Quotes about story
page 26

“If you have a faith, it is statistically overwhelmingly likely that it is the same faith as your parents and grandparents had. No doubt soaring cathedrals, stirring music, moving stories and parables, help a bit. But by far the most important variable determining your religion is the accident of birth. The convictions that you so passionately believe would have been a completely different, and largely contradictory, set of convictions, if only you had happened to be born in a different place. Epidemiology, not evidence.”

Richard Dawkins book Viruses of the Mind

Viruses of the Mind (1993)

Faith, Religion, Music, Birth

“Grief that is dazed and speechless is out of fashion: the modern woman mourns her husband loudly and tells you the whole story of his death, which distresses her so much that she forgets not the slightest detail about it.”

Jean de La Bruyère book Les Caractères

Les douleurs muettes et stupides sont hors d'usage: on pleure, on récite, on répète, on est si touchée de la mort de son mari, qu'on n'en oublie pas la moindre circonstance.
Aphorism 79
Les Caractères (1688), Des Femmes

Death, Fashion, Forgetting

“I got sick and tired of all that Purity! Wanted to tell stories.. [Guston's quote in 1967, referring to his swift from Abstract expressionism to figurative painting]”

Phillip Guston (1913–1980) American artist

Abstract Expressionism, David Anfam, Thames and Hudson Ltd London, 1990, p. 207
1961 - 1980

Quotes, Painting

“Kevin was very fragile in the face of criticism including the implied criticism that comes with bad polls or bad news stories.”

Julia Gillard (1961) Australian politician and lawyer, 27th Prime Minister of Australia

The Killing Season, Episode two: Great Moral Challenge (2009–10)

“It's terribly demeaning to write something that tells its story in its own way and be told it fails because it might scare somebody. My God, must we speak with all the candor of a wax Elvis?”

Mark Heard (1951–1992) American musician and record producer

Life in the Industry: A Musician's Diary

God, Way

“The story of the Baudelaires does not take place in a fictional land where lollipops grow on trees and singing mice do all of the chores. The story of the Baudelaires takes place in a very real world, where some people are laughed at just because they have something wrong with them, and where children can find themselves all alone in the world, struggling to understand the sinister mystery that surrounds them….”

Daniel Handler book The Carnivorous Carnival

Lemony Snicket
The Carnivorous Carnival (2002)

Children, People, World, Understanding

“You know, we've a rather warped sense of what constitutes bravery these days. I mean, even David Beckham is called a hero for scoring a penalty. But when you look at VC winners and hear their stories… well, enough said.”

Jeremy Clarkson (1960) English broadcaster, journalist and writer

The Victoria Cross: For Valour (2003)

Penalty, Sense

“I saw in the Soviet Union many opponents of the regime. I visited a dozen prisons — the political sections among them. I saw considerable of the work of the OGPU. I heard a good many stories of severity, even of brutality, and many of them from the victims. While I sympathized with personal distress I just could not bring myself to get excited over the suppression of opposition when I stacked it up against what I saw of fresh, vigorous expressions of free living by workers and peasants all over the land. And further, no champion of a socialist society could fail to see that some suppression was necessary to achieve it. It could not all be done by persuasion.”

Roger Nash Baldwin (1884–1981) American Civil Liberties Union (ACLU) co-founder

Article from Soviet Russia Today

Personality

“Cher had just been to see Sunset Boulevard. She hunted me down the next day through management to ask me out to dinner. I wouldn't break my first date with Scott which felt like the chance of a lifetime, so after a pause she said, "Fine, bring him." I drove my car, Scott rode his bike. Scott parked his bike down the street. And we all met up, and we had dinner with Cher, and we had a fab time. At the end of the evening she said to me: "Walk me to my car, you'll love it." As we're walking to the car arm in arm, the photographers just come out of… the bushes, you name it. And we walk to the car and she leanes over and she goes "When I get in the car, give me a kiss." And I'm like "Fine." – What gay man wouldn't want to give Cher a kiss? So we kiss and they catch it just at that moment. The next day in the tabloids I was her new toyboy. But little did they know that the boy with the bicycle who walked out after us went and unhooked his bike, I put her in the car, went off, got my Jag, opened the trunk, put his bike in the trunk and I took him home. That would've been the story! —And he stayed. For 18 years now.”

John Barrowman (1967) Scottish-American actor, singer, dancer, musical theatre performer, writer and television personality

Fern Britton Meets John Barrowman BBC 2012

Love, Cars, Home, Boy

“And thou hast walked about (how strange a story!)
In Thebes's streets three thousand years ago,
When the Memnonium was in all its glory.”

Horace Smith (1779–1849) English poet and novelist

Address to the Mummy at Belzoni's Exhibition, reported in Bartlett's Familiar Quotations, 10th ed. (1919).

“No one can describe the disappointment, I had after losing to Lenda Murray in 2003 Ms Olympia when I clearly know and others knew I beat her by a land slide… Ok Lenda has great delts maybe the best in the business… A wonderful shape to her physique nice round bellies to her muscles "BUT" let the story be told she didn't have all the HARMONY the lines not to mention the definition I display that year..”

Iris Kyle (1974) American bodybuilder

2012-02-05
An Exclusive Interview With the Ms. Olympia Champion Iris Kyle
RX Muscle
Internet
http://www.rxmuscle.com/rx-girl-articles/female-bodybuilding/4986-an-exclusive-interview-with-the-ms-olympia-champion-iris-kyle.html
Sourced quotes, 2012

Disappointment, Business

“I think I’m starting to resolve a puzzle that’s been bugging me for awhile.
Pop economists (or, at least, pop micro-economists) are often making one of two arguments:1. People are rational and respond to incentives. Behavior that looks irrational is actually completely rational once you think like an economist.
2. People are irrational and they need economists, with their open minds, to show them how to be rational and efficient.
Argument 1 is associated with “why do they do that?” sorts of puzzles. Why do they charge so much for candy at the movie theater, why are airline ticket prices such a mess, why are people drug addicts, etc. The usual answer is that there’s some rational reason for what seems like silly or self-destructive behavior.
Argument 2 is associated with “we can do better” claims such as why we should fire 80% of public-schools teachers or Moneyball-style stories about how some clever entrepreneur has made a zillion dollars by exploiting some inefficiency in the market.
The trick is knowing whether you’re gonna get 1 or 2 above. They’re complete opposites!”

Andrew Gelman (1965) American mathematician

“One of the easiest ways to differentiate an economist from almost anyone else in society” http://andrewgelman.com/2011/07/19/one_of_the_easi/ (19 July 2011)

People, School, Behavior, Thinking

“If we had not been taught how to interpret the story of the Passion, would we have been able to say from their actions alone whether it was jealous Judas or the cowardly Peter who loved Christ?”

Graham Greene book The End of the Affair

The End of the Affair (1951)

Love, Passion, Christ

“Every businessperson knows a story about a highly intelligent, highly skilled executive who was promoted into a leadership position only to fail at the job. And they also know a story about someone with solid—but not extraordinary—intellectual abilities and technical skills who was promoted into a similar position and then soared.
Such anecdotes support the widespread belief that identifying individuals with the “right stuff” to be leaders is more art than science. After all, the personal styles of superb leaders vary: Some leaders are subdued and analytical; others shout their manifestos from the mountaintops. And just as important, different situations call for different types of leadership. Most mergers need a sensitive negotiator at the helm, whereas many turnarounds require a more forceful authority.”

Daniel Goleman (1946) American psychologist & journalist

Source: IQ and technical skills are important, but emotional intelligence is the sine qua non of leadership (1998), p. 93-94

Art, Intelligence, Support, Science

“Nothing requires so little mental effort as to narrate or follow a story. Hence everybody tells stories and the readers of stories outnumber all others.”

John Lancaster Spalding (1840–1916) Catholic bishop

Source: Aphorisms and Reflections (1901), p. 193

Effort

“I helped Stephen with the story and then I auditioned for SpongeBob, I used my Plankton voice, which sounds like a mix of Tony the Tiger and Gregory Peck. It’s actually an imitation of a friend from high school that had a really deep voice.”

Mr. Lawrence (1969) American voice actor, comedian, writer, storyboard artist, animator and director

School, Help

“It is pointed out convincingly by George Sarton in The Life of Science that the development of science, as contrasted with that of art, is cumulative and progressive. Every scientist is educated in the current knowledge of his age and, making use of all he has learned, attempts to add something of his own to the existing body of knowledge. For this reason it is essentially impossible to isolate his personal achievements from the total pattern of scientific development. It follows that one cannot write the scientific life story of an isolated scholar, but only the history of the branches of science in which he participated.”

Eduard Jan Dijksterhuis (1892–1965) Dutch historian

p 14
Simon Stevin: Science in the Netherlands around 1600, 1970

Life, Age, Education, Art

“English as tuppence, changing yet changeless as canal-water, nestling in green nowhere, armoured and effete, bold flag-bearer, lotus fed Miss Havishambling, opsimath and eremite, feudal-still reactionary Rawlinson End. The story so far.”

Vivian Stanshall (1943–1995) English musician, artist and author

Dot dot dot.
opening of side 1
Sir Henry at Rawlinson End (1978)

Water, Change

“I decided I don't want to go for the top job now. I could be working for another 25 years and I'd like to be reading bedtime stories to my children for another two or three years.”

Yvette Cooper (1969) British politician

On why she did not nominate herself to become Leader of the Labour Party, during BBC's Today Programme http://www.bbc.co.uk/iplayer/console/b00v6by4/Profile_Yvette_Cooper_Shadow_Foreign_Secretary, May, 2010.

Children, Reading

“Four men describe how their wives hit them in the lower back with a pole, cracked them over the head or in the neck with a frying pan… the audience renews its laughter after each story. The men are part of a “PMS Men’s Support Group.” Imagine an audience of men laughing as battered women describe how their husbands threatened them with brain or spinal cord injuries by battering them over their heads or in their necks with a frying pan.”

Warren Farrell (1943) author, spokesperson, expert witness, political candidate

Women Can't Hear What Men Don't Say (2000)

Women, Men, Imagination, Support

“The press is always looking for a little twist to a story and what I've learned is that it all turns out very superficial. So you need to become what they want, you need to give what they put out.”

River Phoenix (1970–1993) American actor, musician, and activist

E! Television (1988)

Learning

“Time-travel has a uniquely intimate, and seductively morbid, relationship to both fiction and history, because it scrambles the very principle of narrative order in profundity. If Western media authorities assumed the same role of cultural custodianship that has been traditional among their Chinese peers, they too might have been compelled to denounce a genre that flagrantly subverted the foundational principle of Aristotelian poetics: that any story worthy of veneration should have a beginning, a middle, and an end. If time-travel can occur, it seems (at least initially) that order is an illusion, so that fiction and reality switch places.”

Nick Land (1962) British philosopher

"Twisted Times (part 1)" https://web.archive.org/web/20130301034415/http://www.thatsmags.com/shanghai/blog/view/12498 (2013)

Travel, History, Reality, Time

“Interviewer: Your first serialized work is a tremendous success all of a sudden. Tell us the whole story of how a newcomer came to have her works serialized.”

Hiromu Arakawa (1973) award winning Japanese manga artist

Interview with mobuta.com (2004)

Success

“Writing a novel is actually searching for victims. As I write I keep looking for casualties. The stories uncover the casualties.”

John Irving (1942) American novelist and screenwriter

Interview in Writers at Work: The Paris Review Interviews (1988)

“If an idiot were to tell you the same story every day for a year, you would end by believing it.”

Horace Mann (1796–1859) American politician

Edmund Burke, as quoted in Lacon in Council (1865) by John Frederick Boyes, p. 124
Misattributed

“[T]he generation of the Founding Fathers, who certainly knew the story of Noah and his sons, nonetheless believed in the equality of the races.”

Harry V. Jaffa (1918–2015) American historian and collegiate professor

Source: 2000s, A New Birth of Freedom: Abraham Lincoln and the Coming of the Civil War (2000), p. 224

“It has been fashionable in the twentieth century not only to debunk myth, … but to pretend that that reasonable and educated people could avoid the embarrassment of religion and the risk of metaphysics by sticking close to demonstrable facts and testable hypotheses. However, in the course of reducing our beliefs and hopes to certainties and proofs, we impoverished and deluded ourselves. The modern anti-myth reduced human life to a story without a point, a tale told by an idiot, a process without a purpose, a journey without a goal, an affair without a climax (Godot never comes), an accidental collision of mindless atoms. … We have hardly noticed that economics, technology and politics have become the new myth and metaphysic. We haven’t avoided myth and metaphysics, only created demeaning ones.”

Sam Keen (1931) author, professor, and philosopher

Source: The Passionate Life (1983), p. 22

Life, People, Education, Religion

“With the world began a war that will only end with the world, and not before: that of man against nature, mind against matter, freedom against fate. History is nothing but the story of this endless struggle.”

Jules Michelet (1798–1874) French historian

[Introduction à l'histoire universelle, Michelet, Jules, Hachette, 1843, 9]
Introduction to Universal History , 1831, 1831

Fate, War, World, History

“Riding the crest, I diversified, exploiting a highly marketable capacity to fart at will… By mastering this skill I set myself on a par with those court jesters of old who could wow the monarch and all his retinue with a simultaneous leap, whistle and fart. Unable to extend my neo-Homeric story-telling activities from the playground to the classroom, I could nevertheless continue to hog the limelight by interpolating a gaseous running commentary while the teacher addressed himself to the blackboard.”

Clive James (1939–2019) Australian author, critic, broadcaster, poet, translator and memoirist

Source: Memoirs, Unreliable Memoirs (1980), p. 105

Teachers

“It was something that came up right from the get-go, but as you know, from the beginning we kind of thought we were going to kill Shiro at one point. And so we’re like, ‘Y’know what? We don’t really want to kill off our gay representation. Maybe we’ll find it somewhere else.’ But then we found out pretty soon after that, Shiro wasn’t allowed to die. Well, all right, we go back to plan one and yeah, it just took us a little while to get to the point in the story where we were able to reveal it. But he was kind of always in the works to be our [gay] representation.
It’s a very normal part of his life and it’s just a very normal part of our story. It wasn’t supposed to be, like, scandalous or surprising or--
It’s just daily life. And I think we kind of try to envision a world where all of those things are just normal and accepted and people don’t freak out about them.
It doesn’t change who he is at all.”

Lauren Montgomery (1980) artist

26 July 2018 article on ScreenRant https://screenrant.com/voltron-shiro-gay-boyfriend-adam/

Life, People, World, Thinking

“There is only one thing a writer can write about: what is in front of his senses at the moment of writing… I am a recording instrument… I do not presume to impose "story "plot" "continuity"… Insofar as I succeed in Direct recording of certain areas of psychic process I may have limited function… I am not an entertainer.”

William S. Burroughs book Naked Lunch

Atrophied Preface
Naked Lunch (1959)

Sense

“I wrote with tears and anguish, pouring into the pages all that pain which life had meant to me. Externally the story had to do with a family of stockyard workers, but internally it was the story of my own family. Did I wish to know how the poor suffered in winter time in Chicago? I only had to recall the previous winter in the cabin, when we had only cotton blankets, and had rags on top of us. It was the same with hunger, with illness, with fear. Our little boy was down with pneumonia that winter, and nearly died, and the grief of that went into the book.”

Upton Sinclair (1878–1968) American novelist, writer, journalist, political activist

On his writing of The Jungle, in American Outpost: A Book of Reminiscences (1932)

Life, Hunger, Pain, Books

“My favorite form is the short story. From an aesthetics stand point you really have to pare down to the bone. You can't write a throw-away scene.”

Roger Zelazny (1937–1995) American speculative fiction writer

Phlogiston interview (1995)

“In Mozambique, the story goes, monkeys do not talk, because they know if they utter even a single word some man will come and put them to work.”

Carl Sagan book Contact

Source: Contact (1985), Chapter 18 (p. 313)

“It takes me six months to do a story. I think it out and then write it sentence by sentence—no first draft. I can’t write five words but that I change seven.”

Dorothy Parker (1893–1967) American poet, short story writer, critic and satirist

Interview, The Paris Review (Summer 1956)

Thinking, Change

“It's funny, I grew up in a happy family with loving parents, but I've killed off a lot of parents in these books. The orphan in children's literature, allows the child protagonist to move the story forward themselves. I think that, however happy a family, every intelligent child thinks: 'How did I come to be born to these parents?”

Brian Selznick (1966) American children's illustrator and writer

it is about finding your place in the world. Source: Brian Selznick: how Scorsese's Hugo drew inspiration from his magical book https://www.theguardian.com/books/2012/feb/11/brian-selznick-hugo-martin-scorsese (February 11, 2012)

Love, Happiness, Children, Books

““Will you write the story?”
“If there is one.”
“Happy ending or no?” He was serious.
She attempted a smile. “Fairy tales always have a happy ending.”
He leaned back in his chair. “That depends.”
“On what?”
“On whether you are Rumplestiltskin or the Queen.””

Jane Yolen book Briar Rose

Source: Briar Rose (1992), Chapter 16 (p. 91)

Happiness, Smile, Dependency

“This is what matters to me: the story of the scholarship boy who returns home one summer from college to discover bewildering silence, facing his parents. This is my story.”

Richard Rodríguez (1944) American journalist and essayist

Hunger of Memory: The Education of Richard Rodriguez (1982)

Home, Boy, Parent, Silence

“I was a very polite person, though. Paul Samuelson tells these stories how he used to correct his professors. I assume that’s true. But I wasn’t that type.”

Kenneth Arrow (1921–2017) American economist

in Karen Ilse Horn (ed.) Roads to Wisdom, Conversations With Ten Nobel Laureates in Economics (2009)
New millennium

Personality

“Winter Light — suppose we discuss that now?… The film is closely connected with a particular piece of music: Stravinski's A Psalm Symphony. I heard it on the radio one morning during Easter, and it struck me I'd like to make a film about a solitary church on the plains of Uppland. Someone goes into the church, locks himself in, goes up to the altar, and says: 'God, I'm staying here until in one way or another You've proved to me You exist. This is going to be the end either of You or of me!' Originally the film was to have been about the days and nights lived through by this solitary person in the locked church, getting hungrier and hungrier, thirstier and thirstier, more and more expectant, more and more filled with his own experiences, his visions, his dreams, mixing up dream and reality, while he's involved in this strange, shadowy wrestling match with God.
We were staying out on Toro, in the Stockholm archipelago. It was the first summer I'd had the sea all around me. I wandered about on the shore and went indoors and wrote, and went out again. The drama turned into something else; into something altogether tangible, something perfectly real, elementary and self-evident.
The film is based on something I'd actually experienced. Something a clergyman up in Dalarna told me: the story of the suicide, the fisherman Persson. One day the clergyman had tried to talk to him; the next, Persson had hanged himself. For the clergyman it was a personal catastrophe.”

Ingmar Bergman (1918–2007) Swedish filmmaker

Jonas Sima interview 
Bergman on Bergman (1970)

God, Dreams, Music, Way

“Paradise Lost, A further observation could be made upon the story of the Fall and how it is possible to look upon it as a myth of the breakdown of the bicameral mind.”

Julian Jaynes book The Origin of Consciousness in the Breakdown of the Bicameral Mind

Book II, Chapter 6, p. 299 (See also: John Milton)
The Origin of Consciousness in the Breakdown of the Bicameral Mind (1976)

“… style without substance is nothing, the substance in the story was the most important thing. Of course, there is a layer of style. If I were a director working in a different era, I would have had to be at MGM. I don't think I'd probably know how to make anything but enhanced reality, because that's what comes naturally to me.”

Tom Ford (1961) American fashion designer

A singular man, Shapiro, Gregg, December 24, 2009, The Bay Area Reporter, April 18, 2016 http://www.ebar.com/arts/art_article.php?sec=film&article=704,

Nature, Thinking, Reality

“The world petroleum story is one of the most inhuman known to man: in it, elementary moral and social principles are jeered at. If powerful oil trusts no longer despoil and humiliate our country it is not because these predators have become human, but because we have won a hard-fought battle which has been going on since the beginning of the century.”

Mohammad Reza Pahlavi (1919–1980) Shah of Iran

Page 59
Publications, The Shah's Story (1980), On oil and nuclear energy

World, Country

“Equally important to not appearing "trigger-happy" is not to appear prone to either accidents or miscalculations. Who wants to live in the 1960's and 1970's in the same world with a hostile strategic force that might inadvertently start a war? Most people are not even willing to live with a friendly strategic force that may not be reliably controlled. The worst way for a country to start a war is to do it accidentally, without any preparations. That might initiate an all- out "slugging match" in which only the most alert portion of the forces gets off in the early phase. Both sides are thus likely to be clobbered," both because the initial blow was not large enough to be decisive and because the war plans are likely to be inappropriate. To repeat: On all these questions of accident, miscalculation, unauthorized behavior, trigger-happy postures, and excessive destructiveness, we must satisfy ourselves and our allies, the neutrals, and, strangely important, our potential enemies. Since it is almost inevitable that the future will see more discussion of these questions, i will be important for us not only to have made satisfactory preparations, but also to have prepared a satisfactory story. Unless every-body concerned, both laymen and experts, develops a satisfactory image of strategic forces as contributing more to security than insecurity it is most improbable that the required budgets, alliances, and intellectual efforts will have the necessary support. To the extent that people worry about our strategic forces as themselves exacerbating or creating security problems, or confuse symptoms with the disease, we may anticipate a growing rejection of military preparedness as an essential element in the solution to our security problem and a turning to other approaches not as a complement and supplement but as an alternative. In particular, we are likely to suffer from the same movement toward "responsible" budgets pacifism, and unilateral and universal disarmament that swept through England in the 1920's and 1930's. The effect then was that England prematurely disarmed herself to such an extent that she first almost lost her voice in world affairs, and later her independence in a war that was caused as much by English weakness as by anything else.”

Herman Kahn (1922–1983) American futurist

The Magnum Opus; On Thermonuclear War

Hostility, War, Happiness, People

“We're no longer a once-a-day text medium for a predominantly domestic audience. Increasingly - around the clock - we use a combination of media in telling stories, and in commentary, to millions of users around the globe.”

Alan Rusbridger (1953) British newspaper editor

Alan Rusbridger. " We're all doomed to be surprised http://www.theguardian.com/media/2007/aug/20/mondaymediasection3" The Guardian, Monday 20 August 2007; Partly cited in: Peter English. "Caught by the Web: The Case of Guardian News & Media's Sports Desk." Journal of Sports Media 7.1 (2012): 133-148. 2000s

“Through instrumental music, I’m allowed to come up with musical ideas that allow the listener to create their own impression of my song. If you add lyrics about a girl in the song, the listener doesn’t have a choice of what the song is about, it’s told to them. My musical writings allow me to express anything. It’s easier for me to tell a story of something I’ve encountered this way then to verbalize it. And my feelings are explored more in my compositions compared to what I could ever say in a few sentences.”

Bradley Joseph (1965) Composer, pianist, keyboardist, arranger, producer, recording artist

[Janus, Cicily, Radinsky, Ned, http://newfaceofjazz.com/?page_id=594, New Faces of Jazz: Bradley Joseph, (newfaceofjazz.com), 2010-08-01]

Music, Way, Feeling, Girl

“It seemed to me at an early age that all human communication – whether it’s TV, movies, or books – begins with somebody wanting to tell a story. That need to tell, to plug into a universal socket, is probably one of our grandest desires. And the need to hear stories, to live lives other than our own for even the briefest moment, is the key to the magic that was born in our bones.”

Robert McCammon book Boy's Life

Book One, Ch. 3.
Boy's Life (1991)

Books, Age, Communication, Universe

“Perhaps we should all settle down and think about what's good in the world and what we want to do here. If we find this planet and its history and its story to be sacred, let's preserve and nourish it, and then we can go home at night and say whatever prayers we choose.”

Ursula Goodenough (1943) American biologist

Science and Spirit interview (2004)

World, Home, History, Thinking

“How did it happen that the Reverend Charles Dodgson, thirty years of age, lecturer on geometry at Christ Church, Oxford, hitherto remarkable chiefly for his precision, on a single July afternoon, while rowing up the Isis with a brother don and three little girls, parthenogenetically gave birth to one of the most famous stories of all time?”

Florence Becker Lennon

Page 23
The Life of Lewis Carroll (1962)

Age, Girl, Birth, Time

“We've all heard of the word "dragon". Dragon legends are numerous around the world. Legends tell us that the Chinese bred dragons. Many of the descriptions of these "dragons" fit dinosaurs. Could the stories about dragons actually be accounts of encounters with what we now call dinosaurs?”

Ken Ham (1951) Australian young Earth creationist

Great Dinosaur Mystery Solved! (2000)

World

“The Book of Boz is neither a novel nor a poem nor a tale. Even less is it a drama or an essay.
It is nothing except the style that inspires it and haunts it, to excess.
No points of reference here.
No beacon.
You sail wherever the wind blows.
Stories are woven, end, are reborn, with the flow, before a storm comes up to carry us further away, to the threshold of a new vision.
For, that is The Book of Boz : a work outside of norms, indefinable, created by a wanderer for other wanderers.”

Julien Friedler (1950) artist, writer

The Book of Boz http://www.spiritofboz.org/en/spirit-of-boz/the-book-of-boz/ The Spirit of Boz

Books

“The elevator continued its impossibly slow ascent. Or at least I imagined it was ascent. There was no telling for sure: it was so slow that all sense of direction simply vanished. It could have been going down for all I knew, or maybe it wasn’t moving at all. But let’s just assume it was going up. Merely a guess. Maybe I’d gong up twelve stories, then down three. Maybe I’d circled the globe. How would I know?”

Haruki Murakami book Hard-Boiled Wonderland and the End of the World

Opening paragraph, Chapter One
Hard-Boiled Wonderland and the End of the World (1985)

Imagination, Sense

“There isn't anyone you meet that isn't absolutely peculiar. Everyone you meet is absolutely extraordinary. I've never met a human being that isn't, that doesn't have a fantastic story and is completely valid in their…you know, madness, really.”

KatieJane Garside (1968) English singer

On the people she's encountered in life, Drowned in Sound (2002)

Madness

“One solace yet remains for us who came
Into this world in days when story lacked
Severe research, that in our hearts we know
How, for exciting youth's heroic flame,
Assent is power, belief the soul of fact.”

William Wordsworth (1770–1850) English Romantic poet

Memorials of a Tour in Italy (1837), IV ("story" refers to History).

Youth, World, Soul, Heart

“The story and its analyses are not mirror-opposites of each other. They are not reflections, either one. Criticism indeed is an art, as a story is, but only the story is to some degree a vision; there is no explanation outside fiction for what the writer is learning to do.”

Eudora Welty (1909–2001) American author

On Writing (2002)

Art, Learning

“"Noah is a revolutio of Adam, as Moses is a revolutio of Abel and Seth," says the Kabala; that is to say, a repetition or another version of the same story. The greatest proof of it is the distribution of the characters in the Bible. For instance, beginning with Cain, the first murderer, every fifth man in his line of descent is a murderer. Thus there come Enoch, Irad, Mehujael, Methuselah, and the fifth is Lamech, the second murderer, and he is Noah's father. By drawing the five-pointed star of Lucifer (which has its crown-point downward) and writing the name of Cain beneath the lowest point, and those of his descendants successively at each of the other points, it will be found that each fifth name — which would be written beneath that of Cain — is that of a murderer. In the Talmud this genealogy is given complete, and thirteen murderers range themselves in line below the name of Cain. This is no coincidence. Siva is the Destroyer, but he is also the Regenerator. Cain is a murderer, but he is also the creator of nations, and an inventor. This star of Lucifer is the same one that John sees falling down to earth in his Apocalypse.”

Helena Petrovna Blavatsky book Isis Unveiled

Source: Isis Unveiled (1877), Volume II, Chapter IX

Star, Success, Drawing

“[Being peppered with invitations to travel far and wide to give lectures] has always seemed to me one of the stranger aspects of literary fame: you prove your competence as a writer and an inventor of stories, and then people clamour for you to make speeches and tell them what you think about the world.”

J.M. Coetzee (1940) South African writer

Dagens Nyheter http://www.dn.se/kultur-noje/an-exclusive-interview-with-j-m-coetzee interview with David Attwell (December 8, 2003)

People, World, Travel, Thinking

“The story of widows and orphans now wandering amid the ravines of the rural counties of my native state seeking protection and maintenance from others who are yet unable, on account of their own poverty, to grant them aid. I could dwell upon the sorrows of poor women, with their helpless infants, cast upon the world, homeless and destitute, deprived of their natural protectors by the red hand of the midnight assassin. I could appeal to you, members upon this floor, as husbands and fathers, to picture to yourselves the desolation of your own happy firesides should you be suddenly snatched away from your loved ones. Think of gray-haired men, whose fourscore years are almost numbered, the venerated heads of peaceful households, without warning murdered for political opinion's sake.”

Joseph Hayne Rainey (1832–1887) politician

1871, Speech on the the Ku Klux Klan Bill of 1871 (1 April 1871)

Love, Women, Men, Happiness

“In physical science and in industrial technique… we have emancipated ourselves… from the savage dependence upon catastrophes for progress… In science and in industry we are radicals—radicals relying on a tested method. But in matters of social organization we retain a large part of the conservatism characteristic of the savage mind…
The 'social reformer' we have always with us, it is true. Or rather most of us are 'social reformers' of some kind… Yet the story of the past in matters of social organization is not a story that we should like to have continued for a thousand and one years. Reform by agitation or class struggle is a jerky way of moving forward, uncomfortable and wasteful of energy. Are we not intelligent enough to devise a steadier and a more certain method of progress? Most certainly, we could not keep social organization what it is even if we wanted to. We are not emerging from the hazards of war into a safe world. On the contrary, the world is a very dangerous place for a society framed as ours is, and I for one am glad of it.
Taking us all together as one people in a group of mighty peoples, our first and foremost concern is to develop some way of carrying on the infinitely complicated processes of modern industry and interchange day by day, despite all tedium and fatigue, and yet to keep ourselves interested in our work and contented with the division of the product…
What is lacking to achieve that end… is not so much good will as it is knowledge—above all, knowledge of human behavior. Our best hope for the future lies in the extension to social organization of the methods that we already employ in our most progressive fields of effort. In science and in industry… we do not wait for catastrophes to force new ways upon us… We rely, and with success, upon quantitative analysis to point the way; and we advance because we are constantly improving and applying such analysis. While I think that the development of social science offers more hope for solving our social problems than any other line of endeavor, I do not claim that these sciences in their present state are very serviceable.
They are immature, speculative, filled with controversies. Nor have we any certain assurance that they will ever grow into robust manhood, no matter what care we lavish upon them…. Those of us who are concerned with the social sciences… are engaged in an uncertain enterprise; perhaps we shall win no great treasures for mankind. But certainly it is our task to work out this lead with all the intelligence and the energy we possess until its richness or sterility be demonstrated.”

Wesley Clair Mitchell (1874–1948) American statistician

Source: "Statistics and Government," 1919, pp. 45, 47, 48-51; as cited in: Arthur F. Burns. " New Facts on Business Cycles http://www.nber.org/chapters/c0386," in: Arthur F. Burns (ed). The Frontiers of Economic Knowledge. Princeton University Press. 1954. p. 61 - 106; p. 63

War, People, World, Hope

“The big contemporary novel is a perpetual motion machine that appears to have been embarrassed into velocity. It seems to want to abolish stillness, as if ashamed of silence. Stories and sub-stories sprout on every page, and these novels continually flourish their glamorous congestion.”

James Wood (1965) literary critic

Hysterical realism
The Irresponsible Self (2004)

Silence, Appearance

“When we say a character in my films doesn't function, we mean he doesn't function as a person, but he does function as a character — that is, until you take him as a symbol. At that point it is you who are not functioning. Why not simply accept him as a character, without judging him? Accept him for what he is. Accept him as a character in a story, without claiming that he derives or acquires meaning from that story. There may be meanings, but they are different for all of us.”

Michelangelo Antonioni (1912–2007) Italian film director and screenwriter

Encountering Directors interview (1969)

Personality

“The book of Proverbs repeatedly praises child abuse, saying that the bruises (or "blue stripes of the rod") are an indication of a well-trained child. Otherwise, God constantly has people killing children, and sometimes even eating them. Remember when Lot tried to satisfy a rape mob by offering them his own virgin daughters? Remember when Jephthah murdered his own child as a sacrifice to God? There's four books in the Old Testament where God demands that we sacrifice our firstborn sons, so the story of Abraham being ready to kill his own kid pales in comparison to what God demanded later on. How's that for family values! And don't think that all this Old Testament stuff didn't apply to Christians; Jesus said that He came to fulfill the law, not to change it, that not one jot or tiddle of those old Mosaic laws change under Him, and He said that anybody who didn't follow all of those old Mosaic laws would be called "least in Heaven."”

Aron Ra (1962) Aron Ra is an atheist activist and the host of the Ra-Men Podcast

He even criticized the Pharisees for not murdering disobedient children the way God commanded. Youtube, Other, Biblical Family Values https://www.youtube.com/watch?v=bldw8X5apnY (July 11, 2015)

God, Children, People, Books

“By the twentieth of April, the story was widely accepted and was viewed as one of the most heartening acts of bravery in the whole tragedy.”

Steve Turner (1949) British writer

Source: The Band That Played On (Thomas Nelson, 2011), p. 10

“To be able to key one sheet of a million before an operator in a second or two, with the possibility of then adding notes thereto, is suggestive in many ways. It might even be of use in libraries, but that is another story. At any rate, there are now some interesting combinations possible. One might, for example, speak to a microphone, in the manner described in connection with the speech-controlled typewriter, and thus make his selections. It would certainly beat the usual file clerk.”

Vannevar Bush book As We May Think

As We May Think (1945)

Way

“(The story behind the name Celldweller) is hard to trace back completely but I guess in 1992 sometime, I wrote a song called 'Helldweller' and my studios and even places I have lived have traditionally been in basements. In cellars, so to speak. I am also a fairly introverted guy and I hardly ever come out. It was almost a joke initially from family and friends calling me a cell dweller or a cellar dweller. It evolved into Celldweller although that name holds more significance than that. Celldweller is more symbolic of an internal bondage, being restricted and retained internally so the name has many meanings. At the end of the day, it rolls off the tongue very easily so there it is.”

Klayton (1970) American musician

"Klayton Scott - Celldweller," (2003)

Family, Guy

“Many politicians of our time are in the habit of laying it down as a self-evident proposition, that no people ought to be free till they are fit to use their freedom. The maxim is worthy of the fool in the old story, who resolved not to go into the water till he had learned to swim. If men are to wait for liberty till they become wise and good in slavery, they may indeed have to wait forever.”

Thomas Babington Macaulay, 1st Baron Macaulay book Critical and Historical Essays

Critical and Historical Essays: Volume II (London: J. M. Dent and Sons, 1907), p. 180
On Milton (1825)

Men, People, Fools, Freedom

“Godzilla is the ultimate culmination of the "who cares about plot" summer movie. A loose remake of the 1954 "classic" Japanese monster movie, Godzilla, King of the Monsters (which is itself pretty thin in the story department), Roland Emmerich and Dean Devlin's big-budget lizard-stomps-Manhattan disaster flick has been written with the brain dead in mind. The script isn't just "dumbed down," it's lobotomized. Godzilla lives and dies on special effects alone.”

James Berardinelli (1967) American film critic

Review http://www.reelviews.net/php_review_template.php?identifier=58 of Godzilla (1998). One-and-a-half star reviews

Summer, Dead

“In schools, for example, there are courses in the criticism of literature, art criticism, and so forth. The arts are supposed to be 'not real.' It is quite safe, therefore, to criticize them in that regard -- to see how a story or a painting is constructed, or more importantly, to critically analyze the structure of ideas, themes, or beliefs that appear, say, in the poem or work of fiction. When children are taught science, there is no criticism allowed. They are told, 'This is how things are.' Science's reasons are given as the only true statements about reality, with which no student is expected to quarrel. Any strong intellectual explorations or counter versions of reality have appeared in science fiction, for example. Here scientists, many being science-fiction buffs, can channel their own intellectual questioning into a safe form. 'This is, after all, merely imaginative and not to be taken seriously.”

Jane Roberts (1929–1984) American Writer

Source: The God of Jane: A Psychic Manifesto (1981), p. 145-146

Children, School, Art, Imagination

“And the evening of the big Vanity Fair arrived... Perre Rathbone and innumerable people received me in enormous halls. The reporter shot pictures and Mrs. Beckmann [Quappi, his wife] grinned – - o-la-La.... The whole story is a monumental caprice of my situation in Germany before the Nazi's.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

IBeckmann's diary-notes, Saint Louis, 6 October 1947; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 89
1940s

People

“So I started to paint like crazy, from figurative to abstract. Then after a year, I put it all on a bonfire in the courtyard of the academy. I suppose there was some ritual involved, but I didn't tell anyone before I did it, so it wasn't public, and I felt the work had to be burned because people were already taking things and paintings were starting to circulate. I had to prevent that because I realized it was time to start from scratch. Photographs were the way forward. I'm shocked now that the story seems clear, because it didn't seem clear at the time.”

Gerhard Richter (1932) German visual artist, born 1932

after 2000, Gerhard Richter: An Artist Beyond Isms' (2002)

People, Way, Time, Painting

“When you think of the visual style, when you think of the visual language of a film there tends to be a natural separation of the visual style and the narrative elements, but with the great, whether it is Stanley Kubrick, Terrence Malick or Hitchcock what you're seeing is inseparable, a vital relationship between the images and the story he's telling.”

Christopher Nolan (1970) British–American film director, screenwriter, and producer

Chistopher Nolan and David Fincher featurette on Movieweb http://www.movieweb.com/movie/the-tree-of-life-2011/christopher-nolan-and-david-fincher-featurette

Nature, Thinking

“Distortive or even totally false reporting on communally sensitive issues is a well-entrenched feature of Indian journalism. There is no self-corrective mechanism in place to remedy this endemic culture of disinformation. No reporter or columnist or editor ever gets fired or formally reprimanded or even just criticized by his peers for smearing Hindus. This way, a partisan economy with the truth has become a habit hard to relinquish. And foreign correspondents used to trusting their Indian secularist sources have likewise developed a habit of swallowing and relaying highly distorted news stories. Usually, the creation of a false impression of the Indian communal situation is achieved without outright lies, relying rather on the silent treatment for inconvenient facts and a screaming overemphasis on convenient ones. (…) So, moral of the story: feel free to write lies about the Hindus. Even if you are found out, most of the public will never hear of it, and you will not be made to bear any consequences.(…) These days, noisy secularists lie in waiting for communal riots and elatedly jump at them when and where they erupt. They exploit the anti-Hindu propaganda value of riots to the hilt, making up fictional stories as they go along to compensate for any defects in the true account. John Dayal is welcomed to Congressional committees in Washington DC as a crown witness to canards such as how Hindus are raping Catholic nuns in Jhabua, an allegation long refuted in a report by the Congress state government of Madhya Pradesh and more recently in the court verdict on the matter. Arundhati Roy goes lyrical about the torture of a Muslim politician's two daughters by Hindus during the Gujarat riots of 2002, even when the man had only one daughter, who came forward to clarify that she happened to be in the US at the time of the “facts.””

Koenraad Elst (1959) orientalist, writer

Harsh Mander has already been condemned by the Press Council of India for spreading false rumours about alleged Hindu atrocities in his famous column Hindustan Hamara. Teesta Setalwad has reportedly pressured eyewitnesses to give the desired incriminating testimony against Hindus in the Gujarat riots.
K. Elst: Religious Cleansing of Hindus, 2004, Agni conference in The Hague, in The Problem with Secularism (2007)
2000s, The Problem with Secularism (2007)

Truth, Lie, Way, Feeling

“It is the consistency of the information that matters for a good story, not its completeness. Indeed, you will often find that knowing little makes it easier to fit everything you know into a coherent pattern.”

Daniel Kahneman book Thinking, Fast and Slow

Source: Thinking, Fast and Slow (2011), Chapter 7, "A machine for jumping to conclusions", page 87 (ISBN 9780141033570).

“I decided to kidnap Brian. It sounds ridiculous but they even made a film about it, about kidnapping a pop star ['Privilege'] starring Paul Jones. This was the original story, Brian seemed to be the most sexually flexible. I knew I could talk to him. As a matter of fact when I met him I was his groupie really. I got backstage with a photographer, I told him I just wanted to meet him. I had some Amyl Nitrate and a piece of hash. I asked Brian if he wanted a joint and he said yes, so he asked me back to his hotel and he cried all night. He was so upset about Mick and Keith still, saying they had teamed up on him. I felt so sorry for him. Brian was fantastic, he had everything going for him, but he was just too complicated.”

Anita Pallenberg (1942–2017) German actress, model and Rolling Stones groupie

On her first meeting with Brian Jones. As quoted in Up and Down With The Rolling Stones, by Tony Sanchez.

Star, Night

“Your life is your story and the adventure ahead of you is the journey to fulfill your own purpose and potential”

Kerry Washington (1977) American actress

Life, Graduation

“We do only three things in life: we sit, we stand, we lie horizontal. The rest is just a story.”

Byron Katie (1942) American spiritual writer

Loving What Is: Four Questions That Can Change Your Life (2002)

Life, Lie

“Black Death sits upon an eminence, and numbers the silent peoples for their lord; yet the greater part of the troop remains. The Gortynian judge shakes them in his inexorable urn, demanding the truth with threats, and constrains them to speak out their whole lives' story.”
In speculis Mors atra sedet dominoque silentes adnumerat populos; maior superinminet ordo. arbiter hos dura versat Gortynius urna vera minis poscens adigitque expromere vitas usque retro.

Statius book Thebaid

Source: Thebaid, Book IV, Line 528 (tr. J. H. Mozley)

Death, People, Truth, Parting

“So far as supply and demand are concerned, books in general and works of fiction in particular are commodities and subject to the same laws, statutory and traditional, as other articles of manufacture. A toy-dealer would not venture to sell real pistols to little boys as pop-guns, and a gun-maker who should try to sell the latter for army revolvers would get into trouble, even though he were able to prove that the toy was as expensive to manufacture as the real article, or more so, silver-mounted, chiselled, and lying in a Russia-leather case. I am not sure that the law might not support the purchaser in an action for damages if he discovered at a critical moment that his revolver was a plaything. It seems to me that there is a similar case in the matter of novels. A man buys what purports to be a work of fiction, a romance, a novel, a story of adventure, pays his money, takes his book home, prepares to enjoy it at his ease, and discovers that he has paid a dollar for somebody’s views on socialism, religion, or the divorce laws.”

Francis Marion Crawford (1854–1909) Novelist, short story writer, essayist (1854-1909)

The Novel: What It Is (1893)

Money, Books, Religion, Law

“A man who tells secrets or stories must think of who is hearing or reading, for a story has as many versions as it has readers.”

John Steinbeck book The Winter of Our Discontent

Source: The Winter of Our Discontent (1961), Part One, Chapter V

Secret, Thinking, Reading

“To invent a story, or admirably and thoroughly tell any part of a story, it is necessary to grasp the entire mind of every personage concerned in it, and know precisely how they would be affected by what happens; which to do requires a colossal intellect: but to describe a separate emotion delicately, it is only needed that one should feel it oneself; and thousands of people are capable of feeling this or that noble emotion, for one who is able to enter into all the feelings of someone sitting on the other side of the table.”

John Ruskin book Modern Painters

Volume III, part IV, chapter XVI (1856).
Modern Painters (1843-1860)

People, Feeling, Parting

“With the success of my first story, l decided to make writing a career, though I was canny enough not to give up my job. But the job did not pay expenses and we had a recurrence of great poverty, sustained only by the thread of hope that I might make a living writing fiction. I cast about for a better job and landed one as a department manager for a business magazine. While I was working there, I wrote Tarzan of the Apes, evenings and holidays. I wrote it in longhand on the backs of old letterheads and odd pieces of paper. I did not think it was a very good story and I doubted if it would sell. But Bob Davis saw its possibilities for magazine publication and I got a check … this time, l think, for $700.”

Edgar Rice Burroughs (1875–1950) American writer

How I Wrote the Tarzan Books (1929)

Hope, Business, Thinking, Time

“I remember reading about a story about a guy – and this was in England, and no more than a couple of years ago. He’d gone to see a psychic, and was told there was a curse on his family, and in order to release the curse, he had to bring with him the following week £5,000 and burn it… if he didn’t do that, either he or his son would die. The scam is quite a common one – the money is put in an envelope, and apparently burnt, but of course the ‘psychic’ secretly switches the envelope and burns an envelope full of newspaper. What happened was the guy went away, and he knew he couldn’t raise £5000, but didn’t want his son to die; so he killed himself.”

Derren Brown (1971) British illusionist

TV recordings of stage shows, Something Wicked This Way Comes (2006), Something Wicked This Way Comes tour brochure

Money, Family, Guy, Reading

“Death, he remembered somebody saying once, was a kind of victory. To have lived a long good life, a life of prodigious pleasure and minimal misery, and then to die; that was to have won. To attempt to hang on forever risked ending up in some as-yet-unglimpsed horror future. What if you lived forever and all that had gone before, however terrible things had sometimes appeared to be in the past, however badly people had behaved to each other throughout history, was nothing compared to what was yet to come? Suppose in the great book of days that told the story of everything, all the gone, done past was merely a bright, happy introduction compared to the main body of the work, an unending tale of unbearable pain scraped in blood on a parchment of living skin?
Better to die than risk that.
Live well and then die, so that the you that is you now can never be again, and only tricks can re-create something that might think it is you, but is not.”

Iain Banks Culture series

Source: Culture series, Excession (1996), Chapter 8 “Killing Time” section V (pp. 259-260).

Life, Death, Pain, Happiness

“"The Itch" was an accident. I responded to [co-writer] Billy Steinberg's lyric because I thought even though we set it in this particular story of a girl in a relationship who isn't getting what she needs, it's really a metaphor for desire. Everything just coincided without my realizing it. I was playing Lucy in Dracula 2000, and she's a character who is totally open, sexual and curious and definitely has "The Itch" on many different levels. And it was just coincidence that all this stuff kind of like came together for me. Because I get the itch all the time. And to me that really means something.”

Colleen Fitzpatrick (1972) American singer and actress

Attributed

Girl, Time

“Her one serious failing was that she could not write above love. She could not write a story with more than one important character in it, whom she thought of for the moment as herself; with love there had to be at least two important characters.”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

"Daisy and Venison" from Progress of Stories (Deya, Majorca: Seizin Press; London, Constable, 1935)

Love

“In the effort to tell a whole story, to see it whole and clear, I have had to imagine more than I have known.”

Wendell Berry (1934) author

"Imagination in Place".
The Way of Ignorance (2005)

Imagination, Effort

“There are three sides to every story: your side, my side, and the truth. And no one is lying. Memories shared serve each differently.”

Robert Evans

[Robert Evans, 2002, http://www.imdb.com/title/tt0303353, The Kid Stays in the Picture, Documentary, Highway Films]
The unreliable narrator

Truth, Lying, Memory

“Do not dump your woes upon people — keep the sad story of your life to yourself. Troubles grow by recounting them.”

Elbert Hubbard (1856–1915) American writer, publisher, artist, and philosopher fue el escritor del jarron azul

Source: The Note Book of Elbert Hubbard (1927), p. 156.

Life, People, Sadness

“How ungenerously in later life we disclaim the virtuous moods of our youth, living in retrospect long, summer days of unreflecting dissipation. There is no candour in a story of early manhood which leaves out of account the home-sickness for nursery morality, the regrets and resolutions of amendment, the black hours which, like zero on the roulette table, turn up with roughly calculable regularity.”

Evelyn Waugh book Brideshead Revisited

Brideshead Revisited (1945)

Life, Youth, Home, Mood

“It is true that poems and stories generally have only a single name attached to them where authorship is concerned but in many ways they are born of much more than any single individual. They evolve out of meetings of minds, the collective heartbeats of communities, and the shared journeys of similar souls.”

Aberjhani (1957) author

(Acknowledgments, p. 99).
Book Sources, The River of Winged Dreams (2010)

Way, Soul, Communication

“So the story of the baby-sitting co-op is not a mere amusement. If people would only take it seriously—if they could only understand that when great economic issues are at stake, whimsical parables are not a waste of time but the key to enlightenment—it is a story that could save the world.”

Paul Krugman (1953) American economist

"Baby-Sitting the Economy", Slate (Aug. 13, 1998)

People, World, Understanding, Time

“From my very first movie, what was my concentration, my inspiration, was I didn't want to narrate something, I didn't want to tell a story. I wanted to show something, I wanted for them to make their own story from what they were seeing.”

Abbas Kiarostami (1940–2016) Iranian film director, screenwriter, photographer and film producer

http://www.pbs.org/wgbh/pages/frontline/tehranbureau/2009/01/a-conversation-with-kiarostami.html

““DO YOU HEAR ME?” I now screamed to the heavens, driving this information into the deepest crevices of my mind. “I, VICTOR EDMUNDO VILLASEÑOR, TAKE THIS HOLY OATH BEFORE YOU, GOD ALMIGHTY, as your son, to write my people’s story WITH ALL MY HEART AND SOUL! I’ll write! I’ll do my part with all the power and intensity that I put into wrestling, hunting, trying to castrate myself, and chess!”

Victor Villaseñor (1940) American writer

Crazy Loco Love: A Memoir (2008)

God, People, Soul, Heart

“Let us look for a moment at the erroneous interpretations given to the Gospel story. The symbolism of that Gospel story — an ancient story-presentation often presented down the ages, prior to the coming of the Christ in Palestine — has been twisted and distorted by theologians until the crystalline purity of the early teaching and the unique simplicity of the Christ have disappeared in a travesty of errors and in a mummery of ritual, money and human ambitions. Christ is pictured today as having been born in an unnatural manner, as having taught and preached for three years and then as having been crucified and eventually resurrected, leaving humanity in order to "sit on the right hand of God," in austere and distant pomp. Likewise, all the other approaches to God by any other people, at any time and in any country, are regarded by the orthodox Christian as wrong approaches […] Every possible effort has been made to force orthodox Christianity on those who accept the inspiration and the teachings of the Buddha or of others who have been responsible for preserving the divine continuity of revelation. The emphasis has been, as we all well know, upon the "blood sacrifice of the Christ" upon the Cross and upon a salvation dependent upon the recognition and acceptance of that sacrifice. The vicarious at-one-ment has been substituted for the reliance which Christ Himself enjoined us to place upon our own divinity; the Church of Christ has made itself famous and futile (as the world war proved) for its narrow creed, its wrong emphases, its clerical pomp, its spurious authority, its material riches and its presentation of a dead Christ. His resurrection is accepted, but the major appeal of the churches has been upon His death.”

Alice A. Bailey (1880–1949) esoteric, theosophist, writer

Source: The Reappearance of the Christ (1948), Chapter IV: The Work of the Christ Today and in the Future, p. 64

Death, Money, God, War

“The key to the future of the world, is finding the optimistic stories and letting them be known.”

Pete Seeger (1919–2014) American folk singer

"Pete Seeger, Songwriter and Champion of Folk Music, Dies at 94" New York Times (28 January 2014)

World, Future

“The star system has us making pictures with personalities rather than stories, sacrificing everything in order to keep some old bags playing young women.”

Gregg Toland (1904–1948) American cinematographer

From an essay Toland wrote for International Photographer arguing that cinematographers needed to be uncompromising.
Hilton Als (2006). "The Cameraman". The New Yorker (June 19): 46–51

Women, Star, Personality

“Hadiya Pendleton was me and I was her, but I got to grow up and go to Princeton and Harvard Law School and have a career and a family and the most blessed life I could ever imagine. And Hadiya, we know that story. Just a week after she performed at my husband's inauguration, she went to a park with some friends and got shot in the back because some kid thought she was in a gang. Hadiya's family did everything right, but she still didn't have a chance. And that story, the story of Hadiya's life and death, we read that story day after day, month after month, year after year, in this city and around this country. So I'm not talking about something happening in a war zone, halfway around the world. I am talking about what is happening in the city that we call home.”

Michelle Obama (1964) lawyer, writer, wife of Barack Obama and former First Lady of the United States

Personal speech on death of Hadiya Pendleton at Harper High School in Chicago (10 April 2013) http://www.nbcnews.com/video/nightly-news/51499309#51499309 2010s

Life, Death, War, World