Quotes about slip
page 4

Roberto Clemente photo
Elton John photo
Patrick Fitzgerald photo

“Let me then ask your next question: Well, why is this a leak investigation that doesn't result in a charge? I've been trying to think about how to explain this, so let me try. I know baseball analogies are the fad these days. Let me try something.If you saw a baseball game and you saw a pitcher wind up and throw a fastball and hit a batter right smack in the head, and it really, really hurt them, you'd want to know why the pitcher did that. And you'd wonder whether or not the person just reared back and decided, "I've got bad blood with this batter. He hit two home runs off me. I'm just going to hit him in the head as hard as I can."You also might wonder whether or not the pitcher just let go of the ball or his foot slipped, and he had no idea to throw the ball anywhere near the batter's head. And there's lots of shades of gray in between.You might learn that you wanted to hit the batter in the back and it hit him in the head because he moved. You might want to throw it under his chin, but it ended up hitting him on the head.And what you'd want to do is have as much information as you could. You'd want to know: What happened in the dugout? Was this guy complaining about the person he threw at? Did he talk to anyone else? What was he thinking? How does he react? All those things you'd want to know.And then you'd make a decision as to whether this person should be banned from baseball, whether they should be suspended, whether you should do nothing at all and just say, "Hey, the person threw a bad pitch. Get over it."In this case, it's a lot more serious than baseball. And the damage wasn't to one person. It wasn't just Valerie Wilson. It was done to all of us.And as you sit back, you want to learn: Why was this information going out? Why were people taking this information about Valerie Wilson and giving it to reporters? Why did Mr. Libby say what he did? Why did he tell Judith Miller three times? Why did he tell the press secretary on Monday? Why did he tell Mr. Cooper? And was this something where he intended to cause whatever damage was caused?Or did they intend to do something else and where are the shades of gray?And what we have when someone charges obstruction of justice, the umpire gets sand thrown in his eyes. He's trying to figure what happened and somebody blocked their view.”

Patrick Fitzgerald (1960) American lawyer

Fitzgerald News Conference from the Washington Post (October 28, 2005)

Cao Xueqin photo

“Having made an utter failure of my life, I found myself one day, in the midst of my poverty and wretchedness, thinking about the female companions of my youth. As I went over them one by one, examining and comparing them in my mind's eye, it suddenly came over me that those slips of girls – which is all they were then – were in every way, both morally and intellectually, superior to the 'grave and mustachioed signior' I am now supposed to have become. The realization brought with it an overpowering sense of shame and remorse, and for a while I was plunged in the deepest despair. There and then I resolved to make a record of all the recollections of those days I could muster – those golden days when I dressed in silk and ate delicately, when we still nestled in the protecting shadow of the Ancestors and Heaven still smiled on us. I resolved to tell the world how, in defiance of all my family's attempts to bring me up properly and all the warnings and advice of my friends, I had brought myself to this present wretched state, in which, having frittered away half a lifetime, I find myself without a single skill with which I could earn a decent living. I resolved that, however unsightly my own shortcomings might be, I must not, for the sake of keeping them hid, allow those wonderful girls to pass into oblivion without a memorial.”

Cao Xueqin (1724–1763) Chinese writer during the Qing dynasty

Cao Xueqin, as quoted in the introduction attributed to his younger brother (Cao Tangcun) to the first chapter of Dream of the Red Chamber, present in the jiaxu (1754) version (the earliest-known manuscript copy of the novel), translated by David Hawkes in The Story of the Stone: The Golden Days (Penguin, 1973), pp. 20–21

Bob Dylan photo

“Oh all the money that in my whole life I did spend
Be it mine right or wrongfully
I let it slip gladly past the hands of my friends
To tie up the time most forcefully”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Compare: "Of all the money e'er I had, I spent it in good company. And all the harm e'er I've done, Alas! it was to none but me." The Parting Glass.
Song lyrics, The Times They Are A-Changin' (1964), Restless Farewell

Homér photo
James Thomson (B.V.) photo
Yanni photo
Margaret Thatcher photo

“No-one in their senses wants nuclear weapons for their own sake, but equally, no responsible prime minister could take the colossal gamble of giving up our nuclear defences while our greatest potential enemy kept their's. Policies which would throw out all American nuclear bases…would wreck NATO and leave us totally isolated from our friends in the United States, and friends they are. No nation in history has ever shouldered a greater burden nor shouldered it more willingly nor more generously than the United States. This Party is pro-American. And we must constantly remind people what the defence policy of the [Labour] Party would mean. Their idea that by giving up our nuclear deterrent, we could somehow escape the result of a nuclear war elsewhere is nonsense, and it is a delusion to assume that conventional weapons are sufficient defence against nuclear attack. And do not let anyone slip into the habit of thinking that conventional war in Europe is some kind of comfortable option. With a huge array of modern weapons held by the Soviet Union, including chemical weapons in large quantities, it would be a cruel and terrible conflict. The truth is that possession of the nuclear deterrent has prevented not only nuclear war but also conventional war and to us, peace is precious beyond price. We are the true peace party.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Speech to Conservative Party Conference (12 October 1984) http://www.margaretthatcher.org/document/105763
Second term as Prime Minister

Đorđe Balašević photo
Ilana Mercer photo

“Iraq hasn't suddenly 'slipped back into' this backward and benighted state. It was bombed there by a mulish military power which didn't know Shiite from Shinola. [translated from German]”

Ilana Mercer South African writer

"Irak: Von Tuten und Blasen keine Ahnung gehabt" http://jungefreiheit.de/kolumne/2014/irak-von-tuten-und-blasen-keine-ahnung-gehabt/, Junge Freiheit, June 27, 2014.
2010s, 2014

John Birtwhistle photo

“The essay was impelled by Clare's anxiety that his poems were slipping out if fashion.”

John Birtwhistle (1946) English poet

Clare's 'Popularity in Authorship (1824)

Stanislav Pozdniakov photo

“So, life is like, again, an icy ladder. So, when you climb up, you have to be really, really energetic or you won’t be able to climb up ‘cause you slip and fall down.”

Stanislav Pozdniakov (1973) Russian fencer

Pozdniakov – Climb the Icy Ladder http://www.fencing.net/news/world/pozdniakov-%11-climb-the-icy-ladder.html

Octavia E. Butler photo
Henry Miller photo
Anna Akhmatova photo
R. A. Salvatore photo
Richard Nixon photo
Huston Smith photo
Gabrielle Roy photo
Djuna Barnes photo

“Ah God! she settles down we say;
It means her powers slip away
It means she draws back day by day
From good or bad.”

Djuna Barnes (1892–1982) American Modernist writer, poet and artist

From Third Avenue On
The Book of Repulsive Women (1915)

Letitia Elizabeth Landon photo
Simon Hill photo

“And yes, very pleased with City thanks - although we’re slipping a bit at the moment…. get the cheque book out Thaksin!”

Simon Hill (1967) Australian television presenter

when asked if he was pleased with how Manchester City F.C were doing in January 2008
Quotes from His time at Foxsports

Joanna Newsom photo
Robert Silverberg photo
Philip K. Dick photo

“What about [my] books? How do I feel about them?
I enjoyed writing all of them. But I think that if I could only choose a few, which, for example, might escape World War Three, I would choose, first, Eye in the Sky. Then The Man in the High Castle. Martian Time-Slip (published by Ballantine). Dr. Bloodmoney (a recent Ace novel). Then The Zap Gun and The Penultimate Truth, both of which I wrote at the same time. And finally another Ace book, The Simulacra.
But this list leaves out the most vital of them all: The Three Stigmata of Palmer Eldritch. I am afraid of that book; it deals with absolute evil, and I wrote it during a great crisis in my religious beliefs. I decided to write a novel dealing with absolute evil as personified in the form of a "human." When the galleys came from Doubleday I couldn't correct them because I could not bear to read the text, and this is still true.
Two other books should perhaps be on this list, both very new Doubleday novels: Do Androids Dream of Electric Sheep? and another as yet untitled Ubik]. Do Androids has sold very well and has been eyed intently by a film company who has in fact purchased an option on it. My wife thinks it's a good book. I like it for one thing: It deals with a society in which animals are adored and rare, and a man who owns a real sheep is Somebody… and feels for that sheep a vast bond of love and empathy. Willis, my tomcat, strides silently over the pages of that book, being important as he is, with his long golden twitching tail. Make them understand, he says to me, that animals are really that important right now. He says this, and then eats up all the food we had been warming for our baby. Some cats are far too pushy. The next thing he'll want to do is write SF novels. I hope he does. None of them will sell.”

Philip K. Dick (1928–1982) American author

"Self Portrait" (1968), reprinted in The Shifting Realities of Philip K. Dick (1995), ed. Lawrence Sutin

“I slipped out in the bathroom of a Parisian hotel and hit my head. I was in coma for about three days, and when I woke up, one half of my body was paralyzed.”

Donald O'Brien (actor) (1930–2003) Italian film and TV actor

Euro Trash Cinema magazine interview (March 1996)

Rahul Dravid photo
Rhodri Morgan photo

“I also say to all of you listening in the Chamber and outside that I feel very proud to be slipping the captain’s armband onto my shirt sleeve again today. That is why, in all humility, I ask for your assistance as we seek to do our duty here. I say to this Assembly and to the people that I am not the boss – they, the people, are the boss.”

Rhodri Morgan (1939–2017) British politician

Record of Proceedings http://www.assemblywales.org/bus-home/bus-chamber/bus-chamber-third-assembly-rop.htm?act=dis&id=51748&ds=2007/5, National Assembly for Wales, 25 May 2007.
Speech after his re-election as First Minister in May 2007.

Van Morrison photo
Edwin Abbott Abbott photo
St. Vincent (musician) photo
Stanley Baldwin photo
Bayard Taylor photo
André Breton photo
Archibald Primrose, 5th Earl of Rosebery photo
Aneurin Bevan photo

“I have spent now more than a quarter of a century of my life in public affairs, and as I grow older I become more and more pessimistic. I started-if the House will forgive me this personal note - my career in public affairs in a small colliery town in South Wales. When I was quite a young boy my father took me down the street and showed me one or two portly and complacent looking gentlemen standing at the shop doors, and, pointing to one, he said, "Very important man. That's Councillor Jackson. He's a very important man in this town." I said, "What's the Council?" "Oh, that's the place that governs the affairs of this town," said my father. "Very important place indeed, and they are very powerful men." When I got older I said to myself, "The place to get to is the council. That's where the power is." So I worked very hard, and, in association with my fellows, when I was about 20 years of age, I got on to the council. I discovered when I got there that the power had been there, but it had just gone. So I made some inquiries, being an earnest student of social affairs, and I learned that the power had slipped down to the county council. That was as where it was, and where it had gone to. So I worked very hard again, and I got there-and it had gone from there too. Then I found out that it had come up here. So I followed it, and sure enough I found that it had been here, but I just saw its coat tails round the corner.”

Aneurin Bevan (1897–1960) Welsh politician

Hansard, House of Commons 5th series, vol 395, columns 1616-1617.
Speech in the House of Commons, 15 December 1943.
1940s

Albert Speer photo
Corneliu Zelea Codreanu photo
Ralph Waldo Emerson photo

“All that Shakespeare says of the king, yonder slip of a boy that reads in the corner feels to be true of himself.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

1840s, Essays: First Series (1841), History

Richard Francis Burton photo
Vladimir Lenin photo
Tommy Douglas photo
Willa Cather photo
David Lange photo

“My back is so scar-tissued that you couldn't find a place to slip a knife.”

David Lange (1942–2005) New Zealand politician and 32nd Prime Minister of New Zealand

Source: A Dictionary of New Zealand Political Quotations (2000), p. 96.

Pentti Linkola photo
Jean Paul Sartre photo
Babe Ruth photo

“You can bother me to autograph anything you want. When you quit bothering me to sign autographs, then I'll know I'm through. Slip me the old apple and a pen. And tell 'em to keep on bothering me.”

Babe Ruth (1895–1948) American baseball player

Speaking to autograph seeker, as quoted in "'Never Happier in My Life' Ruth Tells Grantland Rice..."

Paul Simon photo

“Just slip out the back, Jack, make a new plan, Stan
Don't need to be coy, Roy, just listen to me
Hop on the bus, Gus, don't need to discuss much
Just drop off the key, Lee, and get yourself free.”

Paul Simon (1941) American musician, songwriter and producer

50 Ways to Leave Your Lover
Song lyrics, Still Crazy After All These Years (1975)

Plutarch photo

“He is a fool who lets slip a bird in the hand for a bird in the bush.”

Plutarch (46–127) ancient Greek historian and philosopher

Of Garrulity
Bartlett's Familiar Quotations, 10th ed. (1919)

Edward St. Aubyn photo
Gene Wolfe photo

“Time passed, slipping through the waist of the universe's great hourglass like the eroded soil of this continent slipping down her rivers to the seas.”

"Seven American Nights", Orbit 20 (1978), ed. Damon Knight, Reprinted in Gene Wolfe, The Island of Doctor Death and Other Stories and Other Stories (1980), Reprinted in Gene Wolfe, The Best of Gene Wolfe (2009)
Fiction

E.M. Forster photo
Bai Juyi photo
Charles Stross photo
Robert Smith (musician) photo
Neal Stephenson photo

“There was a common saying in the biz/tech world that “A's hire A's, and B's hire C's,” the point being that as long as you continued to recruit only the very best people, they would attract others, but as soon as you let your standards slip, the second-raters would begin to sign up third-raters to act as their minions and advance their agendas.”

Day 18 (This saying was popularized by former U.S. Secretary of Defense Donald Rumsfeld in his "Rumsfeld's Rules" document, dating back to his tenure on the Ford Administration transition team.)
Reamde (2011), Part II: American Falls

Ray Comfort photo
Vannevar Bush photo
Keshia Chante photo
Thomas Carlyle photo

“So here hath been dawning
Another blue Day:
Think wilt thou let it
Slip useless away.”

Thomas Carlyle (1795–1881) Scottish philosopher, satirical writer, essayist, historian and teacher

Today http://rpo.library.utoronto.ca/poem/416.html (1840).
1840s

Benjamin N. Cardozo photo

“The law has outgrown its primitive stage of formalism when the precise word was the sovereign talisman, and every slip was fatal.”

Benjamin N. Cardozo (1870–1938) United States federal judge

Wood v. Lucy, Lady Duff-Gordon, 222 N.Y. 88, 91; 118 N.E. 214 (N.Y. 1917)
Judicial opinions
Context: The law has outgrown its primitive stage of formalism when the precise word was the sovereign talisman, and every slip was fatal. It takes a broader view to-day. A promise may be lacking, and yet the whole writing may be "instinct with an obligation," imperfectly expressed. If that is so, there is a contract.

Starhawk photo

“We join together to earth the power of the season and to slip between the worlds, the voices saying to every one of us, "Wake up, you are it, you are a part of the circle of the wise.”

Starhawk (1951) American author, activist and Neopagan

Bodhi Tree lecture (1999)
Context: We join together to earth the power of the season and to slip between the worlds, the voices saying to every one of us, "Wake up, you are it, you are a part of the circle of the wise. There is no mystery that has not already been revealed to you. There is no power you do not already have. You share in all the love there is. The goddess awakens in infinite forms and a thousand disguises. She is found where she is least expected, appears out of nowhere and everywhere to illumine the open heart. She is singing, crying, moaning, wailing, shrieking, crooning to us, to be awake, to commit ourselves to life, to be a lover in the world and of the world, to join our voices in the single song of constant change and creation. For her law is to love all beings, and she is the cup of the drink of life. The circle is ever open, ever unbroken.

Willa Cather photo

“This guarded mode of existence was like living under a tyranny. People's speech, their voices, their very glances, became furtive and repressed. Every individual taste, every natural appetite, was bridled by caution. The people asleep in those houses, I thought, tried to live like the mice in their own kitchens; to make no noise, to leave no trace, to slip over the surface of things in the dark.”

Book II, Ch. 12
My Antonia (1918)
Context: On starlight nights I used to pace up and down those long, cold streets, scowling at the little, sleeping houses on either side, with their storm-windows and covered back porches. They were flimsy shelters, most of them poorly built of light wood, with spindle porch-posts horribly mutilated by the turning-lathe. Yet for all their frailness, how much jealousy and envy and unhappiness some of them managed to contain! The life that went on in them seemed to me made up of evasions and negations; shifts to save cooking, to save washing and cleaning, devices to propitiate the tongue of gossip. This guarded mode of existence was like living under a tyranny. People's speech, their voices, their very glances, became furtive and repressed. Every individual taste, every natural appetite, was bridled by caution. The people asleep in those houses, I thought, tried to live like the mice in their own kitchens; to make no noise, to leave no trace, to slip over the surface of things in the dark.

Rudyard Kipling photo

“We are not built to comprehend a lie,
We can neither love nor pity nor forgive,
If you make a slip in handling us you die!”

Rudyard Kipling (1865–1936) English short-story writer, poet, and novelist

The Secret of the Machines, Stanza 7.
Other works
Context: But remember, please, the Law by which we live,
We are not built to comprehend a lie,
We can neither love nor pity nor forgive,
If you make a slip in handling us you die!
We are greater than the Peoples or the Kings—
Be humble, as you crawl beneath our rods!—
Our touch can alter all created things,
We are everything on earth—except The Gods!

Leonard H. Courtney photo

“The individuals survive, but with their political activity dead or dying, no opportunities of life and growth being afforded them. Finally it presents as an embodiment of the nation an assembly or assemblies into which none can enter who have not been clipped, and pared, and trimmed, and stretched out of natural shape and likeness to slip along the grooves of supply.”

Leonard H. Courtney (1832–1918) British politician

To My Fellow-Disciples at Saratoga Springs (1895)
Context: We may blunder on in spite of repeated miscalculations of the popular will. More penetrating and pernicious is the influence our ill-devised machinery has upon the character of our national life. It eats in and into it. It degrades candidates and electors alike. It does its worst to reduce to sterility of influence many of the best of the component elements of the people. The individuals survive, but with their political activity dead or dying, no opportunities of life and growth being afforded them. Finally it presents as an embodiment of the nation an assembly or assemblies into which none can enter who have not been clipped, and pared, and trimmed, and stretched out of natural shape and likeness to slip along the grooves of supply. A free press, free pulpits, and a free people outside help to correct what would otherwise become intolerable but press, pulpits and people, free as they are, work and live in strict limits of relation to the machinery established among them. The world revolves on its axis subject to the Constitution of the United States, and the most Radical newspaper man in London, if such there be, never lets his imagination range out of hearing of the Clock Tower.

Guy De Maupassant photo

“The girl was one of those pretty and charming young creatures who sometimes are born, as if by a slip of fate, into a family of clerks.”

Guy De Maupassant (1850–1893) French writer

Variant translation:
She was one of those pretty and charming girls, born by a blunder of destiny in a family of employees. She had no dowry, no expectations, no means of being known, understood, loved, married by a man rich and distinguished; and she let them make a match for her with a little clerk in the Department of Education.
La Parure (The Necklace) (1884)
Context: The girl was one of those pretty and charming young creatures who sometimes are born, as if by a slip of fate, into a family of clerks. She had no dowry, no expectations, no way of being known, understood, loved, married by any rich and distinguished man; so she let herself be married to a little clerk of the Ministry of Public Instruction.

Roberto Clemente photo

“I hit the ball and I slip at home plate and they fine me $650. First time up I hit a homer one-handed. I just limped around the bases.”

Roberto Clemente (1934–1972) Puerto Rican baseball player

As paraphrased and quoted in "Clemente Back, Lashes Out at Writers; Buc Explodes Over 'Team Player' Image" https://news.google.com/newspapers?id=LJxRAAAAIBAJ&sjid=02wDAAAAIBAJ&pg=7083%2C4907609
Baseball-related, <big><big>1960s</big></big>, <big>1969</big>
Context: The 100 grand right fielder revealed that Danny Murtaugh once fined him $650 when he did not run after hitting a ball to the shortstop. He never explained how Murtaugh reached the $650 figure. "I hit the ball and I slip at home plate and they fine me $650. First time up I hit a homer one-handed. I just limped around the bases."

Voltairine de Cleyre photo
Paul Simon photo

“Slip slidin' away
Slip slidin' away.
You know the nearer your destination
The more you're slip slidin' away.”

Paul Simon (1941) American musician, songwriter and producer

Slip Slidin' Away
Song lyrics

Albert Camus photo

“If I try to seize this self of which I feel sure, if I try to define and to summarize it, it is nothing but water slipping through my fingers.”

The Myth of Sisyphus (1942), An Absurd Reasoning
Context: If I try to seize this self of which I feel sure, if I try to define and to summarize it, it is nothing but water slipping through my fingers. I can sketch one by one all the aspects it is able to assume, all those likewise that have been attributed to it, this upbringing, this origin, this ardor or these silences, this nobility or this vileness. But aspects cannot be added up. <!-- 159

“When I finally cooled down to what I thought was pretty good shape, I slipped on a little muumuu, ran down the stairs of the Warwick, barefoot to the lobby. My eye caught a mailman's jacket and a sack of mail hanging across the back of a chair in the hall way entrance, and before I knew what I was doing, I whipped on the jacket, flipped the bag over my shoulder, and flew out the door, whistling a happy tune. Suddenly I thought: "My God! This is a federal offense. Fooling around with the mail." So I turned around and rushed back and BAM! the manager was waiting for me. He ordered me into the back office. They telephoned an ambulance from Bellevue and packed me into it.”

Edie Sedgwick (1943–1971) Socialite, actress, model

On her near-death experience and final days in New York
Edie : American Girl (1982)
Context: "The Siege of the Warwick Hotel." I was left alone with a substantial supply of speed. I started having strange, convulsive behavior. I was shooting up every half-hour... thinking that with each fresh shot I'd knock this nonsense out of my system. I'd entertain myself hanging on to the bathroom sink with my hind feet stopped up against the door, trying to hold myself steady enough so I wouldn't crack my stupid skull open. I entertained myself by making a tape... a really fabulous tape in which I made up five different personalities. I realized that I had to get barbiturates in order to stop the convulsions, which lasted either hours. Something was spinning in my head.... I just kept thinking that if I could pop enough speed I'd knock the daylights out of my system and none of this nonsense would go on. None of this flailing around and moaning, sweating like a pig, and whew! It was a heavy scene. When I finally cooled down to what I thought was pretty good shape, I slipped on a little muumuu, ran down the stairs of the Warwick, barefoot to the lobby. My eye caught a mailman's jacket and a sack of mail hanging across the back of a chair in the hall way entrance, and before I knew what I was doing, I whipped on the jacket, flipped the bag over my shoulder, and flew out the door, whistling a happy tune. Suddenly I thought: "My God! This is a federal offense. Fooling around with the mail." So I turned around and rushed back and BAM! the manager was waiting for me. He ordered me into the back office. They telephoned an ambulance from Bellevue and packed me into it. Five policemen. I was back into convulsions again, which was really a drag, and I tried to tell the doctors and the nurses and the student interns that I'd run out of barbiturates and overshot speed.... I could speak sanely, but all my motor nerves were going crazy wild. It looked like I was out of my mind. If you had seen me, you wouldn't have bothered to listen, and none of them did. Oh, God, it was a nightmare. Finally six big spade attendants came and held me down on a stretcher. They terrified me... their force against mine. I got twice as bad. I just flipped. I told them if they'd just let go of me, I would calm down and stop kicking and fighting. But they wouldn't listen and they started to tell each other what stages of hallucinations I was in... how I imagined myself an animal. All these things totally unreal to my mind and just guessed on their part. Oh, it was insane. Then they plunged a great needle into my butt and BAM! out I went for two whole days. When I woke up, wow! Rats all over the floor, wailing and screaming. We ate potatoes with spoons. The doctors at Bellevue finally contacted my private physician, and after five days he came and got me out. They sent me back to Gracie Square, a private mental hospital that cost a thousand dollars a week. I was there for five months. Then I ran away with a patient and we went to an apartment in the Seventies somewhere which belonged to another patient in the hospital, who gave us the keys. The guy I ran away with was twenty, but he'd been a junkie since the age of nine, so he was pretty emotionally retarded and something of a drag. I didn't have any pills, so, kind of ravaging around, I went to see a gynecologist and a pretty well-off one. He asked me if I would like to shoot up some acid with him. I hadn't much experience with acid, but I wasn't afraid. He closed his office at five, and we took off in his Aston Martin and drove up the coast... no, what's the name of that river? The Hudson. We stopped at a motel and he gave me three ampules of liquid Sandoz acid, intravenously, mainlining, and he gave himself the same amount and he completely flipped, I was hallucinating and trying to tell him what I was seeing. I'd say, "I see rich, embroidered curtains, and I see people moving in the background. It's the Middle Ages and I am a princess, " and I told him he was some sort of royalty. We made love from eight in the evening until seven in the morning with ecstatic climax after climax, just going insane with it, until he realized it was seven and he had to get back to his office to open it at eight-thirty. He gave me a shot to calm me down, and because I couldn't come down, I took about fourteen Placidyls. On the way back something very strange happened. I didn't realize I was going to say it, but I said out loud, "I wish I was dead"... the love and the beauty and the ecstasy of the whole experience I'd just gone through were really so alien. I didn't even know the man... it had been a one-night jag... he was married and had children... and I just felt lost. It hardly seemed worth living any more because once again I was alone. He dropped me off at the apartment where I was staying with the runaway patient. I had a little Bloody Mary when I got there, and dropped a few more Placidyls. With my tolerance, nothing should have happened, but I suddenly went into a coma. My eyes rolled back in my head. It was lucky... I had called an aide, Jimmy, at the hospital - he had been a good friend - I had called him anonymously and asked him to come and visit us. He happened to turn up just as I went into the coma. He and the heroin addict tried to wake me up. They slapped me and pumped my chest and they put me in a bathtub full of really cold water. Jimmy began to call hospitals - not psychiatric but medical - and one of them actually told them to let me sleep it off. But Jimmy just flipped. He knew I was dying, and he was right. He called Lenox Hill Hospital, and the police finally came. Jimmy and the heroin addict were taken into custody, and I was rushed to the hospital. I was actually declared dead. My mother was called... and then BAM! I started breathing again. I was pretty shaken up by what happened because I didn't understand how I could have almost gone out on just fifteen Placidyls when I used to live on thirty-five three-grain Tunials a day, plus alcohol. They released Jimmy and the junkie, but of course I was still in the trap. I thought I was fine and that I could leave. But a psychiatrist came to interview me and I was put in the New York State Psychiatric Institute at Columbia Presbyterian Hospital - committed on the grounds of unintentional, unconscious suicide. It was a pretty devastating experience. They put me on eight hundred milligrams of Thorazine four times a day plus six hundred milligrams at bedtime - an ugly-tasting liquid, but it took quick effect and you couldn't hide the pills or spit them out later. I had all kinds of bad reactions from it - I'd get bad tremors and all itchy and wormy. I said I wasn't going to take the stuff any more, no matter what, so they finally took me off it one day. I had a seizure, vomited all over the floor, and I couldn't get tremendous dosages of Thorazine, but they accused me of importing drugs and taking them there in the hospital. My doctor was young... a resident... and I just told him, "You think I've taken drugs. There's no point in even reasoning with you. I'll just go to some other hospital." I expected to go to some plush, tolerable hospital, but I was not accepted in any private hospital with the record they gave me. They committed me to Manhattan State on Ward's Island, in the middle of the East River, next to the prison. It was one of the most unpleasant experiences I've ever been through. Really terrifying. I lived in a big dormitory on a ward with about sixty to eighty women. We did all the mopping, cleaning, making beds, scrubbing toilets. And the people there were just so awful. Really pathetic. Some of them were mean. The staff completely ignored you except to administer medication. I thought it was never going to end. In Manhattan State, even in there, there were pushers. One girl who lived in a smaller dormitory - there were two with about ten beds in them - was pushing speed and heroin. And because I'd been warned that if ever you were caught using drugs in a state hospital you'd be criminally punished, I didn't touch any drugs during the three months I was there.

Ann Coulter photo

“Where there is a vacuum of ideas, paranoia slips in.”

Ann Coulter (1961) author, political commentator

Source: 2002, Slander : Liberal Lies About the American Right (2002), p. 254.
Context: Where there is a vacuum of ideas, paranoia slips in. Much of the left's hate speech bears greater similarity to a psychological disorder than to standard political discourse. The hatred is blinding, producing logical contradictions that would be impossible to sustain were it not for the central element faith plays in the left's new religion. The basic tenet of their faith is this: Maybe they were wrong about their facts and policies, but they are good and conservatives are evil. You almost want to give it to them. It's all they have left.

Kate Bush photo

“Just like a feeling that you're sending out,
I pick it up.
But I can't let you go.
If I let you go,
You slip into the fog…”

Kate Bush (1958) British recording artist; singer, songwriter, musician and record producer

Source: Song lyrics, The Sensual World (1989)

Vita Sackville-West photo

“It is necessary to write, if the days are not to slip emptily by.”

Vita Sackville-West (1892–1962) English writer and gardener

Twelve Days (1928) p. 9; part of this appears to have also become paraphrased in the form:
Context: It is necessary to write, if the days are not to slip emptily by. How else, indeed, to clap the net over the butterfly of the moment? for the moment passes, it is forgotten; the mood is gone; life itself is gone. That is where the writer scores over his fellows: he catches the changes of his mind on the hop. Growth is exciting; growth is dynamic and alarming. Growth of the soul, growth of the mind; how the observation of last year seems childish, superficial; how this year — even this week — even with this new phrase — it seems to us that we have grown to a new maturity. It may be a fallacious persuasion, but at least it is stimulating, and so long as it persists, one does not stagnate.
I look back as through a telescope, and see, in the little bright circle of the glass, moving flocks and ruined cities.

Gerald Durrell photo

“I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers.”

Gerald Durrell (1925–1995) naturalist, zookeeper, conservationist, author and television presenter

Letter to his fiancée Lee, (31 July 1978), published in Gerald Durrell: An Authorized Biography by Douglas Botting (1999)
Context: I have seen a thousand sunsets and sunrises, on land where it floods forest and mountains with honey coloured light, at sea where it rises and sets like a blood orange in a multicoloured nest of cloud, slipping in and out of the vast ocean. I have seen a thousand moons: harvest moons like gold coins, winter moons as white as ice chips, new moons like baby swans’ feathers.
I have seen seas as smooth as if painted, coloured like shot silk or blue as a kingfisher or transparent as glass or black and crumpled with foam, moving ponderously and murderously. … I have known silence: the cold earthy silence at the bottom of a newly dug well; the implacable stony silence of a deep cave; the hot, drugged midday silence when everything is hypnotised and stilled into silence by the eye of the sun; the silence when great music ends.
I have heard summer cicadas cry so that the sound seems stitched into your bones. … I have seen hummingbirds flashing like opals round a tree of scarlet blooms, humming like a top. I have seen flying fish, skittering like quicksilver across the blue waves, drawing silver lines on the surface with their tails. I have seen Spoonbills fling home to roost like a scarlet banner across the sky. I have seen Whales, black as tar, cushioned on a cornflower blue sea, creating a Versailles of fountain with their breath. I have watched butterflies emerge and sit, trembling, while the sun irons their winds smooth. I have watched Tigers, like flames, mating in the long grass. I have been dive-bombed by an angry Raven, black and glossy as the Devil’s hoof. I have lain in water warm as milk, soft as silk, while around me played a host of Dolphins. I have met a thousand animals and seen a thousand wonderful things… but —
All this I did without you. This was my loss.
All this I want to do with you. This will be my gain.
All this I would gladly have forgone for the sake of one minute of your company, for your laugh, your voice, your eyes, hair, lips, body, and above all for your sweet, ever surprising mind which is an enchanting quarry in which it is my privilege to delve.

Richard Wright photo
Bono photo

“Our Love has slowly slipped away,Our Love has seen its better day”

Bono (1960) Irish rock musician, singer of U2

"Red Hill Mining Town"
Lyrics, The Joshua Tree (1987)
Context: Our Love has slowly slipped away, Our Love has seen its better day

Stephen Vincent Benét photo

“I stumbled, slipped… and all was gone
That I had gained.”

Stephen Vincent Benét (1898–1943) poet, short story writer, novelist

Young Adventure (1918), The Quality of Courage
Context: I stumbled, slipped... and all was gone
That I had gained. Once more I lay
Before the long bright Hell of ice.
And still the light was far away.
There was red mist before my eyes
Or I could tell you how I went
Across the swaying firmament,
A glittering torture of cold stars,
And how I fought in Titan wars...
And died... and lived again upon
The rack... and how the horses strain
When their red task is nearly done... I only know that there was Pain,
Infinite and eternal Pain.
And that I fell — and rose again.

Jan Neruda photo
Robert Sheckley photo
Jack Vance photo

“Humanity many times has had sad experience of superpowerful police forces…As soon as (the police) slip out from under the firm thumb of a suspicious local tribune, they become arbitrary, merciless, a law unto themselves. They think no more of justice, but only of establishing themselves as a privileged and envied elite. They mistake the attitude of natural caution and uncertainty of the civilian population as admiration and respect, and presently they start to swagger back and forth, jingling their weapons in megalomaniac euphoria. People thereupon become not masters, but servants. Such a police force becomes merely an aggregate of uniformed criminals, the more baneful in that their position is unchallenged and sanctioned by law. The police mentality cannot regard a human being in terms other than as an item or object to be processed as expeditiously as possible. Public convenience or dignity means nothing; police prerogatives assume the status of divine law. Submissiveness is demanded. If a police officer kills a civilian, it is a regrettable circumstance: the officer was possibly overzealous. If a civilian kills a police officer all hell breaks loose. The police foam at the mouth. All other business comes to a standstill until the perpetrator of this most dastardly act is found out. Inevitably, when apprehended, he is beaten or otherwise tortured for his intolerable presumption. The police complain that they cannot function efficiently, that criminals escape them. Better a hundred unchecked criminals than the despotism of one unbridled police force.”

Source: Demon Princes (1964-1981), The Star King (1964), Chapter 3 (pp. 32-33)

Douglas Murray photo
Alexandria Ocasio-Cortez photo
Ernesto Che Guevara photo
Stephen King photo
Annie Besant photo

“It is patent to every student of the closing forty years of the last century, that crowds of thoughtful and moral people have slipped away from the churches, because the teachings they received there outraged their intelligence and shocked their moral sense. It is idle to pretend that the widespread agnosticism of this period had its root either in lack of morality or in deliberate crookedness of mind. Everyone who carefully studies the phenomena presented will admit that men of strong intellect have been driven out of Christianity by the crudity of the religious ideas set before them, the contradictions in the authoritative teachings, the views as to God, man, and the universe that no trained intelligence could possibly admit. Nor can it be said that any kind of moral degradation lay at the root of the revolt against the dogmas of the Church. The rebels were not too bad for their religion; on the contrary, it was the religion that was too bad for them. The rebellion against popular Christianity was due to the awakening and the growth of conscience; it was the conscience that revolted, as well as the intelligence, against teachings dishonouring to God and man alike, that represented God as a tyrant, and man as essentially evil, gaining salvation by slavish submission.”

Annie Besant (1847–1933) British socialist, theosophist, women's rights activist, writer and orator

Esoteric Christianity (The Lesser Mysteries) (1914)

Nakayama Miki photo

“Oh, I am so glad to see you have come. God the Parent lent a hand to bring you home. You had a hard time, slipping at many places. However, you were joyful. Sah, sah, God the Parent accepts fully, fully. Whatever you ask, it is accepted. God protects you. Enjoy it, enjoy it, enjoy it!”

Nakayama Miki (1798–1887) Founder of Tenrikyo

So saying, Oyasama grasped Rin’s cold hands with both Her own. It was something more than warming them over the brazier. Rin was moved with gratitude and awe at the inexpressible warmth of Oyasama.
Anecdotes of Oyasama, Foundress of Tenrikyo, from Anecdote 44, "A Snowy Day," p. 39.
Nakayama's exchange with Masui Rin, upon her arrival at the Nakayama residence during a stormy day.
Anecdotes of Oyasama

Shawn Lane photo

“Temporal was the first recording that captured my true guitar sound (dinosaurs slipping and blocks of wire whittled with a feather).”

Shawn Lane (1963–2003) American musician

The mood of the world was different and yet music (sculpted time) always is there waiting to be manifested.
http://bardorecords.com/Bardo136.htm Press site for the album Temporal Analogues of Paradise (1995)