Quotes about sky
page 9

Dylan Thomas photo
Joanna Newsom photo
Shaw Neilson photo

“The young girl stood beside me. I
Saw not what her young eyes could see:
—A light, she said, not of the sky
Lives somewhere in the Orange Tree.”

Shaw Neilson (1872–1942) Early twentieth century Australian poet

Ballad and Lyrical Poems (1923), "The Orange Tree"

Charles Fort photo
David Bowie photo

“There's a starman waiting in the sky
He'd like to come and meet us,
But he thinks he'd blow our minds.”

David Bowie (1947–2016) British musician, actor, record producer and arranger

Starman
Song lyrics, The Rise and Fall of Ziggy Stardust and the Spiders from Mars (1972)

Peter Gabriel photo
Joan Miró photo

“The spectacle of the sky overwhelms me. I'm overwhelmed when I see, in an immense sky, the crescent of the moon, or the sun. There, in my pictures, tiny forms in huge empty spaces. Empty spaces, empty horizons, empty plains - everything which is bare has always greatly impressed me.”

Joan Miró (1893–1983) Catalan painter, sculptor, and ceramicist

from: English Wikipedia, Joan Miró, 1958, as quoted in Twentieth-Century Artists on Art, ed. Dore Ashton, 1986
1940 - 1960

Robert Olmstead photo
Tanith Lee photo
Georgia O'Keeffe photo

“Today I walked into the sunset — to mail some letters —... But some way or other I didn't seem to like the redness much so after I mailed the letters I walked home — and kept walking - The Eastern sky was all grey blue — bunches of clouds — different kinds of clouds — sticking around everywhere and the whole thing — lit up — first in one place — then in another with flashes of lightning — sometimes just sheet lightning — and some times sheet lightning with a sharp bright zigzag flashing across it -. I walked out past the last house — past the last locust tree — and sat on the fence for a long time — looking — just looking at — the lightning — you see there was nothing but sky and flat prairie land — land that seems more like the ocean than anything else I know — There was a wonderful moon. Well I just sat there and had a great time by myself — Not even many night noises — just the wind —... I wondered what you were doing - It is absurd the way I love this country — Then when I came back — it was funny — roads just shoot across blocks anywhere — all the houses looked alike — and I almost got lost — I had to laugh at myself — I couldn't tell which house was home - I am loving the plains more than ever it seems — and the SKY — Anita you have never seen SKY — it is wonderful”

Georgia O'Keeffe (1887–1986) American artist

Canyon, Texas (September 11, 1916), pp. 183-184
1915 - 1920, Letters to Anita Pollitzer' (1916)

Dorothy Wordsworth photo
Amir Khusrow photo
Nancy Peters photo
James A. Garfield photo
Robert Southey photo
Jennifer Beals photo
William Morris photo
Conor Oberst photo

“If all the sky was made of gold leaf, and the air was starred with fine silver, and treasure borne on all the winds, and every drop of sea-water was a florin, and it rained down, morning and evening, riches, goods, honours, jewels, money, till all the people were filled with it, and I stood there naked in such rain and wind, never a drop of it would fall on me.”

Eustache Deschamps (1346–1406) French poet

Se tout le ciel estoit de feuilles d'or,
Et li airs fust estellés d'argent fin,
Et tous les vens fussent pleins de tresor,
Et les gouttes fussent toutes florin
D'eaue de mer, et pleust soir et matin
Richesses, biens, honeurs, joiaux, argent,
Tant que rempli en fust toute la gent,
La terre aussi en fust mouillee toute,
Et fusse nu, – de tel pluie et tel vent
Ja sur mon cors n'en cherroit une goutte.
"Se tout le ciel estoit de feuilles d'or", line 1; text and translation from Brian Woledge (ed.) The Penguin Book of French Verse, 1: To the Fifteenth Century (Harmondsworth: Penguin, [1961] 1968) p. 236.

Letitia Elizabeth Landon photo

“The moon is darkened in the sky
As if grief 's shade were passing by;”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette, 1823

Samuel R. Delany photo
Stephen Baxter photo
Miguel de Unamuno photo
Max Beckmann photo
William Cullen Bryant photo

“Vainly the fowler's eye
Might mark thy distant flight to do thee wrong,
As, darkly painted on the crimson sky,
Thy figure floats along.”

William Cullen Bryant (1794–1878) American romantic poet and journalist

To a Waterfowl http://www.gutenberg.org/files/16341/16341-h/16341-h.htm#page20, st. 2 (1815)

Fritz Leiber photo

“Work and pray,
Live on hay.
You’ll get pie
In the sky
When you die—
It’s a lie!”

Fritz Leiber (1910–1992) American writer of fantasy, horror, and science fiction

“Bread Overhead” (p. 121); originally published in Galaxy Science Fiction, February 1958; alluding to the song The Preacher and the Slave.
Short Fiction, A Pail of Air (1964)

William Wordsworth photo

“A violet by a mossy stone
Half hidden from the eye;
Fair as a star, when only one
Is shining in the sky.”

William Wordsworth (1770–1850) English Romantic poet

She Dwelt Among the Untrodden Ways, st. ? (1799).
Bartlett's Familiar Quotations, 10th ed. (1919)

Daniel Handler photo
Samuel Taylor Coleridge photo

“Saints will aid if men will call:
For the blue sky bends over all!”

Part I, l. 330
Christabel (written 1797–1801, published 1816)

Ian McEwan photo
Rebecca Solnit photo
Letitia Elizabeth Landon photo
Gore Vidal photo
Heinrich Müller photo

“One should herd the entire intelligentsia into a mine and then blow it sky-high.”

Heinrich Müller (1900–1945) German police official and head of the Gestapo

Quoted in The Third Reich: A New History (2001) - Page 191

Yoshida Shoin photo
Dave Eggers photo
Alexander Pope photo

“Is it, in Heav'n, a crime to love too well?
To bear too tender, or too firm a heart,
To act a lover's or a Roman's part?
Is there no bright reversion in the sky,
For those who greatly think, or bravely die?”

Alexander Pope (1688–1744) eighteenth century English poet

Source: The Works of Mr. Alexander Pope (1717), Elegy to the Memory of an Unfortunate Lady, Line 6.

E. B. White photo

“On earth there are frontiers, in the sky there are none.”

Edmund Cooper (1926–1982) British writer

The cloud walker (1973)

Ann Coulter photo
Thomas Henry Huxley photo
John Heywood photo

“That muche is my bowe bent to shoote at these marks,
And kyll feare, when the sky falth we shall haue larks.”

John Heywood (1497–1580) English writer known for plays, poems and a collection of proverbs

That much is my bow bent to shoot at these marks,
And kill fear, when the sky falls we shall have larks.
Part I, chapter 4.
Proverbs (1546)

Wang Wei photo
Du Fu photo

“I'm empty, here at the edge of the sky.”

Du Fu (712–770) Chinese poet of the Tang Dynasty

"Poem on Night" (trans. Jan W. Walls), in Sunflower Splendor: Three Thousand Years of Chinese Poetry, eds. Wu-chi Liu and Irving Yucheng Lo (1975), p. 139

Bernard Cornwell photo
Robert Frost photo
Immortal Technique photo
Luther Burbank photo
Sheri-D Wilson photo
John Betjeman photo
Alfred Horsley Hinton photo

“The sky is as much an essential part of the picture as any other part of it, and indeed, in very many instances, constitutes the key-note and important feature of the whole idea.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Clouds. Their use, and practical instructions as to how to photography them, p. 92

Georgia O'Keeffe photo
Dejan Stojanovic photo

“There is another alphabet, whispering from every leaf, singing from every river, shimmering from every sky.”

Dejan Stojanovic (1959) poet, writer, and businessman

Forgotten Home http://www.poetrysoup.com/famous/poem/21398/Forgotten_Home
From the poems written in English

John Muir photo
Lajos Kassák photo

“the roads lay under us in white quilts
the telegraph-wires jerked tight and wrote
mantras on the sky”

"A ló meghal a madarak kirepülnek" ("The Horse Dies the Birds Fly Away"), 1922, translated by Edwin Morgan

Margaret Fuller photo
Joan Miró photo
Walt Whitman photo

“When lilacs last in the door-yard bloomed,
And the great star early drooped in the western sky in the night,
I mourned, and yet shall mourn with ever-returning spring.”

Walt Whitman (1819–1892) American poet, essayist and journalist

Memories of President Lincoln, 1
Bartlett's Familiar Quotations, 10th ed. (1919)

Winston S. Churchill photo
Tim Powers photo
D.H. Lawrence photo
William Carlos Williams photo
Samuel Taylor Coleridge photo
A.E. Housman photo
Andreas Schelfhout photo

“.. when the terrible storm and high flood of water raged most fearfully, I went to Schevelinge…. sea and sky seemed to be one [undivided] element; at the height where I stood - because the sea had already washed away dunes and stood up to the village – the view was horrible; the wailing of the inhabitants awful. - when arriving home, I immediately put a sketch of all this on paper - but that sketch represented so little of what I had seen on the spot itself…. [where] no part turned up itself of which I could make a sketch…. [so it] will be necessary for me to return to Scheveningen again and to outline those places where the water has raged most violently.. (translation from original Dutch: Fons Heijnsbroek)”

Andreas Schelfhout (1787–1870) Dutch painter, etcher and lithographer

(original Dutch, citaat van Schelfhout, uit zijn brief:) ..toen den verschrikkelijke storm en hogen watervloed allerverschrikkelijkst woede, begaf ik mij naar Schevelinge [=Scheveningen].. ..zee en lucht scheene een element te zijn; op de hoogte waar ik stond, want de zee had reeds duinen weggespoeld en stond tot aan het dorp, was het gezigt verschrikkelijk; het gejammer der bewoners akelig. - bij mijne thuiskomst heb ik echter dadelijk een schets daarvan op papier gebragt - doch die schets voldoet zo weinig, aan het geen men terplaatse zelve zag.. ..[waar] geen partij zig op deed waar van eigenlijk een tekening te maken was.. ..[dus] zal het nodig zijn dat ik [mij] nog een andere maal naar Scheveningen begeeft en die punten waar het water het meest gewoeld heeft afteschetsen..
Quote of Schelfhout in his letter to , 10 Feb. 1825; the original letter is in the collection of the Koninklijke Bibliotheek, Den Haag, inv. Nr: 133 C12, nr. 4

Khalil Gibran photo
Statius photo

“But no clouds in a red sky promised daylight's return, nor in lessening shadows did a long twilight gleam with reflected sun. Black night that no ray can pierce comes ever denser from earth, veiling the heavens.”
Sed nec puniceo rediturum nubila caelo promisere jubar, nec rarescentibus umbris longa repercusso nituere crepuscula Phoebo: densior a terris et nulli peruia flammae subtexit nox atra polos.

Source: Thebaid, Book I, Line 342

Nicole Krauss photo

“Franz Kafka is dead.He died in a tree from which he wouldn't come down. "Come down!" they cried to him. "Come down! Come down!" Silence filled the night, and the night filled the silence, while they waited for Kafka to speak. "I can't," he finally said, with a note of wistfulness. "Why?" they cried. Stars spilled across the black sky. "Because then you'll stop asking for me." The people whispered and nodded among themselves. […] They turned and started for home under the canopy of leaves. Children were carried on their fathers' shoulders, sleepy from having been taken to see who wrote his books on pieces of bark he tore off the tree from which he refused to come down. In his delicate, beautiful, illegible handwriting. And they admired those books, and they admired his will and stamina. After all: who doesn't wish to make a spectacle of his loneliness? One by one families broke off with a good night and a squeeze of the hands, suddenly grateful for the company of neighbors. Doors closed to warm houses. Candles were lit in windows. Far off, in his perch in the trees, Kafka listened to it all: the rustle of the clothes being dropped to the floor, or lips fluttering along naked shoulders, beds creaking along the weight of tenderness. That night a freezing wind blew in. When the children woke up, they went to the window and found the world encased in ice.”

Source: The History of Love (2005), P. 187

Marc Chagall photo

“Two or three o'clock in the morning. The sky is blue. Dawn is breaking. Down there, a little way off, they slaughtered cattle, cows bellowed, and I painted them. I used to sit up like that all night long. It's already a week since the studio was cleaned out. Frames, eggshells, empty two-sou soup tins lie about higgledy-piggledy... On the shelves, reproductions of El Greco and Cézanne lay next tot the remains of a herring I had cut in two, the head for the first day, the tail for the next, and Thank God, a few crusts of bread.”

Marc Chagall (1887–1985) French artist and painter

Quote in Marc Chagall - the Russian years 1906 – 1922, editor Christoph Vitali, exhibition catalogue, Schirn Kunsthalle Frankfurt, 1991, pp. 29-30
Chagall describes a morning in his studio in Paris, c. 1911, in 'La Ruche' an old factory where many artists as Soutine, Archipenko, Léger and Modigliani had their studio
1920's, My life (1922)

William H. Gass photo
Statius photo

“Beyond the cloud-wrapt chambers of western gloom and Aethiopia's other realm there stands a motionless grove, impenetrable by any star; beneath it the hollow recesses of a deep and rocky cave run far into a mountain, where the slow hand of Nature has set the halls of lazy Sleep and his untroubled dwelling. The threshold is guarded by shady Quiet and dull Forgetfulness and torpid Sloth with ever drowsy countenance. Ease, and Silence with folded wings sit mute in the forecourt and drive the blustering winds from the roof-top, and forbid the branches to sway, and take away their warblings from the birds. No roar of the sea is here, though all the shores be sounding, nor yet of the sky; the very torrent that runs down the deep valley nigh the cave is silent among the rocks and boulders; by its side are sable herds, and sheep reclining one and all upon the ground; the fresh buds wither, and a breath from the earth makes the grasses sink and fail. Within, glowing Mulciber had carved a thousand likenesses of the god: here wreathed Pleasure clings to his side, here Labour drooping to repose bears him company, here he shares a couch with Bacchus, there with Love, the child of Mars. Further within, in the secret places of the palace he lies with Death also, but that dread image is seen by none. These are but pictures: he himself beneath humid caverns rests upon coverlets heaped with slumbrous flowers, his garments reek, and the cushions are warm with his sluggish body, and above the bed a dark vapour rises from his breathing mouth. One hand holds up the locks that fall from his left temple, from the other drops his neglected horn.”
Stat super occiduae nebulosa cubilia Noctis Aethiopasque alios, nulli penetrabilis astro, lucus iners, subterque cavis graue rupibus antrum it uacuum in montem, qua desidis atria Somni securumque larem segnis Natura locavit. limen opaca Quies et pigra Oblivio servant et numquam vigili torpens Ignauia vultu. Otia vestibulo pressisque Silentia pennis muta sedent abiguntque truces a culmine ventos et ramos errare vetant et murmura demunt alitibus. non hic pelagi, licet omnia clament litora, non ullus caeli fragor; ipse profundis vallibus effugiens speluncae proximus amnis saxa inter scopulosque tacet: nigrantia circum armenta omne solo recubat pecus, et nova marcent germina, terrarumque inclinat spiritus herbas. mille intus simulacra dei caelaverat ardens Mulciber: hic haeret lateri redimita Voluptas, hic comes in requiem vergens Labor, est ubi Baccho, est ubi Martigenae socium puluinar Amori obtinet. interius tecti in penetralibus altis et cum Morte jacet, nullique ea tristis imago cernitur. hae species. ipse autem umentia subter antra soporifero stipatos flore tapetas incubat; exhalant vestes et corpore pigro strata calent, supraque torum niger efflat anhelo ore vapor; manus haec fusos a tempore laevo sustentat crines, haec cornu oblita remisit.

Source: Thebaid, Book X, Line 84 (tr. J. H. Mozley)

Letitia Elizabeth Landon photo
Vitruvius photo
Vincent Van Gogh photo

“I have [drawings of] about twelve figures of diggers and men who are working in a potato field, and I wonder if I could not make something of it, you have still a few, for instance, a man who fills a bag with potatoes. Well, I do not know for sure, but sooner or later I shall accomplish that, for I looked at it so attentively this summer, and here in the dunes I could make a good study of the earth and the sky, and then boldly put in the figures.”

Vincent Van Gogh (1853–1890) Dutch post-Impressionist painter (1853-1890)

Quote in letter 169, from The Hague, January, 1882; as cited in Vincent van Gogh, Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, catalog-page: Dutch Period: - 4. Potato Diggers
1880s, 1882

Iain Banks photo

“Well, he sighed to no one in particular, and looked up into yet another alien sky. Here we are again.”

Source: Culture series, Use of Weapons (1990), Chapter Six (p. 178).

Arthur Waley photo

“You that in far-off countries of the sky can dwell secure, look back upon me here; for I am weary of this frail world's decay.”

Arthur Waley (1889–1966) British academic

Source: Translations, The Tale of Genji (1925–1933), Ch. 40: 'The Law'

Michael Moorcock photo
George William Foote photo
Neil Gaiman photo
Letitia Elizabeth Landon photo
Honoré Daumier photo

“The swarm of ducks so darkens the sky that poor Europe does not know which way to go”

Honoré Daumier (1808–1879) French printmaker, caricaturist, painter, and sculptor

original French text: 'La nuée des canards obscurcissant tellement l'air que la pauvre Europe ne sait plus quel chemin prendre'
title/caption in Daumier's print; published in 'La Caricature', 1833-35; number 3601 in the catalogue raisonné by Loys Delteil, Le peintre-graveur illustré, Vol. 28 (New York: Da Capo Press, 1969); as quoted on samfoxschool http://samfoxschool.wustl.edu/node/11263#footnote-1-ref
The word 'canards' refers to physical ducks; it also means unfounded rumors or exaggerated stories. Ducks, symbolizing rumors was a visual motif Daumier used both before and after this print
1830's

Frances Ridley Havergal photo
Paul Simon photo
Dante Gabriel Rossetti photo
Peter Greenaway photo
Tanith Lee photo

“The sun in his golden chariot had driven almost to the last meadow of the sky.”

Source: Volkhavaar (1977), Chapter 1 (p. 9; opening line)

Salvador Dalí photo
Alfred P. Sloan photo

“In the spring of 1920, General Motors found itself, as it appeared at the moment, in a good position. On account of the limitation of automotive production during the war there was a great shortage of cars. Every car that could be produced was produced and could be sold at almost any price. So far as any one could see, there was no reason why that prosperity should not continue for a time at least. I liken our position then to a big ship in the ocean. We were sailing along at full speed, the sun was shining, and there was no cloud in the sky that would indicate an approaching storm. Many of you have, of course, crossed the ocean and you can visualize just that sort of a picture yet what happened? In September of that year, almost over night, values commenced to fall. The liquidation from the inflated prices resulting from the war had set in. Practically all schedules or a large part of them were cancelled. Inventory commenced to roll in, and, before it was realized what was happening, this great ship of ours was in the midst of a terrific storm. As a matter of fact, before control could be obtained General Motors found itself in a position of having to go to its bankers for loans aggregating $80,000,000 and although, as we look at things from today's standpoint, that isn't such a very large amount of money, yet when you must have $80,000,000 and haven't got it, it becomes an enormous sum of money, and if we had not had the confidence and support of the strongest banking interests our ship could never have weathered the storm.”

Alfred P. Sloan (1875–1966) American businessman

Source: Alfred P. Sloan in The Turning Wheel, 1934, p. 185-6; Retrospective vein President Alfred P. Sloan, Jr., addressing the automobile editors of American newspapers at the Proving Ground at Milford, Michigan in 1927.

Halldór Laxness photo
Poul Anderson photo