Quotes about shadow
page 10

Phil Brown (footballer) photo

“Inigo is, without a shadow of a doubt, a player.”

Phil Brown (footballer) (1959) English association football player and manager

6-Dec-2005, DCFC website
No arguing with that one.

Mike Oldfield photo
Herman Wouk photo
Edmund Burke photo
Marcus Annaeus Lucanus photo

“The mere shadow of a mighty name he stood.”
Stat magni nominis umbra.

Book I, line 135 (tr. J. D. Duff); of Pompey the Great.
Pharsalia

Colin Wilson photo
James Whitcomb Riley photo

“One naked star has waded through
The purple shadows of the night,
And faltering as falls the dew
It drips its misty light.”

James Whitcomb Riley (1849–1916) American poet from Indianapolis

The Beetle.
Bartlett's Familiar Quotations, 10th ed. (1919)

Taylor Caldwell photo
Bob Dylan photo
Nick Cave photo
Li Bai photo

“A cup of wine, under the flowering trees;
I drink alone, for no friend is near.
Raising my cup I beckon the bright moon,
For he, with my shadow, will make three men.
The moon, alas, is no drinker of wine;
Listless, my shadow creeps about at my side.
Yet with the moon as friend and the shadow as slave
I must make merry before the Spring is spent.
To the songs I sing the moon flickers her beams;
In the dance I weave my shadow tangles and breaks.
While we were sober, three shared the fun;
Now we are drunk, each goes his way.
May we long share our odd, inanimate feast,
And meet at last on the Cloudy River of the sky.”

Li Bai (701–762) Chinese poet of the Tang dynasty poetry period

"Drinking Alone by Moonlight" (月下獨酌), one of Li Bai's best-known poems, as translated by Arthur Waley in More Translations From the Chinese (1919)
Variant translation:
From a pot of wine among the flowers
I drank alone. There was no one with me—
Till, raising my cup, I asked the bright moon
To bring me my shadow and make us three.
Alas, the moon was unable to drink
And my shadow tagged me vacantly;
But still for a while I had these friends
To cheer me through the end of spring...
I sang. The moon encouraged me.
I danced. My shadow tumbled after.
As long as I knew, we were boon companions.
And then I was drunk, and we lost one another.
...Shall goodwill ever be secure?
I watch the long road of the River of Stars.
"Drinking Alone with the Moon" (trans. Witter Bynner and Kiang Kang-hu)

Báb photo
William Wordsworth photo

“Alas! how little can a moment show
Of an eye where feeling plays
In ten thousand dewy rays:
A face o'er which a thousand shadows go!”

William Wordsworth (1770–1850) English Romantic poet

The Triad.
Bartlett's Familiar Quotations, 10th ed. (1919)

Sri Aurobindo photo

“The Atheist is God playing at hide and seek with Himself; but is the Theist any other? Well, perhaps; for he has seen the shadow of God and clutched at it.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

Thoughts and Aphorisms (1913), Jnana

Gaston Bachelard photo
Paul Cézanne photo
50 Cent photo
Herbert Marcuse photo
David Cameron photo
Arthur O'Shaughnessy photo

“These words are being written in reply to the verbal message sent by you. I have been asked (by you) to tell (you) about suppression of the rebellion of Jats in the environs of Delhi.
The fact is that this recluse (meaning himself) has witnessed in the occult world the downfall of the Jats in the same way as that of the Marhatahs. I have also seen it in a dream that Muslims have taken possession of the forts and the country of the Jats, and that Muslims have become masters of those forts and that country as in the past. Most probably, the Ruhelas will occupy those Jat forts. This has been determined and decided in the most secret world. This recluse has not the shadow of a doubt about that. But the way that victory will be achieved is not yet clear. What is needed is prayers from those special servants of Allah who have been chosen for this purpose.
…But keep one thing in your mind, namely, that the Hindus who are apparently in your’s and your government’s employ, are inclined towards the enemies in their hearts. They do not want that the enemies be exterminated. They will try a thousand tricks in this matter, and endeavour in every way to show to your honour that the path of peace is more profitable.
Make up your mind not to listen to this group (the Hindu employees). If you disregard their advice, you will reach the height of fulfilment. This recluse knows of this (fulfilment) as if he is seeing it with his own eyes.”

Shah Waliullah Dehlawi (1703–1762) Indian muslim scholar

To Najibuddaulah Translated from the Urdu version of K.A. Nizami, Shãh Walîullah Dehlvî ke Siyãsî Maktûbãt, Second Edition, Delhi, 1969, pp. 106-07.
From his letters

Camille Paglia photo
Henry Wadsworth Longfellow photo
Sri Aurobindo photo

“Our first necessity, if India is to survive and do her appointed work in the world, is that the youth of India should learn to think,—to think on all subjects, to think independently, fruitfully, going to the heart of things, not stopped by their surface, free of prejudgments, shearing sophism and prejudice asunder as with a sharp sword, smiting down obscurantism of all kinds as with the mace of Bhima. (…) When there is destruction, it is the form that perishes, not the spirit—for the world and its ways are forms of one Truth which appears in this material world in ever new bodies…. In India, the chosen land, [that Truth] is preserved; in the soul of India it sleeps expectant on that soul's awakening, the soul of India leonine, luminous, locked in the closed petals of the ancient lotus of love, strength and wisdom, not in her weak, soiled, transient and miserable externals. India alone can build the future of mankind. (…) Ancient or pre-Buddhistic Hinduism sought Him both in the world and outside it; it took its stand on the strength and beauty and joy of the Veda, unlike modern or post-Buddhistic Hinduism which is oppressed with Buddha's sense of universal sorrow and Shankara's sense of universal illusion,—Shankara who was the better able to destroy Buddhism because he was himself half a Buddhist. Ancient Hinduism aimed socially at our fulfilment in God in life, modern Hinduism at the escape from life to God. The more modern ideal is fruitful of a noble and ascetic spirituality, but has a chilling and hostile effect on social soundness and development; social life under its shadow stagnates for want of belief and delight, sraddha and ananda. If we are to make our society perfect and the nation is to live again, then we must revert to the earlier and fuller truth.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

1910-1912
India's Rebirth

Anna Akhmatova photo
Isaac Rosenberg photo
William Wordsworth photo
Toby Keith photo
Ayaan Hirsi Ali photo
George Meredith photo
Francesco Petrarca photo

“Blessed in sleep and satisfied to languish, to embrace shadows, and to pursue the summer breeze, I swim through a sea that has no floor or shore, I plow the waves and found my house on sand and write on the wind.”

Beato in sogno et di languir contento,
d'abbracciar l'ombre et seguir l'aura estiva,
nuoto per mar che non à fondo o riva,
solco onde, e 'n rena fondo, et scrivo in vento.
Canzone 212, st. 1
Il Canzoniere (c. 1351–1353), To Laura in Life

Letitia Elizabeth Landon photo
Daniel J. Boorstin photo

“The image, more interesting than its original, has become the original. The shadow has become the substance.”

Daniel J. Boorstin (1914–2004) American historian

Source: The Image: A Guide to Pseudo-Events in America (1961), p. 204.

Colin Wilson photo
Aristophanés photo
Kamisese Mara photo
John Donne photo
Paramahansa Yogananda photo
André Derain photo
John F. Kennedy photo

“Disarmament without checks is but a shadow — and a community without law is but a shell.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1961, UN speech

Hans Fritzsche photo
Hélène Binet photo
Henry David Thoreau photo
Elton John photo
Eugene Jarvis photo

“But lo! the girl, like a frightened dove, that caught in the vast shadow of a hawk falls trembling on some man, no matter who he be, so doth she fling herself into his arms driven by strong fear.”
Ecce autem pavidae virgo de more columbae quae super ingenti circumdata praepetis umbra in quemcumque tremens hominem cadit, haud secus illa acta timore gravi mediam se misit.

Source: Argonautica, Book VIII, Lines 32–35

Joseph Hayne Rainey photo
Oliver Cromwell photo

“Weeds and nettles, briars and thorns, have thriven under your shadow, dissettlement and division, discontentment and dissatisfaction, together with real dangers to the whole.”

Oliver Cromwell (1599–1658) English military and political leader

Speech dissolving the First Protectorate Parliament (22 January 1655)

Max Beckmann photo

“Politics is a subordinate matter; its form of appearance constantly changes depending on the needs of the masses, the same way cocottes adjust to the needs of men by transforming and masking themselves. Because of that it is not fundamental. That is about what endures, what is unique, what is in the stream of illusions – what is eliminated from the workings of the shadows.”

Max Beckmann (1884–1950) German painter, draftsman, printmaker, sculptor and writer

In a letter to Stephan Lackner, Amsterdam, 29 January 1938; as quoted in Max Beckmann – On my Painting, in the preface, Mayen Beckmann; Tate Publishing London, 2003
1930s

Letitia Elizabeth Landon photo
Isaac Rosenberg photo
Letitia Elizabeth Landon photo

“So in the midnight shadows of the grove did they two meet and draw nigh each other, awe-struck, like silent first or motionless cypresses, when the mad South wind hath not yet intertwined their boughs.”
Haud secus in mediis noctis nemoris que tenebris inciderant ambo attoniti iuxtaque subibant abietibus tacitis aut immotis cyparissis adsimiles, rapidus nondum quas miscuit Auster.

Source: Argonautica, Book VII, Lines 403–406

Susan Sontag photo
Jean Metzinger photo
Chris Cornell photo
David Lloyd George photo

“In the year 1910 we were beset by an accumulation of grave issues—rapidly becoming graver. … It was becoming evident to discerning eyes that the Party and Parliamentary system was unequal to coping with them. … The shadow of unemployment was rising ominously above the horizon. Our international rivals were forging ahead at a great rate and jeopardising our hold on the foreign trade which had contributed to the phenomenal prosperity of the previous half-century, and of which we had made such a muddled and selfish use. Our working population, crushed into dingy and mean streets, with no assurance that they would not be deprived of their daily bread by ill-health or trade fluctuations, were becoming sullen with discontent. Whilst we were growing more dependent on overseas supplies for our food, our soil was gradually going out of cultivation. The life of the countryside was wilting away and we were becoming dangerously over-industrialised. Excessive indulgence in alcoholic drinks was undermining the health and efficiency of a considerable section of the population. The Irish controversy was poisoning our relations with the United States of America. A great Constitutional struggle over the House of Lords threatened revolution at home, another threatened civil war at our doors in Ireland. Great nations were arming feverishly for an apprehended struggle into which we might be drawn by some visible or invisible ties, interests, or sympathies. Were we prepared for all the terrifying contingencies?”

David Lloyd George (1863–1945) Former Prime Minister of the United Kingdom

War Memoirs: Volume I (London: Odhams, 1938), p. 21.
War Memoirs

Henri de Toulouse-Lautrec photo

“I am quite incapable of doing them [making landscapes], even the shadow. My trees look like spinach and my sea like heaven knows what.... [the Mediterranean landscape was] the devil to paint, precisely because it is so beautiful.”

Henri de Toulouse-Lautrec (1864–1901) French painter

young Lautrec comments his own paintings of the landscape, when he was c. 15 years old.
Source: 1879-1884, T-Lautrec, by Henri Perruchot, p. 46 - remark to his friend Etienne Devismes - in Nice, 1879

Sara Teasdale photo

“The greenish sky glows up in misty reds,
The purple shadows turn to brick and stone,
The dreams wear thin, men turn upon their beds,
And hear the milk-cart jangle by alone.”

Sara Teasdale (1884–1933) American writer and poet

"City Vignettes, I: Dawn"
Helen of Troy and Other Poems (1911)

Fausto Cercignani photo

“Your identity is like your shadow: not always visible and yet always present.”

Fausto Cercignani (1941) Italian scholar, essayist and poet

Examples of self-translation (c. 2004), Quotes - Zitate - Citations - Citazioni

Bode Miller photo

“Anyone who isn’t strong is left in a corner, no one asks for their autograph, they are abandoned in the cold shadows. Those who win, however, become icons.”

Bode Miller (1977) American alpine ski racer

Interview with Gazzetta dello Sport, 16 Feb. 2006 http://www.msnbc.msn.com/id/11385083/

Robert Louis Stevenson photo

“Fly hence, shadows, that do keep,
Watchful sorrows, charmed in sleep.”

John Ford (dramatist) (1586–1639) dramatist

Act V, sc. i.
The Lover's Melancholy (1628)

Simon Schama photo
Philip James Bailey photo

“Who never doubted never half believed
Where doubt there truth is—'t is her shadow.”

Scene V, A Country Town; comparable to Alfred, Lord Tennyson "There lives more faith in honest doubt / Believe me, than in half the creeds."
Festus (1839)

Edmund Burke photo

“The art of substantiating shadows, and of lending existence to nothing.”

Edmund Burke (1729–1797) Anglo-Irish statesman

Burke's description of poetry, quoted from his conversation in Prior's Life of Burke
Undated

Anthony Burgess photo

“Defiling their shadows, infidels, accursed of Allah, with fingernails that are foot-long daggers, with mouths agape like cauldrons full of teeth on the boil, with eyes all fire, shaitans possessed of Iblis, clanking into their wars all linked, like slaves, with iron chains. Murad Bey, the huge, the single-blowed ox-beheader, saw without too much surprise mild-looking pale men dressed in blue, holding guns, drawn up in squares six deep as though in some massed dance depictive of orchard walls. At the corners of the squares were heavy giins and gunners. There did not seem to be many horsemen. Murad said a prayer within, raised his scimitar to heaven and yelled a fierce and holy word. The word was taken up, many thousandfold, and in a kind of gloved thunder the Mamelukes threw themselves on to the infidel right and nearly broke it. But the squares healed themselves at once, and the cavalry of the faithful crashed in three avenging prongs along the fire-spitting avenues between the walls. A great gun uttered earthquake language at them from within a square, and, rearing and cursing the curses of the archangels of Islam on to the uncircumcized, they wheeled and swung towards their protective village of Embabeh. There they encountered certain of the blue-clad infidel horde on the flat roofs of the houses, coughing musket-fire at them. But then disaster sang along their lines from the rear as shell after shell crunched and the Mamelukes roared in panic and burden to the screams of their terrified mounts, to whose ears these noises were new. Their rear dissolving, their retreat cut off, most sought the only way, that of the river. They plunged in, horseless, seeking to swim across to join the inactive horde of Ibrahim, waiting for. action that could now never come. Murad Bey, with such of his horsemen as were left, yelped off inland to Gizeh.”

Anthony Burgess (1917–1993) English writer

Fiction, Napoleon Symphony (1974)

“The great hulking eminence of the stone-age mound stood out as an ominous dark shadow.”

Stephen R. Lawhead (1950) American writer

Source: The Bone House (2011), p. 162

Anthony Burgess photo
Harriet Beecher Stowe photo
Cees Nooteboom photo
Thomas Merton photo
Adelaide Anne Procter photo
John Townsend Trowbridge photo
Letitia Elizabeth Landon photo

“Dark night,
Oh terrible is thy shadow on the battle!
Blows dealt alike on friend and foe, the dead,
And dying trampled on— oh, day alone
Should look upon the soldier's deeds!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(1st February 1823) The Cadets. An Indian Sketch
The London Literary Gazette, 1823

Bram Stoker photo
Robert Davi photo

“If I love you—
I never behave like a climbing trumpet vine
Using your high branches to show myself off;
If I love you—
I never mimic infatuated little birds
Repeating monotonous songs into the shadows,
Nor do I look at all like a wellspring
Sending out its cooling consolation all year round,
Or just another perilous crag
Augmenting your height, setting off your prestige.
Nor like the sunlight
Or even spring rain.
No, these are not enough.
I would be a kapok tree by your side
Standing with you—
both of us shaped like trees.
Our roots hold hands underground,
Our leaves touch in the clouds.
As a gust of wind passes by
We salute each other
And not a soul
Understands our language.
You have your bronze boughs and iron trunk
Like knives and swords,
Also like halberds;
I have my red flowers
Like heavy sighs,
Also like heroic torches.
We share cold waves, storms and thunderbolts;
Together we savor fog, haze and rainbows.
We seem to always live apart,
But actually depend upon each other forever.
This has to be called extraordinary love.
Faith resides in it:
Love—
I love not only your sublime body
But the space you occupy,
The land beneath your feet.”

Shu Ting (1952) Chinese writer

"To the Oak Tree" [ 致橡树 https://www.youtube.com/watch?v=APZjf9K6KX0, Zhi xiangshu] (27 March 1977), in The Red Azalea: Chinese Poetry Since the Cultural Revolution, ed. Edward Morin, trans. Fang Dai and Dennis Ding (University of Hawaii Press, 1990), ISBN 978-0824813208, pp. 102–103.

Robert G. Ingersoll photo
Colin Wilson photo
Cat Stevens photo

“Don't you feel a change a coming
From another side of time,
Breaking down the walls of silence,
Lifting shadows from your mind.”

Cat Stevens (1948) British singer-songwriter

Changes IV
Song lyrics, Teaser and the Firecat (1971)

African Spir photo

“To sacrifice the moral to the physical, as is done in these days, is to sacrifice reality for a shadow.”

African Spir (1837–1890) Russian philosopher

Source: Words of a Sage : Selected thoughts of African Spir (1937), p. 61.

Amit Chaudhuri photo
Mickey Spillane photo
Henry Fielding photo
Salvador Dalí photo

“Myself at the age of six, when I believed I was a little girl, raising with a very great care the skin of the sea in order to observe a dog sleeping in the shadow of the water.”

Salvador Dalí (1904–1989) Spanish artist

title of his oil-painting, Dali painted in 1950
Quotes of Salvador Dali, 1941 - 1950

Letitia Elizabeth Landon photo
Shahrukh Khan photo
Ralph Waldo Emerson photo
Erica Jong photo

“The future is merely a shadow which blocks out the joys of the present and emphasizes the miseries of the past.”

Erica Jong (1942) Novelist, poet, memoirist, critic

How to Save Your Own Life (1977)

Ralph Waldo Emerson photo
Ian McEwan photo

“Nearby, where the main road forked, stood an iron cross on a stone base. As the English couple watched, a mason was cutting in half a dozen fresh names. On the far side of the street, in the deep shadow of a doorway, a youngish woman in black was also watching. She was so pale they assumed at first she had some sort of wasting disease. She remained perfectly still, with one hand holding an edge of her headscarf so that it obscured her mouth. The mason seemed embarrassed and kept his back to her while he worked. After a quarter of an hour an old man in blue workman's clothes came shuffling along in carpet slippers and took her hand without a word and led her away. When the propriétaire came out he nodded at the other side of the street, at the empty space and murmured, 'Trois. Mari et deux frères,' as he set down their salads.This sombre incident remained with them as they struggled up the hill in the heat, heavy with lunch, towards the Bergerie de Tédenat. They stopped half way up in the shade of a stand of pines before a long stretch of open ground. Bernard was to remember this moment for the rest of his life. As they drank from their water bottles he was struck by the recently concluded war not as a historical, geopolitical fact but as a multiplicity, a near-infinity of private sorrows, as a boundless grief minutely subdivided without diminishment among individuals who covered the continent like dust, like spores whose separate identities would remain unknown, and whose totality showed more sadness than anyone could ever begin to comprehend; a weight borne in silence by hundreds of thousands, millions, like the woman in black for a husband and two brothers, each grief a particular, intricate, keening love story that might have been otherwise. It seemed as though he had never thought about the war before, not about its cost. He had been so busy with the details of his work, of doing it well, and his widest view had been of war aims, of winning, of statistical deaths, statistical destruction, and of post-war reconstruction. For the first time he sensed the scale of the catastrophe in terms of feeling; all those unique and solitary deaths, all that consequent sorrow, unique and solitary too, which had no place in conferences, headlines, history, and which had quietly retired to houses, kitchens, unshared beds, and anguished memories. This came upon Bernard by a pine tree in the Languedoc in 1946 not as an observation he could share with June but as a deep apprehension, a recognition of a truth that dismayed him into silence and, later, a question: what possible good could come of a Europe covered in this dust, these spores, when forgetting would be inhuman and dangerous, and remembering a constant torture?”

Page 164-165.
Black Dogs (1992)

“Shadow am I!
Like a suspicion that's never confirmed
But it's never denied!
Wolf am I…”

Wolf Am I! (And Shadow).
Brother, Sister (2006)

Bertolt Brecht photo

“Events cast long shadows before.
One such event would be a war.
But how are shadows to be seen
When total darkness fills the screen?”

Bertolt Brecht (1898–1956) German poet, playwright, theatre director

"Alphabet" [Alfabet] from "Five Children's Songs" (1934), trans. John Willett in Poems, 1913-1956, p. 239
Poems, 1913-1956 (1976)

Lucius Shepard photo
John Clare photo

“The ivyed oaks dark shadow falls
Oft picking up with wondering gaze
Some little thing of other days
Saved from the wreck of time.”

John Clare (1793–1864) English poet

The Shepherd's Calendar: "July" (second version) http://www.photoaspects.com/chesil/clare/july2.html
Poems Chiefly from Manuscript

Susan Sontag photo

“To interpret is to impoverish, to deplete the world—in order to set up a shadow world of "meanings."”

Susan Sontag (1933–2004) American writer and filmmaker, professor, and activist

Source: Against Interpretation and Other Essays (1966), p. 7