Quotes about street
page 11

Ernst Ludwig Kirchner photo

“They [his 'Street Scene' paintings and drawings, he made in Berlin] originated in the years 1911-14, in one of the loneliest times of my life, during which an agonizing restlessness drove me out onto the streets day and night, which were filled with people and cars.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Quote from Kirchner's Notebook entry 'Meine Strasenbilder', 24 Augustus 1919; as quoted in Ernst Ludwig Kirchner, Meisterwerke der Druckgraphik, M. M. Moeller, Gerd Hatje, Stuttgart 1990 p. 184
1916 - 1919

T.S. Eliot photo
John Lothrop Motley photo

“As long as he lived, he was the guiding-star of a whole brave nation, and when he died the little children cried in the street.”

The Rise of the Dutch Republic (1856; New York: Harper, 1861) vol. 3, part 6, ch. 7, p. 627.
Of William the Silent. In a footnote Motley cites the original of his last phrase in an official report made by the Greffier Corneille Aertsens: "dont par toute la ville l'on est en si grand duil tellement que les petits enfans en pleurent par les rues."

James Ryder Randall photo
Francis Escudero photo
Michelle Obama photo
Orson Welles photo
Bernie Sanders photo
Sunil Dutt photo

“There should be no statues or a street named after me, no postal stamp with my face or any a organization after me. I like people to remember me by following my work”

Sunil Dutt (1929–2005) Hindi film actor

His last wish noted in "Bollywood: Yesterday, Today, Tomorrow", pages=135-36

Hoagy Carmichael photo

“I'm a Cranky Old Yank in a Clanky Old Tank on the Streets of Yokohama with my Honolulu Mama Doin’ Those Beat-o, Beat-o Flat-On-My-Seat-o, Hirohito Blues”

Hoagy Carmichael (1899–1981) American composer, pianist, singer, actor and bandleader

1947 song title, generally agreed to be the longest title of any commercially published song.

Common (rapper) photo
Bruce Springsteen photo
James Comey photo
Ernst Bloch photo
R. A. Lafferty photo
Francis Escudero photo
Roberto Saviano photo
Paul A. Samuelson photo
David Bowie photo
William Blake photo
Adam Myerson photo

“I'm a hopeful but faithless pessimist who thinks that the meaning in life exists in the struggle just to live it. I have a knack for rescuing blind, deaf animals from the mean streets of the city.”

Adam Myerson (1972) American professional bicycle racer

From his Facebook profile https://www.facebook.com/adammyerson (retrieved August 1, 2018).

Scott Joplin photo

“Panic in Wall Street, brokers feeling melancholy.”

Scott Joplin (1868–1917) American composer, musician, and pianist

"Wall Street Rag" (1909)

Letitia Elizabeth Landon photo
Ernst Ludwig Kirchner photo

“.. how the movement of the passers-by [in his Street scene painting of 191-14] is comprehended in the rhombus of the heads which is twice repeated. In this way life and movement arise from an original geometric form. [Kirchner designed a diagram together with this line in the letter]”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Letter to Karl Hagemann, 27 February 1937; as quoted in Kirchner and the Berlin street, ed. Deborah Wye, Moma, New York, 2008, p. 81 - note 31
1930's

Susan Cain photo

“I look back on my years as a Wall Street lawyer as time spent in a foreign country.”

Susan Cain (1968) self-help writer

"The quiet strength of the introvert," The Chicago Tribune, February 20, 2012.

Murray Perahia photo

“In the Bronx, we had three synagogues on one block at 161st Street. My father was Orthodox and we went to the Sephardi one. Further along was the Conservative, the biggest. In between was the Ashkenazi shul. And guess who was their shabbos goy? Colin Powell!”

Murray Perahia (1947) American classical pianist and conductor

Jewish Chronicle interview http://thejc.com/home.aspx?ParentId=m14s150&AId=57994&ATypeId=1&search=true2&srchstr=murray%20perahia&srchtxt=1&srchhead=1&srchauthor=1&srchsandp=1&scsrch=999 (8 February 2008)

Alexander Calder photo
Yury Dombrovsky photo
Amanda Lear photo
Tom Hanks photo
Ellsworth Kelly photo
John Cage photo
Michele Bachmann photo
Arthur Cecil Pigou photo
John Dos Passos photo
Margaret Thatcher photo

“We're leaving Downing Street for the last time after eleven-and-a-half wonderful years, and we're very happy that we leave the United Kingdom in a very, very much better state than when we came here eleven and a half years ago.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Remarks departing Downing Street (28 November 1990) http://www.margaretthatcher.org/document/108258
Third term as Prime Minister

Daniel Handler photo
Van Morrison photo
John Fante photo
Camille Pissarro photo
Geert Wilders photo
Ron Paul photo

“Imagine […] that thousands of armed foreign troops were constantly patrolling American streets in military vehicles. Imagine they were here under the auspices of "keeping us safe" or "promoting democracy" or "protecting their strategic interests." Imagine that they operated outside of US law, and that the Constitution did not apply to them. Imagine that every now and then they made mistakes or acted on bad information and accidentally killed or terrorized innocent Americans, including women and children, most of the time with little to no repercussions or consequences. Imagine that they set up checkpoints on our soil and routinely searched and ransacked entire neighborhoods of homes. Imagine if Americans were fearful of these foreign troops, and overwhelmingly thought America would be better off without their presence. Imagine if some Americans were so angry about them being in Texas that they actually joined together to fight them off, in defense of our soil and sovereignty, because leadership in government refused or were unable to do so. Imagine that those Americans were labeled terrorists or insurgents for their defensive actions, and routinely killed, or captured and tortured by the foreign troops on our land. Imagine that the occupiers' attitude was that if they just killed enough Americans, the resistance would stop, but instead, for every American killed, ten more would take up arms against them, resulting in perpetual bloodshed. […] The reality is that our military presence on foreign soil is as offensive to the people that live there as armed Chinese troops would be if they were stationed in Texas.”

Ron Paul (1935) American politician and physician

Imagine by Ron Paul http://www.lewrockwell.com/paul/paul512.html (11 March 2009).
2000s, 2006-2009

Manuel Zelaya photo
Bell Hooks photo

“To be in the margin is to be part of the whole but outside the main body. As black Americans living in a small Kentucky town, the railroad tracks were a daily reminder of our marginality. Across those tracks were paved streets, stores we could not enter, restaurants we could not eat in, and people we could not look directly in the face. Across those tracks was a world we could work in as maids, as janitors, as prostitutes, as long as it was in a service capacity. We could enter that world but we could not live there. We had always to return to the margin, to cross the tracks, to shacks and abandoned houses on the edge of town. There were laws to ensure our return. To not return was to risk being punished. Living as we did-on the edge-we developed a particular way of seeing reality. We looked both from the outside in and and from the inside out. We focused our attention on the center as well as on the margin. We understood both. This mode of seeing reminded us of the existence of a whole universe, a main body made up of both margin and center. Our survival depended on an ongoing public awareness of the separation between margin and center and an ongoing private acknowledgment that we were a necessary, vital part of that whole. This sense of wholeness, impressed upon our consciousness by the structure of our daily lives, provided us an oppositional world view-a mode of seeing unknown to most of our oppressors, that sustained us, aided us in our struggle to transcend poverty and despair, strengthened our sense of self and our solidarity. … Much feminist theory emerges from privileged women who live at the center, whose perspectives on reality rarely include knowledge and awareness of the lives of women and men who live in the margin. As a consequence, feminist theory lacks wholeness, lacks the broad analysis that could encompass a variety of human experiences. Although feminist theorists are aware of the need to develop ideas and analysis that encompass a larger number of experiences, that serve to unify rather than to polarize, such theory is complex and slow in formation. At its most visionary, it will emerge from individuals who have knowledge of both margin and center.”

p. xvii https://books.google.com/books?id=ClWvBAAAQBAJ&pg=PT8.
Feminist Theory: From Margin to Center (1984), Preface

Henry Adams photo
Preity Zinta photo

“I wear Whatever I feel comfortable in. I like to mix and match. I'll buy something from the street. I'll buy something from a fashion house.”

Preity Zinta (1975) film actress

Preity about design and shopping
Source: [rediff.com, Styling Preity Zinta, http://www.rediff.com/getahead/2004/sep/06ga-preity.htm 1, 10 October, 2006]

Anne Murray photo
Jerome K. Jerome photo

“I can understand the ignorant masses loving to soak themselves in drink—oh, yes, it's very shocking that they should, of course—very shocking to us who live in cozy homes, with all the graces and pleasures of life around us, that the dwellers in damp cellars and windy attics should creep from their dens of misery into the warmth and glare of the public-house bar, and seek to float for a brief space away from their dull world upon a Lethe stream of gin. But think, before you hold up your hands in horror at their ill-living, what "life" for these wretched creatures really means. Picture the squalid misery of their brutish existence, dragged on from year to year in the narrow, noisome room where, huddled like vermin in sewers, they welter, and sicken, and sleep; where dirt-grimed children scream and fight and sluttish, shrill-voiced women cuff, and curse, and nag; where the street outside teems with roaring filth and the house around is a bedlam of riot and stench. Think what a sapless stick this fair flower of life must be to them, devoid of mind and soul. The horse in his stall scents the sweet hay and munches the ripe corn contentedly. The watch-dog in his kennel blinks at the grateful sun, dreams of a glorious chase over the dewy fields, and wakes with a yelp of gladness to greet a caressing hand. But the clod-like life of these human logs never knows one ray of light. From the hour when they crawl from their comfortless bed to the hour when they lounge back into it again they never live one moment of real life. Recreation, amusement, companionship, they know not the meaning of. Joy, sorrow, laughter, tears, love, friendship, longing, despair, are idle words to them. From the day when their baby eyes first look out upon their sordid world to the day when, with an oath, they close them forever and their bones are shoveled out of sight, they never warm to one touch of human sympathy, never thrill to a single thought, never start to a single hope. In the name of the God of mercy; let them pour the maddening liquor down their throats and feel for one brief moment that they live!”

Idle Thoughts of an Idle Fellow (1886)

Fred Dibnah photo

“Fred also previously received two honorary doctorates ….. They were both given by the relevant engineering faculties, but Fred always told people that they were for "back street mechanicing."”

Fred Dibnah (1938–2004) English steeplejack and television personality, with a keen interest in mechanical engineering

Unsourced

Thomas Carlyle photo
Vasyl Slipak photo

“Listen to anyone in the street and he’ll tell you what to do. Our people are wise.”

Vasyl Slipak (1974–2016) Ukrainian opera singer

Ukrainian opera singer Vasyl Slipak killed by sniper // The Washington Post. — 2016. — July 2. https://www.washingtonpost.com/news/worldviews/wp/2016/07/01/famous-ukrainian-opera-singer-vasyl-slipak-killed-by-sniper-in-eastern-ukraine/

Orson Welles photo
Jerome David Salinger photo
Anton Chekhov photo
Tom Baker photo
Helen Garner photo
Paul Simon photo
Stanley Holloway photo
Ernst Ludwig Kirchner photo

“Every day I studied the nude, and movement in the streets and in the shops [in Berlin]. Out of the naturalistic surface with all its variations I wanted to derive the pictorially determined surface.”

Ernst Ludwig Kirchner (1880–1938) German painter, sculptor, engraver and printmaker

Letter to Botho Graef, 21 September 1916; as quoted in Voices of German Expressionism, ed. Victor H. Miesel, Tate publishing, London 2003 p. 18
1916 - 1919

Bill Mollison photo
Mitt Romney photo
Frank McCourt photo
Toni Morrison photo
William Saroyan photo
Pauline Kael photo
Karel Appel photo

“.. because I live in Paris, but just outside Paris at the start of Yonne, I have a barn, a very, very big barn.... right near Auxerre, a barn forty meters long, six meters wide and fifteen meters high, and I do all my work there.. it's like a large street, you know.”

Karel Appel (1921–2006) Dutch painter, sculptor, and poet

describing the location outside Paris, where he makes his large relief compositions
Karel Appel defines his painting', interview 1968

Sam Harris photo
Albert Chevalier photo

“Wot cher! all the neighbours cried,
Who yer gonna meet, Bill,
Have yer bought the street, Bill?
Laugh! I thought I should've died,
Knocked 'em in the Old Kent Road.”

Albert Chevalier (1861–1923) English music hall comedian and singer

Song Knocked 'em in the Old Kent Road https://web.archive.org/web/20090315082451/http://www.asklyrics.com/display/Temple_Shirley/Knocked_%60Em_In_the_Old_Kent_Road_(Wot%60_Cher!)_Lyrics/72123.htm.

Ignatius Sancho photo
George Grosz photo
Terence McKenna photo
William Foote Whyte photo
Phil Ochs photo

“Well I've seen travel in many ways
I've traveled in cars and old subways
But in Birmingham some people chose
To fly down the street from a fire hose.
Doin' some hard travelin'…from hydrants of plenty.”

Phil Ochs (1940–1976) American protest singer and songwriter

"Talking Birmingham Jam" http://web.cecs.pdx.edu/~trent/ochs/lyrics/talking-birmingham-jam.html from I Ain't Marching Anymore (1965)
Lyrics

Meg White photo

“We never really cared about all the things that other people cared about, you know? Like, people recognizing me on the street never interested me. I've always been kind of suspicious of the world, anyway, so it's pretty easy for me to live in my own little world.”

Meg White (1974) American musician

Jarmusch, Jim (2003). "The White Stripes: getting to know the most interesting band in music today" http://www.findarticles.com/p/articles/mi_m1285/is_4_33/ai_100572738/pg_4 FindArticles.com (accessed June 6, 2006)

Norman Mailer photo
Colum McCann photo
Benjamin Graham photo

“Wall Street has a few prudent principles; the trouble is that they are always forgotten when they are most needed.”

Source: The Intelligent Investor (1973) (Fourth Revised Edition), Chapter 16, Convertible Issues and Warrants, p. 225

Chuck Berry photo

“Let me tell you 'bout a girl I know
I met her walkin' down a uptown street
She's so fine you know I wished she was mine
I get shook up every time we meet”

Chuck Berry (1926–2017) American rock-and-roll musician

"I'm Talking About You" (1961)
Song lyrics

“The Raja of Malwa had 5,000 cavalry and 200,000 infantry and would have been defeated only after great slaughter. The inhabitants of Kaithal were given such severe punishment (1254) that "they might not forget the lesson for the rest of their lives". In 1256 Ulugh Khan Balban carried on devastating warfare in Saimur, and "so many of the rebellious Hindus were killed that numbers cannot be computed or described". Ranthambhor was attacked in 1259 and many of its valiant fighting men were killed. In the punitive expedition to Mewat (1260) "numberless Hindus perished. In the same year 12,000 men, women and children were put to the sword in Hariyana." When Balban became the sultan "large sections of the male population were massacred in Katehar and, according to Barani, in villages and jungles heaps of human corpses were left rotting". During the expedition to Bengal, "on either side of the principal bazar (of Lakhnauti), in a street two miles in length, a row of stakes was set up and the adherents of Tughril were impaled upon them"….. During campaigns and wars, the disorganized flight of the panic-stricken people must have killed large numbers through exposure, starvation and epidemic. Nor should the ravages of famines on populations be ignored. Drought, pestilence, and famines in the medieval times find repeated mention in contemporary chronicles.”

Source: Theory and Practice of Muslim State in India (1999), Chapter 7

“I was tired of painting. So many collectors bought paintings and locked them in bank vaults. The stained-glass windows allowed me to make public art…. One day a woman stopped me in the street to talk to me about Champ-de-Mars metro station. "Whether it's sunny, rainy, or snowing, I love your stained-glass windows at Champ-de-Mars. Those big dancing shapes always warm my heart." That woman was neither a collector nor an art critic, but she understood the meaning I meant to give that work.”

Marcelle Ferron (1924–2001) Canadian artist

Original in French: J'étais dégoûtée de la peinture. Bon nombre de collectionneurs achetaient des tableaux pour les enfermer dans des voûtes de banques. Les verrières m'ont permis de faire de l'art public.... Un jour, une femme m'a abordée dans la rue pour me parler de la station de métro Champ-de-Mars. « Qu'il fasse beau, qu'il pleuve ou qu'il neige, j'adore vos verrières du Champ-de-Mars. Ces grandes formes qui dansent me font chaud au coeur. » Cette femme n'étaient ni une collectionneuse ni une critique d'art, mais elle avait compris le sens que j'avais voulu donner à cette oeuvre.
L'esquisse d'une mémoire, 1996

Dave Eggers photo
Nick Cave photo

“The mo-o-o-on, its huge cycloptic eye,
Watches the city streets contract, twist and cripple and crack.”

Nick Cave (1957) Australian musician

Song lyrics, From Her to Eternity (1984), Saint Huck

Russell Brand photo
Charlie Beck photo

“This is a national issue, one that is important when we talk about police legitimacy. This is an important national conversation we need to have. When something happens in Missouri or the streets of New York City, it has an impact here. We are all tied together.”

Charlie Beck (1953) Chief of the Los Angeles Police Department

On controversial cases of police killing unarmed civilians — quoted in: [December 5, 2014, http://www.pasadenastarnews.com/government-and-politics/20141204/lapd-police-chief-charlie-beck-on-police-killings-this-is-an-important-national-conversation-we-need-to-have, LAPD Police Chief Charlie Beck on police killings: ‘This is an important national conversation we need to have’, The Pasadena Star-News, December 4, 2014, Lauren Gold]

Katie Couric photo

“The person I enjoyed interviewing the most was Elmo from Sesame Street because he is so unpredictable and he is always eating my hair and my face.”

Katie Couric (1957) American journalist

Source: " Katie Couric : Ask the expert http://www.powertolearn.com/ask_the_expert/expert_archive/katie_couric.shtml" at powertolearn.com, accessed May 24, 2008.

Ernesto Che Guevara photo

“The interests of the IMF represent the big international interests that today seem to be established and concentrated in Wall Street.”

Ernesto Che Guevara (1928–1967) Argentine Marxist revolutionary

Regarding the IMF, in an interview for Radio Rivadavia of Argentina (3 November 1959)

H. G. Wells photo
Addison Mizner photo

“…Louis Fourteenth Street furniture…”

Addison Mizner (1872–1933) American architect

From his sketchbook

Claude McKay photo
Thomas Gainsborough photo
Johannes Grenzfurthner photo
Tawakkol Karman photo
Joseph E. Stiglitz photo

“The fall of Wall Street is for market fundamentalism what the fall of the Berlin Wall was for communism.”

Joseph E. Stiglitz (1943) American economist and professor, born 1943.

Interview with Nathan Gardels, The Huffington Post, September 16th 2008 http://www.huffingtonpost.com/nathan-gardels/stiglitz-the-fall-of-wall_b_126911.html?show_comment_id=15934161