Quotes about skull

A collection of quotes on the topic of skull, likeness, doing, head.

Quotes about skull

George Orwell photo
William Golding photo

“I will tell you what man is. He is a freak, an ejected foetus robbed of his natural development, thrown out into the world with a naked covering of parchment, with too little room for his teeth and a soft bulging skull like a bubble. But nature stirs a pudding there…”

Source: Pincher Martin (1956), p. 190, as cited in [The World and the Book: A Study of Modern Fiction, Josipovici, Gabriel, w:Gabriel Josipovici, Stanford University Press, London, 0-8047-0797-9, 243, http://books.google.com.hk/books?id=LTSsAAAAIAAJ]

Nas photo
Sylvia Plath photo
Mark Twain photo
Sylvia Plath photo

“I feel occasionally my skull will crack, fatigue is continuous - I only go from less exhausted to more exhausted & back again.”

Sylvia Plath (1932–1963) American poet, novelist and short story writer

Source: The Unabridged Journals of Sylvia Plath

Mark Twain photo
Robert E. Howard photo
Karl Marx photo
H.P. Lovecraft photo
Nikos Kazantzakis photo

“If you are a man of learning, fight in the skull, kill ideas and create new ones.”

The Saviors of God (1923)
Context: If you are a man of learning, fight in the skull, kill ideas and create new ones. God hides in every idea as in every cell of flesh. Smash the idea, set him free! Give him another, a more spacious idea in which to dwell.

Jim Butcher photo
David Benioff photo
Wally Lamb photo
Rod Serling photo

“Every writer is a frustrated actor who recites his lines in the hidden auditorium of his skull.”

Rod Serling (1924–1975) American screenwriter

Rod Serling Vogue https://books.google.com/books?isbn=0313304300.
Other

Mark Millar photo
William Golding photo
Jim Butcher photo
Arthur Conan Doyle photo
Anne Sexton photo
Derek Landy photo
Suzanne Collins photo
Eoin Colfer photo
Franz Kafka photo
Grant Morrison photo

“The interior of our skulls contains a portal to infinity.”

Grant Morrison (1960) writer

Source: Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human

Eoin Colfer photo
James Frey photo

“Sometimes skulls are thick. Sometimes hearts are vacant. Sometimes words don't work.”

page 323
Source: A Million Little Pieces (2003)

Jim Butcher photo
Allen Ginsberg photo
Barbara Kingsolver photo

“Eyes can pierce a skull.”

The Lacuna

Rick Riordan photo

“Primroses; salutations; the miry skull
of a half-eaten ram; vicious wonds in earth
opening. What seraphs are afoot.”

Geoffrey Hill (1932–2016) English poet and professor

"A Pre-Raphaelite Notebook" 1-3, Tenebrae.
Poetry

Ingmar Bergman photo
Zbigniew Herbert photo
Margaret Atwood photo
Charles Darwin photo
Bob Dylan photo
Kazimir Malevich photo
Jordan Peterson photo

“We're adapted to the meta-reality, which means that we're adapted to that which remains constant across the longest spans of time. And that's not the same things that you see around you day to day. They're just like clouds, they're just evaporating, you know? There are things underneath that that are more fundamental realities, like the dominance hierarchy, like the tribe, like the danger outside of society, like the threat that other people pose to you, and the threat that you pose to yourself. Those are eternal realities, and we're adapted to those. That's our world, and that's why we express all those things in stories. Then you might say, well how do you adapt yourself to that world? The answer, and I believe this is a neurological answer, is that your brain can tell you when you're optimally situated between chaos and order. The way it tells you that is by producing the sense of engagement and meaning. Let's say that there's a place in the environment that you should be. So what should that place be? Well, you don't want to be terrified out of your skull. What good is that? And you don't want to be so comfortable that you might as well sleep. You want to be somewhere where you are kind of on firm ground with both of your feet, but you can take a step with one leg and test out new territory. Some of you who are exploratory and emotionally stable are going to go pretty far out there into the unexplored territory without destabilizing yourself. And some people are just going to put a toe in the chaos, and that's neuroticism basically - your sensitivity to threat that is calibrated differently in different people. And some people are more exploratory than others. That's extroversion and openness, and intelligence working together. Some people are going to tolerate more chaos in their mixture of chaos and order. Those are often liberals, by the way. They're more interested in novel chaos, and conservatives are more interested in the stabilization of the structures that already exist. Who's right? It depends on the situation. That's why liberals and conservatives have to talk to each other, because one of them isn't right and the other is wrong. Sometimes the liberals are right and sometimes the liberals are right, because the environment is unpredictable and constantly changing, so that's why you have to communicate. That's what a democracy does. It allows people of different temperamental types to communicate and to calibrate their societies. So let's say you're optimally balanced between chaos and order. What does that mean? Well, you're stable enough, but you're interested. A little novelty heightens your anxiety. It wakes you up a bit. That's the adventure part of it. But it also focuses the part of your brain that does exploratory activity, and that's associated with pleasure. That's the dopamine circuit. So if you're optimally balanced - and you know you're there if you're listening to an interesting conversation or you're engaged in one…you're saying some things that you know, and the other person is saying some things that they know - and what both of you know is changing. Music can model that. It provides you with multi-level predictable forms that can transform just the right amount. So music is a very representational art form. It says, 'this is what the universe is like.' There's a dancing element to it, repetitive, and then little variations that surprise you and produce excitement in you. In doesn't matter how nihilistic you are, music still infuses you with a sense of meaning because it models meaning. That's what it does. That's why we love it. And you can dance to it, which represents you putting yourself in harmony with these multiple layers of reality, and positioning yourself properly.”

Jordan Peterson (1962) Canadian clinical psychologist, cultural critic, and professor of psychology

"The selection pressure that women placed on men developed the entire species. There's two things that happened. The men competed for competence, since the male hierarchy is a mechanism that pushes the best men to the top. The effect of that is multiplied by the fact that women who are hypergamous peel from the top. And so the males who are the most competent are much more likely to leave offspring, which seems to have driven cortical expansion."
Concepts

Matthew Lewis (writer) photo
Aron Ra photo
Ayn Rand photo

“Police brutality: A myth built on a mountain of cracked skulls.”

Edward S. Herman (1925–2017) American journalist

Source: Beyond Hypocrisy, 1992, Doublespeak Dictionary (within Beyond Hypocrisy), p. 164.

Iain Banks photo

“It’s very nearly 1989 but it’s midnight in the Dark Ages just the thickness of a book away, the thickness of a skull away; just the turn of a page away.”

Iain Banks (1954–2013) Scottish writer

“Piece” (p. 74)
Short fiction, The State of the Art (1991)

Christopher Titus photo
Pat Condell photo
William James photo

“Let sanguine healthy-mindedness do its best with its strange power of living in the moment and ignoring and forgetting, still the evil background is really there to be thought of, and the skull will grin in at the banquet.”

William James (1842–1910) American philosopher, psychologist, and pragmatist

Lectures IV and V, "The Religion of Healthy-Mindedness"
1900s, The Varieties of Religious Experience (1902)

Jim Morrison photo
Clifford D. Simak photo
Nick Cave photo
Dominic Purcell photo
Fred Shero photo

“I swear I have never told a player to attack another player. In fact, I have told my players if they ever hear me saying something like this, they can break a stick over my skull. I ask only that they play aggressively.”

Fred Shero (1925–1990) Former ice hockey player and coach

HHOF Time Capsule - The 70s - Great Teams - Philadelphia Flyers - 1973-74 to 1975-76, Hockey Hall of Fame, 2009-05-27 http://www.hhof.com/html/t7gt04.shtml,

Robert Silverberg photo
Guru Arjan photo
Jozef Israëls photo

“But I have to tell you what I saw... I had entered a dark room [in the city Tunis], lit by a small, elongated horizontal window,.. The light cut sharply.... and drew itself on the stone floor... There behind the table was sitting the Jewish scribe with his arms forward, leaning on the parchment. He turned his lordly head in my direction... It was a beautiful head, delicate and translucent pale as alabaster, large and small wrinkles were lining along the small eyes and around the big curved hawk nose. A black cap covered the white skull and a low white-yellow beard lay in large tufts over the written parchment... two crutches lay slantingly on the floor beside him. How much I desired to get my sketchbook out.... but in front of the staring gaze of the scribe, I didn't find the courage to carry out my intention.”

Jozef Israëls (1824–1911) Dutch painter

translation from the original Dutch: Fons Heijnsbroek
version in original Dutch (citaat van de tekst van Jozef Israëls, in het Nederlands): Maar ik moet u vertellen wat ik zag.. Ik was een donkere ruimte binnengetreden, verlicht door een klein langwerpig horizontaal liggend raampje,.. .Scherp sneed het licht.. ..en tekende zich af op de stenen vloer.. .Daar zat achter de tafel de joodse wetschrijver met zijn armen voorover op het perkament geleund en draaide zijn vorstelijk hoofd naar mij toe;. ..Het was een prachtig hoofd, fijn en doorschijnend bleek als albast, rimpels, grote en kleine, liepen langs de kleine ogen en om de grote gekromde haviksneus. Een zwart kapje bedekte de witte schedel en een lage witgele baard lag in grote vlokken over het beschreven perkament.. ..twee krukken lagen naast hem schuin op de grond. Hoe gaarne had ik mijn schetsboek voor de dag gehaald,. ..maar voor de starende blik van de wetschrijver durfde ik mijn voornemen niet ten uitvoer te brengen.
Quote of Israëls from his text Spanje, een reisverhaal, publisher, Martinus Nijhoff, De Haag, 1899, p. unknown
Quotes of Jozef Israels, 1871 - 1900

Fredric Jameson photo

“Yes, sir. My battalion is famous for self-inflicted wounds and just to make sure I cracked my skull with a rifle butt as well and ran a bayonet into my groin.”

Arnold Ridley (1896–1984) Playwright, actor

On being asked by a doctor if the damage to his hand was self-inflicted.
Biography on Spartacus

Gregory Scott Paul photo

“Tyrannosaurus rex did not have 6-to-8-inch serrated teeth and an arc of D-cross-sectioned teeth set in a massive, powerful skull just to consume rotting carcasses! These were killing tools. In sharp contrast are the weak beaks and feet of vultures and condors- the only true living scavengers.”

Gregory Scott Paul (1954) U.S. researcher, author, paleontologist, and illustrator

Gregory S. Paul (1988) Predatory Dinosaurs of the World, Simon and Schuster, p. 33
Predatory Dinosaurs of the World

“So Dubya goes to war because god told him to. There's a woman down in Texas who bashed in her kid's skulls for the same reason.”

Ed Krebs (1951) American photographer and musician

Had Enough Religious Bullshit

William Gibson photo
Theodor Mommsen photo

“The czech skull is impervious to reason, but it is scuceptible to blows.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer
Lloyd deMause photo
Albert Einstein photo

“The contrasts and contradictions that can permanently live peacefully side by side in a skull make all the systems of political optimists and pessimists illusory.”

Albert Einstein (1879–1955) German-born physicist and founder of the theory of relativity

Ideas and Opinions
1950s, Essay to Leo Baeck (1953)

Charles Darwin photo
Alan Greenspan photo

“Treasury Secretary Brady didn't like the Fed either. He and the president were friends and had a lot in common-both were wealthy, Yale educated patricians and members of Skull and Bones.”

Alan Greenspan (1926) 13th Chairman of the Federal Reserve in the United States

Source: 2000s, The Age of Turbulence (2008), Chapter Five, "Black Monday", p. 119.

Mike Tyson photo

“When you see me smash somebody's skull, you enjoy it.”

Mike Tyson (1966) American boxer

http://www.boxing-monthly.co.uk/content/0008/three.htm
On his fans

Mel Brooks photo

“Tomás de Torquemada: It's better to lose your skullcap than your skull.”

Mel Brooks (1926) American director, writer, actor, and producer

History of the World, Part I

Robert E. Howard photo
Samuel Beckett photo
Dylan Thomas photo
Emily Brontë photo
Mickey Spillane photo
Bob Dylan photo

“Half-wracked prejudice leaped forth
"Rip down all hate," I screamed
Lies that life is black and white
Spoke from my skull.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, Another Side of Bob Dylan (1964), My Back Pages

Ahmad Sirhindi photo
G. K. Chesterton photo

“The first punch causes the brain to go to one side of the skull.”

Wong Shun Leung (1935–1997) martial artist

Wong Shun Leung
Wisdom Quotes
Variant: ..... when you punch the head the brain hits the side of the skull.

Nicholas Wade photo
Bill Engvall photo
Federico García Lorca photo

“But now he sleeps endlessly.
Now the moss and the grass
open with sure fingers
the flower of his skull.
And now his blood comes out singing;
singing along marshes and meadows,
slides on frozen horns,
faltering souls in the mist
stumbling over a thousand hoofs
like a long, dark, sad tongue,
to form a pool of agony
close to the starry Guadalquivir.
Oh, white wall of Spain!
Oh, black bull of sorrow!
Oh, hard blood of Ignacio!
Oh, nightingale of his veins!”

Pero ya duerme sin fin.
Ya los musgos y la hierba
abren con dedos seguros
la flor de su calavera.
Y su sangre ya viene cantando:
cantando por marismas y praderas,
resbalando por cuernos ateridos,
vacilando sin alma por la niebla,
tropezando con miles de pezuñas
como una larga, oscura, triste lengua,
para formar un charco de agonía
junto al Guadalquivir de las estrellas.
¡Oh blanco muro de España!
¡Oh negro toro de pena!
¡Oh sangre dura de Ignacio!
¡Oh ruiseñor de sus venas!
Llanto por Ignacio Sanchez Mejias (1935)

Julius Streicher photo

“Moreover I want to tell Dr. Süßheim -- who wants to portray every anti-Semite as a psychopath -- about his racial fellow Dr. Otto Weininger, who as an honest Jew wrote down his thoughts in the book "Sex and Character":
"Jewry seems to be somewhat anthropologically related to the Negroes and the Mongolians. To the Negro points the readily curling hair, to an admixture of Mongolian blood points the very Chinese or Malayan formed skull, that one finds so often among Jews, which matches the usually yellowish complexion … The fact that excellent men have almost always been anti-Semites (Tacitus, Pascal, Voltaire, Goethe, Kant, Jean Paul, Schopenhauer, Grillparzer, Richard Wagner) can be explained in the following way: they, who have so much more in their own nature than other men, can also better understand Jewry."”

Julius Streicher (1885–1946) German politician

Ferner möchte ich Herrn Dr. Süßheim, der jeden Antisemiten als Psychopathen hinstellen möchte, seinen Rassegenossen Dr. Otto Weininger nennen, der als ehrlicher Jude seine Gedanken in einem Buch "Geschlecht und Charakter" niedergeschrieben hat:
"Das Judentum scheint anthropologisch mit den Negern wie mit den Mongolen eine gewisse Verwandtschaft zu besitzen. Auf den Neger weisen die so gern sich ringelnden Haare, auf Beimischung von Mongolenblut die ganz chinesisch oder malaiisch geformten Gesichtsschädel, die man oft unter Juden antrifft, und denen regelmäßig gelbe Hautfärbung entspricht, hin … Daß hervorragende Menschen fast stets Antisemiten waren (Tacitus, Pascal, Voltaire, Goethe, Kant, Jean Paul, Schopenhauer, Grillparzer, Richard Wagner) geht eben darauf zurück, daß sie, die soviel mehr in sich haben als andere Menschen, auch das Judentum besser verstehen als diese."
12/9/1925, Streicher's pleading when sued because of ani-Semitic slurs; courthouse in Nuremberg ("Kampf dem Weltfeind", Stürmer publishing house, Nuremberg, 1938)

“Listen to me, skull!
Under your thin brittle boneplates
what black memories haunt you?
What do you want? What do you dream of? …
Is it your soul you think of,
flickering through frightful nights? …
Skull, I must have been raving mad
to smash you with my bare fist.
Scarlet blood thickens on my fingers,
plagues me to spew these rhymes, and still
my teeth want to tear you to pieces!
Like a raven I'll swallow even the sucked-out bones
to get a fresh taste of the past,
a drop from the torrent of months and years.”

Chế Lan Viên (1920–1989) Vietnamese writer

"Skull", in A Thousand Years of Vietnamese Poetry, ed. Nguyễn Ngọc Bích (Alfred A. Knopf, 1975), ISBN 978-0394494722, p. 166
Original in Vietnamese https://www.asymptotejournal.com/poetry/che-lan-vien-to-a-skull/vietnamese/, and an English translation by Hai-Dang Phan https://www.asymptotejournal.com/poetry/che-lan-vien-to-a-skull/, available at Asymptote.

Abdourahman A. Waberi photo

“Moisson de crânes ("Harvest of Skulls"), Serpent à plumes, Paris 2004”

Abdourahman A. Waberi (1965) Djiboutian writer

Works

“I did not spring, when I first entered Parliament, on November 15,1960, "fully armed, with a mighty shout" from a breach in Lester B. Pearson's skull. like the Pallas Athena from the head of Zeus.”

Judy LaMarsh (1924–1980) Canadian politician, writer, broadcaster and barrister.

Source: Memoirs Of A Bird In A Gilded Cage (1969), CHAPTER 1, In the beginning, p. 1

“Wong Shun Leung said that when you punch the head the brain hits the side of the skull. If the brain is against the side of the skull and a second hit follows, then damage and a knockout results because there is no cushioning possible. This is why Wing Chun has its rapid fire punches instead of the pull back approach.”

Wong Shun Leung (1935–1997) martial artist

Wong Shun Leung Comments on the Effect of a Punch
Punching
Source: Comments From Wong Shun Leung and Tsui Shan Ting, by Ray Van Raamsdonk http://www.springtimesong.com/wcqanda.htm