“How absurd it must seem for an immortal soul to be destined for Heaven or Hell, and yet be sitting in a kitchen, as a maid, or to see oneself objectified as a mechanic! how falsely the usual sunrise waked us, the clock dial, the city street the job! How wrongfully people find themselves in these systems — our time isn't there, our space isn't there, our space isn't even here… the whole social story of waking, and certainly the day of the mechanic, is false.”

Source: Shadowlands

Future on Fire (1991), introduction.

Source: The Hunger Games trilogy, The Hunger Games (2008), p. 194
Context: I enter a nightmare from which I wake repeatedly only to find a greater terror awaiting me. All the things I dread most, all the things I dread for others manifest in such vivid detail I can’t help but believe they're real. Each time I wake, I think, At last, this is over, but it isn't. It's only the beginning of a new chapter of torture. How many ways do I watch Prim die? Relive my father's last moments? Feel my own body ripped apart? This is the nature of the tracker jacker venom, so carefully created to target the place where fear lives in your brain.

Source: Extremely Loud and Incredibly Close

The Divine Commodity: Discovering A Faith Beyond Consumer Christianity (2009, Zondervan)

Space (1912)
Context: How if Space is really full of things we cannot see and as yet do not know? How if all animals and some savages have a cell in their brain or a nerve which responds to the invisible world? How if all Space be full of these landmarks, not material in our sense, but quite real? A dog barks at nothing, a wild beast makes an aimless circuit. Why? Perhaps because Space is made up of corridors and alleys, ways to travel and things to shun? For all we know, to a greater intelligence than ours the top of Mont Blanc may be as crowded as Piccadilly Circus.

Source: Save Me the Waltz

Vanna Bonta Talks Sex in Space (Interview - Femail magazine)