Quotes about story
page 3

Tupac Shakur photo
Daniel Handler photo

“If you have ever peeled an onion, then you know that the first thin, papery layer reveals another thin, papery layer, and that layer reveals another, and another, and before you know it you have hundreds of layers all over the kitchen table and thousands of tears in your eyes, sorry that you ever started peeling in the first place and wishing that you had left the onion alone to wither away on the shelf of the pantry while you went on with your life, even if that meant never again enjoying the complicated and overwhelming taste of this strange and bitter vegetable.

In this way, the story of the Baudelaire orphans is like an onion, and if you insist on reading each and every thin, papery layer in A Series of Unfortunate Events, your only reward will be 170 chapters of misery in your library and countless tears in your eyes. Even if you have read the first twelve volumes of the Baudelaires' story, it is not too late to stop peeling away the layers, and to put this book back on the shelf to wither away while you read something less complicated and overwhelming. The end of this unhappy chronicle is like its bad beginning, as each misfortune only reveals another, and another, and another, and only those with the stomach for this strange and bitter tale should venture any farther into the Baudelaire onion. I'm sorry to tell you this, but that is how the story goes.”

Source: The End (2006), Chapter 1

Barack Obama photo
Ludwig von Mises photo
Daniel Handler photo
W.B. Yeats photo

“Pardon, old fathers, if you still remain
Somewhere in ear-shot for the story’s end.”

W.B. Yeats (1865–1939) Irish poet and playwright

Responsibilities - Introduction http://poetry.poetryx.com/poems/1572/
Responsibilities (1914)

Taylor Swift photo
José Saramago photo

“In between these four whitewashed walls, on this tiled floor, notice the broken corners, how some tiles have been worn smooth, how many feet have passed this way, and look how interesting this trail of ants is, travelling along the joins as if they were valleys, while up above, projected against the white sky of the ceiling and the sun of the lamp, tall towers are moving, they are men, as the ants well know, having, for generations, experienced the weight of their feet and the long, hot spout of water that falls from a kind of pendulous external intestine, ants all over the world have been drowned or crushed by these, but it seems they will escape this fate now, for the men are occupied with other things. […]
Let's take this ant, or, rather, let's not, because that would involve picking it up, let us merely consider it, because it is one of the larger ones and because it raises its head like a dog, it's walking along very close to the wall, together with its fellow ants it will have time to complete its long journey ten times over between the ants' nest and whatever it is that it finds so interesting, curious or perhaps merely nourishing in this secret room […]. One of the men has fallen to the ground, he's on the same level as the ants now, we don't know if he can see them, but they see him, and he will fall so often that, in the end, they will know by heart his face, the color of his hair and eyes, the shape of his ear, the dark arc of his eyebrow, the faint shadow at the corner of his mouth, and later, back in the ants' nest, they will weave long stories for the enlightenment of future generations, because it is useful for the young to know what happens out there in the world. The man fell and the others dragged him to his feet again, shouting at him, asking two different questions at the same time, how could he possibly answer them even if he wanted to, which is not the case, because the man who fell and was dragged to his feet will die without saying a word. Only moans will issue from his mouth, and in the silence of his soul only deep sighs, and even when his teeth are broken and he has to spit them out, which will prompt the other two men to hit him again for soiling state property, even then the sound will be of spitting and nothing more, that unconscious reflex of the lips, and then the dribble of saliva thickened with blood that falls to the floor, thus stimulating the taste buds of the ants, who telegraph from one to the other news of this singularly red manna fallen from such a white heaven.
The man fell again. It's the same one, said the ants, the same ear shape, the same arc of eyebrow, the same shadow at the corner of the mouth, there's no mistaking him, why is it that it is always the same man who falls, why doesn't he defend himself, fight back. […] The ants are surprised, but only fleetingly. After all, they have their own duties, their own timetables to keep, it is quite enough that they raise their heads like dogs and fix their feeble vision on the fallen man to check that he is the same one and not some new variant in the story. The larger ant walked along the remaining stretch of wall, slipped under the door, and some time will pass before it reappears to find everything changed, well, that's just a manner of speaking, there are still three men there, but the two who do not fall never stop moving, it must be some kind of game, there's no other explanation […]. [T]hey grab him by the shoulders and propel him willy-nilly in the direction of the wall, so that sometimes he hits his back, sometimes his head, or else his poor bruised face smashes into the whitewash and leaves on it a trace of blood, not a lot, just whatever spurts forth from his mouth and right eyebrow. And if they leave him there, he, not his blood, slides down the wall and he ends up kneeling on the ground, beside the little trail of ants, who are startled by the sudden fall from on high of that great mass, which doesn't, in the end, even graze them. And when he stays there for some time, one ant attaches itself to his clothing, wanting to take a closer look, the fool, it will be the first ant to die, because the next blow falls on precisely that spot, the ant doesn't feel the second blow, but the man does.”

Source: Raised from the Ground (1980), pp. 172–174

Barack Obama photo
Jeremy Clarkson photo
Frank Zappa photo
50 Cent photo

“I came from the bottom of the bottom. It's hard for a lot of people to comprehend my story – a lot of people just don't get me because they haven't experienced it. I came from the bottom and I have risen up and I have changed but I have never forgotten.”

50 Cent (1975) American rapper, actor, businessman, investor and television producer

From his interview with Louis Gannon for Live magazine, The Mail on Sunday (UK) newspaper, 25 October 2009.

P.G. Wodehouse photo
Bertrand Russell photo
Barack Obama photo

“For decades, this vision stood in sharp contrast to life on the other side of an Iron Curtain. For decades, a contest was waged, and ultimately that contest was won -- not by tanks or missiles, but because our ideals stirred the hearts of Hungarians who sparked a revolution; Poles in their shipyards who stood in Solidarity; Czechs who waged a Velvet Revolution without firing a shot; and East Berliners who marched past the guards and finally tore down that wall. Today, what would have seemed impossible in the trenches of Flanders, the rubble of Berlin, or a dissident’s prison cell -- that reality is taken for granted. A Germany unified. The nations of Central and Eastern Europe welcomed into the family of democracies. Here in this country, once the battleground of Europe, we meet in the hub of a Union that brings together age-old adversaries in peace and cooperation. The people of Europe, hundreds of millions of citizens -- east, west, north, south -- are more secure and more prosperous because we stood together for the ideals we share. And this story of human progress was by no means limited to Europe. Indeed, the ideals that came to define our alliance also inspired movements across the globe among those very people, ironically, who had too often been denied their full rights by Western powers. After the Second World War, people from Africa to India threw off the yoke of colonialism to secure their independence. In the United States, citizens took freedom rides and endured beatings to put an end to segregation and to secure their civil rights. As the Iron Curtain fell here in Europe, the iron fist of apartheid was unclenched, and Nelson Mandela emerged upright, proud, from prison to lead a multiracial democracy. Latin American nations rejected dictatorship and built new democracies, and Asian nations showed that development and democracy could go hand in hand.”

Barack Obama (1961) 44th President of the United States of America

2014, Address to European Youth (March 2014)

David Tennant photo
Jordan Peterson photo
Hans Christian Andersen photo
Sukirti Kandpal photo
Galileo Galilei photo

“It seems to me proper to adorn the Author's thought here with its conformity to a conception of Plato's regarding the determination of the various speeds of equable motion in the celestial motions of revolution. …he said that God, after having created the movable celestial bodies, in order to assign to them those speeds with which they must be moved perpetually in equable circular motion, made them depart from rest and move through determinate spaces in that natural straight motion in which we sensibly see our moveables to be moved from the state of rest, successively accelerating. And he added that these having been made to gain that degree [of speed] which it pleased God that they should maintain forever, He turned their straight motion into circulation, the only kind [of motion] that is suitable to be conserved equably, turning always without retreat from or approach toward any pre-established goal desired by them. The conception is truly worthy of Plato, and it is to be more esteemed to the extent that its foundations, of which Plato remained silent, but which were discovered by our Author in removing their poetical mask or semblance, show it the guise of a true story.”

Galileo Galilei (1564–1642) Italian mathematician, physicist, philosopher and astronomer

I. Bernard Cohen's thesis: Galileo believed only circular (not straight line) motion may be conserved (perpetual), see The New Birth of Physics (1960).
Sagredo, Day Four, Stillman Drake translation (1974) pp.283-284
Dialogues and Mathematical Demonstrations Concerning Two New Sciences (1638)

Abraham Lincoln photo

“I have not permitted myself, gentlemen, to conclude that I am the best man in the country; but I am reminded, in this connection, of a story of an old Dutch farmer, who remarked to a companion once that it was not best to swap horses when crossing streams.”

Abraham Lincoln (1809–1865) 16th President of the United States

Reply to delegation from the National Union League approving and endorsing "the nominations made by the Union National Convention at Baltimore." New York Times, Herald, and Tribune (10 June 1864) Collected Works of Abraham Lincoln. Volume 7 http://quod.lib.umich.edu/cgi/t/text/text-idx?c=lincoln;rgn=div1;view=text;idno=lincoln7;node=lincoln7%3A852
To a delegation of the National Union League who congratulated him on his nomination as the Republican candidate for President, June 9, 1864. As given by J. F. Rhodes—Hist. of the U. S. from the Compromise of 1850, Volume IV, p. 370. Same in Nicolay and Hay Lincoln's Complete Works, Volume II, p. 532. Different version in Appleton's Cyclopedia. Raymond—Life and Public Services of Abraham Lincoln, Chapter XVIII, p. 500. (Ed. 1865) says Lincoln quotes an old Dutch farmer, "It was best not to swap horses when crossing a stream".
Variant: I do not allow myself to suppose that either the convention or the League, have concluded to decide that I am either the greatest or the best man in America, but rather they have concluded it is not best to swap horses while crossing the river, and have further concluded that I am not so poor a horse that they might not make a botch of it in trying to swap. note
Source: http://quod.lib.umich.edu/cgi/t/text/text-idx?c=lincoln;rgn=div1;view=text;idno=lincoln7;node=lincoln7%3A852 Collected Works of Abraham Lincoln. Volume 7

John Ronald Reuel Tolkien photo
Ozzy Osbourne photo
Abby Stein photo

“There is no straight way to not being straight. We (Queer individuals) all have different stories.”

Abby Stein (1991) Trans activist, speaker, and educator

Speech at Nyack Library, May 15, 2016. https://www.youtube.com/watch?v=PHXHcf47LJk&list=PLGAOZDy50dxnuaem8ls2U6285DxR9_jH9
2016

Stan Lee photo
Steven Spielberg photo

“People have forgotten how to tell a story.”

Steven Spielberg (1946) American film director, screenwriter, producer, video game designer, and studio entrepreneur

Life

Jordan Peterson photo
Barack Obama photo
U.G. Krishnamurti photo
Billy the Kid photo

“I don’t blame you for writing of me as you have. You had to believe other stories, but then I don’t know if any one would believe anything good of me anyway.”

Billy the Kid (1859–1881) American cattle rustler, gambler, horse thief, outlaw, cowboy and ranch hand

Billy the Kid's comment to a Las Vegas Gazette reporter (December, 1880)
About Billy the Kid website http://www.aboutbillythekid.com/index.html

Ransom Riggs photo
Friedrich Nietzsche photo

“Ascetic ideals reveal so many bridges to independence that a philosopher is bound to rejoice and clap his hands when he hears the story of all those resolute men who one day said No to all servitude and went into some desert.”

Es sind im asketischen Ideale so viele Brücken zur Unabhängigkeit angezeigt, dass ein Philosoph nicht ohne ein innerliches Frohlocken und Händeklatschen die Geschichte aller jener Entschlossnen zu hören vermag, welche eines Tages Nein sagten zu aller Unfreiheit und in irgend eine Wüste giengen.
Essay 3, Aphorism 7, W. Kaufmann, trans., Basic Writings of Nietzsche (1992), p. 543
On the Genealogy of Morality (1887)

John Ronald Reuel Tolkien photo
Barack Obama photo

“But we are here today because we know we cannot be complacent. For history travels not only forwards; history can travel backwards, history can travel sideways. And securing the gains this country has made requires the vigilance of its citizens. Our rights, our freedoms -- they are not given. They must be won. They must be nurtured through struggle and discipline, and persistence and faith. And one concern I have sometimes during these moments, the celebration of the signing of the Civil Rights Act, the March on Washington -- from a distance, sometimes these commemorations seem inevitable, they seem easy. All the pain and difficulty and struggle and doubt -- all that is rubbed away. And we look at ourselves and we say, oh, things are just too different now; we couldn’t possibly do what was done then -- these giants, what they accomplished. And yet, they were men and women, too. It wasn’t easy then. It wasn’t certain then. Still, the story of America is a story of progress. However slow, however incomplete, however harshly challenged at each point on our journey, however flawed our leaders, however many times we have to take a quarter of a loaf or half a loaf -- the story of America is a story of progress. And that’s true because of men like President Lyndon Baines Johnson.”

Barack Obama (1961) 44th President of the United States of America

Remarks by the President at LBJ Presidential Library Civil Rights Summit at Lyndon B. Johnson Presidential Library in Austin, Texas on April 10, 2014. http://www.whitehouse.gov/the-press-office/2014/04/10/remarks-president-lbj-presidential-library-civil-rights-summit
2014

Jordan Peterson photo
Jordan Peterson photo
Plato photo

“[Aristotle] was the most eminent of all the pupils of Plato…. He seceded from Plato while he was still alive; so that they tell a story that [Plato] said, "Aristotle has kicked us off, just as chickens do their mother after they have been hatched."”

Plato (-427–-347 BC) Classical Greek philosopher

’’The Lives and Opinions of Eminent Philosophers’’, Book V, "Life of Aristotle" http://classicpersuasion.org/pw/diogenes/dlaristotle.htm paragraphs II and IV, as translated by C. D. Yonge
In Diogenes Laërtius

Jordan Peterson photo
Barack Obama photo
Jordan Peterson photo
Noam Chomsky photo
Barack Obama photo

“You know, there’s been a lot of talk in this campaign about what America has lost — people who tell us that our way of life is being undermined by pernicious changes and dark forces beyond our control. They tell voters there’s a “real America” out there that must be restored. This isn’t an idea, by the way, that started with Donald Trump. It’s been peddled by politicians for a long time — probably from the start of our Republic.
And it’s got me thinking about the story I told you 12 years ago tonight, about my Kansas grandparents and the things they taught me when I was growing up. See, my grandparents, they came from the heartland. Their ancestors began settling there about 200 years ago. I don’t know if they have their birth certificates — but they were there. They were Scotch-Irish mostly — farmers, teachers, ranch hands, pharmacists, oil rig workers.  Hardy, small town folks.  Some were Democrats, but a lot of them — maybe even most of them — were Republicans.  Party of Lincoln.
And my grandparents explained that folks in these parts, they didn’t like show-offs.  They didn’t admire braggarts or bullies. They didn’t respect mean-spiritedness, or folks who were always looking for shortcuts in life. Instead, what they valued were traits like honesty and hard work, kindness, courtesy, humility, responsibility, helping each other out. That’s what they believed in. True things. Things that last. The things we try to teach our kids.”

Barack Obama (1961) 44th President of the United States of America

2016, DNC Address (July 2016)

Pericles photo

“The whole Earth is the Sepulchre of famous men; and their story is not graven only on Stone over their native earth, but lives on far away, without visible symbol, woven into the stuff of other men's lives.”

Pericles (-494–-429 BC) Greek statesman, orator, and general of Athens

As quoted in A Brief and True Report concerning Williamsburg in Virginia by Rutherford Goodwin (1941), p. 125

Vladimir Nabokov photo

“As far as I can recall, the initial shiver of inspiration was somehow prompted by a newspaper story about an ape in the Jardin des Plantes who, after months of coaxing by a scientist, produced the first drawing ever charcoaled by an animal: this sketch showed the bars of the poor creature's cage.”

Vladimir Nabokov (1899–1977) Russian-American novelist, lepidopterist, professor

As quoted at Penn State University Libraries http://www.libraries.psu.edu/nabokov/wlolita.htm.
On a Book Entitled Lolita (1956)

Eliphas Levi photo
Malala Yousafzai photo
Paul Krugman photo
H.P. Lovecraft photo
Taylor Swift photo
Rajneesh photo
V.S. Naipaul photo
Fernando Pessoa photo

“It's certain that, when hearing from any of those people the story of their sexual marathons, a vague suspicion pervades us, at about the seventh deflowering.”

Ibid., p. 243
The Book of Disquiet
Original: É certo que, ao ouvir contar a qualquer destes indivíduos as suas maratonas sexuais, uma vaga suspeita nos invade, pela altura do sétimo desfloramento.

Barack Obama photo

“How does America find its way in this new, global economy? What will our place in history be? Like so much of the American story, once again, we face a choice. Once again, there are those who believe that there isn’t much we can do about this as a nation. That the best idea is to give everyone one big refund on their government—divvy it up by individual portions, in the form of tax breaks, hand it out, and encourage everyone to use their share to go buy their own health care, their own retirement plan, their own child care, their own education, and so on. In Washington, they call this the Ownership Society. But in our past there has been another term for it—Social Darwinism—every man or woman for him or herself. It’s a tempting idea, because it doesn’t require much thought or ingenuity. It allows us to say that those whose health care or tuition may rise faster than they can afford—tough luck. It allows us to say to the Maytag workers who have lost their job—life isn’t fair. It let’s us say to the child who was born into poverty—pull yourself up by your bootstraps. And it is especially tempting because each of us believes we will always be the winner in life’s lottery, that we’re the one who will be the next Donald Trump, or at least we won’t be the chump who Donald Trump says: “You’re fired!” But there is a problem. It won’t work. It ignores our history. It ignores the fact that it’s been government research and investment that made the railways possible and the internet possible. It’s been the creation of a massive middle class, through decent wages and benefits and public schools that allowed us all to prosper. Our economic dependence depended on individual initiative. It depended on a belief in the free market; but it has also depended on our sense of mutual regard for each other, the idea that everybody has a stake in the country, that we’re all in it together and everybody’s got a shot at opportunity. That’s what’s produced our unrivaled political stability.”

Barack Obama (1961) 44th President of the United States of America

Knox College Commencement Address (4 June 2005)
2005

Roméo Dallaire photo
Jordan Peterson photo

“Most of the adventure genre is about how there is some enemy that's lurking, and someone rises up to confront it and maintain order. There's no getting away from that story.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Source: https://www.youtube.com/watch?v=hdrLQ7DpiWs "Biblical Series II: Genesis 1: Chaos & Order"

Jean De La Fontaine photo

“Love is a cruel conqueror.
Happy is he who knows him through stories
And not by his blows!”

Jean De La Fontaine (1621–1695) French poet, fabulist and writer.

Amour est un étrange maître!
Heureux qui peut ne le connaître
Que par récit, lui ni ses coups!
Book IV (1668), fable 1 (Le lion amoureux).
Fables (1668–1679)

Hunter S. Thompson photo

“It was wonderful, a stunning happy ending to what began as just another tragic rock & roll story, as if Bob Dylan had been arrested in Miami for jacking off in a seedy little XXX theater while stroking the spine of a fat young boy.”

Hunter S. Thompson (1937–2005) American journalist and author

2000s, Kingdom of Fear: Loathsome Secrets of a Star-crossed Child in the Final Days of the American Century (2004)

Jordan Peterson photo

“The Word that speaks Truth into Chaos at the beginning of time, to generate habitable order that is Good – that's the story.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Other

Martin Luther King, Jr. photo
Bawa Muhaiyaddeen photo

“Story, finally, is humanity's autobiography.”

Lloyd Alexander (1924–2007) American children's writer

"The Grammar of Story", in Celebrating Children's Books (1981), p. 13

Chris Colfer photo
Thomas Mann photo

“How else is the famous short story ‘A study in Abjection’ to be understood but as an outbreak of disgust against an age indecently undermined by psychology.”

On a short story of the character, "Gustav Aschenbach". Ch. 2, as translated by David Luke
Death in Venice (1912)

José Saramago photo
John Updike photo

“The inner spaces that a good story lets us enter are the old apartments of religion.”

John Updike (1932–2009) American novelist, poet, short story writer, art critic, and literary critic

Introduction to The Best American Short Stories of 1984 (1984)

H.P. Lovecraft photo

“Inconceivable events and conditions form a class apart from all other story elements, and cannot be made convincing by any mere process of casual narration. They have the handicap of incredibility to overcome; and this can be accomplished only through a careful realism in every other phase of the story, plus a gradual atmospheric or emotional build-up of the utmost subtlety. The emphasis, too, must be kept right—hovering always over the wonder of the central abnormality itself. It must be remembered that any violation of what we know as natural law is in itself a far more tremendous thing than any other event or feeling which could possibly affect a human being. Therefore in a story dealing with such a thing we cannot expect to create any sense of life or illusion of reality if we treat the wonder casually and have the characters moving about under ordinary motivations. The characters, though they must be natural, should be subordinated to the central marvel around which they are grouped. The true "hero" of a marvel tale is not any human being, but simply a set of phenomena. Over and above everything else should tower the stark, outrageous monstrousness of the one chosen departure from Nature. The characters should react to it as real people would react to such a thing if it were suddenly to confront them in daily life; displaying the almost soul-shattering amazement which anyone would naturally display instead of the mild, tame, quickly-passed-over emotions prescribed by cheap popular convention. Even when the wonder is one to which the characters are assumed to be used, the sense of awe, marvel, and strangeness which the reader would feel in the presence of such a thing must somehow be suggested by the author.... Atmosphere, not action, is the thing to cultivate in the wonder story. We cannot put stress on the bare events, since the unnatural extravagance of these events makes them sound hollow and absurd when thrown into too high relief. Such events, even when theoretically possible or conceivable in the future, have no counterpart or basis in existing life and human experience, hence can never form the groundwork of an adult tale. All that a marvel story can ever be, in a serious way, is a vivid picture of a certain type of human mood. The moment it tries to be anything else it becomes cheap, puerile, and unconvincing. Therefore a fantastic author should see that his prime emphasis goes into subtle suggestion—the imperceptible hints and touches of selective and associative detail which express shadings of moods and build up a vague illusion of the strange reality of the unreal—instead of into bald catalogues of incredible happenings which can have no substance or meaning apart from a sustaining cloud of colour and mood-symbolism. A serious adult story must be true to something in life. Since marvel tales cannot be true to the events of life, they must shift their emphasis toward something to which they can be true; namely, certain wistful or restless moods of the human spirit, wherein it seeks to weave gossamer ladders of escape from the galling tyranny of time, space, and natural laws.”

H.P. Lovecraft (1890–1937) American author

"Some Notes on Interplanetary Fiction", Californian 3, No. 3 (Winter 1935): 39-42. Published in Collected Essays, Volume 2: Literary Criticism edited by S. T. Joshi, p. 178
Non-Fiction

John Ronald Reuel Tolkien photo

“A story must be told or there'll be no story, yet it is the untold stories that are most moving.”

John Ronald Reuel Tolkien (1892–1973) British philologist and author, creator of classic fantasy works

Letter to his son Christopher (30 January 1945) — in The Letters of J.R.R. Tolkien (1981), p. 110
The Letters of J. R. R. Tolkien (1981)

David Cronenberg photo
Guy Gavriel Kay photo
David Copperfield photo
Friedrich Nietzsche photo

“According to the old story, King Midas had long hunted wise Silenus, Dionysus' companion, without catching him. When Silenus had finally fallen into his clutches, the king asked him what was the best and most desirable thing of all for mankind. The daemon stood still, stiff and motionless, until at last, forced by the king, he gave a shrill laugh and spoke these words: 'Miserable, ephemeral race, children of hazard and hardship, why do you force me to say what it would be much more fruitful for you not to hear? The best of all things is something entirely outside your grasp: not to be born, not to be, to be nothing. But the second-best thing for you — is to die soon.”

Es geht die alte Sage, dass König Midas lange Zeit nach dem weisen Silen, dem Begleiter des Dionysus, im Walde gejagt habe, ohne ihn zu fangen. Als er ihm endlich in die Hände gefallen ist, fragt der König, was für den Menschen das Allerbeste und Allervorzüglichste sei. Starr und unbeweglich schweigt der Dämon; bis er, durch den König gezwungen, endlich unter gellem Lachen in diese Worte ausbricht: `Elendes Eintagsgeschlecht, des Zufalls Kinder und der Mühsal, was zwingst du mich dir zu sagen, was nicht zu hören für dich das Erspriesslichste ist? Das Allerbeste ist für dich gänzlich unerreichbar: nicht geboren zu sein, nicht zu sein, nichts zu sein. Das Zweitbeste aber ist für dich - bald zu sterben.
Source: The Birth of Tragedy (1872), p. 22

Ronald Reagan photo
Jordan Peterson photo
Ransom Riggs photo
Barack Obama photo
Slavoj Žižek photo

“Darcy wants to present himself to Elizabeth as a proud gentleman, and he gets from her the message 'your pride is nothing but contemptible arrogance.' After the break in their relationship each discovers, through a series of accidents, the true nature of the other - she the sensitive and tender nature of Darcy, he her real dignity and wit - and the novel ends as it should, with their marriage. The theoretical interest of this story lies in the fact that the failure of their first encounter, the double misrecognition concerning the real nature of the other, functions as a positive condition of the final outcome: we cannot say 'if, from the very beginning, she had recognized his real nature and he hers, their story could have ended at once with their marriage.' Let us take a comical hypothesis that the first encounter of the future lovers was a success - that Elizabeth had accepted Darcy's first proposal. What would happen? Instead of being bound together in true love they would become a vulgar everyday couple, a liaison of an arrogant, rich man and a pretentious, every-minded young girl… If we want to spare ourselves the painful roundabout route through the misrecognition, we miss the truth itself: only the working-through of the misrecognition allows us to accede to the true nature of the other and at the same time to overcome our own deficiency - for Darcy, to free himself of his false pride; for Elizabeth, to get rid of her prejudices.”

67
The Sublime Object of Ideology (1989)

John Ronald Reuel Tolkien photo
H.P. Lovecraft photo

“It's not a bad idea to call this Cthulhuism & Yog-Sothothery of mine "The Mythology of Hastur"—although it was really from Machen & Dunsany & others, rather than through the Bierce-Chambers line, that I picked up my gradually developing hash of theogony—or daimonogony. Come to think of it, I guess I sling this stuff more as Chambers does than as Machen & Dunsany do—though I had written a good deal of it before I ever suspected that Chambers ever wrote a weird story!”

H.P. Lovecraft (1890–1937) American author

Letter to August Derleth (16 May 1931), responding to Derleth's suggestion that he call the interconnected mythology of his stories (what would later be known as the Cthulhu Mythos) "The Mythology of Hastur", quoted in "H.P. Lovecraft, a Life" by S.T. Joshi, p. 505
Non-Fiction, Letters, to August Derleth

Friedrich Nietzsche photo
Leonardo DiCaprio photo

“The fact that Romeo is dopey, lovey-dovey, and it's a corny story. And I was afraid I'd look like a fuffy.”

Leonardo DiCaprio (1974) American actor and film producer

http://www.popmonk.com/actors/leonardo-dicaprio/quotes-leonardo-dicaprio.htm

Jordan Peterson photo

“Out of the unconscious you get ritual, dreams, drama, story, art, music, and that sort of buffers us. We have our little domain of competence, and we're buffered by the domain of fantasy and culture. That's really what you learn about when you come to university if you're lucky and the professors are smart enough to actually teach you something about culture instead of constantly telling you that it's completely reprehensible and that it should be destroyed. Why you would prefer chaos to order is beyond me. The only possible reason is that you haven't read enough history to understand exactly what chaos means. And believe me, if you knew what chaos means, you'd be pretty goddamn careful about tearing down the temple that you live in, unless you want to be a denizen of chaos. And some people do. That's when the impulses you harbor can really come out and shine. And so a little gratitude is in order, and that makes you appreciative of the wise king while being smart enough to know that he's also an evil tyrant. That's a total conception of the world. It's balanced. Yah, we should preserve nature, but it IS trying to kill us. YES our culture is tyrannical and oppresses people, but it IS protecting us from dying. And YES we're reasonably good people, but don't take that theory too far until you've tested yourself. That's wisdom, at least in part, and that's what these stories try to teach you.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Other

Joanne K. Rowling photo

“No story lives unless someone wants to listen.”

Joanne K. Rowling (1965) British novelist, author of the Harry Potter series

Harry Potter and the Deathly Hallows Part 2 London Premiere (July 2011)
2010s

Will Cuppy photo
Antonin Scalia photo
Jordan Peterson photo
50 Cent photo
Jordan Peterson photo
Charles Spurgeon photo

“It is a great deal easier to set a story afloat than to stop it. If you want truth to go round the world you must hire an express train to pull it; but if you want a lie to go round the world, it will fly: it is as light as a feather, and a breath will carry it. It is well said in the old proverb, "A lie will go round the world while truth is pulling its boots on." Nevertheless, it does not injure us; for if light as feather it travels as fast, its effect is just about as tremendous as the effect of down, when it is blown against the walls of a castle; it produces no damage whatever, on account of its lightness and littleness. Fear not, Christian. Let slander fly, let envy send forth its forked tongue, let it hiss at you, your bow shall abide in strength. Oh! shielded warrior, remain quiet, fear no ill; but, like the eagle in its lofty eyrie, look thou down upon the fowlers in the plain, turn thy bold eye upon them and say, "Shoot ye may, but your shots will not reach half-way to the pinnacle where I stand. Waste your powder upon me if ye will; I am beyond your reach."”

Charles Spurgeon (1834–1892) British preacher, author, pastor and evangelist

Then clap your wings, mount to heaven, and there laugh them to scorn, for ye have made your refuge God, and shall find a most secure abode.
"No. 17: Joseph Attacked by the Archers (Genesis 49:23–24, delivered on Sunday 1855-04-01)" pp.130
Sermons delivered in Exeter Hall, Strand, during the enlargement of New Park Street Chapel, Southmark (1855)

Eleanor Roosevelt photo

“To me who dreamed so much as a child, who made a dreamworld in which I was the heroine of an unending story, the lives of people around me continued to have a certain storybook quality. I learned something which has stood me in good stead many times — The most important thing in any relationship is not what you get but what you give.”

Eleanor Roosevelt (1884–1962) American politician, diplomat, and activist, and First Lady of the United States

Preface (December 1960) to The Autobiography of Eleanor Roosevelt (1961), p. xvi; the last line was originally used in the initial edition of her autobiography: This Is My Story (1937)

Jordan Peterson photo

“The human race is trying to work out: 'well, what's the ultimate sacrifice?' It's something like that. The ultimate sacrifice of value. Well, the Passion story - and I told you was foreshadowing - is that there is a supreme sacrifice demanded on the part of the Mother, and there's a supreme sacrifice demanded on the part of the Father, all at the same time. That makes the supreme sacrifice possible. And hypothetically, that's the one that renews. That's the sacrifice that renews and redeems. It's a hell of an idea, man. And the things about it is: I don't know if it's true. But I know that its opposite is false. And generally the opposite of something that's false is true. If the mother doesn't make the sacrifice, then you get the horrible Oedipal situation in the household, which is its own catastrophic hell. If the maternal sacrifice isn't there, then that doesn't work. If the paternal sacrifice isn't there - if the father isn't willing to put his son out into the world, then that's a non-starter because the kid doesn't grow up. And if the son isn't willing to do that, then who the hell is going to shoulder the responsibility. So if those three things don't happen, it's chaos, it's cataclysmic, it's hell. If they do happen, is it the opposite of that? Well, maybe you could say it depends on the degree to which they happen. And it's a continuum. How thoroughly can they happen? Well, we don't know, because you might say, 'How good of a job do you do of encouraging your children to live in truth?”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Well, that's part of the answer to this question. And the answer likely is: well, you don't do as good a job of it as you could. So it works out quite well, but you don't know how well it could work if you did it really well, or spectacularly well, or ultimately well or something like that. You don't know."
Bible Series V: Cain and Abel: The Hostile Brothers
Concepts

Gabriel Iglesias photo

“Three years ago, I bought a Beetle, not even thinking. [Audience laughs some] That's not the joke, shut up. See? I can't even tell you guys a story. [mocking laugh] I wasn't thinking, I bought the car, because it was affordable, economical, brand-new freakin' Beetle for like $17,000. I was, like, "AHHH!" First new car, you know? I go to show it off at my friend Martin's house. I thought it was nice. I pull up, like, [Imitates car driving, then brakes screeching] "MARTEEEEEEEEEEEEN!" He lives in the 'hood, I don't get out of the car. Across the street, there are these gang members, the kind of gang members that, they don't get into like shooting people and stuff like that, they just sit on the porch and talk a lot of smack. So I'm there in a Beetle and across the street, I hear this. I was like, "MARTEEEEEEN!" Over here, I hear, "Oralé!" [Looks behind] "Hey, what's up guys, hows it going?" "How did you get in there, esé?" [Gives an frustrated look] "HURRY UP, MARTIN!" 2 months later, I go back to pick him up. Now, I've had some time to work on the car. I put some rims on it, some stickers on it, I put a chip in the motor that makes it go faster. I thought I was bad, right? So I pull up, [Imitates car driving, tires screeching, and the motor revving] "MARTEEEEEN!" [Gesturing to the voice behind him] "Orale!" [Gabriel shakes his head] Uh-uh, I'm not turning around. "Hey!" Mmm-mm. "Hey!" I don't see you! "Yoo-hoo!" [Growls and turns around] "EH!"”

Gabriel Iglesias (1976) American actor

WHAT?! "Check it out, eh, it's the Fat and the Furious!"
Hot & Fluffy (2007)

Beck photo
Jordan Peterson photo
Emile Zola photo
Joseph Stalin photo

“Before your eyes rises the hero of Gogol's story who, in a fit of aberration, imagined that he was the King of Spain. Such is the fate of all megalomaniacs.”

Joseph Stalin (1879–1953) General secretary of the Communist Party of the Soviet Union

Proletariatis Brdzola August 1905, as quoted in Young Stalin (2007) by Simon Sebag Montefiore, p. 376
Contemporary witnesses

Pope Francis photo
Jordan Peterson photo

“"What's common across all human experience across all time? That's what Jung essentially meant by an archetype. We tend to think that what we see with our senses is real. And of course that's true, but what we see with our senses is what's real that works in the time frame that we exist in. So we see things that we can touch and pick up - we see tools, essentially, that are useful for our moment to moment activities. We don't see the structures of eternity, and we especially don't see the abstract structures of eternity. We have to imagine those with our imagination. Well that's partly what those stories are doing. They're saying that there are forms of stability that transcend our capacity to observe, which is hardly surprising. We know that if we are scientists, because we are always abstracting out things that we can't immediately observe. But there are moral, or metaphysical, or phenomenological realities that have the same nature. You can't see them in your life by observing them with your senses, but you can imagine them with your imagination, and sometimes the things that you imagine with your imagination are more real than the things that you see. Numbers are like that, for example. There are endless things like that. Same with fiction. A good work of fiction is more real than the stories from which it was derived. Otherwise it has no staying power. It's distilled reality. And some would say "it never happened," but it depends on what you mean by "happened." If it's a pattern that repeats in many many places, with variation, you can abstract out the central pattern. So the pattern never purely existed in any specific form, but the fact that you pulled a pattern out from all those exemplars means that you've extracted something real. I think the reason that the story of Adam and Eve has been immune to being forgotten is because it says things about the nature of the human condition that are always true."”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts

Barack Obama photo
Jordan Peterson photo

““The dominance hierarchy is a mechanism that selects heroes and breeds them. And so then we watch that for six million years. We start to understand what it means to be the hero. We start to tell stories about that, and so then not only are we genetically aiming at that with the dominance hierarchies - the selection mechanism mediated by female choice - but our stories are trying to push us in that direction. And so then we say, 'Well, look, that person is admirable.' We tell a story about him. And then we say, 'This person is admirable,' and we tell a story about him. And at the same time we talk about the people who aren't admirable. And then we start having admirable and non-admirable as categories. And out of that you get something like good and evil. And then you can start to imagine the perfect person. You take ten admirable people and you pull out someone who is meta-admirable. And that's a hero. That becomes a religious figure across time. That becomes a savior or a messiah across time as we conceptualize what the ideal person is. In the West here's how we figured it out: we said that the ideal man is the person that tells the truth. And what that means is that it's the best way of climbing up any possible dominance hierarchy in the way that's most stable and most lasting. That's the conclusion of Western culture."”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

Concepts