“Painting lives only through the slide towards the unknown in oneself.”

1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)

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Bram van Velde97

Dutch painter 1895–1981

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“.. no true artist ends with the style that he expected to have when he began,... it is only by giving oneself up completely to the painting medium that one finds oneself and one's own style.”

Robert Motherwell (1915–1991) American artist

The School of New York, exhibition catalogue, Perls Gallery, 1951; as quoted in the New York School – the painters & sculptors of the fifties, Irving Sandler, Harper & Row Publishers, 1978, p. 46
1950s

“One must not live one's life through men but must be complete on oneself as a woman of substance.”

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“For work, one must be hard and thrust outside of oneself what one has lived through.”

Käthe Kollwitz (1867–1945) German artist

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Other Quotes

“A painting is not a battle against other people, but against oneself.”

Bram van Velde (1895–1981) Dutch painter

1970's, Conversations with Samuel Beckett and Bram van Velde (1970 - 1972)

“To defend painting: One has to believe in what one is doing, one has to commit oneself inwardly, in order to do painting. Once obsessed, one ultimately carries it to the point of believing that one might change human beings through painting. But if one lacks this passionate commitment, there is nothing left to do. Then it is best to leave it alone. For basically painting is pure idiocy.”

Gerhard Richter (1932) German visual artist, born 1932

Source: undated quotes, The Daily Practice of Painting, Writings (1962-1993), p. 78

“The idea is to write it so that people hear it and it slides through the brain and goes straight to the heart.”

Maya Angelou (1928–2014) American author and poet

“To live is to be among men, and to be among men is to struggle, a struggle not only with them but with oneself; with their passions, but also with one's own.”

José Rizal (1861–1896) Filipino writer, ophthalmologist, polyglot and nationalist

Letter to his family, Dapitan (c. 1884)

“Professional standards, the standards of ambition and selfishness, are always sliding downward toward expense, ostentation, and mediocrity. They tend always to narrow the ground of judgment.”

Wendell Berry (1934) author

"The Responsibility of the Poet".
What Are People For? (1990)
Context: Professional standards, the standards of ambition and selfishness, are always sliding downward toward expense, ostentation, and mediocrity. They tend always to narrow the ground of judgment. But amateur standards, the standards of love, are always straining upward toward the humble and the best. They enlarge the ground of judgment. The context of love is the world.

“What is seen and called the picture is what remains – an evidence. Even as one travels in painting towards a state of 'unfreedom' where only certain things can happen, unaccountably the unknown and free must appear. Usually I am on a work for a long stretch, until a moment arrives when the air of the arbitrary vanished and the paint falls into positions that feel destined. The very matter of painting – its pigment and space – is so resistant to the will, so disinclined to assert its plane and remain still. Painting seems like impossibility, with only a sign now and then of its own light. Which must be because of the narrow passage from a diagramming to that other state – corporeality. In this sense, to paint is a possessing rather than a picturing.”

Phillip Guston (1913–1980) American artist

12 Americans, by Dorothy C.Miller, New York, 1956. p. 36
1950 - 1960

“Painting lives only through the slide towards the unknown in oneself.”

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