Quotes about straw

A collection of quotes on the topic of straw, likeness, use, people.

Quotes about straw

Hesiod photo
John Wesley photo
Aleksandr Solzhenitsyn photo
John Dryden photo

“Let those find fault whose wit's so very small,
They've need to show that they can think at all;
Errors, like straws, upon the surface flow;
He who would search for pearls, must dive below.”

Prologue
Source: All for Love (1678)
Context: Let those find fault whose wit's so very small,
They've need to show that they can think at all;
Errors, like straws, upon the surface flow;
He who would search for pearls, must dive below.
Fops may have leave to level all they can;
As pigmies would be glad to lop a man.
Half-wits are fleas; so little and so light,
We scarce could know they live, but that they bite.

Aleksandr Pushkin photo

“God save us from seeing a Russian revolt, senseless and merciless. Those who plot impossible upheavals among us, are either young and do not know our people, or are hard-hearted men who do not care a straw either about their own lives or those of others.”

Aleksandr Pushkin (1799–1837) Russian poet

Found in Pushkin's. The Captain's Daughter and Other Stories. English edition by Random House LLC. 2013. p. 139
As quoted by Joseph Frank in Dostoevsky: A Writer in His Time (2009). Princeton University Press, p. 203.

Nikola Tesla photo
Gabriel Iglesias photo

“The first time I came here, I got the chance to meet some people, and they said, "You know what, Gabriel, have you ever been here, have you ever been to Chicago?" I'm like, "No, it's my first time." They said, "Well, you know, we'd like to take you out eat if you're down." And I'm like, "Well, hello!" [Audience laughs] "I'm very down!" They took me to a restaurant called Portillo's." [Audience cheers] You've heard of it? So, we get there, and it was, it was very, very good. The hot dogs were delicious, I had a chicken chopped salad, it was amazing. I had a beef dip, really really good. But it wasn't until the meal was almost over that these new friends of mine said, "We'd like for you to try something you've might not have ever had before." And I'm like, "That's not likely." I said, "So, what is it you want me to try?" And they said, "Well, they sell a thing here at Portillo's called a Chocolate Cake Shake." [Audience cheers] I said, "You had me at 'Chocolate'." They said, "Well, you gotta go to the special window and you gotta order it from the lady." I go, "Okay, cool." So, I get up and walk to the lady, and she's like, "Can I help you?" I said, "Yes, my friends are telling me that I need to try this thing, called a 'Chocolate Cake Shake'." "Okay, what size would you like?" "How good is it?" "You'll want a large." [Audience laughs] "Alright, can I please have a large Chocolate Cake Shake?" "No problem." [Imitates her entering the order in on the cash register] And I pay, and she turns around and walks over to this little refrigerator that's on the counter, and she opens it up, and she pulls out a piece of chocolate cake. And I'm thinking to myself, "She must have misunderstood what I said. I didn't ask for a piece of chocolate cake, I asked for a Chocolate Cake Shake." She must've heard what I was thinking, because she's walking by and she's like, "It's gonna happen." She walks over to the blender, she takes the freaking lid off, she just looks at me and does this. [Mimes the cashier turning her hand over, dropping the chocolate cake in the blender] And I was like, "NO!" And she's like, "Oh, yeah." [Mimes the lady pushing the button and the blender blending the cake] And she pours it, and she hands me this, like, 44-ounce chocolate shake, which is WAY more than anybody should be drinking. The straw was so thick, you could almost put your thumb in it, okay? So, I grab this shake, and I begin to attempt to drink it. So, I'm [Mimics him trying to suck the shake through the straw, making heavy "MMM" sounds], and I can see the shake coming up. [Still makes the "MMM" sounds, while using his finger to show how show the shake's coming up the straw] And it hit, and then, all of a sudden, [Mimics his nipples getting hard] "WOOOOO!"”

Gabriel Iglesias (1976) American actor

I'm Sorry For What I Said When I Was Hungry (2016)

Barack Obama photo

“Even though I'm president of the United States, my power is not limitless. So I can't dive down there and plug the hole. I can't suck it up with a straw. All I can do is make sure that I put honest, hard-working smart people in place … to implement this thing.”

Barack Obama (1961) 44th President of the United States of America

Radio interview, Grand Isle, LA, June 11, 2010. http://voices.washingtonpost.com/44/2010/06/obama-on-spill-i-cant-suck-it.html?hpid=news-col-blog
2010, 2010 Deepwater Horizon oil spill (April 2010)

Lewis Carroll photo
Catherine of Aragon photo
W.B. Yeats photo
Leymah Gbowee photo
Karl Marx photo

“Neither of us cares a straw for popularity.”

Karl Marx (1818–1883) German philosopher, economist, sociologist, journalist and revolutionary socialist

Remarks against personality cults from a letter to W. Blos (10 November 1877).
Context: Neither of us cares a straw for popularity. A proof of this is for example, that, because of aversion to any personality cult, I have never permitted the numerous expressions of appreciation from various countries with which I was pestered during the existence of the International to reach the realm of publicity, and have never answered them, except occasionally by a rebuke. When Engels and I first joined the secret Communist Society we made it a condition that everything tending to encourage superstitious belief in authority was to be removed from the statutes.

W.B. Yeats photo

“I would be — for no knowledge is worth a straw —
Ignorant and wanton as the dawn.”

W.B. Yeats (1865–1939) Irish poet and playwright

The Dawn http://poetry.poetryx.com/poems/1612/
The Wild Swans at Coole (1919)
Context: I would be ignorant as the dawn
That merely stood, rocking the glittering coach
Above the cloudy shoulders of the horses;
I would be — for no knowledge is worth a straw —
Ignorant and wanton as the dawn.

Shannon Hale photo
L. Frank Baum photo

“If your heads were stuffed with straw, like mine, you would probably all live in the beautiful places, and then Kansas would have no people at all. It is fortunate for Kansas that you have brains.”

Source: The Wonderful Wizard of Oz (1900)
Context: The Scarecrow listened carefully, and said, "I cannot understand why you should wish to leave this beautiful country and go back to the dry, gray place you call Kansas."
"That is because you have no brains" answered the girl. "No matter how dreary and gray our homes are, we people of flesh and blood would rather live there than in any other country, be it ever so beautiful. There is no place like home."
The Scarecrow sighed.
"Of course I cannot understand it," he said. "If your heads were stuffed with straw, like mine, you would probably all live in the beautiful places, and then Kansas would have no people at all. It is fortunate for Kansas that you have brains."

Charles Bukowski photo
Cassandra Clare photo
Jenny Han photo

“Happiness is a Slurpee and a hot pink straw.”

Jenny Han (1980) American writer

Source: It's Not Summer Without You

John Flanagan photo
Thomas Fuller (writer) photo
George William Foote photo
Jeremy Clarkson photo
Gene Wolfe photo
Richard Rodríguez photo

“Thud. My eyes are open. It is four-thirty in the morning, one morning, and my dry eyes click in their sockets, awake before the birds. There is no light. The eye strains for logic, some play of form. I have been dreaming of wind. The tree outside my window stands silent. I listen to the breathing of the man lying beside me. I know where I am. I am awake. I am alive. Am I tethered to earth only by this fragile breath? A strawful of breath at best. Yet this is the breath that patients beg, their hands gripping the edges of mattresses; this is the breath that wrestles trees, that brings down all the leaves in the Third Act. We know where the car is parked. We know, word-for-word, the texts of plays. We have spoken, in proximity to one another, over years, sentences, hundreds of thousands of sentences—bright, grave, fallible, comic, perishable—perhaps eternal? I don’t know. Where does the wind go? When will the light come? We will have hotcakes for breakfast. How can I protect this...? My church teaches me I cannot. And I believe it. I turn the pillow to its cool side. Then rage fills me, against the cubist necessity of having to arrange myself comically against orthodoxy, against having to wonder if I will offend, against theology that devises that my feeling for him, more than for myself, is a vanity. My brown paradox: The church that taught me to understand love, the church that taught me well to believe love breathes—also tells me it is not love I feel, at four in the morning, in the dark, even before the birds cry. Of every hue and caste am I.”

Richard Rodríguez (1944) American journalist and essayist

Brown : The Last Discovery of America (2003)

Haruki Murakami photo
Will Cuppy photo
William M. Tweed photo

“I don't care a straw for your newspaper articles; my constituents don't know how to read, but they can't help seeing them damned pictures.”

William M. Tweed (1823–1878) United States politician

On the political cartoons of Thomas Nast in Harper's Weekly, as quoted in "Article IV: An Episode in Municipal Government" by Charles F. Wingate in The North American Review (July 1875), p. 150

Thomas Aquinas photo

“All that I have written seems like straw compared to what has now been revealed to me.”

Thomas Aquinas (1225–1274) Italian Dominican scholastic philosopher of the Roman Catholic Church

Remarks on being requested to resume writing, after a mystical experience while saying mass on or around 6 December 1273, as quoted in A Taste of Water : Christianity through Taoist-Buddhist Eyes (1990) by Chwen Jiuan Agnes Lee and Thomas G. Hand
All that I have written seems like straw to me.
As quoted in The Thought of Thomas Aquinas (1993), by Brian Davies, p. 9
Everything I have written seems like straw by comparison with what I have seen and what has been revealed to me.
As quoted in Sacred Games : A History of Christian Worship (1997) by Bernhard Lang, p. 323
Original: (la) Raynalde, non possum, quia omnia quae scripsi videntur mihi palae.

Terence photo

“I did not care one straw.”

Act III, scene 1, 21, line 411.
Eunuchus

Zakir Hussain (politician) photo
Saeed Akhtar Mirza photo

“The demolition of the Babri Masjid was the last straw. Naseem (1995) was almost like an epitaph. After the film, I had really nothing to say. I needed to regain my faith and retain my sanity. So I decided to travel around India and document it on a video camera”

Saeed Akhtar Mirza (1943) Indian film director

‘Once again, I feel I have something to say’, Interview, Page 1 http://www.indianexpress.com/news/-Once-again--I-feel-I-have-something-to-say-/471304 Indian Express, Jun 07, 2009.

Han-shan photo
Jean Froissart photo

“If we all spring from a single father and mother, Adam and Eve, how can they claim or prove that they are lords more than us, except by making us produce and grow the wealth which they spend? They are clad in velvet and camlet lined with squirrel and ermine, while we go dressed in coarse cloth. They have the wines, the spices and the good bread: we have the rye, the husks and the straw, and we drink water. They have shelter and ease in their fine manors, and we have hardship and toil, the wind and the rain in the fields. And from us must come, from our labour, the things which keep them in luxury”

Jean Froissart (1337–1405) French writer

Et, se venons tout d'un père et d'une mere, Adam et Eve, en quoi poent il dire ne monstrer que il sont mieux signeur que nous, fors parce que il nous font gaaignier et labourer ce que il despendent? Il sont vestu de velours et de camocas fourés de vair et de gris, et nous sommes vesti de povres draps. Il ont les vins, les espisses et les bons pains, et nous avons le soille, le retrait et le paille, et buvons l'aige. Ils ont le sejour et les biaux manoirs, et nous avons le paine et le travail, et le pleue et le vent as camps, et faut que de nous viengne et de nostre labeur ce dont il tiennent les estas.
Book 2, p. 212.
Froissart is again quoting John Ball.
Chroniques (1369–1400)

Harry Johnston photo
Anthony Burgess photo
Antoni Tàpies photo

“The highest wisdom incarnated in the poorest body. And even in straw mixed with manure: the final substances in which, by a rare miracle, the origin and strength of life emerge anew. The circle closes.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

quote on using 'poor' materials, he used in his 'Arte Povera' works
1945 - 1970
Source: 'Res no és mesquí', La pràctica de l'art, Antoni Tàpies, Barcelona: Ariel, 1970; as quoted in: 'Tàpies: From Within', June ─ November, 2013 - Presse Release, Museu Nacional d'Art de Catalunya (MNAC ), p. 13, note 14

Juan Cole photo
Gerald Durrell photo

“Halfway up the slope, guarded by a group of tall, slim, cypress-trees, nestled a small strawberry-pink villa, like some exotic fruit lying in the greenery. The cypress-trees undulated gently in the breeze, as if they were busily painting the sky a still brighter blue for our arrival.
The villa was small and square, standing in its tiny garden with an air of pink-faced determination. Its shutters had been faded by the sun to a delicate creamy-green, cracked and bubbled in places. The garden, surrounded by tall fuschia hedges, had the flower beds worked in complicated geometrical patterns, marked with smooth white stones. The white cobbled paths, scarcely as wide as a rake's head, wound laboriously round beds hardly larger than a big straw hat, beds in the shape of stars, half-moons, triangles, and circles all overgrown with a shaggy tangle of flowers run wild. Roses dropped petals that seemed as big and smooth as saucers, flame-red, moon-white, glossy, and unwrinkled; marigolds like broods of shaggy suns stood watching their parent's progress through the sky. In the low growth the pansies pushed their velvety, innocent faces through the leaves, and the violets drooped sorrowfully under their heart-shaped leaves. The bougainvillaea that sprawled luxuriously over the tiny iron balcony was hung, as though for a carnival, with its lantern-shaped magenta flowers. In the darkness of the fuschia-hedge a thousand ballerina-like blooms quivered expectantly. The warm air was thick with the scent of a hundred dying flowers, and full of the gentle, soothing whisper and murmur of insects.”

My Family and Other Animals (1956)

Rudolf Höss photo
Philip Schaff photo

“The charge that Luther adapted the translation to his theological opinions has become traditional in the Roman Church, and is repeated again and again by her controversialists and historians.
In both cases, the charge has some foundation, but no more than the counter-charge which may be brought against Roman Catholic Versions.
The most important example of dogmatic influence in Luther's version is the famous interpolation of the word alone in Rom. 3:28 (allein durch den Glauben), by which he intended to emphasize his solifidian doctrine of justification, on the plea that the German idiom required the insertion for the sake of clearness. But he thereby brought Paul into direct verbal conflict with James, who says (James 2:24), "by works a man is justified, and not only by faith" ("nicht durch den Glauben allein"). It is well known that Luther deemed it impossible to harmonize the two apostles in this article, and characterized the Epistle of James as an "epistle of straw," because it had no evangelical character ("keine evangelische Art").
He therefore insisted on this insertion in spite of all outcry against it. His defense is very characteristic. "If your papist," he says,
The Protestant and anti-Romish character of Luther's New Testament is undeniable in his prefaces, his discrimination between chief books and less important books, his change of the traditional order, and his unfavorable judgments on James, Hebrews, and Revelation. It is still more apparent in his marginal notes, especially on the Pauline Epistles, where he emphasizes throughout the difference between the law and the gospel, and the doctrine of justification by faith alone; and on the Apocalypse, where he finds the papacy in the beast from the abyss (Rev. 13), and in the Babylonian harlot (Rev. 17). The anti-papal explanation of the Apocalypse became for a long time almost traditional in Protestant commentaries.
There is, however, a gradual progress in translation, which goes hand in hand with the progress of the understanding of the Bible. Jerome's Vulgate is an advance upon the Itala, both in accuracy and Latinity; the Protestant Versions of the sixteenth century are an advance upon the Vulgate, in spirit and in idiomatic reproduction; the revisions of the nineteenth century are an advance upon the versions of the sixteenth, in philological and historical accuracy and consistency. A future generation will make a still nearer approach to the original text in its purity and integrity. If the Holy Spirit of God shall raise the Church to a higher plane of faith and love, and melt the antagonisms of human creeds into the one creed of Christ, then, and not before then, may we expect perfect versions of the oracles of God.”

Philip Schaff (1819–1893) American Calvinist theologian

How Luther's theology may have influenced his translating

Henry Adams photo

“What men build, in the name of security, is built of straw.”

Mary Oliver (1935–2019) American writer

"Sand Dabs, Five"
Winter Hours (1999)

Michael Swanwick photo
Thomas Gainsborough photo
Bruno Schulz photo
Joseph Goebbels photo
Jeffrey Tucker photo

“For any true man of the right, or anyone who would like to see an end to the welfare-warfare state, Kemp should be the last straw.”

Jeffrey Tucker (1963) American writer

Source: "Jack Kemp, American Socialist" by Jeffrey Tucker, The Rothbard-Rockwell Report, September 1996, UNZ.org, 2016-05-22 http://www.unz.org/Pub/RothbardRockwellReport-1996sep-00001,

James K. Morrow photo
Russell Brand photo

“Only Boris concerns me. When I used to watch Have I Got News For You, which as a kid I was proud to watch, full stop, I loved it when Boris Johnson came on. I didn't know who he was or what he did, I didn't think about it, I just liked him. I liked his voice, his manner, his name, his vocabulary, his self-effacing charm, humour and, of course, his hair. He has catwalk hair. Vogue cover hair, Rumplestiltskin spun it out of straw, straight-out-of-bed, drop-dead, gold-thread hair. He was always at ease with Deayton, Merton and Hislop, equal to their wit and always gave a great account of himself. "This bloke is cool," I thought. As I grew up I found out that he was an old Etonian, bully-boy, Spectator-editing Tory.
"That's weird," I thought. While I was busy becoming a world-class junkie, the man from HIGNFY became mayor. People like Boris Johnson; I like the HIGNFY Boris. He is the most popular politician in the country. Well, not in the country, on the television. There is a difference. Most people, of course, haven't met him, they've seen him on the telly. When I met Boris in his office, the nucleus of his dominion, I glanced at his library. Among the Wodehouses and the Euripides there were, of course, fierce economic tomes, capitalist manuals, bibles of domination. Eye-to-eye, the bumbling bonhomie appeared to be a lacquer of likability over a living obelisk of corporate power.”

Russell Brand (1975) British comedian, actor, and author

Russell Brand - The Guardian (2013)

John Ball (priest) photo
Vitruvius photo
Edmund Spenser photo

“To kerke the narre from God more farre,
Has bene an old-sayd sawe;
And he that strives to touche a starre
Oft stombles at a strawe.”

The Shepheardes Calender, July, line 97; reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Gavrila Derzhavin photo
Richard Henry Dana Jr. photo

“Referring to a professor aboard ship: This passenger — the first and only one we had had, except to go from port to port on the coast — was no one else than a gentleman whom I had known in my smoother days, and the last person I should have expected to see on the coast of California — Professor Nuttall of Cambridge. I had left him quietly seated in the chair of the Botany and Ornithology Department at Harvard University, and the next I saw of him, he was strolling about San Diego beach, in a sailors' pea jacket, with a wide straw hat, and barefooted, with his trousers rolled up to his knees, picking up stones and shells… I was often amused to see the sailors puzzled to know what to make of him, and to hear their conjectures about him and his business… The Pilgrim's crew called Mr. Nuttall "Old Curious," from his zeal for curiosities; and some of them said that he was crazy, and that his friends let him go about and amuse himself this way. Why else would (he)… come to such a place as California to pick up shells and stones, they could not understand. One of them, however, who had seen something more of the world ashore said, "Oh, 'vast there!… I've seen them colleges and know the ropes. They keep all such things for cur'osities, and study 'em, and have men a purpose to go and get 'em… He'll carry all these things to the college, and if they are better than any that they have had before, he'll be head of the college. Then, by and by, somebody else will go after some more, and if they beat him he'll have to go again, or else give up his berth. That's the way they do it. This old covery knows the ropes. He has worked a traverse over 'em, and come 'way out here where nobody's ever been afore, and where they'll never think of coming."”

This explanation satisfied Jack; and as it raised Mr. Nuttall's credit, and was near enough to the truth for common purposes, I did not disturb it.
Source: Two Years Before the Mast (1840), p. 267

George Herbert photo

“815. In a long journey straw waighs.”

George Herbert (1593–1633) Welsh-born English poet, orator and Anglican priest

Jacula Prudentum (1651)

Swami Vivekananda photo
O. Henry photo

“A straw vote only shows which way the hot air blows.”

O. Henry (1862–1910) American short story writer

"A Ruler of Men" Rolling Stones http://www.gutenberg.org/files/3815/3815-h/3815-h.htm (1913)

Joseph Conrad photo

“Then, on the slight turn of the Lower Hope Reach, clusters of factory chimneys come distinctly into view, tall and slender above the squat ranges of cement works in Grays and Greenhithe. Smoking quietly at the top against the great blaze of a magnificent sunset, they give an industrial character to the scene, speak of work, manufactures, and trade, as palm-groves on the coral strands of distant islands speak of the luxuriant grace, beauty and vigour of tropical nature. The houses of Gravesend crowd upon the shore with an effect of confusion as if they had tumbled down haphazard from the top of the hill at the back. The flatness of the Kentish shore ends there. A fleet of steam-tugs lies at anchor in front of the various piers. A conspicuous church spire, the first seen distinctly coming from the sea, has a thoughtful grace, the serenity of a fine form above the chaotic disorder of men’s houses. But on the other side, on the flat Essex side, a shapeless and desolate red edifice, a vast pile of bricks with many windows and a slate roof more inaccessible than an Alpine slope, towers over the bend in monstrous ugliness, the tallest, heaviest building for miles around, a thing like an hotel, like a mansion of flats (all to let), exiled into these fields out of a street in West Kensington. Just round the corner, as it were, on a pier defined with stone blocks and wooden piles, a white mast, slender like a stalk of straw and crossed by a yard like a knitting-needle, flying the signals of flag and balloon, watches over a set of heavy dock-gates. Mast-heads and funnel-tops of ships peep above the ranges of corrugated iron roofs. This is the entrance to Tilbury Dock, the most recent of all London docks, the nearest to the sea.”

Hope Point to Tilbury / Gravesend
The Mirror of the Sea (1906), On the River Thames, Ch. 16

John Selden photo

“Take a straw and throw it up into the air — you may see by that which way the wind is.”

John Selden (1584–1654) English jurist and scholar of England's ancient laws and constitution, and of Jewish law

Libels.
Table Talk (1689)

Han-shan photo
John Gray photo
Muhammad photo
William Wordsworth photo

“But who would force the soul tilts with a straw
Against a champion cased in adamant.”

William Wordsworth (1770–1850) English Romantic poet

Part III, No. 7 - Persecution of the Scottish Covenanters.
Ecclesiastical Sonnets (1821)

Rudolf Höss photo
Yasunari Kawabata photo
Enver Hoxha photo
Annie Dillard photo
Robert E. Howard photo

“Wits and swords are as straws against the wisdom of the Darkness…”

Robert E. Howard (1906–1936) American author

"The Phoenix on the Sword" (1932)

Miho Mosulishvili photo
Adam Mickiewicz photo

“Sound as a burrow'd marmot he slept
On the straw where he'd tumbled fully-dressed that night.”

Book Four: Tadeusz' Awakening (trans. Christopher Adam Zakrzewski).
Pan Tadeusz (Sir Thaddeus) http://www.ap.krakow.pl/nkja/literature/polpoet/mic_pan.htm

Joan Miró photo
John Oliver photo

“You have just constructed a straw man so large you could burn it in the desert and hold an annoying festival around it.”

John Oliver (1977) English comedian

Last Week Tonight (15 June 2014)
Last Week Tonight (2014–present)

Hugh Plat photo
Alan Moore photo
Margaret Atwood photo
Bernard Lewis photo
Ian McEwan photo
Bernie Sanders photo

“Sanders: I have a D minus voting record, from the NRA. I lost an election probably, for congress here in Vermont back in 1988, because I believe we should not be selling or distributing assault weapons in this country. I am on record and have been for a very long time in saying we have got to significantly tighten up the background checks. We have to end the absurdity of the gun show loophole. 40 percent of the guns in this country are sold without any background checks. We have to deal with the straw man provision which allows people to legally buy guns and then distribute. We’ve got to take on the NRA. And that is my view. And I am, will do everything I can to—the tragedy that we saw in Parkland is unspeakable. And all over this country, parents are scared to death of what might happen when they send their kids to school. This problem is not going to be easily solved. Nobody has a magic solution, alright, but we’ve got to do everything we can do protect the children—
Todd: What does that mean? You say everything we can. Does that mean raising the age when you can purchase an AR-15? Does that mean limiting the purchase of AR-15s?
Sanders: Yes! Yeah, look. Chuck, what I just told you is that for 30 years, I believe that we should not be selling assault weapons in this country. These weapons are not for hunting, they are for killing human beings. These are military weapons. I do not know why we have five million of them running around the United States of America, so of course we have to do that. Of course we have to make it harder for people to purchase weapons. We have people now who are on terrorist watch lists who can purchase a weapon. Does this make any sense to anybody. Bottom line here, Republicans are going to have to say that it’s more important to protect the children of this country than to antagonize the NRA. Are they prepared to do that, I surely hope they are.”

Bernie Sanders (1941) American politician, senator for Vermont

Interviewed by Chuck Todd of NBC News on Meet the Press on 18 February 2018 after the Stoneman Douglas High School shooting ([Meet the Press - 18 February 2018, 18 February 2018, 1 September 2018, https://www.nbcnews.com/meet-the-press/meet-press-february-18-2018-n849191, NBC News, Meet the Press]).
2010s, 2018

Winston S. Churchill photo

“Power will go to the hands of rascals, rogues and freebooters. All Indian leaders will be of low calibre and men of straw. They will have sweet tongues and silly hearts. They will fight amongst themselves for power and India will be lost in political squabbles.”

Winston S. Churchill (1874–1965) Prime Minister of the United Kingdom

Often cited as from a speech "on the eve of Indian Independence in 1947", e.g. "Anything multiplied by zero is zero indeed!" http://ia.rediff.com/money/2007/apr/11guest.htm in Rediff India Abroad (11 April 2007), or even from a speech in the house of Commons, but it does not appear to have any credible source. May have first appeared in the Annual Report of P. N. Oak's discredited "Institute for Rewriting Indian History" in 1979, and is now quoted in at least three books, as well as countless media and websites.
Misattributed

Madhu Kishwar photo
Joseph Conrad photo
Nick Cave photo
Quentin Crisp photo
Giraut de Bornelh photo

“Fair, gentle friend, I’ve found so dear a home
I wish that dawn might never come again;
The loveliest lady ever born of woman
Lies in my arms, and I care not a straw
For jealous fool or dawn!”

Giraut de Bornelh (1138–1220) French writer

Bel dous companh, tan sui en ric sojorn
Qu'eu no volgra mais fos l'alba ni jorn,
Car la gensor que anc nasques de maire
Tenc et abras, per qu'eu non prezi gaire
Lo fol gilos ni l'alba.
"Reis glorios", line 31; translation from Peter Dronke The Medieval Lyric (1996) p. 176.

Nasreddin photo

“Ten poor men sleep in peace on one straw heap, as Saadi sings,
But the immensest empire is too narrow for two kings.”

William R. Alger (1822–1905) American clergyman and poet

"Elbow Room", p. 188.
Poetry of the Orient, 1865 edition

T.S. Eliot photo
Ludovico Ariosto photo

“Blind when I gave him such a trust, nor saw
How easily the fire consumes the straw.”

Cieco a dargline impresa, e non por mente
Che 'l fuoco arde la paglia facilmente.
Canto XXIV, stanza 39 (tr. W. S. Rose)
Orlando Furioso (1532)

Clarence Thomas photo
Keith Olbermann photo

“Miss Bendy Straws”

Keith Olbermann (1959) American sports and political commentator

Catch Phrases
Source: http://forums.televisionwithoutpity.com/index.php?showtopic=3116806&st=7590

Thomas Carlyle photo

“We are to remember what an umpire Nature is; what a greatness, composure of depth and tolerance there is in her. You take wheat to cast into the Earth's bosom; your wheat may be mixed with chaff, chopped straw, barn-sweepings, dust and all imaginable rubbish; no matter: you cast it into the kind just Earth; she grows the wheat, — the whole rubbish she silently absorbs, shrouds it in, says nothing of the rubbish.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

1840s, Heroes and Hero-Worship (1840), The Hero as Prophet
Context: We are to remember what an umpire Nature is; what a greatness, composure of depth and tolerance there is in her. You take wheat to cast into the Earth's bosom; your wheat may be mixed with chaff, chopped straw, barn-sweepings, dust and all imaginable rubbish; no matter: you cast it into the kind just Earth; she grows the wheat, — the whole rubbish she silently absorbs, shrouds it in, says nothing of the rubbish. The yellow wheat is growing there; the good Earth is silent about all the rest, — has silently turned all the rest to some benefit too, and makes no complaint about it! So everywhere in Nature! She is true and not a lie; and yet so great, and just, and motherly in her truth. She requires of a thing only that it be genuine of heart; she will protect it if so; will not, if not so. There is a soul of truth in all the things she ever gave harbor to. Alas, is not this the history of all highest Truth that comes or ever came into the world?