“A good work of fiction is more real than the stories from which it was derived. Otherwise it has no staying power. It's distilled reality. And some would say "it never happened," but it depends on what you mean by "happened."”

—  Jordan Peterson

If it's a pattern that repeats in many, many places, with variation, you can abstract out the central pattern. So the pattern never purely existed in any specific form, but the fact that you pulled a pattern out from all those exemplars means that you've extracted something real. I think the reason that the story of Adam and Eve has been immune to being forgotten is because it says things about the nature of the human condition that are always true.
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Canadian clinical psychologist, cultural critic, and profes… 1962

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Jordan Peterson photo

“"What's common across all human experience across all time? That's what Jung essentially meant by an archetype. We tend to think that what we see with our senses is real. And of course that's true, but what we see with our senses is what's real that works in the time frame that we exist in. So we see things that we can touch and pick up - we see tools, essentially, that are useful for our moment to moment activities. We don't see the structures of eternity, and we especially don't see the abstract structures of eternity. We have to imagine those with our imagination. Well that's partly what those stories are doing. They're saying that there are forms of stability that transcend our capacity to observe, which is hardly surprising. We know that if we are scientists, because we are always abstracting out things that we can't immediately observe. But there are moral, or metaphysical, or phenomenological realities that have the same nature. You can't see them in your life by observing them with your senses, but you can imagine them with your imagination, and sometimes the things that you imagine with your imagination are more real than the things that you see. Numbers are like that, for example. There are endless things like that. Same with fiction. A good work of fiction is more real than the stories from which it was derived. Otherwise it has no staying power. It's distilled reality. And some would say "it never happened," but it depends on what you mean by "happened." If it's a pattern that repeats in many many places, with variation, you can abstract out the central pattern. So the pattern never purely existed in any specific form, but the fact that you pulled a pattern out from all those exemplars means that you've extracted something real. I think the reason that the story of Adam and Eve has been immune to being forgotten is because it says things about the nature of the human condition that are always true."”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

Philip K. Dick photo

“I guess that's the story of life: what you most fear never happens, but what you most yearn for never happens either. This is the difference between life and fiction. I suppose it's a good trade-off. But I'm not sure.”

Philip K. Dick (1928–1982) American author

Federico García Lorca photo

“If I told you the whole story it would never end… What's happened to me has happened to a thousand woman.”

Federico García Lorca (1898–1936) Spanish poet, dramatist and theatre director

Source: Dona Rosita la soltera

Bob Black photo

“No one can say what would result from unleashing the creative power stultified by work. Anything can happen.”

Bob Black book The Abolition of Work

The Abolition of Work (1985)
Context: No one can say what would result from unleashing the creative power stultified by work. Anything can happen. The tiresome debater's problem of freedom vs. necessity, with its theological overtones, resolves itself practically once the production of use-values is co-extensive with the consumption of delightful play activity. Life will become a game, or rather many games, but not—as it is now — a zero/sum game. An optimal sexual encounter is the paradigm of productive play. The participants potentiate each other's pleasures, nobody keeps score, and everybody wins. The more you give, the more you get. In the ludic life, the best of sex will diffuse into the better part of daily life. Generalized play leads to the libidinization of life. Sex, in turn, can become less urgent and desperate, more playful.
If we play our cards right, we can all get more out of life than we put into it; but only if we play for keeps.
No one should ever work.
Workers of the world... relax! </center

Umberto Eco photo

“To read fiction means to play a game by which we give sense to the immensity of things that happened, are happening, or will happen in the actual world. By reading narrative, we escape the anxiety that attacks us when we try to say something true about the world. This is the consoling function of narrative — the reason people tell stories, and have told stories from the beginning of time.”

Umberto Eco book Six Walks in the Fictional Woods

Six Walks in the Fictional Woods (1994) Chapter Four: "Possible Woods"

Jacque Fresco photo

“Whatever happens in the world is real, what one thinks should have happened is projection. We suffer more from our fictitious illusion and expectations of reality.”

Jacque Fresco (1916–2017) American futurist and self-described social engineer

Mary Parker Follett photo

“It is a mistake to think that social progress is to depend upon anything happening to the working people: some say that they are to be given more material goods and all will be well; some think they are to be given more "education" and the world will be saved. It is equally a mistake to think that what we need is the conversion to "unselfishness" of the capitalist class.”

Mary Parker Follett The New State

Source: The New State, 1918, p. 117. Chapter XIV: "The Group Principle at Work"

Elie Wiesel photo

“Some stories are true that never happened.”

Elie Wiesel (1928–2016) writer, professor, political activist, Nobel Laureate, and Holocaust survivor

Ralph Ellison photo

“Good fiction is made of that which is real, and reality is difficult to come by.”

Ralph Ellison book Shadow and Act

Shadow and Act (New York: Random House, 1964), Introduction, p. xix; in The Collected Essays, ed. John F. Callahan (New York: Modern Library, 1995), p. 56.

“People often think that a fiction is something untrue, but this is wrong. The word derives from the Latin fingere, to make. As something made, fiction is different from something discovered, as in physics, or from something that happened, as in the news. But this does not mean it is false. Fiction is about possible selves in possible worlds.”

Keith Oatley (1939) Anglo-Canadian psychologist

&quot; Changing our Minds http://peacecenter.berkeley.edu/greatergood/2009winter/Oatley653.php,&quot; originally published in Changing our Minds magazine.

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