.”

Donald J. Trump (1946) 45th President of the United States of America

On CBN News' "The Brody File" (12 April 2011) ( video https://www.youtube.com/watch?v=fWzDAvemJG8) ( transcript http://blogs.cbn.com/thebrodyfile/archive/2011/04/12/brody-file-exclusive-donald-trump-says-something-in-koran-teaches.aspx)
2010s, 2011

Naomi Klein photo
Umberto Boccioni photo

“The street enters the house.”

Umberto Boccioni (1882–1916) Italian painter and sculptor

the title of one of Boccioni's most Futurist paintings: street enters the house' https://upload.wikimedia.org/wikipedia/commons/7/74/Boccioni_The_Street_Enters_The_House.jpg'The; Boccioni painted it in 1911.
1911

Thomas Robert Malthus photo
Konrad Heiden photo
Jeff VanderMeer photo
William S. Burroughs photo

“A ghost in daylight on a crowded street.”

Junkie (1953)

Doris Lessing photo

“We were marching down the street, and we were at the head of the troops. We went on marching, and the troops went off to the left.”

Geoffrey Burbidge (1925–2010) British astronomer

Of his leadership of supporters of the Steady State theory of cosmology Wall Street Journal obituary 30 January 2010 http://online.wsj.com/article/SB10001424052748703389004575033382092023468.html?mod=googlenews_wsj
We are all made from stardust

Dejan Stojanovic photo
Comte de Lautréamont photo

“I hail you, old ocean! Old ocean, you are the symbol of identity: always equal unto yourself. In essence, you never change, and if somewhere your waves are enraged, farther off in some other zone they are in the most complete calm. You are not like man — who stops in the street to see two bulldogs seize each other by the scruff of the neck, but does not stop when a funeral passes. Man who in the morning is affable and in the evening ill-humoured. Who laughs today and weeps tomorrow. I hail you, old ocean!”

Vieil océan, tu es le symbole de l'identité: toujours égal à toi-même. Tu ne varies pas d'une manière essentielle, et, si tes vagues sont quelque part en furie, plus loin, dans quelque autre zone, elles sont dans le calme le plus complet. Tu n'es pas comme l'homme, qui s'arrête dans la rue, pour voir deux boule-dogues s'empoigner au cou, mais, qui ne s'arrête pas, quand un enterrement passe; qui est ce matin accessible et ce soir de mauvaise humeur; qui rit aujourd'hui et pleure demain. Je te salue, vieil océan!
Les Chants de Maldoror (1972 ed.), p. 13.

Yolanda King photo
Michael Lewis photo
George Michael photo
Francis Escudero photo

“His remains lie in state at the Mt. Carmel Church at Broadway corner 5th Street, New Manila, Quezon City until Tuesday.”

Francis Escudero (1969) Filipino politician

2012, Statement: on the Passing of His Father Rep. Salvador H. Escudero III

Eric Hoffer photo
Vladimir Lenin photo

“When we are victorious on a world scale I think we shall use gold for the purpose of building public lavatories in the streets of some of the largest cities of the world.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

"The Importance of Gold Now and After the Complete Victory of Socialism" (5 November 1921) http://www.marxists.org/archive/lenin/works/1921/nov/05.htm, Collected Works, Vol. 33, p. 113.
1920s

William Saroyan photo
Tawakkol Karman photo
William Blake photo

“The harlot's cry from street to street
Shall weave old England's winding sheet.”

William Blake (1757–1827) English Romantic poet and artist

Source: 1800s, Auguries of Innocence (1803), Line 115

Anthony Burgess photo
Margaret Hughes photo
Aneurin Bevan photo

“I have spent now more than a quarter of a century of my life in public affairs, and as I grow older I become more and more pessimistic. I started-if the House will forgive me this personal note - my career in public affairs in a small colliery town in South Wales. When I was quite a young boy my father took me down the street and showed me one or two portly and complacent looking gentlemen standing at the shop doors, and, pointing to one, he said, "Very important man. That's Councillor Jackson. He's a very important man in this town." I said, "What's the Council?" "Oh, that's the place that governs the affairs of this town," said my father. "Very important place indeed, and they are very powerful men." When I got older I said to myself, "The place to get to is the council. That's where the power is." So I worked very hard, and, in association with my fellows, when I was about 20 years of age, I got on to the council. I discovered when I got there that the power had been there, but it had just gone. So I made some inquiries, being an earnest student of social affairs, and I learned that the power had slipped down to the county council. That was as where it was, and where it had gone to. So I worked very hard again, and I got there-and it had gone from there too. Then I found out that it had come up here. So I followed it, and sure enough I found that it had been here, but I just saw its coat tails round the corner.”

Aneurin Bevan (1897–1960) Welsh politician

Hansard, House of Commons 5th series, vol 395, columns 1616-1617.
Speech in the House of Commons, 15 December 1943.
1940s

Jeremy Corbyn photo

“The order owes nothing to the housing needs of the British people. It is not designed to do so. It is just another example of the Tory Government slaughtering the housing needs and hopes of millions of people on the altar of the market economy, with all its gobbledegook about market forces and who will set and pay rents. I shall not say that this is a landlord's charter; it is worse than that. It is a profiteering landlord's charter. The rent officer will no longer be an independent objective person who ensures that a fair rent once fixed is adhered to and to whom one can appeal if a landlord tries to increase such a rent. People, particularly in London, will be harassed out of protected tenancies by con merchants and thrown on to the streets so that the private rented sector, the free market, can allow the level of rent to rise to its natural level—the highest that can be obtained…The effect of their deregulation has been to force up private sector rents, to have people thrown out on the streets, and there will be greater homelessness and profiteering by landlords…Most of those people who tonight are sleeping on the streets around Waterloo station, the National Theatre and along the South Bank, who are begging at the main stations of this city, who are sleeping over the grilles of tube stations on Charing Cross road, not long ago had somewhere to live. Those people are the victims of market forces, the victims of what this Government are doing and believe should be done to poor people, who cannot afford the landlords' rent.”

Jeremy Corbyn (1949) British Labour Party politician

Speech http://hansard.millbanksystems.com/commons/1989/mar/21/rent-officers in the House of Commons (21 March 1989).
1980s

John Marshall Harlan photo
George Fitzhugh photo
Hillary Clinton photo

“For 40 years, everyone running for president has released their tax returns. You can go and see nearly, I think, 39, 40 years of our tax returns, but everyone has done it. We know the IRS has made clear there is no prohibition on releasing it when you're under audit. So you've got to ask yourself, why won't he release his tax returns? And I think there may be a couple of reasons. First, maybe he's not as rich as he says he is. Second, maybe he's not as charitable as he claims to be. Third, we don't know all of his business dealings, but we have been told through investigative reporting that he owes about $650 million to Wall Street and foreign banks. Or maybe he doesn't want the American people, all of you watching tonight, to know that he's paid nothing in federal taxes, because the only years that anybody's ever seen were a couple of years when he had to turn them over to state authorities when he was trying to get a casino license, and they showed he didn't pay any federal income tax. So if he's paid zero, that means zero for troops, zero for vets, zero for schools or health. And I think probably he's not all that enthusiastic about having the rest of our country see what the real reasons are, because it must be something really important, even terrible, that he's trying to hide. And the financial disclosure statements, they don't give you the tax rate. They don't give you all the details that tax returns would. And it just seems to me that this is something that the American people deserve to see. And I have no reason to believe that he's ever going to release his tax returns, because there's something he's hiding.”

Hillary Clinton (1947) American politician, senator, Secretary of State, First Lady

Presidential campaign (April 12, 2015 – 2016), First presidential debate (September 26, 2016)

Michael Collins (Irish leader) photo
John Fante photo
Herman Cain photo

“I don't have the facts to back this up, but I happen to believe that these demonstrations are planned and orchestrated to distract from the failed policies of the Obama Administration. Don't blame Wall Street. Don't blame the big banks. If you don't have a job and you're not rich, blame yourself!”

Herman Cain (1945) American writer, businessman and activist

Herman Cain: I’m More Than the ‘Anti-Romney’
2011-10-05
Wall Street Journal
http://blogs.wsj.com/washwire/2011/10/05/herman-cain-im-more-than-the-anti-romney/
2011-10-07
Regarding the 2011 Occupy Wall Street demonstrations.

Paul Simon photo

“Come on, take me to the Mardi Gras,
Where the people sing and play,
Where the music is elite and there's dancing in the street,
Both night and day.”

Paul Simon (1941) American musician, songwriter and producer

Take Me To The Mardi Gras
Song lyrics, There Goes Rhymin' Simon (1973)

Paul Simon photo

“A man walks down the street
He says why am I soft in the middle now
Why am I soft in the middle
The rest of my life is so hard”

Paul Simon (1941) American musician, songwriter and producer

You Can Call Me Al
Song lyrics, Graceland (1986)
Context: A man walks down the street
He says why am I soft in the middle now
Why am I soft in the middle
The rest of my life is so hard
I need a photo opportunity
I want a shot at redemption
Don’t want to end up a cartoon
In a cartoon graveyard.

Thomas Carlyle photo
Barbara Walters photo

“Now here I was, half Jane Wyman, half Shirley Temple, and people began to stop me in the street and say, 'Don't worry, Barbara, it's all right, you won't lose your job.”

Barbara Walters (1929) American broadcast journalist, author, and television personality

It was really very touching.
Chris Chase, "A Talk With the Unsinkable Barbara Walters", New York Magazine (March 25, 1974), Vol. 7, No. 12, p. 62.

Taj El-Din Hilaly photo
Edward Carpenter photo
Sten Nadolny photo
Roger Ebert photo
Geert Wilders photo
John Betjeman photo
Roy Jenkins photo
Ian McEwan photo

“Nearby, where the main road forked, stood an iron cross on a stone base. As the English couple watched, a mason was cutting in half a dozen fresh names. On the far side of the street, in the deep shadow of a doorway, a youngish woman in black was also watching. She was so pale they assumed at first she had some sort of wasting disease. She remained perfectly still, with one hand holding an edge of her headscarf so that it obscured her mouth. The mason seemed embarrassed and kept his back to her while he worked. After a quarter of an hour an old man in blue workman's clothes came shuffling along in carpet slippers and took her hand without a word and led her away. When the propriétaire came out he nodded at the other side of the street, at the empty space and murmured, 'Trois. Mari et deux frères,' as he set down their salads.This sombre incident remained with them as they struggled up the hill in the heat, heavy with lunch, towards the Bergerie de Tédenat. They stopped half way up in the shade of a stand of pines before a long stretch of open ground. Bernard was to remember this moment for the rest of his life. As they drank from their water bottles he was struck by the recently concluded war not as a historical, geopolitical fact but as a multiplicity, a near-infinity of private sorrows, as a boundless grief minutely subdivided without diminishment among individuals who covered the continent like dust, like spores whose separate identities would remain unknown, and whose totality showed more sadness than anyone could ever begin to comprehend; a weight borne in silence by hundreds of thousands, millions, like the woman in black for a husband and two brothers, each grief a particular, intricate, keening love story that might have been otherwise. It seemed as though he had never thought about the war before, not about its cost. He had been so busy with the details of his work, of doing it well, and his widest view had been of war aims, of winning, of statistical deaths, statistical destruction, and of post-war reconstruction. For the first time he sensed the scale of the catastrophe in terms of feeling; all those unique and solitary deaths, all that consequent sorrow, unique and solitary too, which had no place in conferences, headlines, history, and which had quietly retired to houses, kitchens, unshared beds, and anguished memories. This came upon Bernard by a pine tree in the Languedoc in 1946 not as an observation he could share with June but as a deep apprehension, a recognition of a truth that dismayed him into silence and, later, a question: what possible good could come of a Europe covered in this dust, these spores, when forgetting would be inhuman and dangerous, and remembering a constant torture?”

Page 164-165.
Black Dogs (1992)

Natalie Merchant photo

“see them walking, if you dare
if you call that walking
stumble, stagger, fall and drag themselves
along the streets of heaven”

Natalie Merchant (1963) American singer-songwriter

Song lyrics, In My Tribe (1987), City of Angels

Nathaniel Hawthorne photo
Ed Bradley photo
Luciano Pavarotti photo
Emo Philips photo
John Updike photo

“There had been a lot of death in the newspapers lately. […] and then before Christmas that Pan Am Flight 103 ripping open like a rotten melon five miles above Scotland and dropping all these bodies and flaming wreckage all over the golf course and the streets of this little town like Glockamorra, what was its real name, Lockerbie. Imagine sitting there in your seat being lulled by the hum of the big Rolls-Royce engines and the stewardesses bringing the clinking drinks caddy and the feeling of having caught the plane and nothing to do now but relax and then with a roar and a giant ripping noise and scattered screams this whole cozy world dropping away and nothing under you but black space and your chest squeezed by the terrible unbreathable cold, that cold you can scarcely believe is there but that you sometimes actually feel still packed into the suitcases, stored in the unpressurised hold, when you unpack your clothes, the dirty underwear and beach towels with the merciless chill of death from outer space still in them. […] Those bodies with hearts pumping tumbling down in the dark. How much did they know as they fell, through air dense like tepid water, tepid gray like this terminal where people blow through like dust in an air duct, to the airline we're all just numbers on the computer, one more or less, who cares? A blip on the screen, then no blip on the screen. Those bodies tumbling down like wet melon seeds.”

Rabbit at Rest (1990)