Quotes about something
page 95

Douglas MacArthur photo
Jane Austen photo
Josh Groban photo
Henry Moore photo
Muhammad photo
Carl Sagan photo
Rory Bremner photo
Phil Brooks photo

“Punk: Hey, Jeff. Jeff, aren't you nervous sitting way up there so… high? Especially in the condition you're in, and by "condition", I mean that you're probably drunk right now, just like all these people here tonight. (Crowd boos) Yeah, that's something to be proud of, I mean, you'd have to be under the influence to stomach this "live in the moment" crap that you spew. What's living in the moment gotten you, Jeff? I know it got you a night in a hospital, and for what? The adulation of these people? One brief moment of attention? (Crowd chants "Hardy") You know, I don't know what's more pathetic—all these people hanging on your every word, waiting for the next pitiful example for you to set that they can lead, or you and your egotistical addiction to their cheers and support and adulation. Listen, listen to them, Jeff. They actually believe that you can beat me at SummerSlam. (Crowd cheers)
Jeff: So do I.
Punk: So does our general manager. Teddy Long's the guy that said TLC is your match. It's Jeff Hardy's match, everybody. They're right, it is your match. This TLC is your last match. I know what I have to accomplish to get everything I want. When I beat you at SummerSlam and I take back my World Heavyweight Title, it will validate everything I've said in the past. I will prove once and for all, beyond the shadow of a doubt, that straight edge is the right way, that straight edge means I'm better than you. Jeff, I have to get rid of you to teach these people the difference between right and wrong. I have to get rid of you to teach them how to say, "just say no." I have to get rid of you so they stop living in your moment, and they wake up, and they start living in my reality. Make no mistake about it, Jeff; there's no turning back from this point on. You can talk about the space from the top of that ladder to this mat, but from here on out, there's nothing left. At SummerSlam, I will hurt you, and I will remove you and the stain of all your bad examples from the WWE forever.
Jeff: Punk, you can't destroy me, you can't destroy what I've created over my ten years here. Kansas City's not gonna listen to you. You won't beat me at SummerSlam, Punk. I will prove that I'm better than you in my specialty: Tables, Ladders, & Chairs.
Punk: You're right, Jeff. You know what, you wouldn't be here if it wasn't for them, because you need them to enable you. You need them to justify your reckless behavior with their support and their cheers, just like they need you to somehow justify their reckless behavior, with their smoking and their drinking and their use of prescription medication. They try in vain to live vicariously through a man who, by way of his lifestyle, thinks he can fly.”

Phil Brooks (1978) American professional wrestler and mixed martial artist

Interrupting Jeff Hardy's promo from the top of a ladder. August 21, 2009.
Friday Night SmackDown

Philip Kapleau photo
Bill Maher photo
Stanley Baldwin photo
Antoni Tàpies photo
Ralph Vaughan Williams photo
Abby Sunderland photo

“In that moment it dawned on me that everything has to line up perfectly for something to turn out this awful.”

Abby Sunderland (1993) Camera Assistant, Inspirational Speaker and Sailor

Source: Unsinkable: A Young Woman's Courageous Battle on the High Seas (2011), p. 159

Carl Sagan photo

“I stress that the universe is made mostly of nothing, that something is the exception.”

Carl Sagan (1934–1996) American astrophysicist, cosmologist, author and science educator

The Varieties of Scientific Experience: A Personal View of the Search for God (2006)

Salman Rushdie photo
Robert A. Heinlein photo
Pauline Kael photo
Jodie Foster photo

“Normal is not something to aspire to, it is something to get away from.”

Jodie Foster (1962) American actor, film director and producer

As quoted in Diamonds, Pearls & Stones : Jewels of Wisdom for Young Women from Extraordinary Women of the World (2004) edited by Jennifer Read Hawthorne and Barbara Warren Holden, p. 6

Dave Attell photo

“I masturbate! I do it like I think if I keep doing it, I'm gonna win something.”

Dave Attell (1965) comedian

Comedy Central Presents: Dave Attell

Graham Greene photo

“Can you hate something you don't believe in? And yet he called himself a free-thinker. What an impossible paradox, to be free and to be so obsessed.”

Graham Greene (1904–1991) English writer, playwright and literary critic

"The Hint of an Explanation" (1948), Twenty-One Stories, 1954
Short Stories

Donald Trump Jr. photo

“Liberals love the first amendment until you say something they don't agree with.”

Donald Trump Jr. (1977) American businessman and son of U.S. President Donald Trump

Donald Trump Jr. on Twitter https://twitter.com/DonaldJTrumpJr/status/708474355211227136 (March 11, 2016)

Eudora Welty photo
Manuel Castells photo
Samuel R. Delany photo

“It’s a good idea, when people are curious, to give them something to sustain that curiosity—and direct it.”

Source: Neveryóna (1983), Chapter 3, “Of Markets, Maps, Cellars, and Cisterns” (p. 65)

Larry Wall photo

“There's something to be said for returning the whole syntax tree.”

Larry Wall (1954) American computer programmer and author, creator of Perl

[199710221833.LAA24741@wall.org, 1997]
Usenet postings, 1997

Simon Armitage photo
P.G. Wodehouse photo
George Hendrik Breitner photo

“Bosboom has just as anyone else fussed around things [paintings] from time to time to get his money. Only very few people can escape this... It is almost impossible that an artist who doesn't have the gift to work for the market as well, will always have to make good things. Because, when he has no money he has to earn it. And he will have to strain himself. For something he appreciates the least of all. He can never neglect this... The examples you can see everywhere. If you may write something about him [Bosboom] again, I hope you will take this into account too.”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

translation from the original Dutch, Fons Heijnsbroek
version in original Dutch (citaat van zijn brief aan nl:Jan Veth, in het Nederlands:) Bosboom heeft net zoo goed als een ander wel eens dingen afgepeuterd om aan geld te komen. daar ontsnappen maar heel weinig menschen aan.. .Het is bijna onmogelijk dat een artist die niet de gaaf heeft om tegelijk voor de verkoop te werken altijd heeft goede dingen te maken. omdat hij als hij geen geld heeft het moet verdienen. En hij zich zal moeten inspannen. Voor iets waar hij minst voor voelt. Dat nooit nalaten kan.. .De voorbeelden zijn voor 't grijpen. Als je soms iets over hem mocht schrijven hoop ik dat je dit ook in aanmerking zult nemen.
quote of Breitner in a letter to Jan Veth, Amsterdam, Fall 1891; original text in RKD-Archive, The Hague https://rkd.nl/explore/excerpts/80
Jan Veth wrote an memorial on Johannes Bosboom, shortly after Bosboom's death
1890 - 1900

Richard Feynman photo
George Eliot photo
Penn Jillette photo
Fred Hoyle photo
Denise Levertov photo
Charles Baudelaire photo

“All beauties, like all possible phenomena, have something of the eternal and something of the ephemeral — of the absolute and the particular.”

Charles Baudelaire (1821–1867) French poet

Toutes les beautés contiennent, comme tous les phénomènes possibles, quelque chose d'éternel et quelque chose de transitoire — d'absolu et de particulier.
"De l'héroïsme de la vie moderne," Salon de 1846, XVIII (1846) http://fr.wikisource.org/wiki/Salon_de_1846_%28Curiosit%C3%A9s_esth%C3%A9tiques%29#XVIII._.E2.80.94_De_l.E2.80.99h.C3.A9ro.C3.AFsme_de_la_vie_moderne

H.L. Mencken photo

“Truth — Something somehow discreditable to someone.”

H.L. Mencken (1880–1956) American journalist and writer

1940s–present, A Mencken Chrestomathy (1949)

Geezer Butler photo
Andrei Codrescu photo
Thomas Carlyle photo
Halldór Laxness photo

“When has human fortune ever been regarded as something better than a crime, or been enjoyed in any other way than in secret, directly contrary to the laws of God and man?”

Halldór Laxness (1902–1998) Icelandic author

Arnas Arnæus
Íslandsklukkan (Iceland's Bell) (1946), Part II: The Fair Maiden

Paul Tillich photo
Douglas MacArthur photo
Bernhard Riemann photo
Francis Picabia photo

“Splendid, it has done me enormous good to finally see and read something in Switzerland that isn't bullshit. All of it is very nice, it is really something; your manifesto expresses every philosophy seeking truth, when there is no truth, only convention.”

Francis Picabia (1879–1953) French painter and writer

In a letter to Tristan Tzara, Nov. 1919, (after having received a copy of 'Manifesto Dada 3.', written by Tzara); as quoted in: TaTa Dada: The Real Life and Celestial Adventures of Tristan Tzara, Marius Hentea, MIT Press, 12 Sep 2014, p. 115
1910's

Ursula K. Le Guin photo
Bruce Springsteen photo

“Is a dream a lie if it don't come true
Or is it something worse?”

Bruce Springsteen (1949) American singer and songwriter

"The River"
Song lyrics, The River (1980)

Joey Comeau photo
Waheeda Rehman photo
Bolesław Prus photo
Daniel Ellsberg photo
William Kapell photo

“Music isn't enough. Performers aren't enough. There must be someone that loves music as much as life. For you, and remember this always, those of us with something urgent to say, we give everything.”

William Kapell (1922–1953) American classical pianist

Quoted by Claudia Cassidy, " In Memory of William Kapell, Who Left Us Richer in Music http://www.williamkapell.com/articles/cassidy.html", Chicago Tribune (October 30, 1953).

Daniel Handler photo
Vincent Gallo photo
Karen Blixen photo
Jorge Majfud photo
Frank Wilczek photo

“The answer to the ancient question "Why is there something rather than nothing?" would then be that ‘nothing’ is unstable.”

Frank Wilczek (1951) physicist

Quoted in an article, "Why Is There Something Rather Than Nothing?" http://www.csicop.org/sb/show/why_is_there_something_rather_than_nothing, by Victor Stenger (June 2006).

Paula Modersohn-Becker photo
Ernest Hemingway photo
Aron Ra photo
Alison Bechdel photo
Carrie Fisher photo

“Whenever we safely land in a plane, we promise God a little something.”

Mignon McLaughlin (1913–1983) American journalist

The Complete Neurotic's Notebook (1981), Unclassified

Jean Paul Sartre photo
Ben Witherington III photo
Benjamin Boretz photo
Margaret Atwood photo

“As I was writing about Grace Marks, and about her interlude in the Asylum, I came to see her in context — the context of other people's opinions, both the popular images of madness and the scientific explanations for it available at the time. A lot of what was believed and said on the subject appears like sheer lunacy to us now. But we shouldn't be too arrogant — how many of our own theories will look silly when those who follow us have come up with something better? But whatever the scientists may come up with, writers and artists will continue to portray altered mental states, simply because few aspects of our nature fascinate people so much. The so-called mad person will always represent a possible future for every member of the audience — who knows when such a malady may strike? When "mad," at least in literature, you aren't yourself; you take on another self, a self that is either not you at all, or a truer, more elemental one than the person you're used to seeing in the mirror. You're in danger of becoming, in Shakespeare's works, a mere picture or beast, and in Susanna Moodie's words, a mere machine; or else you may become an inspired prophet, a truth-sayer, a shaman, one who oversteps the boundaries of the ordinarily visible and audible, and also, and especially, the ordinarily sayable. Portraying this process is deep power for the artist, partly because it's a little too close to the process of artistic creation itself, and partly because the prospect of losing our self and being taken over by another, unfamiliar self is one of our deepest human fears.”

Margaret Atwood (1939) Canadian writer

Ophelia Has a Lot to Answer For (1997)

Gillian Anderson photo

“Sometimes, I genuinely enjoy having conversations with journalists; enjoying the few moments of intimacy with a stranger is fascinating to me. But once in a while that backfires and you're suddenly reading something that has a bent on it that you didn't feel was in the least bit a part of the conversation that you thought you were having. Then you get overly protective and say very little and then you come out of the hole again.”

Gillian Anderson (1968) American-British film, television and theatre actress, activist and writer

The Observer staff (October 1, 2000 ) "Review: Interview: The truth is out here: X-files star Gillian Anderson has rejected the lure of Hollywood for the austere style of cult British director Terence Davies. What is she thinking of...", The Observer.
2000s

Miles Davis photo

“I love Pops, I love the way he sings, the way he plays - everything he does, except when he says something against modern-jazz music.”

Miles Davis (1926–1991) American jazz musician

In Playboy to Alex Haley (1962); also in [Milestones: The music and times of Miles Davis since 1960, Jack, Chambers, Beech Tree Books, 1983, 9780688046460, 209], [The Playboy Interviews, Alex, Haley, Murray, Fisher, Ballantine, 1993, 9780345383006, 15], [The Miles Davis companion: four decades of commentary, Gary, Carner, Gary, Carner, Schirmer Books, 1996, 9780028646121, 19], and in [Miles Davis and American Culture, Missouri Historical Society Press Series, Gerald Lyn, Early, Missouri History Museum, 2001, 9781883982386, 205]
1960s

Barbara Hepworth photo
Antoni Tàpies photo

“My illusion is to have something to transmit. If I can't change the world, at least I want to change the way people look at it.”

Antoni Tàpies (1923–2012) Catalan painter, sculptor and art theorist

a quote from Tàpies' talk, when his museum opened in 1990; as quoted in 'Antoni Tàpies a Painter With Textures, Dies at 88', by William Grimes, in 'The New York Times', 8 Febr, 2012, p. B17
1981 - 1990

Elbert Hubbard photo

“There is something that is much more scarce, something finer far, something rarer than ability. It is the ability to recognize ability. The sternest comment that can be made against employers as a class lies in the fact that men of Ability usually succeed in showing their worth in spite of their employer, and not with his assistance and encouragement.”

Elbert Hubbard (1856–1915) American writer, publisher, artist, and philosopher fue el escritor del jarron azul

The Philistine magazine, August 1901 http://books.google.com/books?id=xxI8AQAAMAAJ&q=%22There+is+something+that+is+much+more+scarce+something+finer+far+something+rarer+than+ability+It+is+the+ability+to+recognize+ability+The+sternest+comment+that+can+be+made+against+employers+as+a+class+lies+in+the+fact+that+men+of+Ability+usually+succeed+in+showing+their+worth+in+spite+of+their+employer+and+not+with+his+assistance+and+encouragement%22&pg=PA87#v=onepage
"The Crying Need", in A Message to Garcia, and Thirteen Other Things (1901), p. 163 http://books.google.com/books?id=iSo3AAAAIAAJ&q=%22There+is+something+that+is+much+more+scarce+something+finer+far+something+rarer+than+ability+It+is+the+ability+to+recognize+ability+The+sternest+comment+that+can+be+made+against+employers+as+a+class+lies+in+the+fact+that+men+of+Ability+usually+succeed+in+showing+their+worth+in+spite+of+their+employer+and+not+with+his+assistance+and+encouragement%22&pg=PA163#v=onepage

Roger Ebert photo

“Here is how [life] happens. We find something we want to do, if we are lucky, or something we need to do, if we are like most people. We use it as a way to obtain food, shelter, clothing, mates, comfort, a first folio of Shakespeare, model airplanes, American Girl dolls, a handful of rice, sex, solitude, a trip to Venice, Nikes, drinking water, plastic surgery, child care, dogs, medicine, education, cars, spiritual solace -- whatever we think we need. To do this, we enact the role we call "me," trying to brand ourselves as a person who can and should obtain these things.In the process, we place the people in our lives into compartments and define how they should behave to our advantage. Because we cannot force them to follow our desires, we deal with projections of them created in our minds. But they will be contrary and have wills of their own. Eventually new projections of us are dealing with new projections of them. Sometimes versions of ourselves disagree. We succumb to temptation — but, oh, father, what else was I gonna do? I feel like hell. I repent. I'll do it again… This has not been a conventional review. There is no need to name the characters, name the actors, assign adjectives to their acting. Look at who is in this cast. You know what I think of them. This film must not have seemed strange to them. It's what they do all day, especially waiting around for the director to make up his mind.”

Roger Ebert (1942–2013) American film critic, author, journalist, and TV presenter

Review http://www.rogerebert.com/reviews/synecdoche-new-york-2008 of Synecdoche, New York (5 November 2008)
Reviews, Four star reviews

Ellen DeGeneres photo
Joyce Kilmer photo
Terry Eagleton photo
Noam Chomsky photo

“The responsibility of the writer as a moral agent is to try to bring the truth about matters of human significance to an audience that can do something about them.”

Noam Chomsky (1928) american linguist, philosopher and activist

Source: Quotes 1990s, 1995-1999, Powers and Prospects (1996), p. 56.

David Foster Wallace photo
Warren G. Harding photo
Richard Cobden photo

“I have generally made it a rule to parry the inquiries and comparisons which the Americans are so apt to thrust at an Englishman. On one or two occasions, when the party has been numerous and worth powder and shot, I have, however, on being hard pressed, and finding my British blood up, found the only mode of allaying their inordinate vanity to be by resorting to this mode of argument:—"I admit all that you or any other person can, could, may, or might advance in praise of the past career of the people of America. Nay, more, I will myself assert that no nation ever did, and in my opinion none ever will, achieve such a title to respect, wonder, and gratitude in so short a period; and further still, I venture to allege that the imagination of statesmen never dreamed of a country that should in half a century make such prodigious advances in civilization and real greatness as yours has done. And now I must add, and I am sure you, as intelligent, reasonable men, will go with me, that fifty years are too short a period in the existence of nations to entitle them to the palm of history. No, wait the ordeal of wars, distresses, and prosperity (the most dangerous of all), which centuries of duration are sure to bring to your country. These are the test, and if, many ages hence, your descendants shall be able only to say of their country as much as I am entitled to say of mine now, that for seven hundred years we have existed as a nation constantly advancing in liberty, wealth, and refinement; holding out the lights of philosophy and true religion to all the world; presenting mankind with the greatest of human institutions in the trial by jury; and that we are the only modern people that for so long a time withstood the attacks of enemies so heroically that a foreign foe never put foot in our capital except as a prisoner (this last is a poser);—if many centuries hence your descendants will be entitled to say something equivalent to this, then, and not till then, will you be entitled to that crown of fame which the historian of centuries is entitled to award."”

Richard Cobden (1804–1865) English manufacturer and Radical and Liberal statesman

Letter to F. Cobden (5 July 1835) during his visit to the United States, quoted in John Morley, The Life of Richard Cobden (London: T. Fisher Unwin, 1905), pp. 33-34.
1830s

Tom Regan photo
Samuel Johnson photo

“Every quotation contributes something to the stability or enlargement of the language.”

Preface http://andromeda.rutgers.edu/~jlynch/Texts/preface.html
A Dictionary of the English Language (1755)

Nyanaponika Thera photo
Northrop Frye photo
Leo Tolstoy photo
Paul Klee photo