Quotes about sink

A collection of quotes on the topic of sink, likeness, use, life.

Quotes about sink

Charbel Makhlouf photo
Marilyn Manson photo
Leonard Cohen photo
Charles Bukowski photo
H.P. Lovecraft photo

“Who knows the end? What has risen may sink, and what has sunk may rise. Loathsomeness waits and dreams in the deep, and decay spreads over the tottering cities of men.”

H.P. Lovecraft (1890–1937) American author

Fiction, The Call of Cthulhu (1926)
Source: The Complete Works of H.P. Lovecraft

George Orwell photo
Nikola Tesla photo
René Guénon photo
George Orwell photo
George Orwell photo
Alfred, Lord Tennyson photo
Helena Roerich photo
George Orwell photo

“Before, he had fought against the money code, and yet he had clung to his wretched remnant of decency. But now it was precisely from decency that he wanted to escape. He wanted to go down, deep down, into some world where decency no longer mattered; to cut the strings of his self-respect, to submerge himself—to sink, as Rosemary had said. It was all bound up in his mind with the thought of being under ground.”

He liked to think of the lost people, the under-ground people: tramps, beggars, criminals, prostitutes. It is a good world that they inhabit, down there in their frowzy kips and spikes. He liked to think that beneath the world of money there is that great sluttish underworld where failure and success have no meaning; a sort of kingdom of ghosts where all are equal. That was where he wished to be, down in the ghost-kingdom, below ambition. It comforted him somehow to think of the smoke-dim slums of South London sprawling on and on, a huge graceless wilderness where you could lose yourself forever.
Source: Keep the Aspidistra Flying (1936), Ch. 10

George Orwell photo
Eckhart Tolle photo
Isaac Asimov photo

“When asked for advice by beginners. Know your ending, I say, or the river of your story may finally sink into the desert sands and never reach the sea.”

Isaac Asimov (1920–1992) American writer and professor of biochemistry at Boston University, known for his works of science fiction …

Source: I. Asimov

Ramana Maharshi photo
Douglas Adams photo
Marya Hornbacher photo
Friedrich Nietzsche photo
Marjorie Kinnan Rawlings photo
John Bunyan photo
Sarah Dessen photo
Margaret Atwood photo
Jean Paul Sartre photo
Paul Watson photo
Mark Twain photo

“Our discombobulated lives need to sink some anchors in numerical stability. (I still have not recovered from the rise of a pound of hamburger at the supermarket to more than a buck.)”

Stephen Jay Gould (1941–2002) American evolutionary biologist

"A Time to Laugh", p. 82; originally published as "A Happy Mystery to Ponder: Why So Many Homers?" in The Wall Street Journal (2001-10-10)
Triumph and Tragedy in Mudville (2003)

Ed Sheeran photo
Friedrich Schiller photo

“The dignity of mankind is in your hands; protect it!
It sinks with you! With you it will ascend.”

Friedrich Schiller (1759–1805) German poet, philosopher, historian, and playwright

Der Menscheit Würde ist in Eure Hand gegeben, bewahret Sie!
Sie sinkt mit euch! Mit euch wird sie sich heben!
Die Künstler (The Artists)
Variant translation: The dignity of mankind is in your hands, preserve it!

George Gordon Byron photo

“Better to sink beneath the shock
Than moulder piecemeal on the rock.”

Source: The Giaour (1813), Line 969.

Richard Henry Dana Jr. photo

“The past was real. The present, all about me, was unreal, unnatural, repellent. I saw the big ships lying in the stream… the home of hardship and hopelessness; the boats passing to and fro; the cries of the sailors at the capstan or falls; the peopled beach; the large hide houses, with their gangs of men; and the Kanakas interspersed everywhere. All, all were gone! Not a vestige to mark where one hide house stood. The oven, too, was gone. I searched for its site, and found, where I thought it should be, a few broken bricks and bits of mortar. I alone was left of all, and how strangely was I here! What changes to me! Where were they all? Why should I care for them — poor Kanakas and sailors, the refuse of civilization, the outlaws and the beachcombers of the Pacific! Time and death seemed to transfigure them. Doubtless nearly all were dead; but how had they died, and where? In hospitals, in fever climes, in dens of vice, or falling from the mast, or dropping exhausted from the wreck "When for a moment, like a drop of rain/He sinks into thy depths with bubbling groan/Without a grave, unknelled, uncoffined, and unknown." The lighthearted boys are now hardened middle-aged men, if the seas, rocks, fevers, and the deadlier enemies that beset a sailor's life on shore have spared them; and the then strong men have bowed themselves, and the earth or sea has covered them. How softening is the effect of time! It touches us through the affections. I almost feel as if I were lamenting the passing away of something loved and dear — the boats, the Kanakas, the hides, my old shipmates! Death, change, distance, lend them a character which makes them quite another thing.”

Richard Henry Dana Jr. (1815–1882) United States author and lawyer

Twenty-Four Years After (1869)

Herman Melville photo
H.P. Lovecraft photo

“In infancy I was afraid of the dark, which I peopled with all sorts of things; but my grandfather cured me of that by daring me to walk through certain dark parts of the house when I was 3 or 4 years old. After that, dark places held a certain fascination for me. But it is in dreams that I have known the real clutch of stark, hideous, maddening, paralysing fear. My infant nightmares were classics, & in them there is not an abyss of agonising cosmic horror that I have not explored. I don't have such dreams now—but the memory of them will never leave me. It is undoubtedly from them that the darkest & most gruesome side of my fictional imagination is derived. At the ages of 3, 4, 5, 6, 7, & 8 I have been whirled through formless abysses of infinite night and adumbrated horrors as black & as seethingly sinister as any of our friend Fafhrd's [a nickname Lovecraft used for Fritz Leiber] "splatter-stencil" triumphs. That's why I appreciate such triumphs so keenly, I have seen these things! Many a time I have awaked in shrieks of panic, & have fought desperately to keep from sinking back into sleep & its unutterable horrors. At the age of six my dreams became peopled with a race of lean, faceless, rubbery, winged things to which I applied the home-made name of night-gaunts. Night after night they would appear in exactly the same form—& the terror they brought was beyond any verbal description. Long decades later I embodied them in one of my Fungi from Yuggoth pseudo-sonnets, which you may have read. Well—after I was 8 all these things abated, perhaps because of the scientific habit of mind which I was acquiring (or trying to acquire). I ceased to believe in religion or any other form of the supernatural, & the new logic gradually reached my subconscious imagination. Still, occasional nightmares brought recurrent touches of the ancient fear—& as late as 1919 I had some that I could use in fiction without much change. The Statement of Randolph Carter is a literal dream transcript. Now, in the sere & yellow leaf (I shall be 47 in August), I seem to be rather deserted by stark horror. I have nightmares only 2 or 3 times a year, & of these none even approaches those of my youth in soul-shattering, phobic monstrousness. It is fully a decade & more since I have known fear in its most stupefying & hideous form. And yet, so strong is the impress of the past, I shall never cease to be fascinated by fear as a subject for aesthetic treatment. Along with the element of cosmic mystery & outsideness, it will always interest me more than anything else. It is, in a way, amusing that one of my chief interests should be an emotion whose poignant extremes I have never known in waking life!”

H.P. Lovecraft (1890–1937) American author

Letter to Harry O. Fischer (late February 1937), in Selected Letters V, 1934-1937 edited by August Derleth and Donald Wandrei, pp. 416-417
Non-Fiction, Letters

Hayao Miyazaki photo
Henri Barbusse photo
Albert Schweitzer photo
Abraham Lincoln photo

“I mean the powerful influence which the interesting scenes of the Revolution had upon the passions of the people as distinguished from their judgment. By this influence, the jealousy, envy, and avarice incident to our nature and so common to a state of peace, prosperity, and conscious strength, were for the time in a great measure smothered and rendered inactive, while the deep-rooted principles of hate, and the powerful motive of revenge, instead of being turned against each other, were directed exclusively against the British nation. And thus, from the force of circumstances, the basest principles of our nature, were either made to lie dormant, or to become the active agents in the advancement of the noblest cause — that of establishing and maintaining civil and religious liberty. But this state of feeling must fade, is fading, has faded, with the circumstances that produced it. I do not mean to say that the scenes of the Revolution are now or ever will be entirely forgotten, but that, like everything else, they must fade upon the memory of the world, and grow more and more dim by the lapse of time. In history, we hope, they will be read of, and recounted, so long as the Bible shall be read; but even granting that they will, their influence cannot be what it heretofore has been. Even then they cannot be so universally known nor so vividly felt as they were by the generation just gone to rest. At the close of that struggle, nearly every adult male had been a participator in some of its scenes. The consequence was that of those scenes, in the form of a husband, a father, a son, or a brother, a living history was to be found in every family — a history bearing the indubitable testimonies of its own authenticity, in the limbs mangled, in the scars of wounds received, in the midst of the very scenes related — a history, too, that could be read and understood alike by all, the wise and the ignorant, the learned and the unlearned. But those histories are gone. They can be read no more forever. They were a fortress of strength; but what invading foeman could never do, the silent artillery of time has done — the leveling of its walls. They are gone. They were a forest of giant oaks; but the all-restless hurricane has swept over them, and left only here and there a lonely trunk, despoiled of its verdure, shorn of its foliage, unshading and unshaded, to murmur in a few more gentle breezes, and to combat with its mutilated limbs a few more ruder storms, then to sink and be no more. They were pillars of the temple of liberty; and now that they have crumbled away that temple must fall unless we, their descendants, supply their places with other pillars, hewn from the solid quarry of sober reason.”

Abraham Lincoln (1809–1865) 16th President of the United States

1830s, The Lyceum Address (1838)

Albert Schweitzer photo

“Most men are scantily nourished on a modicum of happiness and a number of empty thoughts which life lays on their plates. They are kept in the road of life through stern necessity by elemental duties which they cannot avoid.
Again and again their will-to-live becomes, as it were, intoxicated: spring sunshine, opening flowers, moving clouds, waving fields of grain — all affect it. The manifold will-to-live, which is known to us in the splendid phenomena in which it clothes itself, grasps at their personal wills. They would fain join their shouts to the mighty symphony which is proceeding all around them. The world seem beauteous…but the intoxication passes. Dreadful discords only allow them to hear a confused noise, as before, where they had thought to catch the strains of glorious music. The beauty of nature is obscured by the suffering which they discover in every direction. And now they see again that they are driven about like shipwrecked persons on the waste of ocean, only that the boat is at one moment lifted high on the crest of the waves and a moment later sinks deep into the trough; and that now sunshine and now darkening clouds lie on the surface of the water.
And now they would fain persuade themselves that land lies on the horizon toward which they are driven. Their will-to-live befools their intellect so that it makes efforts to see the world as it would like to see it. It forces this intellect to show them a map which lends support to their hope of land. Once again they essay to reach the shore, until finally their arms sink exhausted for the last time and their eyes rove desperately from wave to wave. …
Thus it is with the will-to-live when it is unreflective.
But is there no way out of this dilemma? Must we either drift aimlessly through lack of reflection or sink in pessimism as the result of reflection? No. We must indeed attempt the limitless ocean, but we may set our sails and steer a determined course.”

Albert Schweitzer (1875–1965) French-German physician, theologian, musician and philosopher

Source: The Spiritual Life (1947), p. 256

James Macpherson photo
Henri Barbusse photo
Amy Carmichael photo

“Give me the love that leads the way,
The faith that nothing can dismay,
The hope no disappointments tire,
The passion that will burn like fire;
Let me not sink to be a clod:
Make me Thy fuel, Flame of God”

Amy Carmichael (1867–1951) Missionary in India

From The Collected Poems of Amy Carmichael, CLC, Fort Washington, USA 1999, ISBN 0-87508-790-6.

Friedrich Nietzsche photo
Friedrich Nietzsche photo

“Greek tragedy met her death in a different way from all the older sister arts: she died tragically by her own hand, after irresolvable conflicts, while the others died happy and peaceful at an advanced age. If a painless death, leaving behind beautiful progeny, is the sign of a happy natural state, then the endings of the other arts show us the example of just such a happy natural state: they sink slowly, and with their dying eyes they behold their fairer offspring, who lift up their heads in bold impatience. The death of Greek tragedy, on the other hand, left a great void whose effects were felt profoundly, far and wide; as once Greek sailors in Tiberius' time heard the distressing cry 'the god Pan is dead' issuing from a lonely island, now, throughout the Hellenic world, this cry resounded like an agonized lament: 'Tragedy is dead! Poetry itself died with it! Away, away with you, puny, stunted imitators! Away with you to Hades, and eat your fill of the old masters' crumbs!”

Mit dem Tode der griechischen Tragödie dagegen entstand eine ungeheure, überall tief empfundene Leere; wie einmal griechische Schiffer zu Zeiten des Tiberius an einem einsamen Eiland den erschütternden Schrei hörten "der grosse Pan ist todt": so klang es jetzt wie ein schmerzlicher Klageton durch die hellenische Welt: "die Tragödie ist todt! Die Poesie selbst ist mit ihr verloren gegangen! Fort, fort mit euch verkümmerten, abgemagerten Epigonen! Fort in den Hades, damit ihr euch dort an den Brosamen der vormaligen Meister einmal satt essen könnt!"
Source: The Birth of Tragedy (1872), p. 54

Benjamin Disraeli photo

“The divine right of kings may have been a plea for feeble tyrants; but the divine right of government is the keystone of human progress, and without it governments sink into police, and a nation is degraded into a mob.”

Benjamin Disraeli (1804–1881) British Conservative politician, writer, aristocrat and Prime Minister

Preface.
Books, Coningsby (1844), Lothair (1870)

Camille Paglia photo

“When women cut themselves off from men, they sink backward into psychological and spiritual stagnancy.”

Camille Paglia (1947) American writer

Source: Sex, Art and American Culture : New Essays (1992), p. 24

Socrates photo
Novalis photo

“Wilhelm Meister's Apprenticeship may be called throughout prosaic and modern. The Romantic sinks to ruin, the Poesy of Nature, the Wonderful. The Book treats merely of common worldly things: Nature and Mysticism are altogether forgotten. It is a poetised civic and household History; the Marvellous is expressly treated therein as imagination and enthusiasm. Artistic Atheism is the spirit of the Book. … It is properly a Candide, directed against Poetry: the Book is highly unpoetical in respect of spirit, poetical as the dress and body of it are.”

Novalis (1772–1801) German poet and writer

Ralph Waldo Emerson in "Goethe; or, the Writer" writes of this passage, and quotes a slightly different translation: The ardent and holy Novalis characterized the book as "thoroughly modern and prosaic; the romantic is completely levelled in it; so is the poetry of nature; the wonderful. The book treats only of the ordinary affairs of men: it is a poeticized civic and domestic story. The wonderful in it is expressly treated as fiction and enthusiastic dreaming:" — and yet, what is also characteristic, Novalis soon returned to this book, and it remained his favorite reading to the end of his life.
Novalis (1829)

Stephen King photo
Benjamin Disraeli photo
Thomas Hardy photo

“I seem but a dead man held on end
To sink down soon…. O you could not know
That such swift fleeing
No soul foreseeing —
Not even I — would undo me so!”

Thomas Hardy (1840–1928) English novelist and poet

" The Going http://www.poetryconnection.net/poets/Thomas_Hardy/2716" (1912), lines 38-42, from Satires of Circumstance (1914)

Cassandra Clare photo
Lady Gaga photo

“I've learned love is like a brick, you can build a house or sink a dead body.”

Lady Gaga (1986) American singer, songwriter, and actress

Lyrics, Judas.

Joan Baez photo

“Bangladesh, Bangladesh
When the sun sinks in the west
Die a million people of the Bangladesh”

Joan Baez (1941) American singer

Joan Baez, in the Song for Bangladesh (1971)

Victoria Woodhull photo
Virginia Woolf photo
Theodore Roosevelt photo

“If we lose the virile, manly qualities, and sink into a nation of mere hucksters, putting gain over national honor, and subordinating everything to mere ease of life, then we shall indeed reach a condition worse than that of the ancient civilizations in the years of their decay.”

Theodore Roosevelt (1858–1919) American politician, 26th president of the United States

"The Law of Civilization and Decay", The Forum (January 1897), reprinted in American Ideals (1926), vol. 13 of The Works of Theodore Roosevelt, national ed., chapter 15, pp. 259–60
1890s

Arthur Miller photo
Steven Weinberg photo
Joseph Goebbels photo
Eugene O'Neill photo
Peter Ustinov photo

“I'd rather be buried at sea than on the shore when I come to die. Will you stand by the plank, mates, so I can shake a friendly hand before I sink?”

Peter Ustinov (1921–2004) English actor, writer, and dramatist

Billy Budd
Billy Budd (1962)

Leonardo DiCaprio photo
Mao Zedong photo

“Maybe you're afraid of sinking. Don't think about it. If you don't think about it, you won't sink. If you do, you will.”

Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China

Swimming advice to physician Zhisui Li (1966), quoted in The TIME 100 (13 April 1998) http://www.time.com/time/time100/leaders/profile/mao.html

John Locke photo
Lucretius photo

“What once sprung from earth sinks back into the earth.”
Cedit item retro, de terra quod fuit ante, in terras.

Lucretius (-94–-55 BC) Roman poet and philosopher

Book II, lines 999–1000 (tr. Bailey)
De Rerum Natura (On the Nature of Things)

H.L. Mencken photo

“What should be a civilized man's attitude toward such superstitions? It seems to me that the only attitude possible to him is one of contempt. If he admits that they have any intellectual dignity whatever, he admits that he himself has none. If he pretends to a respect for those who believe in them, he pretends falsely, and sinks almost to their level. When he is challenged he must answer honestly, regardless of tender feelings.”

H.L. Mencken (1880–1956) American journalist and writer

"Aftermath" in the Baltimore Evening Sun http://www.positiveatheism.org/hist/menck05.htm#SCOPESD (14 September 1925)
1920s
Context: Once more, alas, I find myself unable to follow the best Liberal thought. What the World's contention amounts to, at bottom, is simply the doctrine that a man engaged in combat with superstition should be very polite to superstition. This, I fear, is nonsense. The way to deal with superstition is not to be polite to it, but to tackle it with all arms, and so rout it, cripple it, and make it forever infamous and ridiculous. Is it, perchance, cherished by persons who should know better? Then their folly should be brought out into the light of day, and exhibited there in all its hideousness until they flee from it, hiding their heads in shame.
True enough, even a superstitious man has certain inalienable rights. He has a right to harbor and indulge his imbecilities as long as he pleases, provided only he does not try to inflict them upon other men by force. He has a right to argue for them as eloquently as he can, in season and out of season. He has a right to teach them to his children. But certainly he has no right to be protected against the free criticism of those who do not hold them.... They are free to shoot back. But they can't disarm their enemy.
The meaning of religious freedom, I fear, is sometimes greatly misapprehended. It is taken to be a sort of immunity, not merely from governmental control but also from public opinion. A dunderhead gets himself a long-tailed coat, rises behind the sacred desk, and emits such bilge as would gag a Hottentot. Is it to pass unchallenged? If so, then what we have is not religious freedom at all, but the most intolerable and outrageous variety of religious despotism. Any fool, once he is admitted to holy orders, becomes infallible. Any half-wit, by the simple device of ascribing his delusions to revelation, takes on an authority that is denied to all the rest of us.... What should be a civilized man's attitude toward such superstitions? It seems to me that the only attitude possible to him is one of contempt. If he admits that they have any intellectual dignity whatever, he admits that he himself has none. If he pretends to a respect for those who believe in them, he pretends falsely, and sinks almost to their level. When he is challenged he must answer honestly, regardless of tender feelings.

Emile Zola photo

“We have before us the ignoble spectacle of men who are sunken in debts and crimes being hailed as innocent, whereas the honor of a man whose life is spotless is being vilely attacked: A society that sinks to that level has fallen into decay.”

J'accuse! (1898)
Context: It came down, once again, to the General Staff protecting itself, not wanting to admit its crime, an abomination that has been growing by the minute.
In disbelief, people wondered who Commander Esterhazy's protectors were. First of all, behind the scenes, Lt. Colonel du Paty de Clam was the one who had concocted the whole story, who kept it going, tipping his hand with his outrageous methods. Next General de Boisdeffre, then General Gonse, and finally, General Billot himself were all pulled into the effort to get the Major acquitted, for acknowledging Dreyfus's innocence would make the War Office collapse under the weight of public contempt. And the astounding outcome of this appalling situation was that the one decent man involved, Lt. Colonel Picquart who, alone, had done his duty, was to become the victim, the one who got ridiculed and punished. O justice, what horrible despair grips our hearts? It was even claimed that he himself was the forger, that he had fabricated the letter-telegram in order to destroy Esterhazy. But, good God, why? To what end? Find me a motive. Was he, too, being paid off by the Jews? The best part of it is that Picquart was himself an anti-Semite. Yes! We have before us the ignoble spectacle of men who are sunken in debts and crimes being hailed as innocent, whereas the honor of a man whose life is spotless is being vilely attacked: A society that sinks to that level has fallen into decay.

Eckhart Tolle photo
Eileen Chang photo
Tom Robbins photo
Anne Lamott photo

“Sometimes grace works like water wings when you feel you are sinking.”

Anne Lamott (1954) Novelist, essayist, memoirist, activist

Source: Grace (Eventually): Thoughts on Faith

Annie Dillard photo
Anne Sexton photo

“All day I've built
a lifetime and now
the sun sinks to
undo it.”

Anne Sexton (1928–1974) poet from the United States

Source: The Complete Poems

John Keats photo
Anthony Trollope photo
Ayn Rand photo
Elizabeth Wurtzel photo
Richard Brautigan photo

“I write this sitting in the kitchen sink.”

Source: I Capture the Castle

Richard Siken photo
Sebastian Junger photo

“How do men act on a sinking ship? Do they hold each other? Do they pass around the whisky? Do they cry?”

Sebastian Junger (1962) American author, journalist and documentarian

Source: The Perfect Storm: A True Story of Men Against the Sea

Anaïs Nin photo
Bob Dylan photo

“Then you better start swimmin’ or you’ll sink like a stone
For the times they are a-changin’.”

Bob Dylan (1941) American singer-songwriter, musician, author, and artist

Song lyrics, The Times They Are A-Changin' (1964), The Times They Are A-Changin'
Context: Come gather ’round people
Wherever you roam
And admit that the waters
Around you have grown.
And accept it that soon
You’ll be drenched to the bone.
If your time to you is worth savin’
Then you better start swimmin’ or you’ll sink like a stone
For the times they are a-changin’.

Antonin Artaud photo

“Without sarcasm I sink into chaos.”

Antonin Artaud (1896–1948) French-Occitanian poet, playwright, actor and theatre director
Frank Herbert photo
Haruki Murakami photo
Donna Tartt photo
Chinua Achebe photo
Sarah Dessen photo

“I experienced that sinking feeling you get when you know you have conned yourself into doing something difficult and there's no going back.”

Robyn Davidson (1950) Australian writer

Source: Tracks: A Woman's Solo Trek Across 1700 Miles of Australian Outback

John Steinbeck photo
Holly Black photo

“It's starting to sink in," Corny said. "I can almost look at you without wanting to bang my head against the wall.”

Holly Black (1971) American children's fiction writer

Source: Tithe

Steve Martin photo