Quotes about slide
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Charles Olson photo
Annie Dillard photo
Jonathan Safran Foer photo
Ken Ham photo

“I'm gonna slide into those DMs harder than Chase Utley slides into second.”

Alice Moran (1988) Canadian actress

As quoted on Twitter (10 August 2018) https://twitter.com/Alice_Moran/status/1027933019636736000

Lois McMaster Bujold photo
Federico García Lorca photo

“But now he sleeps endlessly.
Now the moss and the grass
open with sure fingers
the flower of his skull.
And now his blood comes out singing;
singing along marshes and meadows,
slides on frozen horns,
faltering souls in the mist
stumbling over a thousand hoofs
like a long, dark, sad tongue,
to form a pool of agony
close to the starry Guadalquivir.
Oh, white wall of Spain!
Oh, black bull of sorrow!
Oh, hard blood of Ignacio!
Oh, nightingale of his veins!”

Pero ya duerme sin fin.
Ya los musgos y la hierba
abren con dedos seguros
la flor de su calavera.
Y su sangre ya viene cantando:
cantando por marismas y praderas,
resbalando por cuernos ateridos,
vacilando sin alma por la niebla,
tropezando con miles de pezuñas
como una larga, oscura, triste lengua,
para formar un charco de agonía
junto al Guadalquivir de las estrellas.
¡Oh blanco muro de España!
¡Oh negro toro de pena!
¡Oh sangre dura de Ignacio!
¡Oh ruiseñor de sus venas!
Llanto por Ignacio Sanchez Mejias (1935)

Helen Garner photo
Stephen King photo
Dashiell Hammett photo
Hubert H. Humphrey photo

“I had no money to buy books, so between classes and work, I haunted the library. I even tutored in French with a sliding scale of payment: twenty dollars for an A, fifteen for a B, ten for a C, five for a D.”

Hubert H. Humphrey (1911–1978) Vice-President of the USA under Lyndon B. Johnson

Of his university years. From Hubert H. Humphrey, The Education of a Public Man: My Life and Politics 43 (1976)

Elizabeth I of England photo
Heidi Klum photo

“When I won the competition, I had just been offered a job as a designer in Düsseldorf, so that’s probably what I’d be doing now. It can be fascinating to consider how your life might have turned out, like in the movie Sliding Doors, but I’m too busy to look back.”

Heidi Klum (1973) German model, television host, businesswoman, fashion designer, television producer, and actress

Discussing what she would have done if she didn't win a modeling contest at age 19. Quoted by Elisabeth Braw, Metro World News, Canada http://www.metronews.ca/ottawa/entertainment/article/446299--talking-healthy-hearts-with-heidi-klum.

John Updike photo
Chris Rea photo
Josh Billings photo
Donald Barthelme photo
Arthur Quiller-Couch photo

“Only the heel
Of splendid steel
Shall stand secure on sliding fate,
When golden navies weep their freight.”

Arthur Quiller-Couch (1863–1944) British writer and literary critic

Poem The Splendid Spur http://www.poemhunter.com/poem/the-splendid-spur/

Richard Rumelt photo
Arundhati Roy photo

“To the Kathakali Man these stories are his children and his childhood. He has grown up within them. They are the house he was raised in, the meadows he played in. They are his windows and his way of seeing. So when he tells a story, he handles it as he would a child of his own. He teases it. He punishes it. He sends it up like a bubble. He wrestles it to the ground and lets it go again. He laughs at it because he loves it. He can fly you across whole worlds in minutes, he can stop for hours to examine a wilting leaf. Or play with a sleeping monkey's tail. He can turn effortlessly from the carnage of war into the felicity of a woman washing her hair in a mountain stream. From the crafty ebullience of a rakshasa with a new idea into a gossipy Malayali with a scandal to spread. From the sensuousness of a woman with a baby at her breast into the seductive mischief of Krishna's smile. He can reveal the nugget of sorrow that happiness contains. The hidden fish of shame in a sea of glory.
He tells stories of the gods, but his yarn is spun from the ungodly, human heart.
The Kathakali Man is the most beautiful of men. Because his body is his soul. His only instrument. From the age of three he has been planed and polished, pared down, harnessed wholly to the task of story-telling. He has magic in him, this man within the painted mark and swirling skirts.
But these days he has become unviable. Unfeasible. Condemned goods. His children deride him. They long to be everything that he is not. He has watched them grow up to become clerks and bus conductors. Class IV non-gazetted officers. With unions of their own.
But he himself, left dangling somewhere between heaven and earth, cannot do what they do. He cannot slide down the aisles of buses, counting change and selling tickets. He cannot answer bells that summon him. He cannot stoop behind trays of tea and Marie biscuits.
In despair he turns to tourism. He enters the market. He hawks the only thing he owns. The stories that his body can tell.
He becomes a Regional Flavour.”

page 230-231.
The God of Small Things (1997)

Mickey Spillane photo
Peter Greenaway photo
Bill Mollison photo
Ian Bremmer photo
John Dryden photo

“And heaven had wanted one immortal song.
But wild Ambition loves to slide, not stand,
And Fortune's ice prefers to Virtue's land.”

Pt. I, lines 197–199. Compare Knolles, History (under a portrait of Mustapha I): "Greatnesse on Goodnesse loves to slide, not stand,/ And leaves, for Fortune’s ice, Vertue’s ferme land".
Absalom and Achitophel (1681)

Tom Lehrer photo

“Oh, soon we'll be out amid the cold world's strife. Soon we'll be sliding down the razor blade of life. Oooh.”

Tom Lehrer (1928) American singer-songwriter and mathematician

"Bright College Days"
An Evening (Wasted) With Tom Lehrer (1959)

Lama Ole Nydahl photo
Chris Rea photo
Warren Zevon photo
John Cage photo
Yukio Mishima photo
Yehudi Menuhin photo
William Wordsworth photo

“What fond and wayward thoughts will slide
Into a lover's head!
"O mercy!" to myself I cried,
"If Lucy should be dead!"”

Strange Fits of Passion Have I Known, st. 7 (1799).
Lyrical Ballads (1798–1800)

Theodore Roszak photo
George William Curtis photo
Charles Lightoller photo

“I disagree with Les. We always found good cunt at the Lyceum. Friendly cunt, clean cunt, spare cunt, jeans and knicker stuffed full of nice juicy hairy cunt, handfuls of cunt, palmful grabbing the cunt by the stem, or the root – infantile memories of cunt – backrow slides – slithery oily cunt, the cunt that breathes – the cunt that’s neatly wrapped in cotton, in silk, in nylon, that announces, that speaks or thrusts, that winks that’s squeezed in a triangle of furtive cloth backed by an arse that’s creamy, springy billowy cushiony tight, knicker lined, knicker skinned, circumscribed by flowers and cotton, by views, clinging knicker, juice ridden knicker, hot knicker, wet knicker, swelling vulva knicker, witty cunt, teeth smiling the eyes biting cunt, cultured cunt, culture vulture cunt, finger biting cunt, cunt that pours, cunt that spreads itself over your soft lips, that attacks, cunt that imagines – cunt you dream about, cunt you create as a Melba, a meringue with smooth sides – remembered from school boys’ smelly first cunt, first foreign cunt, amazing cunt – cunt that’s cruel. Cunt that protects itself and makes you want it even more cunt – cunt that smells of the air, of the earth, of bakeries, of old apples, of figs, of sweat of hands of sour yeast of fresh fish cunt. So – are we going Les? We might pick up a bit of crumpet.”

East (1975), Scene 17

“No one can describe the disappointment, I had after losing to Lenda Murray in 2003 Ms Olympia when I clearly know and others knew I beat her by a land slide… Ok Lenda has great delts maybe the best in the business… A wonderful shape to her physique nice round bellies to her muscles "BUT" let the story be told she didn't have all the HARMONY the lines not to mention the definition I display that year..”

Iris Kyle (1974) American bodybuilder

2012-02-05
An Exclusive Interview With the Ms. Olympia Champion Iris Kyle
RX Muscle
Internet
http://www.rxmuscle.com/rx-girl-articles/female-bodybuilding/4986-an-exclusive-interview-with-the-ms-olympia-champion-iris-kyle.html
Sourced quotes, 2012

Poul Anderson photo

“Yeah. ‘Environment’ was very big for a while. Ecology Now stickers on the windshields of cars belonging to hairy young men—cars which dripped oil wherever they parked and took off in clouds of smoke thicker than your pipe can produce…Before long, the fashionable cause was something else, I forget what. Anyhow, that whole phase—the wave after wave of causes—passed away. People completely stopped caring…
I feel a moral certainty that a large part of the disaster grew from this particular country, the world’s most powerful, the vanguard country for things both good and ill…never really trying to meet the responsibilities of power.
We’ll make halfhearted attempts to stop some enemies in Asia, and because the attempts are halfhearted we’ll piss away human lives—on both sides—and treasure—to no purpose. Hoping to placate the implacable, we’ll estrange our last few friends. Men elected to national office will solemnly identify inflation with rising prices, which is like identifying red spots with the measles virus, and slap on wage and price controls, which is like papering the cracks in a house whose foundations are sliding away. So economic collapse brings international impotence…As for our foolish little attempts to balance what we drain from the environment against what we put back—well, I mentioned that car carrying the ecology sticker.
At first Americans will go on an orgy of guilt. Later they’ll feel inadequate. Finally they’ll turn apathetic. After all, they’ll be able to buy any anodyne, any pseudo-existence they want.”

Source: There Will Be Time (1972), Chapter 5 (pp. 53-54)

“I do not yet want to form a hypothesis to test, because as soon as you make a hypothesis, you become prejudiced. Your mind slides into a groove, and once it is in that groove, has difficulty noticing anything outside of it. During this time, my sense must be sharp; that is the main thing — to be sharp, yet open.”

Bernd Heinrich (1940) American ornithologist

Wondering how golden-crowned kinglets, which eat insects from open branches, survive the Maine winters, in "December 11 : Wind", p. 150
A Year in the Maine Woods (1995)

Ralph Nader photo
Isaac D'Israeli photo

“After the golden age of Latinity, we gradually slide into the silver, and at length precipitately descend into the iron.”

Isaac D'Israeli (1766–1848) British writer

Source: The Literary Character, Illustrated by the History of Men of Genius (1795–1822), Ch. III.

Richard Quest photo

“Before the words slide into their slots, they are just discrete items, pointing everywhere and nowhere.”

Stanley Fish (1938) American academic

Source: How To Write A Sentence And How To Read One (2011), Chapter 1, Why Sentences?, p. 2

Charlie Brooker photo
Henry Rollins photo
Simon Phipps photo
Bernard Cornwell photo
Morrissey photo

“PM: What annoys you most about yourself?
M: Practically everything. I miss not being able to stand up straight. I tend to slide into rooms and sit on the chair behind the door.”

Morrissey (1959) English singer

From "Wilde child", interview by Paul Morley, Blitz (April 1988).
In interviews etc., About himself and his work

Bram van Velde photo

“Painting lives only through the slide towards the unknown in oneself.”

Bram van Velde (1895–1981) Dutch painter

1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)

M. K. Hobson photo
Rudyard Kipling photo
Hans Reichenbach photo
Ken Ham photo

“We at Answers in Genesis have been saddened by recent news of a devastating earthquake that rocked Nepal on April 25. This earthquake and its aftershocks have killed thousands, levelled buildings, and left countless thousands homeless and hungry. It even triggered an avalanche on Mount Everest that resulted in fatalities. Now, the headline of an article in the New York Times declares, “Ancient Collision Made Nepal Earthquake Inevitable.” The author writes, “More than 25 million years ago, India, once a separate island on a quickly sliding piece of the Earth’s crust, crashed into Asia. The two land masses are still colliding, pushed together at a speed of 1.5 to 2 inches a year. The forces have pushed up the highest mountains in the world, in the Himalayas, and have set off devastating earthquakes.” But starting from the history recorded in God’s Word we know that this earthquake is not the result of a crash 25 million years ago and slow and gradual processes ever since. Instead, when we start with the history recorded in God’s Word, we know that this earthquake is one of the tragic consequences of the Fall and the global Flood of Noah’s day… Please be in prayer for Nepal and especially for our brothers and sisters in that country who are reaching out to victims with the love of Christ. Also, as they watch the news, many people will be asking how God could allow such a tragedy. I encourage you to equip yourself with the biblical answer to why there is death and suffering—because of Adam and Eve’s rebellion—so that you can answer their questions and point them toward the hope that we can have even in the midst of tragedy because of the sacrifice of Jesus and the salvation that He offers. It’s important to know that such tragedy is not God’s fault—it’s our fault because of our sin in Adam. God stepped into history in the person of His Son to rescue us from the problem we caused and the resulting separation from our God.”

Ken Ham (1951) Australian young Earth creationist

"Nepal Suffering After Major Earthquake" https://answersingenesis.org/blogs/ken-ham/2015/04/30/nepal-suffering-after-major-earthquake/, Around the World with Ken Ham (April 30, 2015)
Around the World with Ken Ham (May 2005 - Ongoing)

Bret Easton Ellis photo

“We'll slide down the surface of things…”

Glamorama (1998)

Don DeLillo photo

“We drove 22 miles into the country around Farmington. There were meadows and apple orchards. White fences trailed through the rolling fields. Soon the sign started appearing. THE MOST PHOTOGRAPHED BARN IN AMERICA. We counted five signs before we reached the site. There were 40 cars and a tour bus in the makeshift lot. We walked along a cowpath to the slightly elevated spot set aside for viewing and photographing. All the people had cameras; some had tripods, telephoto lenses, filter kits. A man in a booth sold postcards and slides -- pictures of the barn taken from the elevated spot. We stood near a grove of trees and watched the photographers. Murray maintained a prolonged silence, occasionally scrawling some notes in a little book. "No one sees the barn," he said finally. A long silence followed. "Once you've seen the signs about the barn, it becomes impossible to see the barn." He fell silent once more. People with cameras left the elevated site, replaced by others. We're not here to capture an image, we're here to maintain one. Every photograph reinforces the aura. Can you feel it, Jack? An accumulation of nameless energies." There was an extended silence. The man in the booth sold postcards and slides. "Being here is a kind of spiritual surrender. We see only what the others see. The thousands who were here in the past, those who will come in the future. We've agreed to be part of a collective perception. It literally colors our vision. A religious experience in a way, like all tourism."”

Another silence ensued. "They are taking pictures of taking pictures," he said.”
White Noise (1984)

Lois McMaster Bujold photo

“Be passionate, be picky, have enough self-criticism to demand of yourself your best and not sort of let it slide by. And remember that the greatest defect any piece of fiction can have is not to be finished.”

Lois McMaster Bujold (1949) Science Fiction and fantasy author from the USA

A Girl's World interview (2006)
Context: Don't worry about that depressing old dictum "Write what you know". If you need to know something, look it up. Learn how to find out what you need to know to make it right. Be passionate, be picky, have enough self-criticism to demand of yourself your best and not sort of let it slide by. And remember that the greatest defect any piece of fiction can have is not to be finished.

Alan Watts photo
Wendell Berry photo

“Professional standards, the standards of ambition and selfishness, are always sliding downward toward expense, ostentation, and mediocrity. They tend always to narrow the ground of judgment.”

Wendell Berry (1934) author

"The Responsibility of the Poet".
What Are People For? (1990)
Context: Professional standards, the standards of ambition and selfishness, are always sliding downward toward expense, ostentation, and mediocrity. They tend always to narrow the ground of judgment. But amateur standards, the standards of love, are always straining upward toward the humble and the best. They enlarge the ground of judgment. The context of love is the world.

John Fletcher photo

“Let the world slide.”

Act V, scene 2. Compare William Shakespeare, The Taming of the Shrew, introduction, scene 1, line 5. Also Scene 2, line 146. ("Slip" in folio).
Wit Without Money (c. 1614; published 1639)

Harold Wilson photo
Douglas Murray photo

“Earthquakes generate elastic waves when one block of material slides against another; the break between the two blocks being called a fault.”

David Gubbins (1947) British university teacher

Explosions generate elastic waves by an impulsive change in volume in the material. Small explosive charges are used in controlled-source seismic experiments in which the waves penetrate only a few kilometres into the earth.
[Seismology and plate tectonics, 1990, http://books.google.com/books?id=tZRxPzwoChIC&pg=PA12] (p. 12)
Seismology and Plate Tectonics (1990)

Richard K. Morgan photo

“The personal, as everyone’s so fucking fond of saying, is political. So if some idiot politician, some power player, tries to execute policies that harm you or those you care about, take it personally. Get angry. The Machinery of Justice will not serve you here—it is slow and cold, and it is theirs, hardware and soft-. Only the little people suffer at the hands of Justice; the creatures of power slide out from under with a wink and a grin. If you want justice, you will have to claw it from them. Make it personal. Do as much damage as you can. Get your message across. That way you stand a far better chance of being taken seriously next time. Of being considered dangerous. And make no mistake about this: being taken seriously, being considered dangerous, marks the difference—the only difference in their eyes—between players and little people. Players they will make deals with. Little people they liquidate. And time and again they cream your liquidation, your displacement, your torture and brutal execution with the ultimate insult that it’s just business, it’s politics, it’s the way of the world, it’s a tough life, and that it’s nothing personal. Well, fuck them. Make it personal.”

Source: Altered Carbon (2002), Chapter 15 (pp. 184-185, quoting the fictional work Things I Should Have Learned by Now, Volume II, written by story character Quellcrist Falconer)

Don DeLillo photo
Sam Kinison photo
Chuck Palahniuk photo
Wendell Berry photo
Marianne Williamson photo
Maximilien Robespierre photo
William Gibson photo

“Sliding through the city with no safety on.”

Darrell Edward Brooks (1982) American rapper and suspect of 2021 Waukesha parade attack

song lyrics

Margaret Cho photo

“You will never make love, laugh, fight, eat, go to the movies, kiss, smile, dance, sing, run, skate, play the piano, buy candy for, argue jokingly, tell stories, look longingly at, jump on the bed with, pet the dogs with your faces, sing along with the song in the car and get the words wrong, share a secret, gossip, cop a feel, go hear a band that you both love, share a really good meal, carpool with people you don't like and make fun of them secretly later, cry, comfort, scratch backs, insist on pizza, catch them staring at you, put your arms around them, stay up too late, lean against warm bodies, feel safe with their feet sliding next to yours in bed, raise your children, go to boring dinner parties and get too drunk to drive home so you sleep in the car, spend alternate holidays with each others families, have uncontrollable lust with, followed by mind blowing fuck sessions lasting for hours and hours at a time, take a bath so hot one of you has to get out, all naked and wet and red and dizzy but not embarrassed because this is who you love and rarely are you shy with them, watch a TV show you both hate because the remote control is broken--merely happily, and maybe sometimes unhappily, share your life, and be with them, but you can't, because they're dead. Suddenly, unjustly, untimely, irretrievably--unconscionably dead.”

Margaret Cho (1968) American stand-up comedian

From Her Books, I Have Chosen To Stay And Fight, DEATH