Quotes about shadow
page 9

“Extending the reach of political freedom is essential to prevailing in the great struggle of our time, but it is not enough. Many in this chamber have answered the call to help their brothers and sisters in need by working to alleviate hopelessness. These efforts to improve the human condition honor the highest ideals of this institution. They also advance our security interests. The extremists find their most fertile recruiting grounds in societies trapped in chaos and despair, places where people see no prospect of a better life. In the shadows of hopelessness, radicalism thrives. And eventually, that radicalism can boil over into violence and cross borders and take innocent lives across the world.”

George W. Bush (1946) 43rd President of the United States

2000s, 2008, Address to the United Nations General Assembly (September 2008)

Life, People, World, Sister

“To understand oneself in existence is the Christian principle, except that this self has received much richer and much more profound qualifications that are even more difficult to understand together with existing. The believer is a subjective thinker, and the difference, is only between the simple person and the simple wise person. Here again the oneself is not humanity in general, subjectivity in general, and other such things, whereas everything becomes easy inasmuch as the difficulty is removed and the whole matter is shifted over into the shadow play of abstraction.”

Sören Kierkegaard book Concluding Unscientific Postscript to Philosophical Fragments

Concluding Unscientific Postscript to Philosophical Fragments, Vol. I, Hong p. 353
1840s, Concluding Unscientific Postscript (1846)

Understanding, Personality

“In our United Kingdom, the main terrorist threat has come from the IRA. Their minds twisted by hatred and fanaticism, they have tried to bomb and murder their way to their objective of tearing more than a million citizens out of the United Kingdom. The truth is that the whole IRA campaign is based on crushing democracy and smashing anyone who doesn't agree with them. To all those who have suffered so much at their hands—to the Northern Ireland policemen and prison officers and their families, to the soldiers, the judges, the civil servants and their families—we offer our deepest admiration and thanks for defending democracy and for facing danger while keeping within the rule of law—unlike the terrorist who skulks in the shadows and shoots to kill…we will never give up the search for more effective ways of defeating the IRA. If the IRA think they can weary us or frighten us, they have made a terrible miscalculation. People sometimes say that it is wrong to use the word never in politics, I disagree, some things are of such fundamental importance that no other word is appropriate. So I say once again today that this Government will never surrender to the IRA. Never.”

Margaret Thatcher (1925–2013) British stateswoman and politician

Speech to Conservative Party Conference (14 October 1988) http://www.margaretthatcher.org/speeches/displaydocument.asp?docid=107352 Third term as Prime Minister

People, Truth, Family, Law

“As Oliver Cromwell said to the General Assembly of the Church of Scotland, "I beseech you, in the bowels of Christ, think it possible that you might be mistaken." Life and the affairs of the living are so tangled, the world not only stranger than we imagine but stranger than we can imagine, that all questions are conundrums, no answers "correct." Is it certain that parallel lines never meet? No. Does water freeze at 32 degrees Fahrenheit? Only probably. Shall I marry? Who can say? And yet the world's work must be done. One Oblomov is enough. Thus we learn a conventional certitude, acting as though all were light by blinking the shadow. A simple proof demonstrates that parallel lines do meet, but, on the assumption that they do not, the architect builds the skyscraper. Despite his knowledge of statistical mechanics, the engineer designs the refrigerator to maintain a constant temperature of 31 degrees. Le cœur a ses raisons que la raison ne connait pas [the heart has its reasons that reason does not know], and families are raised.”

Irving Younger (1932–1988) American lawyer

Some of My Life

Life, World, Family, Imagination

“Having now retrieved a little more of leasure, both for Delineation and Description, for a further elucidation of what I have said, I shall make it my third Attempt, to explain;
First, A Helioscope to look upon the body of the Sun, without any offence to the Observers eye.
Secondly, A way of shortening reflective and refractive Telescopes.
Thirdly, A way of using a Glass of any length, without moving the Tube.
Fourthly, An Instrument for taking the Diameters of the Sun, Moon and Planets, or for taking any other Distances, to five or ten Degrees, to the certainty of a Second. …
Fifthly, An Instrument for describing all manner of Dials, by the tangent projection.
Sixthly, The uses thereof;
1. For adjusting the Hand of a Clock, so as to make it move in the shadow of a Dial, whose style is parallel to the Axis: Or,
2. In the Azimuth of any Celestial Body, that is, in the shadow of the upright, or any other way inclining Style, upon any plain.
3. For making a Hand move according to the true æquation of Time.
4. For making all manner of Elliptical Dials, in Mr. Foster's way, &c.
5. For communicating a circular motion in a Curve Line, without any shaking: And for divers other excellent purposes.”

Robert Hooke (1635–1703) English natural philosopher, architect and polymath

A Description of Helioscopes, and Some Other Instruments https://books.google.com/books?id=KQtPAAAAcAAJ (1676)

Way, Communication, Time, Sun

“That inescapable animal walks with me,
Has followed me since the black womb held,
Moves where I move, distorting my gesture,
A caricature, a swollen shadow,
A stupid clown of the spirit's motive,
Perplexes and affronts with his own darkness,
The secret life of belly and bone.”

Delmore Schwartz (1913–1966) American poet

"The Heavy Bear Who Goes With Me" http://www.poemhunter.com/poem/the-heavy-bear-who-goes-with-me/ Selected Poems: Summer Knowledge (1959)

Life, Secret, Stupidity, Motivation

“The image (shadow) being inverted depends on there being an aperture at the cross-over and the image (shadow) being distant. The explanation lies in the aperture.
The image (shadow): The light reaches the person shining like an arrow. The lowest [light] that reaches the person is the highest [in the image] and the highest [light] that reaches the person is the lowest [in the image]. The feet conceal the lowest light and therefore become the image (shadow) at the top. The head conceals the highest light and therefore becomes the image (shadow) at the bottom.”

Mozi (-470–-391 BC) Chinese political philosopher and religious reformer of the Warring States period

Book 10: Exposition of Canon II; this is the earliest known description of the inverted image produced by a camera obscura,; as translated in by Ian Jonston in The Mozi (2010), p. 489

Light, Distant, Dependency, Personality

“Then the soul, freed from vice, purged by studies of true philosophy, versed in spiritual life, and practised in matters of the intellect, devoted to the contemplation of her own substance, as if awakened from deepest sleep, opens those eyes which all possess but few use, and sees in herself a ray of that light which is the true image of the angelic beauty communicated to her, and of which she then communicates a faint shadow to the body.”

Baldassarre Castiglione (1478–1529) Italian Renaissance author (1478-1529)

Però l'anima, aliena dai vicii, purgata dai studi della vera filosofia, versata nella vita spirituale ed esercitata nelle cose dell'intelletto, rivolgendosi alla contemplazion della sua propria sustanzia, quasi da profundissimo sonno risvegliata, apre quegli occhi che tutti hanno e pochi adoprano, e vede in se stessa un raggio di quel lume che è la vera imagine della bellezza angelica a lei communicata, della quale essa poi communica al corpo una debil umbra.
Bk. 4, ch. 68; p. 300.
Souced, Il Libro del Cortegiano (1528)

Life, Beauty, Angels, Soul

“Every animal has his or her story, his or her thoughts, daydreams, and interests. All feel joy and love, pain and fear, as we now know beyond any shadow of a doubt. All deserve that the human animal afford them the respect of being cared for with great consideration for those interests or left in peace.”

Ingrid Newkirk (1949) British-American activist

"Every Week There is More Reason to Feel Empathy for Animals" https://www.huffingtonpost.com/ingrid-newkirk/every-week-there-is-more_b_216409.html, Huffington Post, 17 July 2009. 2009

Love, Pain, Fear, Peace

“The effect of music is so very much more powerful and penetrating than is that of the other arts, for these others speak only of the shadow, but music of the essence.”

Arthur Schopenhauer book The World as Will and Representation

Vol. I, Ch. II
The World as Will and Representation (1819; 1844; 1859)

Art, Music

“Every man, as the Stoics used to say, is first and principally recommended to his own care; and every man is certainly, in every respect, fitter and abler to take care of himself than of any other person. Every man feels his own pleasures and his own pains more sensibly than those of other people. The former are the original sensations; the latter the reflected or sympathetic images of those sensations. The former may be said to be the substance; the latter the shadow.”

Adam Smith book The Theory of Moral Sentiments

Section II, Chap. I.
The Theory of Moral Sentiments (1759), Part VI

Pain, People, Pleasure, Feeling

“I have just had my first lesson in Chinese brush from my friend and artist Teng Kwei. The tree is no more solid in the earth, breaking into lesser solids in the earth, breaking into lesser solids bathed in chiaroscuro. There is pressure and release. Each movement, like tracks in the snow, is recorded and often loved for itself. The Great Dragon is breathing sky, thunder and shadow; wisdom and spirit vitalized. All is in motion now... One step backward into the past and the tree in front of my studio in Seattle is all rhythm, lifting, springing upward.”

Mark Tobey (1890–1976) American abstract expressionist painter

Source: 1950's, In: Reminiscence and Reverie, 1951, p. 66

Love, Wisdom, Spring, Tree

“Like our shadows,
Our wishes lengthen as our sun declines.”

Edward Young Night-Thoughts

Source: Night-Thoughts (1742–1745), Night V, Line 661.

Sun

“When kings the sword of justice first lay down,
They are no kings, though they possess the crown.
Titles are shadows, crowns are empty things,
The good of subjects is the end of kings.”

Daniel Defoe (1660–1731) English trader, writer and journalist

Pt. II, l. 313. The True-Born Englishman http://www.luminarium.org/editions/trueborn.htm (1701)

Justice

“God, say some philosophers, manifests himself in the sublunary world in particular beauties, truths and acts of benevolence; properly, the values should be conjoined to shadow their identity in the godhead, but this happens so infrequently that one must suppose divinity condones a kind of diabolic fracture or else, and perhaps my book is already giving some hint of this, he demonstrates his ineffable freedom through contriving at times a wanton inconsistency. If this is so, we need not wonder at Messalina’s failure to match her beauty with a love of truth and goodness. She was a chronic liar and she was thoroughly bad. But her beauty, we are told, was a miracle. The symmetry of her body obeyed all the golden rules of the mystical architects, her skin was without even the most minuscule flaw and it glowed as though gold had been inlaid behind translucent ivory, her breasts were full and yet pertly disdained earth’s pull, the nipples nearly always erect, and visibly so beneath her byssinos, as in a state of perpetual sexual excitation, the areolas delicately pigmented to a kind of russet. The sight of her weaving bare white arms was enough, it is said, to make a man grit his teeth with desire to be encircled by them; the smooth plain of her back, tapering to slenderness only to expand lusciously to the opulence of her perfect buttocks, demanded unending caresses.”

Anthony Burgess (1917–1993) English writer

Fiction, The Kingdom of the Wicked (1985)

Love, God, Truth, Books

“A substitute for all the gods:
This self, not that gold self aloft,
Alone, one's shadow magnified,
Lord of the body, looking down,
As now and called most high,
The shadow of Chocorua
In an immenser heaven, aloft,
Alone, lord of the land and lord
Of the men that live in the land, high lord.
One's self and the mountains of one's land,
Without shadows, without magnificence,
The flesh, the bone, the dirt, the stone.”

Wallace Stevens (1879–1955) American poet

The Man With the Blue Guitar (1937)

Men, God, Mountain

“Over this country, when the giant Eagle flings the shadow of his wing, the land is darkened. So compact is it that the wing covers all its extent in one pause of the flight. The sea breaks on the pale line of the shore; to the Eagle's proud glance waves run in to the foot of the hills that are like rocks planted in green water.”

Hugh Walpole (1884–1941) New Zealand writer

Rogue Herries (1930) First lines

Water, Sea, Country

“Early rising, honesty, and work. There is a great difference in merit between being awakened and waking up someone else. Working in the shadows and praising others is honesty. If you do not put into practice what you hear, you will become a lie. Work on top of work, saying to yourself, ‘Just a little more, just a little bit more’; this is not greed, it is work that comes from true sincerity.”

Nakayama Miki (1798–1887) Founder of Tenrikyo

Anecdotes of Oyasama, Foundress of Tenrikyo, from Anecdote 111, "Being Awakened in the Morning," p. 94.
Anecdotes of Oyasama

Lie, Sincerity

“She had no fear of the shadows; her sole idea seemed to be to shun mankind — or rather that cold accretion called the world, which, so terrible in the mass, is so unformidable, even pitiable, in its units.”

Thomas Hardy book Tess of the d'Urbervilles

Phase the Second: Maiden No More, ch. XIII
Tess of the d'Urbervilles (1891)

World, Fear, Idea

“Sixty-three years ago, representatives from around the world gathered in San Francisco to complete the founding of the Charter of the United Nations. They met in the shadow of a devastating war, with grave new dangers on the horizon. They agreed on a historic pledge: To reaffirm faith in fundamental human rights, and unite their strength to maintain international peace and security.”

George W. Bush (1946) 43rd President of the United States

2000s, 2008, Address to the United Nations General Assembly (September 2008)

War, World, Peace, Faith

“It was in the church that I got to love shadows and dark corners, musty cupboards and creaking floorboards. I was a perfect recruit for the Addams family. Cobwebs made me whimper with joy.”

Tom Baker (1934) English actor

Love, Family, Joy, Perfection

“The meeting of their shadows or that meet
In a book in a barrack, a letter from Malay.
But your war ends. And after it you return”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Give Pleasure

War, Books

“The louder a sound is, the more we recognize it as being near, so the louder the "tone" of objects that is, the blacker or whiter the nearer they seem; and so if in our picture we wish to give a sense of distance, we must see that the darkest shadows and highest lights are in the foreground : and because we may not be able to materially alter things as the undiscriminating process gives them to us, we must seek for and select those scenes, those subjects, in which this arrangement of highest and deepest tones do come in the foreground, and then take care that our process renders them with fidelity, so that we may not lose the sense of their nearness or the feeling of greater distance of other planes which it is intended they shall give.”

Alfred Horsley Hinton (1863–1908) British photographer

Source: Practical Pictorial Photography, 1898, Tone and atmoshphere, p. 44-45

Feeling, Sense, Light

“The impressionistic method leads into a complete splitting and dissolution of all areas involved in the composition, and color is used to create an overall effect of light. The color is, through such a shading down from the highest light in the deepest shadows, sacrified an degraded to a (black-and-white) function. This leads to the destructions of the color as color.”

Hans Hofmann (1880–1966) American artist

Hofmann's quote in: 'Space pictorially realized through the intrinsic faculty of the colors to express volume' in New Paintings by Hans Hofmann (1951); also in Hans Hofmann (1998) by Helmut Friedel and Tina Dickey
1950s

Color, Light

“The Nefertiti bust is one of the most popular art works in the world. It is printed on scarves and molded in necklace pendants and coffee-table miniatures. But never in my experience is the bust exactly reproduced. The copyist softens it, feminizes it and humanizes it. The actual bust is intolerably severe. It is too uncanny an object for domestic display. Even art books lie. The bust is usually posed in profile or at an angle, so that the missing left pupil is hidden or shadowed. What happened to the eye?”

Camille Paglia (1947) American writer

Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 67

Lie, Books, World, Art

“That soul is on the certain path toward light which, sincerely desiring the light, constantly submits to the claims of the light as they are made known. That soul cannot stay in darkness, any more than a flower opening its petals broadly to the sun can stay in shadow.”

Wayland Hoyt (1838–1910) American Baptist Minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 389.

Soul, Flowers, Light, Sun

“Here the ancient mystery
Holds its hands out day by day,
Takes a chair and croons with me
By my cabin built of clay.
When the dusky shadow flits,
By the chimney nook I see
Where the old enchanter sits,
Smiles, and waves, and beckons me.”

George William Russell (1867–1935) Irish writer, editor, critic, poet, and artistic painter

The Nuts of Knowledge (1903)

Smile

“The past is the poet's,—that world is his own;
Thence hath his music its truth and its tone.
He calls up the shadows of ages long fled,
And light, as life lovely, illumines the dead.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Vow of the Peacock (1835)

Love, Life, Truth, Age

“The ordinary man casts a shadow. In a way we do not quite understand, the man of genius casts light. Instinctively, we flinch from this light. We assure ourselves that genius must pay a terrible price. Often history bears us out: the creator, the supreme artist, the master of politics carries the scars of his greatness.”

George Steiner (1929–2020) American writer

"Not a Preface, but a Word of Thanks," foreword to Unfinished Journey by Yehudi Menuhin (1977).

Way, History, Understanding, Light

“Our words go beyond the moon.
Our words go into the shadows.
The river sings the endlessness.
We write of our journey through night.
We write in our aloneness.
We want to know the shape of eternity.
Who knows the way it is?
Who knows what time will not tell us?”

Enya (1961) Irish singer, songwriter, and musician

Song lyrics, Amarantine (2005)

Way, Singing, Time, Night

“[Julian - disguised]
Oh, jealousy is but
A shadow cast from vanity, which lain
Would take the shape of love to hide its own
Selfish deformity!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The London Literary Gazette, 1821-1822

Love, Jealousy, Selfishness

“And then we saw him bolt.
We heard the miniature thunder where he fled,
And we saw him, or thought we saw him, dim and gray,
Like a shadow across instead of behind the flakes.”

Robert Frost (1874–1963) American poet

" The Runaway http://www.poemhunter.com/poem/runaway-the/" (1923) 1920s

“hey Jack
now for the tricky part
when you were the brightest star
who were the shadows?
of the San Francisco beat boys
you were the favorite
now they sit and rattle their bones
and think of their blood stoned days”

Natalie Merchant (1963) American singer-songwriter

Song lyrics, In My Tribe (1987), Hey Jack Kerouac

Star, Boy, Thinking, Parting

“They act as ‘most anybody would, raised in Delaware, in the shadow of the whipping-post and the pillory. We must remember that Delaware was a slave State; that the Bible became extremely dear to the people because it upheld that peculiar institution.”

Robert G. Ingersoll (1833–1899) Union United States Army officer

Interview with the Chicago Times, Feb. 14, 1881.

People

“Love has no power to look forward — the delicious consciousness of the present, a faint but delightful shadow of the past, form its eternity.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(18th August 1822) These from a prose sketch - Isadore
The London Literary Gazette, 1821-1822

Love, Past

“The question is not whether to take risks, but which ones to take. The peril of being reasonable is that you will miss all the fun. It’s not enough to cautiously edge your way toward the cliff. Learn to revel in taking risks for the sake of your soul. Every choice you make gives birth instantly to certain risks as surely as your shadow follows you.”

Nicholas Lore (1944) American social scientist

The Pathfinder (1998)

Way, Soul, Birth, Question

“The chief good is the suspension of the judgment, which tranquillity of mind follows like its shadow.”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Pyrrho, 11.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 9: Uncategorized philosophers and Skeptics

“Proportion applies to sculpture as to painting; perspective determines the contour; chiaroscuro gives relief through the disposition of lights and shadows in their relationship with the background; color gives the appearance of life... The colorists, the men who unite all the phases of painting, have to establish, at once and from the beginning, everything that is proper and essential to their art. They have to mass things in with color, even as the sculptor does with clay, marble or stone; their sketch, like that of the sculptor, must also render proportion, perspective effect, and color.”

Eugène Delacroix (1798–1863) French painter

15 April 1851, as quoted in Artists on Art – from the 14th – 20th centuries, ed. by Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, pp. 230 – 231
1831 - 1863, Delacroix' 'Journal' (1847 – 1863)

Life, Men, Art, Color

“To-day is the parent of to-morrow. The present casts its shadow far into the future. That is the law of life, individual and social. Revolution that divests itself of ethical values thereby lays the foundation of injustice, deceit, and oppression for the future society. The means used to prepare the future become its cornerstone.”

Emma Goldman book My Disillusionment in Russia

My Disillusionment in Russia (1923)

Life, Law, Parent, Future

“There seemed no face within the cowl, only a black emptiness, and the notion sprang irresistibly to Dietrich’s mind that this was Death, now these dozen years overdue, treading a weary mountain trail in search of him. Then a flash of white showed within the shadow and Dietrich realized that it was only the angle of the sun that had made that hood seem so empty.”

Michael Flynn book Eifelheim

Source: Eifelheim (2006), Chapter XVIII (p. 323)

Death, Search, Mountain, Sun

“A thousand ardent oilers swung the long spout 'twixt their nods,
And tried to glimpse a meaning in the challenge of the gods.

And then one night there landed on a Mineola swale
A plane that looked like pewter, with a carrier of mail.

Its wings were tinged like tea-box skins, each truss of shadow gray,
Its cabin but an alcove slung beneath a metal ray.

The Spirit of St. Louis was inscribed upon the lee;
It came from out a province that had never seen the sea.”

Nathalia Crane (1913–1998) American writer

Venus Invisible and Other Poems (1928), The Wings of Lead

God, Tea, Sea, Night

“Don't be visionary', shouted trade and the spiritual blindness which is absurdly called practical common sense, 'morals have nothing to do with politics'. 'Don't talk of injustice. In this world we must compromise. Compromise is the very essence of government'. So it is, if you do not attempt to compromise moral principle. 'All government', says Edmund Burke, 'is founded upon compromise and barter'. 'But in all fair dealings the thing bought must bear some proportion to the purchase paid. None will barter away the immediate jewel of the soul'. And what is and always has been the immediate jewel of our national soul if it be not the equal rights of men? Compromise equal rights in the United States? Whittle a crowbar? How do we like it, as the boys say, as far as we have got? You may compromise questions of cotton and com, but you cannot long compromise a point of conscience. Moral principles are absolute and eternal. You may stretch an inch of India rubber to cover your hat; you cannot stretch a diamond the shadow of a hair.”

George William Curtis (1824–1892) American writer

1860s, The Good Fight (1865)

Men, World, Soul, Boy

“In the mazes of loitering people, the watchful and furtive,
The shadows of tree-trunks and shadows of leaves,
In the drowse of the sunlight, among the low voices,
I suddenly face you”

Conrad Aiken (1889–1973) American novelist and poet

Chance Meetings (1917)

People, Tree

“Islam says: Whatever good there is exists thanks to the sword and in the shadow of the sword! People cannot be made obedient except with the sword! The sword is the key to Paradise, which can be opened only for the Holy Warriors! There are hundreds of other [Qur'anic] psalms and Hadiths [sayings of the Prophet] urging Muslims to value war and to fight. Does all this mean that Islam is a religion that prevents men from waging war? I spit upon those foolish souls who make such a claim.”

Amir Taheri (1942) Iranian journalist

Holy Terror: The inside story of Islamic terrorism (1987)

Men, War, People, Religion

“Or say it is Pentecost: the hawthorn-tree,
set with coagulate magnified flowers of may,
blooms in a haze of light; old chalk-pits brim
with seminal verdue from the roots of time.

Landscape is like revelation; it is both
singular crystal and the remotest things.
Cloud-shadows of seasons revisit the earth,
odourless myrrh bourne by the wandering kings.”

Geoffrey Hill (1932–2016) English poet and professor

The Mystery of the Charity of Charles Péguy 5.21-29.
Poetry

Flowers, Tree, Light, Time

“Man’s life is but a jest,
A dream, a shadow, bubble, air, a vapor at the best.”

George Walter Thornbury (1828–1876) British writer

The Jester’s Sermon. Compare: "Life is a jest and all things show it; I thought so once, but now I know it", John Gay, My own Epitaph; "Life is an empty dream", Robert Browning, Paracelsus, ii.; "Life ’s but a series of trifles at best", Anonymous.

Life, Dreams

“I heard a heavy step approaching behind the great door, and saw through the chinks the gleam of a coming light. Then there was the sound of rattling chains and the clanking of massive bolts drawn back. A key was turned with the loud grating noise of long disuse, and the great door swung back.
Within, stood a tall old man, clean shaven save for a long white moustache, and clad in black from head to foot, without a single speck of colour about him anywhere. He held in his hand an antique silver lamp, in which the flame burned without a chimney or globe of any kind, throwing long quivering shadows as it flickered in the draught of the open door. The old man motioned me in with his right hand with a courtly gesture, saying in excellent English, but with a strange intonation.
"Welcome to my house! Enter freely and of your own free will!"”

Bram Stoker book Dracula

Jonathan Harker's journal
Dracula (1897)

Light, Housing

“During my high school years, a boy from my neighborhood named Malcolm chose me to be his friend for a season. His elbow nudged my book in the public library one Saturday afternoon as he sprawled forward across the table feigning some condition—boredom, I suppose. His voice was like shadow—as whispery and as indistinct as shadow, due to an adolescent change. “Do you want to wrestle?” he asked. I have never met anyone since who speaks as Malcolm spoke: He daydreamed; he pronounced strategies out loud (as I raked elm leaves from our lawn and piled them in the curb)—about how he would befriend this boy or that boy, never anyone I knew; Malcolm went to a different high school. “First,” he said, “I will tease him about his freckles. Then I will tease him about his laugh—how his laugh sounds a little like a whinny sometimes. I won’t go too far. You should see how his wrist pivots as he dribbles down the court. “He’s got these little curls above his sideburns. I wish I had those.””

Richard Rodríguez (1944) American journalist and essayist

(He would catch me up on the way to the library.) “What are you reading? We read that last year. Not really a war story, though, is it? Want to go eat French toast?”
Darling: A Spiritual Autobiography (2013)

War, Books, School, Way

“I exist without the cosmic shadow,
But it could not live bereft of me;
As the sea exists without the waves,
But they breathe not without the sea.
Dreams, wakings, states of deep turiya sleep,
Present, past, future, no more for me,
But the ever-present, all-flowing, I, I everywhere.
Consciously enjoyable,
Beyond the imagination of all expectancy,
Is this, my samadhi state.”

Paramahansa Yogananda (1893–1952) Yogi, a guru of Kriya Yoga and founder of Self-Realization Fellowship

Songs of the Soul by Paramahansa Yogananda, Quotes drawn from the poem "Samadhi"

Dreams, Imagination, Sleep, Past

“You must cast yourself on God's gospel with all your weight, without any hanging back, without any doubt, without even the shadow of a suspicion that it will give.”

Alexander Maclaren (1826–1910) British minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 599.

God

“It has been observed here this morning that we are called fanatics. Bless me! That is nothing. Who has not been called a fanatic who has discovered anything new in philosophy or science? We have all read of Galileo the astronomer who, contrary to the system of astronomy that had been received for ages before his day, taught that the sun, and not the earth, was the centre of our planetary system? For this the learned astronomer was called "fanatic," and subjected to persecution and imprisonment of the most rigorous character. So it has been with others who have discovered and explained new truths in science and philosophy which have been in opposition to long-established theories; and the opposition they have encountered has endured until the truth of their discoveries has been demonstrated by time. The term "fanatic" is not applied to professors of religion only…I will tell you who the real fanatics are: they are they who adopt false principles and ideas as facts, and try to establish a superstructure upon a false foundation. They are the fanatics; and however ardent and zealous they may be, they may reason or argue on false premises till doomsday, and the result will be false. If our religion is of this character we want to know it; we would like to find a philosopher who can prove it to us. We are called ignorant; so we are: but what of it? Are not all ignorant? I rather think so. Who can tell us of the inhabitants of this little planet that shines of an evening, called the moon? When we view its face we may see what is termed "the man in the moon," and what some philosophers declare are the shadows of mountains. But these sayings are very vague, and amount to nothing; and when you inquire about the inhabitants of that sphere you find that the most learned are as ignorant in regard to them as the most ignorant of their fellows. So it is with regard to the inhabitants of the sun. Do you think it is inhabited? I rather think it is. Do you think there is any life there? No question of it; it was not made in vain. It was made to give light to those who dwell upon it, and to other planets; and so will this earth when it is celestialized. Every planet in its first rude, organic state receives not the glory of God upon it, but is opaque; but when celestialized, every planet that God brings into existence is a body of light, but not till then. Christ is the light of this planet. God gives light to our eyes.”

Brigham Young (1801–1877) Latter Day Saint movement leader

Journal of Discourses, 13:271 (July 24, 1870)
1870s

Life, God, Truth, Age

“If this myth of the harpies were a reality, what of the other legends—the Hydra, the centaurs, the chimera, Medusa, Pan and the satyrs? All those myths of antiquity—behind them did there lie and lurk nightmare realities with slavering fangs and talons steeped in shuddersome evil? Africa, the Dark Continent, land of shadows and horror, of bewitchment and sorcery, into which all evil things had been banished before the growing light of the western world!”

Robert E. Howard (1906–1936) American author

"Wings in the Night" (1932)

Lie, World, Reality, Light

“You go down to the pick up station
Craving warmth and beauty
You settle for less than fascination
A few drinks later you're not so choosy
When the closing lights strip off the shadows
On this strange new flesh you've found
Clutching the night to you like a fig leaf
You hurry
To the blackness
And the blankets
To lay down an impression
And your loneliness.”

Joni Mitchell (1943) Canadian musician

"Down to You" from Court and Spark
Songs

Beauty, Drink, Light, Loneliness

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Wisdom, Secret, Feeling, Thinking

“Who shall dare let his incapacity for hope or goodness cast a shadow upon the courage of those who bear their burdens as if they were privileges?”

Helen Keller book Optimism

Optimism (1903)

Hope, Courage

“In beloved Iraq, blood is flowing between brothers, in the shadow of an illegitimate foreign occupation, and abhorrent sectarianism threatens a civil war.”

Abdullah of Saudi Arabia (1924–2015) former King of Saudi Arabia

Saudi: US Iraq presence illegal http://news.bbc.co.uk/2/hi/middle_east/6505803.stm 29 March 2007.

War

“So his life has flowed
From its mysterious urn a sacred stream,
In whose calm depth the beautiful and pure
Alone are mirrored; which, though shapes of ill
May hover round its surface, glides in light,
And takes no shadow from them.”

Thomas Noon Talfourd (1795–1854) British politician

Act i. Sc. 1.
Ion (1835)

Life, Beauty, Light

“He kept flinching. The low sun shone in the face of a two-hundred-foot-tall wind turbine in the field across the crick, and its blades cast long scything shadows over them. … The sun above blinking on and off with each cut of a blade. … Something about their being in motion, in a place where everything else was almost pathologically still, seized the attention; they always seemed to be jumping out at you from behind corners.”

Neal Stephenson book Reamde

Thanksgiving (prologue)
Reamde (2011), Part I: Nine Dragons

Sun

“When I look at creation, how can know that there was a Creator? I can't see Him, hear Him, touch Him, taste Him, or smell Him. How can I know that He exists? Why, creation proves, beyond the shadow of the smallest doubt, that there is a Creator.”

Ray Comfort (1949) New Zealand-born Christian minister and evangelist

God doesn't believe in atheists (2002)

“In soft deluding lies let fools delight.
A shadow marks our days, which end in Night.”

Hilaire Belloc (1870–1953) writer

"On a Sundial"
Sonnets and Verse (1938)

Fools, Night

“I look out the window sometimes to seek the color of the shadows and the different greens in the trees, but when I get ready to paint I just close my eyes and imagine a scene.”

Grandma Moses (1860–1961) American artist

As quoted in TIME magazine, Vol. 52 (1948)

Color, Imagination, Tree, Painting

“As shadows attend substances, so words follow upon things.”

Richard Chenevix Trench (1807–1886) Irish bishop

Study of Words; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 907.

“In sculpture the projection of the fasciculi must be accentuated, the foreshortening forced, the hollows deepened; sculpture is the art of the hole and the lump, not of clear, well-smoothed, unmodelled figures. Ignorant people, when they see close-knitted true surfaces, say that 'it is not finished.' No notion is falser than that of finish unless it be that of elegance; by means of these two ideas people would kill our art. The way to obtain solidity and life is by work carried out to the fullest, not in the direction of achievement and of copying détails, but in that of truth in the successive schemes. The public, perverted by académie préjudices, confounds art with neatness. The simplicity of the 'École' is a painted cardboard ideal, A cast from life is a copy, the exactest possible copy, and yet it has neither motion nor eloquence. Art intervenes to exaggerate certain surfaces, and also to fine down others. In sculpture everything depends upon the way in which the modelling is carried out with a constant thought of the main line of the scheme, upon the rendering of the hollows, of the projections and of their connections; thus it is that one may get fine lights, and especially fine shadows that are not opaque. Everything should be emphasised according to the accent that it is desired to render, and the degree of amplification is personal, according to the tact and the temperament of each sculptor; and for this reason there is no transmissible process, no studio recipe, but only a true law. I see it in the antique and in Michael Angelo. To work by the profiles, in depth not by surfaces, always thinking of the few geometrical forms from which all nature proceeds, and to make these eternal forms perceptible in the individual case of the object studied, that is my criterion. That is not idealism, it is a part of the handicraft. My ideas have nothing to do with it but for that method; my Danaids and my Dante figures would be weak, bad things. From the large design that I get your mind deduces ideas.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 61-63

Life, People, Truth, Law

“"I have gone through the most terrible affair that could possibly happen; only imagine, my shadow has gone mad; I suppose such a poor, shallow brain, could not bear much; he fancies that he has become a real man, and that I am his shadow." "How very terrible,” cried the princess; "is he locked up?" "Oh yes, certainly; for I fear he will never recover." "Poor shadow!" said the princess; "it is very unfortunate for him; it would really be a good deed to free him from his frail existence; and, indeed, when I think how often people take the part of the lower class against the higher, in these days, it would be policy to put him out of the way quietly."”

Hans Christian Andersen book The Shadow

The Shadow
Fairy Tales (1835)

People, Fear, Way, Imagination

“Afflictions are but the shadow of His wings.”

George MacDonald (1824–1905) Scottish journalist, novelist

Source: Paul Faber, Surgeon (1879), Ch. 25

Affliction

“To find the directions and quarters of the winds your method of procedure should be as follows. In the middle of the city place a marble amussium, laying it true by the level, or else let the spot be made so true by means of rule and level that no amussium is necessary. In the very center of that spot set up a bronze gnomon or "shadow tracker." At about the fifth hour in the morning, take the end of the shadow cast by this gnomon, and mark it with a point. Then, opening your compasses to this point which marks the length of the gnomon's shadow, describe a circle from the center. In the afternoon watch the shadow of your gnomon as it lengthens, and when it once more touches the circumference of this circle and the shadow in the afternoon is equal in length to that of the morning, mark it with a point. From these two points describe with your compasses intersecting arcs and through their intersection and the centre let a line be drawn to the circumference of the circle to give us the quarters of south and north…. and thus we have designed a figure equally apportioned among the eight winds.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter VI, Sec. 5-7

“Then cricket sing thy song, or answer mine
Thine whispers blame, but mine has naught but praises
It matters not. — Behold the autumn goes,
The Shadow grows,
The moments take hold of eternity;
Even while we stop to wrangle or repine
Our lives are gone
Like thinnest mist,
Like yon escaping colour in the tree: —
Rejoice! rejoice! whilst yet the hours exist
Rejoice or mourn, and let the world swing on
Unmoved by Cricket-song of thee or me.”

Frederick Goddard Tuckerman (1821–1873) American poet

"The Cricket" lines 120–131

World, Autumn, Tree, Singing

“And the Shadow of the Night and not Love was departed;
I was sore, I was weary, yet Love lived to seek;
So I scaled the dark mountains, and wandered sad-hearted
Over wearier wastes, where e'en sunlight was bleak,
With no rest of the night for my soul waxen weak.”

William Morris (1834–1896) author, designer, and craftsman

Love is Enough (1872), Song V: Through the Trouble and Tangle

Love, Sadness, Soul, Mountain

“Through fasting, concentration and prayer, mystics shut out the shifting world of the senses in order to reach a timeless reality. Quite often they find what they seek - but it is only a shadow play, an arabesque of their own anxieties, projected onto an inner screen. They end as they began, stuck fast in the personal time of memory and regret.”

John Gray book Straw Dogs: Thoughts on Humans and Other Animals

As It Is: Turning Back (p. 198)
Straw Dogs: Thoughts on Humans and Other Animals (2002)

World, Reality, Sense, Memory

“Daughter of heaven, fair art thou! the silence of thy face is pleasant! Thou comest forth in loveliness. The stars attend thy blue course in the east. The clouds rejoice in thy presence, O moon! They brighten their dark-brown sides. Who is like thee in heaven, light of the silent night? The stars are ashamed in thy presence. They turn away their sparkling eyes. Whither dost thou retire from thy course, when the darkness of thy countenance grows? Hast thou thy hall, like Ossian? Dwellest thou in the shadow of grief? Have thy sisters fallen from heaven? Are they who rejoiced with thee, at night, no more? Yes! they have fallen, fair light! and thou dost often retire to mourn. But thou thyself shalt fail, one night; and leave thy blue path in heaven. The stars will then lift their heads: they, who were ashamed in thy presence, will rejoice. Thou art now clothed with thy brightness. Look from thy gates in the sky. Burst the cloud, O wind! that the daughter of night may look forth! that the shaggy mountains may brighten, and the ocean roll its white waves in light.”

James Macpherson (1736–1796) Scottish writer, poet, translator, and politician

"Dar-thula"
The Poems of Ossian

Art, Mountain, Star, Sister

“I was in too much haste, and now have no time left. I traded all the sunlight and the cities and the distant lands for a handful of power, for a shadow, for the dark.”

Ursula K. Le Guin (1929–2018) American writer

Source: Earthsea Books, A Wizard of Earthsea (1968), Chapter 10 (Ged)

Distant, Time

“With respect to the present expedition, it is defensible on the ground that the enormous power of France enables her to coerce the weaker state to become the enemy of England…the law of nature is stronger than even the law of nations. It is to the law of self-preservation that England appeals for justification of her proceedings. It is admitted…that if Denmark had evidenced any hostility towards this country, then we should have been justified in measures of retaliation. How then is the case altered, when we find Denmark acting under the coercion of a power notoriously hostile to us? Knowing, as we do, that Denmark is under the influence of France, can there be the shadow of a doubt that the object of our enemy would have been accomplished? Denmark coerced into hostility stands in the same position as Denmark voluntarily hostile, when the law of self-preservation comes into play…England, according to that law of self-preservation which is a fundamental principle of the law of nations, is justified in securing, and therefore enforcing, from Denmark a neutrality which France would by compulsion have converted into an active hostility.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Speech in the House of Commons (3 February 1808) on the British bombardment of Copenhagen, quoted in George Henry Francis, Opinions and Policy of the Right Honourable Viscount Palmerston, G.C.B., M.P., &c. as Minister, Diplomatist, and Statesman, During More Than Forty Years of Public Life (London: Colburn and Co., 1852), pp. 1-3.
1800s

Hostility, Law, Nature, Country

“As yonder tower outstretches to the earth
The dark triangle of its shade alone
When the clear day is shining on its top;
So, darkness in the pathway of man's life
Is but the shadow of God's providence,
By the great Sun of wisdom cast thereon;
And what is dark below is light in heaven.”

John Greenleaf Whittier (1807–1892) American Quaker poet and advocate of the abolition of slavery

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 282

Life, Wisdom, God, Light

“Numbers were a mystery to me. I was so far behind. It was only in Nairobi, at age ten, that I figured out anything at all about the way time is calculated: minutes, hours, years. In Saudi Arabia the calendar had been Islamic, based on lunar months; Ethiopia maintained an ancient solar calendar. The year was written 1399 in Saudi Arabia, 1972 in Ethiopia, and 1980 in Kenya and everywhere else. In Ethiopia we even had a different clock: sunrise was called one o'clock and noon was called six. (Even within Kenya, people used two systems for telling time, the British and the Swahili.) The months, the days--everything was conceived differently. Only in Juja Road Primary school did I begin to figure out what people meant when they referred to precise dates and times. Grandma never learned to tell time at all. All her life, noon was when shadows were short, and your age was measured by rainy seasons. She got by perfectly well with her system.”

Ayaan Hirsi Ali book Infidel

Source: Infidel (2007), Chapter 5: Secret Rendezvous, Sex, and the Scent of Sukumawiki

Life, People, Age, School

“Now shall the promises made to Christ by God the Father before the foundation of the world, the promises of the covenant of redemption, be fully accomplished. Christ shall now have perfectly obtained the joy set before Him, for which He undertook those great sufferings in His state of humiliation. Now shall all the hopes and expectations of the saints be fulfilled. The state of the church before was progressive and preparatory; but now she is arrived at her most perfect state of glory. All the glory of the church on earth is but a faint shadow of this her consummate glory in heaven.”

Jonathan Edwards (1703–1758) Christian preacher, philosopher, and theologian

A History of the Work of Redemption including a View of Church History (1839).

God, World, Hope, Suffering

“We were high above fields, and there far, far below, was a small shadow as of a great bird tearing along the neatly marked off fields. It gave me the most tremendous shock to realize for the first time the terrific speed we were going at and that that shadow meant us — us, like a mirror! That "bird"”

Anne Morrow Lindbergh (1906–2001) American aviator and author

it was us.
On her first flight.
Bring Me a Unicorn (1971)

Bird, Tear, Time, Speed

“War is chaos. It always has been. But technology makes it worse. It changes the fear. At the Institute, I feared men. I feared what Titus and the Jackal could do to me. You see death coming there and can at least struggle against it. Here, you don't have such luxury. Modern war is fearing the air, the shadows, fearing the silence. Death will come and I won't even see it.”

Pierce Brown book Golden Son

Source: Golden Son (2015), Ch. 38: The Iron Rain

Death, Men, War, Fear

“There is, in a apple, in a head, a culminating point, and this point - in spite of the effect, the tremendous effect: shadow or light, sensations of colour - is always the one nearest to the eye. The edge of objects recede to another point placed on your horizon. This is my great principle, my conviction, my discovery. The eye must concentrate, grasp the subject, and the brain will find a means to express it..”

Paul Cézanne (1839–1906) French painter

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 222 in: 'What he told me – III. The Studio'

Light

“There is no such thing as the Shadow Cabinet. It is purely a Press term. The Prime Minister is by no means bound to include the members of the Shadow Cabinet in his Cabinet, or even in the Government. I myself left several out.”

Clement Attlee (1883–1967) Former Prime Minister of the United Kingdom

Address to the Oxford University Law Society (14 June 1957), quoted in The Times (15 June 1957), p. 4
1950s

“For pain is perhaps but a violent pleasure? Who could determine the point where pleasure becomes pain, where pain is still a pleasure? Is not the utmost brightness of the ideal world soothing to us, while the lightest shadows of the physical world annoy?”

Honoré de Balzac (1799–1850) French writer

Le mal n'est peut-être qu'un violent plaisir. Qui pourrait déterminer le point où la volupté devient un mal et celui où le mal est encore la volupté ? Les plus vives lumières du monde idéal ne caressent-elles pas la vue, tandis que les plus douces ténèbres du monde physique la blessent toujours.
The Wild Ass’s Skin (1831), Part I: The Talisman

Pain, Pleasure, World

“I verily believe that a man’s way with women is in inverse ratio to his prowess among men. The weakling and the saphead have often great ability to charm the fair sex, while the fighting man who can face a thousand real dangers unafraid, sits hiding in the shadows like some frightened child.”

Edgar Rice Burroughs book A Princess of Mars

Source: A Princess of Mars (1917), Chapter 16

Women, Men, Sex, Way

“You know the story of the famous seer Phineus whom the Argonauts consulted when they stopped in Salmydessos in Thrace on their way to Colchis to get the golden fleece. He was blind, but not entirely blind - he could see just enough to see that he could not see. And the little flickering spots of light that forced themselves on him were wind-harpies trying to steal from him his prophetic power. So he would beg everyone to make him blind, to rid him of the harpies. But people laughed at him because, so far as they could tell, he was as blind as any man needed to be. Only Hercules understood, because his spirit extended into the divine shadows. Only Hercules had the courage to make the blind Phineus blind.”

Laura Riding Jackson (1901–1991) poet, critic, novelist, essayist and short story writer

Cassandra in A Trojan Ending (London: Constable, 1937)

People, Way, Courage, Light

“Weak Christians are afraid of the shadow of the cross.”

Thomas Brooks (1608–1680) English Puritan

Source: Quotes from secondary sources, Dictionary of Burning Words of Brilliant Writers, 1895, P. 171.

“But while at the bottom of the national life the slime was thus constantly accumulating more and more deleteriously and deeply, so much the more smooth and glittering was the surface, overlaid with the varnish of polished manners and universal friendship. All the world interchanged visits; so that in the houses of quality it was necessary to admit the persons presenting themselves every morning for the levee in a certain order fixed by the master or occasionally by the attendant in waiting, and to give audience only to the more notable one by one, while the rest were more summarily admitted partly in groups, partly en masse at the close—a distinction which Gaius Gracchus, in this too paving the way for the new monarchy, is said to have introduced. The interchange of letters of courtesy was carried to as great an extent as the visits of courtesy; "friendly" letters flew over land and sea between persons who had neither personal relations nor business with each other, whereas proper and formal business-letters scarcely occur except where the letter is addressed to a corporation. In like manner invitations to dinner, the customary new year's presents, the domestic festivals, were divested of their proper character and converted almost into public ceremonials; even death itself did not release the Roman from these attentions to his countless "neighbours," but in order to die with due respectability he had to provide each of them at any rate with a keepsake. Just as in certain circles of our mercantile world, the genuine intimacy of family ties and family friendships had so totally vanished from the Rome of that day that the whole intercourse of business and acquaintance could be garnished with forms and flourishes which had lost all meaning, and thus by degrees the reality came to be superseded by that spectral shadow of "friendship," which holds by no means the least place among the various evil spirits brooding over the proscriptions and civil wars of this age.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Pt. 2, Translated by W.P. Dickson.
On Roman Friendship in the last ages of the Republic.
The History of Rome - Volume 4: Part 2

Life, Death, Friendship, War

“I have observed that very often I gain access to a little secret that I have sought for a long time by way of a fortuitous encounter quite unrelated to the matter: for example six months I try to draw a camel in a way that satisfies me, and I make a thousand attempts without ever managing to do it. Then one day it is a drawing of a plump on the label of a pot of jam or the shadow thrown by an ink pot, or something or other equally unrelated to the matter that provides me with the solution. This kind of thing has happened so often that I have acquired the habit of always being on the outlook, and when I want to draw a camel I no longer limit myself, as I once did, to looking (only, fh) at camels..”

Jean Dubuffet (1901–1985) sculptor from France

Source: posthumous, Jean Dubuffet, Works, writings Interviews, 2006, p. 44; quote in Dubuffet's letter to Jean Paulhan (letter 123)

Secret, Way, Time, Drawing

“Having made an utter failure of my life, I found myself one day, in the midst of my poverty and wretchedness, thinking about the female companions of my youth. As I went over them one by one, examining and comparing them in my mind's eye, it suddenly came over me that those slips of girls – which is all they were then – were in every way, both morally and intellectually, superior to the 'grave and mustachioed signior' I am now supposed to have become. The realization brought with it an overpowering sense of shame and remorse, and for a while I was plunged in the deepest despair. There and then I resolved to make a record of all the recollections of those days I could muster – those golden days when I dressed in silk and ate delicately, when we still nestled in the protecting shadow of the Ancestors and Heaven still smiled on us. I resolved to tell the world how, in defiance of all my family's attempts to bring me up properly and all the warnings and advice of my friends, I had brought myself to this present wretched state, in which, having frittered away half a lifetime, I find myself without a single skill with which I could earn a decent living. I resolved that, however unsightly my own shortcomings might be, I must not, for the sake of keeping them hid, allow those wonderful girls to pass into oblivion without a memorial.”

Cao Xueqin (1724–1763) Chinese writer during the Qing dynasty

Cao Xueqin, as quoted in the introduction attributed to his younger brother (Cao Tangcun) to the first chapter of Dream of the Red Chamber, present in the jiaxu (1754) version (the earliest-known manuscript copy of the novel), translated by David Hawkes in The Story of the Stone: The Golden Days (Penguin, 1973), pp. 20–21

Life, Youth, World, Family

“Of all the fowls that sweep the air
None with the Peacock may compare;
Not only for its loveliness,
Though queens in vain might ask such dress,
But o'er those painted plumes are cast
So many shadows from the past”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

The Vow of the Peacock (1835)

Past, Painting

“The leaves were gone from all, save where the pine
Threw the wide shadow of its unchang'd green.
I could not envy it that fadeless state.—
Ah! who would be the last, the only one
That ruin spares—no; if the blight must pass
O'er all around, let it pass o'er me too!”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Canto II, X
The Fate of Adelaide (1821)

Envy

“Shadows…bring softness to every thing. An object and its shadow are softness and hardness.”

Eli Siegel (1902–1978) Latvian-American poet, philosopher

Everything Has to Do with Hardness and Softness (1969)

“This occasion is dedicated to freedom. The people of Baltimore, and of Maryland, are gathered here in that spirit. Because Americans cherish that sentiment they cherish the name of Lafayette. On the anniversary of his birth, we are gathered about his statue in this proud city which we know he loved, almost in the shadow of the stately monument reared to his great friend Washington, to rededicate ourselves to the inspiring memory of a true son of world freedom.”

Calvin Coolidge (1872–1933) American politician, 30th president of the United States (in office from 1923 to 1929)

1920s, Ordered Liberty and World Peace (1924)

Love, People, World, Birth

“In geometry the following theorems are attributed to him [Thales]—and their character shows how the Greeks had to begin at the very beginning of the theory—(1) that a circle is bisected by any diameter (Eucl. I., Def. 17), (2) that the angles at the base of an isosceles triangle are equal (Eucl. I., 5), (3) that, if two straight lines cut one another, the vertically opposite angles are equal (Eucl. I., 15), (4) that, if two triangles have two angles and one side respectively equal, the triangles are equal in all respects (Eucl. I., 26). He is said (5) to have been the first to inscribe a right-angled triangle in a circle: which must mean that he was the first to discover that the angle in a semicircle is a right angle. He also solved two problems in practical geometry: (1) he showed how to measure the distance from the land of a ship at sea (for this he is said to have used the proposition numbered (4) above), and (2) he measured the heights of pyramids by means of the shadow thrown on the ground”

Thomas Little Heath (1861–1940) British civil servant and academic

this implies the use of similar triangles in the way that the Egyptians had used them in the construction of pyramids
Achimedes (1920)

Way, Problem, Sea

“But youth is as a flowing stream, on whose current the shadow may rest but not remain.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Other Gift Books

Youth

“It also happens, rather often, that politicians do not actually talk to each other but only to one another's shadows as they appear in the media.”

Václav Havel (1936–2011) playwright, essayist, poet, dissident and 1st President of the Czech Republic

The Onassis Prize For Man and Mankind (1993)

Appearance

“Manners are the shadows of virtues; the momentary display of those qualities which our fellow creatures love, and respect.”

Sydney Smith (1771–1845) English writer and clergyman

Sermon XII, Sermons (1809)

Love

“Last week the doctor at the Tilson Rural Clinic had shown him his X-rays, the too-easy-to-interpret shadows on his liver and lungs. Guilford had declined an offer of surgery and and last-gasp radiation therapy. This horse was too old to beat.”

Robert Charles Wilson book Darwinia

Epilogue (p. 316)
Darwinia (1998)

Horse

“.. I let myself go.. [in Kandinsky's Murnau-period when he was painting in open air; c. 1908 – 1914] I thought little of the houses and trees, but applied colour stripes and spots to the canvas with the knife and made them sing out as strongly as I could. Within me sounded the memory of early evening in Moscow, before my eyes was the strong, colour-saturated scale of the Munich light and atmosphere, which thundered deeply in the shadows.”

Wassily Kandinsky (1866–1944) Russian painter

'..stripes and spots with the knife', as he learned then also Gabriele Münter - they frequently painted together in open air
Source: 1916 -1920, Autobiography', 1918, p. 31

Tree, Light, Strong, Memory