Quotes about shadow
page 7

Letitia Elizabeth Landon photo
Hans Arp photo

“the streams buck like rams in a tent
whips crack and from the hills come the crookedly combed
shadows of the shepherds.
black eggs and fools' bells fall from the trees.
thunder drums and kettledrums beat upon the ears of the donkeys.
wings brush against flowers.
fountains spring up in the eyes of the wild boar.”

Hans Arp (1886–1966) Alsatian, sculptor, painter, poet and abstract artist

Dada poetry lines from his poem 'Der Vogel Selbdritt', Jean / Hans Arp - first published in 1920; as quoted in Gesammelte Gedichte I (transl. Herbert Read), p. 41
1910-20s

George W. Bush photo

“You have lifted a shadow of fear for many families. God bless you and may God bless the victims.”

George W. Bush (1946) 43rd President of the United States

Air Force One phone call https://web.archive.org/save/http://www.berkeleydailyplanet.com/issue/2002-10-25/article/15626?headline=Bush-praises-law-community-for-capturing-sniper-suspects--By-Ron-Fournier- to Charles A. Moose (24 October 2002), as quoted in "Bush Praises Law Community For Capturing Sniper Suspects" (25 October 2002), by Ron Fournier, Berkeley Daily Planet.
2000s, 2002

George Hendrik Breitner photo

“Hartenstraat - 1 o'clock in the afternoon - the flags throw shadow on the houses”

George Hendrik Breitner (1857–1923) Dutch painter and photographer

1890 - 1900

“Even as the light that shifts and plays upon a lake, when Cynthia looks forth from heaven or the bright wheel of Phoebus in mid course passes by, so doth he shed a gleam upon the waters; he heeds not the shadow of the Nymph or her hair or the sound of her as she rises to embrace him. Greedily casting her arms about him, as he calls, alack! too late for help and utters the name of his mighty friend, she draws him down; for her strength is aided by his falling weight.”
Stagna vaga sic luce micant ubi Cynthia caelo prospicit aut medii transit rota candida Phoebi, tale iubar diffundit aquis: nil umbra comaeque turbavitque sonus surgentis ad oscula nymphae. illa avidas iniecta manus heu sera cientem auxilia et magni referentem nomen amici detrahit, adiutae prono nam pondere vires.

Source: Argonautica, Book III, Lines 558–564

Robert Owen photo
A. C. Gibbs photo

“Allow me to congratulate you, and, through you, the people of Oregon, that peace and prosperity surround us. The prospects for Oregon were never more promising, save the shadows from the fires of secession which are blazing around our childhood homes. Though we have had a winter of unprecedented severity and devastating floods, no traitorous hand has been raised to tear down our national flag and subvert our beloved institutions.”

A. C. Gibbs (1825–1886) American politician

A. C. Gibbs (September 1862) " Governor A. C. Gibbs Inaugural Address, 1862 http://records.sos.state.or.us/ORSOSWebDrawer/Recordpdf/6777833", Oregon State Archives, Oregon Secretary of State, Source: Journals. Local Laws Oregon., 1862, Appendix, Special Message, Page 58.

Frank Lloyd Wright photo

“The-Shadow-of-the-Wall–Primitive Instincts Still Alive”

Frank Lloyd Wright (1867–1959) American architect (1867-1959)

The Living City (1958)

Robert E. Howard photo
Samuel Rutherford photo
George Steiner photo
Edouard Manet photo
Ernst Kaltenbrunner photo

“Among the spiritual forces secretly working in the camp of Germany's enemies and their allies in this war, as in the last, stands Freemasonry, the danger of whose activities has been repeatedly stressed by the Fuehrer in his speeches. The present brochure, now made available to the German and European peoples in a 3rd edition, is intended to shed light on this enemy working in the shadows. Though an end has been put to the activities of Masonic organizations in most European countries, particular attention must still be paid to Freemasonry, and most particularly to its membership, as the implements of the political will of a supra-governmental power. The events of the summer of 1943 in Italy demonstrate once again the latent danger always represented by individual Freemasons, even after the destruction of their Masonic organizations. Although Freemasonry was prohibited in Italy as early as 1925, it has retained significant political influence in Italy through its membership, and has continued to exert that influence in secrecy. Freemasons thus stood in the first ranks of the Italian traitors who believed themselves capable of dealing Fascism a death blow at a critical juncture, shamelessly betraying the Italian nation. The intended object of the 3rd printing of this brochure is to provide a clearer knowledge of the danger of Masonic corruption, and to keep the will to self-defence alive.”

Ernst Kaltenbrunner (1903–1946) Austrian-born senior official of Nazi Germany executed for war crimes

Foreword in "Freemasonry: Ideology, Organization, and Policy," first published in 1944.

Alex Jones photo

“I grew up in Dallas, Texas, drinking sodium fluoridated water. All the scientific studies show my IQ has been reduced by at least 20 points. The shadow of who I would have been calls out from the grave.”

Alex Jones (1974) American radio host, author, conspiracy theorist and filmmaker

Question Your Reality https://www.youtube.com/watch?v=eCnXCt4-iYw, 11 February 2008.
2008

Winston S. Churchill photo
Luciano Berio photo

“Alas, this industrialized twelve-tone horse, dull on the outside and empty inside, constantly being perfected and dragged to a new Troy in shadow of an ideological war long since fought and won by responsible minds like Schoenberg, with neither systems nor scholarship for armor!”

Luciano Berio (1925–2003) Italian composer

"The Composer on His Work : Meditation on a Twelve-Tone Horse", in Classic Essays on Twentieth-Century Music : A Continuing Symposium (1996) edited by Richard Kostelanetz and Joseph Darby

Tom Petty photo
Michael von Faulhaber photo
Langston Hughes photo

“Love is a naked shadow
On a gnarled and naked tree.”

Langston Hughes (1902–1967) American writer and social activist

"Song for a Dark Girl" (l. 11-12), from Fine Clothes to the Jew (1927)

Edwin Arnold photo
Sri Aurobindo photo

“What the Divine wants is for man to embody Him here, in the individual and in the collectivity… to realise God in life. The old system of yoga could not harmonise or unify Spirit and life; it dismissed the world as Maya or a transient play of God. The result has been a diminution of life-power and the decline of India. The Gita says, utsideyur ime loka na kuryam karma cedaham ["These peoples would crumble to pieces if I did not do actions," 3.24]. Truly 'these peoples' of India have gone to ruin. What kind of spiritual perfection is it if a few Sannyasins, Bairagis and Saddhus attain realisation and liberation, if a few Bhaktas dance in a frenzy of love, god-intoxication and Ananda, and an entire race, devoid of life, devoid of intelligence, sinks to the depths of extreme tamas?… But now the time has come to take hold of the substance instead of extending the shadow. We have to awaken the true soul of India and in its image fashion all works…. I believe that the main cause of India's weakness is not subjection, nor poverty, nor a lack of spirituality or Dharma, but a diminution of thought-power, the spread of ignorance in the motherland of Knowledge. Everywhere I see an inability or unwillingness to think… incapacity of thought or 'thought-phobia'…. The mediaeval period was a night, a time of victory for the man of ignorance; the modern world is a time of victory for the man of knowledge. It is the one who can fathom and learn the truth of the world by thinking more, searching more, labouring more, who will gain more Shakti. Look at Europe, and you will see two things: a wide limitless sea of thought and the play of a huge and rapid, yet disciplined force. The whole Shakti of Europe lies there. It is by virtue of this Shakti that she has been able to swallow the world, like our Tapaswins of old, whose might held even the gods of the universe in awe, suspense and subjection. People say that Europe is rushing into the jaws of destruction. I do not think so. All these revolutions, all these upsettings are the initial stages of a new creation….. We, however, are not worshippers of Shakti; we are worshippers of the easy way…. Our civilisation has become ossified, our Dharma a bigotry of externals, our spirituality a faint glimmer of light or a momentary wave of intoxication. So long as this state of things lasts, any permanent resurgence of India is impossible…. We have abandoned the sadhana of Shakti and so the Shakti has abandoned us…. You say what is needed is emotional excitement, to fill the country with enthusiasm. We did all that in the political field during the Swadeshi period; but all we did now lies in the dust…. Therefore I no longer wish to make emotional excitement, feeling and mental enthusiasm the base. I want to make a vast and heroic equality the foundation of my yoga; in all the activities of the being, of the adhar [vessel] based on that equality, I want a complete, firm and unshakable Shakti; over that ocean of Shakti I want the vast radiation of the sun of Knowledge and in that luminous vastness an established ecstasy of infinite love and bliss and oneness. I do not want tens of thousands of disciples; it will be enough if I can get as instruments of God a hundred complete men free from petty egoism. I have no faith in the customary trade of guru. I do not want to be a guru. What I want is that a few, awakened at my touch or at that of another, will manifest from within their sleeping divinity and realise the divine life. It is such men who will raise this country.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

April, 1920, Letter to Barin Ghose, Sri Aurobindo's brother, Translated from Bengali
India's Rebirth

Winston S. Churchill photo

“The object of presenting medals, stars, and ribbons is to give pride and pleasure to those who have deserved them. At the same time a distinction is something which everybody does not possess. If all have it it is of less value … A medal glitters, but it also casts a shadow.”

Speech in the House of Commons, March 22, 1944 "War Decorations" http://hansard.millbanksystems.com/commons/1944/mar/22/war-decorations-and-medals#column_872.
The Second World War (1939–1945)

Jane Yolen photo
George Eliot photo
George Chapman photo
Camille Paglia photo
Horace photo

“We are but dust and shadow.”
Pulvis et umbra sumus.

Horace book Odes

Book IV, ode vii, line 16
Odes (c. 23 BC and 13 BC)

Christiaan Huygens photo
Robert E. Howard photo
W.E.B. Du Bois photo
Edouard Manet photo
Franklin Pierce photo

“Do we not all know that the cause of our casualties is the vicious intermeddling of too many of the citizens of the Northern States with the constitutional rights of the Southern States, cooperating with the discontents of the people of those states? Do we not know that the disregard of the Constitution, and of the security that it affords to the rights of States and of individuals, has been the cause of the calamity which our country is called to undergo? And now, war! war, in its direst shape — war, such as it makes the blood run cold to read of in the history of other nations and of other times — war, on a scale of a million of men in arms — war, horrid as that of barbaric ages, rages in several of the States of the Union, as its more immediate field, and casts the lurid shadow of its death and lamentation athwart the whole expanse, and into every nook and corner of our vast domain.

Nor is that all; for in those of the States which are exempt from the actual ravages of war, in which the roar of the cannon, and the rattle of the musketry, and the groans of the dying, are heard but as a faint echo of terror from other lands, even here in the loyal States, the mailed hand of military usurpation strikes down the liberties of the people, and its foot tramples on a desecrated Constitution.”

Franklin Pierce (1804–1869) American politician, 14th President of the United States (in office from 1853 to 1857)

Address to the Citizens of Concord, New Hampshire (4 July 1863).

Aristarchus of Samos photo
Stéphane Mallarmé photo
Charlotte Brontë photo

“The theatre was full — crammed to its roof: royal and noble were there; palace and hotel had emptied their inmates into those tiers so thronged and so hushed. Deeply did I feel myself privileged in having a place before that stage; I longed to see a being of whose powers I had heard reports which made me conceive peculiar anticipations. I wondered if she would justify her renown: with strange curiosity, with feelings severe and austere, yet of riveted interest, I waited. She was a study of such nature as had not encountered my eyes yet: a great and new planet she was: but in what shape? I waited her rising.She rose at nine that December night: above the horizon I saw her come. She could shine yet with pale grandeur and steady might; but that star verged already on its judgment-day. Seen near, it was a chaos — hollow, half-consumed: an orb perished or perishing — half lava, half glow.I had heard this woman termed "plain," and I expected bony harshness and grimness — something large, angular, sallow. What I saw was the shadow of a royal Vashti: a queen, fair as the day once, turned pale now like twilight, and wasted like wax in flame.For awhile — a long while — I thought it was only a woman, though an unique woman, who moved in might and grace before this multitude. By-and-by I recognized my mistake. Behold! I found upon her something neither of woman nor of man: in each of her eyes sat a devil. These evil forces bore her through the tragedy, kept up her feeble strength — for she was but a frail creature; and as the action rose and the stir deepened, how wildly they shook her with their passions of the pit! They wrote HELL on her straight, haughty brow. They tuned her voice to the note of torment. They writhed her regal face to a demoniac mask. Hate and Murder and Madness incarnate she stood.It was a marvellous sight: a mighty revelation.It was a spectacle low, horrible, immoral.Swordsmen thrust through, and dying in their blood on the arena sand; bulls goring horses disembowelled, made a meeker vision for the public — a milder condiment for a people's palate — than Vashti torn by seven devils: devils which cried sore and rent the tenement they haunted, but still refused to be exorcised.Suffering had struck that stage empress; and she stood before her audience neither yielding to, nor enduring, nor in finite measure, resenting it: she stood locked in struggle, rigid in resistance. She stood, not dressed, but draped in pale antique folds, long and regular like sculpture. A background and entourage and flooring of deepest crimson threw her out, white like alabaster — like silver: rather, be it said, like Death.”

Source: Villette (1853), Ch. XXIII: Vashi

T. E. Hulme photo
George William Russell photo

“We are desert leagues apart;
Time is misty ages now
Since the warmth of heart to heart
Chased the shadows from my brow.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

“Chairman White, and the other Trustees that are present today, faculty and staff and alumni, distinguished guests, cadets, and friends of Hargrave: It's been a great run. It really has. I look out over the congregation gathered here today, and I see faculty, staff, cadets, parents, members of the Parent Council that we work closely with, other colleagues in the same business- and it makes me reflect on on fifteen years here, what all we've accomplished. I can also state that we wouldn't have accomplished much without the leadership of the Board of Trustees. And I'd like to thank all of the Board that's here- the Chairman, past Chairmen, and other members of the Board- that've A, put their trust in my leadership, put up with me at times, and set the guidance and the tone to keep the school on a straight path. Not an easy task. And the Board has done a magnificent job. I would also be remiss if I didn't recognize- I wish I could recognize every member of our faculty and staff, which is the heart and soul of an independent school. Our faculty is the best- best in the nation- very dedication people, that work constant hours with the cadets here, proven by our great success we've had over the past, what… hundred and- we graduated 102nd class last May. It's been really an honor for me to be part of Hargrave's history. But we're not done. We've completed 102 years, and now we've hired Brigadier General Broome, who's the right person to take the helm at Hargrave. And I am convinced beyond a shadow of a doubt that General Broome is ready, willing, and dedicated to take Hargrave to the next level. It's a great school- I would tell you, in my mind, it's the best school in the country, because of the cadets and the folks we have here. I've been spending a lot of time with General Broome and his wife, and they are really gonna be a great fit for Hargrave, and I think Hargrave's gonna have a super next one hundred years. I wish we could all be here a hundred years from now to open our time capsule, but unfortunately, I don't think anybody in this room is gonna see what's in the time capsule… Anyhow, thank you for coming, it's been an honor to be part of this, and I will sincerely miss it. I'm not the type to watch things from the sidelines, but, in this case, I will. Thank you very much.”

Wheeler L. Baker (1938) President of Hargrave Military Academy

Baker's speech at the change-of-command ceremony in Hargrave's chapel on June 24, 2011.

Ernst Ludwig Kirchner photo
Alfred Horsley Hinton photo
Paul Gauguin photo

“How do you see this tree? Is it really green? Use green, then, the most beautiful green on your palette. And that shadow, rather blue? Don't be afraid to paint it as blue as possible.”

Paul Gauguin (1848–1903) French Post-Impressionist artist

Comment voyez-vous cet arbre? Il est bien vert? Mettez donc du vert, le plus beau vert de votre palette; — et cette ombre, plutôt bleue? Ne craignez pas la peindre aussi bleue que possible.
Quote from a conversation in 1888, Pont-Aven, with Paul Sérusier as cited by w:Maurice Denis, inL'influence de Paul Gauguin, in Occident (October 1903) and published in Du symbolisme au classicisme. Théories (1912), ed. Olivier Revault d'Allonnes (Paris, 1964), p. 51.
1870s - 1880s

Ayman Odeh photo

“In a government that has lost all shame, that fears its own shadow, the majority tramples the minority, legislation is racist and the democratic space is under constant threat.”

Ayman Odeh (1975) Israeli lawyer and member of the Knesset

As quoted in ‘Racist and Discriminatory’: U.S. Jewish Leaders Warn Israel Against Passage of Nation-state Bill https://www.haaretz.com/israel-news/.premium-u-s-jewish-chiefs-warn-against-passage-of-racist-nation-state-bill-1.6270788 (July 15, 2018) by Allison Kaplan Sommer and Bar Peleg, Haaretz.

“A few months ago I read an interview with a critic; a well-known critic; an unusually humane and intelligent critic. The interviewer had just said that the critic “sounded like a happy man”, and the interview was drawing to a close; the critic said, ending it all: “I read, but I don’t get any time to read at whim. All the reading I do is in order to write or teach, and I resent it. We have no TV, and I don’t listen to the radio or records, or go to art galleries or the theater. I’m a completely negative personality.”
As I thought of that busy, artless life—no records, no paintings, no plays, no books except those you lecture on or write articles about—I was so depressed that I went back over the interview looking for some bright spot, and I found it, one beautiful sentence: for a moment I had left the gray, dutiful world of the professional critic, and was back in the sunlight and shadow, the unconsidered joys, the unreasoned sorrows, of ordinary readers and writers, amateurishly reading and writing “at whim”. The critic said that once a year he read Kim, it was plain, at whim: not to teach, not to criticize, just for love—he read it, as Kipling wrote it, just because he liked to, wanted to, couldn’t help himself. To him it wasn’t a means to a lecture or an article, it was an end; he read it not for anything he could get out of it, but for itself. And isn’t this what the work of art demands of us? The work of art, Rilke said, says to us always: You must change your life. It demands of us that we too see things as ends, not as means—that we too know them and love them for their own sake. This change is beyond us, perhaps, during the active, greedy, and powerful hours of our lives, but during the contemplative and sympathetic hours of our reading, our listening, our looking, it is surely within our power, if we choose to make it so, if we choose to let one part of our nature follow its natural desires. So I say to you, for a closing sentence: Read at whim! read at whim!”

Randall Jarrell (1914–1965) poet, critic, novelist, essayist

“Poets, Critics, and Readers”, pp. 112–113
A Sad Heart at the Supermarket: Essays & Fables (1962)

Crowfoot photo

“What is life? It is the flash of a firefly in the night. It is the breath of a buffalo in the wintertime. It is the little shadow which runs across the grass and loses itself in the sunset.”

Crowfoot (1830–1890) Chief of the Siksika

Crowfoot's last words, 1890; reported in ‎Clark Tibbitts, Aging in the Modern World: Selections from the Literature of Aging for Pleasure and Instruction (1957), p. 222.

Paulo Coelho photo

“Terror, terror, terror. Life was a reign o terror in the shadow of the guillotine.”

Paulo Coelho (1947) Brazilian lyricist and novelist

The Devil and Miss Prym‎ [O Demônio e a srta Prym] (2000), p. 86.

Dorothy Wordsworth photo
Aristarchus of Samos photo
Connie Willis photo

“The … false ideal … [that is] tokenism—which is commonly guised as Equal Rights, and which yields token victories—deflects and shortcircuits gynergy, so that female power, galvanized under deceptive slogans of sisterhood, is swallowed by The Fraternity. This method of vampirizing the Female Self saps women by giving illusions of partial success while at the same time making Success appear to be a far-distant, extremely difficult to obtain "elusive objective." When the oppressed are worn out in the game of chasing the elusive shadow of Success, some "successes" are permitted to occur—"victories" which can easily be withdrawn when the victim's energies have been restored. Subsequently, women are lured into repeating efforts to regain the hard-won apparent gains…. [¶] Thus tokenism is insidiously destructive of sisterhood, for it distorts the warrior aspect of Amazon bonding both by magnifying it and by minimizing it. It magnifies the importance of "fighting back" to the extent of making it devour the transcendent be-ing of sisterhood, reducing it to a copy of comradeship. At the same time, it minimizes the Amazon warrior aspect by containing it, misdirecting and shortcircuiting the struggle. [¶] This is a demonically double-sided trap, for of course reforms, such as legalization of abortion, aid many women in desperate situations. However, because the "changes" that are achieved are victories in a vacuum, that is, in a totally oppressive social context, they do not essentially free the Female Self but instead function to hide both the fact of continuing oppression and the possibilities for better options and for more radical freedom…. The Labrys of the A-mazing Female Mind must cut through the coverings of these double-sided/multiple-sided situations, dis-covering the context, identifying the more radical problems, yet neglecting none.”

Mary Daly (1928–2010) American radical feminist philosopher and theologian

Source: Gyn/Ecology: The Metaethics of Radical Feminism (1978–1990), pp. 375–376 (fnn. omitted, fn. at "apparent gains." giving as examples the Equal Rights Amendment, affirmative action, and abortion & fn. at "more radical freedom." stating "the fact that Lesbians/Spinsters have no need of abortions, unless forcibly raped").

Glen Cook photo

“A teacher?”
“Yes. He argued that we are the gods, that we create our own destiny. That what we are determines what will become of us. In a peasantlike vernacular, we all paint ourselves into corners from which here is no escape simply by being ourselves and interacting with other selves.”
“Interesting.”
“Well. Yes. There is god of sorts, Croaker. Do you know? Not a mover and shaker, though. Simply a negator. An ender of tales. He has a hunger that cannot be sated. The universe itself will slide down his maw.”
“Death?”
“I do not want to die, Croaker. All that I am shrieks against the unrighteousness of death. All that I am, was, and probably will be, is shaped by my passion to evade the end of me.” She laughed quietly, but there was a thread of hysteria there. She gestured, indicating the shadowed killing ground below. “I would have built a world in which I was safe. And the cornerstone of my citadel would have been death.”
The end of the dream was drawing close. I could not imagine a world without me in it, either. And the inner me was outraged. Is outraged. I have no trouble imagining someone becoming obsessed with escaping death.
“I understand.”

“Maybe. We’re all equals at the dark gate, no? The sands run for us all. Life is but a flicker shouting into the jaws of eternity. But it seems so damned unfair!”
Source: The White Rose (1985), Chapter 39, “A Guest at Charm” (p. 625)

Percy Bysshe Shelley photo

“Tragedy delights by affording a shadow of the pleasure which exists in pain.”

Percy Bysshe Shelley (1792–1822) English Romantic poet

A Defence of Poetry http://www.bartleby.com/27/23.html (1821)

Isaac Barrow photo

“Mathematics is the fruitful Parent of, I had almost said all, Arts, the unshaken Foundation of Sciences, and the plentiful Fountain of Advantage to Human Affairs. In which last Respect, we may be said to receive from the Mathematics, the principal Delights of Life, Securities of Health, Increase of Fortune, and Conveniences of Labour: That we dwell elegantly and commodiously, build decent Houses for ourselves, erect stately Temples to God, and leave wonderful Monuments to Posterity: That we are protected by those Rampires from the Incursions of the Enemy; rightly use Arms, skillfully range an Army, and manage War by Art, and not by the Madness of wild Beasts: That we have safe Traffick through the deceitful Billows, pass in a direct Road through the tractless Ways of the Sea, and come to the designed Ports by the uncertain Impulse of the Winds: That we rightly cast up our Accounts, do Business expeditiously, dispose, tabulate, and calculate scattered 248 Ranks of Numbers, and easily compute them, though expressive of huge Heaps of Sand, nay immense Hills of Atoms: That we make pacifick Separations of the Bounds of Lands, examine the Moments of Weights in an equal Balance, and distribute every one his own by a just Measure: That with a light Touch we thrust forward vast Bodies which way we will, and stop a huge Resistance with a very small Force: That we accurately delineate the Face of this Earthly Orb, and subject the Oeconomy of the Universe to our Sight: That we aptly digest the flowing Series of Time, distinguish what is acted by due Intervals, rightly account and discern the various Returns of the Seasons, the stated Periods of Years and Months, the alternate Increments of Days and Nights, the doubtful Limits of Light and Shadow, and the exact Differences of Hours and Minutes: That we derive the subtle Virtue of the Solar Rays to our Uses, infinitely extend the Sphere of Sight, enlarge the near Appearances of Things, bring to Hand Things remote, discover Things hidden, search Nature out of her Concealments, and unfold her dark Mysteries: That we delight our Eyes with beautiful Images, cunningly imitate the Devices and portray the Works of Nature; imitate did I say? nay excel, while we form to ourselves Things not in being, exhibit Things absent, and represent Things past: That we recreate our Minds and delight our Ears with melodious Sounds, attemperate the inconstant Undulations of the Air to musical Tunes, add a pleasant Voice to a sapless Log and draw a sweet Eloquence from a rigid Metal; celebrate our Maker with an harmonious Praise, and not unaptly imitate the blessed Choirs of Heaven: That we approach and examine the inaccessible Seats of the Clouds, the distant Tracts of Land, unfrequented Paths of the Sea; lofty Tops of the Mountains, low Bottoms of the Valleys, and deep Gulphs of the Ocean: That in Heart we advance to the Saints themselves above, yea draw them to us, scale the etherial Towers, freely range through the celestial Fields, measure the Magnitudes, and determine the Interstices of the Stars, prescribe inviolable Laws to the Heavens themselves, and confine the wandering Circuits of the Stars within fixed Bounds: Lastly, that we comprehend the vast Fabrick of the Universe, admire and contemplate the wonderful Beauty of the Divine 249 Workmanship, and to learn the incredible Force and Sagacity of our own Minds, by certain Experiments, and to acknowledge the Blessings of Heaven with pious Affection.”

Isaac Barrow (1630–1677) English Christian theologian, and mathematician

Source: Mathematical Lectures (1734), p. 27-30

Roberto Clemente photo
William Ernest Henley photo

“Far in the stillness a cat
Languishes loudly. A cinder
Falls, and the shadows
Lurch to the leap of the flame.”

William Ernest Henley (1849–1903) English poet, critic and editor

Source: In Hospital (1908), p. 11

“In full light we are not even a shadow.”

Antonio Porchia (1885–1968) Italian Argentinian poet

En plena luz no somos ni una sombra.
Voces (1943)

Conrad Aiken photo
Nisargadatta Maharaj photo
Edouard Manet photo

“In art, conciseness is both a necessity and a luxury; a concise man provokes thought, a wordy man provokes boredom; always move towards conciseness. In the figure, look for the main light and the main shadow, the rest will come of itself: often, it amounts to very little.”

Edouard Manet (1832–1883) French painter

Quote by Georges Jeanniot, Jan. 1882 - written after visiting Manet's studio; as quoted in 'The Importance of Manet's Conceptualization in 'Olympia' and 'The Bar at the Folies-Bergère' http://www.arthistoryarchive.com/arthistory/manet/arthistory_manet.html, by Charles Moffat, on 'The Art History Archive', c. 2001
Manet kept on working during Jeanniot's visit; he was painting 'The Bar at the Folies-Bergère' https://upload.wikimedia.org/wikipedia/commons/0/0d/Edouard_Manet%2C_A_Bar_at_the_Folies-Berg%C3%A8re.jpg
1876 - 1883

Glen Cook photo

“The light overcame the shadow. But as always, the shadow left its taint on the victors.”

Source: The White Rose (1985), Chapter 43, “Picnic” (p. 645)

Warren Zevon photo

“We made mad love:
Shadow love,
Random love,
And abandoned love.
Accidentally like a martyr.
The hurt gets worse and the heart gets harder”

Warren Zevon (1947–2003) American singer-songwriter

"Accidentally like a Martyr"
Excitable Boy (1978)

James Martineau photo

“Trust arises from the mind's instinctive feeling after fixed realities, after the substance of every shadow, the base of all appearance, the everlasting amid change.”

James Martineau (1805–1900) English religious philosopher

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 602.

Girolamo Cardano photo

“Fear, that unknowable and all-powerful enemy, has invaded us all, like a secret army of shadows.”

Nick Drake (poet) (1961) British writer

Ch 2
The Rahotep series, Book 2: Tutankhamun

Raymond Chandler photo
Nick Zedd photo
Shi Nai'an photo

“What excites pleasure in me is the meeting and conversing with old friends. But it is very galling when my friends do not visit me because there is a biting wind, or the roads are muddy through the rain, or perhaps because they are sick. Then I feel isolated. Although I myself do not drink, yet I provide spirits for my friends, […]. In front of my house runs a great river, and there I can sit with my friends in the shadow of the lovely trees. […] When they come they drink and chat, just as they please, but our pleasure is in the conversation and not in the liquor. We do not discuss politics because we are so isolated here that our news is simply composed of rumors, and it would only be a waste of time to talk with untrustworthy information. We also never talk about other people's faults, because in this world nobody is wrong, and we should beware of backbiting. We do not wish to injure anyone, and therefore our conversation is of no consequence to anyone. We discuss human nature about which people know so little because they are too busy to study it.”

Shi Nai'an (1296–1372) Chinese writer

Variant translation by Lin Yutang: "When all my friends come together to my house, there are sixteen persons in all, but it is seldom that they all come. But except for rainy or stormy days, it is also seldom that none of them comes. Most of the days, we have six or seven persons in the house, and when they come, they do not immediately begin to think; they would take a sip when they feel like it and stop when they feel like it, for they regard the pleasure as consisting in the conversation, and not in the wine. We do not talk about court politics, not only because it lies outside our proper occupation, but also because at such a distance most of the news is based upon hearsay; hearsay news is mere rumour, and to discuss rumours would be a waste of our saliva. We also do not talk about people's faults, for people have no faults, and we should not malign them. We do not say things to shock people and no one is shocked; on the other hand, we do wish people to understand what we say, but people still don't understand what we say. For such things as we talk about lie in the depths of the human heart, and the people of the world are too busy to hear them." (The Importance of Living, 1937; pp. 218–219)
Preface to Water Margin

Bob Seger photo
Mohammad Hussein Fadlallah photo

“Because their possessions were great, the appeasers had much to lose should the Red flag fly over Westminster. That was why they had felt threatened by the hunger riots of 1932. It was also the driving force behind their exorbitant fear and distrust of the new Russia. They had seen a strong Germany as a buffer against Bolshevism, had thought their security would be strengthened if they sidled up to the fierce, virile Third Reich. Nazi coarseness, anti-Semitism, the Reich's darker underside, were rationalized; time, they assured one another, would blur the jagged edges of Nazi Germany. So, with their eyes open, they sought accommodation with a criminal regime, turned a blind eye to its iniquities, ignored its frequent resort to murder and torture, submitted to extortion, humiliation, and abuse until, having sold out all who had sought to stand shoulder to shoulder with Britain and keep the bridge against the new barbarism, they led England herself into the cold damp shadow of the gallows, friendless save for the demoralized republic across the Channel. Their end came when the House of Commons, in a revolt of conscience, wrenched power from them and summoned to the colors the one man who had foretold that all had passed, who had tried, year after year, alone and mocked, to prevent the war by urging the only policy which would have done the job. And now, in the desperate spring of 1940, with the reins of power at last now firm in his grasp, he resolved to lead Britain and her fading empire in one last great struggle worthy of all they had been and meant, to arm the nation, not only with weapons but also with the mace of honor, creating in every English breast a soul beneath the ribs of death.”

William Manchester (1922–2004) (April 1, 1922 – June 1, 2004) American author, journalist and historian

Source: The Last Lion: Winston Spencer Churchill: Alone 1932-1940 (1988), p. 688-689

Sam Harris photo

“I'll tell you what harms the vast majority of Muslims that love freedom and hate terror: Muslim theocracy does. Muslim intolerance does. Wahabism does. Salafism does. Islamism does. Jihadism does. Sharia law does. The mere conservatism of traditional Islam does. We're not talking about only jihadists hating homosexuals and thinking they should die, we're talking about conservative Muslims. The percentage of British Muslims polled who said that homosexuality was morally acceptable was zero. Do you realize what it takes to say something so controversial in a poll that not even 1% of those polled would agree with it? There's almost no question that extreme that you will ever see in a poll that gets a zero, but ask British Muslims whether homosexuality is morally acceptable, and that's what you get. And the result is more or less the same in dozens of other countries. It's zero in Cameroon, zero in Ethiopia. 1% in Nigeria, 1% in Tanzania, 1% in Mali, 2% in Kenya, 2% in Chad. 1% in Lebanon, 1% in Egypt, 1% in the Palestinian territories, 1% in Iraq, 2% in Jordan, 2% in Tunisia, 1% in Pakistan. But 10% in Bangladesh. Bangladesh: that bright spot in the Muslim world where they are regularly hunting down and butchering secular writers with machetes. The people who suffer under this belief system are Muslims themselves. The next generation of human beings born into a Muslim community who could otherwise have been liberal, tolerant, well-educated, cosmopolitan productive people are to one or another degree being taught to aspire to live in the Middle Ages, or to ruin this world on route to some fictional paradise after death. That's the thing we have to get our heads around. And yes, some of what I just said applies with varying modifications to other religions and other cults. But there is nothing like Islam at this moment for generating this kind of intolerance and chaos. And if only a right wing demagogue will speak honestly about it, then we will elect right wing demagogues in the West more and more in response to it. And that will be the price of political correctness: that's when this check will finally get cashed. That will be the consequence of this persistent failure we see among liberals to speak and think and act with real moral clarity and courage on this issue. The root of this problem is that liberals consistently fail to defend liberal values as universal human values. Their political correctness, their multiculturalism, their moral relativism has led them to rush to the defense of theocrats and to abandon the victims of theocracy and to vilify anyone who calls out this hypocrisy for what it is as a bigot. And to be clear, and this is what liberals can't seem to get, is that speaking honestly about the ideas that inspire Islamism and jihadism, beliefs about martyrdom, and apostasy and blasphemy and paradise and honour and women, is not an expression of hatred for Muslims. It is in fact the only way to support the embattled people in the Muslim community: The reformers and the liberals and the seculars and the free thinkers and the gays and the Shiia in Sunni-majority context and Sufis and Ahmadiyyas, and as Maajid Nawaz said, the minorities within the minority, who are living under the shadow, and sword rather often, under theocracy. […] If you think that speaking honestly about the need for reform within Islam will alienate your allies in the Muslim community, then you don't know who your allies are.”

Sam Harris (1967) American author, philosopher and neuroscientist

Sam Harris, "Waking Up with Sam Harris Podcast #38 — The End of Faith Sessions 2" (15 June 2016) https://www.samharris.org/podcast/item/the-end-of-faith-sessions-2
2010s

Thomas Henry Huxley photo
Conrad Aiken photo
Woodrow Wilson photo

“The great malady of public life is cowardice. Most men are not untrue, but they are afraid. Most of the errors of public life, if my observation is to be trusted, come not because men are morally bad, but because they are afraid of somebody. God knows why they should be: it is generally shadows they are afraid of.”

Woodrow Wilson (1856–1924) American politician, 28th president of the United States (in office from 1913 to 1921)

As quoted in American Chronicle (1945) by Ray Stannard Baker, quoted on unnumbered page opposite p. 1
1920s and later

H. Rider Haggard photo
John Greenleaf Whittier photo

“Again the shadow moveth o'er
The dial-plate of time.”

John Greenleaf Whittier (1807–1892) American Quaker poet and advocate of the abolition of slavery

The New Year, reported in Bartlett's Familiar Quotations, 10th ed. (1919)

Väinö Linna photo
W. S. Gilbert photo

“Of that there is no manner of doubt—
No probable, possible shadow of doubt—
No possible doubt whatever.”

W. S. Gilbert (1836–1911) English librettist of the Gilbert & Sullivan duo

The Gondoliers (1889)

Alfred Noyes photo

“Soundlessly, shadow with shadow, we wrestled together,
Till the grey dawn.”

Alfred Noyes (1880–1958) English poet

"The Shadow" in The Empire Review (1923) Vol. 37, p. 620

Enoch Powell photo

“At the same time welcome Night brings on the star-heralding shadows.”
Nox simul astriferas profert optabilis umbras.

Source: Argonautica, Book VI, Line 752

Ellsworth Kelly photo
John Dewey photo

“As long as politics is the shadow cast on society by big business, the attenuation of the shadow will not change the substance.”

John Dewey (1859–1952) American philosopher, psychologist, and educational reformer

Quoted in John Dewey and American Democracy by Robert Westbrook (Ithaca: Cornell University Press, 1991), p. 440; cited in Understanding Power http://www.understandingpower.com/Chapter9.htm#f16| (2002) by Noam Chomsky, ch. 9, footnote 16; originally from "The Need for a New Party" (1931) by John Dewey, Later Works 6, http://books.google.com/books?id=0xPFJ2uwpbIC&lpg=PA163&ots=dd3ciwpXoJ&dq=%22shadow%20cast%22%20dewey&pg=PA163#v=onepage&q&f=false| p. 163. (Via Westbrook.)
Misc. Quotes

Haruki Murakami photo
Yasser Arafat photo
Ursula K. Le Guin photo

“Have you never thought how danger must surround power as shadow does light?”

Ursula K. Le Guin (1929–2018) American writer

Source: Earthsea Books, A Wizard of Earthsea (1968), Chapter 2 (Ogion)

Mordehai Milgrom photo
Ahmad Sirhindi photo

“The Shariat prevails under the shadow of the sword (al Shara‘ tahat al-saif) - according to this (saying), the Shariat can triumph only with the help of mighty kings and their good administration. But for some time past this saying has been languishing, which means inevitably that Islam has become weak. The unbelievers (Hindus) of Hindustan are demolishing mosques, and erecting their own places of worship on the same sites. There was a mosque in the tank of Kurukhet (Kurukshetra) at Thanesar, as also the tomb of some (Muslim) saint. These have been demolished, and a huge gurudwara has been constructed on the same sites. Besides, the kafirs are holding many celebrations of kufr…
It is a thousand pities that the reigning king is a Mussalman, and we recluses find ourselves helpless. There was a time when Islam stood glorified due to the might and prestige of its kings, and the Ulama and the Sufis were honoured and held in high regard. It was with their help that the kings made the Shariat prevail. I have heard that one day Amir Taimur was passing through the bazar at Bukhara when, by chance, the inmates of Khwaja Naqshbandi’s khanqah were beating the dust out of the mats used in that place. Because Islam was intact in Amir Taimur, he stopped at that spot and regarded the dust of the khanqah as musk and sandal. He met a good end.”

Ahmad Sirhindi (1564–1624) Indian philosopher

Maktubat-i-Imam Rabbani translated into Urdu by Maulana Muhammad Sa’id Ahmad Naqshbandi, Deoband, 1988, Volume II, p.1213. This letter was written to Mir Muhammad Nu‘man, obviously in the reign of Akbar.
From his letters

John Fante photo
Statius photo

“But no clouds in a red sky promised daylight's return, nor in lessening shadows did a long twilight gleam with reflected sun. Black night that no ray can pierce comes ever denser from earth, veiling the heavens.”
Sed nec puniceo rediturum nubila caelo promisere jubar, nec rarescentibus umbris longa repercusso nituere crepuscula Phoebo: densior a terris et nulli peruia flammae subtexit nox atra polos.

Source: Thebaid, Book I, Line 342

Horace Smith photo
Arshile Gorky photo

“About a hundred and ninety-four feet away from our house [Gorky was born in Armenia] on the road to the spring, my father had a little garden with a few apple trees which had retired from giving fruit. There was a ground constantly in shade where grew incalculable amounts of wild carrots, and porcupines had made their nests. There was a blue rock half buried in the black earth with a few patches of moss placed here and there like fallen clouds. But from where came all the shadows in constant battle like the lancers of w:Paolo Ucello's painting? This garden was identified as the Garden of Wish Fulfilment and often I had seen my mother and other village women opening their bosoms and taking out their soft breasts in their hands to rub them on the rock. Above this all stood an enormous tree all bleached under the sun, the rain, the cold, and deprived of leaves. This was the Holy Tree. I myself don't know why this tree was holy but I had witnessed many people, whoever did pass by, that would tear voluntarily a strip of their clothes and attach this to the tree. Thus through many years of the same ac, like a veritable parade of banners under the pressure of wind all these personal inscriptions of signatures, very softly to my innocent ear used to give echo to the sh-h—h-sh—h of silver leaves of the poplars.”

Arshile Gorky (1904–1948) Armenian-American painter

Source: posthumous, Astract Expressionist Painting in America, p. 124, (in Gorky Memorial Exhibition, Schwabacher pp. 22,23