¿Qué es la vida? Un frenesí.
¿Qué es la vida? Una ilusión,
una sombra, una ficción,
y el mayor bien es pequeño;
que toda la vida es sueño,
y los sueños, sueños son.
Variant:
What is this life? A frenzy, an illusion,
A shadow, a delirium, a fiction.
The greatest good's but little, and this life
Is but a dream, and dreams are only dreams.
(trans. Roy Campbell)
Segismundo, Act II, l. 1195.
La vida es sueño (Life is a Dream)
Interview with DJ Ron Slomowicz at About.com http://dancemusic.about.com/od/artistshomepages/a/LadyGagaInt_2.htm
2014 SBIFF - Cate Blanchett Discusses Selecting Roles, Woody Allen and Casting, Santa Barbara International Film Festival, 2 February 2014 https://www.youtube.com/watch?v=_9m9sMSGC5M,
Letter to Edmund Pendleton (22 January 1795)
1790s
The New York Times (26 November 1978)
What is an Agnostic? (1953)
1950s
In 1959 during the filming of On the Beach.
This has become a standing joke about Melbourne, but it's almost certainly either apocryphal or a misquotation.
Misattributed
" My Father's Suitcase", Nobel Prize for Literature lecture http://nobelprize.org/nobel_prizes/literature/laureates/2006/pamuk-lecture_en.html (December 7, 2006).
“No one has ever been angry at another human being—we’re only angry at our story of them.”
Loving What Is: Four Questions That Can Change Your Life (2002)
"Meltdown" http://www.ccru.net/swarm1/1_melt.htm (1994)
“The structure of a play is always the story of how the birds came home to roost.”
Harper's (August 1958)
2013, Fifth State of the Union Address (February 2013)
Frag. B 8.1-4, quoted by Simplicius, Commentary on the Physics, 144
Tessa Gray, to Brother Zachariah/Jem Carstairs, pg. 708
The Mortal Instruments, City of Heavenly Fire (2014)
March 23, 1998, Janeane Garofalo interviewing Eddie Vedder for CMJ New Music Report at Brendan's, on the Lower East Side.
2008, Yes, we can speech (January 2008)
Selected Stories, 1968-1994 (1996)
The Sydney Morning Herald, August 8, 2003 http://www.smh.com.au/articles/2003/08/07/1060145794806.html
On Fairy-Stories (1939)
Launch.com, October 30, 1998<!-- site no longer exists -->
Source: All the Names (1997), p. 100
Other
Israel’s Iron Lady unfiltered: 17 Golda Meir quotes on her 117th birthday, Yadid, Judd, 2015-05-03, English, Haaretz http://www.haaretz.com/news/features/.premium-1.654218,
Its direct consequences are, comparatively speaking, but a small evil, and much of its danger consists in the proneness of our minds to regard its direct as its only consequences.
1830s, The Lyceum Address (1838)
“Islam has always been a part of America's story.”
2009, A New Beginning (June 2009)
Maybe I should've told my story first.
Blue Collar Comedy Tour Rides Again
How the Jews Created the Comic Book Industry Part I: The Golden Age (1933-1955) Reform Judaism http://reformjudaismmag.net/03fall/comics.shtml (2003)
...eu já estava na vigésima parte do livro, triste, quando senti que o livro podia ser escrito. Percebi que só seria capaz de escrevê-lo se o fizesse como se contasse. Não passando para a escrita o chamado discurso oral, porque isso é impossível, mas introduzindo na escrita um me-canismo de aparente prolixidade, aparente desor-ganização do discurso. Digo aparente porque sei o trabalho que me deu fazer de conta que era tudo assim.
Interview in Idéias, no. 107 (15 October 1988), trans. Margaret Jull Costa.
Source: The Naked Civil Servant (1968), Ch. 16
From the Afterword to April 1978 MW , vol. 3, translation by Francesco Nicodemus, Hazard Editions, Milan, 2005, p. 193. ISBN 887502037X
1790s, The Age of Reason, Part I (1794)
Response to observations made in In A Minor Key by Charles D. Isaacson, in The Conservative, Vol. I, No. 2, (1915), p. 4
Non-Fiction
“That story was the only thing I have ever done which cost me absolutely no pains at all.”
About "Leaf by Niggle", in a letter to Stanley Unwin (18 March 1945)
Context: That story was the only thing I have ever done which cost me absolutely no pains at all. Usually I compose only with great difficulty and endless rewriting. I woke up one day (more than 2 years ago) with that odd thing virtually complete in my head. It took only a few hours to get down, and then copy out.
“The Islamic conquest of India is probably the bloodiest story in history.”
Will Durant, The Story of Civilization: Our Oriental Heritage page 459.
The Story of Civilization (1935–1975), I - Our Oriental Heritage (1935)
Context: The Islamic conquest of India is probably the bloodiest story in history. It is a discouraging tale, for its evident moral is that civilization is a precious good, whose delicate complex of order and freedom, culture and peace, can at any moment be overthrown by barbarians invading from without or multiplying within.
Preface
Sylvie and Bruno (1889)
Context: I do not know if 'Alice in Wonderland' was an original story — I was, at least, no conscious imitator in writing it — but I do know that, since it came out, something like a dozen story-books have appeared, on identically the same pattern. The path I timidly explored believing myself to be 'the first that ever burst into that silent sea' — is now a beaten high-road: all the way-side flowers have long ago been trampled into the dust: and it would be courting disaster for me to attempt that style again.
“The happy ending cannot come in the middle of the story.”
The Last Unicorn (1968)
Context: The true secret in being a hero lies in knowing the order of things. … Things must happen when it is time for them to happen. Quests may not simply be abandoned; prophecies may not be left to rot like unpicked fruit; unicorns may go unrescued for a very long time, but not forever. The happy ending cannot come in the middle of the story.
Interview with Fantasy Book Critic (25 May 2007)
Context: Anyway, I was listening to Beagle answer a question on the panel, he said something along the lines of, "I'd never want to write The Last Unicorn again. It was excruciatingly hard, because I was writing a faerie tale while at the same time writing a spoof of a faerie tale."
I just sat there thunderstruck. I realized that's exactly what I had been doing for over a decade with my story. I was writing heroic fantasy, while at the same time I was satirizing heroic fantasy.
While telling his story, Kvothe makes it clear that he's not the storybook hero legends make him out to be. But at the same time, the reader sees that he's a hero nonetheless. He's just a hero of a different sort.
2015, Naturalization Ceremony speech (December 2015)
Context: Just about every nation in the world, to some extent, admits immigrants. But there’s something unique about America. We don’t simply welcome new immigrants, we don’t simply welcome new arrivals -- we are born of immigrants. That is who we are. Immigration is our origin story. And for more than two centuries, it’s remained at the core of our national character; it’s our oldest tradition. It’s who we are. It’s part of what makes us exceptional.
“You say You want Diamonds on a Ring of Gold,Your Story to remain untold.Your Lovee not to go Cold”
"All I Want Is You"
Lyrics, Rattle And Hum(1988)
Context: You say You want Diamonds on a Ring of Gold, Your Story to remain untold. Your Lovee not to go Cold
“It is an old story in physics that higher resolving power leads to new effects.”
Nobel lecture (11 December 1952)
Context: It is an old story in physics that higher resolving power leads to new effects. We remember that the magnetic moment of the nucleus was itself discovered through the hyperfine structure of lines in the visible spectrum. The nuclear resonance line in a liquid or gas can be remarkably narrow, as you have already seen. As soon as the reason for this was recognized, it became clear that the only practical limit on resolution was the inhomogeneity of the magnetic field applied to the specimen.
"Introduction" to The Best of Isaac Asimov (1973)<!-- , p. ix -->
The Last Question (1956)
Context: "The Last Question" is my personal favorite, the one story I made sure would not be omitted from this collection. Why is it my favorite? For one thing I got the idea all at once and didn't have to fiddle with it; and I wrote it in white-heat and scarcely had to change a word. This sort of thing endears any story to any writer.
Then, too, it has had the strangest effect on my readers. Frequently someone writes to ask me if I can give them the name of a story, which they think I may have written, and tell them where to find it. They don't remember the title but when they describe the story it is invariably "The Last Question". This has reached the point where I recently received a long-distance phone call from a desperate man who began, "Dr. Asimov, there's a story I think you wrote, whose title I can't remember—" at which point I interrupted to tell him it was "The Last Question" and when I described the plot it proved to be indeed the story he was after. I left him convinced I could read minds at a distance of a thousand miles.
No other story I have written has anything like this effect on my readers — producing at once an unshakeable memory of the plot and an unshakeable forgettery of the title and even author. I think it may be that the story fills them so frighteningly full, that they can retain none of the side-issues.
Often the portion of this passage on "Towering genius..." is quoted without any mention or acknowledgment that Lincoln was speaking of the need to sometimes hold the ambitions of such genius in check, when individuals aim at their own personal aggrandizement rather than the common good.
1830s, The Lyceum Address (1838)
Context: It is to deny, what the history of the world tells us is true, to suppose that men of ambition and talents will not continue to spring up amongst us. And, when they do, they will as naturally seek the gratification of their ruling passion, as others have so done before them. The question then, is, can that gratification be found in supporting and maintaining an edifice that has been erected by others? Most certainly it cannot. Many great and good men sufficiently qualified for any task they should undertake, may ever be found, whose ambition would inspire to nothing beyond a seat in Congress, a gubernatorial or a presidential chair; but such belong not to the family of the lion, or the tribe of the eagle. What! think you these places would satisfy an Alexander, a Caesar, or a Napoleon? — Never! Towering genius disdains a beaten path. It seeks regions hitherto unexplored. — It sees no distinction in adding story to story, upon the monuments of fame, erected to the memory of others. It denies that it is glory enough to serve under any chief. It scorns to tread in the footsteps of any predecessor, however illustrious. It thirsts and burns for distinction; and, if possible, it will have it, whether at the expense of emancipating slaves, or enslaving freemen. Is it unreasonable then to expect, that some man possessed of the loftiest genius, coupled with ambition sufficient to push it to its utmost stretch, will at some time, spring up among us? And when such a one does, it will require the people to be united with each other, attached to the government and laws, and generally intelligent, to successfully frustrate his designs.
2009, Nobel Prize acceptance speech (December 2009)
Context: We can acknowledge that oppression will always be with us, and still strive for justice. We can admit the intractability of deprivation, and still strive for dignity. Clear-eyed, we can understand that there will be war, and still strive for peace. We can do that — for that is the story of human progress; that's the hope of all the world; and at this moment of challenge, that must be our work here on Earth.
Interview http://www.lordotrings.com/interview.asp with Dennis Gerrolt, first broadcast on the BBC Radio 4 programme "Now Read On" (January 1971)
Context: It gives me great pleasure, a good name. I always in writing start with a name. Give me a name and it produces a story, not the other way about normally.
"Celephaïs" - Written early November 1920; first published in The Rainbow, No. 2 (May 1922)<!-- p. 10-12 -->
Fiction
Context: There are not many persons who know what wonders are opened to them in the stories and visions of their youth; for when as children we listen and dream, we think but half-formed thoughts, and when as men we try to remember, we are dulled and prosaic with the poison of life. But some of us awake in the night with strange phantasms of enchanted hills and gardens, of fountains that sing in the sun, of golden cliffs overhanging murmuring seas, of plains that stretch down to sleeping cities of bronze and stone, and of shadowy companies of heroes that ride caparisoned white horses along the edges of thick forests; and then we know that we have looked back through the ivory gates into that world of wonder which was ours before we were wise and unhappy.
Source: As quoted in "Kate Bush Speaks" by Owen Myers in Fader (23 November 2016)
Context: I'm really very happy if people can connect at all to anything I do. I don't really mind if people mishear lyrics or misunderstand what the story is. I think that's what you have to let go of when you send it out in the world. I'm sure with a lot of paintings, people don't understand what the painter originally meant, and I don't really think that matters. I just think if you feel something, that's really the ideal goal. If that happens, then I'm really happy.
“They were doing their best to live like people invented in story books.”
Breakfast of Champions (1973)
Context: I thought Beatrice Keedsler had joined hands with other old-fashioned storytellers to make people believe that life had leading characters, minor characters, significant details, insignificant details, that it had lessons to be learned, tests to be passed, and a beginning, a middle, and an end.
As I approached my fiftieth birthday, I had become more and more enraged and mystified by the idiot decisions made by my countrymen. And then I had come suddenly to pity them, for I understood how innocent and natural it was for them to behave so abominably, and with such abominable results: They were doing their best to live like people invented in story books. This was the reason Americans shot each other so often: It was a convenient literary device for ending short stories and books.
Why were so many Americans treated by their government as though their lives were as disposable as paper facial tissues? Because that was the way authors customarily treated bit-part players in their madeup tales.
And so on.
Once I understood what was making America such a dangerous, unhappy nation of people who had nothing to do with real life, I resolved to shun storytelling. I would write about life. Every person would be exactly as important as any other. All facts would also be given equal weightiness. Nothing would be left out. Let others bring order to chaos. I would bring chaos to order, instead, which I think I have done.
If all writers would do that, then perhaps citizens not in the literary trades will understand that there is no order in the world around us, that we must adapt ourselves to the requirements of chaos instead.
It is hard to adapt to chaos, but it can be done. I am living proof of that: It can be done.
Interview by David Brancaccio, NOW (PBS) (7 October 2005) http://www.pbs.org/now/arts/vonnegut.html
Various interviews
Context: [When Vonnegut tells his wife he's going out to buy an envelope] Oh, she says, well, you're not a poor man. You know, why don't you go online and buy a hundred envelopes and put them in the closet? And so I pretend not to hear her. And go out to get an envelope because I'm going to have a hell of a good time in the process of buying one envelope. I meet a lot of people. And, see some great looking babes. And a fire engine goes by. And I give them the thumbs up. And, and ask a woman what kind of dog that is. And, and I don't know. The moral of the story is, is we're here on Earth to fart around. And, of course, the computers will do us out of that. And, what the computer people don't realize, or they don't care, is we're dancing animals. You know, we love to move around. And, we're not supposed to dance at all anymore.
"All I Want Is You"
Lyrics, Rattle And Hum(1988)
Context: You say you want diamonds on a ring of Gold, You say you want your story to remain untold. But all the promise we made from the Cradle to the Grave, When All I want is You
“Love works magic.
It is the final purpose
Of the world story,
The Amen of the universe.”
Die Liebe wirkt magisch.
Sie ist der Endzweck
der Weltgeschichte,
das Amen des Universums.
Variant translations:
Love is the final end of the world's history, the Amen of the universe.
As translated by W. Hastie in Thoughts on Religion, Pt. 1, "Hymns and Thoughts on Religion" (1888), edited by W. Hastie
Love is the final purpose of world history — the Amen of the universe.
Love works magically...
Love causes magic...
Blüthenstaub (1798), Unsequenced
“Be amusing: never tell unkind stories; above all, never tell long ones.”
Upon being asked to offer the young son of a member of Parliament advice, cited in Wilfrid Meynell, Benjamin Disraeli: An Unconventional Biography (1903), p. 83.
Sourced but undated
“When you write a short story … you had better know the ending first.”
The Casebook of the Black Widowers (1980), p. 177
General sources
Context: When you write a short story... you had better know the ending first. The end of a story is only the end to the reader. To the writer, it's the beginning. If you don't know exactly where you're going every minute you're writing, you'll never get there — or anywhere.
Responding to rumours prompted by the marriage of Martin Luther, in a letter to François Dubois (13 March 1526), as translated in The Correspondence of Erasmus : Letters 1658 to 1801, January 1526-March 1527 (1974) edited by Charles Garfield Nauert and Alexander Dalzell, p. 79
Paraphrased variant: They say that the Antichrist will be born of a monk and a nun. If so, there must already be thousands of Antichrists.
Context: There is no doubt about Martin Luther's marriage, but the rumour about his wife's early confinement is false; she is said however to be pregnant now. If there is truth in the popular legend, that Antichrist will be born from a monk and a nun (which is the story these people keep putting about), how many thousands of Antichrists the world must have already!
On the Gary Soto Literary Museum in Fresno, California in “Jo Ellen Misakian Interviews Author Gary Soto on His New Books, Writing & the Gary Soto Literary Museum” https://cynthialeitichsmith.com/2011/10/jo-ellen-misakian-interviews-author/ (Cynthia Leitich Smith site)
On inverting the clichéd romantic plot between a White male and Asian female in “Iizuka's '36 Views'” https://asiasociety.org/iizukas-36-views in Asia Society
On formulating characters in “An Interview with Amulya Malladi” http://jaggerylit.com/an-interview-with-amulya-malladi/ in Jaggery
On her writing style in “Amulya Malladi: How I Write” https://www.writermag.com/writing-inspiration/author-interviews/amulya-malladi/ in The Writer (2018 May 22)
We Will Not Be Terrorized (December 2015), Naturalization Ceremony speech (December 2015)
2018, Speech at the University of Illinoise Speech (2018)
2016, Disabled American Veterans Convention (August 2016)
2015, Supreme Court Decision on Marriage Equality (June 2015)
Soviet Russia: Some Random Sketches and Impressions (1949)
that's a MacGuffin, a pure nothing which is non the less efficient... what Lacan calls object petit a: a pure void which functions as the object cause of desire.
183
The Sublime Object of Ideology (1989)
Attributed to Lovecraft by Harold Farnese, who corresponded with Lovecraft briefly, later presented by August Derleth as a direct quote; but as discussed on this page http://www.hplovecraft.com/life/myths.aspx#blackmagic, Farnese's letters to Derleth suggested he tended to paraphrase things Lovecraft had written to him, going by memory rather than referring to letters he had on hand. More details in "The Origin of Lovecraft’s 'Black Magic' Quote" by David E. Schultz, *Crypt of Cthulhu*, issue 48.
Disputed
Paolo Maldini, AC Milan Legend ( Source http://www.liverpoolfc.com/news/first-team/185608-maldini-steven-is-similar-to-baresi)
Source: Interview with The London Paper about Inglourious Basterds http://www.thelondonpaper.com/going-out/whats-new/quentin-tarantino-the-big-interview
“There are night stories that daylight doesn't know!”
Original: (pt) Existem histórias da noite que o dia desconhece!
On being expected to just write stories about sad Muslims in “Elif Shafak: ‘When women are divided it is the male status quo that benefits’” https://www.theguardian.com/books/2017/feb/05/elif-shafak-turkey-three-daughters-of-eve-interview in The Guardian (2017 Feb 5)
“The American story is about the slow, yet steady widening of opportunity.”
Source: https://www.youtube.com/watch?v=xiLR4sCgvnc
And all these other people, and now they're like sweet hearts. We all should get that chance, I just want my chance.
1990s, MTV interview with Tabitha Soren (1995)
“I feel that story, first. I know those people, first. When I put them down they've already lived.”
an archival video clip included in With Great Power: The Stan Lee Story, a 2010 documentary, beginning at 17:50
Source: Democracy Now!, 8 May 2013, Eduardo Galeano, Chronicler of Latin America’s “Open Veins,” on His New Book “Children of the Days” https://www.democracynow.org/2013/5/8/eduardo_galeano_chronicler_of_latin_americas,
"Kristi Yamaguchi Interview" in United States Olympic & Paralympic Museum https://usopm.org/kristi-yamaguchi-interview/
INTERVIEW: Pär Sundström – Sabaton https://distortedsoundmag.com/interview-par-sundstrom-sabaton/ (March 3, 2016)
Source: "Robert Downey Jr. on Being an Entrepreneur: 'I Never Learned Anything While I Was Talking'" https://www.morningbrew.com/daily/stories/2021/04/02/robert-downey-jr-talks-businessman-irl (2 April 2021)
"Star actor Gong Yoo hopes his filmography can show who he is" in Yonhap https://en.yna.co.kr/view/AEN20210414006600315 (14 April 2021)
If it's a pattern that repeats in many, many places, with variation, you can abstract out the central pattern. So the pattern never purely existed in any specific form, but the fact that you pulled a pattern out from all those exemplars means that you've extracted something real. I think the reason that the story of Adam and Eve has been immune to being forgotten is because it says things about the nature of the human condition that are always true.
Other
“Story is honorable and trustworthy; plot is shifty, and best kept under house arrest.”
Source: On Writing: A Memoir of the Craft
