Quotes about shadow
page 9

George W. Bush photo
Sören Kierkegaard photo
Margaret Thatcher photo
Robert Hooke photo
Baldassarre Castiglione photo

“Then the soul, freed from vice, purged by studies of true philosophy, versed in spiritual life, and practised in matters of the intellect, devoted to the contemplation of her own substance, as if awakened from deepest sleep, opens those eyes which all possess but few use, and sees in herself a ray of that light which is the true image of the angelic beauty communicated to her, and of which she then communicates a faint shadow to the body.”

Baldassarre Castiglione (1478–1529) Italian Renaissance author (1478-1529)

Però l'anima, aliena dai vicii, purgata dai studi della vera filosofia, versata nella vita spirituale ed esercitata nelle cose dell'intelletto, rivolgendosi alla contemplazion della sua propria sustanzia, quasi da profundissimo sonno risvegliata, apre quegli occhi che tutti hanno e pochi adoprano, e vede in se stessa un raggio di quel lume che è la vera imagine della bellezza angelica a lei communicata, della quale essa poi communica al corpo una debil umbra.
Bk. 4, ch. 68; p. 300.
Souced, Il Libro del Cortegiano (1528)

Ingrid Newkirk photo

“Every animal has his or her story, his or her thoughts, daydreams, and interests. All feel joy and love, pain and fear, as we now know beyond any shadow of a doubt. All deserve that the human animal afford them the respect of being cared for with great consideration for those interests or left in peace.”

Ingrid Newkirk (1949) British-American activist

"Every Week There is More Reason to Feel Empathy for Animals" https://www.huffingtonpost.com/ingrid-newkirk/every-week-there-is-more_b_216409.html, Huffington Post, 17 July 2009.
2009

Arthur Schopenhauer photo
Adam Smith photo
Mark Tobey photo
Edward Young photo

“Like our shadows,
Our wishes lengthen as our sun declines.”

Source: Night-Thoughts (1742–1745), Night V, Line 661.

Daniel Defoe photo

“When kings the sword of justice first lay down,
They are no kings, though they possess the crown.
Titles are shadows, crowns are empty things,
The good of subjects is the end of kings.”

Daniel Defoe (1660–1731) English trader, writer and journalist

Pt. II, l. 313.
The True-Born Englishman http://www.luminarium.org/editions/trueborn.htm (1701)

Anthony Burgess photo

“God, say some philosophers, manifests himself in the sublunary world in particular beauties, truths and acts of benevolence; properly, the values should be conjoined to shadow their identity in the godhead, but this happens so infrequently that one must suppose divinity condones a kind of diabolic fracture or else, and perhaps my book is already giving some hint of this, he demonstrates his ineffable freedom through contriving at times a wanton inconsistency. If this is so, we need not wonder at Messalina’s failure to match her beauty with a love of truth and goodness. She was a chronic liar and she was thoroughly bad. But her beauty, we are told, was a miracle. The symmetry of her body obeyed all the golden rules of the mystical architects, her skin was without even the most minuscule flaw and it glowed as though gold had been inlaid behind translucent ivory, her breasts were full and yet pertly disdained earth’s pull, the nipples nearly always erect, and visibly so beneath her byssinos, as in a state of perpetual sexual excitation, the areolas delicately pigmented to a kind of russet. The sight of her weaving bare white arms was enough, it is said, to make a man grit his teeth with desire to be encircled by them; the smooth plain of her back, tapering to slenderness only to expand lusciously to the opulence of her perfect buttocks, demanded unending caresses.”

Anthony Burgess (1917–1993) English writer

Fiction, The Kingdom of the Wicked (1985)

Wallace Stevens photo
Hugh Walpole photo
Nakayama Miki photo
Thomas Hardy photo
George W. Bush photo
Tom Baker photo
Wallace Stevens photo

“The meeting of their shadows or that meet
In a book in a barrack, a letter from Malay.
But your war ends. And after it you return”

Wallace Stevens (1879–1955) American poet

Notes Toward a Supreme Fiction (1942), It Must Give Pleasure

Alfred Horsley Hinton photo

“The impressionistic method leads into a complete splitting and dissolution of all areas involved in the composition, and color is used to create an overall effect of light. The color is, through such a shading down from the highest light in the deepest shadows, sacrified an degraded to a (black-and-white) function. This leads to the destructions of the color as color.”

Hans Hofmann (1880–1966) American artist

Hofmann's quote in: 'Space pictorially realized through the intrinsic faculty of the colors to express volume' in New Paintings by Hans Hofmann (1951); also in Hans Hofmann (1998) by Helmut Friedel and Tina Dickey
1950s

Camille Paglia photo
Wayland Hoyt photo
George William Russell photo
Letitia Elizabeth Landon photo
George Steiner photo
Letitia Elizabeth Landon photo
Robert Frost photo

“And then we saw him bolt.
We heard the miniature thunder where he fled,
And we saw him, or thought we saw him, dim and gray,
Like a shadow across instead of behind the flakes.”

Robert Frost (1874–1963) American poet

" The Runaway http://www.poemhunter.com/poem/runaway-the/" (1923)
1920s

Natalie Merchant photo
Robert G. Ingersoll photo
Letitia Elizabeth Landon photo

“Love has no power to look forward — the delicious consciousness of the present, a faint but delightful shadow of the past, form its eternity.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

(18th August 1822) These from a prose sketch - Isadore
The London Literary Gazette, 1821-1822

Nicholas Lore photo
Diogenes Laërtius photo

“The chief good is the suspension of the judgment, which tranquillity of mind follows like its shadow.”

Diogenes Laërtius (180–240) biographer of ancient Greek philosophers

Pyrrho, 11.
The Lives and Opinions of Eminent Philosophers (c. 200 A.D.), Book 9: Uncategorized philosophers and Skeptics

Eugène Delacroix photo
Emma Goldman photo
Nathalia Crane photo
George William Curtis photo
Conrad Aiken photo
Amir Taheri photo
George Walter Thornbury photo

“Man’s life is but a jest,
A dream, a shadow, bubble, air, a vapor at the best.”

George Walter Thornbury (1828–1876) British writer

The Jester’s Sermon. Compare: "Life is a jest and all things show it; I thought so once, but now I know it", John Gay, My own Epitaph; "Life is an empty dream", Robert Browning, Paracelsus, ii.; "Life ’s but a series of trifles at best", Anonymous.

Bram Stoker photo
Richard Rodríguez photo
Paramahansa Yogananda photo
Alexander Maclaren photo

“You must cast yourself on God's gospel with all your weight, without any hanging back, without any doubt, without even the shadow of a suspicion that it will give.”

Alexander Maclaren (1826–1910) British minister

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 599.

Brigham Young photo

“It has been observed here this morning that we are called fanatics. Bless me! That is nothing. Who has not been called a fanatic who has discovered anything new in philosophy or science? We have all read of Galileo the astronomer who, contrary to the system of astronomy that had been received for ages before his day, taught that the sun, and not the earth, was the centre of our planetary system? For this the learned astronomer was called "fanatic," and subjected to persecution and imprisonment of the most rigorous character. So it has been with others who have discovered and explained new truths in science and philosophy which have been in opposition to long-established theories; and the opposition they have encountered has endured until the truth of their discoveries has been demonstrated by time. The term "fanatic" is not applied to professors of religion only…I will tell you who the real fanatics are: they are they who adopt false principles and ideas as facts, and try to establish a superstructure upon a false foundation. They are the fanatics; and however ardent and zealous they may be, they may reason or argue on false premises till doomsday, and the result will be false. If our religion is of this character we want to know it; we would like to find a philosopher who can prove it to us. We are called ignorant; so we are: but what of it? Are not all ignorant? I rather think so. Who can tell us of the inhabitants of this little planet that shines of an evening, called the moon? When we view its face we may see what is termed "the man in the moon," and what some philosophers declare are the shadows of mountains. But these sayings are very vague, and amount to nothing; and when you inquire about the inhabitants of that sphere you find that the most learned are as ignorant in regard to them as the most ignorant of their fellows. So it is with regard to the inhabitants of the sun. Do you think it is inhabited? I rather think it is. Do you think there is any life there? No question of it; it was not made in vain. It was made to give light to those who dwell upon it, and to other planets; and so will this earth when it is celestialized. Every planet in its first rude, organic state receives not the glory of God upon it, but is opaque; but when celestialized, every planet that God brings into existence is a body of light, but not till then. Christ is the light of this planet. God gives light to our eyes.”

Brigham Young (1801–1877) Latter Day Saint movement leader

Journal of Discourses, 13:271 (July 24, 1870)
1870s

Robert E. Howard photo
Joni Mitchell photo
Octavio Paz photo

“time in an allegory of itself imparts to us lessons of wisdom which the moment they are formulated are immediately destroyed by the merest flickers of light or shadow which are nothing more than time in its incarnations and disincarnations which are the phrases that I am writing on this paper and that disappears as I read them:
they are not the sensations, the perceptions, the mental images, and the thoughts which flare up and die away here, now, as I write or as I read what I write: they are not what I see or what I have seen, they are the reverse of what is seen and of the power of sight—but they are not the invisible: they are the unsaid residuum;
they are not the other side of reality but, rather, the other side of language, what we have on the tip of our tongue that vanishes before it is said, the other side that cannot be named because it is the opposite of a name:
what is not said is not this or that which we leave unsaid, nor is it neither-this-nor-that: it is not the tree that I say I see but the sensation that I feel on sensing that I see it at the moment when I am just about to say that I see it, an insubstantial but real conjunction of vibrations and sounds and meanings that on being combined suggest the configuration of a green-bronze-black-woody-leafy-sonorous-silent presence;
no, it is not that either, if it is not a name it surely cannot be the description of a name or the description of the sensation of the name or the name of the sensation:
a tree is not the name tree, nor is it the sensation of tree: it is the sensation of a perception of tree that dies away at the very moment of the perception of the sensation of tree;
names, as we already know, are empty, but what we did not know, or if we did know, had forgotten, is that sensations are perceptions of sensations that die away, sensations that vanish on becoming perceptions, since if they were not perceptions, how would we know that they are sensations?;
sensations that are not perceptions are not sensations, perceptions that are not names—what are they?
if you didn’t know it before, you know now: everything is empty;
and the moment I say everything-is-empty, I am aware that I am falling into a trap: if everything is empty, this everything-is-empty is empty too;
no, it is full, full to overflowing, everything-is-empty is replete with itself, what we touch and see and taste and smell and think, the realities that we invent and the realities that touch us, look at us, hear us, and invent us, everything that we weave and unweave and everything that weaves and unweaves us, momentary appearances and disappearances, each one different and unique, is always the same full reality, always the same fabric that is woven as it is unwoven: even total emptiness and utter privation are plenitude (perhaps they are the apogee, the acme, the consummation and the calm of plenitude), everything is full to the brim, everything is real, all these invented realities and all these very real inventions are full of themselves, each and every one of them, replete with their own reality;
and the moment I say this, they empty themselves: things empty themselves and names fill themselves, they are no longer empty, names are plethoras, they are donors, they are full to bursting with blood, milk, semen, sap, they are swollen with minutes, hours, centuries, pregnant with meanings and significations and signals, they are the secret signs that time makes to itself, names suck the marrow from things, things die on this page but names increase and multiply, things die in order that names may live:”

Octavio Paz (1914–1998) Mexican writer laureated with the 1990 Nobel Prize for Literature

Source: The Monkey Grammarian (1974), Ch. 9

Helen Keller photo
Abdullah of Saudi Arabia photo

“In beloved Iraq, blood is flowing between brothers, in the shadow of an illegitimate foreign occupation, and abhorrent sectarianism threatens a civil war.”

Abdullah of Saudi Arabia (1924–2015) former King of Saudi Arabia

Saudi: US Iraq presence illegal http://news.bbc.co.uk/2/hi/middle_east/6505803.stm 29 March 2007.

Thomas Noon Talfourd photo
Neal Stephenson photo
Ray Comfort photo
Hilaire Belloc photo

“In soft deluding lies let fools delight.
A shadow marks our days, which end in Night.”

Hilaire Belloc (1870–1953) writer

"On a Sundial"
Sonnets and Verse (1938)

Grandma Moses photo
Richard Chenevix Trench photo

“As shadows attend substances, so words follow upon things.”

Richard Chenevix Trench (1807–1886) Irish bishop

Study of Words; reported in Hoyt's New Cyclopedia Of Practical Quotations (1922), p. 907.

Auguste Rodin photo

“In sculpture the projection of the fasciculi must be accentuated, the foreshortening forced, the hollows deepened; sculpture is the art of the hole and the lump, not of clear, well-smoothed, unmodelled figures. Ignorant people, when they see close-knitted true surfaces, say that 'it is not finished.' No notion is falser than that of finish unless it be that of elegance; by means of these two ideas people would kill our art. The way to obtain solidity and life is by work carried out to the fullest, not in the direction of achievement and of copying détails, but in that of truth in the successive schemes. The public, perverted by académie préjudices, confounds art with neatness. The simplicity of the 'École' is a painted cardboard ideal, A cast from life is a copy, the exactest possible copy, and yet it has neither motion nor eloquence. Art intervenes to exaggerate certain surfaces, and also to fine down others. In sculpture everything depends upon the way in which the modelling is carried out with a constant thought of the main line of the scheme, upon the rendering of the hollows, of the projections and of their connections; thus it is that one may get fine lights, and especially fine shadows that are not opaque. Everything should be emphasised according to the accent that it is desired to render, and the degree of amplification is personal, according to the tact and the temperament of each sculptor; and for this reason there is no transmissible process, no studio recipe, but only a true law. I see it in the antique and in Michael Angelo. To work by the profiles, in depth not by surfaces, always thinking of the few geometrical forms from which all nature proceeds, and to make these eternal forms perceptible in the individual case of the object studied, that is my criterion. That is not idealism, it is a part of the handicraft. My ideas have nothing to do with it but for that method; my Danaids and my Dante figures would be weak, bad things. From the large design that I get your mind deduces ideas.”

Auguste Rodin (1840–1917) French sculptor

Source: Auguste Rodin: The Man, His Ideas, His Works, 1905, p. 61-63

Hans Christian Andersen photo
George MacDonald photo

“Afflictions are but the shadow of His wings.”

George MacDonald (1824–1905) Scottish journalist, novelist

Source: Paul Faber, Surgeon (1879), Ch. 25

Vitruvius photo
Frederick Goddard Tuckerman photo
William Morris photo
John Gray photo
James Macpherson photo
Ursula K. Le Guin photo
Henry Temple, 3rd Viscount Palmerston photo

“With respect to the present expedition, it is defensible on the ground that the enormous power of France enables her to coerce the weaker state to become the enemy of England…the law of nature is stronger than even the law of nations. It is to the law of self-preservation that England appeals for justification of her proceedings. It is admitted…that if Denmark had evidenced any hostility towards this country, then we should have been justified in measures of retaliation. How then is the case altered, when we find Denmark acting under the coercion of a power notoriously hostile to us? Knowing, as we do, that Denmark is under the influence of France, can there be the shadow of a doubt that the object of our enemy would have been accomplished? Denmark coerced into hostility stands in the same position as Denmark voluntarily hostile, when the law of self-preservation comes into play…England, according to that law of self-preservation which is a fundamental principle of the law of nations, is justified in securing, and therefore enforcing, from Denmark a neutrality which France would by compulsion have converted into an active hostility.”

Henry Temple, 3rd Viscount Palmerston (1784–1865) British politician

Speech in the House of Commons (3 February 1808) on the British bombardment of Copenhagen, quoted in George Henry Francis, Opinions and Policy of the Right Honourable Viscount Palmerston, G.C.B., M.P., &c. as Minister, Diplomatist, and Statesman, During More Than Forty Years of Public Life (London: Colburn and Co., 1852), pp. 1-3.
1800s

John Greenleaf Whittier photo
Ayaan Hirsi Ali photo
Jonathan Edwards photo
Anne Morrow Lindbergh photo
Pierce Brown photo
Paul Cézanne photo
Clement Attlee photo

“There is no such thing as the Shadow Cabinet. It is purely a Press term. The Prime Minister is by no means bound to include the members of the Shadow Cabinet in his Cabinet, or even in the Government. I myself left several out.”

Clement Attlee (1883–1967) Former Prime Minister of the United Kingdom

Address to the Oxford University Law Society (14 June 1957), quoted in The Times (15 June 1957), p. 4
1950s

Honoré de Balzac photo

“For pain is perhaps but a violent pleasure? Who could determine the point where pleasure becomes pain, where pain is still a pleasure? Is not the utmost brightness of the ideal world soothing to us, while the lightest shadows of the physical world annoy?”

Honoré de Balzac (1799–1850) French writer

Le mal n'est peut-être qu'un violent plaisir. Qui pourrait déterminer le point où la volupté devient un mal et celui où le mal est encore la volupté ? Les plus vives lumières du monde idéal ne caressent-elles pas la vue, tandis que les plus douces ténèbres du monde physique la blessent toujours.
The Wild Ass’s Skin (1831), Part I: The Talisman

Edgar Rice Burroughs photo
Thomas Brooks photo

“Weak Christians are afraid of the shadow of the cross.”

Thomas Brooks (1608–1680) English Puritan

Source: Quotes from secondary sources, Dictionary of Burning Words of Brilliant Writers, 1895, P. 171.

Theodor Mommsen photo

“But while at the bottom of the national life the slime was thus constantly accumulating more and more deleteriously and deeply, so much the more smooth and glittering was the surface, overlaid with the varnish of polished manners and universal friendship. All the world interchanged visits; so that in the houses of quality it was necessary to admit the persons presenting themselves every morning for the levee in a certain order fixed by the master or occasionally by the attendant in waiting, and to give audience only to the more notable one by one, while the rest were more summarily admitted partly in groups, partly en masse at the close—a distinction which Gaius Gracchus, in this too paving the way for the new monarchy, is said to have introduced. The interchange of letters of courtesy was carried to as great an extent as the visits of courtesy; "friendly" letters flew over land and sea between persons who had neither personal relations nor business with each other, whereas proper and formal business-letters scarcely occur except where the letter is addressed to a corporation. In like manner invitations to dinner, the customary new year's presents, the domestic festivals, were divested of their proper character and converted almost into public ceremonials; even death itself did not release the Roman from these attentions to his countless "neighbours," but in order to die with due respectability he had to provide each of them at any rate with a keepsake. Just as in certain circles of our mercantile world, the genuine intimacy of family ties and family friendships had so totally vanished from the Rome of that day that the whole intercourse of business and acquaintance could be garnished with forms and flourishes which had lost all meaning, and thus by degrees the reality came to be superseded by that spectral shadow of "friendship," which holds by no means the least place among the various evil spirits brooding over the proscriptions and civil wars of this age.”

Theodor Mommsen (1817–1903) German classical scholar, historian, jurist, journalist, politician, archaeologist and writer

Vol. 4, Pt. 2, Translated by W.P. Dickson.
On Roman Friendship in the last ages of the Republic.
The History of Rome - Volume 4: Part 2

Jean Dubuffet photo
Cao Xueqin photo

“Having made an utter failure of my life, I found myself one day, in the midst of my poverty and wretchedness, thinking about the female companions of my youth. As I went over them one by one, examining and comparing them in my mind's eye, it suddenly came over me that those slips of girls – which is all they were then – were in every way, both morally and intellectually, superior to the 'grave and mustachioed signior' I am now supposed to have become. The realization brought with it an overpowering sense of shame and remorse, and for a while I was plunged in the deepest despair. There and then I resolved to make a record of all the recollections of those days I could muster – those golden days when I dressed in silk and ate delicately, when we still nestled in the protecting shadow of the Ancestors and Heaven still smiled on us. I resolved to tell the world how, in defiance of all my family's attempts to bring me up properly and all the warnings and advice of my friends, I had brought myself to this present wretched state, in which, having frittered away half a lifetime, I find myself without a single skill with which I could earn a decent living. I resolved that, however unsightly my own shortcomings might be, I must not, for the sake of keeping them hid, allow those wonderful girls to pass into oblivion without a memorial.”

Cao Xueqin (1724–1763) Chinese writer during the Qing dynasty

Cao Xueqin, as quoted in the introduction attributed to his younger brother (Cao Tangcun) to the first chapter of Dream of the Red Chamber, present in the jiaxu (1754) version (the earliest-known manuscript copy of the novel), translated by David Hawkes in The Story of the Stone: The Golden Days (Penguin, 1973), pp. 20–21

Letitia Elizabeth Landon photo
Letitia Elizabeth Landon photo
Eli Siegel photo

“Shadows…bring softness to every thing. An object and its shadow are softness and hardness.”

Eli Siegel (1902–1978) Latvian-American poet, philosopher

Everything Has to Do with Hardness and Softness (1969)

Calvin Coolidge photo
Thomas Little Heath photo
Letitia Elizabeth Landon photo

“But youth is as a flowing stream, on whose current the shadow may rest but not remain.”

Letitia Elizabeth Landon (1802–1838) English poet and novelist

Other Gift Books

Václav Havel photo

“It also happens, rather often, that politicians do not actually talk to each other but only to one another's shadows as they appear in the media.”

Václav Havel (1936–2011) playwright, essayist, poet, dissident and 1st President of the Czech Republic

The Onassis Prize For Man and Mankind (1993)

Sydney Smith photo

“Manners are the shadows of virtues; the momentary display of those qualities which our fellow creatures love, and respect.”

Sydney Smith (1771–1845) English writer and clergyman

Sermon XII, Sermons (1809)

Robert Charles Wilson photo
Wassily Kandinsky photo
Tyler Perry photo
Muhammad photo

“Never desire war but pray to Allah for peace and security. And when you are (forced) to fight the enemy, fight with steadfastness and know that Paradise is under the shadow of swords.”

Muhammad (570–632) Arabian religious leader and the founder of Islam

Riyadh us Saleheen, as quoted in Muhammad As a Military Leader, Afzalur Rahman
Sunni Hadith

Rod McKuen photo